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EAST RUTHERFORD, N.J. — This summer’s World Cup will be remembered for a lot of things.

It was the first to be played in three countries, the first with 48 teams and the overall attendance nearly doubled the previous record. Norway’s Erling Haaland and Cape Verde’s Vozinha were captivating while Egypt and Canada both won World Cup games for the first time, advancing to the Round of 16.

And Spain, glorious Spain, gave up just one goal in eight games to dethrone the reigning champions and become the first nation in history to own both the men’s and women’s World Cup titles at the same time.

But the tournament will also be remembered for a classless and churlish Argentina, which forever stained itself with a thuggish performance in the game and an ungracious one afterward.

If La Albiceleste had simply kept its composure it would have secured a place next to Brazil and Germany, the only other countries to reach three finals in four World Cups, as one of the greatest teams of all time. Instead, some of its players turned the postgame handshakes into a brawl, with Argentine midfielder Leandro Paredes drawing a red card for grabbing Spain’s Eric Garcia by the throat and shoving him to the turf.

It was believed to be the only red card ever handed out after a World Cup final, and the ignominy it brought was well-deserved. But the childishness was just beginning. When Spain assembled on the podium to accept the World Cup trophy, which had been Argentina’s moments earlier, the South Americans turned their backs.

More than an hour later Lionel Messi, who has cemented his stature as the greatest player in World Cup history, soiled that status by leading the players out of the locker room and through a back exit to the team bus, avoiding the media many had been so eager to speak with during the team’s unbeaten run to the final.

Argentina’s Nahuel Molina, top, reacts after Spain won the World Cup final between Spain and Argentina in East Rutherford, N.J.

(Pamela Smith / Associated Press)

It was an attack on class and decorum as well as violation of FIFA rules, which require players to leave the stadium through a “mixed zone” accessible to media. They are not required to stop or speak, but certainly someone owed some accountability to the tens of thousands of fans in Argentine jerseys who packed Times Square and MetLife Stadium over the weekend and the millions in Argentine who filled plazas and town squares to watch the team play.

“We’ve been great in victory and we need to be great in defeat,” Argentine coach Lionel Scaloni said moments after Paredes was booked for assault. “We have shown today that we know how to lose, too. We lost the game and we accept that.”

Scaloni, who did address the media, later broke down in tears.

“I already cried all the tears I had in the dressing room,” he said in Spanish.

Scaloni, 48, may be out of a job when his contract expires in December, but his message for the fans was don’t cry for me, Argentina.

“It is hard to ask people to enjoy this equally. It is very hard to convince people that this is a triumph,” said Scaloni, who has lost just twice in 15 World Cup games.

“When you win, not everything is good. When you lose, not everything is bad.”

But while Argentina was being petty and petulant, Spain was practically perfect in every way. Not only did it concede just one goal in the tournament, it held Argentina without a shot into extra time Sunday — the first time that’s ever happened in a World Cup final — and ran its unbeaten streak to a record 38 games overall.

The win, which came on substitute Ferran Torres’ goal moments into the second extra-time period — and less than 20 minutes after Argentina was reduced to 10 men when Enzo Fernández was given a second yellow card for a foolish tackle — not only made Spain the first country to be the men’s and women’s world champion at the same time, it also made it the first to be the men’s world, European and Olympic champion at the same time.

No country in history has dominated the sport as Spain is dominating it now. And since Spain is the second-youngest team to win the World Cup in 56 years, La Roja could be on top for some time.

“After the match, some of the players who have been with us the longest asked me ‘coach, what is left for us win? We’ve won everything,’” said Spain’s manager Luis de la Fuente. “I told them, well the next match in September.”

That’s a UEFA Nations League match with England, which finished third in this World Cup. A little further down the road is the 2030 World Cup, which Spain will co-host, making it the first country in history to defend its title at home.

“When you arrive at a moment like today and think about the journey we’ve taken, you realize the importance of that process,” said De la Fuente, a former youth national team coach who managed many of the players on the World Cup team — among them Dani Olmo, Mikel Merino, Mikel Oyarzabal, Unai Simón, the tournament’s top goalkeeper, and Rodri, tournament’s top player — to U-19 and U-21 European titles.

“We certainly wouldn’t be here today — we wouldn’t have achieved anything — without the journey we’ve shared with these players,” the coach continued. “We have that raw material, those wonderful Spanish footballers. And they way they compete, that is what brought us here.

“That goes back many years.”

De la Fuente, soft-spoken and professorial, is also scrupulously polite, an example many of his players follow. And while it is undoubtedly easier to display grace and dignity in victory than it is in defeat, the difference in the way Argentina and Spain exited the World Cup was far greater than the gap that separated them on the scoreboard, something De la Fuente unwittingly highlighted in speaking about his team late Sunday.

“It seems people were surprised that, alongside talent and brilliance, good people can also play the game,” he said. “This proves that it is possible; that good, supportive, generous people with strong values can form a genuine team.

“We played against the best national teams in the world, yet we were the best team. We demonstrated that a team built on good people — supportive people, people who hold values and principles that prioritize the common good over individual interests. Traveling with people like that makes for a better, safer journey.”

In Spain’s case, it also makes a World Cup champion.

Staff writers Eduard Cauich and Jad El Reda contributed to this story.

Former Mayor of Greater Manchester Andy Burnham gave his first speech as prime minister outside No 10 today, after he replaced Sir Keir Starmer as leader of the Labour party.

In his speech he promised to give the public “more breathing room”, and said he would set out a new 10-year plan for Britain by the end of this year.

He also announced that his first instruction as prime minister would be to end rough sleeping, which was met with cheers from his supporters who’d gathered outside Downing Street.

His predecessor Starmer gave a farewell speech in the same spot this morning, before formally offering his resignation to the King.

More on this story.

EAST RUTHERFORD, N.J. — The list of men who have won a World Cup final is less than 500 names long, making it among the most exclusive in sports.

Jurgen Klinsmann’s name is on that list. And if he had known what a special club he would join when he stepped on the pitch for the 1990 final, he might have taken more time to enjoy it.

“How big that actually was, you only realize when when you start traveling the world and you get basically approached everywhere in the world about those moments,” Klinsmann said Friday. “It’s pretty crazy.”

Several new names will be added to that list Sunday, when Spain and Argentina meet at MetLife Stadium to decide the winner of the largest, most complex World Cup in history. A record 48 teams started the tournament 39 days and 103 games ago. Now just two remain: Spain, the reigning European champion, a team that hasn’t lost in 37 games and 27 months, and top-ranked Argentina, the reigning World Cup champion seeking to become the first team to repeat in 64 years.

Argentina leads the tournament in goals with 19, 12 of them coming in the 75th minute or later. In all four of Argentina’s wins in the knockout stages, the go-ahead goal came in stoppage time or extra time. Its captain, Lionel Messi, finished the semifinals leading the tournament with contributions on 12 goals — eight goals and four assists. He‘s also the all-time World Cup leader in goals, assists and games played and seems a shoo-in for a third Golden Ball, which goes to the tournament’s best player. No one else has won that award more than once.

But if Argentina is the unstoppable force, Spain is the immovable object. It has given up just one goal in the tournament with its goalie, Unai Simón, pitching shutouts in seven of his last eight World Cup games, dating to 2022. Slowing Messi won’t be up to Simón alone, however. Midfielder Rodri, Spain’s captain and the 2024 Ballon d’Or winner as the best player in the world, is the team’s defensive anchor. He said the best way to try to control Messi is to keep him out of the box — although Messi’s two decisive assists in Argentina’s semifinal comeback against England came from outside the penalty area.

And while Klinsmann’s one-and-done experience in a World Cup final is typical of most players, Messi, 39, is the exception: When the whistle blows Sunday, he’ll become just the second player, after Brazil’s Cafu, to play in three World Cup finals. When he made his World Cup debut in 2006, two starters on Spain’s team — center back Pau Cubarsí and winger Lamine Yamal — had yet to be born.

East Rutherford was hit with heavy thunderstorms Saturday, which helped knock down the hazardous smoke from Canadian wildfires that had blanketed the tri-state area for days. The poor air quality, which is dangerous for both players and fans, led FIFA and the White House to hold informal discussions over moving the World Cup final.

So while the air won’t be clear Sunday, the greatest risk appears to have passed and the threat of rain or lightning interrupting the game has also decreased, with the forecast calling for temperatures in the mid- 80s and 55% humidity at kickoff.

President Trump is expected to attend the game, after which he will present the World Cup trophy to the victor. And Klinsmann’s advice to the players who will walk across that stage to get their winners’ medals is to savor every moment because they might not come again.

Jurgen Klinsmann, a World Cup champion with West Germany and the former U.S. men’s national team coach, understands players often forget to savor the moment of playing in soccer’s biggest game.

(Julio Cortez / Associated Press)

“Take it all in to and really enjoy every second of it,” he said. “Make it special. Don’t miss out on anything.”

Klinsmann was 25 and less than three years into his international career when he helped West Germany win the World Cup in 1990. So naturally he figured there would be more to come.

“I said, ‘Well, if this is so cool to win a title, then I want to win more titles,” he said. “The magnitude of it, I did not understand.”

In two more tournaments as a player, he never got past the quarterfinals and in two World Cups as a manager he made the semifinals once. Never again would he hold the most cherished trophy in sports, though his 11 World Cup goals are tied for ninth all-time, tied with Cristiano Ronaldo and one behind Pelé.

Mario Gotze scored only two goals in his World Cup career but the last one will never be forgotten. In the 88th minute of the 2014 final against Argentina, just before sending Gotze on as a sub, German manager Joachim Löw called Gotze over and said, “Show the world you are better than Messi and can decide the World Cup.”

With seven minutes left in extra time he did just that, chesting down a cross, then lobbing a volley into the net for the game’s only score, giving Germany its first title since Klinsmann’s team in 1990. It was a moment Gotze, then 22, had long dreamed of and one he had rehearsed as a kid.

Spain goalkeeper Unai Simon, shaking hands with France’s Kylian Mbappe after the World Cup semifinal, has given up only one goal in the tournament.

(Julio Cortez / Associated Press)

Yet it was also one he was not prepared for.

“That was a dream come true. But you can’t prepare for these kind of moments,” he said. “I get reminded about that goal and even speaking nowadays with people in Germany, and they say, ‘I still remember where I [was] in that moment.’ That’s very special. You have that connection to a lot of different people. I’m very happy about that.

“When I look back now, OK, I was there. I played 30 minutes of football in a World Cup final and I scored one goal. That impact is huge and to even be in that moment is rare.”

So rare Gotze never held the World Cup trophy again either. As a result he, like Klinsmann, would urge the players in Sunday’s game to drink in the memories, because win or lose, if your name isn’t Messi the odds are great you’ll never be back.

“You can’t describe the feelings because everything happens so fast,” he said. “You’re in the zone, you do a lot of things out of instinct, especially on the pitch. And then, at least with me, I had that relief after the final whistle.

“You get to understand over the years how special that moment was. Because in the end you only can play every four years. And then to be in the final and score a goal? That, of course, was very special.”

KATIE Price’s good friend and podcaster pal Lewis Nicholls shares sweet moment with her son Harvey on social media.

It follows husband Lee’s latest lock up in Dubai, whom Katie, 48, married in January just days after meeting him.

Lewis took to his Instagram to post a heartwarming video of him and Harvey, 24, in his apartment.

Harvey is filmed giving Lewis a flower as a gift as the two share a sweet moment.

As Lewis filmed the gesture, he said: “Best gift ever. Harvey, what did you give me? 

Harvey replied: “A flower.”

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“You got me a flower. It says to Lewis, you look handsome Lewis. Love from Harvey Daniel Price. Thank you so much,” he added.

The video then ends with Harvey sweetly kissing Lewis and saying “Love you”.

He captioned the post: “Harvey just melts my heart. Came back to the apartment and had this gift waiting for me (heart emoji)”

Lewis is close with the family and most recently went on holiday with Katie to Cornwall.

The pair snapped themselves whilst away, dressed in matching harnesses and helmets with Go Pro cameras attached to them. 

“What have we just done,” Lewis captioned the photo of them with an eye emoji.

Katie reshared the image on her Instagram Story and wrote: “Such a fun day with friends in Cornwall.”

She also hung out with Lewis’ parents at a pub, with Lewis sharing photos of them having dinner and cocktails. 

The pair grew close when Lewis hosted Katie and Kerry Katona’s tour around the UK, An Evening With Katie Price & Kerry Katona.

“Katie – well, what can I say, the most random, funniest and loyal person I have met and we have had lots of laughs from our daily shopping trips, sunbeds and car singalongs,” Lewis wrote alongside photos of them on tour in November.

Speaking of his relationship with Harvey, Lewis said: “Also spending a week with Harvey was the best and to see how much of an amazing mum she is and their bond is just the best, he loved my voice-over.” 

It comes several days after Lee was put into prison once again in Dubai.

The controversial businessman was arrested for unpaid debts.

Many of Lee’s victims have told The Sun he took thousands of pounds from them in supposed investment schemes only to be left high and dry.

Lee has already boasted he’s raised the cash to get out of Al-Awir prison and is expected to be a free man by the end of the week, The Sun exclusively revealed.

In another fresh blow it was then revealed, that Conman Lee Andrews’ father joined him in prison earlier this week, after being reported to officials by a third party. 

Father and son are understood to have seen one another inside the jail, with both believed to be facing allegations of fraud.

Lee is currently trying to raise funds to pay off his debts and be released, from where he faces extradition. He hopes to return to the UK, to be with his wife.

Sources say a patient Katie has finally snapped – and is now “at the end of her tether” with friends urging her to leave Lee once and for all.

This article contains many spoilers for “Heartstopper Forever.”

In the early minutes of “Heartstopper Forever” — the feature film finale of Netflix’s hit teen romantic dramedy series — Charlie Spring (Joe Locke) notices a crooked photo strip on his boyfriend Nick Nelson’s (Kit Connor) bedroom wall. Gently pulling down the pictures, taken on the beach day they made their relationship official, Charlie smiles wistfully at their younger selves: “We look like babies.”

It’s a line that applies to the characters as much as it does to Locke and Connor. Four years after being catapulted into global stardom, the pair are bidding a bittersweet farewell to the roles that have defined their own coming of age.

“Season 1 does feel like an immensely long time ago that I do look back and think, ‘Yeah, we do look like babies,’” Connor says, with Locke nodding in agreement next to him on a recent video call from London. “‘Heartstopper’ itself was this tiny little show that was clearly something quite special to us, but we didn’t really think or know anyone was going to watch. And, suddenly, it became this thing that was immensely important to a lot of people.”

Adapted by Alice Oseman from her own bestselling graphic novels, which originated as a webcomic in 2016, “Heartstopper” chronicles the endearing love story between high-strung, gay overthinker Charlie and kind-hearted, bisexual rugby player Nick at an all-boys’ school in England.

Nick (Kit Connor) and Charlie (Joe Locke) in a scene from Season 1 of “Heartstopper.”

(Netflix)

Upon its debut in 2022, the show was lauded for its unabashedly joyful, tender portrayal of queer youth — a refreshing departure from the trauma-heavy narratives that dominate other teen dramas. Even as “Heartstopper” ventured into darker thematic territory, such as Charlie’s history of eating disorders and struggles with self-harm, Oseman’s writing never lost its deft, light touch.

From the outset, Oseman knew she wanted to end “Heartstopper” with Nick going off to university in Leeds and Charlie, who is a year younger, finding independence as head boy at school. But with her cast growing increasingly more in demand every year, the author-turned-screenwriter says it would have been logistically difficult to make a fourth and final season.

After Netflix greenlit a two-hour finale instead, Oseman elected to zero in on her protagonists — not unlike her comics — rather than give each character their own, heavily condensed arc. “I think that was definitely the right decision, because we really get to spend a lot of time with Nick and Charlie and not feel like we’re missing anything,” she says.

Directed by Wash Westmoreland (“Colette,” “Still Alice”), “Forever” finds the first loves grappling with the reality of an impending long-distance relationship, leading to a rash breakup and, ultimately, an emotional reconciliation. In a surprising role reversal, as Charlie confidently steps into a leadership role as an advocate for other LGBTQ+ students, Nick is left to discover his own identity and self-worth outside of being the protective, supportive boyfriend.

On the set of “Heartstopper Forever” as Connor and Locke film a scene from the movie.

(Samuel Dore / Netflix)

Connor, who also executive produced the film with Locke, felt Charlie and Nick’s romance would be better wrapped up in a feature-length format. “There were a few very important and crucial, but short and intense [plot points] — the breakup and the time apart, and the eventual makeup and the two of them discovering who they are without one another,” he explains. “Doing it in a shorter period, I thought, would make those things hit that much harder and feel that much more visceral.”

Unlike previous seasons in which she could rely on her existing comics as storyboards for the show, Oseman was working simultaneously last year on the sixth and final volume of the “Heartstopper” comics, released earlier this month, and the “Forever” screenplay.

Juggling the same story in two different formats turned out to benefit each end product. “When I finished writing the first draft of the script, it actually made me do a really big rewrite of the comic, because it helped me see which moments were really important and which moments didn’t need to be there,” she says. (One of the pivotal scenes was the Pride parade, filmed on the last morning of production.)

As first-time producers, Locke and Connor also provided script notes that directly influenced the story. For instance, “there was no scene between Charlie and Mr. Ajayi in the original script,” says Locke, referring to the gay art teacher, played by Fisayo Akinade, whose classroom became Charlie’s safe haven from bullying before he befriended Nick. “I was like, ‘That scene in Season 1 with them is so pivotal to the story. It would be really lovely to have just a little moment for them in the film that circles on that chapter of their relationship.’ And straight away, Alice was like, ‘Yeah, great idea. Let’s do this.’”

For his part, Connor always feared that the show’s “rose-tinted” approach, though part of the story’s appeal, “would not be nuanced enough to talk about the complexities of being human and being young.”

Locke says he proposed a scene with Fisayo Akinade, who plays art teacher Mr. Ajayi, as a way to circle back on their relationship.

(Netflix)

“There was one moment where I was like, ‘Oh God, I hope these young people watching “Heartstopper” don’t suddenly forget that these kids are human, and that these kids can make mistakes and still be lovely, delightful and good people,’” Connor says. With Oseman and Locke, Connor was adamant about “finding the place [where] these characters were being treated in a way that we all felt good about.”

According to Oseman, Locke and Connor were also heavily involved in selecting a new intimacy coordinator, Robbie Taylor Hunt. Over the years, the amount of sex — or lack thereof — in “Heartstopper” has been the subject of much discourse. “It always annoyed me slightly that people were like, ‘Oh, this is so unrealistic. They’re not having sex.’ They were underage. What do you want us to do?” Locke says with a wry laugh.

Oseman has learned to tune out that online chatter, accepting that she cannot please everyone — let alone represent the entire spectrum of the young queer experience. With each season and now this film, her creative team chose to age up the story slightly. After Charlie and Nick lost their virginity to each other at the end of Season 3, the film uses physical intimacy to reveal more about their maturing relationship.

Locke says those scenes were necessary to the plot. “The pier sex scene is this carnal lust between these two people who need to get it out. The sex scene in the pillow fort is a moment of connection for them,” he says. “And the big sex scene at the end of the film is the reconciliation of their relationship.”

In the end, Nick and Charlie decide to give their relationship another shot, confident that their love can defy the conventional wisdom that teen romances rarely last. But what they learn during their split is “that you can’t put all of your hopes and dreams, your mental health and your ability to survive into one person, because it’s not fair on yourself and on that other person,” Connor says.

Over the years, the amount of sex, or lack of it, in “Heartstopper” has been the subject of online discourse. The film shows more physical intimacy.

(Netflix)

The film’s epilogue, like in the comics, offers a brief glimpse of Charlie visiting Nick for a weekend in Leeds, ending with the two of them looking through the pages of a scrapbook that still has room for new photos. While Oseman has her own vision of Nick and Charlie’s future in 10 years — they’d be newly married with a dog, she believes — the actors who play them aren’t so sure.

“I feel like the beauty of ‘Heartstopper’ is that we get to see a chapter of these two young men’s lives, and it ends in a way that doesn’t promise anything,” Connor says. “Even if they were to not end up together eventually, it wouldn’t make the experience that they shared together any less special or pivotal to who they are as people. I think that’s kind of beautiful.”

Locke is reluctant to divulge his own interpretation of the characters’ future, preferring instead to let viewers make sense of the hopeful ending. “I hope they’re happy,” he says simply. (But for the record, the actors both believe that Charlie and Nick will stay together. “Of course, we all hope so,” Connor clarifies.)

Although she is ready to tell new stories, Oseman believes that she will be revisiting Nick and Charlie, who first appeared in her 2014 debut novel “Solitaire,” “in small ways for the rest of my life.”

“I think there definitely won’t be another 10-year-long webcomic — probably not — but I love thinking about what Nick and Charlie might be up to when they’re 40 or 60,” Oseman says. However, she adds, “I think the main story of ‘Heartstopper’ has concluded, and I do feel good about that.”

Like their high school characters, Locke and Connor are ready to graduate from the “Heartstopper” universe. Wary of being typecast, they have established themselves as versatile stage actors, making their Broadway debuts in “Sweeney Todd” and “Romeo + Juliet,” respectively. Onscreen, Locke joined the Marvel universe in “Agatha All Along,” while Connor has explored vastly different cinematic genres — his next major project, the film adaptation of the dark fantasy video game “Elden Ring,” will reunite him with “Warfare” director Alex Garland.

Even on the day of our interview, Connor and Locke looked a world away from Nick and Charlie. Locke wore an all-black designer outfit, while Connor — dressed in a light blue striped button-down over a white tank and khakis — had traded Nick’s signature floppy hair for designer stubble. Yet both actors have made peace with the reality that they will forever be linked to each other and their roles. “That’s part and parcel of the job,” Connor says.

Fittingly, the last scene Connor and Locke filmed as Nick and Charlie was the anniversary scene in the park where there is a fallen tree with the letters “N+C” carved into the trunk. “It was lovely because it was back to how a lot of the ‘Heartstopper’ experience has been, which is just me and Joe,” Connor says.

“I love thinking about what Nick and Charlie might be up to when they’re 40 or 60,” says creator Alice Oseman. However, she adds, “I think the main story of ‘Heartstopper’ has concluded, and I do feel good about that.”

(Netflix)

Would they be open to revisiting Charlie and Nick’s love story as older adults? “In 10, 15, 20 years, who knows? Maybe,” Connor says. “Even if Alice were to decide that they wanted to make a TV show about another character in the universe of ‘Heartstopper’ and they wanted us to cameo or something, then, hey, maybe.”

While the “Heartstopper” team expected the series to resonate with younger audiences, they have been particularly moved by the reactions of older queer viewers, who have marveled at the strides in LGBTQ+ representation onscreen. Coming from the world of young-adult fiction — where she notes stories of queer joy are abundant — Oseman recalls being surprised that “Heartstopper” was treated as an anomaly in mainstream media. Still, she is proud to have helped move the needle on LGBTQ+ representation, particularly when such characters remain underrepresented.

“My hope is that people will be able to look back … and say, ‘Hey, “Heartstopper” did really well. Let’s make another queer show that’s got the [same] ‘queer joy’ vibes,’” Oseman says. “I hope it’s been able to give that encouragement to the people in power to let there be more stories out there because we just need more, different kinds of queer stories.”

Connor believes that anyone can enjoy the show because “Heartstopper” simply captures the universality of “human beings being happy and being in love.”

“Obviously, the [queer] representation is incredibly important. I think that the very existence of the show and the comfort and safety that it can bring people is one of the things that makes it so special,” Connor says. And the demand for such stories “isn’t going to change,” he adds. “Queer people are always going to exist.”

THIS is the moment Matty Healy performed with a The 1975 tribute band – having booked the act for his stag do.

Brit Award winner Matty, 37, has been lead vocalist of pop rock band The 1975 since 2002.

The singer-songwriter put a unique spin on his stag do – as he joined a The 1975 tribute act on stage.

A clip of the moment begins with tribute group The 9075 singing The Sound, which was released in 2019.

Matty jumps on stage mid-performance and performs alongside the band.

One person commented: “Matty Healy attending a 1975 tribute is very Matty Healy coded.”

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Another added: “I thought the real Matty was the fake Matty until he started counting things on his fingers that don’t need to be counted, that’s when I knew.”

A third wrote: “He wanted to experience a 1975 concert for his stag party and I respect it.”

Matty – the son of Denise Welch and Tim Healy – is set to marry American model and singer Gabbriette.

He and the 28-year-old – whose real name is Gabriella Bechtel – announced their engagement in June 2024.

Gabbriette showed off a huge black ring on social media at the time and wrote: “Marrying the 1975 is very Brat.”

Back in February, The Sun revealed the couple had set a July 2026 wedding date.

PHILADELPHIA — Pete Crow-Armstrong was 9 years old, maybe 10. He can’t remember for sure. But he clearly remembers the scene: a journey from his San Fernando Valley home to Angel Stadium, for a game featuring Derek Jeter and the New York Yankees.

Jeter wasn’t an outfielder, though. Crow-Armstrong sat in right-center field, with a great view of an Angels’ phenom.

“I absolutely followed Mike Trout,” Crow-Armstrong said. “I would have followed him if he were in freaking Seattle.

“He was — he still is — the only one to ever really do what I’ve ever seen him do in my life.”

A decade and a half later, in an All-Star Game that was short on drama and long on tributes to Trout, the hometown hero and future Hall of Famer, Crow-Armstrong shared center field with Trout.

“That,” the Chicago Cubs’ star said, “is a cool nugget I’ll always keep with me.”

With a two-run single in the first inning from All-Star Game MVP and former Dodger Cody Bellinger giving the American League the only runs it would need, the AL shut out the National League on Tuesday, 4-0.

The three Dodgers in the NL starting lineup — Freddie Freeman, Max Muncy and Andy Pages — went hitless.

Freddie Freeman and Mike Trout embrace during the fourth inning.

(Al Bello / Getty Images)

Justin Wrobleski, the lone Dodgers pitcher, gave up a home run to former Dodger Miguel Vargas but pitched two innings and struck out five, the most strikeouts in an All-Star Game since Hall of Famer Pedro Martinez struck out five in 1999 — and, before that, Fernando Valenzuela did it in 1986.

Trout went hitless in three at-bats. After he grounded out in his final at-bat, Freeman enveloped him in an impromptu bear hug.

“I love Freddie,” Trout said.

There was a fireworks show after the fourth inning, with kids riding bicycles onto the field a la “The Sandlot.” Trout offered swing tips to one of the kids. Freeman played catch with another.

“One of the cooler moments I’ve ever been a part of on the baseball field,” Freeman said. “It makes you feel like a kid again.”

Mike Trout signs autographs before the home run derby Monday.

(Matt Rourke / AP)

Before the game, Freeman addressed his fellow NL All-Stars, followed by Bryce Harper and Chris Sale. Freeman channeled his inner Ferris Bueller, reminding his younger peers to stop and appreciate every moment.

“It’s going fast,” Freeman said. “There’s a lot going on. Make sure you take a step back.”

Trout savored every moment with friends and family, including his two sons, in the festivities. In an interview with MLB Network, his 2-year-old scampered off the stage. His 5-year-old, asked if he would be a better player than his dad, said yes.

“It’s special to be able to sit back and remember the special experiences when you were a kid,” Trout said. “It’s a full circle. Just trying to enjoy every minute of it.”

He got a nice ovation from the Philadelphia crowd, which he knew better than to take for granted. The crowd engaged in lively and targeted booing: mascots Mr. and Mrs. Met; the guy that beat the Phillies’ Kyle Schwarber in the home run derby on Monday; a guy that played for the Houston Astros when they beat the Phillies in the World Series five years ago; anyone playing for the Dodgers or any of the Phillies’ NL East rivals.

Juan Soto, especially. But not Trout.

“It means a lot,” Trout said. “I know how Phillies fans are when an opposing player comes in here, and it’s usually boos.”

As he spoke with the media, Junior Caminero of the Tampa Bay Rays walked by.

“I love you,” Caminero said.

Mike Trout bats in the first inning Tuesday.

(Emilee Chinn / Getty Images)

Trout had just saluted a fellow All-Star, Detroit Tigers rookie shortstop Kevin McGonigle, who like Trout grew up in the area, rooting for the Phillies. McGonigle was 6 when Trout made his major league debut.

“The way he plays the game, it’s like a young Trout out there, just with how hard he plays,” Trout said.

Trout turns 35 next month, far closer to the end of his career than the beginning. Justin Verlander is retiring at the end of the season, and Freeman said he hoped Trout’s accomplishments would not be lost amid the Verlander accolades at the All-Star Game.

“I know Justin’s been getting his flowers the last couple days, and rightfully so,” Freeman said. “Mike deserves it until he retires, because he’s one of the best players of all time.”

Verlander was all too happy to share the legacy of Trout in the AL clubhouse, and not just for the benefit of the twentysomethings in the room.

“He took the baseball world by storm,” Verlander said, “one of those generational talents that does everything — great outfielder, great baserunner, all the pop you would want. He was a complete player and generational talent for a reason.

“I always loved watching him play. I remember sitting there watching him hit a triple, and — I forget the teammate, but he was literally hitting me on the leg, like, watch him run, watch him run. He was, like, floating. He’s a once-in-a-generation guy for a reason.”

By his standards, Trout was unusually reflective after the game. He was the dominant player of the previous decade, but before Tuesday he had not taken an All-Star at-bat in this decade.

He grew up here, watching Chase Utley and Jimmy Rollins play for the Phillies. Now he has youngsters like Crow-Amstrong and McGonigle telling him they grew up watching him.

“It makes you feel like you’ve done something,” Trout said. “For me, since day one, I’ve always played this game how I saw a lot of guys when I was young, watching Utley and JRo and Jeter. Play the game right. Play the game hard.

“You never know when it’s your last.”

HILARY Duff’s Los Angeles concert took an unexpected turn when two fans were caught on camera launching into a shocking fight in the middle of the crowd.

The dramatic altercation unfolded as the actress and singer performed on stage, leaving fellow concertgoers stunned as the footage quickly spread across social media.

The viral video showed the two fans shoving and throwing punches at each other as the band carried on performing behind them.

One fan, dressed in a shining, shimmering crop top, appeared to have their hair yanked by another concertgoer dressed in black as security rushed in and attempted to pull the pair apart.

Other concertgoers looked on in shock, with many pulling out their phones to capture the dramatic moment.

Dressed head-to-toe in sparkling sequins, the pair appeared to be devoted Hilary Duff fans before the shocking altercation unfolded.

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It’s unclear exactly when the altercation broke out, as Hilary Duff is not visible in the footage.

However, members of her band can be seen on stage, suggesting the fight erupted during a transition between songs.

Hilary recently wrapped up two sold-out shows at The Forum on Wednesday and Thursday, with a host of famous faces spotted in the crowd.

Among those in attendance were Mandy Moore, Meghan Trainor and Demi Lovato, who all turned out to support the singer’s long-awaited return to the stage.

The singer is currently on the road for her first tour in nearly two decades, and fans couldn’t be happier to see her back on stage.

Hilary began her career playing the titular character on the Disney Channel series Lizzie McGuire before transitioning into music.

She took an extended break from singing to focus on acting, writing, and raising her family.

Hilary sang both her older classics and new tracks from her sixth studio album, luck… or something, released in February.

At the beginning of her concert, the passionately packed crowd sang along to her hit tracks, including Wake Up and So Yesterday, from her debut album Metamorphosis, which she released in August 2003.

She also belted out the slightly raunchier lyrics to her new single, Roommates, while rolling around on the stage.

The singer put on an impressive showing at the famed Los Angeles venue, stopping the show at several times to express her gratitude to the 20,000 screaming fans.

At one point, the former child star even teared up when discussing how much it meant to her to have people in the crowd who have followed her life for decades.

Also in the crowd was her family, including husband Matthew Koma – whom she created her latest album with.

Hilary has spoken about the lyrics of her newer songs reflecting her vulnerability and personal challenges during her 18-year hiatus from singing.

COMEDIAN Jim Davidson admitted “I found out what legless means” after collapsing outside a pub and being helped up by drinking buddies.

The star downed two ­bottles of wine, tequila, vodka, six pints of ­Guinness and two whiskies on an all-day session, saying: “I think it must have been that last scotch that did it.”

Ex-Big Break and Generation Game host Jim, 72, had sailed to the Isle of Wight on his £350,000 yacht Lady Natasha — named after his fiancée.

The pair dined at The Hut in Colwell Bay before Natasha, 49, called it a night and Jim ­carried on drinking with some yachtsmen.

He said: “It was boys stuff. I found out what the term legless means.

“My quote is ‘must take more water with it’.

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“We had a smashing meal at The Hut, which is the best ­restaurant in the country, then I decided to go on the p***.

“It was a bit of a harmless fun, no one died.”

Jim, who has five ex-wives, detailed his mammoth booze-up, which ended with him collapsing outside Salty’s pub in Yarmouth.

He said: “Most people leave Salty’s like that. First I had a couple of bottles of wine that made me a bit dizzy.

“I thought I better have some tequila to sober me up. After the tequilas made me feel worse, I thought vodka will kill the tequila.

“And after that six pints of Guinness. I thought well I need a wee, I’ll go into this pub and use their toilet and while I’m here I’ll have a couple of scotches.

“I think it must have been that last scotch that did it.”

Jim admitted being a binge drinker and said: “I can do that when I’m not working. I can’t when I’m working.

“Today I’ve got to drive five hours to Blackpool, do a show in the club and then five hours back tomorrow. This is the reality of showbiz. Then back to the studio to film my weekly satire show.

“When you’ve got a picture of me coming off stage in a theatre like that, then I’m in trouble.”

CHRISTINE McGuinness has admitted she fears about her children’s future without her and is preparing them already for when she “goes to sleep”. 

The 38-year-old model is the proud mum to three autistic children – twins Penelope and Leo, 11, and Felicity, 8 – with ex Paddy McGuinness. 

But in a new tell-all parenting podcast, Parent Unplugged, Christine admitted that their special educational needs have left her fearing what the future will look like for them once she dies.

In a teaser clip for the upcoming episode with parenting coach and podcast host Charis Halsall, Christine took a deep breath when she was quizzed on what she found the hardest part of parenting. 

“Oh, this is quite deep to start with!” she said, before admitting: “It’s realising that I am preparing my three children to live without me when I can’t live without them.” 

When Charis asked why, Christine noted: “It’s our job, as a parent or a carer, anyway. Of course we want them to be happy, we want them to be successful, and all of that. 

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“But really, we want to know that when we do… go to sleep properly, that they’re going to be able to cope and manage.” 

“So I think that that was the biggest realisation: that I kind of can’t live without these three kids, and one day, they have to live without me, so I need to prepare them to be as independent as possible, especially with their additional needs as well.” 

While Christine and Paddy announced their split in 2022, the pair have continued to live together in order to maintain a regular pattern for their three children. 

After her children’s diagnosis, Christine was also diagnosed with autism and ADHD. 

However, last year they decided to take a new step and put their Cheshire mansion on the market for £6.5million – though they’re yet to find a buyer. 

A source close to the couple has told The Mail on Sunday that TV presenter Paddy – who bought the house with Christine for £2.1million back in 2020 – is behind the ‘overpriced’ property value and it’s suspected it’s due to him not wanting to move out of it. 

However, this has reportedly caused issues with his ex-wife, with the source noting: “Christine is getting really fed up now. She wants to move on but it seems with it being priced so high, Paddy doesn’t want her to.

“Paddy doesn’t want to downsize. He wants a big house to fit with his ego. It feels like a control thing. 

“He knows he will never get £6.5million for it. It feels like he’s playing silly games.”

Since her split from Paddy, Christine has tried getting back out into the dating world – and in June 2025 confirmed she was interested in both men and women, having dated both since she was a teenager. 

She’s since been seen locking lips with DJ Roxxxan, just days after it was revealed she was ‘growing close’ to Strictly star and Olympic boxer Nicola Adams, and had a fling with a high-profile soap actress. 

Joining the London Pride festivities last weekend, Christine shared that she wasn’t interested in labelling her sexuality, noting in her Instagram post: “More love, Less labels. Open hearts, Open doors. Happy Pride everyone!” 

Wicklow manager Oisin McConville hopes this weekend’s Tailteann Cup final against Down proves a launchpad for the county as he chases his first trophy in inter-county management.

Having fallen just short of shocking Dublin in the Leinster SFC quarter-finals in April, the Garden County recorded wins over Limerick, Tipperary, Antrim and Offaly to set up a shot at silverware at Croke Park on Saturday (15:30 BST).

Since being introduced in 2022, the second-tier Tailteann Cup has given winners Westmeath, Meath, Down and Kildare the opportunity to compete in the All-Ireland series – and McConville hopes Wicklow can follow suit.

“I look at the teams that have won the Tailteann Cup, Down, Meath and Westmeath – all those teams are capable of challenging at the highest level and they’ve already proved that,” said McConville, an All-Ireland winner with Armagh in 2002.

“If our trajectory was something similar to what they’ve gone through, then definitely.

“But we can’t be accepting of the fact that we’re just in the Tailteann Cup final, we want to go ahead and win it now.”

Wicklow have shown impressive spirit en route to Croke Park. They overturned a nine-point deficit to beat Antrim by the minimum in Belfast in the quarter-finals (2-19 to 3-15) before a second-half surge against Offaly saw them roar back from eight points down to win a dramatic semi-final 2-26 to 4-15.

But 2024 champions Down have serious pedigree at this level having edged past Fermanagh in the semi-finals to reach their third Tailteann Cup decider.

“They’ve got a lot of dangers, they’ve been playing at a high level over the last couple of years. They were in Division Two, back down to Division Three and are going back to Division Two next year,” McConville, who took over as Wicklow boss before the 2023 season, said of the Mournemen.

“[In the] Ulster Championship, they beat Donegal and that’s the standout result. If you look at that game on a standalone, that’s a scary thought.

“The likes of [Odhran] Murdock, [Daniel] Guinness and Pat Havern, they’re very hard to pin down. That’s the job that’s ahead of us.

“We know the enormity of the task, but we have to have confidence in our ability and how good we’ve been in the past four games. A lot of the concentration has to be on ourselves.”

Gustavo Dudamel’s farewell to Los Angeles will also function as a benefit for his homeland of Venezuela, which suffered catastrophic losses from twin earthquakes in late June.

Dudamel and the Los Angeles Philharmonic announced Monday that the beloved composer’s final Hollywood Bowl performance as the orchestra’s music and artistic director, originally programmed as “Celebrating Gustavo at the Bowl: A Musical Legacy,” will instead be called “A Concert for Venezuela.” Still scheduled for Aug. 23, the show will raise funds for communities affected by the earthquakes.

“Venezuela will always be my home, and every moment, my thoughts are with the families whose lives have been forever changed by this tragedy,” Dudamel said in a statement. “The suffering is immense, but so is the strength and resilience of our people. This concert at the Hollywood Bowl is an invitation to stand together and transform our compassion into action.”

A full program and special guests will be announced later. Dudamel and the musicians will contribute their time and services free of charge.

Donations will benefit Dudamel’s Earthquake Recovery to Support Venezuelan Communities fund, in partnership with the United Nations Development Programme and the Development Bank of Latin America and the Caribbean fund. The L.A. Phil will contribute $50,000 to the fund, announced President and Chief Executive Kim Noltemy.

“In moments of profound need, our responsibility as an institution extends beyond the stage,” she said. “We are grateful for the opportunity to provide direct financial support to relief efforts for communities in Venezuela with a $50,000 charitable donation and to stand alongside Gustavo in bringing this concert to life at the Bowl.”

Twin earthquakes on June 24 devastated Venezuela, with more than 3,300 deaths and more than 30,000 people reported missing. As international rescue teams depart and locals are left to search through rubble, Venezuelans abroad, including L.A. restaurants, have looked for ways to send support.

Dudamel, who was born and raised in Barquisimeto, Venezuela, wrote in a 2015 op-ed for The Times that he is a “product” of El Sistema, the country’s government-funded youth music program. He has been the music director of the Simón Bolívar Symphony Orchestra since 1999.

The Chase Around The World sees Bradley Walsh and the Chasers take on the challenge all over Europe, as six teams of two work to win £100,000.

Bradley Walsh has offered a tantalising glimpse into just how “heated” ITV’s brand new The Chase spin-off becomes.

Hot on the heels of the smash-hit gameshow‘s success, the broadcaster has unveiled an exciting new format that’s sure to delight fans of Race Across The World.

The Chase Around The World sees Bradley and The Chasers tackle the challenge across Europe, as six pairs of contestants battle it out for a whopping £100,000 prize.

With the opening episode set in Rome, competitors must tackle quiz questions, puzzles and cryptic clues to navigate their way around the city and track down Bradley at the finish line, passing through some of the Italian capital’s most iconic landmarks, including the Colosseum and the Trevi Fountain.

The last-placed team in each city will face a head-to-head showdown against two Chasers, needing to outsmart them to secure their spot in the competition, reports Bristol Live.

Ahead of the new series airing, host Bradley shared: “I would describe it as The Chase… but around the world! It’s out and about. It was very different doing it on location, in these incredible places, instead of being in a studio. I’ve been locked in Elstree Studios for 17 years!

“The locations were unbelievable. I loved it, I really did, but then again, I wasn’t chasing around, literally chasing around, the cities we were in.”

Speaking about how close the competition becomes, he revealed: “The competition really heated up, you could see the contestants thinking, ‘Right, this is what we’ve got to do. This is how to play this game.’

“There were times when some were over-taking others, some were slipping back. And, a couple of times, which is really quite interesting and what I liked, they literally saw each other on the street, or in a place where they were getting a clue.”

Teasing one emotional moment, he went on: “In one city the couple that came in last were devastated, and I mean devastated. One of them couldn’t even bring themselves to look at me. They were so upset.

“But then they get the chance to play against The Chasers and they went and beat them! So they stayed in the contest and were able to play in the next round at the next city – it was brilliant to see! I mean, it was really great.

“All of a sudden you’re saying, ‘All right, well forget that now. You’re now moving onto the next city. You’re still in the race.’

“It was great to watch because their despair turned into such joy. It’s a great dynamic, and it’s a very simple but effective end to this type of show.”

The series will transport viewers from Rome to Barcelona, Lisbon to Paris, Zurich in the Alps and finally in Athens, with an ITV spokesperson previously teasing: “It was an amazing odyssey of quiz and a really exciting series, something very different, giving you all the quiz you love from the main show but also some real live action at the same time, but also some real jeopardy and excitement as they race across each city.”

The contestants taking part include a mother and daughter who brand themselves the “Not so Dumb Blondes”, sisters, a newly-engaged couple, a father and son, a father and daughter who have previously appeared on The Family Chase and were hoping for a redemptive arc, and two friends working in Parliament who had only known each other for six months before taking on the adventure.

The Chase Around The World starts Thursday, July 16, at 9pm on ITV1, ITVX, STV and STV Player, and continues weekly on ITV1 and ITVX

Can you tell the story of America in 10 movies? Maybe so — at least a version of it — if you stick to moments of serious national friction and those rare instances when a filmmaker meets the mood with a true vision. If you want tearjerkers about red, white and blue triumph, this is not your list (although the Space Race drama “The Right Stuff” always does the trick). Meanwhile, our current state of disunity and division will find its own expressions in time; start with “Civil War,” though it’s a bit too soon. Instead, we thought about historical pivot points and built a list of classics, along with a few alternatives for each title.

The Great Depression

Henry Fonda, left, in the 1940 film “The Grapes of Wrath,” directed by John Ford.

(20th Century-Fox)

‘The Grapes of Wrath’ (1940)

America is a broken place in John Ford’s poetically charged adaptation of the Steinbeck novel: a downbeat landscape of Oklahoma dust storms, long shadows and the teetering sight of a car turned into a truck transporting a family westward. This will always be one of those essential movies about a particular national dream — not just a myth — of emerging from economic catastrophe and being reborn in the promised land of California. Ford, with the instincts of a showman, foregrounded hope on the horizon via inspired performances by Henry Fonda and Jane Darwell’s pragmatic Ma Joad getting the final word (“We keep a’coming…”). But there is still so much darkness in “The Grapes of Wrath,” especially in its scenes of John Qualen’s Muley Graves, crumpled on the ground, suddenly a squatter on his own piece of land. He’s no match for the bulldozers. As long as the idea remains that property gets its purpose from those tending it, working it, nourishing it and dying on it, the film will never become a relic. Its binding values of labor and community remain relevant, even if today’s Hollywood rarely speaks to them. — Joshua Rothkopf

See also: “Modern Times,” “Sullivan’s Travels,” “Bonnie and Clyde”

Postwar optimism

Michael Hall, from left, Teresa Wright, Myrna Loy and Fredric March in the 1946 movie “The Best Years of Our Lives.”

(Samuel Goldwyn Productions)

‘The Best Years of Our Lives’ (1946)

World War II ended with ticker-tape parades and soaring expectations. William Wyler’s sweeping drama arrived just as America was beginning to reckon with what coming home actually meant. Harold Russell, a real-life veteran who lost both hands during the war, plays a sailor struggling to imagine a future with the woman he loves. Dana Andrews is a decorated bombardier who returns to the same soda fountain job he held before the war, discovering that military heroism doesn’t necessarily translate into peacetime opportunity. The movie became one of the biggest hits of 1946 because it understood a challenge facing millions of Americans: The war had given the country a common purpose but peace meant each person had to find their own. Yet for all its honesty about that dislocation, the film remains remarkably hopeful. Its faith that people can rebuild their lives and start over feels almost radical today. Seen from the distance of eight decades, it feels like a dispatch from a country that had just survived a catastrophe and still believed its best days lay ahead. — Josh Rottenberg

See also: “It’s a Wonderful Life,” “Miracle on 34th Street,” “Giant”

Capitalism, unchecked

Daniel Day-Lewis in the 2007 movie “There Will Be Blood,” directed by Paul Thomas Anderson.

(Paramount Vantage)

‘There Will Be Blood’ (2007)

“I drink your milkshake — I drink it up!” Oil man Daniel Plainview’s deranged metaphor, allegedly taken from congressional transcripts from the 1920s Teapot Dome scandal in which Interior Secretary Albert Fall defended the practice of directional oil drilling, a.k.a. drainage, became a catchphrase when “There Will Be Blood” arrived in 2007. Elon Musk probably has a T-shirt in the back of a drawer emblazoned with the line. It epitomizes the American ethos of extracting resources that belong to someone else and then brutally bragging about the beatdown. Paul Thomas Anderson’s movie is part history lesson, part horror film, which, when it comes to chronicling the American experience, feels like the perfect blend. The oil man’s exploits take place more than a century ago, but seem particularly relevant now with Musk newly minted as the world’s first trillionaire and income inequality rapidly widening. Plainview confesses, “I have a competition in me. I want no one else to succeed.” It neatly sums up the endgame in which we find ourselves — and his vanquishing of the preacher Eli speaks to what we worship in the United States. He’s finished and sometimes it feels like we are too. — Glenn Whipp

See also: “The Wolf of Wall Street,” “WALL-E,” “Sorry to Bother You”

Post-Vietnam/Watergate cynicism

‘Nashville’ (1975)

Ronee Blakley in the 1975 movie “Nashville,” directed by Robert Altman.

(Paramount Pictures)

Could one movie capture the breadth of emotions around this year’s 250th anniversary celebrations as well as Robert Altman did the bicentennial? As the country was still reeling from the assassinations and discord of the 1960s, the despair of Vietnam and the scandals of Nixon and Watergate, there was a soul-baring uncertainty to what it even meant to be an American. With 24 main characters interwoven around the town of Nashville, home of country music and intersecting political undercurrents, the film tries to make sense of the chaos. While the conspiracy thrillers of the 1970s are seen as the most direct response to the moral malaise of the moment, Altman finds an unexpected way to gild his innate skepticism with a light filigree of hope, a complex quilt of characters capturing the contradictions inherent in the American identity. And yet as cynical and beaten-down as the film’s viewpoint can often be, there is still a spark of decency and perseverance. That is the America that Altman celebrates, even as he lets no one off the hook. Few films capture the hum of life in all its maddening beauty quite like this one. — Mark Olsen

See also: “Blow Out,” “The Conversation,” “The Parallax View”

‘Network’ (1976)

Robert Duvall, Faye Dunaway and William Holden in the 1976 movie “Network,” directed by Sidney Lumet.

(MGM Studios / Getty Images)

Much has been made over the years about how prescient this film was, as if screenwriter Paddy Chayefsky and director Sidney Lumet saw the constrictive dangers of corporate consolidation in the distance and came back to warn us. But if these rumbling premonitions have remained true across multiple eras of an ever-evolving media landscape, have we really learned anything? Perhaps we really do live in a “demented slaughterhouse of a world,” as the unhinged newsman Howard Beale says in one of his apocalyptic broadcasts, and have all along. Maybe what “Network” nails most of all is apathy: that even the most righteously committed can have their heads turned from their true goals and then struggle to get back on track. What may be most shocking rewatching the film today is the suspicion that some current media figures see the maneuverings of villainous executives played by Robert Duvall and Faye Dunaway and somehow think that they were the heroes of the story all along. Not even Lumet or Chayefsky would have predicted that. — Mark Olsen

See also: “Broadcast News,” “The Insider,” “Nightcrawler”

Gentrification and racial tensions

Spike Lee, left, and Danny Aiello in the 1989 movie “Do the Right Thing.”

(Universal Pictures)

‘Do the Right Thing’ (1989)

Spike Lee’s masterpiece was met with hand-wringing when it arrived in theaters 37 summers ago, with white critics fretting how “urban audiences” would react to its shocking ending of brutality and angry protest. “If some audiences go wild, [Lee] is partly responsible,” critic David Denby wrote in New York Magazine. Nobody rioted. “Do the Right Thing” made some people uncomfortable because it told truths from a Black perspective that they did not want to accept. That unwillingness to have hard conversations and learn from them remains evident today as we prepare to celebrate our nation’s 250th birthday without an honest reckoning of the anguish that lies beneath the storybook version of America’s founding. The paradox is that Lee’s movie is itself that conversation, its characters engaging in a series of arguments, evenhanded and empathetic, about how race affects the lives we lead in America. Until our country engages in that dialogue, nothing will change. For a moment, the Black Lives Matter movement signaled a willingness to grapple with the past. But the pendulum swung and we’re back to days of “Driving Miss Daisy” denial. But “Do the Right Thing” remains with us, its urgency and relevance undiminished, waiting for an America open to listen and live up to its idealized aspirations. — Glenn Whipp

See also: “Get Out,” “12 Years a Slave,” “Fruitvale Station”

The rise of the yuppies

Roddy Piper, left, and Keith David in the 1988 movie “They Live,” directed by John Carpenter.

(Universal Pictures)

‘They Live’ (1988)

“I believe in America,” the guy says, but we’re not in the private office of some all-powerful Corleone. Rather, this is a working man in a plaid shirt and denim. As the sun sets on his sad L.A. tent city (inspired by the real-life Justiceville), he only wants what everyone else wants: a hard day’s work for fair pay and the chance to get ahead. “It’ll come,” he says, serenely. He doesn’t know he’s in a John Carpenter movie — Roddy Piper was never put to better on-screen use — and that those keeping him down are, in fact, aliens hypnotizing us into an unseeing stupor as they carve up the world’s resources. Released at the tail end of Reaganomics, Carpenter’s most politically forward thriller now feels like a decoder ring for ’80s-era greed, detachment, complacency and ruthlessness. Carpenter meant us to to see his bug-eyed space invaders as yuppies. He also intended us to question whether we were selling each other out, just to join the “human power elite” for a tiny piece of pie. “They Live” looms just on the other side of appreciated. Many genre films say what our more prestigious dramas can’t about the creeping forces that are changing America; this one still feels like it’s getting away with murder. — Joshua Rothkopf

See also: “American Psycho,” “Invasion of the Body Snatchers,” “After Hours”

’80s women in the workplace

Harrison Ford, left, Melanie Griffith and Sigourney Weaver in the 1988 movie “Working Girl.”

(20th Century Fox)

‘Working Girl’ (1988)

Mike Nichols’ zeitgeisty hit opens on a shot of the Statue of Liberty hoisting her torch like a paycheck. Down by her green toes, Melanie Griffith’s Staten Island secretary Tess McGill ferries to Manhattan to type memos for important men. Tess has a job, not a career. But 1988 was the first year that female undergraduates outnumbered men on college campuses. Even without a degree, Tess is ambitious to climb the corporate ladder — once she swaps out her practical white sneakers for a pair of pumps. The script by Kevin Wade throws up hurdles of sexism and class snobbery, never sugarcoating how Tess’ male co-workers treat her like a blow-up doll. (Critics dismissed Griffith, too, until this performance earned her an Oscar nomination.) Yet note how her Ivy League-educated boss Katharine (Sigourney Weaver) isn’t immune to harassment either; she’s just mastered how to parry her colleagues’ advances. Fantastic as it is, “Working Girl’s” core flaw is that Tess can’t snag her seat at the conference table until she yanks Katharine out of it. Weaver said that when she showed the script to real-life working girls on Wall Street, they asked, “This awful secretary steals your man, wears your clothes, takes your office — who’s going to sympathize with her?” Millions did and still do. — Amy Nicholson

See also: “9 to 5,” “Baby Boom,” “Silkwood”

Digital alienation

Justin Timberlake, left, and Jesse Eisenberg in the 2010 movie “The Social Network,” directed by David Fincher.

(Merrick Morton / Columbia TriStar )

‘The Social Network’ (2010)

In 2010, Apple introduced the iPad, Instagram launched its app and Silicon Valley still looked to many tech-besotted Americans like a force for progress. At a moment when technology companies were promising to bring people closer together, David Fincher’s acerbic drama about the founding of Facebook had a darker theory about why people wanted to connect in the first place. Aaron Sorkin’s screenplay traces Facebook’s creation back to a very old human desire: getting noticed by the people who matter. Instead of celebrating innovation, the movie unfolds through lawsuits and broken friendships. At Harvard, Jesse Eisenberg’s Mark Zuckerberg fixates on the exclusive final clubs that won’t quite accept him. It’s a surprisingly sour approach for a Facebook origin story. Years before social media became a political battleground, Fincher was focused on something more basic — the fear that everyone else had been invited to a party you couldn’t get into. The movie ends with Zuckerberg alone at a computer, refreshing the Facebook page of the woman who dumped him and waiting for her to accept his friend request. More than 15 years later, it’s still hard to think of a better image for the loneliness and insecurity lurking beneath our connected lives. — Josh Rottenberg

See also: “Her,” “Eighth Grade,” “Ingrid Goes West”

Post-9/11 anxieties

A scene from the 2004 movie “Team America: World Police,” directed by Trey Parker.

(Melinda Sue Gordon / Paramount Pictures)

‘Team America: World Police’ (2004)

To add drama to the ennui over the 2000 U.S. presidential campaign, “South Park” creators Trey Parker and Matt Stone pledged to immediately produce a silly sitcom about the winner. “That’s My Bush!” ran for eight episodes in the spring of 2001, with plans to spin off into a feature called “George W. Bush and the Secret of the Glass Tiger.” But the Sept. 11 attacks changed everything, including the work of satirists. Parker and Stone pivoted to “Team America: World Police,” a bomb-throwing comedy about our country’s napalm-strength combination of naiveté and swagger. To prevent an attack hailed as “9/11 times a thousand,” a squadron of puppet commandos blows up the planet themselves. The dark joke is these marionettes aren’t behaving much differently than the action heroes who have shaped the national id — it’s a through-the-looking-glass lens into our Hollywoodized view of the globe, down to the Parisian streets made of cobblestone croissants. At once straight-faced, sacrilegious and scatological, “Team America” needed nine tries to eke past the MPAA. Yet in divided times, it was a unifier. The political spectrum from Kim Jong Il to Alec Baldwin got equally savaged and the film’s eff-yeah patriotic theme song (“Rock and roll! The internet! Slavery!”) could even be heard blaring from real-life tanks in Fallujah. — Amy Nicholson

See also: “Eddington,” “Idiocracy,” “Harold & Kumar Escape From Guantanamo Bay”

Former Little Mix star Jesy Nelson was in tears as cameras caught the moment she was given her twin daughters’ devastating SMA diagnosis

Jesy Nelson has candidly shared the devastating moment her twin girls were diagnosed with Spinal Muscular Atrophy (SMA) sobbing: “I don’t know how I’m going to do this.”

The heartbreaking scenes were captured as she filmed for her upcoming documentary, Jesy Nelson: Life Changing. The Amazon Prime Video cameras were on hand to capture the former Little Mix star’s reaction to the awful news as she said she “can’t believe this is happening”.

Doctors revealed the tots’ tests had come back positive. According to the NHS, SMA is “a rare genetic condition that can cause muscle weakness”. The organisation says the condition gets worse over time.

She revealed her whole life has changed, and she was predicted to struggle with the diagnosis. And Jesy is seen with her head in her hands as she says: “I don’t know how I’m going to do this. I feel like I’m going to be heartbroken for the rest of my life.”

But she says she refuses to let anyone else feel her pain and is determined to change laws and regulations surrounding SMA testing. And she has continued to update her followers on her twins’ condition online as the documentary gets ready to air later this month.

In the caption for the trailer, Jesy wrote: “I’m really not sure where to start with this one…All I can say is that I urge everyone to watch this documentary. It’s the most heartbreaking series I’ve ever had to make, but it’s one that needed to be made if we’re ever going to see real change.

“This is only a small glimpse into what my girls have to go through every single day. It’s the reality that so many children born with SMA have to endure and this is only the beginning of their lives.

“I truly hope this helps people understand why the heel prick test and treatment from birth are so incredibly vital. Early diagnosis can change EVERYTHING. I’ll keep saying it until no family has to experience this again: no future babies born with SMA should have lives that look like this.”

She ended with a plea: “Please if you watch one thing, let it be this: “Jesy Nelson: Life Changing” on @primevideouk, streaming from July 17th.”

Last month, Jesy was in Parliament as MPs debated whether to test all newborns for spinal muscular atrophy. She joined forces with the Mirror to highlight her petition which was signed by over 150,000 people demanding all newborns are checked for spinal muscular atrophy.

Scotland introduced screening in March. However, a similar scheme for England will only have a limited roll-out. And Jesy expressed frustration after public health minister Sharon Hodgson defended the staggered launch.

Jesy said: “I cannot believe we are still debating this. You are basically telling me that if you live in a certain postcode, you’re not as important. It’s outrageous.”

The decision, though, was defended by the public health minister, who had said limited testing facilities were preventing a full roll-out of screening for SMA.

The singer highlighted how late diagnosis of her own one-year-old twins meant they began treatment too late after irreversible nerve damage was done. She has since been told they will never walk.

Jesy Nelson: Life Changing will be shown on Prime from July 17

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METALLICA roadies were forced to intervene when a fan jumped on stage at the heavy metal band’s gig in Glasgow.  

The US-based group are currently on their M72 World Tour and performed to 56,000 fans at Hampden Park last week.  

But one Metallica fan ended up missing most of the show as he was apprehended by security when he jumped on stage before the concert started. 

A tense clip posted on social media showed the animated concert-goer aggressively refusing instructions to get down. 

In the end one of the security team was to shove the man from the stage with him being caught by another roadie. 

In a separate clip the troublemaker was escorted from the venue by police as fans rushed to comment on the shock events. 

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One wrote: “How to waste your night in one easy swoop.”

And someone else said: “Money well spent [eye-roll emoji].”

It comes after The Sun revealed Metallica are thrashing out a deal to land a huge residency at Las Vegas music venue the Sphere.

A source said earlier this year: “Metallica having a residency at the Sphere is all anyone is talking about on the Strip.

“They have been to see the bosses and met all the tech team to talk through and plan out a show in principle.

“The contracts are still to be signed but we were told they are 90 per cent there. Metallica will bring a different feel to a show there and there is a lot of excitement from bosses at the Sphere about what this could look like.”

Mel Brooks turned 100 on Sunday. To the 2000 Year Old Man, that probably wouldn’t seem like a big deal. For the rest of us, it was.

Few filmmakers in Hollywood history have remained this funny — or this relevant — for this long. Brooks’ improbable career, chronicled last year in a two-part HBO documentary, took him from defusing land mines during World War II to writing for Sid Caesar and reinventing movie comedy with hits like “The Producers,” “Blazing Saddles,” “Young Frankenstein” and “Spaceballs.” Along the way, he conquered Broadway and became one of the few entertainers to win an EGOT — an Emmy, a Grammy, an Oscar and a Tony.

Even at the century mark, Brooks doesn’t seem especially interested in slowing down. A “Spaceballs” sequel is set for release next year. Asked by The Times in 2016, when he was 90, whether retirement held any appeal, Brooks joked, “Well, first of all, I don’t know how to play golf. I could play tennis if it was triples — not doubles. But if there were three on each side, I could cover my spot.”

Every Brooks fan has a favorite scene, and there’s a good chance yours isn’t on this list. That’s OK. We weren’t trying to settle the argument. These aren’t necessarily Brooks’ funniest scenes or his most famous — he didn’t even direct them all. Instead, we’ve highlighted eight moments that show his different sides, whether it’s his fearlessness, his showmanship or the warmth that so often ran beneath the anarchy. No handful of moments could tell the whole story. But these are a good place to start.

The international order is falling apart, happening visibly, rapidly, and in ways that no longer surprise even the most committed defenders of the post-1945 liberal framework. The United Nations Security Council has not been able to do anything about the problems in Gaza and Ukraine. The group of countries known as BRICS is getting bigger. Now has nine members. Some countries in the Gulf are thinking about using a currency to price oil instead of using the US dollar. All of these things are putting a lot of pressure on the system that the United States has been in charge of.

Many people in the Global South think this is a thing. They do not think the United States has been fair in the way it has enforced the rules. They think the United States has only looked out for its interests and the interests of its friends. This is not a thing to say. The United States has been inconsistent in the way it has applied the rules about weapons, sanctions, and international crime.

The problem is that just because the old system is falling apart, it does not mean that something better will take its place. The question is not whether the United States is losing its power because it is clear that this is happening. The question is what will happen next. Will the new system be fair, more stable, and better at dealing with global problems?

The Architecture of Decline

The truth is that the United States has been losing its power for a time, but this has happened much faster since 2022. When Russia invaded Ukraine, it showed that big countries can still go to war with each other. It also showed that the United States and its friends cannot stop this from happening. The war in Ukraine has led to the use of financial sanctions in history, with over $300 billion in Russian assets being frozen.

This has made other countries want to reduce their dependence on the US dollar. They are afraid that if they rely much on the United States, they will be vulnerable to its power. According to International Monetary Fund estimates, the group of countries known as BRICS has expanded to include Saudi Arabia, the United Arab Emirates, Iran, Ethiopia, and Egypt. This group now accounts for over 40 percent of the economy. The Shanghai Cooperation Organisation has also gotten bigger. Now includes Pakistan, India, and Iran in addition to Russia and China. This organization is now the regional security group in the world. These changes are not just symbolic; they show a shift in where power is concentrated in the world.

New Poles, Old Problems

The problem with a world is that it does not necessarily mean that things will be more fair or more stable. In the century Europe had a multipolar system, but it still had many wars. The same thing happened in the 20th century. Just because there are powerful countries does not mean that they will behave in a certain way.

The problem with a world is that it does not necessarily mean that things will be more fair or more stable. In the century Europe had a multipolar system, but it still had many wars. The same thing happened in the 20th century. Just because there are powerful countries does not mean that they will behave in a certain way.

The Institutional Vacuum

The biggest risk of the situation is that the international institutions that we have will become useless. The United Nations Security Council has not been able to do anything about the security crises of the past few years. The World Trade Organization is also not working properly.

When powerful countries use these institutions for their purposes, it undermines their legitimacy. This is a problem because it means that smaller countries will suffer the most. The rules of law are only useful if they are applied equally to everyone.

The Global South’s Strategic Dilemma

For countries in the Global South, the transition to a world is a double-edged sword. On the one hand, it gives them space to maneuver and more access to financing for infrastructure projects. On the other hand, it also means that they will have to navigate a more complex and uncertain world.

The best way forward is to try to shape the transition to a world in a way that preserves the international institutions that we have. This means reforming the United Nations Security Council to make it more representative of the world. It also means strengthening the courts and the World Trade Organization.

Towards a Legitimate Multipolarity

This will not be easy. It is necessary. If we do not do this, we risk creating a world where might makes right. There is no shared set of rules to govern the behavior of states. This would be a disaster for everyone, for the smallest and weakest countries.

The multipolar world may signal the end of the order, but it does not have to mean the end of order itself. We have to work to create a system that is fairer, more stable, and more just.

NBA mock drafts projected Cameron Carr getting selected somewhere between 15 and 20 in the first round on Tuesday night.

Ending up with the Lakers later in the draft, however, was more than Carr could have asked for.

The Lakers acquired his draft rights from the New York Knicks, who took the 6-foot-5 Baylor guard with the 24th pick, in a multiple-team deal in which L.A. sent the draft rights to Spanish guard Sergio De Larrea, who was taken 25th, and cash considerations to New York.

As he sat for his introductory news conference Friday, dressed in all black, Carr shared what his thoughts were when he found out he would be playing for the Lakers.

“I’m going to the Lakers! It was more of an exciting thing,” he said. “It felt surreal. It didn’t feel real for the first couple minutes when I found out. It was trying to get my head around, ‘Man, I’m about to walk across the stage and be an NBA player.’ I’ve dreamed of this my whole life, especially since I was a kid. So it took a second. Still trying to get my head wrapped around it, but nothing but excitement and happiness. I feel more motivated to work.”

Rob Pelinka, the Lakers’ president of basketball operations, met Carr at the facility on Friday but didn’t speak with the media during the news conference.

It meant Pelinka couldn’t be asked about Austin Reaves agreeing to re-sign with the Lakers on a four-year, $185-million deal, or about how conversations are going with free agent LeBron James.

But NBA rules prohibit team officials from commenting on anything during the free agency moratorium, which won’t be lifted until July 6.

So, this day was all about the 21-year-old Carr and how impressed he was being in the Lakers’ building.

“Walking in the building, first thing you notice is the rich tradition of the people that have been here before you,” Carr said. “It’s a moment of happiness. As a kid, you always dreamed of walking across that stage and accomplishing everything you wanted to. Man, it just felt good to walk in the gym and look at the people that came before me. Now I’m in their shoes.”

Carr was viewed by NBA scouts as athletic with his 42½-inch vertical leap and as having a good jump shot.

During his sophomore season at Baylor, Carr averaged 18.9 points, 5.8 rebounds, 2.6 assists and 1.3 blocks in 34 games. He shot 49.4% from the field, 37.4% from three-point range and 80.1% from the free-throw line.

But Carr quickly talked about how playing defense will be his calling card with the Lakers.

“Stepping into an organization with people with the same type of mindset and abilities, it only makes my job easier,” Carr said. “I’ve just got to cut and dunk the ball for them, and run in transition. But first things first is establishing a defensive consistency and showing I can be dominant or a plus on the defensive end as someone they would like to guard the best player.”

Carr always had his dad, Chris Carr, to lean on during his journey as a basketball player. Having him as a mentor was so beneficial because his father spent six seasons in the NBA. His most famous moment came in 1997, when he became the runner-up to Kobe Bryant in the slam dunk contest.

Now father and son have something else in common: making the NBA.

“I’ve always wanted to be better than him,” Carr said. “I’ve always been behind, so I want to show he’s put a lot of work in me becoming a better man. So I feel the only way I can credit him and show I’m thankful for him is by putting in the work and using it every single day. He was a heck of a player, so it’s some big footsteps I’ve got to follow and a long journey.

“It’s good motivation. My ‘why’ is just to be better and show people I’m better than a lot of people that are put in front of me. I feel like that’s the chip on my shoulder, or the fire under my feet.”

Richard Montoya of Culture Clash doesn’t mince words when it comes to politics, current events or the state of mainstream Hollywood. But he does sugarcoat his technological limitations as a 67-year-old comic in the dreaded age of video calls with a punchy Chicano twist.

“I’m a low-tech Aztec,” he writes via email when requesting a Zoom link to our Monday interview.

Culture Clash — which includes members Montoya, Ric Salinas and Herbert Sigüenza — arrived on the scene as a guerrilla sketch theater group from the San Francisco Mission District in 1984. By that time, the Chicano movement had reached its peak, thanks to the United Farm Workers labor movement, as well as student activist organizations like Movimiento Estudiantil Chicano de Aztlán (MEChA), which advocated for Chicano unity, political empowerment and educational access.

Luis Valdez, founder of El Teatro Campesino — who began putting on social justice-oriented plays for the striking Delano farmworkers in 1965 — backed the slapstick satire troupe, considering the trio “the cutting edge of fresh, new Latino comic genius.”

Culture Clash stood out in a time when Chicanos became more vocal and visible — and its members challenged an entertainment industry that has historically lacked Latino representation. Between 1993 and 1996, Culture Clash hosted its own self-titled TV show on the syndicated Fox network. The show, which was filmed at the Mayan Theater in downtown Los Angeles, is widely considered the first Latino sketch comedy to air on American television.

Throughout the last four decades, Culture Clash has parodied nearly every prominent Latino figure in history, including Che Guevara, Frida Kahlo, Ritchie Valens, Rita Moreno, Edward James Olmos and others. Its members have mocked hard-shell cholos and gangsters, often by placing them in funny scenarios. For instance, take this clip, in which the trio take on cholo characters and reimagine what it would be like to surf on the Southern California shore.

But they’ve also taken on more serious topics in their classic “Chavez Ravine” play, which looks into one of the darkest chapters in L.A. history: the forceful removal and displacement of families, mostly Mexican, in the 1950s under eminent domain. Recently Montoya attended a live reading adapted by Somos El Teatro, led by Xolo Maridueña, Mariana da Silva and Angel Villalobos at Elysian Park.

“It gives us so much life that people are finding the issues of swindlers, whether it’s gentrification, the taking over of settlements,” says Montoya. “The generational trauma of losing your home in L.A. has never gone away.”

But not every Culture Clash joke or skit has been safe from criticism. Montoya still remembers how a conservative pundit chastised the group for using light humor to discuss the 1992 riots, when LAPD officers were acquitted for using excessive force in the arrest and beating of Rodney King.

“By looking at it and treating it as dynamite, exploding it and then by bringing some levity and a whole lot of seriousness to the Rodney King matter allows us a moment, a fraction of time to look at the issues a little bit differently,” says Montoya. “That laugh allows us a moment to examine it differently.”

On June 27, Culture Clash will return to Grand Performances, a free summer concert series at California Plaza in downtown L.A., with comedic sketches colored by political and social satire. The show, titled “American Payasos! Culture Clash’s End Times Cabaret” will be co-presented with De Los.

While their 40-year-plus legacy might merit a show reminiscent of old goofball skits — like their early 1989 show “The Mission” that poked fun at the problematic Spanish Franciscan missionary Junipero Serra — this will not be an “oldies but goodies show,” as Montoya put it. “We are highly pissed off about a lot of stuff right now.”

“ We’re thinking a lot about the Mexican American patriarchy, Cesar Chavez, Dolores Huerta and it’s time to address some of these things,” says Montoya. “ We want to look at the service workers of Los Angeles, the people that sell cotton candy in MacArthur Park, the people that sell ice cream in Echo Park and the people working the World Cup.”

For the veteran comic, son of the late Chicano poet Jose Montoya, it is also impossible to ignore the immigration enforcement raids that have rattled Los Angeles communities in recent years.

“This is a very strange moment for satirists,” says Montoya. “We have a responsibility to use those tools to say what’s going on in our city and country and provide these moments where we can do a little bit closer examination because the people in power aren’t telling us what’s going on.”

In the last five years, Montoya has fiddled around with digital media, creating sporadic videos featuring old clips of the troupe, as well as videos of Latino media, to connect with technologically diverse audiences of all ages. (One example is a video calling on people to get out the vote, that features clips of Speedy Gonzales and honors political figures like Huerta.)

Although Montoya believes Culture Clash is nearing the end of its career, there’s a question lingering inside his mind: What does a graceful exit look like for a group like Culture Clash, which has never been fully integrated into mainstream Hollywood and still left such a profound legacy in the world of Latino entertainment?

The answer to that might still be unknown, but like any Culture Clash project, it will likely be wickedly satirical and punchy. Says Montoya: “We’re ready to go out with a huge, loud bang that can say something against the power structure.”

Culture Clash will take center stage on June 27 at Grand Performances, in partnership with De Los. Also performing is the retro cumbia-quebradita musician É Arenas (bassist of Chicano Batman), the cumbia-fusion, luchador-masked cumbia group La Nueva Ola de Cumbia, as well as DJ Dali.

The number of British tourists visiting Malta is said to be up by around 25 per cent in 2026, with flights available from just £45

A tiny European island boasting 300 days of sunshine annually is “having a moment” with British holidaymakers. The number of tourists flying to Malta from the UK is reportedly up by around 25 percent in 2026.

The island is now reachable from 19 airports across the United Kingdom, with flights available for as little as £45. Travellers swapping grey British skies for the 17-mile long destination can look forward to temperatures of around 32C throughout the summer months.

Journalist Angela Epstein recently made the trip to the island with her husband Mark. The couple visited Sliema, on Malta’s east coast, describing the charming coastal town as the “perfect base for exploring”.

On arrival, Angela couldn’t help but observe that the “blue wink of the Mediterranean is a constant presence” around Malta. Boasting bustling shops, baroque facades, and 17th century watchtowers, Angela says the town “scores highly” for the “views alone”.

She does, however, note that Sliema may not be the ideal destination for a traditional beach holiday, with “rocky bays and outcrops” rather than the sweeping sandy shores some tourists might prefer, reports the Express.

The island does have some sandy beaches to offer. Ramla Beach, which translates as red sand, is regarded as one of the island’s most stunning stretches of coastline, with its rolling sands and crystal-blue waters.

Nestled at the foot of a lush valley and surrounded by rugged hills, Ramla Beach holds blue flag status and provides a wonderful opportunity for snorkelling, diving, or simply unwinding in the sun. The Bugibba Perched Beach, situated in the northern part of the island, is an artificial beach that has become a firm favourite amongst visitors.

Once a jagged rocky outcrop, the beach has been transformed and now boasts an array of cafes, along with all the usual amenities including sunbeds and parasols, perfect for a spot of sunbathing.

Those seeking a more culturally enriching experience can venture to Malta’s capital, Valletta, which was granted UNESCO World Heritage status in 1980. UNESCO describes the city as “inextricably linked to the history of the military and charitable Order of St John of Jerusalem”.

The city is home to an impressive 320 ancient monuments within just 55ha, cementing its status as one of the most historically dense destinations on the planet. The island also boasts a collection of ancient temples, with the gantija Temples tracing their origins back to 3,600 BC.

Nestled within the Gozitan countryside, the temples are so vast that local legend once held that they were built by giants.

Eager to uncover more history, Angela made her way to Mdina, a fortified city with a heritage stretching back approximately 4,000 years. This hilltop settlement served as the island’s capital until 1530.

Dubbed the “Silent City,” its cobbled streets feel like being “transported back in time,” according to Visit Malta. The tourism website adds: “Oozing of luxury and nobility, Mdina offers visitors a most discreet insight that only a few people can experience and witness during their lifetime.”

Malta’s cobbled streets and stunning vistas have also caught the eye of Hollywood.

Blockbusters including Game of Thrones, Troy, Gladiator, and Assassin’s Creed are amongst the major productions to have used the island as a filming location.

Having explored the island herself, Angela found it “grew on her,” despite the volume of tourists. She concluded: “Given the weather, the scenery, the heritage, and the sheer breadth of things to do, Malta looks set to continue having its ‘moment’ for some time yet.”

Islamabad, Pakistan – The scoreline read 4-1 to Norway. Iraq had been heavily beaten in their first World Cup match in 40 years. Manchester City striker Erling Haaland scored twice in his World Cup debut as Norway cruised to victory in Group I.

But for Pakistan, the result barely mattered.

When Zidane Iqbal crossed the touchline for Iraq at Boston Stadium in Foxborough, Massachusetts, in the 59th minute on Tuesday, history was made. He became the first player of Pakistani heritage to appear in a FIFA World Cup.

Pakistan’s national team has never qualified for the tournament. It sits 198th in FIFA’s rankings. For decades, more than 250 million Pakistanis have watched football’s biggest event from the outside.

That changed, in its own complicated way, through a 23-year-old born in Manchester, England.

Between three nations

Zidane Ammar Iqbal was born on April 27, 2003, to a Pakistani father and an Iraqi mother. His father, Aamar, is from the city of Sahiwal in Punjab while his mother, Ayat, was born in southern Iraq.

Growing up in Manchester, Iqbal was eligible to represent England, Pakistan or Iraq. The decision he eventually made was not a calculated one.

Iraq found him the way many things happen now: through social media.

A large Instagram page tracking Iraqis around the world contacted him to ask whether rumours about his heritage were true.

Word eventually reached the Iraq Football Association, which pursued him through a series of video calls with Iqbal and his parents.

Asked by the sports news outlet The Athletic why he chose Iraq, Iqbal said: “All the love and support from the fans in Iraq and across the world and how hard the FA tried to bring me. When someone shows so much love, it’s only right that you feel it.”

He had never visited Iraq before receiving an under-23 call-up in 2021.

The culture shock, he admitted, was real. But he kept returning. Gradually, a country that had once been only part of his heritage began to feel like home.

The road not taken

Iqbal joined Manchester United’s academy at the age of eight and spent 12 years at the club. In December 2021 at 18, he became the first British South Asian player in nearly two decades to appear for United in the UEFA Champions League.

But regular first-team football never followed. He eventually moved to FC Utrecht in the Dutch Eredivisie for about 1 million euros ($1.1m).

His performances during Iraq’s gruelling 21-match qualification campaign, including a winning goal against Indonesia, kept him central to the team’s plans throughout.

The Pakistan Football Federation (PFF) had monitored his progress. But it was never truly a contest.

Ali Ahsan, editor of FootballPakistan.com, said the structural gap between the two football systems was simply too wide.

“We are struggling to attract players from bigger clubs, our ranking, the lack of a professional set-up. The PFF still has no technical director or dedicated national team recruitment staff,” Ahsan told Al Jazeera.

“For Zidane, he picked Iraq to be able to play major tournaments, which he probably wouldn’t have gotten with Pakistan,” Ahsan said.

“Had he chosen Pakistan, he could have had a big impact on raising Pakistani football’s profile internationally. He was still at United at the time. He could have started a serious conversation about how football needs to be improved, inspired kids to take it more seriously. Iraq is already a well-established team with a dedicated history, structure and fanbase.”

For Iqbal, the path led elsewhere. But for Pakistan, the moment still mattered.

“I hope there are children – whether Asian, Arab, whatever you are – who watch that and think they can do it,” Iqbal told The Athletic. “It’s definitely possible. And if I’ve done it, why can’t they?”

Iraq next face France on Monday before taking on Senegal in their final group match on June 26. Few expect them to advance. But few expected them to be there at all.

Against Norway, Iraq lost. For Pakistan, history was made anyway.