Netflix

FOR almost a decade, Stranger Things has had adults and kids alike cowering behind the sofa as a bunch of youngsters battle the evil Demogorgon and Vecna.

I’ve been scared out of my wits a few times but as the fifth and final series begins today, I have some very good news for fans of the hit sci-fi show.

Several spin-off projects are already in the works, I can reveal.

We will see more of the story unfold as inhabitants of the ­fictional US town of ­Hawkins, Indiana, venture into the mysterious alternate dimension The Upside Down.

Speaking at the London premiere, Netflix CEO Ted Sarandos confirmed: “The world of Hawkins, Indiana and the Upside Down, it’s not over.”

There is already a stage show, Stranger Things: The First Shadow, which has had rave reviews on London’s West End.

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And next year will see the launch of an animated series, Stranger Things: Tales From ’85, featuring a new cast and taking place in the period between the second and third series of the main show.

But talks are under way about a series of other opportunities, including chances to explore individual characters.

A source said: “Stranger Things has been one of the ultimate success stories for Netflix — loads of people got subscriptions just to watch that.

“They know there is a massive appetite for more, so although now is the right time to end the main series, it won’t be the end of the story.

“There have been talks of a live-action spin-off as well as another animated project.

“But there is also a hope that individual characters could return to the screen in stand-alone shows.”

One person unlikely to take up that offer is Millie Bobby Brown. She played key character Eleven, who has supernatural powers.

Millie made it clear she is excited to snap up opportunities away from the show after so many years working on it.

The last series in 2022 ended on a cliffhanger with Max Mayfield, played by Sadie Sink, left horrifically injured after being attacked by Vecna.

We find out what’s happened to her and after watching the first episode a few weeks ago, I can confirm it’s still just as terrifying.

The first four episodes of season five drop today, followed by more on Boxing Day and the grand finale on New Year’s Day.

David Harbour is back as police chief Jim Hopper, the adoptive father of Eleven — despite an allegation of bullying on-set and accusations from his ex-wife Lily Allen that he was unfaithful.

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But his character only has barely nine minutes of screen time in the episode which features a brilliant soundtrack including Diana Ross’s Upside Down, and ABBA’s Fernando during a particularly gruesome scene.

Watching bloody fights between monsters and mortals isn’t usually how I spend my Christmas, but this year, I’ll be glued to it.

IS SHE a crusader or a Rebel without a cause?

That’s the question surrounding Rebel Wilson this week, as she stares down the barrel of yet another legal wrangling — while passionately claiming she’s a “whistleblower” fighting for justice.

This week, in a bombshell TV interview, the 45-year-old broke her silence on the legal battle she is fighting surrounding her feature film directorial debut.

The star, who was born and raised in Sydney, told 60 Minutes Australia she had been the target of “incessant . . . bullying and harassment” by the producers of her comedy musical, The Deb.

The producers are suing her for defamation, breach of contract and sabotage and the lead actress has also launched a lawsuit against her.

It comes just 18 months after Rebel accused Sacha Baron Cohen of inappropriate behaviour on the set of another production — which he denies — and eight years after a landmark defamation battle.

Now, with her star showing signs of waning Down Under, have the endless litigations and allegations destroyed Rebel’s career?

In the latest real-life drama, the producers of The Deb — Amanda Ghost, Gregor Cameron and Vince Holden — launched their legal action after Rebel claimed they had embezzled film funds.

She also accused Amanda of sexually harassing lead actress Charlotte MacInnes on set.

Charlotte, who denies she made claims of sexual harassment, is suing Rebel for defamation after the latter implied she had “changed her story” and was backtracking to save her career.

Rebel says the producers’ complaints against her are “an attempt to sling mud at [her] reputation”, and that all the muck and mess surrounding the project has been her “worst nightmare”.

‘Smear campaign’

She is now countersuing the producers, accusing them of financial misdeeds, misconduct and coercion.

She claims she had been subjected to suppressive measures, saying: “They locked me in a room and forced me to sign documents. I was like, ‘This is like the KGB.’ ”

The producers vehemently deny Rebel’s allegations, which she initially highlighted in an Instagram video in July 2024.

In the original clip, Rebel accused them of “bad behaviour”, “embezzling funds” and of perpetrating “inappropriate behaviour towards the lead actress”.

She subsequently claimed it was Amanda Ghost who had taken things too far with Charlotte. Rebel alleged Amanda had “asked [Charlotte] to have a bath and shower with her and it made her feel uncomfortable”.

In an extra layer to the mudslinging, both Charlotte and the producers have also accused Rebel of being behind several websites allegedly created as a smear campaign, which have since been taken down.

What is very clear is that she is not as loved here in recent years as I think she expected to be

Eleanor Sprawson, a journalist based in Australia, on Rebel Wilson

These websites accused Amanda, who is of Indo–Trinidadian heritage, of being akin to “the Indian Ghislaine Maxwell” and referred to her as a “full pimp” who was “procuring young women for the pleasure of the extremely wealthy”.

Rebel has denied any involvement in a smear campaign or the creation of websites against her legal foes, claiming she was heavily involved in getting them removed.

The cases rumble on and Rebel remains undeterred.

Not only does she stand by her story and appears willing to fight to the end, she is also loudly promoting new projects on Instagram and is looking forward to seeing The Deb finally hit screens in Australia in January.

Rebel’s history suggests she is not someone to be provoked.

In 2016, Rebel — who found global fame in 2011 comedy Bridesmaids, before her scene-stealing turn as Fat Amy in 2012’s Pitch Perfect — set fire to the media landscape in Australia after launching a legal battle against Bauer Media.

In a landmark defamation case, Rebel sued the publisher over a series of articles published in 2015, that accused her of lying about her age, real name, and details of her upbringing, to advance her career.

Rebel said these stories had painted her as a serial liar and fraud, and had caused her to lose major film roles in Hollywood. She added that they had been perfectly timed to harm her as her career peaked post-Pitch Perfect.

Initially, the judge ruled in her favour, granting her $4.5million (£2.3million) — the largest defamation payout in Australian history — which she vowed to donate to charity and film projects.

But a later appeal saw the damages reduced to $600,000 — and Rebel was also ordered to pay 80 per cent of Bauer’s appeal costs.

While the appeal court upheld the initial verdict, it found the actress had not proved she had lost specific Hollywood roles solely because of the articles written about her. Another appeal followed — this time from Rebel — but the courts didn’t budge on the reduced payout.

Standing outside the High Court of Australia in November 2018, the actress told reporters: “To me, it was never about the money, but about standing up to a bully and I have done that successfully.”

Such a stance — pushing back against oppressors — is what Rebel has always argued she is doing. More so, perhaps, than the average celebrity — because, as time has passed, Rebel has continued to set the cat among the pigeons.

Last year, she hit the headlines again, as she released her  autobiography Rebel Rising — taking to Instagram to identify Sacha Baron Cohen as the unnamed “massive a**hole” that a controversial chapter of the book centres on.

The Borat actor had directed and starred opposite Rebel in their 2016 movie Grimsby.

Rebel claimed she had been pressured to perform a “lewd act” that was never in a script.

Reflecting on the filming process, Rebel alleged Sacha made repeated, inappropriate requests to her, like: “Just go naked, it will be funny”.

She said she had felt “bullied, humiliated and compromised”.

‘The boy who cried wolf’

While no legal action was taken by either side, Sacha slammed the claims as “demonstrably false” and argued that all evidence — including film footage, production notes and eyewitness statements — contradicted her account.

The book was published in its entirety in the US, but was partially redacted in the UK and Australia — with any mention of Rebel’s allegations against Sacha blacked out due to the legal risk of defamation.

In March 2024, Rebel railed against her suppressors, writing on social media that she would not be “bullied or silenced by high-priced lawyers or crisis PR managers”.

And now she is doubling down on that promise, thanks to her latest public battle.

So, where does that leave Rebel, who, ten years ago was considered to be one of Hollywood’s funniest women.

Eleanor Sprawson, a journalist based in Australia, where Rebel initially found fame, says the temperature has changed towards the actress in recent years.

“What is very clear is that she is not as loved here in recent years as I think she expected to be,” Eleanor explains.

“She was loved, way back 20 or more years ago when she was in a comedy series called Pizza, and I think people were excited for her when she took off in Hollywood.

“So when she presented a local show called Pooch Perfect, TV executives definitely thought they were on to a huge winner: ‘Local girl turned Hollywood star returning to do humble Australian TV’-type thing.

“But in fact the show bombed — and it bombed literally when people were locked in their houses because of the pandemic, with nothing to do EXCEPT watch TV. I think it proves that Australians have not taken her to their hearts.”

She adds: “She certainly did herself no favours by slagging off that old show Pizza in her memoirs. This show is very fondly remembered about a kind of class of people who don’t get much exposure on Australian TV in general.”

No one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language

PR expert Quincy Dash

Meanwhile, Rebel could be seen as fighting causes that matter. In 2021, she donated $1million to the Australian Theatre for Young People.

She’s certainly combative, but has needed to be. In 2022, she came out as gay by posting an Instagram photo of her and her then girlfriend, now wife, Ramona Agruma.

Rebel revealed she’d had to “rush” her coming out after The Sydney Morning Herald contacted her representatives for comment on the new relationship

The actress also had to face constant scrutiny over her fluctuating weight, which — while she previously said made her the go-to funny girl.

But, as PR expert Quincy Dash tells The Sun, her litigious and provocative behaviour sometimes makes her seem like “the boy who cried wolf”.

He warns that “no one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language.”

As it stands, Rebel is pushing ahead, and will next be seen in the Sky Original festive film Tinsel Town next month.

But as for her once-glistening career, she’s going to have to really ask herself: Does she really have a cause worth fighting for?

THE road to Adam Peaty and Holly Ramsay’s wedding has been anything but smooth, with a family feud overshadowing their upcoming nuptials.

But I hear fans will soon see the couple in happier times, as their engagement do last December was filmed by Netflix for her chef dad, Gordon’s, docuseries.

They celebrated with friends and family, including Adam’s mum Caroline, who is not invited to their wedding in Bath next month as they are now estranged.

But the scenes are still expected to be part of Being Gordon Ramsay, which sees the chef juggling his personal life with opening five new London restaurants.

A source said: “Adam’s family were at the engagement party, when relations were much better.

“Things went downhill from there.

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“His mum was unhappy some of the family weren’t there and confronted Gordon at the event.

“Guests were made to sign non-disclosure agreements and hand in phones as the party was filmed.”

So many people I know are desperate to find out what really caused the fallout.

The show is due to hit Netflix in February, and I’m sure viewers will be glued to their screens . . . 

PUP IS PINKY SPICE

MEL B was radiant on the red carpet at The Beauty Awards, but I have a feeling her pet pooch is even more pampered than she is.

The Spice Girls star looked trendy in a cropped blazer, mini skirt and towering knee-high boots as she clutched her tiny dog Cookie as she arrived at the bash in London.

And she had clearly pushed the boat out to prepare her pup for the glitz and glamour of the evening, by dying the fur on her head pink.

Kerry Katona was also there and was snapped snogging her boyfriend Paolo Margaglione, who she met on Celebs Go Dating, while Ekin-Su Culculoglu looked fabulous in a white dress.

WHAT A HORROR, SCARLETT

PREPARE for a scare, as one of Hollywood’s biggest stars, Scarlett Johansson, will feature in the next Exorcist film.

She has joined the horror franchise for the upcoming movie, once again coming from writer and director Mike Flanagan.

He said: “Scarlett is a brilliant actress whose captivating performances always feel grounded and real, from genre films to summer blockbusters, and I couldn’t be happier to have her join this Exorcist film.”

The last film, 2023’s The Exorcist: Believer, had an underwhelming reception, but the hope is that having Scarlett on board will breathe new life into the franchise relaunch.

She certainly has form with relaunches, having been part of Jurassic World Rebirth earlier this year, which made $869million.

WICKED WEEKEND AT BOX OFFICE

ARIANA GRANDE and Cynthia Erivo’s hard work has paid off, because Wicked: For Good managed to conjure up magical box office takings at the weekend.

The movie raked in £17.8million in just three days, making it the biggest opening weekend in the UK since Margot Robbie‘s Barbie in 2023, which took £18.5m.

The figure is 30 per cent higher than the first Wicked film – which came out last November – and the highest ever opening for a stage musical adaptation.

Now it faces a fight to become the biggest film of the year, with hopes it will surpass Jack Black’s A Minecraft Movie, which has taken £56.4million in the UK since its release in March.

But there could well be more of Ariana’s Galinda on screens if fans get their way.

Wicked author Gregory Maguire has announced he is working on a prequel story about the character’s early life called Galinda: A Charmed Childhood, which will be published by HarperCollins next September.

That’s on top of his Elphaba prequel Elphie, which came out earlier this year.

Quizzed on the prospect of more films in the saga, director Jon M. Chu said: “Who knows? But that was never part of the equation. And I just finished this! I know Universal would want to do it, but that’s hard.”

OLLY ON PULL AT ALBUM BASH

OLLY MURS hosted the launch of album Knees Up at his favourite East London boozer.

And Bizarre’s Jack couldn’t resist getting behind the bar with him at The Birdcage in Bethnal Green to see who could pull the best pint.

While Olly declared his one a “thing of beauty”, Jack’s was a disaster – despite having worked at his local Spoons.

At The Birdcage, in Bethnal Green, Olly said: “We have spent a lot of time in this pub so it’s only fitting we have the launch of the album here with a quiz, games, karaoke, cake and darts.

“There’s always a moment to be a lad, right? And that’s what this album is about – I’m going back to my roots.”

COUNTRY music superstar Zach Bryan is ready to take the UK by storm with a series of massive shows here next summer.

The American singer will perform at Liverpool’s Anfield Stadium on June 12, Edinburgh’s Murrayfield on June 14 and Tottenham Hotspur Stadium in London on June 16 and 17.

Tickets go on sale next Friday at 10am.

WITH three No1 albums to his name, Dave has conquered the world of music and now he’s hoping to make you giggle, too.

The rapper, who went very serious on his latest hit record The Boy Who Played The Harp, has revealed he now wants to become a comedian.

In a new interview with The Face, Dave said: “I’m trying to get into stand-up comedy and one of my sketches is that I don’t know how to whistle.

“I’m inherently shy and introverted.”

Sometimes, that can make for the funniest people.

But when Dave’s not making music in the studio or writing gags, he is trying to create positive change in London – via social media.

He said he regularly sends messages directly to London mayor Sadiq Khan, suggesting how he can improve the capital.

Dave said: “I’m telling him: ‘Yo, this is what I think is going on’.

“Not everyone’s going to have a direct line to Sadiq Khan, but you can put a message out to your MP.”

OASIS have said “there will now be a pause for a period of reflection” after completing their reunion tour – but it sounds like Liam Gallagher is ready to go again.

When asked what he wants for Christmas, Liam said on X: “A European tour”.

He added: “There’s loads more classics we need to play for you when we go out again.”

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But when one fan said they were convinced a new album was on the way, Liam replied: “It’s not, I honestly don’t see the point, it won’t be as good as the old stuff.

“I’m quite happy singing the old stuff I’m not 1 of those w*****s that need to keep pushing it forward or sideways or backwards in some cases. Nostalgia forever.”

Curtis “50 Cent” Jackson’s documentary about Sean Combs finally has a release date.

Netflix announced Tuesday that it would release “Sean Combs: The Reckoning,” a four-part docuseries about the disgraced mogul directed by Alexandria Stapleton, on Dec. 2. Jackson, who serves as an executive producer, first revealed he was working on a documentary about Combs and his alleged abuses nearly two years ago.

The synopsis describes the series as a “staggering examination of the media mogul, music legend, and convicted offender” and touts that it will feature “explosive, never-before-seen materials, including exclusive interviews with those formerly in [Combs’] orbit,” such as “his former associates, childhood friends, artists, and employees.”

“Born with an insatiable drive for stardom and a knack for spotting talent, Combs made a quick ascent through the ranks of the music industry with Bad Boy Entertainment and was crucial in bringing hip-hop to the pop masses and launching the careers of dozens of generation-defining artists like The Notorious B.I.G., Mary J. Blige, Jodeci, and Danity Kane,” reads the synopsis. “But along the way … something darker began to color his ambitions.”

In July, Combs was found guilty on two counts of transportation to engage in prostitution after a seven-week federal criminal trial in New York. He was cleared of the more serious charges related to racketeering and sex trafficking. The former rapper is serving a four-year sentence.

Jackson, who had long feuded with Combs, often took to social media to troll the Bad Boy Entertainment founder as the various allegations against him mounted and even through the criminal trial’s aftermath.

But the “In Da Club” rapper, whose work in TV also includes serving as executive producer on Starz’s crime thriller “Power,” told Netflix’s Tudum that he’s “been committed to real storytelling for years through G-Unit Film and Television.”

“I’m grateful to everyone who came forward and trusted us with their stories, and proud to have Alexandria Stapleton as the director on the project to bring this important story to the screen,” he said.

Two other documentaries about Combs were released earlier this year: Peacock’s “Diddy: The Making of a Bad Boy” and Investigation Discovery’s “The Fall of Diddy.”

Malcolm Fairley was at the heart of one of Britain’s largest manhunts in 1984, earning the nickname The Fox.

Malcolm Fairley was the man at the centre of one of Britain’s biggest manhunts but where is he now?

Manhunt: Chasing The Fox is now available to stream on Netflix after the two-part true crime docu-series was released on Sunday, November 23.

Back in 1984, Michael Fairley was a sex predator and burglar who earned the nickname “The Fox” as he lurked inside his victims’ homes, creating makeshift “dens” from blankets and furniture.

He would consume their food, watch their telly and rummage through their belongings while Fairley patiently awaited his victims’ return, often armed with a shotgun.

Six months passed with The Fox still at large and, by the time he was apprehended for crimes including rape and indecent assault in September 1984, he had racked up 81 offences.

Where is Malcolm Fairley now?

Malcolm Fairley was handed six life sentences at St Albans Crown Court in February 1985 for sexual offences, burglaries and possession of a firearm during his crime wave across Bedfordshire, Buckinghamshire and Hertfordshire.

Forty-two years post his conviction, Fairley passed away in May 2024, aged 71, at HMP Hull, where he was discovered alone on his prison cell floor.

An inquest concluded that he had died of natural causes, specifically a heart attack.

Fairley had a history of heart issues and was diagnosed with angina in 2019 and was on regular medication.

Fairley was actually up for parole consideration in October 2023 but his application was turned down by the parole board.

As reported by the St Albans and Harpenden Review, during Fairley’s conviction, judge Justice Caulfield told him: “There are degrees of wickedness beyond condemnatory description.

“Your crimes fall within this category. You desecrated and defiled men and women in their own homes… You are a decadent advertisement for evil pornographers.”

Manhunt: Chasing The Fox can be streamed on Netflix.

Netflix’s The Widower starring Reece Shearsmith tells the true story of Malcolm Webster, the nurse who murdered his wife and attempted to kill his second

The Widower, originally aired on ITV in 2014, has just landed on Netflix and is already scaling the streaming giant’s most-watched chart.

The series of Netflix, which is home to a number of true crime shows, chronicles the life and heinous acts of Malcolm Webster (portrayed by Reese Shearsmith), a Surrey nurse who murdered his first wife and tried to kill his second.

Webster, now 66, was known for pursuing relationships with women to boost his income.

In 1993, he wed Claire Morris from Aberdeenshire, and during their marriage, he drugged her.

In May 1994, he drugged Claire before orchestrating a car crash with her in the passenger seat and setting the vehicle ablaze, making it appear as an accident.

In 1997, he married oncology nurse Felicity Drumm in New Zealand, with whom he had a son.

He staged a second car crash in 1999 and was accused of trying to murder her to fraudulently claim £750,000 from nine insurance policies.

Webster also planned to marry Simone Banarjee, having deceived her into believing he had terminal leukaemia.

She altered her will, leaving her entire estate to Webster, but police alerted her about her fiancé’s past and revealed he already had a wife and son.

In July 2011, he was sentenced to at least 30 years in prison, where he remains today.

The former nurse was convicted of murdering Claire Morris and attempting to murder Felicity Drumm.

These crimes were part of a scheme to claim nearly £1m in life assurance money.

In 2016, he tried to get his case referred back to the High Court, but the Scottish Criminal Cases Review Commission denied his application.

Previously in 2013, his appeal was dismissed when judges rejected his claim of being a victim of a miscarriage of justice.

The Widower is available on Netflix.

The film now streaming has been celebrated as one of the best of the year

A film has just been added to Netflix’s extensive library which has already been dubbed a ‘phenomenal’ period drama featuring an actor’s ‘performance of a lifetime’.

Train Dreams is streaming from November 20 on the service and looks to be the latest high profile, must watch title. Like most new releases, subscribers can expect it to be available from 8am on the release day.

Like a number of big releases from the streamer that have come out this year, such as Frankenstein and Ballad of a Small Player, it has enjoyed a limited release in cinemas. Now, it is easier than ever for film fans to watch as it can be streamed from home.

The film is an adaptation of the bestselling novella of the same name written by Denis Johnson. According to the synopsis, the story follows Robert Grainier, whose life unfolds during an era of unprecedented change in early 20th century America.

Orphaned at a young age, Robert grows into adulthood among the towering forests of the Pacific Northwest, where he helps expand the nation’s railroad empire alongside men as unforgettable as the landscapes they inhabit. After a tender courtship, he marries Gladys and they build a home together.

However, his work often takes him far from her and their young daughter. When his life takes an unexpected turn, Robert finds beauty, brutality and newfound meaning for the forests and trees he has felled.

The cast includes Star Wars and Black Mass star Joel Edgerton, William H Macy, Academy Award nominee Felicity Jones and Irish actress Kerry Condon.

Following its run in theatres, Train Dreams has managed to earn an impressive 98% rating on Rotten Tomatoes. Critics have lavished it with praise with many suggesting that it is one of the must watch titles of the year and earning it plenty of awards buzz.

One reviewer claimed: “Train Dreams is the most hauntingly beautiful film of the year.” Another added: “Train Dreams is without a doubt one of the most extraordinary films of this year, the type that will stick with you, deep in your mind and heart, long after the credits roll.”

Other reviews have suggested that the film might be considered as one of lead star’s Joel Edgerton’s finest performances of his career. One verdict claimed: “In an age of spectacle and noise, Train Dreams dares to whisper. It invites you to slow down, breathe and notice the spaces between moments. A simply stunning film from start to finish.”

Another review went so far as to declare: “This is one of the great films of the year. In time, it will become one of the best in a decade, then one of the movies that people speak of when asked what inspired them in their life. It is a masterpiece.”

Fans who have gone along to the cinema to see the film on the biggest screen possible before it streams, have shared similar views. Sharing their thoughts online, one person posted: “Phenomenal character study. Simple, yet compelling story. Gorgeously shot.”

Another added: “Beautifully melancholic tale that highlighted so many paradoxical aspects of life in a magnificent way. 10/10 would recommend.”

While a third commented: “An incredibly poignant and artful masterpiece. Joel Edgerton quietly pulls off a performance of a lifetime. Clint Bentley adds another notch in his belt for delivering a moving film that feels like an intimate journey.”

Someone else listed plenty of reasons to watch it as soon as possible. They said: “Such a beautiful film. Absolutely loved the scenery and what a soundtrack, timeless. Joel Edgerton, with his amazing performance and screen presence, really took the audience on a trip with him through each phase of this extraordinary story. Be sure and not to miss this, this is definitely one to remember!”

Train Drams is streaming on Netflix.

Ed Sheeran teams up with Adolescence’s Philip Barantini for this hour-long Netflix special – but those hoping for candid personal revelations will be disappointed

A guitar-wielding Ed Sheeran takes fans on a musical journey through both New York and his back-catalogue in Netflix’s One Shot – with the help of Adolescence director Phillip Barantini.

The award-winning director, who is best known for producing singularly-shot projects, follows pop icon Ed across New York as he surprises unsuspecting, over-excited fans ahead of an upcoming gig.

The hour-long special, shot in real-time, sees Ed leave show rehearsals at New York’s Manhattan Centre to “go about the town for a little bit” in the hour before his gig.

The 34-year-old dad doesn’t give his voice a breakout, however, with him breaking out into song at rooftop parties, helping a fan with his proposal, crooning at cab drivers and thrilling subway passengers with his chart-topping singles.

From his 2011 breakout hit The A Team and crowd-pleaser Sing, to newer tracks like Galway Girl and Azizam, Ed dives through his discography with just his guitar, his impressive pipes and occasional help from selfie-seeking New Yorkers.

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He’s even given a lift at one point by regular collaborator Camilla Cabello, who picks him up in a four-by-four and feigns surprise with the unconvincing line: “What are you doing in New York?” They duet Ed’s 2015 tune Photograph with Camilla behind the wheel in a scene reminiscent of Carpool Karaoke (which comes as no surprise considering James Corden producer Ben Winston worked on the film).

While One Shot showcases Barantini’s impressive cinematography skills and Ed’s playful performances, those hoping for insights into the Brit Award winner’s life will be left disappointed.

Rather than a follow-up to his candid 2023 docuseries The Sum of It All, One Shot is essentially a very long music video. Ed briefly chats about his calamitous proposal to now-wife Cherry Seaborn while striding through the city, revealing that he got down on one knee in their kitchen after rain dampened his original plans.

He later invites Camilla round for spag bol, telling her that daughters Lyra, five, and Jupiter, three, “will be so excited” to see her. But otherwise, Ed sticks mainly to serenading and fist-bumping his fans.

For hard-core lovers of Sheeran’s ever-growing collection, One Shot is a must-watch if you fancy a dance down memory lane. Plus, it’s much cheaper than paying today’s tour ticket prices.

Those not too bothered by the British pop prince may find themselves switching over fairly quickly – although it’s worth tuning in to admire Barantini’s hypnotic, film-making skills. Much like Adolescence, One Shot will leave viewers scratching their heads as to how certain shots they pulled off the one-take wonder.

One Shot with Ed Sheeran is available to stream on Netflix.

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