Two of our esteemed gubernatorial candidates, the cowboy and the dilettante, apparently could not find ties for the first debate Wednesday night, showing up with dress shirts casually unbuttoned.
Mr. Middleground sported a scruffy sorta-beard, apparently unable to pay for a razor in the midst of California’s affordability crisis. It’s a trademark look that always makes me think if this doesn’t work out, he’ll opt to live on a boat in some not-too-expensive slip by the Bay.
The billionaire wore Nikes instead of dress shoes, a sartorial nod perhaps to his bid to be the outsider-fighter. Or maybe his feet just hurt.
The last two contenders were remarkably unremarkable.
Why start with fashion? Honestly, it might be the most interesting, and telling, bit of insight that came from this first (of three) chances for our next governor to let us know who they are and what they’re made of. If the debate showed us anything, it’s that none of these candidates are hiding follow-me charisma or an excitement-inducing political vision for our collective future.
Yes, there were a few decent jabs here and there about Tom Steyer’s money, Katie Porter’s temper, Matt Mahan’s tech ties and Chad Bianco’s far-right world view. But even those were predictable.
Still, in between the yawns, there were a couple of answers worth noting, ones that might actually give us insight into how the Democratic candidates differ (Despite all the hype, it seems increasingly unlikely that two Republicans will come out of the primary, and even more unlikely that in a Democratic vs. Republican race, the Democrat would lose in blue California.)
I’ll start with a surprising place where I agreed with Steve Hilton, the Republican endorsed by President Trump.
The candidates were asked if they would support a ban on social media for kids under age 16. This is a quickly accelerating idea not beloved by tech companies. Australia and Indonesia already have bans in place. Other countries, including France and Portugal, have them in the works. Florida banned children under 14 from opening social media accounts on their own last year.
And a Los Angeles jury last month dealt a blow to Meta and YouTube when it found the platforms had damaged the mental health of a young woman with their addictive features.
Hilton took the ban question a step further, saying it “misses the point.” He has long argued that it isn’t just social media that is the problem, but having kids staring at a digital device for hours a day instead of interacting in the real world. It was one of the most genuine answers of the night.
“We’ve got to get to the heart of the problem, and that’s the devices and the screens,” he said. “I think that every parent in their heart knows that it’s wrong.”
While Steyer and Xavier Becerra, the former California attorney general, both said they would support such a ban, the remaining three candidates hedged or said they would not. Porter said no to a ban under age 16, but said she “might consider a different ban,” without being specific.
Mahan, who is backed by significant tech money, and Bianco both said they believed requiring parental consent was the way to go (though Mahan said he would ban devices in schools).
As Becerra pointed out, “kids have died as a result of their use of social media,” so it’s a place where policy matters. And if a candidate doesn’t see government’s role in controlling the dangers of social media, what will happen with artificial intelligence?
The candidates also had differences in how they would handle homelessness and the related crisis of housing affordability, though the devil was often buried in the details.
At least for Democrats. For Bianco, the difference was stark.
“We are not dealing with homeless. So stop calling it homeless,” he snapped at the moderators. “It has nothing to do with homes. This is drug- and alcohol-induced psychosis, mental illness.”
Of course, this is wrong. Last year, the UC San Francisco Benioff Homelessness and Housing Initiative released the results of the state’s most comprehensive survey of homeless people. It found that for most people living on our streets, “the cost of housing had simply become unsustainable.” It also found an increasing percentage of those folks were older — almost half were over the age of 50 — and had become homeless after a hardship such as an illness or a job loss.
“It’s also families who are fleeing intimate partner and domestic violence,” Porter said. “It’s people who are double and tripled up. It’s people who are living in their cars on our college campuses. Homelessness comes in a lot of different forms.”
Most of the Democratic candidates seemed to understand this and embraced the increasingly popular idea of putting more money into helping people stay housed after a hardship, instead of trying to get them housed after they lose their place.
“How can I help you keep your home?” Becerra said. “Because it costs me so much more money to pick you off the streets, provide you with the assistance in the shelter, than it does to keep you in the home.”
But the issue of homelessness is also where daylight emerged between the candidates. Steyer said he and his wife had helped finance low-barrier homes, not just shelter spaces, where people do not need to be addiction-free and where they can bring pets — two issues that are common hindrances for moving folks off sidewalks voluntarily.
Mahan, the mayor of San José, who often touts his city’s success at moving people indoors, agreed that emergency and interim housing was critical, but also voiced support for forcing folks to accept help. Last year, San José passed an ordinance he backed that some say criminalizes homelessness — a person can be cited twice for refusing shelter, and a third refusal within 18 months can lead to an arrest.
“When shelter was available, we required that people come indoors,” Mahan said, adding, “We have to be able to mandate treatment.”
It’s a controversial position, but also one that is increasingly popular. Gov. Gavin Newsom has backed mandated treatment, in a lighter form, with his CARE Court (which is technically voluntarily). And the movement to require people to accept a shelter space or face arrest is growing on the right and even the Democratic-middle.
But there is a fine and dangerous line with mandated treatment and shelter requirements that is often pushed further and further to the side in favor of the clean, safe streets argument. Whenever we start locking folks up — whether it’s in mental wards or immigration detention centers or jails — we should be careful that expediency isn’t trumping ethics.
Of course, the debate would not be complete without the Democratic candidates’ position on our president, speaking of ethics.
Steyer was gleeful that Trump has come after him on social media, a point of pride that he is a relevant figure in the fight against MAGA. He also said he would abolish Immigration and Customs Enforcement if he could, which he can’t.
Becerra highlighted his many lawsuits as California’s attorney general during Trump’s first term, and pledged to keep fighting. Porter leaned into her time in Congress and her efforts to help Democrats in other races win.
Mahan took a different route, pledging to fight when necessary, but adding, “We need a partnership, and we need to find common ground with this administration on certain issues.”
Newsom learned the hard way that common ground is what Trump says it is, and shifts without warning or reason.
So what’s the takeaway from all this?
Boring dad; feisty mom; rich do-gooder; striving newcomer; MAGA one; MAGA two.
None of them hit it out of the park, but no one struck out. Maybe next time.
For disputed reasons, April 20, abbreviated to 420, has become a day to celebrate marijuana; even if this is nothing you mark on your calendar, the collective culture is bound to remind you.
Weed is not what it used to be, which is to say illegal everywhere. (State laws may differ, but the federal government still disapproves.) Stoners are no longer useful as a comedy device, while pot’s countercultural meaning has dissipated as it’s been absorbed into the mainstream. According to the CDC, some 60 million American reported using it in 2022. Snoop Dogg is a beloved media figure (and, somehow, an Olympics commentator). Seth Rogen co-owns a cannabis company, Houseplant, that also sells coffee, furniture and incense. The paper you are reading has published weed-themed gift guides.
Now, Hulu, wholly owned by the Walt Disney Company, is marking the day (Monday) with “4×20: Quick Hits,” a frisky anthology comprising four 20-minute documentaries on pot-related subjects, with family-friendly figure Jimmy Kimmel as an executive producer. It’s less about the drug itself than the arts, crafts and enterprises it has inspired. Given where we are now, it’s not surprising that there’s a historical bent to the films, a look back to earlier times — certainly worse for some of the people profiled, who were targeted by and battled with the law in pursuit of their businesses and dreams — but one they regard with a kind of amused nostalgia.
All the films are affectionate, most are light-hearted and often comical. One, Todd Kapostasy’s “Bong Voyage,” about the rise and fall and rise of artisanal glassblower Jason Harris, is narrated by one of his creations and includes such dumb puns as “fine piece of glass.” Directed by Brent Hodge, “Highly Unlikely” is an entertaining, straightforward reminiscence of the making of “Harold & Kumar Go to White Castle,” though it is less about the stoner themes than how the film broke stereotypes in making two little-known Asian actors, John Cho and Kal Penn, the film’s stars. The adorable “The Legend of Ganjasaurus Rex,” directed by Alex Ross Perry, and nearly the premise for a Christopher Guest movie, recounts an act of community filmmaking in the late ‘80s in pot-growing Humboldt County, wherein locals created a monster movie in a proxy war with the authorities, and its inspirational afterlife.
More serious in tone is Kyle Thrash‘s “High Times,” which looks at the history of the pot-centric magazine, its drug smuggling founder Tom Forçade and his suicide. More compelling perhaps is his friend, Yippie co-founder and lifelong cannabis activist Dana Beal, who frames the film; we see him in the nearly present day on trial for drug trafficking, having been stopped in Idaho with 56 pounds of raw marijuana, and also on the streets of New York leafleting passersby with his daughter to “help us legalize weed worldwide.”
Whether or not cannabis itself interests you, each of these mini-docs is capable of holding your attention for 20 minutes — assuming you’re capable from your end — and, being as brief as they are, may well send you to learn more. (I don’t imagine they will send you to smoke pot if you don’t — they didn’t work on me, anyway — and, who knows, might even make one less inclined.) You might finally watch “Harold & Kumar,” or find Garberville on a map, or look to see how things are going for Beal, or discover whether the same John Holmstrom who once edited High Times is the same person who founded Punk magazine and drew covers for the Ramones’ “Rocket to Russia” and “Road to Ruin” albums. (He is.) “Ganjasaurus Rex,” in its 90-minute full length, is itself online to see, and, for those who celebrate, I don’t suppose there’s a better day to watch it.
England’s Lionesses are no strangers to making history.
The past decade has been rich in landmark moments; a first tournament medal, a first major trophy, and a first title defence – on foreign soil to boot.
When Sarina Wiegman’s side play Iceland in Reykjavik on Saturday (17:30 BST) they will reach another milestone – the 500th fixture for England’s senior women’s team.
The game is important for securing qualification for next year’s World Cup in Brazil, with England keen to win more silverware in the famous white shirt.
But regardless of the result, the match will be etched in history as a reminder of how far the English women’s game has come.
Health Secretary Robert F. Kennedy Jr. on Thursday faced federal lawmakers for the first time since September as he sought to defend a more than 12% proposed cut to his department’s budget and dodge arrows from angry Democrats along the way.
In his testimony before the House Ways and Means Committee, kicking off an expected sprint of seven budget hearings he’ll attend across congressional committees and subcommittees over the next week, Kennedy emphasized the administration’s work to reform dietary guidelines and crack down on waste, fraud and abuse.
Republicans on the committee praised Kennedy as a “breath of fresh air” and asked him to promote his department’s recent actions. Democrats, who have been furious over Kennedy’s sweeping overhaul of the U.S. Department of Health and Human Services, largely had a different agenda.
They needled Kennedy on what they viewed as the Trump administration’s hypocrisy on fraud, demanded to know why he was cutting budgets for various programs and slammed his efforts to pull back vaccine recommendations and messaging, which they said have caused unnecessary deaths.
Kennedy fired back, often raising his voice as he accused the Democrats of misrepresenting his work and past statements.
Here are three standout moments from Thursday’s hearing:
A standoff over measles
One heated exchange early in the hearing came between Kennedy and Rep. Linda Sanchez. The California Democrat decried recent measles outbreaks across the U.S. and asked Kennedy to answer for the fact that under his leadership, the Centers for Disease Control and Prevention pulled back public health messaging supporting vaccination.
“As a mother, this horrifies me,” Sanchez said. “Did President Trump approve your decision to end CDC’s pro-vaccine public messaging campaign?”
Kennedy repeatedly refused to answer, saying first he wanted to respond to the “misstatements that you’ve made” and later praising the Trump administration’s record on preventing measles, although protections against the disease have eroded in some parts of the country as vaccination rates have dropped.
“That’s not answering my question,” Sanchez said as the two talked over each other.
But Sanchez also got Kennedy, a longtime anti-vaccine activist before he entered politics, to acknowledge that a 6-year-old who died of measles last year in West Texas could have potentially been saved with vaccination.
“Do you agree with the majority of doctors that the measles vaccine could have saved that child’s life in Texas?” she asked.
“It’s possible, certainly,” Kennedy said.
RFK Jr. denies talking about Black children being ‘re-parented’
A fight erupted between Kennedy and Rep. Terri Sewell, a Democrat from Alabama, when Kennedy vehemently denied making remarks he’d said in 2024.
The comments dated back to when Kennedy was a presidential candidate. On the “High Level Conversations” podcast last July, he said, “Psychiatric drugs — which every Black kid is now just standard put on Adderall, SSRIs, benzos, which are known to induce violence, and those kids are going to have a chance to go somewhere and get re-parented to live in a community where there’ll be no cellphones, no screens, you’ll actually have to talk to people.”
“Have you ever re-parented, or parented, I should say, a Black child?” Sewell asked, as her staff held up a poster featuring an abbreviated version of the quote.
“I don’t even know what that phrase means,” Kennedy said. “I’m not going to answer something I didn’t say.”
“You’re making stuff up,” he later claimed.
A recording of the podcast shows he made the comments during a conversation about free rehabilitation facilities he was proposing opening at the time in rural areas around the country.
Health and Human Services spokesperson Emily Hilliard said Kennedy before joining the administration was referring to spaces where young people facing alienation, mental health challenges and despair could get re-parented, which she said was a psychotherapy term for “developing the emotional regulation, discipline, boundaries, and self-worth that may not have been established in childhood.”
For Kennedy and his former party, civility is the exception
Kennedy spent most of his life as a Democrat, the scion of one of the nation’s most famous political families. Both Republicans and Democrats during the hearing began their remarks by expressing their admiration of Kennedy’s relatives, among them former President John F. Kennedy.
But again and again throughout Thursday’s hearing, the fraying of bonds between Kennedy and his former party was on full display as spiteful comments were passed back and forth.
The Health secretary grew defensive and visibly agitated. He repeatedly criticized Democratic lawmakers for not giving him a word in edgewise.
“They’ve all shut me up,” Kennedy said at one point. “They give a little speech that they can go and market, you know, for fundraising, and they don’t allow me to answer the question.”
On a few rare occasions, the exchanges were civil. One representative, Gwen Moore of Wisconsin, used humor to make that happen.
“I promise to give you easy, comfortable questions if you don’t yell at me and hurt my feelings,” she told Kennedy. He promised he wouldn’t.
Coachella’s 25th anniversary was more than just a milestone in the festival’s history. It’s a year that showcased its vitality and vision for the future — and yes, it’s still a great place to take a selfie. While the amount of great music we absorbed as a staff left us a little delirious, it ensured we’d have plenty of moments to recall for a highlight reel of Weekend 1. From Radiohead’s immersive bunker experience, to Sabrina Carpenter’s triumphant return, Justin Bieber’s YouTube karaoke set and Karol G becoming the first Latina to headline the fest on Sunday night, here’s our list of the 21 most memorable moments we caught during Weekend 1.
FRIDAY
(Mark Potts / Los Angeles Times)
Radiohead’s bunker is Coachella’s version of Disney’s Tiki Room
Finally! Coachella has its own version of the Enchanted Tiki Room attraction from Disneyland — and it comes from the most unlikely of artists: British alt rockers Radiohead.
Here’s what I mean by that.
Say you’re in search of an air-conditioned place to rest your weary feet while a visual and musical spectacle plays out before you. Where do you go? If you’re a parent taking your kid to the happiest place on Earth, you go to the Enchanted Tiki Room. If you’re a desert festivalgoer in Indio, you go to the Bunker.
Tip: The ushers appeared to be letting festivalgoers into the experience throughout the runtime of the movie, so there’s a possibility you’ll be able to get in even if you didn’t land one of the scarce time slots. And seeing as how the experience was only about a quarter of the way full by the time it ended, you might be in luck. (David Viramontes)
Devo performs at the Mojave Tent during Coachella.
(Christina House / Los Angeles Times)
Devo’s new wave dance party at sunset
Look, it’s a very different Coachella than when we last saw Devo here in 2010. The Mojave Tent should have been more packed for these legends.
However, those of us who hightailed it here were treated to a set of the band’s best. Early on in the performance, the band played “Girl U Want” into “Whip It,” and during the latter, Mark Mothersbaugh tossed a handful of red “energy domes” — you know them as the Devo flowerpot hats — into the crowd.
Similar to Bini earlier, Devo had a costume change from the navy worksuits into their signature yellow Devo suits for a rousing performance of “Uncontrollable Urge.” There was even some choreography. (Vanessa Fanko)
A festivalgoer holds a Coachella sunset cocktail.
(Danielle Dorsey / Los Angeles Times)
A Coachella sunset served as a cocktail
One of the best parts of Coachella is catching the sherbet-colored sunset at the end of the day, not just because cooler temps are ahead but because of the Lisa Frank explosion of colors that bleed into the horizon as it shifts to night. That event was made all the sweeter today when I paired the actual sunset with the Coachella sunset cocktail, which layers citrus and a speared kumquat with tequila, served in a branded cup that doubles as a souvenir. (Danielle Dorsey)
The xx performs on the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
Indie minimalists the xx come back bigger, brasher than ever
The xx’s return was among the most buzzed-about sets of the festival this year, a credit to how well their catalog has stood up on its merits. At their debut, they almost singlehandedly inaugurated a shift toward hyper-intimate headphone pop — it’s hard to imagine Billie Eilish sounding quite the same without them.
Yet on Friday, they bolstered that purity with the confidence, swagger and precision of the veteran rock act they’ve become.
Dressed in their typical all-black palette, their faces carrying a little more gravity and composure with age, the set slipped between the ships-in-the-night duets of “Shelter” and “VCR” to the after-hours whomp of Romy’s “Enjoy Your Life.” “On Hold” best married the band’s two worlds, sample-soaked yet rock driven; “Angels” remained a peerless devotional ballad. (August Brown)
Katseye performs on the Sahara Stage.
(Christina House / Los Angeles Times)
Katseye performs ‘Golden’ with ‘K-Pop Demon Hunters’ at Coachella
Katseye proved no this ain’t their debut at their first Coachella performance, bringing out Ejae, Audrey Nuna and Rei Ami for a kinetic performance of “Golden” from “K-Pop Demon Hunters.” Despite the absence of Manon, the girl group packed the festival field with Eyekons packed shoulder to shoulder as far as the Do Lab. (D.V.)
Turnstile performs at the Outdoor Theatre.
(Kayla Bartkowski / Los Angeles Times)
Turnstile’s hardcore roots and tender hearts on display at Coachella
Turnstile’s set on the Outdoor Theatre on Friday night had some unexpectedly poignant moments from the Baltimore band with hardcore roots.
Before the band took the stage, there was footage of interviews with fans and also a previously recorded message from Bill Yates, the father of Turnstile singer Brendan Yates.
“We love you, Turnstile loves you and enjoy the ride,” he said.
The band played a 55-minute set split between its last two albums, 2025’s “Never Enough” and 2021’s “Glow On,” in a condensed version of the tour they brought through Southern California last fall. Highlights included “Seein’ Stars” off the latest record, where Blood Orange’s Dev Hynes joined the band on the cello before his own late night set in the Mojave Tent, “Mystery” and “Holiday” off “Glow On” and set-closer “Birds,” which won a Grammy earlier this year. (V.F.)
Sabrina Carpenter brings her hits (and Susan Sarandon?) to Coachella
“How you feeling, Sabrinawood?” Sabrina Carpenter asked as she gazed out at the tens of thousands of fans she’d gathered into a makeshift city Friday night. “I can’t believe I’m headlining Coachella.
“I mean, I can a little bit.”
Indeed, when Carpenter made her Coachella debut in 2024, the Disney kid turned pop icon vowed that the next time she played the desert festival, her name would be atop the bill.
She returned as promised this weekend as one of music’s biggest acts, with two No. 1 singles and a pair of Grammy-nominated albums under her belt and a story to tell about her rise to stardom. (Mikael Wood)
SATURDAY
Jack White draws a crowd at the Mojave Tent.
(Christina House / Los Angeles Times)
Jack White kicks off Coachella’s rock-tastic Day 2
I thought Jack White’s opening riffs were a beacon. Then he ended his surprise Mojave Tent set with the White Stripes’ “Seven Nation Army.”
It will not surprise you that the tent, which attracted an overflow crowd once he played the iconic riff, had people singing along and jumping and pumping their arms in the air to the track that has become a sporting event staple (including for my beloved Baltimore Ravens).
What did surprise me was that the crowd was also ridiculously loud for a sing-along to the Raconteurs’ “Steady As She Goes” a few songs before.
White ended the set by telling the crowd that he was planning to catch Geese and the Strokes that day and that music is sacred.
Rock is indeed alive and well at Coachella, especially as the fans kept singing “Seven Nation Army” after White and his band had left the stage and the set was over. (V.F.)
A visit to Coachella’s coolest rock club, literally, to catch Ecca Vandal
I know my phone says it isn’t as hot as it was Friday but maybe it was rocking out with Jack White that made us all a little more sweaty.
I booked it over to the Sonora Tent to catch a little bit of Ecca Vandal to confirm that the Sonora Tent still has the vibes of a cool rock club in the middle of the festival. I mean cool both figuratively and literally since the AC is always blasting.
The blue-haired singer leaped onto the stage — wearing a short poofy dress and tall boots — accompanied by a drummer and a multi-instrumentalist with a lot of flashing lights.
The beginning of her set was leaning on more of her pop crossover songs than the punk vibes that initially drew me to her, but I did catch her do the rocking “Bleed But Never Die” before I needed to move on to catch another set. (V.F.)
The Goodyear blimp flies over the Coachella Valley Music and Arts Festival on Saturday.
(Kayla Bartkowski / Los Angeles Times)
We sent our reporter to see what Coachella looks like from the Goodyear Blimp
The ride on the Goodyear Blimp over the Coachella grounds was gentler than I’d anticipated — kind of like a boat ride in a harbor. We took off from a giant dirt field at the Jacqueline Cochran Regional Airport in Thermal, Calif., and tooled around for 30 minutes or so; when we got over Coachella, we could see a few hundred Beliebers camped out as close to the main stage as they could get — nine or 10 hours before Bieber’s performance was scheduled to begin.
They looked so little down there — so small in size, so big in Beliebf. (M.W.)
Giveon performs at Coachella on April 16, 2022.
(Dania Maxwell / Los Angeles Times)
Giveon bottles the magic hour
Long Beach’s R&B savant Giveon kept his Coachella stage to a monochrome motif during his sundown set. Black suit, white lights — he didn’t need anything more to bottle the magic hour on Saturday.
An old soul with with a huge, commanding voice, his catalog hovers between the orchestral swoon of pre-rock ballads, the pristine melodies of Anita Baker and the rangy, resilient yearning of his hometown’s soul tradition. Kendrick Lamar and SZA may have formally kicked off the Luther Vandross revival, but Giveon has inherited it, especially on his latest 2025 LP “Beloved.”
Backed by a big, throwback live band, “Lost Me” beautifully papered over a failed relationship with an uncertain young bravado; “Backup Plan” gave his one-of-kind baritone room to roam and plead. He brought out Kehlani for “Folded,” another perfectly regal ballad that revels in a small aperture. But by the time he got to “Heartbreak Anniversary,” his suit was coming off and the mood was positively lusty.
Giveon should be counted among the great SoCal voices, and his Saturday show proved his ambitions for it have no ceiling. (A.B.)
Sombr performs at Coachella on Saturday.
(Kayla Bartkowski / Los Angeles Times)
Sombr’s star burns brighter when he brought out Billy Corgan
Sombr’s performance happened on a day when Coachella had a notable number of rockers — Jack White kicked things off in the Mojave Tent in a set announced earlier this week and there was much excitement for the Strokes on the Coachella stage Saturday night before headliner Justin Bieber.
But one of the moments that simultaneously proved that rock never died and that it’s on the rise was when Sombr brought out a special guest, who Boose said was making his first visit to the festival. Billy Corgan of Smashing Pumpkins came out to join in on a cover of his band’s mid-’90s alt-rock hit “1979,” which was more recently trending audio on TikTok and Instagram. (V.F.)
David Byrne performs at the Outdoor Theatre at Coachella.
(Christina House / Los Angeles Times)
David Byrne and the art of performance as an experience
More than an hour before Justin Bieber decided to have a YouTube karaoke party to headline Coachella, David Byrne closed out the Outdoor Theatre on Saturday night in stark relief.
Byrne’s set started 25 minutes late and he arrived on stage wearing an orange jumpsuit and holding an acoustic guitar. He was soon followed by a dozen or so instrumentalists and backing singers in matching garb for “Everybody Laughs,” a track off his 2025 album “Who Is the Sky?” (V.F.)
Nine Inch Noize performs at the Sahara Stage.
(Christina House / Los Angeles Times)
Nine Inch Noize revamps industrial rock for a ghoulish rave
Performing in a cutout in the middle of a huge elevated ramp, Reznor, his Nails bandmate Atticus Ross and Boys Noize hovered atop a dense rack of synths and samplers. They built on the ethos of their arena show, stripping the NIN catalog — including “Closer,” “Heresy,” “The Warning” and “Copy of A” — for parts, and then rebuilding the songs for this strobe-licked club setting.
One surprise for Coachella fans driving out was a billboard announcing Nine Inch Noize had a whole album of collaborative material en route, and the segments they played revealed how crucial Boys Noize is to this new setup. His bone-snapping breakdowns and vicious, detuned clangs wouldn’t be possible without Reznor’s ‘90s industrial vision, but here he returned the favor to ensure this combo translated on a dedicated rave stage. (A.B.)
The Strokes perform at the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
It’s kind of a joke that the Strokes are still this good
Ninety minutes or so later, JB was indeed due to take over the space. But while Casablancas and his bandmates had control of it, it was theirs: This was an almost laughably strong showing by a band of rascally garage-rock veterans who somehow might sound better now — tighter, punchier, more effortlessly tuneful — than they did a quarter-century ago.
With an upcoming album to hype, the Strokes did their new single “Going Shopping,” a characteristically droll critique of late-capitalist apathy. (“Solidarity can be difficult when you got cool stuff to lose,” Casablancas sings.) But for the most part they stuck to the indelible hits, each as ingeniously structured — and as bitterly romantic — as the last: “Hard to Explain,” “Someday,” “Last Nite,” “New York City Cops.”
“You guys excited about the draft?” Casablancas asked at one point. “I hope to lead one of the Coachella units — the sexiest unit in our proud military.” (M.W.)
Justin Bieber performs at the Coachella Stage.
(Kevin Mazur / Getty Images)
Justin Bieber (and his laptop) headlining Coachella Night 2
This is how we found out Justin Bieber is a YouTube Premium subscriber.
The 32-year-old teen-pop survivor headlined Coachella on Saturday night, and for roughly half an hour in the middle of his set, what Bieber did was sit behind a laptop and sing along to his old music videos — often an octave down from where he recorded them — as he searched up the songs on YouTube and played them over the festival’s state-of-the-art sound system.
YouTube Premium, that is, given that he (and we) faced no ads during the performance. (M.W.)
SUNDAY
Clockwise from top left, Los Angeles Times staffers David Viramontes, Kayla Bartkowski, Rebecca Castillo, Danielle Dorsey, Mark Potts, Kailyn Brown and Christina House gather inside the Party in My Living Room activation at Coachella.
(Courtesy of Kailyn Brown)
Times staffer takes the stage at Coachella
For most artists, landing a gig at the most prestigious music festival happens at the zenith of their career. For reporter Kailyn Brown, playing Coachella is a side gig. But after seeing her set at the festival, at least one reporter anticipates that, sooner or later, being a Times journalist might become the real side gig.
On Sunday afternoon, Brown, a.k.a. KailynHype, played a DJ set at Party in my Living Room. The activation is a collab with GV Black, “a commitment and opportunity for Black, Indigenous, and People of Color (BIPOC) to be seen at the festival,” according to the Coachella website. “We actively promote diversity to change the narrative of what it means to be at Coachella.” (D.V.)
Wet Leg performs on the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
Rock still isn’t dead at Coachella: Wet Leg edition
Even without rock headliners at Coachella, the genre is alive and thriving with a new generation. This afternoon’s evidence? A blistering set from British rockers Wet Leg.
Opening with “Catch These Fists,” the set seemed to wake up Coachella’s typically sleepy Sunday with a jolt of rock. Other early highlights included “Wet Dream” and “Liquidize.” (V.F.)
Less Than Jake performs at Coachella’s Heineken House on Sunday.
(Vanessa Franko / Los Angeles Times)
Less Than Jake transports us from Coachella to the Warped Tour
Less Than Jake at the Heineken House was definitely one of the most unexpected moments in my years of covering the festival — especially considering that Sean Paul had the venue, an open-air beer hangout that includes a modest stage without a metal barricade near the Indio Central Market, so overflowing Saturday night that the Coachella app sent an alert to people that it was at capacity.
But for us Xennials and millennials in the crowd who remember the OG Warped Tour, the ska punk band’s set was a fun break from the more traditional Coachella fare.
Singer and guitarist Chris DeMakes made some jokes about how out of place the band was compared to the likes of Saturday night headliner Justin Bieber, but even on a small stage, Less Than Jake brought out its production tricks of toilet paper guns, inflatable dancing wind socks and a gaggle of balloons. (V.F.)
Iggy Pop performs at the Mojave Tent.
(Christina House / Los Angeles Times)
At 78, Iggy Pop still has a lust for life
I was worried that Iggy Pop would have suffered the fate of Devo and David Byrne on Friday and Saturday, respectively, of not having nearly enough fans watching these legends. I shouldn’t have.
On Sunday evening, a respectable crowd showed up in the Mojave Tent to pay their respects to the Godfather of Punk, who first played Coachella in a reunion with the Stooges in 2003.
Not only did Pop have a full band that included the Yeah Yeah Yeahs’ Nick Zinner on guitar, but and also a full horn section.
The set kicked off with “T.V. Eye” before “Raw Power” (a song I never knew could be so enhanced by the aforementioned horn section), but the early highlights also included “Gimme Danger,” “The Passenger” and “Lust for Life” in a 1-2-3 punch of perfect Pop. (V.F.)
Karol G performs on the Coachella Stage.
(Christina House / Los Angeles Times)
Karol G’s historic headlining set was lusty, powerful and overdue
On Sunday night, Karol G became the first Latina to headline Coachella. Along with all her pride in that achievement, she seemed a little angry at that fact too.
“It feels late,” the Colombian superstar said onstage, in a brief English-language address to the audience in a set otherwise fully in Spanish. “ It’s been 27 years of this festival going on. … Before me, there were so many great Latino artists that gave me the opportunity.”
“Latinos have been struggling in this country lately,” she continued. “We stand for them. I’m proud this brings out the best of us — unity, resilience, a strong spirit. We want everyone to feel welcome to our culture, our roots, our music, I want everyone to feel proud of where you come from.”
Karol let those lines here serve as her brief indictment of the present, jackbooted environment around immigration and repression in the United States. Making belated history by headlining Coachella would seem far removed from those concerns.
Yet as this sweeping, heady, spectacularly ambitious and relentlessly lusty set showed over its hour and half, the body is the first site of liberation. If you can’t move like you want, where you want, you’re not free. Karol G finally commanding this stage was living proof it’s possible to kick that door in. (A.B.)
Saturday Kitchen was back on screens for another episode but, before the show went live, host Matt Tebbutt suffered an unfortunate accident.
Joe Crutchley Screen Time Reporter
11:14, 11 Apr 2026
Saturday Kitchen’s Matt Tebbutt suffers painful injury just moments before going live(Image: BBC)
Matt Tebbutt has revealed he suffered a painful injury just moments before he appeared on Saturday Kitchen.
The beloved BBC show returned to screens on Saturday morning (April 11) with Matt back at the helm. Joining Matt on the programme were chefs John Chantarasak, Niklas Ekstedt and Thomasina Miers.
Chart-topping singer Jack Savoretti also made an appearance – in which viewers had to vote on whether he would have his version of food heaven or food hell. Drinks expert Helen McGinn was on hand too, to discuss some booze.
However, just minutes in and Matt revealed things took a worrying turn moments before the show went live, after he suffered a painful injury.
Talking to Helen, Matt revealed: “So I burnt my lips in rehearsal. Does it look like I’ve got fillers?” Helen replied: “It doesn’t look bad at the moment,” to which Matt shared: “I’ve got a blister there. It only hurts when I talk.”
Helen then said: “It’s going to hurt later.” Matt quipped: “Shall I not talk?” Giggling, Helen added: “I don’t know if you can get away with that!” Trying not to move his sore lips, Matt said: “Tell us about the wine,” as Helen laughed and replied: “I’ll give you a straw later.”
Matt quipped back: “I’ll dribble it all out, like you’ve been at the dentist.” Touching his sore lip Matt continued: “That’s what I feel like.”
It comes after Matt returned to Saturday Kitchen last month after spending some time in Australia. Earlier in March, audiences saw The One Show’s Alex Jones take the presenter’s chair as she was accompanied by Mike Reid, Adejoké Bakare, Bryn Williams and special guest Phil Wang.
While Matt appeared on the programme the previous week, the BBC star confirmed it was a pre-recorded episode as he posted updates from Australia with his Instagram followers.
Nevertheless, the 52-year-old presenter was back in charge once more in March as he paused to commend Alex for stepping in.
He remarked: “Before we go on with our usual nonsense, we should say how well Alex did last week. Well done, Alex Jones.”
Saturday Kitchen airs every Saturday at 10am on BBC One.
One month after US and Israel launched strikes on Iran, the conflict has escalated across the Middle East. From leadership assassinations to economic disruption, the war is reshaping the region and destabilising the global economy.
The 2026 Oscars featured surprise wins, emotional speeches and some comical moments as stars gathered for Hollywood’s biggest night.
The ceremony saw action thriller One Battle After Another win the most Oscars of the night with six wins, including best picture. But there were a number of historic moments – including Jessie Buckley becoming the first Irish star to win best actress.
And in a shock win amid tough competition from Leonardo di Caprio and Timothée Chalamet, Michael B Jordan took home the best actor prize – the sixth black actor to win in the Academy’s nearly 100-year history.
Commentary: 90 minutes, 6 gubernatorial candidates, zero big moments — but some differences that matter
Two of our esteemed gubernatorial candidates, the cowboy and the dilettante, apparently could not find ties for the first debate Wednesday night, showing up with dress shirts casually unbuttoned.
Mr. Middleground sported a scruffy sorta-beard, apparently unable to pay for a razor in the midst of California’s affordability crisis. It’s a trademark look that always makes me think if this doesn’t work out, he’ll opt to live on a boat in some not-too-expensive slip by the Bay.
The billionaire wore Nikes instead of dress shoes, a sartorial nod perhaps to his bid to be the outsider-fighter. Or maybe his feet just hurt.
The last two contenders were remarkably unremarkable.
Why start with fashion? Honestly, it might be the most interesting, and telling, bit of insight that came from this first (of three) chances for our next governor to let us know who they are and what they’re made of. If the debate showed us anything, it’s that none of these candidates are hiding follow-me charisma or an excitement-inducing political vision for our collective future.
Yes, there were a few decent jabs here and there about Tom Steyer’s money, Katie Porter’s temper, Matt Mahan’s tech ties and Chad Bianco’s far-right world view. But even those were predictable.
Still, in between the yawns, there were a couple of answers worth noting, ones that might actually give us insight into how the Democratic candidates differ (Despite all the hype, it seems increasingly unlikely that two Republicans will come out of the primary, and even more unlikely that in a Democratic vs. Republican race, the Democrat would lose in blue California.)
I’ll start with a surprising place where I agreed with Steve Hilton, the Republican endorsed by President Trump.
The candidates were asked if they would support a ban on social media for kids under age 16. This is a quickly accelerating idea not beloved by tech companies. Australia and Indonesia already have bans in place. Other countries, including France and Portugal, have them in the works. Florida banned children under 14 from opening social media accounts on their own last year.
And a Los Angeles jury last month dealt a blow to Meta and YouTube when it found the platforms had damaged the mental health of a young woman with their addictive features.
Hilton took the ban question a step further, saying it “misses the point.” He has long argued that it isn’t just social media that is the problem, but having kids staring at a digital device for hours a day instead of interacting in the real world. It was one of the most genuine answers of the night.
“We’ve got to get to the heart of the problem, and that’s the devices and the screens,” he said. “I think that every parent in their heart knows that it’s wrong.”
While Steyer and Xavier Becerra, the former California attorney general, both said they would support such a ban, the remaining three candidates hedged or said they would not. Porter said no to a ban under age 16, but said she “might consider a different ban,” without being specific.
Mahan, who is backed by significant tech money, and Bianco both said they believed requiring parental consent was the way to go (though Mahan said he would ban devices in schools).
As Becerra pointed out, “kids have died as a result of their use of social media,” so it’s a place where policy matters. And if a candidate doesn’t see government’s role in controlling the dangers of social media, what will happen with artificial intelligence?
The candidates also had differences in how they would handle homelessness and the related crisis of housing affordability, though the devil was often buried in the details.
At least for Democrats. For Bianco, the difference was stark.
“We are not dealing with homeless. So stop calling it homeless,” he snapped at the moderators. “It has nothing to do with homes. This is drug- and alcohol-induced psychosis, mental illness.”
Of course, this is wrong. Last year, the UC San Francisco Benioff Homelessness and Housing Initiative released the results of the state’s most comprehensive survey of homeless people. It found that for most people living on our streets, “the cost of housing had simply become unsustainable.” It also found an increasing percentage of those folks were older — almost half were over the age of 50 — and had become homeless after a hardship such as an illness or a job loss.
“It’s also families who are fleeing intimate partner and domestic violence,” Porter said. “It’s people who are double and tripled up. It’s people who are living in their cars on our college campuses. Homelessness comes in a lot of different forms.”
Most of the Democratic candidates seemed to understand this and embraced the increasingly popular idea of putting more money into helping people stay housed after a hardship, instead of trying to get them housed after they lose their place.
“How can I help you keep your home?” Becerra said. “Because it costs me so much more money to pick you off the streets, provide you with the assistance in the shelter, than it does to keep you in the home.”
But the issue of homelessness is also where daylight emerged between the candidates. Steyer said he and his wife had helped finance low-barrier homes, not just shelter spaces, where people do not need to be addiction-free and where they can bring pets — two issues that are common hindrances for moving folks off sidewalks voluntarily.
Mahan, the mayor of San José, who often touts his city’s success at moving people indoors, agreed that emergency and interim housing was critical, but also voiced support for forcing folks to accept help. Last year, San José passed an ordinance he backed that some say criminalizes homelessness — a person can be cited twice for refusing shelter, and a third refusal within 18 months can lead to an arrest.
“When shelter was available, we required that people come indoors,” Mahan said, adding, “We have to be able to mandate treatment.”
It’s a controversial position, but also one that is increasingly popular. Gov. Gavin Newsom has backed mandated treatment, in a lighter form, with his CARE Court (which is technically voluntarily). And the movement to require people to accept a shelter space or face arrest is growing on the right and even the Democratic-middle.
But there is a fine and dangerous line with mandated treatment and shelter requirements that is often pushed further and further to the side in favor of the clean, safe streets argument. Whenever we start locking folks up — whether it’s in mental wards or immigration detention centers or jails — we should be careful that expediency isn’t trumping ethics.
Of course, the debate would not be complete without the Democratic candidates’ position on our president, speaking of ethics.
Steyer was gleeful that Trump has come after him on social media, a point of pride that he is a relevant figure in the fight against MAGA. He also said he would abolish Immigration and Customs Enforcement if he could, which he can’t.
Becerra highlighted his many lawsuits as California’s attorney general during Trump’s first term, and pledged to keep fighting. Porter leaned into her time in Congress and her efforts to help Democrats in other races win.
Mahan took a different route, pledging to fight when necessary, but adding, “We need a partnership, and we need to find common ground with this administration on certain issues.”
Newsom learned the hard way that common ground is what Trump says it is, and shifts without warning or reason.
So what’s the takeaway from all this?
Boring dad; feisty mom; rich do-gooder; striving newcomer; MAGA one; MAGA two.
None of them hit it out of the park, but no one struck out. Maybe next time.
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‘4×20: Quick Hits’ review: Trailblazers and moments in pot history
For disputed reasons, April 20, abbreviated to 420, has become a day to celebrate marijuana; even if this is nothing you mark on your calendar, the collective culture is bound to remind you.
Weed is not what it used to be, which is to say illegal everywhere. (State laws may differ, but the federal government still disapproves.) Stoners are no longer useful as a comedy device, while pot’s countercultural meaning has dissipated as it’s been absorbed into the mainstream. According to the CDC, some 60 million American reported using it in 2022. Snoop Dogg is a beloved media figure (and, somehow, an Olympics commentator). Seth Rogen co-owns a cannabis company, Houseplant, that also sells coffee, furniture and incense. The paper you are reading has published weed-themed gift guides.
Now, Hulu, wholly owned by the Walt Disney Company, is marking the day (Monday) with “4×20: Quick Hits,” a frisky anthology comprising four 20-minute documentaries on pot-related subjects, with family-friendly figure Jimmy Kimmel as an executive producer. It’s less about the drug itself than the arts, crafts and enterprises it has inspired. Given where we are now, it’s not surprising that there’s a historical bent to the films, a look back to earlier times — certainly worse for some of the people profiled, who were targeted by and battled with the law in pursuit of their businesses and dreams — but one they regard with a kind of amused nostalgia.
All the films are affectionate, most are light-hearted and often comical. One, Todd Kapostasy’s “Bong Voyage,” about the rise and fall and rise of artisanal glassblower Jason Harris, is narrated by one of his creations and includes such dumb puns as “fine piece of glass.” Directed by Brent Hodge, “Highly Unlikely” is an entertaining, straightforward reminiscence of the making of “Harold & Kumar Go to White Castle,” though it is less about the stoner themes than how the film broke stereotypes in making two little-known Asian actors, John Cho and Kal Penn, the film’s stars. The adorable “The Legend of Ganjasaurus Rex,” directed by Alex Ross Perry, and nearly the premise for a Christopher Guest movie, recounts an act of community filmmaking in the late ‘80s in pot-growing Humboldt County, wherein locals created a monster movie in a proxy war with the authorities, and its inspirational afterlife.
More serious in tone is Kyle Thrash‘s “High Times,” which looks at the history of the pot-centric magazine, its drug smuggling founder Tom Forçade and his suicide. More compelling perhaps is his friend, Yippie co-founder and lifelong cannabis activist Dana Beal, who frames the film; we see him in the nearly present day on trial for drug trafficking, having been stopped in Idaho with 56 pounds of raw marijuana, and also on the streets of New York leafleting passersby with his daughter to “help us legalize weed worldwide.”
Whether or not cannabis itself interests you, each of these mini-docs is capable of holding your attention for 20 minutes — assuming you’re capable from your end — and, being as brief as they are, may well send you to learn more. (I don’t imagine they will send you to smoke pot if you don’t — they didn’t work on me, anyway — and, who knows, might even make one less inclined.) You might finally watch “Harold & Kumar,” or find Garberville on a map, or look to see how things are going for Beal, or discover whether the same John Holmstrom who once edited High Times is the same person who founded Punk magazine and drew covers for the Ramones’ “Rocket to Russia” and “Road to Ruin” albums. (He is.) “Ganjasaurus Rex,” in its 90-minute full length, is itself online to see, and, for those who celebrate, I don’t suppose there’s a better day to watch it.
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England women play 500th game: Landmark Lionesses moments
England’s Lionesses are no strangers to making history.
The past decade has been rich in landmark moments; a first tournament medal, a first major trophy, and a first title defence – on foreign soil to boot.
When Sarina Wiegman’s side play Iceland in Reykjavik on Saturday (17:30 BST) they will reach another milestone – the 500th fixture for England’s senior women’s team.
The game is important for securing qualification for next year’s World Cup in Brazil, with England keen to win more silverware in the famous white shirt.
But regardless of the result, the match will be etched in history as a reminder of how far the English women’s game has come.
In 1921, the Football Association (FA) banned women’s football, considering the game “most unsuitable for females”, external.
The decision consigned women’s football to park pitches and small venues for half a century before the decision was overturned in 1971.
To mark 500 not out, BBC Sport takes a look at 11 defining moments in the history of England’s women.
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A vaccine standoff and other key moments from RFK Jr.’s first congressional hearing in months
Health Secretary Robert F. Kennedy Jr. on Thursday faced federal lawmakers for the first time since September as he sought to defend a more than 12% proposed cut to his department’s budget and dodge arrows from angry Democrats along the way.
In his testimony before the House Ways and Means Committee, kicking off an expected sprint of seven budget hearings he’ll attend across congressional committees and subcommittees over the next week, Kennedy emphasized the administration’s work to reform dietary guidelines and crack down on waste, fraud and abuse.
Republicans on the committee praised Kennedy as a “breath of fresh air” and asked him to promote his department’s recent actions. Democrats, who have been furious over Kennedy’s sweeping overhaul of the U.S. Department of Health and Human Services, largely had a different agenda.
They needled Kennedy on what they viewed as the Trump administration’s hypocrisy on fraud, demanded to know why he was cutting budgets for various programs and slammed his efforts to pull back vaccine recommendations and messaging, which they said have caused unnecessary deaths.
Kennedy fired back, often raising his voice as he accused the Democrats of misrepresenting his work and past statements.
Here are three standout moments from Thursday’s hearing:
A standoff over measles
One heated exchange early in the hearing came between Kennedy and Rep. Linda Sanchez. The California Democrat decried recent measles outbreaks across the U.S. and asked Kennedy to answer for the fact that under his leadership, the Centers for Disease Control and Prevention pulled back public health messaging supporting vaccination.
“As a mother, this horrifies me,” Sanchez said. “Did President Trump approve your decision to end CDC’s pro-vaccine public messaging campaign?”
Kennedy repeatedly refused to answer, saying first he wanted to respond to the “misstatements that you’ve made” and later praising the Trump administration’s record on preventing measles, although protections against the disease have eroded in some parts of the country as vaccination rates have dropped.
“That’s not answering my question,” Sanchez said as the two talked over each other.
But Sanchez also got Kennedy, a longtime anti-vaccine activist before he entered politics, to acknowledge that a 6-year-old who died of measles last year in West Texas could have potentially been saved with vaccination.
“Do you agree with the majority of doctors that the measles vaccine could have saved that child’s life in Texas?” she asked.
“It’s possible, certainly,” Kennedy said.
RFK Jr. denies talking about Black children being ‘re-parented’
A fight erupted between Kennedy and Rep. Terri Sewell, a Democrat from Alabama, when Kennedy vehemently denied making remarks he’d said in 2024.
The comments dated back to when Kennedy was a presidential candidate. On the “High Level Conversations” podcast last July, he said, “Psychiatric drugs — which every Black kid is now just standard put on Adderall, SSRIs, benzos, which are known to induce violence, and those kids are going to have a chance to go somewhere and get re-parented to live in a community where there’ll be no cellphones, no screens, you’ll actually have to talk to people.”
“Have you ever re-parented, or parented, I should say, a Black child?” Sewell asked, as her staff held up a poster featuring an abbreviated version of the quote.
“I don’t even know what that phrase means,” Kennedy said. “I’m not going to answer something I didn’t say.”
“You’re making stuff up,” he later claimed.
A recording of the podcast shows he made the comments during a conversation about free rehabilitation facilities he was proposing opening at the time in rural areas around the country.
Health and Human Services spokesperson Emily Hilliard said Kennedy before joining the administration was referring to spaces where young people facing alienation, mental health challenges and despair could get re-parented, which she said was a psychotherapy term for “developing the emotional regulation, discipline, boundaries, and self-worth that may not have been established in childhood.”
For Kennedy and his former party, civility is the exception
Kennedy spent most of his life as a Democrat, the scion of one of the nation’s most famous political families. Both Republicans and Democrats during the hearing began their remarks by expressing their admiration of Kennedy’s relatives, among them former President John F. Kennedy.
But again and again throughout Thursday’s hearing, the fraying of bonds between Kennedy and his former party was on full display as spiteful comments were passed back and forth.
The Health secretary grew defensive and visibly agitated. He repeatedly criticized Democratic lawmakers for not giving him a word in edgewise.
“They’ve all shut me up,” Kennedy said at one point. “They give a little speech that they can go and market, you know, for fundraising, and they don’t allow me to answer the question.”
On a few rare occasions, the exchanges were civil. One representative, Gwen Moore of Wisconsin, used humor to make that happen.
“I promise to give you easy, comfortable questions if you don’t yell at me and hurt my feelings,” she told Kennedy. He promised he wouldn’t.
Swenson writes for the Associated Press.
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Coachella 2026: The 21 best moments from the fest’s 25th anniversary weekend
Coachella’s 25th anniversary was more than just a milestone in the festival’s history. It’s a year that showcased its vitality and vision for the future — and yes, it’s still a great place to take a selfie. While the amount of great music we absorbed as a staff left us a little delirious, it ensured we’d have plenty of moments to recall for a highlight reel of Weekend 1. From Radiohead’s immersive bunker experience, to Sabrina Carpenter’s triumphant return, Justin Bieber’s YouTube karaoke set and Karol G becoming the first Latina to headline the fest on Sunday night, here’s our list of the 21 most memorable moments we caught during Weekend 1.
FRIDAY
(Mark Potts / Los Angeles Times)
Radiohead’s bunker is Coachella’s version of Disney’s Tiki Room
Finally! Coachella has its own version of the Enchanted Tiki Room attraction from Disneyland — and it comes from the most unlikely of artists: British alt rockers Radiohead.
Here’s what I mean by that.
Say you’re in search of an air-conditioned place to rest your weary feet while a visual and musical spectacle plays out before you. Where do you go? If you’re a parent taking your kid to the happiest place on Earth, you go to the Enchanted Tiki Room. If you’re a desert festivalgoer in Indio, you go to the Bunker.
Tip: The ushers appeared to be letting festivalgoers into the experience throughout the runtime of the movie, so there’s a possibility you’ll be able to get in even if you didn’t land one of the scarce time slots. And seeing as how the experience was only about a quarter of the way full by the time it ended, you might be in luck. (David Viramontes)
Devo performs at the Mojave Tent during Coachella.
(Christina House / Los Angeles Times)
Devo’s new wave dance party at sunset
Look, it’s a very different Coachella than when we last saw Devo here in 2010. The Mojave Tent should have been more packed for these legends.
However, those of us who hightailed it here were treated to a set of the band’s best. Early on in the performance, the band played “Girl U Want” into “Whip It,” and during the latter, Mark Mothersbaugh tossed a handful of red “energy domes” — you know them as the Devo flowerpot hats — into the crowd.
Similar to Bini earlier, Devo had a costume change from the navy worksuits into their signature yellow Devo suits for a rousing performance of “Uncontrollable Urge.” There was even some choreography. (Vanessa Fanko)
A festivalgoer holds a Coachella sunset cocktail.
(Danielle Dorsey / Los Angeles Times)
A Coachella sunset served as a cocktail
One of the best parts of Coachella is catching the sherbet-colored sunset at the end of the day, not just because cooler temps are ahead but because of the Lisa Frank explosion of colors that bleed into the horizon as it shifts to night. That event was made all the sweeter today when I paired the actual sunset with the Coachella sunset cocktail, which layers citrus and a speared kumquat with tequila, served in a branded cup that doubles as a souvenir. (Danielle Dorsey)
The xx performs on the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
Indie minimalists the xx come back bigger, brasher than ever
The xx’s return was among the most buzzed-about sets of the festival this year, a credit to how well their catalog has stood up on its merits. At their debut, they almost singlehandedly inaugurated a shift toward hyper-intimate headphone pop — it’s hard to imagine Billie Eilish sounding quite the same without them.
Yet on Friday, they bolstered that purity with the confidence, swagger and precision of the veteran rock act they’ve become.
Dressed in their typical all-black palette, their faces carrying a little more gravity and composure with age, the set slipped between the ships-in-the-night duets of “Shelter” and “VCR” to the after-hours whomp of Romy’s “Enjoy Your Life.” “On Hold” best married the band’s two worlds, sample-soaked yet rock driven; “Angels” remained a peerless devotional ballad. (August Brown)
Katseye performs on the Sahara Stage.
(Christina House / Los Angeles Times)
Katseye performs ‘Golden’ with ‘K-Pop Demon Hunters’ at Coachella
Katseye proved no this ain’t their debut at their first Coachella performance, bringing out Ejae, Audrey Nuna and Rei Ami for a kinetic performance of “Golden” from “K-Pop Demon Hunters.” Despite the absence of Manon, the girl group packed the festival field with Eyekons packed shoulder to shoulder as far as the Do Lab. (D.V.)
Turnstile performs at the Outdoor Theatre.
(Kayla Bartkowski / Los Angeles Times)
Turnstile’s hardcore roots and tender hearts on display at Coachella
Turnstile’s set on the Outdoor Theatre on Friday night had some unexpectedly poignant moments from the Baltimore band with hardcore roots.
Before the band took the stage, there was footage of interviews with fans and also a previously recorded message from Bill Yates, the father of Turnstile singer Brendan Yates.
“We love you, Turnstile loves you and enjoy the ride,” he said.
The band played a 55-minute set split between its last two albums, 2025’s “Never Enough” and 2021’s “Glow On,” in a condensed version of the tour they brought through Southern California last fall. Highlights included “Seein’ Stars” off the latest record, where Blood Orange’s Dev Hynes joined the band on the cello before his own late night set in the Mojave Tent, “Mystery” and “Holiday” off “Glow On” and set-closer “Birds,” which won a Grammy earlier this year. (V.F.)
Sabrina Carpenter brings her hits (and Susan Sarandon?) to Coachella
“How you feeling, Sabrinawood?” Sabrina Carpenter asked as she gazed out at the tens of thousands of fans she’d gathered into a makeshift city Friday night. “I can’t believe I’m headlining Coachella.
“I mean, I can a little bit.”
Indeed, when Carpenter made her Coachella debut in 2024, the Disney kid turned pop icon vowed that the next time she played the desert festival, her name would be atop the bill.
She returned as promised this weekend as one of music’s biggest acts, with two No. 1 singles and a pair of Grammy-nominated albums under her belt and a story to tell about her rise to stardom. (Mikael Wood)
SATURDAY
Jack White draws a crowd at the Mojave Tent.
(Christina House / Los Angeles Times)
Jack White kicks off Coachella’s rock-tastic Day 2
I thought Jack White’s opening riffs were a beacon. Then he ended his surprise Mojave Tent set with the White Stripes’ “Seven Nation Army.”
It will not surprise you that the tent, which attracted an overflow crowd once he played the iconic riff, had people singing along and jumping and pumping their arms in the air to the track that has become a sporting event staple (including for my beloved Baltimore Ravens).
What did surprise me was that the crowd was also ridiculously loud for a sing-along to the Raconteurs’ “Steady As She Goes” a few songs before.
White ended the set by telling the crowd that he was planning to catch Geese and the Strokes that day and that music is sacred.
Rock is indeed alive and well at Coachella, especially as the fans kept singing “Seven Nation Army” after White and his band had left the stage and the set was over. (V.F.)
A visit to Coachella’s coolest rock club, literally, to catch Ecca Vandal
I know my phone says it isn’t as hot as it was Friday but maybe it was rocking out with Jack White that made us all a little more sweaty.
I booked it over to the Sonora Tent to catch a little bit of Ecca Vandal to confirm that the Sonora Tent still has the vibes of a cool rock club in the middle of the festival. I mean cool both figuratively and literally since the AC is always blasting.
The blue-haired singer leaped onto the stage — wearing a short poofy dress and tall boots — accompanied by a drummer and a multi-instrumentalist with a lot of flashing lights.
The beginning of her set was leaning on more of her pop crossover songs than the punk vibes that initially drew me to her, but I did catch her do the rocking “Bleed But Never Die” before I needed to move on to catch another set. (V.F.)
The Goodyear blimp flies over the Coachella Valley Music and Arts Festival on Saturday.
(Kayla Bartkowski / Los Angeles Times)
We sent our reporter to see what Coachella looks like from the Goodyear Blimp
The ride on the Goodyear Blimp over the Coachella grounds was gentler than I’d anticipated — kind of like a boat ride in a harbor. We took off from a giant dirt field at the Jacqueline Cochran Regional Airport in Thermal, Calif., and tooled around for 30 minutes or so; when we got over Coachella, we could see a few hundred Beliebers camped out as close to the main stage as they could get — nine or 10 hours before Bieber’s performance was scheduled to begin.
They looked so little down there — so small in size, so big in Beliebf. (M.W.)
Giveon performs at Coachella on April 16, 2022.
(Dania Maxwell / Los Angeles Times)
Giveon bottles the magic hour
Long Beach’s R&B savant Giveon kept his Coachella stage to a monochrome motif during his sundown set. Black suit, white lights — he didn’t need anything more to bottle the magic hour on Saturday.
An old soul with with a huge, commanding voice, his catalog hovers between the orchestral swoon of pre-rock ballads, the pristine melodies of Anita Baker and the rangy, resilient yearning of his hometown’s soul tradition. Kendrick Lamar and SZA may have formally kicked off the Luther Vandross revival, but Giveon has inherited it, especially on his latest 2025 LP “Beloved.”
Backed by a big, throwback live band, “Lost Me” beautifully papered over a failed relationship with an uncertain young bravado; “Backup Plan” gave his one-of-kind baritone room to roam and plead. He brought out Kehlani for “Folded,” another perfectly regal ballad that revels in a small aperture. But by the time he got to “Heartbreak Anniversary,” his suit was coming off and the mood was positively lusty.
Giveon should be counted among the great SoCal voices, and his Saturday show proved his ambitions for it have no ceiling. (A.B.)
Sombr performs at Coachella on Saturday.
(Kayla Bartkowski / Los Angeles Times)
Sombr’s star burns brighter when he brought out Billy Corgan
Sombr’s performance happened on a day when Coachella had a notable number of rockers — Jack White kicked things off in the Mojave Tent in a set announced earlier this week and there was much excitement for the Strokes on the Coachella stage Saturday night before headliner Justin Bieber.
But one of the moments that simultaneously proved that rock never died and that it’s on the rise was when Sombr brought out a special guest, who Boose said was making his first visit to the festival. Billy Corgan of Smashing Pumpkins came out to join in on a cover of his band’s mid-’90s alt-rock hit “1979,” which was more recently trending audio on TikTok and Instagram. (V.F.)
David Byrne performs at the Outdoor Theatre at Coachella.
(Christina House / Los Angeles Times)
David Byrne and the art of performance as an experience
More than an hour before Justin Bieber decided to have a YouTube karaoke party to headline Coachella, David Byrne closed out the Outdoor Theatre on Saturday night in stark relief.
Byrne’s set started 25 minutes late and he arrived on stage wearing an orange jumpsuit and holding an acoustic guitar. He was soon followed by a dozen or so instrumentalists and backing singers in matching garb for “Everybody Laughs,” a track off his 2025 album “Who Is the Sky?” (V.F.)
Nine Inch Noize performs at the Sahara Stage.
(Christina House / Los Angeles Times)
Nine Inch Noize revamps industrial rock for a ghoulish rave
Performing in a cutout in the middle of a huge elevated ramp, Reznor, his Nails bandmate Atticus Ross and Boys Noize hovered atop a dense rack of synths and samplers. They built on the ethos of their arena show, stripping the NIN catalog — including “Closer,” “Heresy,” “The Warning” and “Copy of A” — for parts, and then rebuilding the songs for this strobe-licked club setting.
One surprise for Coachella fans driving out was a billboard announcing Nine Inch Noize had a whole album of collaborative material en route, and the segments they played revealed how crucial Boys Noize is to this new setup. His bone-snapping breakdowns and vicious, detuned clangs wouldn’t be possible without Reznor’s ‘90s industrial vision, but here he returned the favor to ensure this combo translated on a dedicated rave stage. (A.B.)
The Strokes perform at the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
It’s kind of a joke that the Strokes are still this good
Ninety minutes or so later, JB was indeed due to take over the space. But while Casablancas and his bandmates had control of it, it was theirs: This was an almost laughably strong showing by a band of rascally garage-rock veterans who somehow might sound better now — tighter, punchier, more effortlessly tuneful — than they did a quarter-century ago.
With an upcoming album to hype, the Strokes did their new single “Going Shopping,” a characteristically droll critique of late-capitalist apathy. (“Solidarity can be difficult when you got cool stuff to lose,” Casablancas sings.) But for the most part they stuck to the indelible hits, each as ingeniously structured — and as bitterly romantic — as the last: “Hard to Explain,” “Someday,” “Last Nite,” “New York City Cops.”
“You guys excited about the draft?” Casablancas asked at one point. “I hope to lead one of the Coachella units — the sexiest unit in our proud military.” (M.W.)
Justin Bieber performs at the Coachella Stage.
(Kevin Mazur / Getty Images)
Justin Bieber (and his laptop) headlining Coachella Night 2
This is how we found out Justin Bieber is a YouTube Premium subscriber.
The 32-year-old teen-pop survivor headlined Coachella on Saturday night, and for roughly half an hour in the middle of his set, what Bieber did was sit behind a laptop and sing along to his old music videos — often an octave down from where he recorded them — as he searched up the songs on YouTube and played them over the festival’s state-of-the-art sound system.
YouTube Premium, that is, given that he (and we) faced no ads during the performance. (M.W.)
SUNDAY
Clockwise from top left, Los Angeles Times staffers David Viramontes, Kayla Bartkowski, Rebecca Castillo, Danielle Dorsey, Mark Potts, Kailyn Brown and Christina House gather inside the Party in My Living Room activation at Coachella.
(Courtesy of Kailyn Brown)
Times staffer takes the stage at Coachella
For most artists, landing a gig at the most prestigious music festival happens at the zenith of their career. For reporter Kailyn Brown, playing Coachella is a side gig. But after seeing her set at the festival, at least one reporter anticipates that, sooner or later, being a Times journalist might become the real side gig.
On Sunday afternoon, Brown, a.k.a. KailynHype, played a DJ set at Party in my Living Room. The activation is a collab with GV Black, “a commitment and opportunity for Black, Indigenous, and People of Color (BIPOC) to be seen at the festival,” according to the Coachella website. “We actively promote diversity to change the narrative of what it means to be at Coachella.” (D.V.)
Wet Leg performs on the Coachella Stage.
(Kayla Bartkowski / Los Angeles Times)
Rock still isn’t dead at Coachella: Wet Leg edition
Even without rock headliners at Coachella, the genre is alive and thriving with a new generation. This afternoon’s evidence? A blistering set from British rockers Wet Leg.
Opening with “Catch These Fists,” the set seemed to wake up Coachella’s typically sleepy Sunday with a jolt of rock. Other early highlights included “Wet Dream” and “Liquidize.” (V.F.)
Less Than Jake performs at Coachella’s Heineken House on Sunday.
(Vanessa Franko / Los Angeles Times)
Less Than Jake transports us from Coachella to the Warped Tour
Less Than Jake at the Heineken House was definitely one of the most unexpected moments in my years of covering the festival — especially considering that Sean Paul had the venue, an open-air beer hangout that includes a modest stage without a metal barricade near the Indio Central Market, so overflowing Saturday night that the Coachella app sent an alert to people that it was at capacity.
But for us Xennials and millennials in the crowd who remember the OG Warped Tour, the ska punk band’s set was a fun break from the more traditional Coachella fare.
Singer and guitarist Chris DeMakes made some jokes about how out of place the band was compared to the likes of Saturday night headliner Justin Bieber, but even on a small stage, Less Than Jake brought out its production tricks of toilet paper guns, inflatable dancing wind socks and a gaggle of balloons. (V.F.)
Iggy Pop performs at the Mojave Tent.
(Christina House / Los Angeles Times)
At 78, Iggy Pop still has a lust for life
I was worried that Iggy Pop would have suffered the fate of Devo and David Byrne on Friday and Saturday, respectively, of not having nearly enough fans watching these legends. I shouldn’t have.
On Sunday evening, a respectable crowd showed up in the Mojave Tent to pay their respects to the Godfather of Punk, who first played Coachella in a reunion with the Stooges in 2003.
Not only did Pop have a full band that included the Yeah Yeah Yeahs’ Nick Zinner on guitar, but and also a full horn section.
The set kicked off with “T.V. Eye” before “Raw Power” (a song I never knew could be so enhanced by the aforementioned horn section), but the early highlights also included “Gimme Danger,” “The Passenger” and “Lust for Life” in a 1-2-3 punch of perfect Pop. (V.F.)
Karol G performs on the Coachella Stage.
(Christina House / Los Angeles Times)
Karol G’s historic headlining set was lusty, powerful and overdue
On Sunday night, Karol G became the first Latina to headline Coachella. Along with all her pride in that achievement, she seemed a little angry at that fact too.
“It feels late,” the Colombian superstar said onstage, in a brief English-language address to the audience in a set otherwise fully in Spanish. “ It’s been 27 years of this festival going on. … Before me, there were so many great Latino artists that gave me the opportunity.”
“Latinos have been struggling in this country lately,” she continued. “We stand for them. I’m proud this brings out the best of us — unity, resilience, a strong spirit. We want everyone to feel welcome to our culture, our roots, our music, I want everyone to feel proud of where you come from.”
Karol let those lines here serve as her brief indictment of the present, jackbooted environment around immigration and repression in the United States. Making belated history by headlining Coachella would seem far removed from those concerns.
Yet as this sweeping, heady, spectacularly ambitious and relentlessly lusty set showed over its hour and half, the body is the first site of liberation. If you can’t move like you want, where you want, you’re not free. Karol G finally commanding this stage was living proof it’s possible to kick that door in. (A.B.)
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Saturday Kitchen’s Matt Tebbutt suffers painful injury just moments before going live
Saturday Kitchen was back on screens for another episode but, before the show went live, host Matt Tebbutt suffered an unfortunate accident.
Joe Crutchley Screen Time Reporter
11:14, 11 Apr 2026
Saturday Kitchen’s Matt Tebbutt suffers painful injury just moments before going live(Image: BBC)
Matt Tebbutt has revealed he suffered a painful injury just moments before he appeared on Saturday Kitchen.
The beloved BBC show returned to screens on Saturday morning (April 11) with Matt back at the helm. Joining Matt on the programme were chefs John Chantarasak, Niklas Ekstedt and Thomasina Miers.
Chart-topping singer Jack Savoretti also made an appearance – in which viewers had to vote on whether he would have his version of food heaven or food hell. Drinks expert Helen McGinn was on hand too, to discuss some booze.
However, just minutes in and Matt revealed things took a worrying turn moments before the show went live, after he suffered a painful injury.
Talking to Helen, Matt revealed: “So I burnt my lips in rehearsal. Does it look like I’ve got fillers?” Helen replied: “It doesn’t look bad at the moment,” to which Matt shared: “I’ve got a blister there. It only hurts when I talk.”
Helen then said: “It’s going to hurt later.” Matt quipped: “Shall I not talk?” Giggling, Helen added: “I don’t know if you can get away with that!” Trying not to move his sore lips, Matt said: “Tell us about the wine,” as Helen laughed and replied: “I’ll give you a straw later.”
Matt quipped back: “I’ll dribble it all out, like you’ve been at the dentist.” Touching his sore lip Matt continued: “That’s what I feel like.”
It comes after Matt returned to Saturday Kitchen last month after spending some time in Australia. Earlier in March, audiences saw The One Show’s Alex Jones take the presenter’s chair as she was accompanied by Mike Reid, Adejoké Bakare, Bryn Williams and special guest Phil Wang.
While Matt appeared on the programme the previous week, the BBC star confirmed it was a pre-recorded episode as he posted updates from Australia with his Instagram followers.
Nevertheless, the 52-year-old presenter was back in charge once more in March as he paused to commend Alex for stepping in.
He remarked: “Before we go on with our usual nonsense, we should say how well Alex did last week. Well done, Alex Jones.”
Saturday Kitchen airs every Saturday at 10am on BBC One.
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Key moments in first month of US-Israeli war on Iran | Newsfeed
One month after US and Israel launched strikes on Iran, the conflict has escalated across the Middle East. From leadership assassinations to economic disruption, the war is reshaping the region and destabilising the global economy.
Published On 28 Mar 202628 Mar 2026
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Watch the top moments from the 2026 Oscars
The 2026 Oscars featured surprise wins, emotional speeches and some comical moments as stars gathered for Hollywood’s biggest night.
The ceremony saw action thriller One Battle After Another win the most Oscars of the night with six wins, including best picture. But there were a number of historic moments – including Jessie Buckley becoming the first Irish star to win best actress.
And in a shock win amid tough competition from Leonardo di Caprio and Timothée Chalamet, Michael B Jordan took home the best actor prize – the sixth black actor to win in the Academy’s nearly 100-year history.
Follow the BBC’s ongoing coverage of the Oscars here.
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