After his October 2015 overdose at a Nevada brothel, Lamar Odom says, he had “12 strokes and six heart attacks. All my doctors say, like, I’m a walking miracle.”
Now, more than a decade later, the Love Ranch brothel has been demolished, but Odom is still around.
The former Laker and onetime husband of Khloé Kardashian is telling his story for “The Death and Life of Lamar Odom,” the newest episode of Netflix’s documentary series “Untold,” along with Kardashian, former coach Phil Jackson and others who were around during his Oct. 13, 2015, health emergency. The episode premiered Tuesday.
“You know what’s funny?” the 46-year-old former player told Sports Illustrated in an interview published Monday. “I haven’t even watched it yet. You know why? Because I lived it.”
Odom, who just got out of another month of rehab in February, insists that the 2015 episode was not a mere overdose but a “hit,” an attempt on his life.
“Right when I signed the divorce papers, I was like, ‘I’m gonna get it in.’ The Bunny Ranch I used to always see on TV, but I don’t have any coke to take,” he says in the documentary. “ … It’s crazy when you think about [how] one decision, so big or so minor, could be so pivotal to you and to people that you really love.”
The late Dennis Hof, owner of the Bunny Ranch, where HBO’s “Cathouse: The Series” was shot, owned other Nevada brothels. Odom set off that October for Hof’s Love Ranch in Crystal, about 80 miles outside of Las Vegas.
“It was pretty rare that a celebrity — certainly anybody above the D-list — would be actively trying to come out to one of the brothels,” former Love Ranch manager Richard Hunter says in the “Untold” episode. “This was kind of a myth. This was something Dennis perpetuated.”
But, Hunter said, “Lamar Odom actually began contacting several of the girls from the Love Ranch on Instagram. … Being a professional athlete, there’s a lot of easier ways to do this than to drive an hour outside of the city into the desert, walk into a brothel, such as it was, and want to live there for a few days.
“As the days progressed, I remember that him or one of his handlers … actually contacted the brothel and wanted a car to pick him up. So it definitely became real when he gave us the address of where he was at.” The driver called the Love Ranch and let them know his passenger really was Odom. They put him in a house behind the brothel, Hunter said, where they put folks who were “spending enough money.”
Odom told USA Today in an interview published Monday that what transpired at the Love Ranch — which was demolished in November 2024, after Hof’s 2018 death — “was like a hit. Obviously they missed. I don’t know if they want to finish the job.”
Kardashian explains in the episode that her divorce from Odom came as a result of an ultimatum she was told to deliver during a planned intervention: a three-month rehab stint or a split. Odom surprised them, she said, when he said that all he wanted was his passport — and the divorce.
“I was like, looking around like, ‘Wait. Wait. I — I don’t want the divorce,’” she said. “‘You guys [who assembled for the intervention] told me I have to say this.’”
Odom and Kardashian had signed their papers before the OD, but a judge hadn’t yet signed off on the dissolution, which allowed her to keep him insured and, as his wife and next of kin, to make decisions regarding his health. Kobe Bryant, Odom’s Lakers teammate and Kardashian’s close friend, flew to Nevada to help her decide whether to proceed with surgery to fix Odom’s lung that had collapsed. She said yes, even though there was only “like a 10% chance” that it would work and that he would survive the procedure.
Odom made it through, recovering at Cedars-Sinai Medical Center. Bryant died in a helicopter crash less than five years later.
After the OD, Kardashian never left the hospital. She put their divorce — finalized in 2016 — on hold. When Odom awakened from his coma, he couldn’t control his bowels and needed six hours a day of dialysis, according to the documentary. “So you can understand the humility … I’ve won two championships. I’m Lamar Odom. I can’t walk, can’t talk. And they come in to check my diaper.”
He was 35 at the time. The next summer, he was removed from a flight at LAX before takeoff while drunk and vomiting, having been seen earlier slamming beer and whiskey in the Delta Airlines lounge.
So what would Odom tell his younger self, if he could, after suffering a dozen strokes and six heart attacks after that visit to the Love Ranch?
“Stay away from your weakness. And my weakness, obviously, was drugs because I’m a drug addict,” he told SI. “It could have been passed down to me from my father. But I’m not blaming anybody. Makes no sense to blame anybody. On or off the court, you have to work with what you’ve got. And I had an incredible stat line in terms of skills and how to play the game.
“And just work on being the best player that you can be. Anybody who offers you that s—, drugs, whether it be coke, pot, alcohol, they probably ain’t your friend. And to choose my friends wisely, because they could affect you on or off the court.”
Odom also wasn’t sure why Netflix had tapped him at this moment, but hopes that by telling his story he might help other people who are trying to get out of addiction.
“I was telling my girlfriend on the way here, it’s like swimming in a cesspool of trauma,” he told USA Today, mentioning a partner who has not been identified. “And I’m trying to get out of it, but the story reels me back into that pool every time. But I just know I’m bigger than the situation, and I hope to help a lot of people by giving my testimony. Not just with the story, but just in life, that we can all overcome addiction.”
That and, well, “Netflix had a good paycheck, bro,” he told SI with a laugh. “No, but it’s a time and place for everything. I don’t know what made me relevant now.”
The series, which arrived on Netflix on March 26, focuses on a troubled Oslo police detective (portrayed by Tobias Santelmann), who must grapple with both a horrific serial killer and his corrupt colleague.
“Created by one of the greatest storytellers in crime fiction, Jo Nesbø’s Detective Hole is a whodunnit serial killer mystery led by famed anti-hero Harry Hole,” the official synopsis teases.
“Underneath the surface, this series is a nuanced character drama about two police officers – and supposed colleagues – operating on opposite sides of the law. Throughout the season, Harry goes head-to-head with his long-time adversary and corrupt detective Tom Waaler,” reports the Express.
The description concludes: “Harry is a brilliant but tormented homicide detective who struggles with his demons. As the two navigate the blurred ethical lines of the criminal justice system, Harry must do all he can to catch a serial killer and bring Waaler to justice before it is too late.”
Joel Kinnaman portrays Tom, alongside Tobias Santelmann as Harry. Pia Tjelta, Peter Stormare, Anders Baasmo Christiansen, Ellen Helinder, Simon J. Berger, and Ingrid Bolsø Berdal also star.
Jo Nesbø has a devoted following, with his novels selling 60 million copies globally, including 5.6 million in Norway – exceeding the nation’s total population. It appears the series has proved to be just as successful as the books, with Detective Hole climbing the Netflix UK rankings just one week after arriving on the streaming service. It currently sits as the fifth most-watched TV programme, and presently maintains a 90% score on review aggregator Rotten Tomatoes.
Critics have lavished praise upon the series, with Collider stating: “A roundhouse-kick of a thrill ride that lives up to the promises baked into the thriller subgenre’s name, Jo Nesbø’s Detective Hole delivers virtually everywhere it should – which is nothing less than what a modern legend deserves.”
FandomWire contributed: “Stylish, gritty, and suspenseful, Jo Nesbø’s Detective Hole is a knockout and Nordic noir done right,” while The Times remarked: “So much plot, so much incident, plus heatwaves, tropical thunder and sweat. As rides go, it’s certainly rollicking.”
Fans have also expressed their enthusiasm, with many devouring all nine episodes in one go. One individual posted on IMDb: “Excellent adaptation of Jo Nesbø’s The Devil’s Star. As an avid reader of the books, I found this to be absolutely spot on with its recreation and casting of the Harry Hole universe. So atmospheric, capturing the style and tone of Jo Nesbø’s writing. Excellent acting and riveting storyline, this was an easy binge. I sincerely hope there will be more seasons as there is a wealth of material to tap into.”
Another chimed in: “A gripping Norwegian masterpiece that stays with you. Just finished bingeing the new Norwegian Netflix series Jo Nesbø’s Detective Hole (based on the Harry Hole novels), and wow – what an intense, atmospheric ride… By the finale, I was emotionally drained in the best way.”
They went on to say: “If you love smart, character-driven crime dramas with heart and moral weight (think The Killing or The Bridge but with Jo Nesbø’s signature edge), drop everything and watch Jo Nesbø’s Detective Hole. It’s binge-worthy perfection. 10/10 from this amateur reviewer – easily one of the best new international series I’ve seen in a while.”
A third viewer described the series as “absolute perfection,” while a fourth fan likewise commented: “Detective Hole is a gripping, unforgettable series that captures the raw brilliance and dark originality of Jo Nesbø. With its intense atmosphere and a deeply flawed yet magnetic protagonist, it pulls you straight into a world where crime, emotion, and truth collide.”
Jo Nesbø’s Detective Hole is available to stream on Netflix
Global streaming revenue surged to $150 billion last year, driven largely by an increase in prices by Netflix and other streamers, according to a new report.
In 2025, global streaming subscription revenue grew by 14%, reaching a total of over $157 billion, the report from Ampere Analysis found. In the last five years, revenue has tripled from the $50 billion seen in 2020.
Streamers continue to dominate the digital distribution market with rising monthly subscription fees , more consumers choosing subscriptions with ads, and platforms expanding their global reach.
“As the streaming market matures, the emphasis is no longer on pure subscriber growth but on extracting greater value from existing audiences,” said Lauren Liversedge, a senior analyst at Ampere Analysis. She noted that the growth is happening “particularly in the most competitive markets.”
Over the next five years, Ampere Analysis estimates subscription revenue will grow by another 29%, potentially reaching over $200 billion worldwide by 2030.
The U.S. is the largest driver of this revenue growth, as the country accounts for 50% of 2025’s global streaming subscription revenue, per Ampere Analysis. Netflix accounted for the largest revenue share in the U.S. at 14%. Last week, the company also announced a price hike, where its premium tier costs $27 a month. This marks the second time in a little over a year that the streaming service raised its fees.
“Our approach remains the same: We continue offering a range of prices and plans to meet a variety of needs, and as we deliver more value to our members we are updating our prices to enable us to reinvest in quality entertainment and improve their experience by updating our prices,” said a Netflix spokesperson in a statement.
It’s not the only streaming service to increase its prices, as Disney+, HBO Max and Apple TV made similar moves last year.
Recent data from Deloitte highlights some of the price sensitivity U.S. streaming audiences are experiencing. More than two-thirds of streaming subscribers are now opting for ads, marking a 20% increase from 2024.
That cost-conscious sentimentexpands beyond North America, reaching Western Europe, according to Ampere Analysis. The total revenue from ad tiers has risen rapidly across these markets over the past five years, up from less than 5% in 2020 to 28% in 2025.
But even as consumers demonstrate their willingness to pay less and watch ads, streaming platforms still benefit, making money from both subscription fees and advertising. When accounting for that ad revenue, streaming services generated closer to $177 billion in global revenue last year. Advertising is expected to become an even more important revenue stream for these companies, as ads alone could add $42 billion in annual revenue by 2030, per Ampere Analysis.
You might expect a screenwriter working in the horror genre to be relatively difficult to scare, but Haley Z. Boston, the creator and executive producer of Netflix’s harrowing new limited series “Something Very Bad Is Going to Happen,” insists that is not the case.
“I’m afraid of everything,” Boston, 31, said during a recent Zoom conversation. “I’m afraid of horror movies, but that’s why I love them so much, because they scare me. A lot of horror people are desensitized and looking for something to shake them. I am the opposite. I am easily afraid.”
The easily frightened — and the recently engaged — might be advised to approach Boston’s new series, which premiered Thursday, with caution. A haunting fusion of David Lynch surrealism and “Rosemary’s Baby” paranoia, “Something Very Bad Is Going to Happen” traces the peculiar and ominous events that unfold in the week leading up to the nuptials between wary Rachel (Camila Morrone) and trusting fiancé Nicky (Adam DiMarco), as overseen by Nicky’s mother Victoria (Jennifer Jason Leigh).
Faced with inexplicable truths about Nicky’s family and her own past, Rachel becomes convinced that saying “I do” has the potential to prove deadly, and she comes to fear what might take place when she walks down the aisle.
Camila Morrone as Rachel Harkin in Netflix’s “Something Very Bad Is Going to Happen.”
(Netflix)
“I’d seen people in their wedding, in their vows, say, ‘I never once had a doubt,’” Boston said. “I’m like, ‘How could you not constantly question everything?’ It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”
Horror has long been a preoccupation for Boston. The Oregon native has a tattoo of the phrase “Carrie White burns in hell” to commemorate her favorite film, Brian DePalma’s landmark Stephen King adaptation, “Carrie.” She distinguished herself writing episodes of weird, atmospheric series including Netflix’s “Brand New Cherry Flavor,” a nightmarish exploration of witchcraft and filmmaking in 1990s L.A., and “Guillermo del Toro’s Cabinet of Curiosities,” also for Netflix.
Her installment in the Oscar-winning director’s anthology series, “The Outside,” was inspired by a comic titled “Some Other Animal’s Meat” and followed the unnerving transformation one woman undergoes after purchasing a beauty cream advertised on a late-night infomercial. “It’s all about being an outsider and feeling different, and I related to that,” Boston said.
Boston began writing at the age of 11, and after seeing Quentin Tarantino’s “Kill Bill” in her early teens, she became interested in filmmaking. “I was so taken by the way that the story is told, and I love a revenge story,” she said. “That’s when I started to think, ‘Is this something? Who wrote that? How does any of this work?’”
She had considered following her parents’ path and choosing a career in medicine, but during her first formal writing class at Northwestern University, she felt that she’d found her calling. “I was like, ‘No, this is it. This is what I want to do,’” Boston said.
“I’m like, ‘How could you not constantly question everything?’” Haley Z. Boston says about marriage. “It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”
(Christina House / Los Angeles Times)
After graduation, she moved to L.A., taking a job in the William Morris Endeavor mailroom and writing scripts on her own time. A high school slasher movie she’d penned in college landed her an agent. Soon after, her pilot for a “sapphic murder story” inspired by “Killing Eve” netted her 22 pitch meetings — the first was with director Sam Raimi, whose early-career “Evil Dead” movies are beloved cult classics. “I was 24, and I did the scariest thing at the time possible,” Boston said. “Sometimes I think if you don’t think too much about how terrifying it is, and you’re just thrown into it, that’s better.”
With “Something Very Bad Is Going to Happen,” Boston found herself thrown into the position of showrunner without ever having spent any real time on a set. Yet Morrone says Boston was the picture of confident professionalism throughout the shoot. “There’s just a grace to her,” Morrone said. “Even if she was overwhelmed, you would just never see it. These are her words and her world, and she inherently knows the character and the story so well that she could really navigate any questions thrown at her because it lives in her.”
The series is something profoundly personal for Boston. Growing up with parents whose marriage seemed idyllic had left her struggling once she began dating, and she channeled many of her own anxieties into the show. “They’ve been together for 37 years or something,” Boston said of her parents. “I felt all this pressure knowing that that exists. It always felt like a curse. You have this great example of what a marriage is, and I always found myself weighing every little romantic tryst against this 30-year marriage — which was unhelpful.”
She hit upon the premise for the series right around her 27th birthday, a time when more and more of her friends began to get married, and developed the idea while working on other projects. By the time Boston sat down to write the pilot episode, she knew the narrative and the characters so well that it took her just two weeks to finish.
Pitching the series, she met with “Stranger Things” creators Matt and Ross Duffer, who were so impressed by her vision that they signed on to executive produce “Something Very Bad Is Going to Happen” through their Upside Down Pictures banner.
“From reading one page of her script, it became very clear that this is someone who has a very unique voice,” Ross said. “It was unlike anything we’d ever read before. Immediately, we were like, ‘We have to be involved with this. We have to help bring her vision to life.’”
Rachel (Camila Morrone) and Nicky (Adam DiMarco) experience peculiar and ominous events leading up to their wedding.
(Netflix)
Matt added, “Haley has such a specific sense of humor. It’s very dark, very dry, but it also feels incredibly real. Her characters talk very much in the same way that real people talk. I find that sadly rare in the scripts that you read.”
The series was filmed in Toronto in January 2025 with directors Weronika Tofilska (“Baby Reindeer”), Lisa Brühlmann (“Killing Eve”) and Axelle Carolyn (“American Horror Story”) behind the camera. Boston said she and her collaborators would often reference specific films — everything from “The Celebration” to “Uncut Gems” — as a shorthand for the tone they were hoping to strike in a given episode. “I really love a story that takes something normal and grounded and gives one twist on it that throws you into a different world and makes you see things in a different way,” Boston said.
With “Something Very Bad Is Going to Happen” poised to elevate Boston’s Hollywood profile, establishing her as one of the most exciting voices in horror, she’s already planning for her future, writing a film that she intends to direct. “I love the horror community, but it is still such a boy’s club, and I really want to infiltrate it,” Boston said.
“The genre has been so much about women, and in studying feminist theory in horror, especially back in the ’70s, the genre forced men to relate to women — you’re watching a woman survive, which is ultimately very powerful,” she added. “I find it interesting how many men are making horror movies about women. I talked about ‘Carrie.’ I love that movie, but it’s missing something. Same with ‘Rosemary’s Baby.’
“This show is such a great opportunity to begin my career in this genre — now, I want to continue my reign of terror.”
The six-part hostage drama is based on a “must-read” novel.
Damson Idris will lead the Netflix thriller(Image: NETFLIX)
Netflix’s latest thriller was inspired by a story hailed “quite brilliant in its twists and turns”.
Fans of political thrillers are in for a treat as Netflix has announced a brand new drama from the creators of Humans and the author of House of Cards.
The series, which will be led by British actor and entrepreneur Damson Idris and is one of Netflix’s many hit thrillers, centres around a “nightmare scenario” which sees the government of the United Kingdom taken hostage.
Parliament is now enemy territory and ex-spy Harry Jones (Idris), is the perfect man to save the government if it were not for one problem – he is also a convicted traitor.
The title of the new series is The Lords’ Day, and it is based on the book by Michael Dobbs, who also happens to be a member of the House of Lords.
Netflix promised the thriller will be “an electrifying ride through England’s halls of power.”
The synopsis reads: “On the State Opening of Parliament, British spy Harry Jones finds himself inside the Palace of Westminster amid a lockdown.
“As a hostage siege escalates, loyalties are tested and selfless sacrifices are made, leading to a desperate fight for survival where not everyone will emerge alive.
“Can Harry use his skills and training to be the country’s saviour?”
Actor Idris, 34, is best known for his roles in Snowfall, Outside the Wire and F1, and he is the only casting announced so far. Production will begin soon in the UK.
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Fans of the original source material took to Goodreads to share their thoughts, with one commenting: “A must read book by Michael Dobbs that was equally as good as the Francis Urquart series!”
Another shared: “Excellent read, I was engrossed with every page. Again, Harry Jones at his best.”
A third called it “fascinating”, adding: “Quite brilliant in its twists and turns and details. Utterly plausible in it’s plot and characterisation. I have found a new favourite author.”
Another reader shared: “A real page turner. Never a dull moment with plenty of action and political intrigue. Edge of the seat thrills and twists.”
The book reviews suggest the TV adaptation will be one of Netflix’s most gripping thrillers.
The streamer’s latest true crime offering tells the harrowing story of Manuel Blanco Vela.
The harrowing Netflix documentary is climbing the charts(Image: NETFLIX)
Netflix’s dark new documentary has left viewers reeling. It has just added a new series to its extensive library of true crime offerings, which delves into a case that evaded justice for many years until one survivor spoke out.
The Netflix series recalls a woman’s fight to expose Manuel Blanco Vela, a Spanish tour guide who ran student trips and abused the trust of young women by assaulting them.
Blanco Vela, who ran Discover Excursions, a travel company offering trips across Spain, is the main subject of The Predator of Seville.
Viewers learned of how between 50 and 100 women may have accused Blanco Vela of assaults or attempted assaults over time, although only a small number of cases were prosecuted.
Taking to X, formerly Twitter, to share their thoughts on the new crime documentary, one viewer said: “That Manuel Blanco documentary is horrifying.”
Another praised the survivors, sharing: “What a brilliant and brave woman you are. He massively underestimated the collective power of women.”
On IMDb reviews, one viewer expressed their shock, sharing: “How could this go on for so long?
“It’s disgusting to see how long Manuel was able to get away with this abuse and how difficult it seems to be to actually convict someone like that. Incredibly brave of all the women who have shared their stories.”
Another shared: “It is a very interesting story on Manuel’s serial behaviour. It’s sad to hear it took so long to be recognised. The woman starting the story seems to have been healing well and hope she continues on doing so.”
A third added: “Every woman that was affected by this guy, I am so happy that you stood up for yourself, the fact that he was running away for so long honestly mind-boggles me.”
A fourth shared: “Unbelievable that that man got away with it for so long. A confronting story for parents and young girls. Let it be a lesson that young girls should never go out alone, no matter where in the world.”
The synopsis for the limited series reads: “A sexual assault by a Spanish tour guide sparks a surge of similar claims from multiple US students. This documentary follows their fight for justice.”
The trailer for the series sees a group of women explaining how Blanco Vela took advantage of their vulnerable state until one survivor set up an online investigation to expose him.
We spoke exclusively to Altered Carbon and For All Mankind actor Joel Kinnman about his brand-new Netflix crime drama Jo Nesbø’s Detective Hole
Netflix has dropped a brand new crime drama that’s perfect for audiences looking for their next binge watch.
Jo Nesbø’s Detective Hole is adapted from the internationally best-selling author’s acclaimed books and follows alcoholic but brilliant detective Harry Hole (Tobias Santelmann) as he tries to hunt down a brutal serial killer on the prowl in Oslo, Norway.
However, Harry is also trying to take down corrupt fellow detective Tom Waaler (Joel Kinnaman) as the two men try to out-wit each other.
The nine-part series, which can be described as Luther meets Line of Duty, has some gruesome moments putting it in on par with Idris Elba’s BBC detective drama.
In a recent interview with the Mirror’s publishers Reach Plc, Detective Hole star Joel Kinnaman broke down perhaps the most stomach-churning moment in the show and shared some surprising behind-the-scenes insight into bringing the grisly scene to life.
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WARNING: This article contains major spoilers from Jo Nesbø’s Detective Hole on Netflix
The scene in question saw Kinnaman’s sociopathic police officer Waaler luring an unsuspecting man into public toilets on the promise of sexual favours, before castrating and murdering his victim.
Kinnaman said: “When we were shooting that, that’s where you really felt like this big budget was coming in because that penis prosthesis was so perfect. It felt very real holding it.” Adding: “It was a very realistic experience.”
Despite the sequence proving a tough watch, filming it was another matter for Kinnaman and the rest of the crew.
The star joked that every time the prosthetic appeared, he would “make a soundtrack” for its entrance.
“It was pretty hard to keep from laughing but then when he got into it, it became sort of horrifying,” he said.
Adding: “It was a very strange feeling. It was very strange to do it, but I enjoyed it.”
Addressing joining the crime drama, the Swedish-American actor said he was “very excited” about the idea of playing the Swedish character in a Netflix production, which he said would make it “accessible” to audiences.
Kinnaman went on to say that he was excited to step into acclaimed crime author Nesbø’s world and the character of Waaler, saying: “I’ve never got to play this kind of mouth-watering, crazy role. So fun and such an opportunity.”
The star went on to say about Waaler’s mindset: “He’s sort of morally conflicted and he’s driven by his sexual confusion and his sexual desires and his strive for power and power games. But what is also fuelling all of this is his childhood trauma.
“I sort of play him as a malignant narcissist on the scale of psychopathy. That was sort of the hypothesis that I was playing off of and that’s someone… he’s not born a psychopath, but he has been damaged at a young age.
“And then it veers, it makes his personality veer off in this direction and course.”
Kinnaman said that childhood trauma had created a lack of empathy in Waaler that led to his extremely violent behaviour.
Jo Nesbø’s Detective Hole is streaming on Netflix now
Peaky Blinders fans are curious about the fate of Tommy Shelby’s second wife
Lizzie Shelby doesn’t feature in Peaky Blinders: The Immortal Man(Image: BBC)
Peaky Blinders: The Immortal Man arrived on Netflix recently, however, fans have been left confused by some notable absences.
The movie focuses on Tommy Shelby (played by Cillian Murphy) coming out of exile to save his son Duke Shelby (Barry Keoghan) from a Nazi plot to win WWII.
But missing from Peaky Blinders: The Immortal Man is Arthur Shelby (Paul Anderson), Finn Shelby (Harry Kirton), and Lizzie Shelby (Natasha O’Keeffe) among other major characters. Here’s a look at Lizzie’s fate in Peaky Blinders.
What happened to Lizzie in Peaky Blinders?
WARNING: This article contains spoilers from the Peaky Blinders TV show
Season 6 of Peaky Blinders saw Lizzie finally leaving Tommy after the death of their daughter Ruby (Heaven-Leigh Clee) proved too much. Tommy was nowhere to be found as Ruby lay dying in hospital from consumption.
The gangster was off trying to lift a curse he believed had been put on Ruby after Tommy had given away a cursed sapphire, which was believed to be responsible for the deaths of Grace Shelby (Annabelle Wallis) and another child.
When Tommy returned to Birmingham, he believed he’d managed to lift the curse, but Ruby was already dead. A devastated Lizzie wondered where her husband had been.
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To make matters worse, Lizzie was also heartbroken after Tommy slept with Diana Mitford (Amber Anderson). The move saw Tommy trying to win the trust of fascist MP Oswald Mosley (Sam Claflin), but it meant infidelity on his part.
In her parting words, Lizzie said: “You are cursed Tommy. Never to understand the limits that other people will accept.
“Never to be allowed in where everybody else is. Cursed never to be lifted.”
When Tommy said he would be gone for a while, Lizzie showed him her hands empty of wedding rings and said she was “already packed”.
She told him so just wanted to “say goodbye to Ruby”, before she finally left him forever.
Lizzie couldn’t take son Charles Shelby either and told the boy that Tommy wouldn’t allow it. In the movie, it’s revealed that Charles is fighting on the frontline in North Africa.
Peaky Blinders: The Immortal Man is streaming on Netflix now
The Netflix cast is led by Norwegian star Tobias Santelmann, who portrays protagonist Harry Hole. The actor is best known for his roles in The Last Kingdom, Kon-Tiki, and Exit. Meanwhile, Swedish-American actor Joel Kinnaman stars as detective Tom Waaler after appearing in Apple TV+’s For All Mankind, Hanna, Altered Carbon The Killing and Suicide Squad.
Norwegian star Pia Tjelta portrays Harry’s girlfriend Rakel Fauke and counts credits in State of Happiness, Cold Lunch, Blindsone, Cold Lunch, Next Summer and Norsemen. Swedish actress Ellen Helinder also stars as officer Beate Lønn and has appeared in Exit alongside her co-star Santelmann, as well as Beck, Studenternas undergång and Veronika.
Other cast members include Anders Baasmo, Maxime Baune Bochud, Kåre Conradi, Simon J. Berger, Prison Break’s Peter Stormare, Fridtjov Såheim, Eili Harboe, Atle Antonsen, Manish Sharma, Jesper Christensen, Kristoffer Joner, Ingrid Bolsø Berdal, Linn Skåber, Jonas Strand Gravli, Sonny Lindberg, Agnes Kittelsen, Nader Khademi, Agot Sendstad, Maja Christiansen, Frank Kjosås, Kelly Gale, Oddgeir Thune, Ravdeep Singh Bajwa, Henrik Mestad, Ingar Helge Gimle, Henriette Steenstrup, Helge Jordal, Eirik Hallert, Anders Danielsen Lie, Ane Dahl Torp and Dagny.
Netflix describes Jo Nesbo’s Detective Hole as “a whodunnit serial killer mystery led by famed anti-hero Harry Hole” that operates as “a nuanced character drama about two police officers operating on opposite sides of the law.” The drama sees Harry clash with corrupt colleague Tom Waaler (Joel Kinnaman) whilst trying to solve murders. The streaming giant promises viewers will see how “Harry must do all he can to catch a serial killer and bring Waaler to justice before it is too late.”
Some people prefer a laid back comedy, while others look for a psychological thriller that keeps them on the edge of their seats – but these 10 shows are tried and tested
Abigail Nicholson Content Editor
10:59, 27 Mar 2026
The Good Place(Image: Daily Mirror)
When it comes to watching TV, everyone has different opinions on what they like to watch. Some people prefer a laid back comedy, while others look for a psychological thriller that keeps them on the edge of their seats.
But there are some cult classics that hundreds of thousands of people watch, and rewatch, that bring joy, excitement and nostalgia. One Reddit user posed in the R/AskReddit community to ask members what their favourite TV show of all time was.
The post said: “What’s a TV series you’ll never get tired of recommending to someone?” Hundereds of people were quick to hail their 10 favourite TV shows, with some being aired for the first time in 2002.
1. The Wire, 2002
The Wire was aired on HBO between 2002 and 2008 and looks at the narcotics scene in Baltimore through the eyes of police, as well as the drug dealers and users.
The show was created by former police reporter David Simon, who also wrote many of the episodes, and has a huge 94% rating on Rotten Tomatoes.
One person commented: “I was advocating for someone I know to watch it about four hours ago. I had to share, to someone who works in a bureaucracy, the line ‘There you go Jimmy…Givin’ a f***, when it ain’t your turn to give a f***’. Masterpiece of a show.”
A second said: “So I just watched this cause everyone raves about it. And I liked it, but it felt really forced in season 5.”
The Wire can be watched on HBO Max.
2. The Good Place, 2016
The Good Place was first aired on NBC in 2016 and follows four people who enter the afterlife after dying on earth. Eleanor Shellstrop [Kristen Bell] is both relieved and surprised that she’s made it into the Good Place.
But it doesn’t take long for her to realize she’s there by mistake, and is forced to hide in plain sight. The show has a huge 97% rating on Rotten Tomatoes and is a firm favourite by TV fans.
One person said: “One of the most perfect shows ever made, imo. From start to finish.”
A second said: “I recommend this show to my mom and I regret it LOL. she watches it everyday. AND I mean everyday. She will just keep watching it and not get tired of it.”
Dark was first aired on Netflix in 2017 and follows two families searching for answers when their children go missing in a small German town. A sinful past is exposed along with the double lives and fractured relationships that exist among four families as they search for the kids.
The mystery-drama series introduces an intricate puzzle filled with twists that includes a web of curious characters, all of whom have a connection to the town’s troubled history.
The series has a 95% rating on Rotten Tomatoes and can be watched in Netflix.
One person said: “Dark was incredibly fine-tuned. I had found a chart online to help with family connections and time jumps.”
A second said: “Truly a 10/10 show. Still sad 1899 didn’t get the full run it deserved.”
4. Arrested Development, 2003
Arrested Development was first aired on Fox in 2003, and follows the Bluth family. Michael Bluth finds himself forced to stay in Orange County and run the family real estate business after his father, George Bluth Sr, is sent to prison for committing white-collar crime.
He tries to juggle the wants and needs of his spoiled and eccentric family while being a good role model for his teenage son, George Michael.
The series, which has a Rotten Tomatoes score of 75%, is known for having a reboot after season three, which did not go down as well as the first three seasons of the programme.
One person said: “Arrested Development (Seasons 1-3 too afraid to watch reboot so never did).”
A second person said: “Arrested Development is mine for sure. I don’t think there has ever been a funnier show on television.”
You can watch Arrested Development on Netflix and Disney+.
5. The Expanse, 2015
The Expanse was first aired on Syfy channel in 2015, and takes viewers hundreds of years into the future. Things are much different than what humanity is used to after humans have colonized the solar system and Mars has become an independent military power.
She show follows rising tensions between Earth and Mars that have put them on the brink of war. The show has a massive 95% rating on Rotten Tomatoes, with many people singing its praises.
One person said: “Such a great show. One of the only good things Bezos has done in his life is paying to finish that show.”
A second said: “Excellent show! You gotta check out.”
The Expanse can be watched on Prime Video.
6. Parks and Recreation, 2009
The comedy was first aired on NBC in 2009 and follows the Indiana Parks and Recreation Department as they deal with oafish bureaucrats, selfish neighbours, governmental red tape and a myriad of other challenges.
The show is known as an easy to watch cult classic, and has a massive 93% rating on Rotten Tomatoes.
One person said: “The first show my wife and I binged when we first started dating. We ended up finishing our wedding vowels with “I love you and I like you” and engraving it on our wedding rings.”
A second said: “Way better than the office in my opinion.”
Parks and Recreation on Sky.
7. Psych, 2006
The Comedy, Crime and Mystery & Thriller was first aired on USA network in 2006, and follows Shawn Spencer as he happens to possess some uncanny powers of observation thanks to his father, Henry, a former police officer who taught his son to remember even the smallest details of his surroundings.
When Shawn is accused of committing a crime that he actually solved, he convinces the cops that he’s a psychic. The show has an 89% rating on Rotten Tomatoes and ran for 8 seasons.
One person said: “Psych was an incredible mix of humor, intrigue, creative writing and stupidity. I loved every second of it.”
A second said: “Episodic shows have so much rewatchability. Need to sit for 40 minutes? Watch an episode. Doesn’t matter which, they’re all self contained. Serial shows you can’t watch a random episode because you may not remember what’s going on.”
Psych can be bought on Prime and Apple TV.
8. Ted Lasso, 2020
Ted Lasso was first released on Apple TV in 2020 and follows an American football coach who is hired to manage a British soccer team.
What he lacks in knowledge, he makes up for in optimism, determination and biscuits. This comedy/drama is an easy watch, and features some big stars such as Hannah Waddingham, Jason Sudeikis and Nick Mohammed.
The show has a 90% rating on Rotton Tomatoes, and you don’t need to enjoy football to watch the show.
One person said: “I’m not even a fan of Soccer or most sports, but this show may be the most Wholesome, Down to Earth show I’ve ever seen. For anyone who hasn’t seen it, Soccer & sports is only about 5% of the show. The other 95% is behind the scenes, character development, comedy, and straight up genuine wholesomeness.”
A second said: “Idk if I’d even say it’s 5%, the soccer thing is all just backdrop really for some incredible character development.”
Ted Lasso can be watched on Apple TV.
9. Fleabag, 2016
Fleabag was first aired on BBC Tree in 2016 and follows a dry-witted woman, known only as Fleabag, as she navigates life and love in London while trying to cope with tragedy. The angry, grief-riddled woman tries to heal while rejecting anyone who tries to help her.
The show has a 100% rating on Rotten Tomatoes and is known for its depth and dark comedy.
One person said: “Kind of dark to be fair. More raunchy than dark to me really. But it’s amazing, so I agree on the brilliance. Olivia Coleman may be my favourite British actresses of all time, even if she has been around the station a few times.”
A second said: “Season 2 is as close to perfection as any show will ever get.”
Fleabag can be watched on Prime Video, Sky and BBC iPlayer.
10. Brooklyn Nine-Nine, 2013
Brooklyn Nine-Nine was first aired on Fox in 2013 before moving to NBC for the final three seasons. The show follows the team of detectives at Brooklyn’s 99th Precinct – made up a loveable and offbeat squad that must get its act together when the office gets a new captain.
The show has a 95% approval rating on Rotten Tomatoes, with many describing the show as “hilarious”.
One person said: “My wife made me watch it and I was hooked from the first episode.”
A second said: “I have to admit, this was recommended many times and when I saw bits and pieces I really hated it. Then I gave it a chance, now I’m at season 5, so many hilarious bits.”
We spoke exclusively to Detective Hole creator Jo Nesbø and lead star Tobias Santelmann about the Netflix crime drama’s future
Jo Nesbø’s Detective Hole is adapted from a series of best-selling crime novels(Image: NETFLIX)
Netflix has only just dropped its thrilling new crime drama Jo Nesbø’s Detective Hole but some viewers are already keen to know if there will be another series.
The nine-part detective series is adapted from best-selling crime author Nesbø’s The Devil’s Star and takes Netflix viewers on quite the ride.
Detective Hole follows troubled detective Harry Hole (Tobias Santelmann) as he races against the clock to track down a serial killer before they can strike again.
At the same time, Harry is locked in a dangerous cat-and-mouse game with crooked fellow police officer Tom Waaler (Joel Kinnaman).
Will there be a Detective Hole season 2?
In an exclusive interview with Mirror publishers Reach Plc, creator Nesbø, lead actor Santelmann and Beate Lønn star Ellen Helinder addressed the future of the show.
Nesbø said: “No plans yet [for a season two]. Right now, we’re just concentrating on getting this TV series out to the audience and we’ve been working on this for three years now.
“So, just the thought of starting all over again right now is a bit premature and we’re so exhausted right now that we want a vacation.”
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However, Harry Hole star Santelmann said: “I’m ready. You might be exhausted.”
Nesbø jokingly added: “You’re ready? Then I’m ready too for season two.”
The crime author admitted that he hadn’t yet thought about the direction he’d like to take the show in or which Harry Hole novel a possible season two might take.
Meanwhile, actress Helinder, who portrays the brilliant forensics officer Beate, shared her hopes for more seasons of Detective Hole: “Just to keep working with these amazing people and develop the characters even more.
“There’s so much to find in these people, who work within the law enforcement.
“Even more the morality, the ethical dilemmas and how is Harry going to cope with everything? Who is Beate? I would like to explore her backstory.
“I think this ability that she has for facial recognition is so cool, just for her to keep tracking cases and doing her thing.”
Given Jo Nesbø’s Detective Hole has only just been released, Netflix will be keeping an eye on the viewing figures before making any renewal decisions.
The Devil’s Star is just one of 13 Harry Holes books that Nesbø has written, so there is plenty of content for the programme-makers and indeed the author, who also served as the screenwriter on the Netflix series, to draw on.
Jo Nesbø’s Detective Hole is streaming on Netflix now
The mysterious character is introduced early on in the Netflix series
Samantha King Content Editor
15:00, 26 Mar 2026
Nicky’s siblings inform Rachel about a family legend known as the Sorry Man(Image: Netflix)
*Warning: Contains major spoilers for Something Very Bad Is Going To Happen*
Netflix today released (March 26) all episodes of its highly-anticipated horror series Something Very Bad Is Going To Happen which explores the dark side of wedded bliss.
The eight-part show is created by Haley Z. Boston (Brand New Cherry Flavor) and executive produced by the Duffer Brothers (Stranger Things), and centres around a young couple, Rachel Harkin and Nicky Cunningham, in the week leading up to their wedding.
While the duo initially seem a match made in heaven, things start to unravel as Rachel (Camila Morrone) meets her soon-to-be-spouse’s family for the first time while they prepare for their big day at the sprawling, remote cabin owned by Nicky’s (Adam DiMarco) parents.
During her first encounter with Nicky’s siblings at the cabin, Rachel is told the story of the Sorry Man, a mysterious presence who allegedly roams the woods outside looking for women to murder.
Nicky’s sister Portia (Gus Birney) takes great pleasure in revealing that the Sorry Man believes his long-lost love is hiding inside another woman. She says that if he gets the scent of blood, he wastes no time in tracking down and ripping open the woman who is bleeding.
The tale originates from Nicky’s older brother Jules, who claimed to have seen the Sorry Man for himself when he was a child. The whole family are aware of the story, including Jules’ own son who lives in fear of the creature.
The Sorry Man and whether or not he will appear is one of the show’s enduring mysteries – especially after Rachel gets a nose bleed – until a major reveal explains what is really going on.
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As viewers know, Rachel is battling a curse that kills anyone in her family line who marries someone who is not their soulmate. That curse affected her own mother (portrayed by Victoria Pedretti) who shortly after wedding Rachel’s dad, collapsed while bleeding from her eyes.
As his new bride was pregnant, Rachel’s dad was forced to tear open his dead wife’s belly to save his unborn child all the while repeating “I’m sorry” as the tragic moment unfolds.
Viewers learn that Jules was actually present that day as the newlyweds had been staying at a cabin nearby to his family home. He had been hiding under the bed in their holiday cabin after leaving home and so witnessed Rachel’s mother die, and her father then tear her open, leaving him with the idea of the Sorry Man.
The moment of Rachel’s mother’s death was caught on a home video tape which is later shown to Rachel after the Sorry Man – a.k.a her actual dad – invades the Cunningham home and kidnaps Rachel in the dead of night to stop her from suffering the same fate as her mother after hearing about her impending wedding to Nicky.
Jules’ son sees Rachel being kidnapped and informs his dad, who tracks down where Rachel is being held. When he finds her, he recognises who he believes to be the Sorry Man, before Rachel informs him that is actually her dad.
Jules then realises what he witnessed that day as a child was the Harkin family curse unfolding, not a murder, and that he was actually present at Rachel’s birth.
Something Very Bad Is Going To Happen is now streaming on Netflix.
Netflix has confirmed the third season of one of their most popular shows is now in production
Netflix fans ‘can’t wait’ after update on ‘best show in the world’
Netflix has announced the third series of popular rom-com Nobody Wants This is presently in production.
Featuring Adam Brody as rabbi Noah and Kristen Bell as agnostic podcast presenter Joanne, the programme chronicles the duo as they begin an unexpected romance.
The second series wrapped up with Joanne choosing to convert to Judaism while Noah comes to terms with wanting to be with her regardless.
Series three is consequently expected to commence with their relationship more solid than ever, though there will inevitably be additional drama to unfold with Joanne’s sister, Morgan (portrayed by Justine Lupe) and Noah’s brother, Sasha (Timothy Simons), and sister-in-law, Esther (Jackie Tohn).
Showrunners Jenni Konner and Bruce Eric Kaplan informed Netflix: “We are so grateful to Netflix and 20th for giving us another season of Nobody Wants This”, reports the Express.
They continued: “This job is criminally fun. Working with the uniquely gifted Erin Foster [creator], this unbelievable cast of talented, hilarious pros, amazing writers, and incredible crew has been a truly great experience.”
Foster shared with the streamer when the third series was originally announced: “I couldn’t be more excited to head into a third season of this show.”
She added: “It is a privilege to be able to write about my favourite couple on a scale like this. As long as it doesn’t take too much time away from me watching reality TV at night, I’ll do it for as long as they want me to!”
The second season of Nobody Wants This demonstrated even greater triumph than the first, accumulating 18 million views within its initial 11 days and securing a position in Netflix’s Top 10 chart across 82 countries.
Netflix and lead actress Bell ignited excitement amongst devotees with a collection of behind-the-scenes photographs as production commences in Los Angeles, California.
“Can’t wait to see them be silly and cute on my screen again,” responded one user beneath Bell’s Instagram post.
Someone else declared: “Hurry!!! We can’t wait for season 3.” Another stated: “Best series in the world ever.”
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‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.
And a final fan enthused: “Finallyyyyyy!!! We have been waiting for this!!”
Season two featured numerous thrilling guest stars, including Seth Rogen, Kate Berlant, and Leighton Meester, so devotees are anticipating further major names could participate in the entertainment for season three.
A launch date for the third season remains unconfirmed, but as the previous instalment commenced filming in March 2025 and was released later that same year, viewers could anticipate the series to return in October or November 2026.
Nobody Wants This is available to stream on Netflix.
Tom Hardy’s absence from Peaky Blinders movie explained – The Mirror
Need to know
Peaky Blinders creator Steven Knight has disclosed he almost brought back Tom Hardy’s Alfie Solomons for The Immortal Man
Peaky Blinders film almost brought back Tom Hardy for massive twist(Image: BBC)
Everything you need to know about Tom Hardy’s absence from Peaky Blinders: The Immortal Man.
Peaky Blinders creator Steven Knight has revealed he scrapped a massive twist that would have brought back Tom Hardy’s iconic character Alfie Solomons as a ghost.
The show’s writer originally considered revealing that Alfie had actually died from his gunshot wound on Margate beach. Knight briefly toyed with the idea that all of Alfie’s appearances since season four were just apparitions in Tommy Shelby’s mind.
“I thought, maybe [Alfie] appears, and we realise he’s been dead all that time,” Knight told the Hollywood Reporter. “Now, I nearly did that, and I didn’t do it, but that was a thought.”
The twist would have mirrored Tommy’s other ghostly visions, including his deceased first wife Grace. Knight noted that since the beach shooting, viewers have only ever seen Tommy and Alfie together alone, adding fuel to the theory.
Hardy’s busy filming schedule for Paramount+ crime drama MobLand may have also influenced the decision not to pursue this storyline.
Fans still have hope of seeing Alfie return as the series continues with at least two more instalments on Netflix and the BBC. Knight confirmed Duke Shelby will appear in the upcoming post-WWII Birmingham follow-up.
The creator teased: “Some of the characters that are in [The Immortal Man] will appear in that. But I’m under strict instructions not to talk about it except to say that it’s happening.”
Less than 30 years after “13 Going On 30” made legions of young millennials want to be “big-time magazine editors,” the classic rom-com is getting a reboot.
Jennifer Garner, who starred in the 2004 original as the 30, flirty and thriving Jenna Rink opposite Mark Ruffalo’s Matt “Matty” Flamhaff, is executive producing the project. “People We Meet on Vacation” star Emily Bader and Logan Lerman, known for “Oh, Hi!” and “Perks of Being a Wallflower,” will star in the reboot.
Brett Haley, who directed Netflix’s “People We Meet on Vacation,” will reunite with Bader to helm the project.
In a statement to “Deadline,” Haley said, “‘13 Going On 30’ is one of those rare, perfect films. Funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo, and Judy Greer. I’m a longtime fan, so stepping into this reimagining comes with tremendous responsibility.”
“Jennifer Garner being on board as an executive producer, after playing such a big part of what made the original special, is especially meaningful,” Haley continued. “I also couldn’t be more excited to reunite with Emily Bader after ‘People We Meet on Vacation.’ She and the amazingly talented Logan Lerman are a magical pairing. I feel incredibly lucky to be trusted with something that means so much to so many people.”
In case you missed it (or were living under a rock in 2004), our former Los Angeles Times film critic Manohla Dargis wrote of the film: “Another iteration on the apparently indestructible body-switching premise, ‘13 Going On 30’ closely adheres to the essential gimmick and learning curve introduced to superior effect in the 1988 hit ‘Big.’
“After a disastrous birthday party and a foolish wish to become ‘30, flirty and thriving’ (some alliterative propaganda she’s read in a fashion magazine), Jenna wakes one morning to discover that she’s metamorphosed into an older, taller, somewhat curvier version of herself. Now played by Garner, the wild-eyed teenager comes face to face with a wish fulfillment of a life that comes with a designer Manhattan apartment, an executive position at a slick women’s magazine, a hockey-star boyfriend who likes to strip to Vanilla Ice, and row upon row of designer shoes.”
While mum’s the word on plot specifics, the script for the reboot is by Hannah Marks, who penned and directed “Mark, Mary, & Some Other People,” with revisions by Flora Greeson, who wrote “The High Note.”
Once news of the reboot broke online, social media chatter picked up, with fans speculating which eras the film may be set in. If, like the original, the protagonist wakes up as a 30-year-old in today’s modern world, some worry the flick won’t be as lighthearted as the original.
One user on Threads said, “The concept of a 13 Going on 30 where a teenager in 2009 now wakes up in THIS reality in her 30s feels like horror not romcom.”
Netflix has confirmed Bridgerton’s fifth season is currently in production but fans aren’t happy about the direction of the hit period drama
Bridgerton fans fume ‘big mistake’ as Netflix confirms season 5 leads(Image: NETFLIX)
Bridgerton season five will officially focus on middle daughter Francesca with Hannah Dodd taking the lead in Netflix’s popular period romance drama.
Dodd will be starring alongside Masali Baduza as Michaela Stirling, marking the first time the hit streaming series will spotlight a same-sex couple.
The upcoming instalment, which is currently in production, will be set after the death of Francesca’s husband John Stirling (played by Victor Alli) as she begins to explore her complex feelings for his outgoing cousin.
A synopsis confirms: “The fifth season of Bridgerton spotlights introverted middle daughter Francesca.
“Two years after losing her beloved husband John, Fran decides to reenter the marriage mart for practical reasons.
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“But when John’s cousin Michaela returns to London to tend to the Kilmartin estate, Fran’s complicated feelings will have her questioning whether to stick to her pragmatic intentions or pursue her inner passions.”
A first-look teaser for the upcoming season has given fans a tantalising glimpse of the pair together, giving each other a tender glance as inspiring music swells.
While countless fans are thrilled to see Fran and Michaela’s romance develop, others have criticised the decision to delay Eloise Bridgerton’s (Claudia Jessie) storyline to season six.
In Julia Quinn’s original novels, 28-year-old Eloise finds love in the fifth book, To Sir Phillip, With Love, after exchanging letters with widower Sir Phillip Crane, played by Chris Fulton in the TV adaptation.
“Big mistake it should have been Eloise next, no buzz here l’m sorry to say,” one viewer fumed on X, adding a shrug emoji.
Someone else exclaimed: “BIG Mistake! should’ve been Eloise first, Fran should’ve had time to grieve.”
Another said: “im actually mad because wdym im not seeing [Eloise’s] season till 2030.” A third wrote: “THEYRE DOING FRANCESCA BEFORE ELOISE?? WHATTT.”
The conversation continued on Reddit, where one user reasoned: “I’m not sure how to feel about this I’m excited for them and their story but honestly what are they going to do with Eloise for another season, i just can’t see what they do with her.”
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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.
“I mean great but I have mixed feelings. I just really wanted Eloise to be the next,” another agreed.
Though someone else argued: “Ayyy, my girls!! So excited to see them lead, I know it’s going to be a fantastic season! Hopefully they can advance Eloise’s plotline as well, like how Fran’s story got a headstart in S3.”
Production starting this spring indicates the next season should arrive on Netflix at some point in 2027.
Hopefully that also means fans won’t be waiting too long before Eloise finally gets her time to shine.
Peaky Blinders: The Immortal Man is Netflix’s number one film and writer Steven Knight has revealed a fan-favourite character nearly made a surprise comeback
Peaky Blinders film almost brought back Tom Hardy for massive twist(Image: BBC)
Peaky Blinders creator Steven Knight has revealed he scrapped a massive twist that would have brought back Tom Hardy’s iconic character Alfie Solomons.
The Venom star portrayed the Jewish cockney crime lord of Camden from the hit drama’s second season on and had a complex relationship with the Birmingham gangsters.
After being shot in the head by Tommy Shelby (played by Cillian Murphy) on Margate beach, Alfie makes brief appearances in the fifth and sixth seasons of the hit BBC series.
Some fans may have been disappointed that Hardy didn’t make an appearance in Netflix’s new film The Immortal Man, which sees Tommy returning to Small Heath to take on his estranged son, Erasmus ‘Duke’ Shelby (Barry Keoghan), who has taken over the gang.
However, Knight has since revealed he originally considered the possibility of Alfie making an appearance – and it would have been a massive twist on the fate of the character.
“I had an idea, which I haven’t really spoken about,” he shared with the Hollywood Reporter.
“Ever since he was shot on the beach at Margate [in season four], you’ve only ever seen Tommy and Alfie together alone.”
The fifth season reveals that Alfie had actually survived the gunshot wound to the face after Hardy lobbied Knight to bring him back.
But, as Tommy regularly glimpses the ghosts of his past, including the lingering image of his first wife Grace (Annabelle Wallis), Knight briefly considered revealing that Solomons was simply another apparition Tommy had been communing with.
“I thought, maybe [Alfie] appears, and we realise he’s been dead all that time,” Knight went on.
“Now, I nearly did that, and I didn’t do it, but that was a thought.”
Hardy’s demanding schedule may have also contributed to Knight’s decision not to bring him back, as the star has recently been filming the Paramount+ crime drama MobLand since the end of Peaky Blinders.
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‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.
Thankfully, there is still a chance, albeit a slim one, that fans could see Alfie return alongside some other Peaky favourites as the series will be returning for at least two more series on Netflix and the BBC.
Knight confirmed that Duke will be appearing in the upcoming follow-up, which is set in post-WWII Birmingham, though it’s currently unknown if Keoghan will be reprising the role.
He also teased: “Some of the characters that are in [The Immortal Man] will appear in that. But I’m under strict instructions not to talk about it except to say that it’s happening.”
Peaky Blinders: The Immortal Man is available to stream on Netflix.
Rather than chasing sequels and reboots, Netflix is betting its 2026 film strategy on a massive investment in original storytelling and a renewed focus on the theatrical comedy.
Lin said that at Netflix, 2025’s slate was the “exact opposite,” where half of the films it released last year were based on original storytelling.
“We have a very healthy content budget. So if there’s a great movie out there, we’ll go out and either build it or acquire it,” Lin said.
Bela Bajaria, the company’s chief content officer, said the company isn’t too concerned with the theatrical element that other studios can offer when hunting for these original stories, as Netflix is a streaming-first company.
“We’ve always had competition. This isn’t really any different,” said Bajaria. “It’s to understand what the competition is, not head in the sand at all. [We have] to understand what the market is and continue to look ahead.”
It’s not just original ideas that Netflix is scouting; the streamer’s also looking to fill gaps in genres. In recent years, comedies have fallen out of favor with major studios — leaving room for streamers like Netflix to expand. This year, Netflix is looking to break through with upcoming comedy productions like Kevin Hart’s bachelor party-driven “72 Hours,” John Cena and Eric André’s buddy comedy “Little Brother” and Eva Longoria’s “Fifth Wheel,” which Lin describes as “our version of ‘Bridesmaids.’”
“We’re taking the chance, and we’re making the movies,” Lin said. “It’s what we’re delivering, I hope, [it’s] what audiences want and what they’re craving. There are a lot of genres that you just can’t find in theaters anymore. So, we’re making those kinds of movies.”
In addition to emphasizing comedies, there’s a lot of opportunity to develop young adult films, Lin said. Netflix has upcoming titles such as “Voicemails for Isabelle,” starring Zoey Deutch and Nick Robinson, and “Roommates,” with Sadie Sandler, to draw in younger movie watchers.
One genre in which Netflix doesn’t see much success is live musical adaptations, so it’s “not an area that I’m leaning into,” Lin said. He first joined the company in 2024 and has since green-lighted 88 films.
Netflix subscribers watch about seven movies a month, according to the streamer’s data. So, with the push for original stories, the streamer is hoping to meet its consumers’ demands.
The current strategy is to release up to four “event films” a year. For 2026, Netflix is looking at Greta Gerwig’s “Narnia” adaptation and David Fincher’s follow-up to “Once Upon a Time … in Hollywood” as its big hitters.
“It’s all very under wraps right now, but it’s something that I’m just so thrilled about because it was the book of my childhood. It was the book series that I loved, and I lived through, and I spent so much time imagining myself inside of Narnia,” Gerwig said in a video message during the Netflix event. “It’s been a joy and an honor to be the person who gets to imagine this universe.”
Gerwig’s “Narnia” is set to hit Imax this Thanksgiving and start streaming on Netflix come Christmas.
If you’re looking for something to watch that not only will make you laugh, but will also leave you on the edge of your seat with plot twists, TV fans recommend one particular four-series show
Alan Johnson Social News Reporter
10:33, 22 Mar 2026
TV fans recommend watching a four-series comedy that’s full of plot twists (stock)(Image: Getty)
Television viewers have been busy debating which programme has the “biggest plot twist” and it appears there’s one show that stands out from the rest. The question was posed in Reddit’s ‘Watchever’ community after a user looked for inspiration as to what shows they should check out next.
“What TV show had the biggest plot twist you never saw coming?” they asked. “What’s a TV show that completely shocked you with a plot twist you didn’t expect at all?” The Reddit user elaborated: “The kind that makes you pause and think, ‘Wait… what just happened?’ For many people, shows like Mr. Robot or Westworld had moments like that. Which one got you the most?”
It prompted several people to point out a four-series sitcom that first aired in 2016 and is currently available to stream on Netflix.
“This is as good of a place as any for my regular reminder for people who haven’t seen The Good Place to give it a try,” one person declared.
“The concept seems a little cheesy at first, until you realise that it’s actually about way more than what it seems like in the first season. And aside from the deeper philosophical stuff, it’s really f***ing funny.”
A second agreed, joking:“The Good Place… then The Good Place… then The Good Place again.”
A third fan suggested: “You need to go on the journey the characters go on. That’s the great thing about The Good Place; the show doesn’t give the characters the answers, they figure them out.
“And as a result it isn’t preachy about the philosophical stuff, even though the show definitely has a point that they wanted to get across about mortality.”
Whilst a fourth Reddit user praised: “It’s a sitcom structured like a mystery box drama, ending each episode with a cliffhanger. It’s easy to binge because of this. And unlike dramatic mystery box shows, the ending is amazing.”
However, a fifth who was sceptical at first confessed: “I didn’t watch The Good Place until it was on Netflix and from the first episode I thought something was off and kept looking for little hints here and there but never really anything that really stuck out on the first watch.
“Now on the second watching… I have noticed a lot more.”
The comedy stars Kristen Bell as Eleanor Shellstrop, Ted Danson as Michael and William Jackson Harper as Chidi Anagonye.
Netflix’s synopsis states: “Due to an error, self-absorbed Eleanor Shellstrop arrives at the Good Place after her death. Determined to stay, she tries to become a better person.”
On IMDb, meanwhile, the show boasts a very impressive score of 8.2 out of 10 following 219,000 reviews.
DESPITE winning dream roles, Anya Taylor-Joy admits her real wish is to retreat from Hollywood and live on a farm.
The 29-year-old is one of the world’s best-known actresses but has spent years feeling nervous on the red carpet, struggled to watch her award-winning performances and now wants calm.
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Anya Taylor-Joy in jewels at the Vanity Fair Oscar Party earlier this monthCredit: SplashAnya and her musician husband Malcolm McRaeCredit: Getty
She voices love interest Princess Peach in the new Super Mario Galaxy movie, which is released on April 1.
Princess Peach is the main female character and head of state of the Mushroom Kingdom.
Anya said: “I was so touched by how strong she is and how cool. The fact that’s going to be a role model kids can have nowadays is unbelievable. I left feeling very inspired by her.”
Anya knows all too well that life can be difficult as a child.
She was born in Florida, then lived in Argentina for five years where she rode horses in the idyllic countryside.
Her African-Spanish mum, a psychologist, and Scottish-Argentine dad, who raced powerboats, then moved the family to London when she was six — and things became dramatically different.
Anya was bullied, “locked in lockers, barred from classrooms, not invited to things” and did not speak English.
Watching films helped her navigate through the traumas.
She told the Happy Sad Confused podcast: “I’ve never been good at being cool, this is why I didn’t get along well with people in school.
“If I like something, I love it and it just pours out of me.
“But if I was sad, like if my hamster died, my parents could put me in front of a movie and I would feel better at the end of it.
“I could get lost in something like that.”
It was her love of movies that eventually helped her learn English.
Anya voices Mario’s love interest Princess Peach in the Super Mario GalaxyCredit: AP
She says: “I learned English when I was eight. I stuck it out for two years in London, refusing to speak English because I wanted to go home. Then eventually I was like, ‘I have no friends, this is going to be a needed skill’.”
Anya told her parents she was going to be an actress.
But first, after being “picked up” outside Harrods, she became a model at 16.
She was recruited by Sarah Doukas, boss of Storm model agency, who had discovered Kate Moss.
But at first Anya thought she was a stalker.
She said: “It was absurd. A black car comes up, starts chasing me. I pick up my dog, start running and a head comes out of the window and they say, ‘If you stop, you won’t regret it,’ and I stop.
“It was the head of a modelling agency. I don’t encourage other people to do this.
“I had no idea what I was doing, but luckily it worked out and my parents came with me the next day to the modelling agency.”
Her parents always supported her. Anya said: “They’d had six kids, so were like, ‘Oh, just do whatever you’re going to do’.
“I’m so grateful for the approach my parents have had because I did some pretty ballsy things in my teenage years and luckily they paid off, but they were always supportive.”
She did many auditions before getting her breakthrough role at 19 in film The Witch.
Anya said: “I thought that audition went so badly. I truly thought I had messed that up massively because I had a huge panic attack before I went into it, and luckily that really worked for the scene.”
It was then that Anya found where she truly belonged.
She said: “Going into work every single day felt like such a joy.
“I could breathe because I’d found a place where I was doing something I loved, with people who didn’t think I was a psychopath. And I could have fun with it. I loved every second of making that movie.”
She found it “mind blowing” that The Witch was a hit and forced herself to watch the performance.
Anya said: “It’s like getting hit by a bus. I personally don’t agree with not watching your films, it’s not all about you. It’s a whole bunch of other people who have done a lot of work and different departments that you have to go and support, because they deserve it and you love them. So I have to watch it.
“But the first time, I always feel I’ve let people down and I’m always like, ‘Oh, I messed it up’.
“Then I process it and the second time I watch it, it’s slightly more palatable and I’m able to lose myself a bit more.
“By the third time I’m just like, ‘OK, whatever’. You just have to get over yourself and applaud the people you care about that worked with you.”
She went on to roles in horror film Last Night In Soho, black comedy The Menu and the apocalyptic film Furiosa: A Mad Max Saga. Anya said she works “very hard, very gratefully hard” because she feels lucky to do a job she feels passionate about.
But it is not always easy. Despite her modelling background, Anya struggles with the limelight.
She said: “When I first started doing red carpets, I couldn’t handle the notion of being pretty.
Anya as chess champ Beth Harmon in The Queen’s GambitCredit: AlamyAnya loved films from a young ageCredit: Instagram/@anyataylorjoy
“I was like, ‘I don’t do that’. I am a scummy, mud-caked ferret and striving for anything different felt disingenuous and scary.”
She has even been known to dress up “like an East Berlin spy” at times so nobody recognises her.
Now she is trying to make time for some balance in her life.
She said: “I’ve been living on film sets for five years and, occasionally, I think it would be nice to find out what Anya would do with three months if she wasn’t playing another person.
“So I’m trying to be more careful with my time there.
“You spend 18 hours a day thinking, behaving and breathing as another human being. That doesn’t leave a lot of time to figure out what it is that you like.”
And the person she wants to spend it with is her husband, US musician Malcolm McRae, who she married in 2021.
The couple split their time between homes in the Hollywood Hills and London.
She said: “I’ve finally found someone who will happily sit in silence with me, reading. We’re basically 80 years old and seven at the same time, and it works really well.
“When you are together, you are really valuing the time you have. Everyday, mundane activities are so full of joy.
“I love going to the petrol station with him and filling up the car and going to get breakfast.”
But right now, her focus is all on Princess Peach.
Anya told US Today: “She wants to find out where she comes from and is on a quest for adventure and prioritising herself a little bit more.”
Princess Peach sounds very much like the actress playing her.
Fans are already adding the ‘haunting’ series to their watchlists
Long Bright River: Official trailer
Fans of true crime say that they are already ‘hooked’ on the idea of Netflix’s upcoming series as it unveils plans for an adaptation based on a ‘haunting’ bestseller.
The series, The God of the Woods will be based on the New York Times bestselling novel of the same name, written by Liz Moore. It is the same writer behind the book Long Bright River, which was also turned into a series that hit screens last year and starred Amanda Seyfried in the leading role.
Author Moore will also serve as a co-showrunner according to Deadline, alongside Liz Hannah who has previously worked on The Girl From Plainville and Mindhunter. This time around, it has been confirmed that Stranger Things star Maya Hawke has been cast in the starring role.
She will play Judy Luptack, a smart and quietly determined investigator assigned to unravel the disappearance of a young girl from a summer camp in upstate New York. While the show will be a work of fiction, those who are obsessed with true crime have already admitted they can’t wait for the show to release. Unfortunately, there’s currently no confirmed release date.
The official synopsis describes the show as “a multi-generational drama series set in the Adirondacks, exploring the Van Laar family’s dark secrets, class tensions, and the mysteries surrounding the disappearance of 13-year-old Barbara Van Laar from her family’s summer camp – in the wake of an earlier family tragedy that may be related.”
It continues: “As the past and present collide, the Van Laars’ wealth and influence unravel, revealing the damaging consequences of privilege and the abuse of power.”
While this looks set to be the Robin Buckley actress’ next major role for TV, fans will also be able to see her in romantic comedies Wishful Thinking and One Night Only as well as the Hunger Games prequel Sunrise on the Reaping. All of which are all currently scheduled for 2026 releases.
Fans are already highly anticipating the series and claiming this casting news as ‘perfect’. One responded to the news on social media saying: “That sounds like a perfect role for Maya Hawke. She really shines in those layered, introspective characters.
“A quiet but determined investigator in a mystery like this? Yeah, this could be something special. Definitely adding The God of the Woods to my watchlist already!”
Another added: “Read The God of the Woods last year and loved how layered and haunting it is. Maya Hawke feels like perfect casting for Judy Luptackquiet. Intensity is her specialty. Netflix, you’re cooking!”
Someone else replied: “The book-to-Netflix pipeline is undefeated right now. Liz Moore wrote one of the best thrillers in years, perfect choice for adaptation.”
While one person commented: “Maya Hawke in a thriller about a missing girl from summer camp?? This is literally made for my true crime obsessed brain, I’m already hooked.”
Stranger Things is streaming on Netflix now. The God of the Woods will be streaming on Netflix soon.
SCREEN star Sydney Sweeney is rolling in dollar frills — after her new lingerie line helped to quadruple her fortune.
The American actress is now worth $40million, up from $10million just two years ago.
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Sydney Sweeney’s fortune has soared to $40million after her lingerie line helped quadruple her wealthCredit: Instagram/SyrnSydney models underwear from her Syrn brandSydney’s Seductress line launches next week after her original designs sold out in the US
The news came as Sydney, 28, showed off a range of sexy pink and white underwear from her Syrn brand.
The Seductress line launches next week after her original designs sold out in the US.
Sydney launched the business on the back of becoming one of Hollywood’s most in-demand stars.
She was worth some $10million in 2024 thanks to roles in black comedyThe White Lotus, teen drama Euphoria and the rom-com movie Anyone But You.
Lucrative deals with Armani Beauty, Ford and Samsung followed — while controversial adverts for clothing brand American Eagle saw sales shoot up, along with Sydney’s profile and potential earnings.
Last year she raked in $7.5millon for her role in hit psychological thriller The Housemaid.
Sydney launched Syrn in January in a bid to take on fellow celebs Rihanna and Kim Kardashian — who have become billionaires through their clothing brands Savage x Fenty and Skims.
The star’s racy photo shoots have seen her criticised for not being a “girl’s girl”. But hitting back, Sydney said: “People will say, ‘Oh, she’s doing this for guys’.
“I’m like, ‘What’s more ‘girl’s girl’ than owning your body and doing it for yourself?’.”
The star in her controversial advert for clothing brand American EagleCredit: American EagleLast year, Sydney raked in $7.5millon for her role in hit psychological thriller The Housemaid
