mom

NOAH Cyrus made sure she turned heads when she went braless in a daring shredded gown as she reunited with her mom Tish after their nasty family feud.

Things previously took a turn in the mother-daughter relationship when it was reported that Noah, 26, had been seeing actor Dominic Purcell, 56, before her mom Tish, 58, married him.

Things got so bad, that Noah was reportedly “banned” by her mom from her wedding to the Prison Break actor.

But two years later, and things appear to be back on track for the pair as they were seen posing on the red carpet at a glitzy bash.

Noah made a dramatic statement in her shredded dress.

The star had also ditched her bra for the premiere of Reminders of Him at the Hollywood Legion Theater.

Noah was there to promote her new track Light Over the Hill, which she wrote for the film.

Tish, who is also the mom of Miley Cyrus, 33, was seen supporting her daughter at the event, proving that their relationship is back on track.

The ex-wife of Billy Ray Cyrus looked chic in her off-the-shoulder black sweater and black pants.

It’s Noah and Tish’s first outing together following reports of a fallout over actor Dominic.

Tish married the TV star in the summer of 2023 – a year after her divorce from country star Billy Ray

But Noah was reportedly “banned from the wedding” over fears she might “cause a scene”.

“Tish didn’t invite Noah to her wedding because she thought it would cause a scene and drama,” an insider told Entertainment Tonight.

“It’s also been an adjustment for Noah in general for her parents to be divorced.”

It was then claimed that Noah had actually been “seeing” Dominic before her mom started a romance with him.

The actor, who is 30 years Noah’s senior, started dating her mother Tish in 2022.

“Noah was [seeing] Dominic when Tish started pursuing him,” a source told Us Weekly.

The source also said that Tish was aware of the situation before deciding to pursue him.

“The turmoil between Noah and Tish goes far beyond [what people think],” said the source.

“Noah is very distraught over Tish stealing Dominic from her.”

Tish shares Noah, Miley, and sons Trace and Braison with ex-husband Billy Ray, 64.

The country star is now in a relationship with model Elizabeth Hurley, 60.

Meanwhile, Tish and Billy were married for nearly 30 years before their shock 2022 split.

Every time Adriana Molina drives up Lake Avenue to her retro-style women’s clothing shop Sidecca in Altadena, she sees the new outdoor mural she commissioned for the store by muralist and illustrator Annie Bolding. It gives her hope.

“I’m here to stay, and this mural solidified my decision to reopen my business,” said Molina on a recent winter day, sitting next to Bolding inside the boutique. “I grew up in Altadena. The community has motivated me this whole time, and I want them to drive by this mural and smile.”

“ALTADENA.” The word — in big white letters, set against layers of blue — appears toward the top of the mural, on the store’s brick wall facing Lake. Above are the San Gabriel Mountains, painted a deep brown, California poppies and Mariposa Street and Lake Avenue street signs. Below are green grass, a monarch butterfly and Altadena’s Christmas Tree Lane. A bright blue house is on a multicolored striped path in the middle of the mural. Next to it, on a hiking trail, a sign says, “Welcome Home Altadena… With Love, Sidecca.”

For Molina and Bolding, the mural is a personal ode to the Eaton fire-ravaged community — art as a message of optimism and healing.

A car passes by the new Altadena mural on the side of Sidecca apparel shop, which commissioned the piece after fire and floods devastated the community.

(Genaro Molina / Los Angeles Times)

When the fire tore through Altadena in January 2025, Sidecca and a few other stores on the north side of Mariposa Street’s bustling Mariposa Junction survived, while the other half-block of businesses burned to the ground. The fire leveled Bolding’s parents’ house off Lake and the home of one of Molina’s close relatives.

Molina staged pop-ups and sold merchandise online during months of remediation, and officially reopened Sidecca’s doors in November as part of Mariposa Junction’s larger comeback. Then the store suffered another blow: flooding and damage during rainstorms in late December. While Molina prepped to temporarily close her store yet again for renovations, Bolding began work on the mural. She started painting on the one-year anniversary of the fire and finished eight days later.

“On the day I started it, it was so cold and windy, and I was scared being up on the ladder,” said Bolding. “But getting to talk to community members while I was painting was very special. People were excited and honking as they drove by. That night, I drove up to the lot where my parents’ place was, and I stood there and all the feelings flooded back.”

The mural’s origin story is that of two creative women bound by strength and a desire to give back.

Molina, who has worked in the fashion industry for more than 30 years, opened Sidecca’s Altadena spot in 2023, after closing its longtime Pasadena location. Voted Pasadena’s best women’s clothing store five times by Pasadena Weekly, Sidecca sells fun vintage-inspired merchandise and clothes, from ‘50s style dresses to snazzy magnets, tote bags and sunglasses. A big rainbow zips across the top of one of the store’s walls.

A display in Sidecca in 2023, two years before the Eaton fire devastated Altadena.

(Alejandro R. Jimenez)

“A few months after Sidecca opened in Altadena, my mom walked in and saw how colorful it was, and said, ‘This reminds me of my daughter,’ ” Bolding said. “With zero hesitation, my mom said to Adriana, ‘Here’s her Instagram. This is my daughter’s stuff.’ ”

Bolding, who goes by Disco Day Designs, calls herself “a joyful creator who loves to intentionally transform spaces.” Known for the bright murals she creates for brands and shops, Bolding gained attention on social media for a trash bin she painted with palm trees and stripes. She brought it to the 2024 Coachella Valley Music and Arts Festival as part of a contest organized by the festival’s sustainability partner, Global Inheritance.

“I fixated on the trash can,” said Molina. “I looked at Annie’s murals and was like, ‘Oh, she has to do something in here for us.’ ”

“Game recognizes game,” added Bolding, smiling.

Molina wanted to rebrand Sidecca with a new logo, bags and art, and connected with Bolding about that and a possible mural inside the store. “I wanted ‘Sidecca’ painted across a wall as an acronym that stands for style, individuality, diversity, expression, community, culture and art,” she said. “That’s who we are.”

Then came Jan. 7, 2025.

The store was closed all day for a holiday lunch. Then the winds picked up and the flames roared. Molina, who lives with her husband and two children on the Altadena-Pasadena, evacuated with her family to Long Beach and came back days later. She knew the store was OK because she’d seen it — intact — on the news.

“As soon as we could come up to the shop, we went,” Molina said. “There were ashes all over.”

Bolding and her husband were in Palm Springs fixing up an AirBnb they cohost when Bolding got a call from her mom about the fire in Altadena. She urged her mom, dad and younger brother to evacuate. After they did, their home burned down. Her parents now live in a Pasadena apartment.

When Molina started selling Altadena-themed merch on Sidecca’s website, Bolding donated three designs, including one with lively retro daisies. In July, she wrote an email to Molina reviving the idea of a mural, but outside versus inside, as an ode to Altadena.

“It felt like anything I could do to bring joy, let’s go,” said Molina. “And I really wanted a little house in there, and for it to say, ‘Welcome home.’ ”

The mural would be Bolding’s first public piece of art on a main street.

“Lake always felt like the road going home,” she said. “That rainbow road in the mural, leading to the mountains, is so symbolic. Very ‘Wizard of Oz.’ The mountains, their silhouette, have always felt majestic, safe, and why it was so heartbreaking anytime to see them burn. To me, they feel like mother.”

Muralist Annie Bolding stands in front of her new Altadena mural on the side of the Sidecca apparel shop. The work is Bolding’s first piece of public art on a main street.

(Genaro Molina / Los Angeles Times)

Bolding’s joyful daisies decorated the Sidecca tote bag given to customers at November’s reopening, just before December’s intense rainstorms. Water gushed through Sidecca’s ceiling. Molina and her employee Manisa Ianakiev were overwhelmed.

“We were like, ‘Is this really happening?’ ” said Molina. “Then people started bringing tools and towels. It was an example of community.”

Bolding planned to start painting the mural Jan. 4, during the Altadena Forever Run, but rain swept through. After Molina’s landlord installed a plywood base, Bolding started on the mural several days later.

Since then, the shop’s ceiling has been replaced, and Molina is working on trying to replace the floor — while continuing to stage pop-ups and sell merchandise online — before fully reopening the bricks-and-mortar boutique this spring.

“People say, ‘Every time I go into your store, I just get happy. I’m in a better mood,’ ” said Molina. “I get that all the time. And what Annie has done, this mural, is beautiful. It makes me happy.”

The warm smiles coming from Chadrack Mpoyi are plentiful these days. After forcefully dominating the paint and protecting the rim in Crean Lutheran wins, the imposing big man beams as teammates, classmates and supporters congratulate him. He offers a hug in return.

Mpoyi says he’s having fun each game in his one season of high school basketball in the U.S., the 6-foot-11 African enjoying a meteoric rise to become one of the top West Coast centers in this year’s class. A virtual unknown coming from Congo two summers ago to attend school in Orange County, Mpoyi saw his recruitment skyrocket and lead to him signing with Minnesota. He scored 14 points during Crean Lutheran’s 59-52 win over JSerra in the Southern Section Division 1A championship game Saturday. The Saints (26-7) qualified for for the CIF Southern California Regional that begins Tuesday, extending Mpoyi’s senior season.

In a way, it all happened so quickly, by leaps and bounds. Within a week of arriving in June 2024 on a student visa, Mpoyi was donning the Saints’ jersey and playing in a tournament in Corona in preparation for the NCAA evaluation period when college coaches can watch recruits play in person. By that August, he claimed an offer from Washington. The following summer, he had about two dozen offers.

Still, Mpoyi’s swift emergence came amid a rather inauspicious beginning to his journey. He left his father, mother and siblings to pursue a basketball opportunity on another continent. He tried seeking international student transfer eligibility with the highly regarded Crean Lutheran program, but the CIF Southern Section ruled he couldn’t play on the varsity team in the 2024-25 season. He’d be sitting out.

Chadrack Mpoyi saw the Crean Lutheran community support him before he was ever able to play in an official game for the Saints.

(Diamond Leung / For The Times)

And soon after that …

“My mom passed away,” Mpoyi said quietly, declining to discuss it much further.

The Crean Lutheran community responded by wrapping its arms around the teenager with the 7-foot-5 wingspan. A second family — a prominent Orange County one — stepped forward to open its doors to Mpoyi and form a stateside support system.

“And he blended in beautifully,” said Stacy Jones, the mother of his host family.

Crean Lutheran is named after John Crean, the recreational vehicle pioneer and philanthropist with a rags-to-riches story. As a child, Crean and his family left North Dakota at the start of the Great Depression and settled in Southern California as they barely scraped by, and his Irish immigrant father was in poor health. As an Orange County businessman, Crean ultimately became the founder and chief executive of Fleetwood Enterprises, a Fortune 500 company with annual revenue surpassing $3 billion. His foundation donated $10 million after his 2007 death to help establish Irvine’s first Christian high school.

The school has made it a well-worn path for international students to come for a faith-centered education in one of the newer planned residential communities in the city. And boys’ basketball coach Austin Loeb, through his connection to the Luol Deng Foundation, has facilitated the addition of several players from the former NBA All-Star’s native South Sudan. They’ve stayed with host families and gone on to play at the college level. The Saints currently include two Sudanese players in senior forwards Jacob Majok, who has signed with UC Riverside, and Will Malual.

“It’s a ministry as well [as] an opportunity to get kids that come from nothing and give them this,” Loeb said in Crean Lutheran’s gym after a Saints win.

Mpoyi is the first player from Congo to play for Crean Lutheran. He arrived with the ability to speak three languages — French, Swahili and Lingala.

Crean Lutheran guard Caden Jones recalled how the team communicated with the new kid as Mpoyi joined a trip to Santa Barbara for a summer tournament the week after he arrived.

“Through Google Translate,” said Jones, a dual-sport standout who also stars at quarterback for Crean Lutheran. “Every food place we went to, he wanted a cheeseburger or pizza. By the end of it, we just knew what he wanted so we didn’t have to ask him.”

Jones’ mom, Stacy, upon first spotting Mpoyi wearing the Crean Lutheran jersey, wondered who was the player sitting by himself.

“Nobody was talking to him,” Stacy recalled. “Nobody offered him water or anything. We went to him and said, ‘Do you need water or a protein bar?’ He didn’t speak English. He didn’t know what we were talking about. So we just went and got it, and we asked the coach, ‘What’s going on with this kid?’”

Mpoyi was limited not only by the language. He’d been playing basketball only a few years, after he started watching videos of Hakeem Olajuwon, an NBA star from Nigeria, so he also had more to learn on the court.

“He traveled every other possession,” said Loeb, who served as Crean Lutheran’s top assistant coach last season. “I’m not kidding.”

Eventually, Stacy learned about Mpoyi’s living situation off campus and found it to be unsatisfactory for him.

“The coach says, ‘Do you mind? Can you just take him for a couple weeks until I can find a host family?’” Stacy recalled. “And so we did, and then … we couldn’t give him away.”

Chadrack Mpoyi greets Stacy Jones, right, the mother of his host family, after leading Crean Lutheran to a win at Cypress.

(Diamond Leung / For The Times)

She laughed and smiled.

Said Caden: “Just being with him every day, he’s like a brother to me now. I love him to death.”

Stacy never got a chance to speak with Mpoyi’s mother, but she could tell they were very close. She understood that his mom’s life revolved around church and raising nine kids, Mpoyi being the baby of the family.

Less than three months after he left his hometown of Likasi, his mother died.

“It’s pretty sad and incredible,” Loeb said. “His mom had cancer and when this opportunity came about for him to come over to the U.S., she didn’t tell him because she thought he would stay. Once he was here, she told him she was sick, but he didn’t know how quick it would be. Talk about putting your kids above yourself.”

Mpoyi was neither able to travel back home nor play in high school basketball games as an outlet. As Mpoyi mourned, the team had to encourage him to step outside of the house to clear his mind, said Caden, who extended empathy beyond the hospitality inside of it. Mpoyi’s faith deepened.

“I was driving him to school — he wanted to go to school, and put his hand on my arm, and he says, ‘… I really want to get baptized in honor of my mom,’” Stacy Jones said, her voice shaking. “And I just lost it.”

A month after losing his mother, Mpoyi was baptized at chapel held in the school gym. Wearing a Crean Lutheran hoodie, he bowed his head in front of the whole school, including teammates and coaches, and received a standing ovation.

Stacy, who had arranged a French-speaking pastor, also surprised Mpoyi with a letterman jacket, with his mom’s favorite picture and Bible verse custom-printed on the back.

“It was just cool to see him continuing his faith and how happy inside he was to take the journey,” Caden said.

Caden’s father, Steve, is the global chairman and chief executive of Allied Universal, the private security provider for many Fortune 500 companies, and he oversees the third-largest private employer in North America. The only companies with more employees are Walmart and Amazon.

Crean Lutheran teammates Chadrack Mpoyi and Caden Jones, waiting to check into a game, say they are like brothers after living together.

(Diamond Leung / For The Times)

Stacy, his wife, is a philanthropist who has joined him in raising $13 million in the last seven years for victims of human trafficking by supporting Vera’s Sanctuary, an Orange County residential drug rehabilitation center for young women.

Together they opened the doors of their home to Mpoyi and later signed on for guardianship. Mpoyi didn’t know the family well upon arriving to the gated community of Coto de Caza, but adapted — and grew in more ways than one.

Stacy said she enlisted an English instructor who also spoke French and that Mpoyi picked up the language in two weeks. “He’s a sponge,” she said. “He just absorbs everything. He’s wicked smart.”

Mpoyi said it was hard, but in four or five months, Loeb described a night-and-day difference in his English-speaking ability and marveled at the progress, noting that he carries a grade-point average above 3.0. Stanford would join the schools offering him a scholarship.

The Joneses were especially busy during the fall of 2024 raising two sons as elite athletes as well. Caden was a four-star quarterback when he suffered a season-ending knee injury that September before bouncing back as a junior by throwing for 30 touchdowns and more than 3,000 yards to draw heavy recruiting interest. Carter Jones flipped his commitment from California to Arizona that October after developing into a three-star linebacker at Crean Lutheran, and he formed a tight bond with Mpoyi before leaving for college.

With the new dynamics, what was it like in that household?

“We are a very physical family,” Stacy said. “Lots of hugs.”

Said Caden: “A lot of food. We eat a lot.”

And with the team, Loeb said what made Mpoyi special was how he connected, explaining, “He loves people so much and he cares about them. He’s a natural leader.”

Sidelined last season, Mpoyi dedicated himself to lifting weights and adding muscle. That part he could control, according to Loeb, who credited Mpoyi for sticking with the plan. With Crean Lutheran’s strength program — and having access to some weights at the Jones home — he went from 195 pounds to about 245. The transformation of his body enabled him to transform his game as he progressively improved his combination of physicality and skill.

“I can do several things,” said a smiling Mpoyi, who watches video of another 6-11 talent, NBA great Kevin Garnett, before games. “I can dunk on people, and then I can face up.”

Said Loeb: “When he came over, he was more of like a stretchy forward. I wanted to turn him into a more traditional big right now because that would help him to be successful. But he still has the mobility to get out and guard and still be physical. He’s learning the game, and he has really good touch.”

And perseverance, for which Loeb nominated Mpoyi for the Naismith High School Basketball Courage Award. Loeb believes the trait comes from Mpoyi’s strong faith.

Steve Jones, who wrote a book about achieving more in business and life titled, “No Off Season: The Constant Pursuit of More,” sees the same.

“All people see is this giant 7-foot kid,” Steve said. “What people don’t see is how hard of a worker he is.”

Midnight neared as Steve, dressed in Crean Lutheran gear, visited with Arizona football staffers at the Saints’ basketball game at the Nike Extravaganza in Santa Ana. They watched Caden hoop with Crean Lutheran fighting for a spot in the Open Division playoff field, as there’s interest in having him join his older brother on the Wildcats’ football team. Caden, a 6-foot-3 point guard, also has received basketball offers from Washington and UC Santa Barbara.

Aside from running a global company that does about $23 billion in annual revenue out of its Irvine headquarters, Steve, a former college football player at Cal Poly whose father played for Bear Bryant, also oversaw the recruitment process for Mpoyi last summer and looked out for his best interests.

Forced to sit out last season, Mpoyi developed into a three-star prospect while playing for All In Elite on the Under Armour circuit and in summer high school events. Mpoyi and Crean Lutheran traveled to Mesa, Ariz., last June and captured a bracket title at Section 7, an event crawling with college coaches. Minnesota offered the following week, and Loeb counted 23 offers over the summer.

“I wanted to make sure no one took advantage of him,” Steve said. “I wanted to make sure he found the right fit. I wanted to make sure that coaches really wanted him for the right reason, that it was the right offense for him.”

Crean Lutheran coach Austin Loeb has watched Chadrack Mpoyi fight to overcome obstacles after he arrived from Congo.

(Diamond Leung / For The Times)

That ended up being in the bruising Big Ten with Minnesota. After the 19-year-old signed with just five years of playing experience, Coach Niko Medved said in a statement in November: “Chadrack has an incredible upside, has a great motor and is athletic. One of the first things we noticed was how well he moves for his size and his ability to move his feet and protect the rim.”

It’s Stacy who has taken on the difficult task of trying to track down Congolese documentation as she works with Minnesota’s compliance department to help Mpoyi meet NCAA eligibility requirements.

Mpoyi not only acknowledges that the Joneses have supported him but also has shown protective instincts with the family. When they’re walking around, he’ll wait and make sure she’s nearby, Stacy said.

“He’s very humble and I know he comes from small beginnings but he never lets you know it,” she said. “We live in a nice house, and they ask him all the time, what’s it like to live with the Joneses? And he’s like, what are you talking about? He doesn’t engage with those kinds of conversations. How much money do they have? Like, why are you asking? Does it matter?

“He’s a gift.”

“He’ll be in our lives forever,” said Steve, who envisions holidays in which Mpoyi is able to come back from college to their home. “It’s like he’s turned into our son. I don’t know if we originally thought that was going to happen. When you say, ‘Can someone live at your house for a little bit,’ you say ‘Yes.’

“It’s like we have a third son forever.”

THE daughter of a 63-year-old grandmother who was kidnapped from her home and held for ransom three years before Nancy Guthrie was snatched has branded the investigation a “circus.”

Zoe Lopez, whose mother Maria was taken in 2023 and never returned, has also offered advice to heartbroken Today Show host Savannah Guthrie and her family.

It’s been three weeks since Savannah’s mom was snatched from her home in Arizona, and police are begging the public for help after releasing disturbing doorbell footage of an armed, masked man at the front door minutes before the kidnapping.

The FBI is working with the Pima County Sheriff’s Department, which had been criticized for its handling of the case, and has received more than 21,000 tips.

Savannah announced the family is offering a $1million reward on Tuesday, as they are desperate to bring Nancy home.

In an emotional exclusive interview with The U.S. Sun, Zoe said her heart aches for the Guthrie family: “You kind of just go numb. You feel like, ‘This isn’t really happening.’

“My heart sank when … I believe it was her first statement, somebody had sent me.

“I was hesitant to post anything or to comment on it, but unfortunately, I do know her pain. 

“I understand the confusion, and I understand the anger, and the sadness, and the heartbreak that she has to deal with every single day, and every single minute. It’s devastating. 

“She might feel like, ‘Well, nobody understands.’ I do.

“It’s been three years, and absolutely nothing is normal about my life. You lose a part of yourself that very day.”

Zoe also slammed the Guthrie investigation and public ransom notes, saying the authorities need to get things under control and “reset” the case.

She said, “This is being handled in a very careless [way]. A circus, a complete circus. And this is something so sensitive.

“I am baffled that so much information is just being brought out in real time. 

“It’s been three weeks of chaos. There’s still time for them to get it under control. I think that they should be private about this.

“The loss of control. I can’t imagine how damaging it is to them [the family] emotionally.”

Pima County Sheriff Chris Nanos has reportedly “locked down” the case, and there is reported tension between his team and the FBI.

They have faced backlash for many decisions made amid the search for Nancy, including sending DNA samples to be tested at a facility in Florida, instead of letting the FBI use their lab in Quantico, Virginia.

Sheriff Nanos also admitted he likely released the Guthrie home as a crime scene too early.

This allowed reporters to access the property, where they discovered and photographed blood droplets on the front steps that investigators had reportedly not yet addressed publicly.

Zoe said, “They’re missing a lot of steps, and getting to a lot of important stuff days later, [it] is extremely concerning.

“It’s scary, because it makes you think, well, ‘Who are these agents, and how much experience do they have to be handling a case of this magnitude?’ It’s a kidnapping. It’s absurd.”

Similar to her mom’s case, she believes those responsible for taking 83-year-old Nancy were not professionals or cartel-related.

She said, “They saw an opportunity. They’re driven by money.”

Pain & paranoia

Zoe’s mom, Maria, a US citizen, was kidnapped on February 9, 2023, in Pueblo Nuevo, in the Mexican state of Colima, where she had returned to retire with her husband.

She was alone at home watering her garden after shopping when she was approached by “four or five individuals” who bundled her into a white van.

An eyewitness told authorities that at one point she was seen on the ground after either being struck or fainting during a struggle.

But the kidnappers eventually got her into the vehicle and fled the scene.

Zoe and her family received multiple ransom calls demanding large amounts of money, with the first call coming within 24 hours, and setting deadlines they had to meet.

She is unable to reveal whether they paid the kidnappers amid the ongoing investigation.

Zoe, who worked in road management for professional boxers when her mom was taken, believes Savannah has a long road ahead and might end up giving up her role as a host on the Today Show.

She said, “It took me months to go get groceries, to be honest. I was so scared. And although the kidnapping happened in Mexico, I was afraid.

“I was always scared that somebody was following me. People did recognize me once it went public.

“I couldn’t be out because people [would say], ‘Oh, you’re the daughter of the lady that got kidnapped.’ So it’s just safer to be home. 

“It took about a year and a half before I decided to take a different role, still in the boxing world, but more on a quieter level, where I’m designing outfits for certain boxers.

“I’m going back into production, working with special teams and stuff, traveling.

“She [Savannah] might not be a reporter after this. She might not want to be in the public eye, or it might give her purpose and make her say, ‘I’m supposed to be here. I have to continue to advocate for my mom.’

‘Survivor’s guilt’

“My heart aches for the family. When we were going through the uncertainty daily, not knowing… and then you come to a point, at least for them, they’re weeks in now, where you just feel alone, like nobody understands how bad this aching pain is. It’s a fear.

“Your body is in shock day in and day out.

“There has to be a way I can say, ‘Hey, make yourself some tea.’ You know? ‘Hug each other. Cry.’

“I think that’s another thing, too: it’s okay to fall apart. It’s okay not to be okay. Forcing yourself to be strong for the public, or forcing yourself to be strong for others, is going to be damaging to you.

“You need to find the energy, find that strength from deep down inside, but you also need to take those small moments, even if it’s 20 or 30 minutes. It’s okay, just hold on to each other.”

Heartbreakingly, Zoe says Savannah may learn that she can’t trust everyone around her, as some people who reach out to see how she is may not have good intentions.

“It’s really hard to even say this, but tune out the noise from the outside because she is a reporter and she is in the public eye,” she advised.

“But try to understand that not everybody is going to reach out to be there for you.

“They will reach out to get information, to see where you’re at, and that could be extremely damaging to you.”

She went on, “Her life is gonna change completely. And it’s probably gonna be the best thing for her to take some time just for her.

“It’s been three years for me, and I’m still learning. I feel like I’m learning how to walk again in the normal world and not feel guilty because I think that we carry that. 

“That’s where I guess they call it like survivor’s guilt, you know? Like, why do I get to go to work? Why do I get to go out and have fun? Why do I get to put it aside for a little bit when I don’t know where she is?”

Mexico rumors

Zoe said she and her family struggled to work with Mexican authorities and the FBI, as both tried to take control, mirroring the situation in Guthrie’s case.

“We reached out to the White House so many times through phone calls. She’s going to have to become relentless in pursuing other government officials as well,” she said.

“She [Nancy] is a U.S. citizen. If they did cross the border, then there should be coordinated searches, with federal agencies in Mexico working together with federal agencies here.

“You don’t know if you can fully trust the authorities there or whether they’re going to work together. Are they going to want to work with the FBI? Unfortunately for us, we learned quickly that they weren’t that open to working with them.

“They feel, ‘Well, it happened in our territory. This is our case. We will handle it.’ It’s kind of like a rivalry.

“At the end of the day, you’re looking for the same victim.

“It doesn’t matter whether it was across the border or here. The fact that you have these kinds of power struggles makes no sense.”

She explained that Mexican authorities are willing to allow families to pay a ransom, whereas the FBI tries to negotiate with kidnappers.

“We were definitely put in the middle because we didn’t know, ‘Do we follow the advice of the FBI and not pay the ransom, or do we pay the ransom and hope for the best? And how do we do that when we’re across borders?’

“It’s just constant torture — one phone call after another with different demands: ‘Do this now,’ or ‘If not…’ They set time frames, and more than anything, you need proof of life.

“You need to know, ‘Okay, you’re telling me you want this amount of money and that you have her. I need to speak to her.’ And that took a long time.”

Zoe and her family received what appeared to be a recording of Maria begging them to meet the kidnappers’ demands.

She said, “You live with the uncertainty of, ‘Where is she? How is she? What have they done to her? Is she alive? Is she dead?’

“As far as my situation, you lose everything, you really do.”

Zoe Lopez on the kidnapping of her beloved mom

“And then you have the speculations of everyone. You have the criticism on top. You have the heartache, the pain, your family, how do you wake up today and just try to be normal? You can’t, there isn’t no normal anymore. 

“As far as my situation, you lose everything, you really do.”

Zoe, 42, has been with her husband for 25 years and has two children, much like Savannah, while Maria, a mother of seven, has 21 grandchildren and two great-grandchildren. 

Discussing how the kidnapping affected her personal relationships, Zoe admitted, “They are all damaged, at least with my children; they’re dealing with the pain of losing their grandmother.

“So whenever your children hurt, you hurt with them. I feel it’s been trauma over trauma and pain over pain. I’m witnessing my kids are devastated over their grandmother. 

“And in return, they’re seeing me falling apart over my mother. And having to find that strength of, ‘What would my mom do? How would my mother handle this situation with me? How do I handle the situation with my children?’

“Although it’s been 3 years, we have not given up. We hold on to hope.

“So for Nancy.. stay strong. Know that you’re loved, and that you’re being looked for, although it seems like a lot is going on, the people who matter, are hanging on to hope as well.

“For the bad guys who do have her, please give her up. She’s an elderly person. She deserves to be home.”

Two men were arrested in connection with another kidnapping in Mexico and have since been linked to Maria’s disappearance through DNA evidence from the crime scene.

However, authorities have not publicly confirmed any direct charge or prosecution in her case.

The FBI and Mexican prosecutors have been working jointly on the investigation, and the FBI’s Los Angeles Field Office has offered a reward of up to $20,000 for information that leads to her physical location.

Pima County Sheriff Chris Nanos has admitted that Savannah and her family could also be waiting “years” for answers about Nancy’s whereabouts.

“It’s exhausting, these ups and downs. But we will keep moving forward,” he told The New York Times.

“Maybe it’s an hour from now. Maybe it’s weeks or months or years from now. But we won’t quit. We’re going to find Nancy. We’re going to find this guy.”

A sparkly pink electric guitar hangs on a wall of the recording studio where Hilary Duff made her new album. The cozy, gear-filled joint near the Van Nuys Airport belongs to her husband, Matthew Koma, who produced “Luck… or Something,” the singer and actor’s first LP in more than a decade. But as Duff points out on a recent afternoon, the paisley-print guitar is all hers.

“I got it for my 16th birthday,” she says proudly — a gift from the Fender company. “I found it in the storage unit and Matt was like, ‘Oh, that’s going up there.’”

Before Miley Cyrus, before Sabrina Carpenter, before Olivia Rodrigo, Duff arrived in the early 2000s as a Disney kid with pop-idol ambitions. She broke out in the endearingly awkward title role of the Disney Channel’s “Lizzie McGuire” then went on to star in family-friendly movies like “Agent Cody Banks” and “Cheaper by the Dozen.” By the time she received that guitar, she’d topped the Billboard 200 with her album “Metamorphosis,” which sold 4 million copies and spawned hit singles like “So Yesterday” and “Come Clean.”

Duff stepped away from music for most of her 20s to focus on acting and starting a family. (An attempted comeback album in 2015, “Breathe In. Breathe Out.,” didn’t really go anywhere.) Now, at 38, she’s returned with a bracingly honest record full of the texture and detail of her life as a wife, sister and mother of four.

In frank yet wordy songs that layer guitars and synths over shimmering grooves, Duff sings about trying to overcome old habits and about her fear that her best times are behind her. “We Don’t Talk” appears to address her estrangement from her older sister, Haylie, while “Weather for Tennis” describes her tendency to keep the peace as a child of divorce. In “Holiday Party,” she recounts a recurring dream in which Koma cheats on her with her friends.

“I wake up in a rage and he’s like, ‘I didn’t do anything!’” she says with a laugh. “And I’m like, ‘But you want to.’ A lot of this stuff came out of the hormonal boom of: I’ve just had a baby and I’m nursing and I’m trying to get my two feet back on the ground again.” (Duff and Koma have three daughters aged 7, 4 and 1, while Duff shares a 13-year-old son with her ex-husband, former hockey player Mike Comrie.)

Asked how he hopes the album fares commercially, Koma says, “I don’t [care]. Public perception or sales, that’s all cool, but it’s a separate experience from why we did it.” The producer, who’s known for his work with Zedd and Shania Twain, adds, “The whole purpose was to make something that Hilary could feel good about stepping into.”

Yet early-2000s nostalgia led to a recent run of sold-out theater gigs, and this summer it’ll carry her into arenas around the world, including Inglewood’s Kia Forum on July 8 and 9. (Less happily for Duff, it also made a viral sensation of an essay in the Cut by her fellow millennial Ashley Tisdale in which Tisdale wrote about leaving a “toxic mom group” that allegedly included Duff and Mandy Moore.)

Curled on a sofa in the studio’s control room, Duff says, “I’m finally at this place where I’m zero percent ashamed of my past and any of the things that used to embarrass me” — one reason she made the bold choice to open her set at the Wiltern last month with two of her biggest hits, “Wake Up” and “So Yesterday.”

After those songs came “Roommates,” perhaps the most vulnerable track on Duff’s new album. It’s about navigating a dry patch in a marriage, and the language is as vivid as it is unsparing: “I only want the beginning / I don’t want the end,” she sings, adding that she longs to be in the “back of a dive bar, giving you h—.”

A surprising word choice.
How would you have said it? Sometimes you need to make the lyrics fit — you need it to rhyme with something. [Laughs] It’s meant to be polarizing because it’s such a desperate plea. I can say I haven’t actually given h— in the back of a dive bar. But it’s just trying to capture the feeling of a time when you felt alive.

Like all teen stars, you had to figure out how to grow up and talk about sex as a public figure. Now there’s the idea that it’s better left to the young.
I finally feel like I know a lot about sex. My whole 20s, sex was not always enjoyable — it was so much to figure out. Now I finally understand it. Maybe that’s a female thing, but I’m not ready to be put out to pasture. People come up to me all the time and they’re like, “Wow, you aged really well.” I’m like, “I’m only 38! Just because you’ve known me since I was 9…”

You’re handling senior citizenship well.
When do I start getting the discounts? I feel like 38 is not old, although when I thought about my parents at 40, they looked so different than we look now.

I always stop at those TikToks where it shows what 35 looked like in 1982.
I don’t think anyone drank water back then. They were, like, dusty-crusty.

Hilary Duff, left, and Matthew Koma at Apple Music Studios in Los Angeles in December.

(Amy Sussman / Getty Images for Apple Music)

You borrow the chorus of Blink-182’s “Dammit” for your song “Growing Up.” Why?
Blink is one of my favorite bands. I remember getting my driver’s license, and that was what was playing on my iPod. “Growing Up” is such a deeply personal song to me, talking about sitting in the backyard with one of my best friends and just needing to drink too much wine and unload about life. But it also feels like a love letter to my fans. I don’t like saying that word, but I genuinely feel like I’ve had fans for 25 years, and getting to see them now in adulthood — I didn’t know I was going to have this opportunity.

What’s the problem with “fan”?
It puts me on a pedestal that makes me feel uncomfortable. If you were to talk to Matt or someone close to me, they’d probably say, “Hilary doesn’t understand what she’s meant to some people.” And I think that’s true. When I think of myself, I’m not like a grand pop star — I feel more like a woman of the people.

A woman of the people?
Am I allowed to say that? [Laughs] Is that offensive in any way? My feet hit the ground in the morning, and I’ve got a million things to do. Sometimes my baby’s still sleeping. And I have a teenager to get ready for school that we’re always all waiting on.

Why do you have four children?
I know — we’re sick.

Did you expect to have four?
I thought I would have at least three. I always wanted a big family because I come from a super small family and I always wanted more siblings. I had Luca obviously pre-Matt, and then we had Banks before we got married. Then the pandemic hit — we had a pandemic baby like everybody else. The fourth was just a crazy-a— decision. Matt was like, “Everybody’s gonna think we’re really Christ-y if we go for No. 4.” We also have three dogs, two cats and eight chickens.

As two artists, how do you sort out the work of child-rearing?
I don’t know if I’ve actually said this out loud — to Matt I have for sure — but I think that part of my wanting to make a record was coming out of having my fourth child. I love motherhood, obviously — I wouldn’t have four kids if I didn’t. But I think I felt really jealous that he got to go to work every day and just be alone with his thoughts. I was like, I need to stretch. That’s what it felt like after the fourth baby: I’m either gonna lose myself completely and just become a stay-at-home mom and wait for the phone to ring, or I’m gonna go make something that moves me.

You don’t need me to tell you that our culture is always happy to make moms feel guilty. Was it a journey to accept that it’s OK to do something for yourself?
That’s what the healthy part of the brain says. But the other part that’s wired to be with the children you birthed — sometimes that part overshadows it. And it’s very hard to fight that. I could probably cry right now thinking about all the things I’m gonna miss this year.

Hilary Duff in the studio where she recorded her new album.

(Jay L Clendenin / For The Times)

You’ve got a line in “Roommates” where you say, “Life is life-ing and pressure is pressuring me.” At the shows you just played, did you think of your audience as being at the same place in life as you?
For sure. When they were scream-singing it back to me, I was like, “Oh, you know.” That doesn’t mean you have to be a parent. “Life is life-ing” is the bills and the monotony and the traffic and the family — it’s all the things. I knew that if it’s bumping around inside my head, and I’ve been living a pretty normal life for 10 years — normal as I can get — then people would see themselves in it.

Twenty-five years ago, you were playing to 10-year-olds. Would a 10-year-old today be interested in your new songs?
I don’t think so. But I mean, I used to sing Natalie Imbruglia’s “Torn” all the time, and I had no idea what it was about.

The last decade has been a golden age for young female songwriters: Taylor Swift, Billie Eilish, Olivia Rodrigo.
You forgot Chappell Roan.

“Luck… or Something” feels aligned with that deepening craft. But maybe your early stuff felt sophisticated to you.
I don’t think the intent back then was sophisticated songwriting. There was no Taylor Swift yet — it’s like before Christ and after Christ.

She changed the game?
On all the levels.

How’d you end up on Atlantic Records? I wondered whether this was a product of personal friendships — the Elliot Grainge and Sofia Richie and Good Charlotte of it all.
We’re more personally friends with them now. I finished making the record and for the first time ever was like, “It’s done — do you like it?”

You weren’t looking for notes from the label.
I’m not saying I didn’t have meetings with A&R. But pretty much the record was created, and that was that. I didn’t go shopping anywhere else, which was fantastic because I hate a dog-and-pony show.

Did you feel like you’d been chewed up by the record industry in any way?
After “Breathe In. Breathe Out.,” it was very easy to be like, “RCA forced me to lead with this song when I knew it should’ve been this song.” But that was me not having [courage], you know what I mean? It was a joint effort of [messing] it up. But I learned a lot from that. I don’t think I would’ve made this record if I hadn’t fumbled the ball a little.

The story about the toxic mom group blew up just as you were launching this album. Did that experience give you pause about reentering the pop world?
I mean, this is not new for me. I’ve had this since I was maybe 15 and starting to get followed around by paparazzi. Everything starts getting documented and everyone knows my life and all the players in it. So the stories that get news pickup — it’s not what happens to a normal person who maybe became an actor as an adult. And now it’s escalated by the talking heads on TikTok that need clickbait. It’s hard because you’re like, “Wait, whoa, that person kind of got it right,” and “Whoa that person doesn’t know what they’re talking about.” I saw something that was like, “None of the moms at school actually like her and neither do the teachers,” and I was like, “First of all…”

Is it hard or easy for you to tune out —
By the way, the women at school are lovely and I’m obsessed with all of them.

But can you ignore the chatter about you on social media?
It just depends on the day. Knowing that I get to open up the backdoors and play soccer as a family and take a hot tub and go get our chicken eggs — that’s the purpose of life. On the days when crazy s— happens, I go home and quiet the noise.