Netflix

All episodes have found a new home on the streaming platform

What some consider as the ‘best series ever made’ that is based on an award-winning novel is now streaming on Netflix.

In the latest significant update for the streamer’s library, all episodes of The Man In The High Castle have been added to the service. While it was originally a Prime Video exclusive released back in 2015, running for four season until 2019.

It is an alternate history period drama, loosely based on the novel of the same name written by Phillip K. Dick. The author was one of the most celebrated sci-fi writers, with many of his works adapted for the screen including into films such as Blade Runner, Minority Report and Total Recall.

The story takes a look at what the world might look like had the outcome of World War II turned out differently. In this dystopian scenario, the Axis powers won the war, leading to the United States being divided into three parts, an area controlled by the Japanese, a Nazi-controlled section, and a buffer zone between the two.

Despite the oppression, a new hope emerges when films turn up that seem to show a different world. A woman believes the films contain the key to freedom and is determined to find their mysterious guardian as she begins to build a network of resistance.

The series was created for television by Frank Spotnitz who previously worked as a writer for The X Files. Alien director Ridley Scott served as an executive producer.

It boasts an 84% rating on website Rotten Tomatoes. One reviewer claimed: “a superb, frightening experience filled with unexpected twists and (some sci-fi) turns.”

A different critic penned: “unlike anything else on television, impeccably acted and packed with vivid, multi-layered characters, gut-wrenching twists and dark, dark moments of human misery”.

It would go on to last for three more seasons and years after the final episode released, many fans still hail it as one of the more superior historical fiction shows. One went so far as to post on Rotten Tomatoes declaring it as “one of the best shows ever made.”

Another added: “a haunting alternative history vision implemented in a extremely authentic fashion.”

While a third confessed how they were hooked upon discovering the series for the first time. They said: “Beyond impressed, stayed up until 2am on a week day… I decided to squeeze in the pilot. Needless to say, seven episodes later I was still watching.”

They continued: “The storyline is incredible. The acting is great. The emotions that it brought out of me was real and raw. It made me appreciate and think differently about the word/idea/concept that we all throw around ‘FREEDOM'” Yes, it’s fictional, and yes it’s just a TV-show, but boy they hit on something, at least in me. I’m beyond impressed!”

Someone else commented: “This is the best series since Breaking Bad. I think every one under the age of 40 needs to see this.”

The Man In The High Castle is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

It took months of effort, lobbying and mounds of cash for Paramount Skydance to finally clinch its prize of Warner Bros. Discovery.

Now, however, the David Ellison-led company faces a long and challenging road to merge these two media giants and set it up for a successful future.

Key to that will be striking a delicate balancing act between investment and paying down its debt load of $79 billion, which is massive even by Hollywood standards.

Notably, the figure is even greater than Warner’s nearly $55 billion of debt post-merger with Discovery, a burden that hamstrung the company for years and led to successive rounds of layoffs and relentless cost cutting.

Last week, my colleague Meg James wrote about the concerns Fitch Ratings and S&P Global Ratings have about Paramount’s credit, given the mountain of debt the company will now carry. Fitch downgraded its credit to BB+ — “junk” territory — from BBB-, and S&P Global Ratings placed the company’s ratings on “negative watch.”

Carrying that amount of debt comes with significant risks.

For one, a company with a lot of debt that is “junk”-rated is going to be under pressure to cut costs. “Junk status” means a company’s debt is rated below the level that credit agencies consider investment grade. Such a rating means it can be more expensive to refinance or take out new loans, raising the cost of capital.

Paramount executives have already said they plan to find $6 billion in “synergies” within three years, though they’ve emphasized that the majority of their cost cutting will come from “non-labor sources,” including consolidating their streaming technology and cloud providers, combining IT systems across the company and “optimizing the combined real estate footprint and the broader corporate overhead,” among other ideas.

And as I wrote last week, most Hollywood observers and those familiar with Ellison’s plans predict that Paramount will be forced make steep layoffs to offset the cost of the deal and eliminate overlapping roles and functions between the two historic studios.

At the same time, in order to compete with well-funded rivals, Paramount-Warner Bros. will also need to invest in new programming — something that can be difficult for a heavily leveraged business .

Paramount executives have said their cost-cutting efforts won’t include a reduction in production capacity, and Ellison has reiterated that there will be continued spending on programming. Beyond content, he’ll also likely need to invest in improving the technology along with the look and feel of the streaming platforms.

“Whether or not they have the capital to do all of that and to try to get their leverage down is something I’m curious to hear about,” said Naveen Sarma of S&P Global Ratings.

It’s possible that Paramount may not be able to pursue a good opportunity in the future because it has used up all its debt capacity and can’t raise additional financing, said Kelly Shue, a professor of finance at Yale School of Management.

“It might cause them to underinvest in good projects in the future,” she said.

And the company needs to spend on good projects.

The economics of this deal hinge on the combined heft of Paramount and Warner’s two libraries and valuable intellectual property, which will unite Harry Potter, DC Studios, SpongeBob SquarePants and “Mission Impossible” all under one roof.

Building up its streaming platform, which will combine Paramount+ with HBO Max, is important for competing with the behemoth Netflix, which bowed out of the Warner Bros. auction.

And on the theatrical side, Ellison has said the combined company will release 30 films a year — 15 from each studio. That would be a substantial increase from 2025, when the two companies released 18 films — eight at Paramount and 10 from Warner Bros.

“While studios content budgets might not come under immediate focus for cost cutting, we have a hard time seeing no content costs savings considering opportunities to reallocate or pull back from at least the linear networks,” MoffettNathanson’s Robert Fishman wrote in a note to clients last week.

Of course, all of this would come only after the deal’s completion. On the immediate horizon, Paramount needs to secure international regulatory approval as well as at home. Although state attorneys general including Rob Bonta of California have said this is not a “done deal,” most analysts expect that any opposition there is only likely to slow — not stop — the transaction.

A very masculine year in film

A recent study from San Diego State University put a number on something we all suspected: The percentage of female protagonists in the top 100 films last year dropped. A lot.

Female protagonists made up just 29% of the top-grossing films in 2025, down from 42% in 2024, according to the university’s annual study of women’s representation in top films. A selection of film titles from the last year says it all: “The Running Man,” “A Working Man,” “Superman.”

That 29% figure has, unfortunately, been very consistent over the years — it was the same in 2016 and has largely hovered in the range of high 20s to low 30s for the last decade, with a few exceptions (40% in 2019 and 42% in 2024).

Focusing on just the protagonists in the top 100 films means that small fluctuations can change that percentage greatly.

But when the study looked at a broader sample size of the more than 1,900 characters in those films, the results weren’t much better.

The percentage of women in speaking roles was 38%, up just 1% from 2024. And the percentage of major female characters declined to 36% in 2025 from 39% the year before.

The fact that these figures have not moved much, in spite of the countless panels and think pieces about the issue, suggests there isn’t much will in Hollywood to change, said Martha Lauzen, author of the study and founder and executive director of San Diego State’s Center for the Study of Women in Television and Film.

“Representation is social relevancy and social capital,” she told me. “So when you see fewer women than men, that’s a message.”

Stuff We Wrote

Film shoots

Number of the week

Walt Disney Co. and Pixar’s “Hoppers” came in big at the box office this weekend with a $46-million opening in the U.S. and Canada — the strongest domestic debut for an original animated movie since “Coco” in 2017. Globally, the film made $88 million.

The reception is an encouraging sign for original animated movies, which have largely struggled at the box office since the COVID-19 pandemic while their sequel counterparts have shined.

What I’m watching

Several months ago, some friends and I started a movie club, where we each nominate a film we want to watch and we rotate who gets to make the final selection. Last week, we watched the 1996 comedy “First Wives Club,” which I had never seen but loved for its goofy antics, unexpected song-and-dance number and the focus on the enduring power of female friendships.

A whole host of new faces are joining the crew for the adventure

The second season of Netflix’s critically acclaimed live-action adaptation of a beloved manga series is finally here.

Brand new episodes of One Piece are now available to stream as of today (March 10). Fresh instalments adapt several story arcs from the original source material which was previously turned into a popular anime.

The first season of the live-action version debuted exclusively on the streaming service back in August 2023. It means fans have been eagerly awaiting the continuation of the Straw Hat crew’s adventures.

Based on the Japanese manga series by Eiichiro Oda, One Piece follows Monkey D. Luffy on his journey to find the legendary treasure, the One Piece, in his quest to become King of the Pirates. The second season is subtitled Into The Grand Line.

Who is in the cast One Piece Season 2 on Netflix?

All members of the Straw Hats crew return for the live-action series’ second outing. They are lead by Iñaki Godoy as Monkey D. Luffy, a young pirate bestowed with the power of stretching from eating a Devil Fruit as a child.

His ultimate goal is to find the One Piece and become the next King of the Pirates. Mexican actor Godoy has previously appeared in The Imperfects on Netflix.

Emily Rudd also returns as Nami, a cat burglar and expert cartographer. Rudd has previously starred in Fear Street Parts Two and Three as well as thriller series Hunters.

Mackenyu stars as swordsman Roronoa Zoro, an ex-bounty hunter who becomes Luffy’s first mate shortly after their first encounter. He trains regularly to become the world’s greatest swordsman. Mackenyu previously appeared in Pacific Rim Uprising and recently voiced Gennojo in the game Assassin’s Creed Shadows.

Jacob Romero Gibson plays Usopp, master storyteller and estranged son of an infamous pirate. He aspires to be a brave warrior of sea. He has also appeared in episodes of Grey’s Anatomy and The Resident.

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Taz Skylar also returns as Sanji, the master chef and martial artist who only fights with his legs to protect his hands for cooking. He is searching for the All Blue, a mythical connection point of the Four Seas. Spanish-British actor Skylar, is also known for Boiling Point and The Lazarus Project.

The newest member of the Straw Hats for Season 2 is Tony Tony Chopper. They are a reindeer capable of walking and talking like humans after consuming a Devil Fruit, who also happens to study as a medical practitioner. Providing Chopper’s voice is Mikaela Hoover, known for turns as Cat Grant in 2025’s Superman while she’ll also appear in the new season of Beef on Netflix.

Aside from the main crew, they have a number of familiar adversaries on their tail. It includes Koby, the former cabin boy of the Alvida Pirates Luffey rescued back in the first episode. He has since become a Marine in his tracking his former pal down. He is once again played by Morgan Davies whose recent credits include Evil Dead Rise.

Marine Vice Admiral Garp is also on the Straw Hats’ tail. He was also revealed during season one to be Luffey’s estranged Grandfather. He’s played by Welsh actor Vincent Regan, whose credits include Shetland, House of the Dragon, The Bay and Poldark to name a few.

Also confirmed to return is Jeff Ward as Buggy the Clown, the circus-themed captain of the Buggy Pirates. Buggy has the power to split his body into pieces and control each part remotely. Like Luffey, his unique ability comes from eating a Devil Fruit. Ward has previously appeared in Hacks and Agents of Shield.

Who are in the Baroque Works?

There are not the only ones our heroes need to worry about though. A brand new faction is introduced and causing trouble on the Grand Line. Namely, a mysterious group of assassins who call themselves Baroque Works.

Their leader is the mysterious Mr. O, played by Joe Manganiello. The actor is easily recognisable for his turns in True Blood and his uncredited appearance as Deathstroke in Zac Snyder’s Justice League.

Bridgerton star Charithra Chandran is also part of the group as Miss Wednesday while she also has her own agenda. Her partner is Mr 9, played by Raised by Wolves actor Daniel Lasker.

David Dastmalchian stars as Mr. 3 described as “creepy artist serial killer of Baroque Works.” Dastmalchian previous roles include Oppenheimer, Ant-Man, The Suicide Squad and Late Night With The Devil.

The OA actor Camrus Johnson is Mr 5, while Lioness star Jazzara Jaslyn plays Miss Valentine. They are joined by Exterritorial’s Lera Abova as Miss All Sunday alongside The School for Good and Evil’s Sophia Anne Carusoas as Miss Goldenweek.

One Piece is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

It is based on a true story but some find it difficult to watch

An award winning and 100% rated drama that ended up causing controversy at the BAFTA ceremony has just been added to Netflix.

I Swear has just been included on the streamer’s extensive library as of today (March 10). Originally released in cinemas for a limited run just last year, the title tells the true life story of John Davidson, who grew up with Tourette syndrome in 1980s Scotland.

According to the synopsis, he was diagnosed at just 15 and was targeted as ‘insane’ by his peers. The film shows how he struggled with a condition few had witnessed.

He eventually becomes a campaigner to increase public awareness and fighting for acceptance of the condition of Tourette’s as an adult. He finds his life’s purpose and accepted his MBE from the Queen in 2019.

While the film is a dramatised version of John’s life, he has appeared in documentaries before. He starred in a BBC film back in 1988 and a documentary released in 2009 called I Swear I Can’t Help It.

The biopic was welcomed with overwhelmingly positive reviews by critics upon its release. So much so that it boasts a perfect 100% rating on website Rotten Tomatoes.

However, more recently the film’s subject was attached with some controversy. While leading man Robert Aramayo picked up the BAFTA for Best Actor thanks to his performance, it was not the most talked about event of the night.

The subject of the film John Davidson was also in attendance on the night. His presence became apparent by those watching along from home at first as they heard some shouting during the show.

Actor and host of The Traitors US Alan Cumming was presenting and he asked for patience from the audience at the time. He told them during the show: “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience. Thanks for your understanding and helping create a respectful space for everyone.”

However, in one instance, while actors Michael B Jordan and Delroy Lindo were on the stage, a racial slur was shouted out by John and included on the BBC’s broadcast. It eventually lead to the stream of the awards ceremony being removed from the iPlayer.

In an interview after the Baftas, Davidson has said the BBC should have “worked harder to prevent anything that I said” being broadcast. He added that he shouted about 10 different offensive words during Sunday’s ceremony as a result of his tics.

Some have argued that the incident only highlights the importance of the film itself. As one person posted online: “I Swear is an audacious biopic that has no issues tackling the roots of a serious topic, and its dedication to that task does lead to some scenes that will certainly be upsetting to some viewers.”

Another added: “Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humour and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.”

While a third commented: “Honestly I left the cinema seriously thinking if I’d ever seen a better movie! It’s so perfect from the casting to the time jumps. It’s a beautiful written story that really captures the essence of what it is to be different and how hard it must be to live with Tourette’s. Several goosebumps moments with a lot of humour!”

Someone else said: “This is a fabulous film which made me laugh and cry in equal measure. It captured the difficulties and complexities of living with Tourette’s syndrome with a startling level of authenticity. The acting was superb and I came out realising that I’d seen something very special. I’ll be thinking about it for weeks.”

I Swear is streaming on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

HARRY Styles’ fans have been left confused after hearing what they’re convinced is an Australian accent from the singer.

The A-list star, 32, was born and raised in Worcestershire town Redditch, but now has a global property portfolio for when he’s not at his main base in London.

Last week, Harry sat down with Apple Music’s Zane Lowe in a rare interview – during which he discussed the death of late bandmate Liam Payne, life away from the spotlight and his new album.

But some fans also noticed a change in the former One Direction star’s accent.

As New Zealand native Zane quizzed Harry on his prestigious 2023 Grammys Album Of The Year win and how he dealt with ‘imposter syndrome’ during that time, Harry’s accent seemingly adopted an Aussie twang.

Looking back on the win, Harry said: “I think, you’re in this bubble of Grammys and stuff. So, you’re like rehearsing and stuff and everything is leading up to that moment.

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“I remember writing myself a letter the night before that I said I would open the day afterwards.

“I wanted to, like, I don’t know, catch myself. With whatever happened, If I was disappointed or if I was feeling myself too much.”

Fans were quick to notice the Australian twang in Harry’s accent, as one wrote on X: “One of my colleagues said Harry Styles sounds like he’s got an Australian accent on the Zane Lowe interview and now I’m watching it I can’t unhear it”.

“why does harry styles sound so Australian atm?” asked another.

A third noticed the same accent during his One Night Only gig in Manchester last week, which was filmed for Netflix: “Why does Harry Styles sound Australian in that @NetflixUK documentary? #onenightinmanchester”.

The noticeable change in accent comes four years after Harry admitted his accent was “all over the place”.

“I think it’s a little bit all over the place because I’m from up north and then I’ve lived in London for 10 years and I’ve spent a lot of time in America and stuff.

“So, I think when I’m with Americans, they don’t think I sound American at all. And then sometimes I think when I’m with English people they expect me to sound American – I don’t think I do, but maybe I pick up a couple bits along the way.”

He added: “But I try and translate for whoever I’m with.”

With his tour kicking off in May, Harry will be doing much more globe-trotting with performances in the US, Australia, the UK, the Netherlands Brazil and Mexico.

The Sidemen’s reality series is returning to Netflix in a matter of days

A third season of The Sidemen’s hit reality show Inside is now just days away from release, with a first trailer arriving today (March 9).

The reality series established by the YouTube collective brings together 12 internet personalities who must compete in high-stakes challenges for an eye-watering sum of money. The group will all live under one roof over the course of a week as they compete for the prize pot stands at a whopping £1m.

The group must buy everything from basic necessities through to luxuries, all offered at an inflated price. However, in a brutal twist the cost of any of the goods are deducted straight from the prize pot. During one scene in the trailer, one of the cast is shown ordering “15 prosecco”, totalling £45,000.

Among the stars of the upcoming season are Geordie Shore star Chloe Ferry, lifestyle creator Saffron Barker, streamer Marlon Lundgren Garcia and even the former World’s Strongest Man, Eddie Hall. Rounding out the cast are Ben Azelart, Lydia Violet, Alhan Gençay, Chian Reynolds, Anna Malygon, Expressions Oozing and Alfie Buttle.

Netflix’s official synopsis for the show states: “One house. One million pounds. A whole lot of influencers. Content creators take on a series of jaw-dropping challenges for the potential to win a huge prize fund in this reality series from viral YouTubers, the Sidemen.”

While many fans are circling their diaries for the March 23 release date, the trailer was flooded by angry Netflix subscribers who all made the same demand: the release of the XO, Kitty Season 3 trailer. The streaming giant announced the romcom’s latest season trailer would be released today, but so far it hasn’t been made available.

“YOUU YOU CAN POST THIS BUT NOT XO KITTY???!!!” one fan fumed in the comments. “XO KITTY SEASON 3 WHERE IS IT?” penned a second.

“THEY’RE DROPPING EVERYTHING BESIDES THE XO KITTY SEASON 3 TRAILER” another remarked, accompanied by a crying emoji and a wilting rose. “WE ARE WAITING FOR XO KITTY COME ON,” demanded someone else. “I literally thought after seeing notification XO KITTY i was so excited,” said another fan.

Meanwhile genuine Inside fans expressed their excitement for what was to come. “Expressions doing this is going to be so hilarious,” one remarked. “It is going to be entertaining, ik that,” another added.

Season 3 of The Sidemen’s Inside reality series will land on Netflix on March 23. For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Peaky Blinders fans want to know if there will be another series of the show

Peaky Blinders is once again enthralling viewers after the cinematic release of The Immortal Man hit theatres last week, ahead of its Netflix premiere later this month.

Peaky Blinders: The Immortal Man – which includes a significant recasting – represents the first film for the drama, previously a highly successful BBC TV series that even inspired a ballet production, reports the Liverpool Echo.

Many enthusiasts are now pondering the future of the franchise and what lies ahead. Here’s everything you need to know.

Is there a new season of Peaky Blinders?

No, there isn’t another season of the original Peaky Blinders series, however, the BBC has confirmed there will be a brand-new TV show which continues the narrative.

Technically, this isn’t the seventh season, but it does progress the Peaky Blinders story with fresh characters separate from the original programme.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

In an announcement in October 2025, the BBC revealed that the upcoming drama had already been commissioned for two seasons straight away.

The forthcoming show will narrate the tale of a new generation of Shelbys with Peaky Blinders’ creator and writer Steven Knight at the helm, whilst leading star Cillian Murphy serves as an executive producer.

Knight expressed in a statement: “I’m thrilled to be announcing this new chapter in the Peaky Blinders story.

“Once again it will be rooted in Birmingham and will tell the story of a city rising from the ashes of the Birmingham blitz.

“The new generation of Shelbys have taken the wheel and it will be a hell of a ride.”

Mayor of the West Midlands Richard Parker said: “Peaky Blinders is a worldwide phenomenon that’s boosted our tourism and global reach.

“We’re proud to be working with the team bringing the production back to the Shelbys’ home of Birmingham and job opportunities will follow for local people to become part of this story.

“It’s this sort of backing from some of the biggest names in entertainment that will turn the West Midlands into the creative capital of the UK.”

The forthcoming Peaky Blinders series will feature six episodes per season, meaning fans can expect 12 fresh instalments.

The BBC’s synopsis of the show states: “Britain, 1953. After being heavily bombed in WWII, Birmingham is building a better future out of concrete and steel.

“In a new era of Steven Knight’s Peaky Blinders, the race to own Birmingham’s massive reconstruction project becomes a brutal contest of mythical dimensions.

“This is a city of unprecedented opportunity and danger: with the Shelby family right at its blood-soaked heart.”

Peaky Blinders: The Immortal Man is screening in select cinemas and will be released on Netflix on March 20

**For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website**

REALITY TV star Paul Preece Jr who won the Netflix survival show Outlast has been charged with raping a child.

The 51-year-old was arrested in Tennessee on Friday and booked into Knox County Jail.

Jail records show Preece has also been charged with aggravated sexual battery and attempted rape of a child, The Daily Mail reports.

The age of the victim has not yet been released.

Preece is currently being held on a $150,000 bond and will be required to wear a GPS tracker upon release.

His arrest comes after a capias warrant was issued, according to TMZ.

The court-ordered warrant is typically used when a person fails to appear in court, violates bond conditions, or neglects to pay court-ordered fines or child support.

Preece rose to prominence after competing on the first season of Outlast in 2023.

The gruelling reality show sees a group of contestants trying to survive remote Alaskan terrain in punishing conditions for a chance at a $1 million prize.

Sixteen participants are dropped by parachute into the wilderness before being divided into teams.

Season one was filmed on the Neka River on Chichagof Island, while series two moved south of Petersburg to Little Duncan Bay.

Unlike many competition shows, contestants cannot compete alone.

Participants are allowed to switch teams throughout the competition.

The only way to leave the game is to quit.

Preece won the inaugural season alongside teammates Seth Lueker and Nick Radner.

Season two landed in the Global Top 10 in 22 countries.

Two Texas men, Drake Vliem II and Drew Haas, won the million-dollar pay-out in the second series.

The series was renewed for a third season in February 2025.

HARRY Styles’ fans are convinced they spotted a sweet nod to his girlfriend Zoe Kravitz during the singer’s One Night Only Netflix concert.

The As It Was singer, 32, performed at Manchester’s Co-Op Live arena last week, with the full performance available for fans to stream on Netflix.

And since tuning in on the streaming platform, some fans are convinced they noticed a moment between Harry and his girlfriend Zoe, 37.

The pair began dating last year and have been spotted together multiple times, but keep the details of their romance fiercely private.

During Harry’s Netflix special, the singer is filmed as he walks off of the stage following his performance.

And in a blink-and-you’ll-miss-it moment, he flashes a smile to someone backstage who isn’t on camera.

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Now, some are convinced that the look was towards Zoe.

“THAT LOOK? I THINK I KNOW WHO WAS THERE,” wrote one viewer alongside the clip from the show.

Zooming in on the clip and seemingly making out someone’s arm, another fan replied: “there’s definitely someone there”.

During the performance, Harry revealed that among the audience were his family — and friends including James Corden and Apple Music’s Zane Lowe.

And he even revealed that the “very special person” behind his track Carla’s Song was in the audience.

However, Zoe is thought to have been in Paris while Harry took to the stage in Manchester – debunking fan’s theories.

The American actress and singer was spotted taking in some couture culture during the French city’s fashion week just two days before her boyfriend’s gig.

During his one-night-only show, Harry performed songs from his brand new album; Kiss All The Time. Disco, Occasionally.

The gig wasn’t without emotion, as Harry held back tears during one poignant moment.

As war in Iran rages, to add to other troubles, Harry said: “In a world like we have today that feels so chaotic it’s easy to feel so hopeless.

“But seeing this room, where there is so much hope, I encourage you to keep being the change in the world that you want to see.

“There are so many dangerous things that feel so powerful but love and kindness are powerful — go out and spread it.

“The world could use a little extra peace right now.”

Louis Theroux has spoken to key male influencers on social media in the Manosphere for new Netflix project

As a concerned father-of-three, Louis Theroux has admitted he doesn’t know what his own kids are looking at online half the time. So this might explain why he has got involved with male content creators online, with millions of followers, who are part of what is dubbed “The Manosphere” for his new documentary.

Louis says: “These aren’t figures on the margins – anyone who’s got kids, and especially boys, will know that they are making inroads into the culture. Their influence is being felt in schools, in the workplace and all across the internet.

“Going back to the earliest days of my programmes I’ve always been interested in the taboo and people who believe things which run against the grain of values I’ve grown up with. Those in the manosphere embody a swaggering machismo that is by turns misogynistic, homophobic, antisemitic and racist. So there’s a whole bunch of red flags there which I find interesting.”

TV host Louis, 55, starts the Netflix documentary by saying he noticed a few years ago “parts of the internet were being taken over” by a collection of male influencers who claim to give young men “cheat codes to win at life”.

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Asked about his own sons and what they are watching, Louis replies honestly: “I think as a parent you hope that your influence will outweigh whatever they’re being fed online, but truthfully they probably spend more hours looking at their phones than they do talking to us and we don’t always know what they’re looking at.”

In his 90-minute film, Louis explores how key figures, including Harrison Sullivan (known online as HSTikkyTokky), Myron Gaines, Nicolas Kenn De Balinthazy (AKA Sneako), Justin Waller and Ed Matthews, are helping to reshape young men’s ideas about masculinity and fuelling a resurgent global men’s rights movement.

Louis immerses himself in their world, encountering prominent figures within the movement, each presenting their own interpretations of traditional gender roles and values.

Sullivan, 24, was handed a one-year suspended prison sentence at Staines Magistrates’ Court in November last year after pleading guilty to dangerous driving and driving without insurance.

He has also been disqualified from driving for two years. Asked what his message is, he tells Louis: “I coach boys how to be f**king boys, how to make money, how to be outside the system, how to not have a boss telling you want to do.

“I teach guys to be proper boys and not gimps that walk around in the modern world.”

These men online have similar ideas to those of influencer Andrew Tate, a self-proclaimed misogynist.

A 2025 YouGov poll suggested one in eight Gen Z men (aged 14-29) had a “favourable view” of Andrew Tate, one of the leading figures of the manosphere, while more than one in three believed misandry – hatred or discrimination against men – was widespread in the UK.

Sounding worried about their impact, Louis said: “It was my kids who first made me aware of Andrew Tate – it would have been around 2022 and they kept referencing him and what he was saying – I had no idea who he was. Four years later, he’s still got cultural influence because he has millions of hours of content sitting out there for people to discover.

“As a parent I’m obviously concerned about the impact that that has, and it would be easy to say; ‘oh well, they don’t take it too seriously’, which a lot of the time I think they don’t, but at a certain point, a joke is no longer a joke – especially when it’s unchallenged and repeated. So we try to stay on top of what they’re watching and try to have conversations with them about it, but it’s hard.”

Louis encounters difficulties in the film which see the male influencers film him for their own social media and subject him to abuse and questions they receive from their followers whilst streaming footage live. It leads to Louis being abused about his previous documentary with the late Jimmy Savile.

He also witnesses homophobic behaviour by HSTikkyTokky whilst Myron Gaines speaks in front of his girlfriend about wanting multiple wives in the future.

Sullivan says he would “disown” his own daughter if he had one and she joined Only Fans, despite claiming to own an agency that represents girls on there. He also says he could not have a son who was gay.

There is also much discussion in the documentary on the notion of ‘red-pilling’ which Louis explains can mean “that men and women are fundamentally different and that women don’t want what they say they want – all they actually care about is big, rich guys with big dicks.”

Asked why he thinks the manosphere is attractive to many teenagers, Louis said: “I think there’s a lot of lonely men out there, and there’s now a whole industry dedicated to them. There are millions of hours of podcasts that talk about the masculinity crisis – how we’ve seen a decline in manufacturing jobs in the west and how there’s been efforts to correct the patriarchal skew in society that has in turn triggered a backlash.”

Louis also defended his decision to make the documentary in the first place, which could be seen as amplifying potentially harmful ideologies and helping the men to get even more followers thanks to them being shown on Netflix.

For him it is a case of trying to understand and challenge the ideas which are being pushed to youngsters.

He said: “My view is always I’m not trying to embarrass them or trick them in any way. I am trying to tell the truth and I will confront them appropriately. I’m not trying to pick a fight. I’m just trying to understand them, get my questions answered and then challenge and push back on the parts that don’t make sense to me or strike me as dangerous. At the end of the day I’m trying to make TV that engages people – so a few fireworks don’t go amiss and some raised voices or a sense of menace is actually quite helpful.”

In the concluding moment of the documentary, after spending weeks with these male influencers, Louis concludes: “In a world that’s changing at dizzying speed with narrowing opportunities, where the old entitlements of manhood have been challenged. It is perhaps not surprising that some have sought the comfort of a simplified world of game hacks and conspiracy theories. It struck me that the matrix they rail against more accurately describes the algorithmic prison they’ve created for their followers, an illusion of endless wealth and power that actually only enriches a few at the top.

“We are in a world where the fringe is no longer fringe. Where we are all increasingly, inside the manosphere, and it’s up to us how we get out.”

* Louis Theroux: Inside The Manosphere is available on Netflix from March 11.

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JENNIFER Runyon, known for her role in the iconic 1984 Ghostbusters film, has passed away aged 65 after a battle with cancer.

The actress’ grieving family announced the heartbreaking news on social media.

Pal and fellow actress Erin Murphey said she was devastated to hear about Jennifer’s passing.

A post to Facebook, penned by Jennifer’s loved ones, reads: “This past Friday night our beloved Jennifer passed away.

“It was a long and arduous journey that ended with her surrounded by her family.

“She will always be remembered for her love of life and her devotion to family and friends.

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“I know from above she’s looking down on all of us with her beautiful smile. Rest in peace our Jenn.”

Erin Murphey wrote: “So sad to share that my friend Jennifer Runyon Corman has passed away after a brief battle with cancer.

“Some people you just know you’ll be friends with before you even meet. She was a special lady. I’ll miss you Jenn.

“My thoughts are with your family and beautiful children.”

Jennifer made her movie debut in the 1980 horror film To All a Goodnight, taking on the lead role of Nancy.

She then took on a role as Sally Frame in the American soap Another World, acting in the series until 1982.

The beloved Ghostbusters film, which featured Bill Murray, Dan Aykroyd and Sigourney Weaver, Jennifer acted in the opening scene as a student involved in an ESP experiment.

Her television career included guest appearances in Murder, She Wrote as well as roles in Magnum PI and Beverly Hills.

Jennifer’s final role was in the 2017 comedy horror film Bloodsucka Jones vs. The Creeping Death.

During the 2019 documentary, Remembering Ghostbusters, Jennifer appeared to discuss her most notable role.

NAOMI WATTS watched on proudly as her daughter showcased her model behaviour at Paris Fashion Week.

Rising fashion star Kai Schreiber – who came out as transgender last year – stole the spotlight as she towered over her Hollywood star mum at the Balenciaga show on Saturday.

Wearing a sharp tailored two-piece teamed smokey eye make-up, 17-year-old Kai made an impact with her striking look.

Proud mum Naomi, 57, wore a matching black ensemble as she supported her daughter, who has been feted as a future top model.

Also on the runway was Rebel Yell punk star Billy Idol, 70, who had on a tasseled black leather poncho.

US model Paris Jackson, 27 — daughter of late pop star Michael — was also spotted in black outside her hotel.

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Kai made her fashion runway debut at Paris Fashion Week last year by walking for Valentino.

Kai’s parents have both conquered Hollywood and are known for TV and film.

Naomi and Liev – who also have son called Sasha, 17 – were together for 11 years before they amicably split in 2016.

Liev has since married Taylor Neisen, while Naomi went on to wed Billy Crudup.

Naomi often shares how proud she is of her daughter, in sweet posts on Instagram.

When the teenager turned 16, her mum penned a heartfelt message to her.

“Darling Kai. Happy sweet sixteen. Your sweetness is pure and I’m the luckiest mommy in the world and that world is SO lucky that you are here!” the proud mum wrote.

“You blow me away with your wild spirit, strength and yes your soft sweetness too. You even let me post a baby picture!

“I thank my lucky stars I get to be your mom [sic]. I Love you to the moon.”

Netflix has added the acclaimed thriller series to its collection, eleven years after the TV show finished up, with all seven seasons now available to binge

Netflix has welcomed a gripping thriller to its library, more than a decade after the television series wrapped up. The streaming giant revealed to subscribers that every season of The Mentalist, headlined by Simon Baker, would be landing on the platform.

Having arrived on Netflix on Sunday, March 1, long-time devotees of the programme can now devour all episodes at their leisure. For enthusiasts of police procedurals searching for their next marathon-worthy series, there are seven full seasons to explore.

Should you be new to the programme, viewers follow the journey of independent consultant for the California Bureau of Investigation, Patrick Jane (Baker). Jane has built a name for himself through unorthodox and unusual investigative techniques, combined with a disregard for standard procedure. Oh, and he also claimed to be a psychic.

Whilst the “psychic” element may be bogus, Jane possesses razor-sharp observational abilities and an exceptional understanding of human psychology to crack cases, reports the Express.

Beyond collaborating on investigations with law enforcement, he exploits his connections within the CBI to track down the mysterious serial killer Red John, who brutally killed his wife and daughter – a storyline forming the backbone of much of the series. Yet his quest for justice isn’t always straightforward.

The debut season appeared to split critics, though it’s lauded for featuring “all of the key components of the perfect crime investigation series,” according to the Pittsburgh Post-Gazette.

The final series, which broadcast in 2015, achieved an 83 per cent overall score on Rotten Tomatoes. Jeff Jensen wrote for Entertainment Weekly about the concluding season: “That hard-working bunch earned their party. I think the show honored the fans who stuck with it and by it. On a personal note:

“My late wife-who loved The Mentalist, who turned me onto the show, who found the show easy to forgive and enjoy after the disappointment of the Red John denouement-would have been very pleased.

“I enjoyed it on her behalf and chose to take the story’s conclusions, as easy and sentimental as they may have been, as a challenge to hope and optimism for a better tomorrow. Jane and Lisbon, thank you for that gift.”

Darragh McManus wrote for The Guardian: “Funny, thoughtful and intricately plotted, The Mentalist is one of the best things to appear on TV in a long time.”

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One of the best action blockbusters of the past few years has just been added to Netflix just in time for an adrenaline-fuelled weekend viewing

Netflix has just added an exhilarating action film starring two of Hollywood’s greatest stars that you won’t want to miss.

Both leads are featuring in some of the most highly anticipated films of 2026, while the director is one of the most prominent action filmmakers in recent years.

The Fall Guy stars Ryan Gosling as stunt performer Colt Seavers, who reluctantly agrees to a comeback after a life-threatening injury when his ex-girlfriend Jody Moreno (played by Emily Blunt) lands her first gig as the director of a major studio film.

However, the pair soon find themselves wrapped up in a complex conspiracy when the movie’s lead actor, Tom Ryder (Aaron Taylor-Johnson), goes missing.

When Colt is covertly hired to go after the people the producers suspect are responsible for his disappearance, he leaps at the chance to win back his ex by saving her debut. But he quickly realises he’s in over his head.

Both megastars are poised to rule the box office over the coming months. Gosling is about to return to the big screen for the bombastic space opera Project Hail Mary, while Blunt is also tackling extraterrestrial threats in Steven Spielberg’s new sci-fi thriller Disclosure Day.

She is also returning to one of her most iconic roles in The Devil Wears Prada 2, along with Meryl Streep and Anne Hathaway. With The Fall Guy available to stream on Netflix, now is the perfect time to revisit one of their best films ahead of their must-see cinematic experiences.

Fans have been raving about the film since its release, and it received an impressive 82 percent Rotten Tomatoes score from critics, with 84 percent from audiences.

One five-star review from an RT user gushed: “A truly phenomenal film! It’s fun, but locks in when seriousness is needed. I love it so much!”

Someone else described it as “Pure adrenaline popcorn perfection that delivers unfiltered chaos candy!”

The stellar reviews continued on IMDb, where one viewer called The Fall Guy “Pure entertainment” and said: “While watching this movie, I found myself smiling nearly the entire time. If you are looking for pure, unfettered fun (in the form of romcom action of course), then this is the movie for you.

“The plot was fun, the acting was solid, the situations that the characters found themselves in were hysterical, the action was on point, the cinematography was nice, and the romance was entertaining.”

And a final fan wrote: “The Fall Guy is insanely fun, with incredibly cool action scenes, romantically charming elements, and a captivating world of stuntmen.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

“It’s full-on entertainment, especially for film enthusiasts, with meticulously crafted action sequences in both real and fake movies that look fantastic, grand, and impressively complete.

“Both Ryan Gosling and Emily Blunt have impeccable chemistry, and the portrayal of the stuntman profession is sharp. The film cleverly satirizes the Hollywood industry with excellence.

“Watching this movie in theaters is an absolutely delightful experience. Director David Leitch nails every aspect of the film, truly delivering on the action-packed excitement.”

The Fall Guy is available to stream on Netflix.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

The beloved period drama has been hailed by audiences online and compared to Downton Abbey and Sherlock Holmes

Fans of period drama have been met with bittersweet news following the recent confirmation that a cherished series will be making a comeback – but for one final outing only.

This announcement follows previous excitement surrounding a WWII film due for release later this year and a Netflix period drama series drawing comparisons to HBO’s Chernobyl, reports the Express.

The costume drama has previously earned acclaim from one IMDb reviewer who described it as “One of the best”. They highlighted how the lead performer was an “absolute master at facial expressions”.

They continued: “IMHO this series continues to get stronger and is one of the best things produced for network TV. I am hoping this will be as long lived as some of the classic British shows like Vera and Silent Witness [sic].”

Another viewer wrote in their 10/10 assessment: “A wonderful TV detective story that bridges 21 century sensibilities with the horrible conditions of Victorian England, with its pollution, gender and class inequalities, poverty, etc.”

They further commended the programme: “What truly makes this show exceptional are the costumes, the sets, the great chemistry between the two protagonist, and the relationships amongst the other characters that slowly develops throughout the six episodes [sic].”

A third 10/10 review declared: “Fresh look, captivating plot, beautifully portrayed characters, real feel of old atmosphere, close attention to detail.”

The admirer revealed they were “totally hooked” by the production.

A third glowing review, titled “Amazing period piece”, saw the reviewer enthuse: “I joined PBS for this great masterpiece.

“The tension between the lead actors keeps me coming back for more. In this Downton Abbey meets Sherlock Holmes drama, each episode brings a more compelling reason to keep coming back for more.”

Miss Scarlet is set to wrap up after its upcoming seventh season, having first graced our screens in 2020.

The series features Peaky Blinders actress Kate Phillips in the starring role of Eliza Scarlet, the first female detective in Victorian London.

Not only has Miss Scarlet been solving mysteries, but she’s also been shattering the glass ceiling with her work throughout the city.

In a statement obtained by Deadline, the show’s creator Rachael New expressed: “Making Miss Scarlet has been the greatest joy of my professional career.

“Every stage of this beautiful show – from the writing, filming, editing and finally it reaching the screen – it has taken a whole village. A village of exceptionally talented people.

“From the wonderful exec team who first saw the potential in this story, to my brilliant writing partner Ben Edwards, the Belgrade production team, the Dublin post team and not least to our remarkable cast led by the magnificent Kate Philips, it has been a collaborative and beautiful experience.

“I’m very proud of how the final season plays out and the story we tell for Eliza.”

She added: “It’s a wrench to say goodbye to a character that I have lived and breathed for all these years, but Eliza will forever be with me whether on screen or off.”

Meanwhile, leading actress Phillips remarked: “What a journey this has been. Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza.

“It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made.

“Thank you to everyone who has supported us – I can’t wait to share the farewell Miss Scarlet deserves.”

Alongside Phillips, Miss Scarlet – formerly known as Miss Scarlet and the Duke – also features Tom Durant-Pritchard, Paul Bazely, Tim Chipping, Evan McCabe, Felix Scott, Cordelia Bugeja, and Ansu Kabia.

Production is currently underway in Serbia on series seven’s final six episodes of the drama.

Miss Scarlet is available to stream on UKTV’s U.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Four days after the stunning news that Paramount Skydance would acquire Warner Bros. Discovery, Paramount executives tried to calm fears that the blockbuster deal would result in massive layoffs.

In a call Monday, Paramount Chief Strategy Officer and Chief Operating Officer Andy Gordon told Wall Street analysts that $6 billion in merger “synergies” would come from “non-labor sources” and not a “reduction in production capacity.”

Instead, Gordon said, the company would reduce costs by consolidating its streaming technology and cloud providers, finding marketing efficiencies and “optimizing the combined real estate footprint,” likely an allusion to widely anticipated plans that the new owners will consolidate operations around the Warner Bros. lot in Burbank.

Efficiencies aside, most Hollywood observers — including people who are familiar with Paramount Skydance Chief Executive David Ellison’s plans — predict that Paramount will be forced to make large-scale layoffs in order to offset the enormous costs of the mega-deal, which is valued at more than $111 billion (counting debt).

It’s a reasonable expectation, at least if history is any guide.

Many at Warner dread the kinds of cuts seen after Walt Disney Co. bought most of 21st Century Fox’s assets, resulting in thousands of layoffs as the two companies combined operations and shed redundant jobs.

In the case of Warner-Paramount, the new company will have two film and TV studios, as well as two streaming businesses, two legal departments, two marketing departments and so on. It’s doubtful these overlapping functions will survive budget cuts.

Already, consolidation plans are underway.

This week Paramount announced it would combine the two streaming services — Paramount+ and HBO Max — to reach a total of more than 200 million subscribers and better compete against the behemoth Netflix, which boasts 325 million subscribers worldwide.

Ellison was full of praise for the HBO team on Monday’s analyst call, saying the premium service was a “crown jewel” and that it will “continue to have the resources and independence to do what it does best.”

He also reiterated that there is “no intention to pull back on production,” and that the company intends to make 30 films a year — 15 apiece from Paramount and Warner Bros.

“We have all the economic incentives to make sure that we grow this business and are going to invest in content to basically achieve those goals,” Ellison said Monday.

But this deal also includes $79 billion in net debt — a staggering load that overshadows even that of the merger that resulted in Warner Bros. Discovery. That amount became an albatross around that company’s neck and led to waves of layoffs.

“What everybody’s hoping is that the noise that’s being made around prioritizing content will hold true,” said Kevin Klowden, a Milken Institute fellow focused on entertainment and technology. “But until they see that happen, it’s really a question.”

Further job losses would be a blow to an industry that has been reeling from a steady drumbeat of job cuts fueled by media consolidation, dwindling streaming profits and the migration of film and TV jobs to cheaper states and countries.

Paramount executives have said the deal is expected to close in the fiscal third quarter of this year, and Ellison said he was “absolutely confident” they will meet that goal, based on conversations with regulators.

Despite support from the Trump administration, the acquisition is not yet final. Already, California Atty. Gen. Rob Bonta said he was in communication with other states’ attorneys general about challenging the merger on antitrust grounds, saying it wasn’t a “done deal.”

And on Monday, Rep. Sam Liccardo (D-San José), Sen. Elizabeth Warren (D-Mass.) and Sen. Richard Blumenthal (D-Conn.) called on Atty. Gen. Pam Bondi and White House Chief of Staff Susie Wiles to provide details of their conversations about the merger with Ellison and Netflix co-Chief Executive Ted Sarandos, highlighting the role of politics in the auction.

Paramount plans to keep the two studios separate for now, though company executives have discussed combining operations at the Warner Bros. Burbank lot at some point, according to sources close to Paramount who were not authorized to speak publicly. That could mean a wind down at the historic Paramount lot on Melrose Avenue — and more job losses.

The anxiety over looming cuts is especially deep inside Warner, where staff are still trying to process the news, according to people I spoke with. They noted that when Netflix was the winning bidder, co-Chief Executives Sarandos and Greg Peters came to the Burbank lot and spoke with several hundred of Warner’s senior leaders and outlined their plans, giving staff more clarity about a future under their ownership. No such conversations have occurred with the Paramount team, they said.

“I think genuinely, everyone’s nervous and a little uneasy,” said one Warner Bros. Discovery employee. “With the Netflix option, people had become a little more hopeful. But this outcome is a little more frightening for the staff.”

Stuff We Wrote

Film shoots

Number of the week

After 30 years, the Ghostface killer has still got it. Paramount Pictures and Spyglass Media Group’s “Scream 7” topped the box office this last weekend with $64.1 million in the U.S. and Canada, marking a franchise-best domestic opening. Globally, the film made $97.2 million.

The film centered on original franchise actors Neve Campbell and Courteney Cox, and featured numerous callbacks to the previous movies.

But the film’s debut did not come without controversy. Pro-Palestinian groups protested outside the “Scream 7” premiere on the Paramount lot last week and called for a boycott of the film after franchise star Melissa Barrera was fired more than two years ago for her comments on the Israel-Hamas war.

What I’m watching

On Sunday, I watched the UCLA women’s basketball team dominate USC in what I think is one of the best college rivalries out there (though I’m probably biased. Go Bruins!)

ICONIC 90s actress Ali Larter has left fans’ jaws on the floor, showing off her youthful look at the Actor Awards.

The actress, known for her roles in Legally Blonde, Varsity Blues, and Landman, was nominated for Outstanding Performance by an Ensemble in a Drama Series.

One day after her 50th birthday, Ali stepped out on the red carpet at the Actor Awards, formerly known as the SAG Awards.

She posed for photos at the event in a strapless crimson gown by Zuhair Murah with a sweetheart neckline.

The gown, which accentuated her curves, reached all the way to the floor.

Ali looked absolutely ageless, completing the look with bouncy curls in her blonde hair, a bold dark red lip, and chunky jewelry.

On the red carpet, the actress opened up about her gratitude in an interview with E!.

“Life is beautiful. I’m on a show that has just caught on with people all over the world. My children are healthy. My parents are great. I’m just full of gratitude,” she said.

She also told the outlet that her outfit choice was intentional.

“I feel like this is a celebration of acting and actors… It’s kind of a throwback to the retro queens, the heroines. And I just think that his dresses express femininity – it accentuates the curves,” she said.

Big winner

Landman was nominated for Outstanding Performance by an Ensemble in a Drama Series against several other hit shows.

Nominees included The Diplomat, Severance, The Pitt, and The White Lotus.

Ali stars in Landman alongside Billy Bob Thornton, Michelle Randolph, Demi Moore, Sam Elliott, and Kayla Wallace.

Ultimately, the cast of HBO Max’s The Pitt walked away with the award.

The show’s star, Noah Wyle, delivered the acceptance speech with the rest of the cast beside him.

A Netflix drama that’s been deemed “the best show ever produced” is said to be so good, viewers keep rewatching it again and again. It seems fans are totally hooked

Occasionally we’re all on the hunt for a compelling series to immerse ourselves in, and Netflix currently boasts an impressive selection. However, if you’re after something genuinely gripping that’ll leave you craving the next episode, you might want to consider a television drama that’s been hailed as the “best ever” on Netflix.

The programme recently surfaced in discussions on Reddit, when a viewer was eager to gauge people’s opinions on the drama. It rapidly sparked considerable debate, with many unable to contain their enthusiasm for how exceptional they believe the show to be, whilst others confessed to binge-watching it multiple times.

It’s not the sole series to have captivated audiences on the streaming service lately either. Previously, subscribers also enthused about another programme that’s rooted in real events.

The Reddit user enquired: “Is Mindhunter worth a watch? I’m gearing up for the Fincher series and realised that I’ve completely overlooked this show.”

The query prompted substantial discussion, with respondents rushing to share their views. The consensus appears overwhelmingly positive.

One responded, stating: “Very good. Probably the best show Netflix ever produced.” Another contributed: “The most disturbing crime of the show is that it only got two seasons.”

A third commented: “It’s really good. I rewatched it recently and still think it was very well done.” In separate discussions, viewers also voiced their disappointment that only two seasons were produced.

One viewer expressed: “I’m still mad about this. On my third rewatch.” Another chimed in with: “This is the only show that’s been cancelled that makes me angry. I miss other shows, but this one burns me.”

One more fan noted: “I’m not a crime or true crime show fan at all. Mindhunter is amazing. Watch it for sure. Holt McCallany is so good in it.”

Many labelled it as “fantastic”, with several pleading for its return someday. It appears fans are holding onto the dream of their hope becoming reality at some point, but for now, they can only continue to rewatch previous episodes.

What’s it about?

For those unfamiliar, Mindhunter is an American psychological crime thriller television series created by Joe Penhall, inspired by the 1995 true-crime book Mindhunter: Inside the FBI’s Elite Serial Crime Unit by John E. Douglas and Mark Olshaker. The series first graced screens back in 2017, and ran for just two seasons.

It boasts a cast including Jonathan Groff, Holt McCallany and Anna Torv, and delves into the establishment of the Behavioural Science Unit in the Federal Bureau of Investigation (FBI) during the late 1970s and early 1980s. This era also marked the advent of criminal profiling.

The series revolves around FBI agents Holden Ford and Bill Tench, along with psychologist Wendy Carr. They operate the FBI’s Behavioural Science Unit within the Training Division at the FBI Academy in Quantico, Virginia.

In addition to this, they collaborate to initiate a research initiative interviewing incarcerated serial killers. Their aim is to gain insight into the criminals’ psychological makeup.

Essentially, they hope the information they gather will assist in cracking active investigations. It’s regarded as essential viewing for crime drama enthusiasts, although reports suggest no additional episodes are planned.

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Bridgerton returned for its long-awaited fourth outing on Netflix, bringing Benedict Bridgerton’s love story to life at last.

Bridgerton’s showrunner has finally addressed rumours that there are plans to recast some of its key characters going forward.

Two years after Penelope Featherington (played by Nicola Coughlan ) and Colin Bridgerton ( Luke Newton ) became official, the Netflix period drama returned to delve into Benedict Bridgerton’s (Luke Thompson) journey.

As expected with the free spirited second eldest son, his story wasn’t going to be a simple one as Benedict fell for maid Sophie Baek (Yerin Ha) but luckily, they managed to get their happy ever after.

Something that has troubled some fans though is the fact that season one’s Daphne Bridgerton (Phoebe Dynevor) has failed to return to the show since the second series.

Much to some fans’ disappointment, Daphne didn’t even show up at the funeral of sister Francesca Bridgerton’s (Hannah Dodd) husband John Stirling (Victor Alli).

The same can be said for her husband Simon, Duke of Hastings (Rege Jean-Page) who hasn’t been in Bridgerton since it first launched in 2020.

Their lack of absence has led viewers to question if Daphne and Simon could be recast for future series so their characters can feature in the show.

However, showrunner Jess Brownell has shut down this speculation, explaining why she wouldn’t want to axe Dynevor and Jean-Page from the Bridgerton universe.

“We are not interested in recasting the characters,” she told Variety.

“I think it would [be] a disservice to everything Regé and Phoebe set up in season one, and all the beautiful work they put into those characters.

“We would love to potentially have them back at some point, but I think, logistically, we want to make sure we bring them back when we have something really meaty for them.

“To have them come back to say a line at a funeral and just prove that they were there, it wouldn’t feel right for many reasons.”

Brownell went on to add that she would love to “bring everyone back at some point in the future” but given the cast’s increasingly busy schedules, this may become a challenge.

Since leaving Bridgerton behind, Dynevor has starred in films including erotic thriller Fair Play, political drama Anniversary and conspiracy thriller Inheritance, to name a few.

Meanwhile, Jean-Page has been in spy thriller Black Bag, fantasy film Dungeons and Dragons: Honor Among Thieves and The Gray Man.

They aren’t the only ones who have been busy away from the Netflix hit as Anthony Bridgerton’s Jonathan Bailey has since gone on to star in Jurassic World Rebirth and the Wicked franchise.

But if Bridgerton ever did come to an end, could the final series bring the entire original cast back together again?

Bridgerton is available to watch on Netflix.

The Screen Actors Guild Awards have been rebranded to the Actor Awards this year. As awards shows undergo major changes, including introducing new categories and moving to new platforms, the only thing that is constant is the red carpet parade of fashion.

Following a breakout year, Teyana Taylor has ruled one red carpet after another this season. She turned heads at the Golden Globes in a custom Schiaparelli bustier gown (with a built-in bedazzled thong), then covered up from head to toe in a plum trench coat-inspired Burberry dress at the BAFTAs. Her co-star Chase Infiniti has also been a sartorial standout in several structured strapless gowns. Other leading ladies sure to steal the spotlight include Kate Hudson and Emma Stone. On the TV side, Jenna Ortega is among the stars who has made a splash in the last few years while veterans Keri Russell, Claire Danes and Michelle Williams continue to impress.

The Actor Awards, hosted by Kristen Bell for the third time, will stream at 5 p.m. on Netflix live from Shrine Auditorium in L.A.

Here’s the best fashion from the 2026 Actor Award, captured by The Times’ photo team.

READ MORE: Winners list | Full coverage

Kristen Bell

Kristen Bell is the hostess with the mostess at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Sheryl Lee Ralph

Sheryl Lee Ralph wows in a Saiid Kobeisy gown.

(Myung J. Chun / Los Angeles Times)

Dove Cameron

Dove Cameron goes for Gothic glamour in Monique Lhuillier.

(Myung J. Chun / Los Angeles Times)

Hannah Stocking

Social media influencer Hannah Stocking arrives at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Paige DeSorbo

We’re giggly over reality star and Actor Awards pre-show host Paige DeSorbo’s Marmar Halim gown.

(Christina House / Los Angeles Times)

“E! Live From the Red Carpet” host Erin Lim Rhodes stuns in red.

(Myung J. Chun / Los Angeles Times)

When the Screen Actors Guild gathers to present its annual awards for the 32nd time on Sunday at 5 p.m. at the Shrine Auditorium in L.A., the event will have a new name: the Actor Awards presented by SAG-AFTRA. The new moniker aligns with the name of the statuette that’s been presented to winners since 1995 (but a lot of folks are still referring to them as the SAG Awards). The show will stream live on Netflix, with Kristen Bell hosting for the third time, after previous gigs in 2018 and 2025.

In the film categories, just two weeks before the Academy Awards, the top contenders are “One Battle After Another” and “Sinners.” Paul Thomas Anderson’s political thriller led all films with seven nominations, including cast in a motion picture and individual recognition for actors Leonardo DiCaprio, Chase Infiniti, Teyana Taylor, Benicio del Toro and Sean Penn.

“One Battle’s” toughest competition will likely be Ryan Coogler’s Southern vampire horror-musical, “Sinners,” which earned five nominations. Michael B. Jordan, Wunmi Mosaku and Miles Caton each earned individual nominations, as well as nods for the film’s cast and stunt ensembles.

Timothée Chalamet, nominated for male actor in a leading role for “Marty Supreme,” could be the first performer to win in consecutive years after taking home the Actor last year for his portrayal of Bob Dylan in “A Complete Unknown.” “Marty Supreme” has three nominations overall, including Odessa A’zion for female actor in a supporting role and performance by a cast in a motion picture.

In television, Apple TV’s “The Studio” scored the most nominations, with five, including one for performance by an ensemble in a comedy series. The show’s individual nominees are Seth Rogen, Kathryn Hahn, Ike Barinholtz and the late Catherine O’Hara.

HBO’s “The White Lotus” and Netflix’s “Adolescence” followed with four nominations each. The latter’s nominees include 16-year-old Owen Cooper, who would be the youngest performer to win an individual Actor Award. Currently, the youngest winner is Kate Winslet, who was 20 when she won for female actor in a supporting role for “Sense and Sensibility” in 1996.

Harrison Ford will be presented the SAG-AFTRA Life Achievement Award during the telecast. Recent honorees include Jane Fonda, Barbra Streisand and Sally Field.

Follow along as we update the list live throughout the evening. Nearly everyone in attendance will go home with an actor, but who will take home an Actor statuette?

Performance by a cast in a motion picture

“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle After Another”
“Sinners”

Performance by a female actor in a leading role

Jessie Buckley, “Hamnet”
Rose Byrne, “If I Had Legs I’d Kick You”
Kate Hudson, “Song Sung Blue”
Chase Infiniti, “One Battle After Another”
Emma Stone, “Bugonia”

Performance by a male actor in a leading role

Timothée Chalamet, “Marty Supreme”
Leonardo DiCaprio, “One Battle After Another”
Ethan Hawke, “Blue Moon”
Michael B. Jordan, “Sinners”
Jesse Plemons, “Bugonia”

Performance by a female actor in a supporting role

Odessa A’Zion, “Marty Supreme”
Ariana Grande, “Wicked: For Good”
Amy Madigan, “Weapons”
Wunmi Mosaku, “Sinners”
Teyana Taylor, “One Battle After Another”

Performance by a male actor in a supporting role

Miles Caton, “Sinners”
Benicio del Toro, “One Battle After Another”
Jacob Elordi, “Frankenstein”
Paul Mescal, “Hamnet”
Sean Penn, “One Battle After Another”

Performance by an ensemble in a comedy series

“Abbott Elementary”
“The Bear”
“Hacks”
“Only Murders in the Building”
“The Studio”

Performance by a female actor in a comedy series

Kathryn Hahn, “The Studio”
Catherine O’Hara, “The Studio”
Jenna Ortega, “Wednesday”
Jean Smart, “Hacks”
Kristen Wiig, “Palm Royale”

Performance by a male actor in a comedy series

Ike Barinholtz, “The Studio”
Adam Brody, “Nobody Wants This”
Ted Danson, “A Man on the Inside”
Seth Rogen, “The Studio”
Martin Short, “Only Murders in the Building”

Performance by an ensemble in a drama series

“The Diplomat”
“Landman”
“The Pitt”
“Severance”
“The White Lotus”

Performance by a female actor in a drama series

Britt Lower, “Severance”
Parker Posey, “The White Lotus”
Keri Russell, “The Diplomat”
Rhea Seehorn, “Pluribus”
Aimee Lou Wood, “The White Lotus”

Performance by a male actor in a drama series

Sterling K. Brown, “Paradise”
Billy Crudup, “The Morning Show”
Walton Goggins, “The White Lotus”
Gary Oldman, “Slow Horses”
Noah Wyle, “The Pitt”

Performance by a female actor in a television movie or limited series

Claire Danes, “The Beast in Me”
Erin Doherty, “Adolescence”
Sarah Snook, “All Her Fault”
Christine Tremarco, “Adolescence”
Michelle Williams, “Dying for Sex”

Performance by a male actor in a television movie or limited series

Jason Bateman, “Black Rabbit”
Owen Cooper, “Adolescence”
Stephen Graham, “Adolescence”
Charlie Hunnam, “Monster: The Ed Gein Story”
Matthew Rhys, “The Beast in Me”

Action performance by a stunt ensemble in a motion picture

“F1”
“Frankenstein”
“Mission: Impossible — The Final Reckoning”
“One Battle After Another”
“Sinners”

Action performance by a stunt ensemble in a television series

“Andor”
“Landman”
“The Last of Us”
“Squid Game”
“Stranger Things”