new york

ATLANTA — Not long ago, Georgia gubernatorial nominee Rick Jackson eagerly compared himself to his fellow billionaire in the Oval Office. He promised to be Donald Trump “with a Southern tone.” And sharing a summer rally stage, Jackson pointed at the president and declared, “I’m going to be this man’s favorite governor.”

On the debate stage this week with his Democratic opponent, however, Jackson discussed Trump only when Keisha Lance Bottoms brought him up. And he assured his audience that he’d “stand up to anybody.”

Jackson is not alone in his recalibration: Republican nominees for Senate, the U.S. House and governor’s offices across the country are sidestepping President Trump or openly distancing themselves as they debate before Election Day.

Those tactics, not unlike Republicans scrubbing Trump from their campaign websites, are the latest signs of how much Trump’s standing has fallen because of voters’ frustration with inflation, the Iran war and other matters. And the dynamics highlight the perilous options many Republicans face as they try to stitch together winning coalitions that go beyond Trump’s core supporters.

“Republicans right now are facing a voter turnout problem” in their own party, said GOP pollster Paul Shumaker, and must win “unaffiliated voters” who care most about the economy.

“You have to have something significant to change this narrative,” Shumaker said. But, he explained, that means “a significant victory in Iran” and seismic economic improvements — not something any Republican midterm candidate can force from behind a debate podium.

There’s a Trump tightrope on Iran, tariffs and rhetoric

Some Republicans are taking specific positions at odds with the president.

Michigan Senate candidate Mike Rogers said in his debate Thursday with Democrat Abdul El-Sayed that he’d urged the White House privately to reach a trade deal with Canada and end the president’s tariffs. Canada is Michigan’s largest trading partner, as it is for many Great Lakes and Midwestern states.

Days before, Rogers unveiled a new ad in which he said, “We know that Canada is not our enemy. We need to end the tariff war — now.”

That’s a noticeable departure from Rogers’ earlier, less specific statements praising Trump’s “America First” economic agenda while saying tariffs are not a “one-size-fits-all” solution.

Another Michigan Republican, Rep. Tom Barrett, already had bucked the president by voting for a war powers resolution intended to assert congressional authority over military actions in Iran. But debating Democrat Will Lawrence in their central Michigan district, Barrett added a criticism of Trump’s rhetoric Monday in Nebraska, where he floated the possibility of Iran attacking San Diego and Los Angeles.

The president mentioned those cities as part of his argument that higher gas prices because of his Iran war are a “small price to pay” to keep the country safe. But Democrats seized on the remarks, some insisting that Trump was calling for Iran to attack U.S. cities.

Barrett was asked whether Trump’s words were acceptable. Given the opportunity to echo the White House explanation that Trump was offhandedly mentioning a worst-case scenario he was trying to prevent, Barrett offered no defense.

“Nope,” he said flatly.

Many Republicans prefer a more generalized stiff arm

Reflecting the complex electoral balance, most Republicans have attempted to separate themselves without naming any firm difference with the president.

Running for a promotion to the Senate, Iowa U.S. Rep. Ashley Hinson tried in her debate Wednesday against Democrat Josh Turek to reconcile her earlier promises to be a Trump ally in Congress’s upper chamber. She said it would be “really easy” to keep her word and still be bipartisan — a buzz word she’s already been featuring in her campaign.

“I’ll be President Donald Trump’s ally when it is important for Iowa, but I will push back on him — he knows this, because I talk to him regularly — on things that are wrong for our state,” she said. “That’s true no matter who’s in the White House. That’s true no matter who is governing and who has the gavel.”

That’s the same path Jackson took in Georgia, as he pivoted away from Trump by embracing outgoing Georgia Gov. Brian Kemp, a Republican who has clashed with the president, starting with Trump’s false claims that he won Georgia in the 2020 presidential election.

“I will stand up to anybody, just like Brian Kemp has done,” Jackson said.

Another Republican House member, Mike Lawler of New York, made a point of name-checking a Democratic colleague, New Jersey’s Josh Gottheimer, and discussing bills they’d work on together. It was part of his argument that he’s able to challenge Trump and the party line.

“When I agree with the president I say it. When I disagree with the president, I say it,” he said in his closing remarks.

Hinson, meanwhile, referenced bills she’s worked on in the House that have been signed into law by both President Joe Biden and Trump.

But she also avoided criticizing Trump when asked about the president sending Affordable Care Act rebate checks to some Americans and promising a $5,000 bonus after the midterm elections if Republicans retain control of the House and Senate.

She said she “cares very deeply” about making sure Congress maintains the power of the purse and thinks it’s important to “live better within our means.”

Democrats pounce on either approach

Regardless of the Republican efforts, Democrats have continued peppering them with attacks and retorts about Trump. The most heated moments came when Democrat Cait Conley repeatedly said Lawler always voted with Trump.

“No matter how many times you say 100% of the time,” the congressman answered, “it’s provably false.”

When Rogers conceded in his back-and-forth with El-Sayed that the administration “probably” made errors in its mass deportation strategy, the Democrat answered swiftly.

“He said it was probably not right. I mean, it’s definitely not right,” El-Sayed said. “They killed two people.”

And while Georgia’s Jackson seemed uncomfortable talking about Trump, Bottoms was more than happy to mention him.

“I’m not running to be his favorite governor,” she said. “I’m running to work on behalf of people like you.” ___ Associated Press reporters Joey Cappelletti in Washington; Hannah Fingerhut in Des Moines, Iowa; and Jill Colvin in New York contributed to this report.

Barrow writes for the Associated Press.

Sept. 25, 2026 12:31 PM PT

TRENTON, N.J. — New Jersey ’s Democratic lieutenant governor has resigned after the governor demanded he step down over sexual harassment allegations and ethical lapses involving his relationships with women.

Gov. Mikie Sherrill had given Lt. Gov. Dale Caldwell an ultimatum that he resign by Friday, though she lacked the power to remove him if he said no. Sherrill announced the resignation at a news conference that afternoon.

“His decision will allow us to move forward with important work serving the people of our state,” she said. “In my administration we are committed to doing what is right, not what is politically expedient.”

Sherrill picked Caldwell, a Methodist pastor and former president of Centenary University, to be her running mate last year. They were elected together and took office in January, but within four months, Caldwell had become the subject of an anonymous complaint about his behavior with women.

In New Jersey, a governor can’t fire the lieutenant governor, as the post is independently elected. But lieutenant governors can be impeached and removed from office by the Legislature. A governor can strip a lieutenant governor of nearly all duties and responsibilities, effectively sidelining them from the administration.

Sherrill hired the law firm of a former New Jersey attorney general, Christopher Porrino, to investigate.

In a report released Thursday, the lawyers said Caldwell had committed several violations of state policy. It said Caldwell, 66, had made an advance toward a staff member’s friend and when he was rebuffed told the staffer, “you young women are looking for young sperm.”

The report also said Caldwell had tried to get a promotion for a state employee he was dating and brought personal guests to the opera and other ticketed events without paying for them, as required by ethics rules.

Caldwell denied any misconduct and said in a letter included in the report that he suspected his relationships with women were being subjected to extra scrutiny because he was a single Black man.

His lawyer, Thomas Calcagni, said Caldwell never made the sperm statement or used his position to further his romantic life. Caldwell did recommend a female friend for a promotion, Calcagni said, but only because he thought she would be a good candidate for the job. Caldwell denied ordering anyone to promote her or knowingly violating ethics rules by failing to disclose their personal relationship when he recommended her.

Sherrill had said Caldwell needed to resign because he committed “serious, repeated violations of state policy,” despite multiple warnings and trainings.

Besides being the first in line to become governor if Sherrill were to die, be removed from office or become incapacitated, Caldwell also had served as New Jersey’s appointed secretary of state. In that role, he had a supervisory role over the state’s elections.

In neighboring New York, a similar impasse has played out over the last year between Democratic Gov. Kathy Hochul and her estranged Lt. Gov. Antonio Delgado, who launched a caustic primary challenge to unseat her only to withdraw from the race as the election neared.

Hochul is running for reelection in November with Adrienne Adams, the former speaker of the New York City Council, as her replacement lieutenant governor nominee.

Catalini and Marcelo write for the Associated Press. Marcelo reported from New York.

A federal judge issued a temporary restraining order Thursday that removes President Trump’s ban on three news outlets from White House grounds, a rebuke of the administraton’s most severe attack yet on the Washington press corps.

U.S. District Judge Timothy Kelly said in his ruling that the administration’s ban is likely unconstitutional and that the outlets affected — CNN, MS NOW and Politico — were not given due process before the action was taken. Kelly also rejected the White House’s court argument that the ban was motivated by national security concerns. The restraining order will be in effect for 14-days as the litigation proceeds.

Kelly, appointed by Trump during his first term, made a similar ruling in 2018 after the White House tried to ban journalist Jim Acosta, then working for CNN. Acosta’s credentials were restored.

The three outlets jointly filed a lawsuit Monday alleging that the ban violates the 1st Amendment by retaliating against protected newsgathering as punishment for unfavorable coverage, amounting to viewpoint discrimination.

Trump announced the ban Friday in a Truth Social post, describing CNN, MS NOW and Politico as “fake news.” He claimed the outlets have long been unfair to him and that their negative coverage was a danger to the country.

Journalists from the three organizations were barred from White House grounds on Saturday, the day after Trump announced the ban in a Truth Social post.

CNN, MS NOW and Politico all reported Thursday that their access has not been restored despite the judge’s ruling. Politico reported that one of its journalists had a credential confiscated by Secret Service.

Whether the confiscation was a security snafu or a defiance of the court order remains to be seen.

In a emergency court hearing Wednesday, the White House shifted away from Trump’s initial stated reasons for the ban and argued that the three outlets engaged in reporting that threatened national security.

The administration went on to detail letters sent to each outlet that provided examples of such reporting. One was a background briefing set up by the White House, where an official briefed reporters on condition of anonymity under ground rules set by the White House itself.

In response to the ban, ABC, CBS, NBC and Fox News, suspended pool coverage of President Trump this week as he traveled to New York for the General Assembly at the United Nations.

The four networks along with CNN rotate the coverage which is shared with other news organizations. While the networks that aren’t banned have sent reporters to cover President Trump’s activities, they are not shooting video.

Some right wing outlets sympathetic to Trump such as One America News have been providing video coverage, but they lacked the technical capabilities of the larger networks. Another outlet, Real America’s Voice, posted video that showed President Trump’s detail traveling through New York City.

Keven Tripp, the Los Angeles correspondent for NBC News Radio posted on X that the “Press is NEVER supposed to reveal operational aspects of security detail,” calling the move by Real America’s Voice “stupid and unprofessional.”

Sept. 22, 2026 6:37 PM PT

NEW YORK — Earlier in the month, President Trump warned voters that democratic socialists — extreme, crazed, lunatics, he called them — were threatening to transform America into “a communist country.”

This week, a smiling Trump patted on the shoulder one of the nation’s best known democratic socialists, shook his hand, and said he was “off to a start” to being a great mayor of the country’s largest city.

Trump’s cozy relationship with New York City Mayor Zohran Mamdani, which began last year, has confounded people across the political spectrum. But with the midterms approaching, Republicans are increasingly frustrated by the unexpected bromance, which threatens the party’s message about Democratic radicalism.

“You’re trying to say, ‘Here’s how extreme they are,’ and the president’s saying, ’I love this guy,’” said veteran Republican strategist Doug Heye. “It doesn’t help.”

It’s hard to overstate the extent to which Republicans are focused on the rise of democratic socialism in the midterm season. At a moment when the party is saddled with Trump’s weak approval ratings on virtually every major issue — the economy and the war in Iran chief among them — Republicans from Georgia and Texas to New York and Michigan are working to scare voters away from Democratic candidates by warning that the party is controlled by far-left extremists.

At Trump’s unusual midterm convention in Texas earlier in the month, Mamdani’s name was evoked over and over again.

Texas Sen. Ted Cruz called the New York Mayor “Comrade Mamdani.” Rep. Tom Emmer, the No. 3 House Republican, called him “Mamdani the commie.”

Trump sent a similar message although he didn’t mention Mamdani.

“They call themselves democrat socialists, but actually they’re communists,” he said in his keynote address. “They’re crazy.”

In all, the words socialist or socialism were referenced dozens of times during the convention.

Trump did not mention those words while standing alongside Mamdani in New York on Monday, however. The president was in town for the United Nations General Assembly and made time to swing by Gracie Mansion.

Instead, the president highlighted efforts underway to work together, noting that he’s worked with numerous mayors over the years — “some great ones and some not so great ones.”

“Hopefully you’re going to be a great one,” Trump said while looking at Mamdani. “I’ll be able to say you’re going to be a great one. And you’re off to a start.”

Trump grew up in Queens, which Mamdani represented in the New York Assembly before running for mayor and winning a startling upset. He has since expanded his political power in the city, helping to push three candidates to victory in Democratic congressional primaries earlier this year.

It’s possible that Trump’s tone on Mamdani will shift again. After they had two surprisingly convivial meetings in the Oval Office, Trump started criticizing the mayor again.

“Sadly, Mayor Mamdani is DESTROYING New York! It has no chance!,” Trump wrote on social media in April in apparent response to a plan to create a new tax on luxury second homes in the city. “The United States of America should not contribute to its failure. It will only get WORSE. The TAX, TAX, TAX Policies are SO WRONG.”

Republicans in New York were quick to downplay the latest example of Trump’s friendliness with Mamdani.

David Laska, a spokesperson for the New York Republican Party, said, “President Trump is the greatest dealmaker in history, and he has proven repeatedly that he can deal from a position of strength with America’s enemies, be they foreign dictators or the mayor of New York City.”

Mamdani faced his own questions about why he was playing nice with a president that he’s previously described as a fascist.

“The president and I have both been very frank about the many disagreements that we have,” he said Monday. “I will continue to have conversations with the president, and frankly, anyone who can deliver relief to the people of this city.”

Peoples and Izaguirre write for the Associated Press.

Published on
18/09/2026 – 12:25 GMT+2

Britain’s most valuable private company has clarified where it intends to sell its shares.

ADVERTISEMENT

ADVERTISEMENT

Nik Storonsky, Revolut’s founder and CEO, told French newspaper Les Echos on Thursday that the group is weighing a dual listing across the London Stock Exchange and the Nasdaq, confirming earlier media reports.

A spokesperson for Revolut confirmed the report to Euronews.

The US remains Storonsky preference, and he was candid about why, stating that “it’s a larger market. It includes institutional investors, hedge funds, fund managers and a considerable number of individual investors.”

“So we have the choice between selling in a small market with few buyers, or in a gigantic market with a huge number of buyers who will compete fiercely for our shares,” Storonsky added.

The comments mark a softening.

The Revolut CEO argued in 2024 that the London Stock Exchange simply could not compete with American venues, citing thin liquidity and the UK’s 0.5% stamp duty on share purchases, and had appeared to rule out listing at home altogether.

The London exchange has endured a prolonged drought of new listings, with companies either staying private or heading west. For instance, payments group Wise moved its primary listing to New York this year, and AstraZeneca has also expanded its presence in the US.

Revolut going public at anything near its current valuation would make it one of Britain’s largest listed companies, potentially worth more than Barclays or NatWest.

A secondary share sale in July valued the business at roughly $115 billion (€100bn), up from $75 billion (€65bn) in November.

No date for the IPO yet

When asked by Euronews about internal discussions regarding a timeline for the IPO, the spokesperson refused to comment, but pointed to a previous interview with Bloomberg in April of this year where the Revolut CEO stated “in two years time, but it depends on how good the market is.”

Progress as certainly been made as the company has spent this year assembling the regulatory foundations a listing will require.

It secured a full UK banking licence in March after a long wait that Storonsky has publicly blamed on British regulators, obtained a French licence in August, received conditional approval for a US national bank charter this month, and announced on Wednesday that it had applied for a Swiss licence alongside plans to invest more than 150 million Swiss francs (€158m) there.

Revolut has not stated which venue would host the primary listing, whether the two would happen simultaneously, or when formal preparations might begin.

An unprecedented surge in border crossings over the last decade reshaped America: Millions of people from more than 150 countries arrived, bringing the U.S. immigrant population to its highest levels.

Now, data obtained exclusively by the Associated Press paint a picture of who these migrants are, where they went and what happened after the border.

Some went to cities that have long been magnets for immigrants — New York, Miami — but increasingly, others found their way to smaller cities with less developed immigrant footholds. Blocks, neighborhoods and entire cities were remade in places like Elkhart, Ind., Knoxville, Tenn.,and Dodge City, Kan.

And while the vast majority of migrants traditionally were from Mexico, this surge included people from an astonishing number and diversity of countries: India, Ecuador, Ghana.

Via a Freedom of Information Act request, AP obtained federal records on the self-reported destinations of 4.5 million migrants released in the United States after crossing the Mexican border — both legally and illegally — between October 2018 and July 2025.

Migrants must provide U.S. Customs and Border Protection with a street address. AP obtained their destination ZIP codes, citizenship by country, ages, genders and the dates and border regions where they encountered authorities.

Some probably never arrived at the addresses they gave. Authorities lacked resources to check, though migrants must report truthfully to pursue their cases in court and get work permits. Some have moved elsewhere in the United States or left the country, voluntarily or involuntarily. But many have stayed put.

Data on their initial destinations after the southern border provides both a sweeping and an unusually granular look at how the immigration surge — one that peaked during President Biden’s administration and was a major reason voters returned his predecessor, Donald Trump, to the White House — is playing out today.

Here are some key takeaways from the data.

Cities drew migrants from several continents

The Border Patrol encountered migrants from 174 countries in one year alone, a sharp departure from earlier periods when they were nearly all Mexican and Central American. The growth of social media and new migration routes were key in bringing people from around the world. Cincinnati, for example, experienced a large number of arrivals from West Africa, Uzbekistan and India.

Some cities — ones that for generations have had robust international communities — were further diversified by the range of countries from which people arrived.

New York City’s Queens borough registered at least 25 nationalities with significant arrivals, including five countries that each sent more than 7,000 people: Ecuador, China, Colombia, Venezuela and India.

Philadelphia had 11 nationalities with at least 1,000 new arrivals, led by Brazil, Haiti and the Dominican Republic but also including Russia and Venezuela. The city’s metro area also received more than 1,000 migrants from Georgia.

Florida remained No. 1, but many people looked elsewhere

While Florida was the most popular state, Latin American immigrants increasingly looked elsewhere for more promising job prospects and a better quality of life. Many turned to places with small but established communities of immigrants from their homelands.

For Cubans, nine of the top 10 destination ZIP codes were in Florida, but people of the Caribbean nation also flocked to Louisville, Ky., Grand Island, Neb., and Odessa, Texas. Colombians went to the Denver suburb of Aurora. Paterson, N.J., was the top pick among Peruvians. Some Venezuelans headed to the growing suburbs south of Salt Lake City; others to pockets of Atlanta, Chicago and Denver.

More women and children came than men

Nearly 6 of every 10 migrants released at the border were women and children, a dramatic shift from a few years earlier when migrants were predominantly men.

The change is visible in many places and across nationalities, but some stand out. Tulsa, Okla., attracted Mexican women and children. Ecuadorian women and children went to Spring Valley, N.Y. Guatemalan women were drawn to Chattanooga, Tenn.

Those who came from China headed to L.A. and New York

Chinese migrants, who trekked by hundreds nightly in California’s mountainous border with Mexico, largely gravitated to two places: New York City, especially the Queens and Brooklyn boroughs, and a cluster of neighborhoods in the Los Angeles area.

Trump’s deportation machine hit some migrant magnets and overlooked others

Immigration arrests have hit some areas that ranked among the most popular destinations for migrants in recent years, including Miami and New York. Others that experienced a large migrant influx have gotten less attention from authorities, including Silicon Valley, Madison, Wis, and Stamford, Conn.

Jarrett, Kessler, Lodhi and Spagat write for the Associated Press.

José Rivera’s “Marisol” came out around the same time as Tony Kushner’s “Angels in America,” and both plays, vibrating with millennial anxieties, carry the earthly battle for human survival up to the heavens.

There’s a dramatically prominent Angel (Taylor Scott) as well in Rivera’s drama, now in an Open Fist Theater Company revival at Atwater Village Theatre. This celestial warrior has been protecting Marisol (Jade Santana) without her knowing it throughout her life. Marisol, referred to by a publishing colleague as “Miss Puerto Rican Yuppy Princess of the Universe,” still lives in the Bronx and is assailed by dangers just getting to and from work every day.

After an incident on the subway with a deranged man threatening her with a golf club, Marisol returns to her cramped, noisy apartment to learn that her guardian angel is abandoning her to enlist in the battle to replace a senile God, who (to judge by the ailing state of the universe) has grown too old for the job.

Jack Sharpe and Jade Santana in ‘Marisol’ at Open Fist.

(John Dlugolecki)

Marisol will have to fend for herself in New York, a dystopian landscape where crime is rampant, poverty is pervasive and the unhoused are threatened by roving gangs of Nazi skinheads who set them on fire for kicks.

What follows is a modern picaresque journey, in which a clever underdog has to rely on her wit and wiles to survive a corrupt and perilous world. Rivera’s play, which won an Obie Award, caught fire in its 1993 New York premiere at the Public Theater with its theatrical street sense, savage imagery and Puerto Rican-inflected magical realism.

The apocalyptic fears boiling up in the play are perhaps even more acutely felt today, with the ravages of climate change compounding each year and the threat of AI hanging an existential cloud over our heads.

But what’s most satisfying about this reencounter with “Marisol” is seeing a new generation embrace the play’s kinetic freedom. Rivera, who received an Oscar nomination for his adapted screenplay for the 2004 film “The Motorcycle Diaries,” solidified his reputation with this play after his breakthrough work “The House of Ramón Iglesia.”

Director Amanda Weier and her company approach “Marisol” as though it were a new play. The quicksilver changes of scene in this urban hellscape are handled with crisp dispatch. Subway cars and burned-out streets don’t require much in the way of elaborate illustration for the overhang of menace to be felt.

Occasionally, particularly in the early going, the blocking and Christopher Moscatiello’s sound design seemed to be working at cross-purposes. The production’s adventurousness, traversing every corner of Brad Bentz’s scenic design, can have a diffuse effect.

But the clever props design (Bruce Dickinson and Anna Krause) fills in any shoestring gaps. And Mylette Nora’s costumes artfully conjure both the underworld and the spiritual realm.

Jade Santana and Hutchins Foster in ‘Marisol’ at Open Fist.

(John Dlugolecki)

Santana’s Marisol, likable yet spiky, anchors the revival. Her interactions with the golf club maniac (Matthew Goodrich) and the scarred homeless man (Hutchins Foster) are fearfully intense, as they should be.

Grace Soens, who plays June, Marisol’s confederate at work, and Jack Sharpe, who takes on the role of Lenny, June’s mentally disturbed brother, expand this unstable world, where it’s hard to know who to trust.

“Marisol” is rife with ambiguity. One of the biggest questions is whether Marisol is dead or alive. But the surreal reality extends to the map of New York. Marisol can no longer tell if she is heading north or south. And the number of characters wielding golf clubs as deadly weapons raises the concern that the villains are interchangeable — and that the good guys have all fled.

One thing that’s certain is that Marisol will have to take up the fight for her own future. With no one left to protect her, she’s learning to look after herself and those she cares about. To become, in other words, the hero that’s needed to turn this momentous struggle around.

When Judy Collins comes to Los Angeles, she likes to stay at the Beverly Hilton in part because “they serve a fabulous breakfast,” she says over coffee at the hotel on a recent morning. “That’s rare today,” she adds. “Too often a place will just send up a cardboard shopping bag with the things you ordered in it.”

Collins knows her amenities: At 87, the Grammy-winning singer and songwriter still plays about 120 shows a year, drawing audiences around the world with her high, clear voice and an expansive repertoire that blends the hits that made her famous in the 1960s and ’70s — Joni Mitchell’s “Both Sides Now,” Leonard Cohen’s “Suzanne,” Stephen Sondheim’s “Send in the Clowns” — with traditional folk tunes and material of her own.

Yet now she’s preparing to hang it up with a lengthy farewell tour she’s calling Sweet Judy Blue Eyes (after “Suite: Judy Blue Eyes,” the folk-rock classic her one-time lover Stephen Stills wrote about her for Crosby, Stills & Nash). The night before our interview, Collins played L.A.’s Ford Theatre; she’ll be back through Southern California for a Sept. 27 date at the Lobero Theatre in Santa Barbara and again next year for shows in Palm Springs and Aliso Viejo.

After we talk, she plans to do a bit of tai chi, for which she uses an app on her phone and which she wishes more people practiced. “Maybe that would alter civilization,” she says. “If we were all doing tai chi, we couldn’t be at war with Iran.” Then she’ll head to the airport for a flight home to New York, where she’s lived for decades — most of them with her husband, industrial designer Louis Nelson, who died in 2024.

At breakfast, Collins is wearing a patterned turquoise jacket over a matching dress and high-heeled black leather boots.

“You like these?” she asks of the boots. “These are Stuart Weitzman. I bought them 30 years ago, and I’ve never stopped wearing them.”

That’s a well-made boot.
They fit, they’re great and I reject all invitations to get rid of them.

Has your thinking about clothes changed over the decades?
I used to dress in jeans because I was a cowgirl — I hung out with rodeo riders in Colorado. As I came up, I liked what was simple. My mother made all our clothes on a Singer sewing machine for years. Now I love beaded things. I have full closets I need to go through.

Before you came onstage last night, an announcer told the audience not to take pictures or videos.
That’s my management’s doing — it’s important to them, so I go along with it. But the pictures are usually bad. Also, the phones take people’s minds off what’s going on onstage. People need the chance to focus. We’re in a period of insanity right now, so people need time to sit wherever they are. They could go to the ballet or to the theater, but they choose to come to me, and they get to sit there and they get to listen and they get to think about their own lives.

As a performer, that’s what you seek to provide.
I’m providing silence. It’s such a noisy world — so full of crappy music that plays outside all these hotels and places where we stay. It drives me nuts.

You have a line in the show where you say, “Something unexpected happened — I turned 87.” It got a good laugh.
People applaud too.

What are they saying by applauding?
They want to be acknowledged for their own ages, whether they’re 87 or 90 or 19. People are coming to see me, but they’re also coming to see their history. They’ll remember what happened 60, 70 years ago — they were probably marching at the same things I was marching at. And if they’re 19, they want to know why we’re not marching now.

Judy Collins performs on “The Smothers Brothers Comedy Hour” in 1969.

(CBS via Getty Images)

You said we’re in a period of insanity.
This country is losing so much of the depth of our origin. The fact that workers who’ve come to this country are being taken off to God knows where — it makes no sense. Number one, these people often have some sort of legality. And secondly, they do the work here. Nobody else wants to go up to the orchards in Oregon and pick the fruit. Do you?

I can’t say that I do.
I don’t want to do that.

This tour is billed as your grand farewell.
So long, you guys.

I’m always reluctant to trust that framing. Cher’s done like eight farewell tours.
I hadn’t counted them up — shame on me.

Should we really believe you?
I think we have to believe in the present tense. What you’re hearing is what’s happening.

You had a music stand onstage with you. What was on it?
All the lyrics to all the songs.

You can’t possibly need the lyrics anymore.
Oh, yes, I do.

You’ve been singing some of them for decades.
Doesn’t matter — it has to be there in case you have to look at it.

Would you say you do look? Or is it more of a security blanket?
It’s a security blanket. But my eyes wander — I like to see who’s in the audience and what’s going on. I like to look up and down the aisles, and I like to fantasize: How did this happen?

Your life and career?
I mean, I know how it happened. I was 16, and I started going to the Denver Folklore Society, which was run by a guy named Lingo the Drifter. And Lingo the Drifter had these wonderful evenings where we all played the guitar and sang and drank illegal whiskey and so on.

Judy Collins last month in Beverly Hills.

(Allen J. Schaben / Los Angeles Times)

Before Denver, you lived briefly as a kid in Los Angeles.
My father was a very eclectic and fabulous radio personality. He had a radio show for 30 years in Seattle then here in Hollywood, broadcasting out of CBS — a big deal. If we weren’t in school, we would drive up Santa Monica Boulevard into Hollywood and we’d stand around and watch them produce the radio mysteries. People would walk in a sandbox to get the sound of somebody walking up the gravel road to the door.

Are you familiar with the term “nepo baby”?
No.

It refers to the child of a famous artist who follows in their parent’s footsteps.
Oh, that’s interesting.

People use it derisively, as if to say that a kid has overly benefited from their advantages.
We certainly had advantages. For instance, the Library of Congress, which is the jewel in the crown — I don’t know what they’re doing now — but they sent us Braille books and they sent us all the shows from New York and they sent us the recordings of all the Shakespearean plays by the great Dame Judith Anderson and John Gielgud. I had all that growing up. In some ways, I wasn’t raised — I was trained. I got to see how a professional has to handle his life. My father was a professional in all ways. He drank — occasionally, not all the time — but he was absolutely organized about everything, including that.

You’ve been sober for something like half a century.
Forty-eight years. I’m in my 49th now.

You ever miss drinking?
Oh, my God, no. I was so sick — I was gone. Bye-bye.

Some people replace one addiction with another.
I had an eating disorder, which is still kind of … You know, last night, I asked for apple juice during the show — I was in trouble because I wasn’t eating. When my husband died, I stopped eating again. I’d stopped eating in the ’60s and ’70s and ’80s, but I got over that. But suddenly I didn’t want to eat again.

Would you consider that disordered eating?
I don’t know. Anyway, I have to really be careful. We had a talk about it last night. I have to eat these protein bars, and I have to eat them all the time.

Do you remember the first gig you played after your husband died?
Oh, yes — I had to go out. When my son took his life in 1992, I got a call from Joan Rivers — she and I knew each other pretty well. She was getting ready to go out and do her show in Las Vegas, and she called me in New York and she said, “I have to tell you this” — her husband had just killed himself — she said, “You cannot stay home. You have to go out.” I was canceling all my shows, and she said, “You can’t do that because you won’t ever get over this if you do.”

How did you take that advice?
I said, “Thank you,” and I called my staff and I said, “Put ’em back on.” My mother came out with me, Louis came out with me, my sister came out with me, and it was incredibly true: I had to be working or else I would die. So when it came to Louis, I was out three days later.

What did that feel like?
Well, it was wonderful because I was working. I can work and get through anything — that’s the psychological effect of what I’m doing on the stage. I’m interacting with people, I’m hearing the laughter, I’m hearing the music. What could be more healing?

This is why I’m wondering why you plan to stop touring.
But you see, I have all these other things to do — I have a life that’s not just touring. I’m working on the music for a Broadway show. And I’m doing a new book — it’s called “Singing Through the Storm,” and it’ll be out next year, I hope.

Judy Collins and Leonard Cohen attend the 41st annual Songwriters Hall of Fame ceremony in New York in 2010.

(Larry Busacca / Getty Images)

You’ve interpreted the music of so many great songwriters: Joni Mitchell, Bob Dylan, Leonard Cohen. Was there ever a writer whose work you admired but couldn’t find your way into?
No.

OK.
I’ll tell you my funniest Leonard story. In 2014, I think it was, I went to this little group in Norway called Democrats Abroad — lonely group of people. That night, this woman came up to me and said, “Hi, I’m Marianne.” I said, “Hi, Marianne.” And then she said, “I’m Leonard’s Marianne.” She said, “There’s something I’ve wanted to tell you for many years: We were living together in Spain, Leonard and I, and he was writing songs and we were swimming in the nude. And then one day he came to me and he said, ‘Marianne, I’m going to New York to sing my songs for Judy Collins,’ and he went to New York and he played you all his songs and you recorded them.” Marianne said, “I just wanted to tell you that you ruined my life.” Fortunately, we became friends on Facebook.

You opened last night’s set with “Both Sides Now.”
Oh, yes.

This might be the most famous song you do. Some artists would save it for later in the show.
I don’t want people to wonder for an hour and a half: Will she? Won’t she? What will I do if she doesn’t?

Do you still enjoy singing “Both Sides Now”?
I love it. It was Al Kooper who brought me to Joni — she sang it to me over the phone. Al is living a very sane, quiet life in the Northeast now. He’s married — never goes out anymore. It’s hard to think of Al Kooper just sitting there enjoying his marriage and his garden.

What will you do on the plane home today?
I’ll probably get out the computer and noodle around on the book and see what I can come up with.

The work never ends.
It never ends because it’s not done.

Amanda Seyfried and Thomas Sadoski are calling it quits.

The former couple, who tied the knot in March 2017, told People that they had been separated for some time.

“We have been separated for a while, and it’s proven to be the right move for us and our family unit. We’ve got each other forever — and it’s GOOD,” Seyfried and Sadoski told the outlet.

On Tuesday, Seyfried shared a piece of prose by poet and author Bianca Sparacino on her Instagram stories that read:

“Maybe in another lifetime.”

“No.

“This is all you get. So please, just fight for the things that crack light into your life, fight for the things that soften you. Protect the people you love, leave them better than you found them. Defend your heart, do whatever it takes to keep it open despite what it has been through. Forgive, not just others, but yourself, as well. Slow down. Taste, and touch, and feel and care. Create the things you want to see in this world, stay as curious as possible. Honour your joy, do not shy away from the good that is trying to reach you, do not convince yourself that you are unworthy of it. Be strong enough to be gentle. Be brave enough to break. Be all that you are. Be all that you are.”

The pair met back in 2015 while starring in “The Way We Get By,” a two-person off-Broadway play that explores love and lust and takes place the morning after a drunken hookup. It was Seyfried’s stage debut. “I feel like the luckiest guy in New York right now, to be honest with you,” Sadoski told Backstage on Broadway at the time. “I mean, I get one of the great American playwrights, one of the great American directors, and a perfect scene partner, I’m a pretty happy guy.”

The two teamed up again the same year to play love interests once more in “The Last Word.”

After spending a good portion of the year pretending to be in love with Seyfried on stage and screen, in October 2015, Sadoski split from his wife of eight years, studio casting executive Kimberly “Becky” Hope. By March 2016, the “Newsroom” actor was romantically linked to the “Mamma Mia!” star.

Seyfried, 40, and Sadoski, 50, tied the knot in a private countryside ceremony in 2017. There were no family or friends on the guest list, just their officiant and Seyfried’s dog, Finn. Shortly after the nuptials, the pair welcomed a baby girl, Nina. In 2020, they had a son, Thomas Jr.

The couple have raised their family on a farm in the Catskill Mountains of upstate New York, a property the “Mean Girls” star bought in 2013, while also maintaining properties in Los Angeles and Manhattan. But last month, Seyfried listed her 2,700-square-foot Los Angeles residence for about $3.2 million.

Sept. 11, 2026 11:58 AM PT

WASHINGTON — President Trump observed Friday’s 25th anniversary of the Sept. 11 attacks at a ceremony at the Pentagon by commemorating the lives lost when Al Qaeda militants hijacked planes and killed nearly 3,000 people in three locations and upended American foreign policy and national security.

Trump and First Lady Melania Trump listened as the names of the 184 people killed at the Pentagon that day were read aloud, a bell tolling between each. In his remarks, Trump recounted the stories of several of the victims and insisted that the moment has led to a fortification of American resolve.

“We will never, ever forget,” Trump said. “That’s why we fight today. We don’t have a choice.”

Earlier, in a downpour at daybreak, Defense Secretary Pete Hegseth and top military officials stood outside and watched as a giant American flag was unfurled on the building struck by one of those planes a quarter-century ago.

It was the second year in a row that Trump observed the day at the Pentagon. The president, who is originally from New York, last attended the ground zero ceremony there in 2024.

Vice President JD Vance attended the New York observance alongside former presidents, while other administration officials took part in the ceremony in Shanksville, Pa. Vance had planned to be in New York for the anniversary last year but instead flew to Salt Lake City to be with the family of Charlie Kirk after the conservative activist was fatally shot.

Widow calls on Trump to reconsider relations with Saudis

At one point during the solemn remembrance in New York City, a woman whose husband died in the attacks criticized Saudi Arabia and called on the Trump administration to rethink the United States’ tight relationship with the kingdom.

Terry Strada, who lost her husband Tom Strada on 9/11, called on Trump to “tell the Saudis to stop lying” and accused U.S. presidents of choosing “to protect the Saudis instead of standing with the 9/11 families.”

Strada, who was one of the 9/11 family members who read aloud the names of victims at this year’s remembrance, added that the current administration should “stand with the families, stand with the survivors.”

“It has been one betrayal after another. President Trump can still change that,” she said before calling on Vance to “carry that message back” to Washington.

Strada is part of a group of family members of 9/11 victims embroiled in a long-running lawsuit against the Saudis. They allege a group of extremist religious leaders in Saudi Arabia gained influence in the Saudi government and aided the hijackers. Fifteen of the 19 hijackers were Saudis, but the Saudi government has long denied any involvement in the attacks.

Trump and Hegseth try to bridge 9/11 and Iran war

Trump began his remarks by recalling the sense of American unity following the attacks. “In those harrowing days after the attacks, we saw the authentic spirit of our nation,” Trump said. “We were all New Yorkers that day. Every one of us. We were all New Yorkers. We were all family.”

The president and his Defense secretary sought to connect the events of 9/11 to the war with Iran. Trump saluted the service members “working right now to ensure the world’s No. 1 sponsor of terror — the Islamic Republic of Iran — will never, ever have a nuclear weapon.”

Hegseth used the moment to make the case that the U.S. military had “laid waste to the world’s most prolific state sponsor of terrorism” with the war against Iran.

“Our warriors have fought an Islamic theocracy that has wished us death for nearly half a century, that cheered on 9/11, a regime that has sponsored terrorist attacks against Americans for decades, killing thousands, including our comrades in Iraq, in Afghanistan,” Hegseth added.

Officials wonder if 9/11 could have been thwarted

At Friday’s commemorations, there was also a measure of reflection about whether 9/11, the deadliest attack on the U.S., could have been prevented.

Homeland Security Secretary Markwayne Mullin at a ceremony at his agency’s headquarters said it was a moment to consider the success of his department, which was established following the attacks and has “prevented it from happening again.”

Still, Mullin noted that Osama bin Laden, architect of the attacks, had fired “warning shots” in the years prior to 9/11 about his intent to carry out a major strike on the U.S. The U.S. national security apparatus certainly had “failures along the way,” Mullin said.

Condoleezza Rice, who was serving as White House national security advisor on 9/11, participated in Friday’s commemoration at the Pentagon. In her remarks, she acknowledged that she still feels deep pain that “those of us in authority on that day did not see the nature of the danger in time to prevent the attack of 9/11.”

“I will always carry deep personal remorse for the pain that you, the families of the fallen, still feel, and for the trauma that our country endured,” Rice said.

Binkley, Madhani and Kinnard write for the Associated Press. AP writers Anthony Izaguirre and Sagar Meghani contributed to this report.

NEW YORK — Americans commemorated the 25th anniversary of 9/11 on Friday, remembering the shock, the dead and the sweeping consequences of the al Qaeda attacks on symbols of U.S. might and prosperity.

The milestone anniversary brought memorial rituals — wreath-laying, flag-flying, moments of silence, vigils and readings of victims’ names — and volunteer projects in tribute to a day that about half of U.S. adults remember as the most historic event of their lifetime, according to a new poll. On Sept. 11, 2001, al Qaeda extremists hijacked four commercial jets and crashed them into New York’s World Trade Center, the Pentagon and a field near Shanksville, Pennsylvania, killing nearly 3,000 people.

Elsie Caldwell carried a photograph of her son Kenny Caldwell to the trade center to hear his name and all the others read aloud Friday morning. She last spoke to him that morning a quarter-century ago.

“Mom, I just want to let you know that I love you,” Caldwell said he told her in a final phone call. His remains, like those of many other victims, have never been recovered.

Trump attends Pentagon observance

The attacks brought down the World Trade Center’s twin towers — icons of U.S. economic power, and among the tallest buildings on Earth — and blew a hole in the Pentagon, the U.S. military’s fortress-like headquarters near Washington. The fourth plane was headed for Washington, officials concluded, but the aircraft went down in Pennsylvania after passengers and crew members stormed the cockpit and fought the hijackers.

“Sept. 11 reminded us of the terrible power of hate,” President Trump said Friday at the Pentagon’s anniversary ceremony Friday.

“The 25 years since have shown us the even greater power of the American spirit to endure and prevail, and to win,” added the Republican, who was in his native New York on 9/11.

Former President George W. Bush, who was in office on 9/11, and ex-Presidents Clinton, Obama and Biden and current Vice President JD Vance convened for the observance at the National Sept. 11 Memorial in New York. Other administration officials went to the Flight 93 National Memorial in Pennsylvania.

At ground zero, a new tribute to those who fell ill

For Angilic Casalduc, attending the New York commemoration “helps to show you’re not alone.” She lost her mother, Vivian Casalduc.

“There’s no timeline for grief, and unfortunately, no one can say how can you can grieve, but coming here once a year makes it feel just a little bit better,” she said.

Traditionally, there are no political speeches at the ground zero commemoration, where victims’ relatives read aloud the long list of names and added personal messages. They thanked first responders and the military, invoked religious faith, appealed for national unity and touched on the U.S. relationship with Saudi Arabia. The kingdom was the homeland of most of the hijackers but denied any involvement in the attacks.

Mostly, relatives spoke of, and to, loved ones — who some were too young to remember.

“You dreamed my whole life for me, and you only got eight months of it,” said Trisha Pakka, who lost her mother, Deepa Pakkala.

The ceremony has long been punctuated with moments of silence at key points in the attack timeline and this year organizers added another moment to honor people who were exposed to the clouds of toxic dust released by the twin towers’ fiery collapse and have since died of cancer and other illnesses. Questions remain about how many people developed health problems linked to the dust.

The impact of 9/11 endures

It’s a reminder of how the attacks’ long shadow has reached into many corners of life in the U.S. and beyond.

The U.S.-led global war on terrorism included invasions of Iraq and Afghanistan — the latter Washington’s longest war — and detentions and harsh interrogation of terror suspects in an international network of secret CIA prisons. The U.S. found and killed al-Qaida leader Osama bin Laden in Pakistan in 2011, but accused 9/11 mastermind Khalid Sheikh Mohammed still awaits a trial 23 years after his capture.

The attacks changed U.S. air travel, led to the creation of the Department of Homeland Security, prompted new federal surveillance and intelligence-gathering powers and banking regulations and generated ongoing debate over the balance between security and freedom.

Sept. 11 engendered a culture of individual vigilance summed up by the slogan “ if you see something, say something,” while a wave of patriotism propelled some Americans to join the military, fire departments, police forces or other public agencies.

Casey Kloepfer became a New York police officer this June. He was 4 when his father, Officer Ronald Kloepfer, was killed at the trade center.

“It’s big footsteps to fill, but it’s definitely something that I take very seriously and want to continue to honor him and be the best police officer I can,” the 29-year-old, who wears his father’s badge number, said by phone this week.

New York’s mayor comes under scrutiny

Amid the post-9/11 calls to service and appeals for national unity, the attacks also fanned mistrust, prejudice and hate crimes directed at Muslims.

In the quarter-century since, Muslim Americans have played a growing role in public life from statehouses to Congress to New York City Hall, where Zohran Mamdani is the city’s first Muslim mayor. Yet he faced some criticism for attending the anniversary ceremony at ground zero.

Republican ex-Gov. George Pataki and 9/11 victims’ relatives cited, among other things, past remarks that some of Mamdani’s political associates have made about the attacks. Former Mayor Rudy Giuliani, a Republican, also inveighed against Mamdani attending the remembrance, though the two shook hands there Friday.

Mamdani, a Democrat, said this week he loves the city and country and that he wanted the anniversary to focus on victims’ families, first responders and New Yorkers who helped one another after the attacks, which he called a “horrific act of terror.” The 34-year-old mayor was an elementary school student in New York on 9/11.

Times Square billboards pause advertisements

Remembrances extended far from the attack sites, including beams of light projecting from New Hampshire’s Mount Washington, a stair climb at Mississippi State University’s football stadium and a ceremony at Honolulu’s 9/11 memorial.

Sept. 11 isn’t a federal holiday, but Congress has designated it both Patriot Day and a National Day of Service and Remembrance.

“One appropriate way to remember is by serving,” says Jay Winuk, who lost his brother Glenn Winuk and then co-founded the volunteer organization 9/11 Day with friend David Paine. The group helps people find volunteer opportunities and this year arranged for dozens of Times Square billboards to pause their advertising at 9:11 a.m. Friday.

Instead, they simply displayed the time.

Peltz and Shaffrey write for the Associated Press. AP journalists Michael R. Sisak, Anthony Izaguirre, and Julie Walker contributed to this report.

“It felt like a movie” — that’s what we all said in the days and weeks after Sept. 11, 2001, when a Michael Bay action film slammed uncomfortably into real life. But with the perspective of 25 years, what’s lingered for the most part aren’t the most literal depictions of the day, but oblique dramas that capture something more subtle: the free-floating anxiety of a nightmare. In our list, you’ll find titles that confront Sept. 11 directly, but others that bring to mind a deeper, broader canon of trauma.

‘Donnie Darko’ (2001)

Jake Gyllenhaal in the 2001 movie “Donnie Darko.”

(NewMarket Films)

Going to the movies in the fall of 2001 was a solace and escape for many New Yorkers, though the films themselves often had an eerie, unplanned timeliness that made them resonate in an unshakable way. You could ache for the cozy city of the past in “The Royal Tenenbaums” or grapple with the schism of everything suddenly feeling different in “Mulholland Drive.” Or you could envelop yourself in Richard Kelly’s moody “Donnie Darko,” a teen drama touched by metaphysical doominess in which plane engines fall from the sky and death wears a rabbit costume. The movie has since become an unexplainable piece of comfort for a spooked generation. In its weather, its soundtrack and the haunted stare of Jake Gyllenhaal, it evokes the weeks after 9/11, even if it anticipated them. — Joshua Rothkopf

‘25th Hour’ (2002)

Edward Norton in the movie “25th Hour.”

(David Lee / Touchstone Pictures)

Only months after the attacks, Spike Lee took on 9/11 with a boldness that only 15 years of provocative filmmaking — and a lifetime of loving New York — could sharpen into an artist. This interpersonal drama, about the fallout of a drug dealer (Edward Norton) going to prison, was deep in development when real-life events altered its trajectory. Lee insisted on including the American flags dotting lawns, the general sense of unease and, in a somber touch, a credits sequence featuring the Tribute in Light. Overwhelmingly, one scene takes place in a Tribeca hi-rise with a view of ground zero, and even though the conversation itself concerns a friend in trouble, it quickly shifts onto metaphorical grounds of guilt, responsibility and rage. There still may not be a better 9/11 film than this one. — J. Rothkopf

‘Munich’ (2005)

A scene from the movie “Munich.”

(Karen Ballard / Universal Pictures)

On the surface, Steven Spielberg’s “War of the Worlds,” released earlier in 2005, may seem like his more obviously 9/11-coded film (“Is it the terrorists?” Dakota Fanning’s character asks). But “Munich,” which followed six months later, goes straight to the questions of terrorism and endless cycles of retaliation that hung over the period. Eric Bana plays Avner, a Mossad operative sent to hunt down the Palestinians whom Israel holds responsible for the 1972 Munich Olympics massacre. As the revenge killings mount, the mission begins to eat away at him — and Avner’s belief in closure is shaken. Spielberg makes the contemporary connections hard to ignore. In a final scene, set in mid-’70s New York, after Avner and his handler Ephraim, played by Geoffrey Rush, argue over what they have done, the camera pans across the Manhattan skyline southward, toward the Twin Towers, which Spielberg had digitally added to the shot. — Josh Rottenberg

‘United 93’ (2006)

A scene from the movie “United 93.”

(Jonathan Olley / Universal Pictures)

Five years after 9/11, it still wasn’t clear whether audiences were ready for a Hollywood movie that directly re-created the attacks. Director Paul Greengrass, then most recently of “The Bourne Supremacy,” took on the hijacked flight whose passengers fought back before it crashed in Pennsylvania. He used a largely unknown cast and shot with an almost documentary immediacy, cutting between the plane and air-traffic controllers trying to make sense of what was happening. There’s no movie star to take charge, and Greengrass doesn’t inflate the passengers into larger-than-life heroes. We simply watch as they piece together the situation from phone calls and scraps of information and realize what they have to do. We know from the beginning that none of them will survive. Watching them slowly come to that realization is what makes “United 93” so devastating. — J. Rottenberg

‘The Dark Knight’ (2008)

Christian Bale in the movie “The Dark Knight.”

(Warner Bros. Pictures)

It was probably inevitable that the anxieties of the post-9/11 era would find their way into a Batman movie. In “The Dark Knight,” Christopher Nolan fills Gotham with bombings, acts of mass surveillance and questions about how far is too far. Heath Ledger’s Joker is an enemy who doesn’t play by the rules, attacking the city with no clear political goal beyond creating panic and chaos. Christian Bale’s Batman, meanwhile, builds a Patriot Act-like system that turns every cellphone in Gotham into a tracking device and uses increasingly brutal methods to stop him. Nolan folds all of that into a hugely entertaining superhero movie without turning it into a lecture. — J. Rottenberg

‘Man on Wire’ (2008)

Philippe Petit, as seen in the documentary “Man on Wire.”

(Jean-Louis Blondeau / Polaris)

By the time James Marsh’s Oscar-winning documentary arrived in 2008, the Twin Towers had been gone for seven years. The film recounts French high-wire artist Philippe Petit’s astonishing 1974 stunt, in which he and a small band of co-conspirators secretly rigged a cable between the towers, allowing Petit to walk high above lower Manhattan. The movie never needs to mention 9/11 to feel devastating. We already know what became of those buildings. Watching Petit step onto the wire lets us see them differently, not as the site of catastrophe but as the setting for something beautiful and absurdly daring. A ghostly montage of the Twin Towers being constructed, set to composer Michael Nyman’s “Fish Beach,” brought New Yorkers to tears. For me, that feeling is also personal. I was living in New York on 9/11 and had been at an outdoor concert in the plaza beneath the towers just weeks before the attacks, so there was something especially moving about seeing them again as part of the city’s everyday life. — J. Rottenberg

‘The Hurt Locker’ (2009)

Anthony Mackie, left, and Jeremy Renner in the movie “The Hurt Locker.”

(Jonathan Olley / Summit Entertainment)

Has there ever been a better cinematic metaphor for the War on Terror than Jeremy Renner in a bomb suit, kneeling over a device in a Baghdad street while everyone around him scans the rooftops for danger? Kathryn Bigelow’s film narrows the Iraq War down to the nerve-shredding work of an explosives-disposal unit, with Renner’s Staff Sgt. William James almost eerily comfortable in situations that terrify everyone around him. The suspense often comes down to the simplest question: Is this thing going to blow up? Bigelow, the action expert behind “Point Break” and “Strange Days,” mostly leaves the larger politics offscreen and stays with the men doing the dangerous work, their detachment a survival tactic. Though initially little-seen, “The Hurt Locker” pulled off its own improbable feat, becoming, at the time, the lowest-grossing movie to ever win Oscar’s best picture — while Bigelow became the first woman ever to win best director. — J. Rottenberg

‘Margaret’ (2011)

Anna Paquin and Matt Damon in the movie “Margaret.”

(Myles Aronowitz / 20th Century Fox)

Kenneth Lonergan shot this seething, richly authentic New York City drama in 2005, when the rawness of post-9/11 NYC was already a part of everyday life. But the trauma feels ingrained in every frame, and there are shots of wary street life — an occasional flinch or look upward — that New Yorkers could watch and think: Yes, that’s what it felt like. The plot itself concerns a teenage girl, Lisa (Anna Paquin, never better), whose hyperdramatic tendencies are both recognizable and lovable. She is involved in a bus accident that results in a fatality and, with the crusading passion that so many people felt after 9/11, decides to get involved as a witness and truth-teller. The need to fix things — amid so much that was unfixable — is a marker of all the movies on this list. — J. Rothkopf

‘Zero Dark Thirty’ (2012)

Jessica Chastain, center, in the movie “Zero Dark Thirty.”

(Jonathan Olley / Columbia Pictures)

Perhaps the most explicit film on our list, Kathryn Bigelow’s daring military procedural about the 2011 midnight raid that took out Osama bin Laden was a political hot potato in its moment. Now with distance, it impresses as a skilled piece of political moviemaking, one that captures the era’s sense of moral compromise and queasy vengeance. It contains scenes of torture and goes deeply into the CIA’s planning and execution of the operation — choices that remain provocative. But the movie’s most lingering piece of drama is a silent shot of one woman crying in a cargo plane: a high-level analyst played by Jessica Chastain, who has accomplished the unthinkable but doesn’t feel relief. The fight will not end. Only a filmmaker who had just won Oscars and made history would have been granted the artistic freedom to make this movie, arguably Bigelow’s finest. — J. Rothkopf

Imagine Paris in the 1920s, only it’s Los Feliz today — the Figaro Bistro patio humming with literary gossip from mercurial poets through clouds of cigarette smoke. It’s a proposition that Sammy Ginsberg is willing to explore.

A longtime writer and former high school English teacher, Ginsberg found writer gatherings to be inaccessible — either too large in scope or too exclusive. Luckily, Vermont and Hillhurst avenues are just right. The Los Feliz Writer Festival was born.

“Los Feliz is super artsy and filled with writers. It’s fun to organize one in the neighborhood,” says Ginsberg.

Ginsberg is weary of the well-trodden conversations about the New York literary scene, steeped in endless mythology. We may not have the New Yorker or the Paris Review, but we have each other: “There are 40 million people who live in L.A. County. I’m like, ‘We don’t need New York. We have people.’ ”

Willa Lane writes in a notebook at the closing Los Feliz Writers Festival event that featured journaling and meditation in Barnsdall Art Park.

(Samahra Litte )

That scrappy DIY quality can make Los Angeles’ literary community feel mysterious, even to the people living in it. A San Fernando Valley native, Ginsberg knows there’s plenty happening around the city — you just have to know where to look.

“There’s a lot of things going on, but you have to be in the know,” she says. “It’s happening in someone’s living room because it costs so much money to book a venue.”

In late August, Ginsberg organized the second annual Los Feliz Writer Festival, a sprawling collection of readings, workshops, parties and other literary miscellany. “Last year we did it, and it went really well,” she says. “This year, it’s even bigger and crazier and magical.”

The festival is, in some ways, an extension of the community Ginsberg has been quietly building all year. Since October, she’s hosted a weekly “Shut Up & Write” at Los Feliz watering hole the Big Bar at Alcove. “We have dinner and then write next to each other quietly,” says Ginsberg. “You can see each other every week, and it’s a natural, slow way to get to know people.”

The Los Feliz Writer Festival kicked off with Poets Are the New Popstars, a reading-meets-house-party at a private home in Los Feliz. Over the course of the festival’s 13 events, writers could attend personal essay workshops, receive tarot readings, and celebrate the 100th birthdays of Frank O’Hara, Allen Ginsberg and Harper Lee at East Hollywood bar Tabula Rasa. “I made these limited-edition official after-party zines with a poem and quote from the authors,” says Ginsberg.

Alex Moreno reads from her poetry collection “Sticky Time” at Poets Are the New Popstars.

(Toby Shapiro)

Ginsberg imagines the literary scene as a collaborative project. “For me, this is kind of like hipster ‘Dungeons & Dragons.’ I’m playing with my friends,” she says of the festival, which she plans to organize annually. In the future, the festival hopes to include more diverse voices. “In the second year, we’re trying to open up the conversation,” she says. “We, too, believe that L.A. is for everyone and want it to be a writers festival for everyone.”

Christina Catherine Martinez, a critic, writer and comedian, has a more pointed take on the Los Angeles literary world.

“A lot of parties and readings, but not a lot of bylines,” she muses. “Substack IRL but still gunning for the traditional publishing deal — kind of an old world is dying, a new world is not yet born.”

Yet, Martinez welcomes the proliferation of readings that have emerged throughout the city. “I love that there are so many readings,” she says. “Fifteen years ago the only time I mingled with other writers was at the yearly Artforum dinner, when the lit scene was barnacled to the art scene.”

This fall, Los Angeles will host an eclectic mix of literary events, from readings by acclaimed novelists to intimate gatherings for emerging writers and readers. For those looking to immerse themselves in the city’s burgeoning literary scene, here are 16 readings and literary events taking place across Los Angeles.

On Sept. 11, 2001, there were no smartphones and no social media. What the country watched that morning — a jet airliner colliding with the south tower of the World Trade Center, the ash rolling through the streets, the paper still falling in the afternoon — was through a television set and the journalists who had to deliver the unfathomable details.

The jarring images shattered the peacefulness of a sunshine-filled late summer morning in New York.

“Everything seemed so perfect,” said MS NOW’s Chris Jansing, reflecting on the moments before anchoring her network’s continuous coverage. “It was another day of doing a job I loved, living in a city I loved.”

By nightfall, nearly 3,000 people were dead in lower Manhattan, at the Pentagon and in a field outside Shanksville, Pa. The experience of covering the terrorist attacks and their grim aftermath transformed Jansing and other journalists who were there. Twenty-five years later, it’s never far from their minds.

“It’s with me in ways large and small,” said NJ Burkett, a correspondent who covered the tragedy for New York station WABC. “When I look at my phone and it says 9:11, it takes me back.”

The Times asked five of the on-air personalities who are still working today to look back on the day they were called to cover the tragedy and its lasting impact.

Bret Baier: “I just said yes to everything.”

Fox News anchor Bret Baier at the National 9/11 Pentagon Memorial in Arlington, Va., on Aug. 25, 2026.

(Jared Soares/For The Times)

On every anniversary of Sept. 11, Fox News anchor Bret Baier uses the hashtag #NeverForget. He can recall every moment of that day.

Baier, 56, was driving to the Fox News bureau in Atlanta when he first heard on his car radio that a plane had hit the World Trade Center. He was a 31-year-old correspondent for the network, covering stories throughout the southeast U.S. and Latin America. When he arrived at the office, a call came from New York headquarters telling him to book a flight to the city so he could file reports from the World Trade Center site for Fox TV affiliates around the United States.

After a second plane hit the south tower of the World Trade Center 17 minutes later, all flights in the U.S. were halted. Baier and his producer were told to get a car and start driving.

“I just remember going really fast when I was driving,” Baier said. “I remember thinking what is happening with the world, and how big this story is. How big this moment is.”

By the time the duo reached northern Georgia, their plans changed again. A jetliner struck the Pentagon while a San Francisco-bound United Airlines flight crashed in Shanksville, Pa. Fox News executives told Baier and his producer to reroute to Arlington, Va.

After the 10-hour drive, Baier started the first of 10 straight days of reporting on the recovery efforts at the site. While the World Trade Center provided the most dramatic and enduring pictures of the stunning attack, the loss of life at the Pentagon was staggering as well, as 125 people died along with the 64 passengers and crew members on American Airlines Flight 77.

Baier was eventually pulled into the larger military story that followed 9/11. Fox News, just 5 years old, did not have a full-time Pentagon correspondent. Baier was offered the job while traveling overseas with Defense Secretary Donald Rumsfeld, who was making the case for war against Afghanistan.

“I called a buddy on a satellite phone to get me an apartment in Washington,” he said. “Fox packed up my stuff in Atlanta.”

But the unplanned move changed Baier’s life. In six years on the Pentagon beat, he traveled to 74 countries. He was embedded with the military in war zones. “I just said yes to everything,” said Baier, who has anchored Fox News’ Washington newscast “Special Report” since 2009.

Baier recalled it was in the weeks after Sept. 11 that he first wore an American flag pin on his lapel. He never felt conflicted about it, even though such displays were prohibited at other network news divisions. “I thought I could report on America, ask tough questions and still be an American, pulling for us to win,” he said. “I wanted to be tough but fair, but also show that as a country we were standing together against this horrible attack.”

Byron Pitts covering the terrorist attacks in lower Manhattan for CBS News on Sept. 11, 2001.

(CBS)

Byron Pitts: “It’s the only story I think about every day.”

A newcomer to New York 25 years ago, Byron Pitts, then a CBS News correspondent, admitted it took him a few moments to understand the massive scope of what happened the morning of Sept. 11, 2001. He arrived early at the network’s headquarters on the West Side of Manhattan to screen an interview he did with entertainer and civil rights icon Harry Belafonte. Shortly after he started, a producer knocked on his door and told him there was a plane crash at the World Trade Center.

Pitts, 65, acknowledged the producer but kept working. “I thought it was a novice pilot bumping into a building,” he recalled. “I thought it would be three hours out of my day and it won’t make television.”

The producer came back shortly and said, “You need to go down there.”

An irritated Pitts hailed a cab and headed down the West Side Highway. While in the car, he learned a second plane had hit the south tower. Traffic was stopped and he had to head downtown by foot.

As Pitts got closer to the site, he tried to use his past experiences covering fires and other disasters during his career to judge the severity of the situation.

But the horrible scenes that unfolded before him were incomparable. One was a lifeless body near the lobby of the north tower. He thought it was a homeless man until he saw a uniform. He later learned it was Father Mychal Judge, the chaplain of the New York Fire Department killed by fallen debris. Judge’s body was later carried away by a group of first responders. Pitts saw a woman and a man standing at a window of one of the towers holding hands, and then jumping.

“Gravity takes over and their hands split, and he moves a little faster than she does,” Pitts said. “And we see them on the ground. That was the moment I realized something significant was going on.”

Pitts crossed paths with Mika Brzezinski, then a CBS News correspondent, now the cohost of MS NOW’s “Morning Joe.” As debris came down and smoke filled the air, they headed into an elementary school that Pitts believes was a command post for the fire and police departments. They took turns calling into CBS News on a hard-line phone, one delivering accounts of the unfolding catastrophe while the other looked outside to gather details amid the blinding smoke and dust.

Pitts said from that day forward, he never went to a story assignment without a handkerchief.

Pitts was awed not just by the enormity of the event, but also by how despite the rigid hierarchy of CBS News, he was “the new kid on the block” who had to present the story on Dan Rather’s evening newscast that night.

“My approach became almost childlike, so I would not become overwhelmed,” he said. “I tried to make it as simple as possible. I said, ‘Dan, I’ve never heard New York City this quiet.’ I was thinking — what simple thing can I say that you would understand if you’ve never been in New York.”

A few weeks later, Pitts headed off to Afghanistan to cover the U.S. military action. His evening news report on Sept. 11 won an Emmy Award and his star rose at CBS News, leading to “60 Minutes” and then ABC News in 2014, where he is currently a co-anchor of “Nightline.”

Pitts knows the good fortune he’s had in TV journalism is linked to the tragedy that started with a producer’s knock on his door 25 years ago. “I feel some measure of guilt but mostly gratitude,” he said. “It’s the only story I think about every day.”

Pitts said he uses his 9/11 experience to provide perspective. “When we’re discussing politics, a mass shooting, or the latest awful day in Iran, I know for a fact there is one guy in the room who has seen worse and who can say, ‘we’ll be OK,’ ” he said.

Chris Jansing: “You had to balance the news response with the human response.”

Chris Jansing paid her dues as a local reporter in upstate New York before she joined MSNBC (now called MS NOW) as a daytime anchor in 1998. She loved living in Manhattan, and took friends from out of town to the World Trade Center observation decks and Windows on the World, the restaurant on the 106th floor of the north tower.

“It was so iconically New York,” she said. “And I was proud to live in the city.”

Jansing, 69, had little time to process her emotions when she was told to “get in the chair” before 9 a.m. that morning at MSNBC’s Secaucus, N.J., studios after the first plane hit.

“You had to balance the news response with the human response,” she recalled.

For several hours, Jansing co-anchored the network’s coverage alongside Gregg Jarrett. The look of 24-hour cable news evolved that day, as the tsunami of information led to Fox News, MSNBC and CNN all adding running tickers at the bottom of the screen.

Jansing went to the roof of the network’s building after Brian Williams took over the anchor chair. Trauma centers in the area had been alerted, and she was told to watch for ambulances. “There was still a hope and a prayer that there would be injured folks who would overwhelm the hospitals in New York and would need to be brought to New Jersey,” Jansing recalled. She saw none.

Jansing has never watched the coverage of that day, which is now on YouTube. She had real-life reminders every day in her Manhattan neighborhood when she walked by the Rescue Company 1 firehouse that lost half its battalion at the crash site. She adopted a dog left behind by a 9/11 victim, a Dachshund named Baron. She remains friends with every producer she worked with on the story. The experience also reinforced her purpose in a career approaching its 50th year.

“I will always think that those moments are what keep you going,” said Jansing, currently chief political reporter for MS NOW. “They were an affirmation that’s kept me in the job,”

NJ Burkett, a correspondent for WABC, on the 13th floor of the Walt Disney Co. offices in Manhattan on Aug. 31, 2026.

(Roshni Khatri/For The Times)

NJ Burkett: “I put myself in increasingly dangerous situations.”

Burkett, 64, recalls how pedestrians were gathered around WABC’s windowed street level studio on the Upper West Side of Manhattan when he arrived for work on 9/11. He presumed the crowd was there for a big name guest on “Live with Regis and Kelly.” They were actually watching monitors showing news reports of the first plane that hit the north tower.

As Burkett and his cameraman Marty Glembotzky headed downtown in a truck, he already knew it was a terror attack. He recalled covering the 1993 terrorist bombing of the World Trade Center and regretted not getting footage of the firefighters’ rescue efforts. This time around he wanted to go inside the buildings and document their heroism.

A police officer stopped Burkett and Glembotzky before they could get in, likely saving their lives. A short time later, they would escape death again.

Burkett was doing a second take for a taped report that would set the scene for viewers when he heard the rumbling that “sounded like Niagara Falls.” It was the south tower of the World Trade Center coming down behind him. “A huge explosion now raining debris on us — we better get out of the way,” he said in what may be the most terrifying video clip from that morning.

Burkett and Glembotzky took cover in an adjacent building. “We open up the door and in a weird way it’s sort of providential, right?” he said. “The door is a metaphor. It’s like the door into the rest of your life. If we had to run for half a block, we’d be dead.”

Glembotzky was so shaken by the experience, he stepped away from his career as a cameraman and became a wine seller before eventually returning. But Burkett took on more dangerous assignments in the Middle East, heading to Israel to cover the Palestinian uprising known as the Second Intifada. He later headed to Iraq to cover the run-up to the U.S. invasion in 2003.

Burkett won a George Foster Peabody Award for his work on 9/11. In retrospect, he believes he took on assignments in war zones to avoid dealing with the trauma of the day.

“I would put myself into increasingly dangerous situations,” he said. “Looking back, I was running from 9/11. That was my way of coping. Sometimes I wonder did I allow myself feel it enough. Or did I just run too far and too hard and it will all come down and crash on me one day?”

Occasionally he worries about 9/11-related illnesses. “If I start to cough — the slightest little cough — I’ll think ‘is this it?’” he said.

But as a New York TV fixture since 1989, Burkett still feels the appreciation from viewers for his efforts. “To this day, almost 25 years later, people will come up to me on the street and ask to hug me and say ‘NJ Burkett I’m glad you’re alive,’ ” he said.

Carson Daly at NBC’s “Today” show studio at Rockefeller Plaza in Manhattan on Sept. 3, 2026.

(Roshni Khatri/For The Times)

Carson Daly: “I remember how motionless the room was.”

As continuous news coverage of the Sept. 11 attacks saturated television for days, the makers of entertainment shows had to decide when it would be appropriate to go back to work. Carson Daly and the MTV executives mulled over the situation as their wildly popular program “Total Request Live” remained off the air for three days since the attacks.

“We had such a massive audience that the question was raised, ‘do we have a responsibility to simply show up?’ ” Daly, 53, recalled in a recent interview.

Daly, now a feature anchor on NBC’s “Today,” was not a journalist by trade. But he understood the trust that young viewers had in him and “TRL,” a live show that counted down the most popular music videos of the moment. The show had dealt with tragedy a few years before after the high school shooting in Columbine, Colo.

But 9/11 happened on the home turf of “TRL,” which aired from New York City’s Times Square. With the bridges and tunnels closed, getting a crew to the studio was a challenge.

“Everybody wore multiple hats,” said Daly, who also served as an executive producer.

By Sept. 14 of that week, the MTV studio on Broadway was filled with young “TRL” fans, but lacked the energy viewers were used to seeing on the screen. “They were frozen,” Daly recalled. “That was in such stark contrast to what the show was every day. I remember how motionless the room was and feeling like, ‘What am I doing on television?’ ”

Carson Daly shows a tattoo he got after the 9/11 attacks in New York.

(Roshni Khatri/For The Times)

Daly leaned on the MTV News team to update the audience on the 9/11 story developments. Music stars including Jay-Z, Justin Timberlake and Kid Rock called into the program to share their thoughts with Daly. Instead of music videos, the screen showed email messages from viewers expressing their feelings about the tragedy.

MTV News personality Sway delivered a music news report that noted how two new CD releases — “Party Music” by the American hip-hop group The Coup and Dream Theater’s “Live Scenes from New York” — were delayed because both used cover artwork that depicted the destruction of the World Trade Center.

Daly has a permanent remembrance of the week. When he arrived at the MTV offices the day before “TRL” returned, the building was evacuated after it received a bomb threat.

“I remember walking around Hell’s Kitchen,” he said. “I ended up getting a tattoo. A red, white and blue NYC on my right wrist.”

Jude Terry and Armindo Sieb each scored a goal, Hugo Lloris had his MLS-leading 12th shutout this season, and LAFC beat the New York Red Bulls 2-0 on Wednesday night to end a six-game winless streak.

The Red Bulls (7-11-6) are winless in six straight dating to a 3-2 home victory over Orlando on Aug. 1.

Lloris finished with one save for LAFC (11-7-7).

Son Heung-min cut back to evade a defender, darted toward the end line past another and then fired a shot from the left side of the area that was parried by goalkeeper Ethan Horvath at the near post. Terry, a 17-year-old homegrown, tapped in a first-touch putback from the top of the penalty box in the 21st minute.

Sieb subbed on for Jacob Shaffelburg in the 60th minute and his first MLS goal capped the scoring in the sixth minute of stoppage time. The 23-year-old forward, acquired Aug. 13 from Bayern Munich of the Bundesliga, made his debut for LAFC in a 2-2 tie at Real Salt Lake on Saturday.

LAFC is 11-0-2 this season it scores first.

Dennis Nelich and Sekou Kone, who were added earlier Wednesday from Red Bull New York II, made their MLS debuts. Kone came on for the Red Bulls in the 33rd minute when 17-year-old midfielder Adri Mehmeti went off due to an apparent leg injury.

New York had 57% possession but was outshot 15-8, 8-1 on target.

Horvath had six saves, including three in the closing minutes of the first half.