moments

Tribute specials are always a bit macabre. They exist, and are sometimes quickly thrown together, to honor and celebrate an artist who impacted so many. They are also ratings and advertising cash grabs that air on major TV and streaming platforms.

“CMA Presents I Will Always Love You: A Celebration of Dolly Parton,” which aired Wednesday on ABC and Disney+, was a lovely tribute to the music and cultural icon who died from cancer in August. It also was a missed opportunity. As music superstar Vince Gill said toward the end of the two-hour program, “this is not a memorial; but a celebration of an undeniable force of nature. Dolly was somebody that everyone loved: City, country, young, old.”

But most likely because the event was put on by the Country Music Assn. — which naturally wanted to showcase its own talent — it lacked a chance to really celebrate that she and her music could not be contained by one genre.

This isn’t just ironic because Parton’s most-known song — a song that was both the title of the special and the end performance of it — was made all the more famous by Whitney Houston, another iconic performer and also one who happens to have been a woman a color and who did not have any other direct ties to the Nashville scene. Dolly herself, famously, appreciated so many other kinds of music. After her passing, Eminem shared on social media a letter she’d written to him to congratulate him on his 2022 induction to the Rock & Roll Hall of Fame.

“She definitely didn’t have to take the time to do it,” he said as part of the post. “Even for a kid who mostly listened to rap music, she was an icon. A superstar in every sense.”

That said, from Reba McEntire opening the show with stories of just how kind her friend was in real life to a pre-recorded tribute from Bono where his Irish accent briefly attempts to slip into a Southern one while emulating her conversations with him, there were some touching and memorable moments. We’ve rounded up five of them here:

Reba McEntire, “He’s Alive”

Technically, the song is meant to be the apostle Peter singing about Jesus Christ’s resurrection. But McEntire’s take on Parton’s take of the Don Francisco gospel brought in the very modern-day sense of fear that so many parents and partners feel when their loved ones go out to dangerous jobs or even just leave the house for school or concerts.

Carrie Underwood, “I Will Always Love You”

There’s no denying that this is a perfect song and that Underwood is a once-in-a-lifetime voice. And credit must be due to Underwood for pulling off an undertaking where any little slip would be pounced on by critics. But staging her to stand in front of one of the many animatronic butterflies that lined the stage in such a way that it looked like she had angel wings was … a choice.

Carly Pearce and Kristin Chenoweth, “9 to 5”

Both of these women, especially Tony winner Chenoweth, are masters of stage presence. Their banter with each other before singing, not to mention their duet itself, embraced the liveliness and feminine feminist-ness of that song.

Ella Langley, “Jolene”

This was not the most powerful performance of the night, as Langley seemed happier to dance on the stage than belt out the music. And it didn’t boil with the grief and seething rage of a scorned woman the way that Beyonce’s 2024 cover did. But it was nice to see a symbolic baton be passed to the “Choosin’ Texas” singer.

Zac Brown, “Butterfly”

Brown’s backstory of writing, and then recording, what would become his 2025 duet with Parton came off as sweet and genuine. It also helped it not feel awkward or gratuitous when he and the producers opted not to recast the Parton half of the song and instead let her voice carry through the speakers.

Centre-back Liam Scales had by far the most touches of any Celtic player with 121, well ahead of left-back Kieran Tierney (79) and goalkeeper Sam Johnstone (69).

Goalscorer Baur admitted they did not do enough to win and was at a loss when asked what needs to change. “How we played second half, last 30 minutes, we deserved it in the end,” Baur said.

When asked if he knew why his team collapsed in such a manner, he responded: “I cannot tell you, sorry.

“It can happen that you get a goal, they can score too, good team – you should then get control back, hold the ball a bit longer to take the momentum away from them. You should break that.”

Celtic did not get control back, did not break Celta’s momentum and ultimately paid the price.

“I don’t think Celtic are good enough, individually and collectively, to take on a team that’s eighth in La Liga,” former Celtic goalkeeper Pat Bonner said on Sportsound.

“They moved the ball really well and Celtic couldn’t get close to them.

“They are not good enough at this level. Celtic are paying big money for some players because the fans are demanding it and then they come in and aren’t good enough.”

Their next European outing comes on 5 November as they host Besiktas, trying to reverse their continental woes. Whether they can or not is another matter.