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SILVERSTONE, England: Max Verstappen needed about 35 minutes to overcome 100 karting drivers in a Red Bull event at Silverstone on Wednesday.

Verstappen started 101st at the Silverstone karting circuit, and overtook 64 drivers on the first lap alone, with many of his opponents crashing among themselves.

Many got blocked on the track after a pile-up that prompted a full-course yellow flag. Verstappen went off track but was able to return.

“That was simply lovely,” Verstappen said. “It was a lot of fun.”

Verstappen, who finished second in Formula 1’s Spanish Grand Prix on Sunday, was up to 37th after the first lap, and up to sixth place by the sixth lap.

He went off track again but stayed comfortably faster than most drivers, none of them with any significant professional driving experience.

He said jokingly that the victory ranked as “the best one yet” in his career.

The original 7 Up kids have returned for one final series of the groundbreaking social experiment.

70 Up viewers have shared their reaction to the series coming to an end, as the groundbreaking social experiment reaches its final chapter.

14 children, consisting of ten schoolboys and four little girls, gave cameras an insight into their lives back in 1964. Every seven years since, they’ve continued to show a glimpse of their story, from education, their early careers, marriages, raising children and retirement.

ITV has now returned one final time, for 70 Up. The synopsis previously teased: “Seven decades. One extraordinary experiment. The groundbreaking documentary series returns to meet the people we first saw as 7-year-olds as they reflect on life at 70.”

As well as several of the original children returning, now in their 70s, the programme paid tribute to two who have died, Nick and Lynn, and features Charles, who stopped taking part in the franchise from his 20s.

Viewers have admitted they found the series “heartbreaking”, as one person said: “I’m bawling already knowing Nick is no longer with us.” Another agreed, saying: “I’ve watched this all my life, makes me sad and reflective I’m the same age.”

Someone else wrote: “I admit to having shed a few tears, watching tonight. I’ve grown up with them. It’s been wonderful.” Another commented: “Absolutely, life’s ups and downs, at 7 full of hope and life, I feel i know these people, I don’t.”

Someone else said: “All of it is making me very emotional. In the blink of an eye, hopes and aspirations are just distant memories and time has run out. Life is over so very quickly . Too quickly.”

Another said: “I hope you’re watching seventy Up It’s heartbreaking.” Another added: “The sadness in watching #70UP is not only the lives drawing to a close and the challenges facing individuals but also the knowledge that television will never again be this ambitious.”

One person added: “Ah even a glimpse of Neil on #70UP bring the tears, watched religiously with mum and dad growing up, comparing, dreaming, crying, feel so blessed watching but also wish these were longer eps, I could watch for hours more…. this programme was a huge part of how I learned about life and my country.”

Several others called Neil’s journey heartbreaking and sad, after he opened up about his loneliness and being homeless at times in his life, candidly sharing his struggles. One person said: “I’ve watched all of these series from the get go even though I’m no where near their age group, just to add! It’s made me feel quite reflective on my own life, quite emotional really. But watching Neil’s story has flawed me, big time! His loneliness is a hard watch.”

Another echoed: “Watching #70Up. Neil breaks my heart every 7 years. He was such a happy little boy.” Yet another wrote: “Ooh that was a hard watch at times.” One person added: “I was in tears even from the opening titles Such a touching and interesting series.”

Ahead of the series airing, Jo Clinton-Davis, controller of factual ITV and commissioner of 70 Up, said: “The 7 Up story is much more than a TV documentary, it’s a document of our times. A truly distinctive landmark piece of film-making that has become part of our cultural fabric.

“In the evolving stories of our cast we see the universal themes of life play out. It is the series that made me want to get into television. It is the series that I am beyond proud of having been involved in since 56 Up. It is a tribute to Michael Apted who will forever be associated with it and to the continued dedication and remarkable skill of Claire Lewis.

“Yet in Asif Kapadia we have an outstanding director who will bring his passion, creativity and incredible flair whilst safeguarding the very precious ‘Up’ legacy. Ultimately, this is a tribute to the courage of all the cast who continue to share their lives with us so we can see our lives in them.”

70 Up is available to watch on ITVX.

Sunday’s highly anticipated premiere of “60 Minutes” scored 7.9 million viewers according to Nielsen, the lowest for a season opener since 2000.

Nielsen data showed the news magazine was down 21% compared to last year’s opener, which averaged 10.3 million viewers. The premiere was the first ratings report card for the program since a major upheaval that occurred behind the scenes under CBS News Editor-in-chief Bari Weiss.

The number — which was also below the 2025-26 season average of 9.1 million viewers — has to be a disappointment to CBS News. The episode received a major promotional push in the weeks leading up to the premiere, which featured an exclusive interview with an Air Force officer who was shot down over Iraq.

The story of the pilot’s heroism may not have been enough to overcome the public’s antipathy toward the U.S. military operation which has gone on much longer than President Trump predicted.

The program did suffer from some comparisons to 2025.

The ratings for “60 Minutes” are often tied to the lead-in from the late afternoon NFL game on CBS, which was also off from 2026. Most of the country saw the Minnesota Vikings top the Green Bay Packers by a score of 39-22 which, with 18.4 million viewers, was down 22% compared to a comparable broadcast window last year.

Broadcasters tend to blame Nielsen when there are significant ratings declines. The NFL has already raised concerns to the research company about changes to its methodology in counting viewers, as the first week of games are down significantly compared to a year ago.

This year, CBS did not have the exclusive late Sunday window with its NFL game. Fox carried the Philadelphia Eagles-Washington Redskins contest in the time period. Last year’s “60 Minutes” opener was on Sept. 28, when CBS had the sole game with a Kansas City Chiefs-Baltimore Ravens contest.

CBS News did see “60 Minutes” retain a larger portion of its audience lead-in compared to last year, despite a later start time of 7:48 p.m. Eastern. The delay meant half of “60 Minutes” competed with NBC’s “Sunday Night Football,” the most-watched TV program of the week. It dropped to 6 million viewers by the final quarter hour.

While there are plenty of rationales, CBS News will have to be patient and hope that viewers will sample the program, which largely had the same look as last year despite Weiss’ changes.

But personalities matter to TV viewers, and the new “60 Minutes” is without four of its longtime correspondents — Anderson Cooper, Scott Pelley, Cecilia Vega and Sharyn Alfonsi. The latter three were fired by Weiss after clashing with her over their belief she is pushing the show to the political right. Weiss — who took over editorial control of CBS News after parent company Paramount acquired her heterodox digital news site the Free Press — also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

Viewers on Sunday briefly saw one of Weiss’ new hires, former conservative New York Times opinion writer Ross Douthat, who has no previous experience as a TV presenter.

If you’re planning a weekend in Windsor with a trip to Legoland included, this fancy hotel is a treat for the grown-ups but still has everything you need for the kids

“Oh no, this place looks fancy,” I told my partner as we drove up the winding path towards the De Vere Beaumont Estate in Windsor.

With its stately home feel and landscaped gardens, it had all of the makings of a lovely romantic getaway. Except we’d turned up with our two-year-old toddler, and now I worried that, despite promising to be a family-friendly hotel, this might be one of those properties where ‘family friendly’ means ‘as long as your kid sits quietly in the corner’. Thankfully, I was wrong.

De Vere Beaumont Estate is quietly family-friendly; at a first look it doesn’t feel like children are welcome, but once you actually settle in, it’s very accommodating.

The hotel may feel grandiose from the outside, but it’s not pretentious. It’s modern with quirky artwork, cosy armchairs, and a parlour bar serving an impressive array of drinks, with a large outdoor terrace.

My only quibble was the check-in process; there was a wedding onsite which caused a long queue at the reception. We actually gave up for a while and went to the bar for about an hour before returning, and even then we still had to wait 20 minutes.

Still, when we did get the keys to our room, it wasn’t disappointing. It was a decent size with a double bed, two armchairs and a table, a desk, and a large bathroom (shower only). If, like us, you’re travelling with a little one who still needs milk at night, be warned that rooms don’t have mini fridges – but we had prepared and packed an ice cooler.

The estate is very picturesque with large landscaped gardens, patches of woodlands, and a playground for older kids. It felt like we scratched the surface when we went for a wander, but there are some longer walks for those who aren’t tied to taking a pram along for the ride.

When it came to dinner, we decided to stick onsite at the hotel’s 1705 Restaurant & Bar. Again, at first glance I wasn’t sure if it would be stress-free with a toddler.

For a start, there wasn’t a children’s menu which had me instantly panicking about whether we’d need to convince our two-year-old that he did in fact want the likes of salad or soup for dinner, but thankfully the staff were incredibly accommodating when we asked if there was anyway we could get some sort of simple pasta dish, and they made us a special portion of mac and cheese.

The menu for grown-ups did tick all the boxes though. We went for the scallops and mozzarella salads as our starters, and steaks for the main. Prices range around £14-£35 per person so it’s not a particularly cheap meal, but the overall vibes, good food and friendly staff made it feel like a holiday treat.

With a toddler, it was time to head back to the room for an early night. However, after an hour of him resisting sleep, we admitted defeat, and headed back down to the terrace for a drink, taking the toddler in his pyjamas, in the pram. Nobody batted an eyelid, we easily found a table, and ended up enjoying some nice wine in the last of the sunshine.

The next morning, after making the most of the hotel’s extensive breakfast and dropping off our room key in a very quick check-out process, we made the most of the hotel’s location just a 15-minute drive from LEGOLAND Windsor.

Our toddler was under 90cm which meant he could enter for free, but also meant he was too short for a few of the bigger attractions. Still we managed to tick off more than I expected including a submarine ride, a train, and the iconic Fairy Tale Brook boat ride. There were also heaps of playgrounds throughout the theme park. As for queues, the longest we saw was 35 minutes for a NINJAGO ride, but generally we were impressed at how quickly everything moved – a very welcome feature when you’re waiting around with a toddler.

The theme park allows you to bring your own food and drink in the park which was very helpful for snacks (our little one, like most his age, is spectacularly picky about what he will eat), but I wish we’d packed more for ourselves too as when we did decide to just get some nuggets and chips for lunch, as well as some ice creams, it set us back about £30.

Overall, De Vere Beaumont Estate proved an ideal base; a lovely space for us grown-ups to enjoy, and a handy location to one of the UK’s biggest attractions. It’s definitely one we’ll be returning to!

• Rooms at the De Vere Beaumont Estate start from £129 a night based on two people sharing. Book at devere.co.uk.
• LEGOLAND Windsor day tickets start from £32pp when booked online in advance at legoland.co.uk.

The first edition of “60 Minutes” since CBS News editor in chief Bari Weiss initiated drastic changes to the venerable program made it to air Sunday. But the changes weren’t all that apparent on screen.

The 59th season premiere was highly anticipated following months of turbulence behind the scenes. Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega, both of whom complained the executive pushed them to add right-wing talking points to their stories. Longtime correspondent Scott Pelley was ousted after he angrily questioned the firings at a staff meeting.

Weiss — who took over editorial control of CBS News after parent company Paramount acquired her heterodox digital news site the Free Press — also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

Weiss restocked the program’s correspondent corps with one new full-timer — Ross Douthat, the longtime conservative opinion writer for the New York Times — and several new contributors, none of whom showed up in the premiere.

Douthat is the only newcomer added to the opening credits where the correspondents introduce themselves on camera. He also did the closing segment called “The Last Minute,” talking about the dangers of AI and the need for “journalism you can trust.”

But the look and tone of “60 Minutes” remained intact, with only a few minor tweaks to the graphics.

The episode was heavily promoted, with one on-air spot drawing on clips with from the program’s storied past. Correspondents throughout CBS News touted the premiere on their social media accounts.

The program opened with Norah O’Donnell’s exclusive interview with the Air Force officer who was shot down over Iran and rescued by special forces. The U.S. fighter jet was the first to be lost over enemy territory in more than 20 years.

The interview gave a detailed account of the rescue mission and steered clear of any political discussion about the Iran war, which O’Donnell described as “costly and unpopular.” Secretary of Defense Pete Hegseth sat for an interview, focusing solely on the rescue mission.

The second segment was a hidden-camera investigation showing how self-styled lobbyists are shopping access to President Trump to felons looking for a pardon. Video captured pardon brokers Jack Burkman and Jacob Wohl, who were seen asking for $300,000 for their help, saying they worked with influencers close to Trump who would advocate for their cases. (The White House told “60 Minutes”: “Anyone spending money to lobby for pardons is foolishly wasting their money … President Trump performs his constitutional duties in an ethically sound manner, and to suggest so otherwise is either ill-informed or malicious.”)

Some on social media expressed surprise that “60 Minutes” would do a tough story on the Trump administration under Weiss after repeated reports that she is attempting to make the program more amenable to conservatives. “So I guess Bari Weiss didn’t totally destroy “60 Minutes” after all?” political analyst Chris Cillizza wrote on X.

The Los Angeles Rams made up the third segment in the program, which typically includes sports stories when CBS has a late afternoon football game leading into prime time. The package mostly focused on Rams head coach Sean McVay.

The ratings for “60 Minutes” will be issued by Nielsen later this week. Last year the program averaged 9.1 million weekly viewers, making it the most watched non-sports program in prime time.

The Great Celebrity Pottery Throw Down sees six stars take on a new challenge in the pottery barn.

Viewers of The Great Celebrity Pottery Throw Down have issued their verdict on host Liza Tarbuck.

The Channel 4 series launched on Sunday, September 13, with six celebrities taking on a new challenge. They include Lucy Beaumont, Fatiha El-Ghorri, Richard Herring, Paul Merson, Layton Williams, and Denise Van Outen.

With little to no pottery experience, they braved the pottery studio, hoping to impress judges Keith Brymer Jones and Rich Miller to earn a place in the grand final and be crowned winner. But unlike the original format, the celebrity edition has no weekly elimination rounds.

Channel 4 had earlier teased: “Viewers can expect a few wonky edges, and some cracking clay creations as each celebrity grows in confidence and ability. But who will be holding their breath, waiting to see if their muddy masterpieces emerge from the kiln intact, who will reduce Keith to tears with their creative ceramics, and who will crack under the pressure as the competition gets more competitive over the weeks?”

After being announced as presenter, Liza previously shared: “I knew I’d enjoy Keith and Rich’s company and I did. People flourish around emotionally intelligent people, and the boy’s encouragement and kindness really promoted a growth in our newbie potters that was a pleasure to witness. I absolutely loved being there.”

Viewers have now declared their support for the former BBC Radio 2 presenter, who announced her radio show exit earlier this year, saying that after 36 years, it was “time to go”. Demanding to see more of her on their screens, one fan wrote: “Liza Tarbuck is such a natural presenter, yet television companies consistently use the same faces. Liza is a great addition to #potterythrowdown.”

Another said: “LOVING Liza Tarbuck on #PotteryThrowdown Always loved her on Radio2.. but she is PERFECT for this! What a signing @Channel4.” Someone else wrote: “Never watched Celeb Pottery Throw Down before… It’s brilliant, loving Denise, Layton, Lucy, Richard, and Liza Tarbuck presenting is brilliant… she always is, why doesn’t she get more TV time?”

“More Liza Tarbuck on the telly box please!” one viewer added, as another said: “I’d love to see more of Liza Tarbuck – she’s absolutely hilarious! Make her the permanent presenter for #potterythrowdown.”

Another wrote: “Liza + Pottery Throwdown is a dream come true! But seeing the skill level they’re all starting this, I feel this is going to be an emotional journey of a series.” Yet another echoed: “@PotteryThrow great to see Liza on the TV again, funny lady, love her.”

Meanwhile, Liza spoke about working with judges Keith and Rich in an interview with The Guardian ahead of the new series airing. “Keith is fabulous,” she said. “A really good laugh. But trust me, Rich is the one slyly holding it all together.

“They’re both open-hearted and emotionally intelligent, which is a lovely quality in men of a certain age. That makes it a safe space and brings people’s barriers down. Celebrities aside – what a horrible label – they’re just humans. Keith said to me early on: ‘Just watch the clay work as therapy,’ and it really did.”

After being announced as the presenter of the series, Liza was flooded with support from fans. One person said: “Yay, so excited to see Liza Tarbuck!!”

Another said, “Yay, Lisa Tarbuck,” while a third added, “So excited to see this … and Lisa Tarbuck.” Someone else wrote: “Never watched this before… Liza Tarbuck appears- I’M IN!”

The Great Celebrity Pottery Throw Down is available to watch on Channel 4.