Notebook

“Writers are always selling somebody out,” Joan Didion once wrote. She was talking about journalists, but it can be just as true of novelists. Whether the genre is romantasy or autofiction, making up stories often demands making up stories about real people — exploiting them — to serve a narrative purpose.

Cali Adeline’s debut novel, “People Watching in the Desert,” gives this thorny ethical business an impressively complex treatment for a book that comes on like a beach read. Sonny, its hero, has checked into Sanctuary, a spendy Phoenix-area resort, for an extended stay. She’s 25 and unemployed, and it’s unclear at first how she acquired the funds to splurge on an on-site cottage with a pool, 90-minute massages, and various forced-fun adventures. It’s also unclear why she chose a five-star resort for the splurging, given her discomfort with everything from the menu on down. Sitting down for dinner alone, she “discreetly googled some of the words on her phone under the table: cotija, calabacitas, tabbouleh, bisque.”

Adeline lays out a breadcrumb trail that eventually reveals that Sonny has lugged some especially heavy personal baggage to Sanctuary. Her neglectful, addict mom died when she was a child, only to be replaced with a repressive, overprotective grandmother who stomped on her every ambition. Early adulthood has been defined by failed relationships and uninspiring work. People are to be feared: She’d sooner indulge in croquettes at the resort’s cocktail party than make small talk with other vacationers, and when she braves the world outside her cottage it’s usually with a notebook in her hand.

The early pages of “People Watching” weave Sonny’s perspective with brief sketches of her fellow resort-goers, which usually open with godlike authority: “Allana was ten feet tall and beautiful.” “Chloe and Mark had been married for seven blissful years.” “Dale was invisible. He had that way about him.” The odd bluntness of these statements, combined with their touches of surreality (“ten feet tall”?), makes clear that these mini-bios are scribblings from Sonny’s notebook. Terrified of the world, but determined to better understand what she’s been excluded from for so long, she’s determined to imagine her way into reality.

Sonny’s Walter Mitty-like imaginings do some valuable double duty in the novel. For one thing, they offer some necessary conflict in a setting that’s all about relieving tension. Resorts are, almost by definition, boring, but as Sonny hangs out poolside or does yoga or endures a singing bowl, her mind (and the novel) is reeling with imagined infidelities, deaths, gambling debts and other domestic dramas. Second, her sketches serve as character-defining examples of projection on Sonny’s part, as her observations of others reveal her own concerns about love, sex, money and rejection.

And, of course, she’s deflecting, too — better to make up drama about others than confront her own. The memories Sonny eventually surfaces are more potent than anything she makes up. But they’re also crueler, and you can understand why she’ll think and write about anything but. She recalls a time as a child when she was neglected for days on end and braved a trip to a neighbor for help. “The woman asked Sonny when the last time she took a bath or changed her clothes was and Sonny didn’t know the answer. Her only response was, ‘I’m four,’ as she proudly held up five fingers,” Adeline writes. “She was three.”

Remember the words “beach read” up there? It’s not difficult to predict how Sonny’s arc will curve: It’s a Walter Mitty story, but also an Ugly Duckling story. That notebook full of mini-dramas becomes a source of drama in itself. Say, that bartender is pretty cute, isn’t he? And Sonny eventually integrates with a few of her fellow resort-goers, and learns there’s more to them in reality than her imaginings. As one character gently chastises her, “People can surprise you, Sonny, but you have to let them.”

The pat-ness of Sonny’s Sanctuary journey makes her yet another entry in an evolving genre you might call “Is This Character Concussed?” In these novels, the main character has been so absurdly addled by a (late-revealed) trauma that everyday human interactions are wildly aglow with (at first) terror or (later) manic-pixie wonder. Prime examples include Gail Honeyman’s “Eleanor Oliphant Is Completely Fine,” Sayaka Murata’s “Convenience Store Woman,” and multiple characters in the oeuvre of Sally Rooney and Ottessa Moshfegh. (Women are the most common character in these books, but guys can play too: See Fredrik Backman’s “A Man Called Ove.”) Socially awkward characters offer an opportunity for dry humor and deadpan prose. Because these stories have to dramatize a search for normalcy, its leads tend to be awkward in ways that strain credulity.

But you don’t have to wholly buy into the idea of a character like Sonny to find something intriguing about what Adeline is saying about storytelling throughout “People Watching.” In Sonny’s notebook, every observation is a moral choice, a mini-essay about what proper conduct is, what failure is, how you might get past it, and what our responsibilities to others might be. A notebook is a place of wish fulfilment, and a place for vengeance. Sonny explains at one point that she only started to get free of her grandmother’s clutches once she was capable of imagining her violently erased:

“I wrote a story. About her. And how one day while I was at work the house caught fire. Which wasn’t that far-fetched because the whole place really was a fire hazard. And … and … well, she was asleep inside the house, in the story, and didn’t make it out. I didn’t mean it. I was angry. And it was a story.”

Adeline stresses the word “story” three times in one brief passage. Sonny wants to reassure everybody that she was just making it up. But no writer is, not entirely.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

There have been dozens of football transfers in Southern California during the offseason, but the one transfer who could make the greatest impact is running back AJ McBean, who announced he was leaving Mira Costa High for Gardena Serra.

McBean, who ran 10.55 seconds in the 100 meters this spring thanks to Mira Costa’s track program and his commitment to getting faster, joins a Serra offense that returns all five starters on the offensive line. He’s got the speed and strength to help the Cavaliers make up for not reaching the Southern Section playoffs last season out of the extremely competitive Mission League.

He’s been a longtime resident of Hermosa Beach, so what would motivate him to leave Mira Costa after recently making a commitment to Stanford? He apparently wants to prepare for college by being used in a more versatile role catching passes out of the backfield to show off his many skills. At least that’s what his family told coach Scott Altenberg. Mira Costa was changing its offense to better feature him, so it’s a tough loss for the Mustangs.

McBean will have to move to become eligible immediately.

Hope at Whittier

Former Garfield coach Lorenzo Hernandez, in his first season at Whittier, has already discovered a talent he can’t wait to develop. Offensive and defensive lineman Joseph Medina from the class of 2028 has made quite a first impression on Hernandez.

Medina didn’t play last season, “and in three months that we have been here, he is off the charts,” Hernandez said.

Hernandez calls him “a great technician and amazing leader.”

Agoura QB depth

Never has coach Dustin Croick of Agoura had more quality depth at quarterback than what he will have this season thanks to two newcomers.

Junior Kris Carranza has transferred from Sierra Canyon to Agoura and is a top candidate to start. The Chargers are also adding incoming freshman quarterback Emerson Andrews, whose father, David, played tight end at Ohio State and was a member of the 2002 national championship team. He is director of athletic performance for UCLA’s men’s basketball program. If anyone has a strength and conditioning question, submit it to Emerson, who knows someone.

Commitments rolling in

With college recruiters headed on vacation, lots of players decided to make commitments to make sure they have a “certain” destination. There’s also a new trend of players announcing on social media posts that they are “shutting down” their recruitment, which is supposed to mean their decision is final. Then how come others keep recruiting them? Because it’s never final in this era of NIL.

Quarterback Chris Fields, the City Section player of the year from Carson, committed to Georgetown. Offensive lineman Micah Butler from Hamilton committed to Sacramento State. Kicker Gabriel Goroyan of Westlake committed to Stanford. Defensive back Wesley Ace from Gardena Serra committed to San Jose State. Safety Jaden Walk-Green from Corona Centennial has committed to Washington and teammate Brett Smith has committed to UNLV. Running back Kamden Tillis of Los Alamitos has committed to San Diego State.

Man among boys

USC recruiters deserve praise for identifying the best in Southern California and pursuing them with great intensity. There’s no doubt that Damien safety Gavin Williams, a USC commit, will be the standard for excellence this coming season. He’s fast and strong and players who don’t adjust to his physical skills are in for a surprise.

Damien won the Chaminade seven-on-seven passing tournament on Saturday, beating Crespi in the final. On the first play, Williams caught a long touchdown pass, sprinting well past the defender who had no idea how fast he runs.

First-year coaches galore

It’s going to be fun tracking the progress of first-year football coaches this season because there are so many at well-known programs. The question of who will have the best record should be debated all summer.

Iggy Porchia became the latest new hire, replacing his mentor, the late Angelo Gasca, at Venice.

There should be a competition on which new private coach will have the best record and which new public school coach will have the best record. There are so many candidates with new coaches at JSerra, Orange Lutheran, Servite, Los Alamitos, St. Francis, St. Bernard, Bishop Montgomery, Oaks Christian, Whittier Christian, Bishop Alemany, Muir, Pasadena, Long Beach Poly, Arroyo, North Hollywood, Sun Valley Poly and on it goes.

Transfer issues coming

It appears the Southern Section will be busy again this fall after last year’s eligibility scandal when it declared 19 transfer students ineligible at Bishop Montgomery, resulting in the varsity season ending after one game and forcing the Archdiocese of Los Angeles to clean up what looked like a preventable mess.

This time, it could be public schools facing scrutiny. The same rumors that started last summer about schools loading up on transfers are circulating again this summer. Principals who don’t act after multiple transfers seemingly out of nowhere start showing up to play football only have themselves to blame.

And schools that delay submitting transfer paperwork until the last minute thinking investigators will be too busy to spot an error don’t understand the process.

City Section commissioner Vicky Lagos has a policy that she immediately schedules a meeting with the administration, athletic director, coach and parents when one school receives multiple transfers to review paperwork. The Southern Section deployed AI last fall to help it catch parents submitting false information.

So prepare for more exciting times. It’s like a cat-and-mouse game. And don’t forget about the anonymous emails identifying parents not living at the official address they put on their transfer paperwork.