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Anderson Cooper bids ’60 Minutes’ a final farewell

Anderson Cooper has signed off from “60 Minutes” for the last time.

After two decades as a correspondent on the CBS’ news magazine, he officially ended his run Sunday night.

Cooper, who also hosts a news program on CNN, announced in February his plans to leave CBS, months after an internal shake-up that followed the arrival of editor-in-chief, Bari Weiss.

“Things can always evolve and change, and I think that’s awesome, and things should evolve and change, but I hope the core of what ’60 Minutes’ is always remains,” Anderson said on-air. “I think the independence of ’60 Minutes’ has been critical.”

Throughout the farewell segment, the 58-year-old journalist, who was hired in 2007, reminisced about some career highlights, like speaking with Holocaust survivors and people battling malnutrition in Niger, as well as interviewing A-listers like Lady Gaga and Prince Harry. He also said he hopes the show continues to be a reliable source of investigative journalism.

“I think the trust it has with viewers is critical to the success of ’60 Minutes.’ When you see a ’60 Minutes’ story, and you’re like, ‘That was a really good story.’ It was a good story because it requires time, it requires patience, it requires money,” he said. “I hope that’s known and honored and valued and continues.”

His departure comes at an uncharted time for CBS, as the company undergoes several leadership changes. Last year, billionaire David Ellison successfully merged his company, Skydance Media, with Paramount, CBS’s parent company. Soon after, Ellison hired Bari Weiss as CBS News editor-in-chief.

Two months after taking on the new role, Weiss made the widely panned decision to pull a “60 Minutes” episode that examined the alleged abuse of deportees sent from the U.S. to an El Salvador prison. The decision earned Weiss heavy criticism and accusations that the move was politically motivated, which CBS has denied.

Cooper said that he’s leaving the program to spend more time with his young children. He will remain as an anchor for CNN.

He added, “I hope ’60 Minutes’ is around for when my kids grow up and have kids of their own, and they can watch it with their kids.”

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Everton 3-3 Man City: Will 13 chaotic minutes cost Man City in Premier League title race?

City have three home games remaining – against Brentford, Palace and Aston Villa, on the final day of the season (24 May).

Their remaining away match is at in-form Bournemouth, who City play just three days after their FA Cup final.

While City are aiming for a domestic treble, Arsenal now have a realistic chance of claiming both the Premier League and Champions League trophies.

Their European semi-final against Atletico Madrid is finely poised before Tuesday’s second leg after a 1-1 draw in the Spanish capital last week.

Arsenal‘s three remaining league games are at relegation-threatened West Ham, then home to already-relegated Burnley before a final-day trip to Palace.

“I am worried for the West Ham game,” added Henry. “Like I was worried for Manchester City‘s match today.”

BBC Sport pundit and former England captain Wayne Rooney, meanwhile, has predicted on his BBC podcast Arsenal will win all of their remaining league games and lift the title.

He said: “We’ve heard a lot about Arsenal cracking under pressure, but Guehi has never been in a position where he’s challenged for the Premier League, [Antoine] Semenyo hasn’t. And I think you’ve seen tonight might be the first sign of that.

“I think it’s Arsenal‘s year. And I hope it is for Arteta’s sake. The work he’s put in over the last five years, and then against his former boss, Guardiola – if he goes and wins that title, that is huge for him.

Arsenal are very consistent while City can be a little bit up and down. City at their best, you’re the best team in Europe.”

City, though, will be left extremely concerned by their capitulation against Everton, having gone ahead but been unable to see out the game.

January signing Guehi was culpable for the opening goal and City’s defence were sliced open time and time again – Everton should have been out of sight by the time they conceded a 97th-minute equaliser.

City fans who had left the stadium had to scramble back when Haaland scored to give their side hope, before Doku earned a point.

Guardiola looked to the positives by saying: “A really good performance. We played outstanding in the first half. Really, really good.

“In the second half, they made a step up and we maybe weren’t as aggressive and after [that] we gave away the goal.

“They came back and made it a proper English game – so, so aggressive in the duels.

“But in general, we made a really good performance.”

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World’s longest bridge takes 40 minutes to drive across and cost £15billion to build

The longest sea crossing connects three major cities

Stretching 34 miles across the Pearl River Delta, the Hong Kong-Zhuhai-Macau Bridge holds the record as the longest sea crossing ever constructed, connecting the southern Chinese cities of Hong Kong, Zhuhai and Macau. The 55km structure took nine years to build at a cost of approximately £15bn.

It has dramatically cut journey times between the three cities, transforming what was once an hour-long ferry trip into a drive of roughly 40 minutes. The bridge forms part of a broader initiative to strengthen transport links across the Greater Bay Area, a region the Chinese government is nurturing into a major economic powerhouse.

By connecting Hong Kong and Macau more directly with cities in Guangdong province, the crossing is designed to boost trade and movement throughout the region. Its construction incorporates several key elements, including a series of long-span bridges, man-made islands and connecting roads.

The main section features three navigation channel bridges – Jiuzhou, Jianghai and Qingzhou.

This was constructed to permit large vessels to pass through one of China’s most heavily trafficked shipping zones.

Engineers were required to contend with challenging conditions, including regular typhoons and a demanding marine environment, reports the Express.

The bridge employs single-column piers embedded in the seabed to minimise disruption to water flow and reduce the impact on local wildlife, including the Chinese white dolphin.

The three principal bridges feature cable-supported structures, each boasting a distinctive tower design.

These were designed to provide the crossing with a uniform yet diverse aesthetic, especially considering its prominence from land, sea and air.

The Jiuzhou Bridge maintains its original sail-shaped towers after modifications during the detailed design stage.

Engineering consultancy Arup played a role in various aspects of the scheme, including preliminary design work, artificial island construction and significant road and tunnel connections on the Hong Kong and Macau sides.

Further infrastructure associated with the crossing encompasses boundary crossing facilities and links such as the Tuen Mun-Chek Lap Kok Link, assisting in incorporating the bridge into the broader transport network.

Since its inauguration, the bridge has emerged as a vital route within the region’s transport infrastructure, demonstrating both the magnitude of China’s infrastructure objectives and the practical requirement for quicker links between its major urban centres.

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10 minutes backstage with Gavin Rossdale at Stagecoach

Gavin Rossdale brought his band Bush to Stagecoach on Saturday — one of several groups at the festival this weekend with indelible rock hits from the 1990s. The 60-year-old, who recently premiered a television cooking show, also put in an appearance alongside Billy Bob Thornton, Wynonna Judd and Gavin Adcock at the fever dream that is Guy Fieri’s Smokehouse. I caught up with him between the two engagements.

This has gotta be your first Stagecoach.
It is. I was waiting till I got an invite. I didn’t want to just get a ticket — I wanted to be invited.

You just did a cooking demonstration with Guy Fieri. How’d that go?
Fantastic — really good fun. We had four people doing different dishes. He’s a great, great man — I love him.

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You’ve become a TV chef yourself. What’s the TV-chef-meets-TV-chef vibe?
I felt a kinship. I only had to tell him — we were talking about making the food — I said to him we could cook some secreto pork. That’s the secret, perfect part of the pork that people don’t know enough about. He was so impressed after that he left me alone to just do what I want.

Guy Fieri didn’t know about it, and neither did I.
Oh no, he did.

Clarification: I didn’t know about it. You were there with Gavin Adcock, which means that there were two Gavins.
It was a first for me.

I know that Paramount is here at Stagecoach. Are you interested in pitching an odd-couple comedy with you and Gavin Adcock? He’s a country guy, you’re a rock guy — I think we can make this happen.
He made a big steak sandwich, and I made a sort of a deep-fried chicken with rice and Japanese things. So I feel that we’re opposing sides and we could combine and make a really great balanced meal.

We’ll pitch this later tonight. How did Bush end up on a country music festival?
That is such a good question — you should’ve led with that. And I don’t have any answer for it. It’s like one of those things where I’m just excited to be here and I don’t want to screw it up.

What would screwing it up look like?
Choosing the wrong song.

The deepest cut.
A D-side. Nobody wants it. But it’s so hard to know what everyone knows. I was trying to do the set list, but I was like, Who is everyone here? Is it real cowboys? Is it Palm Springs cowboys? Is it California cowboys? What is it?

Gavin Rossdale and drummer Nik Hughes perform with Bush on Saturday.

Gavin Rossdale and drummer Nik Hughes perform with Bush on Saturday.

(Allen J. Schaben / Los Angeles Times)

Bush is not the only rock band at Stagecoach. The Wallflowers are here, Third Eye Blind is here. You have any beef with these other rock bands?
Not on the culinary stage, because it was all chicken. But no, no — I don’t have beef with anyone. Life is too long for beefs.

If you were to play a country song, what would it be?
Zach Bryan’s catalog is sensational. They’re beautiful songs, and I feel that if I spent a good amount of time, I could do a faithful version à la Bush.

So Stagecoach 2029: Gavin Rossdale sings the Zach Bryan catalog.
Well, not the whole thing.

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10 (more) minutes backstage with David Lee Roth at Stagecoach

After back-to-back appearances at both weekends of Coachella, David Lee Roth popped out Saturday at Stagecoach to sing Van Halen’s “Jump” with Teddy Swims for the third (and final?) time. To discuss what he called his “three-peat,” I caught up later with the 71-year-old singer, who wore a bedazzled jacket and a leather vest.

Have you bought property in Indio? Do you just live here now?
No, I’ve bought property in the American musical fabric that extends beyond time frame, that extends beyond shoes and haircuts. It includes cowboy hats and yarmulkes.

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Next weekend this place is gonna be barren. Will you be back to sing “Jump” with nobody?
There’ll be plenty of people here for the Diamond Dave Big Rig Trucking School and Day Care Center.

You’re on your own tour right now. How are those shows going?
They go exquisitely because if you enjoy what you saw onstage [tonight], it’s that times 22 songs.

Twenty-two songs in the set.
Oh yeah. I wrote every word that I sing, I wrote every note that I sing — all the melodies — and I stacked all the harmonies. Ed [Van Halen], of course, contributed all the great guitar parts. And we wrote all of those parts literally sitting in a tiny little alcove room where you put a washer and a dryer. We would sit knee-to-knee the room was so small, and he’d play the electric guitar. His mom wouldn’t let him plug in because it would be too loud, so I had to lean over. Every song that you know of Van Halen, I heard from an unplugged-in electric guitar from four inches away, going, “Too long.”

Tighten it up.
Cut it short. All great musicians finish long after the ending.

Last time we talked, you said you were wearing Artemis II. What’s the outfit tonight?
This is classic Nudie’s western wear from Lankershim. This is from the ’50s. This has been all over the world. This is made by Nudie’s of Hollywood, who made all of Roy Rogers’ and Jean Autry’s [clothes] and all of “Bonanza,” “Gunsmoke,” “Rawhide’s” wear. Look up Nudie of Hollywood, OK? This baby’s worth more than my shoes, and they’re custom-made. This jacket’s worth more than my teeth — same thing.

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10 minutes backstage with Lyle Lovett at Stagecoach

Lyle Lovett performed Friday evening in Stagecoach’s Palomino tent with the group of killers he calls his Large Band. After the show, I sat with the singer and actor in the front seats of what I’ll call his Large SUV. “It’s a rental,” he said.

We’re in here because you want to protect your voice?
You know, I don’t smoke marijuana.

Anymore, or period?
Period. I have no moral judgment for other people, but I don’t think it’s good for me. When I smell it, I get concerned that it’s going into my body, and so I just try to stay away from it. In the artist tent, there were plumes everywhere. In fact, at our set, two songs in, I called over our assistant tour manager and I said, “Can you put some fans blowing back out into the audience?”

To send the weed back from whence it came.
Well, I don’t want people to waste it either — they paid good money for it. Jackson Browne asked me once in the parking lot of Conway [Recording Studios] — we were doing “The Road to Ensenada,” and he said, “Is it true you’re not cool with weed?” I said, “You know, I’m not.”

Where do you live these days?
In a couple of places, but in Austin, mainly.

People from Texas have strong opinions about the hierarchy of its cities. What’s the best city in Texas?
I can’t answer that.

You wouldn’t deign to.
It’s your thought, not my thought. The cities in Texas are distinct — wildly different from one another. Houston is one of the most international cities in the world. Austin is the most liberal city in Texas but it’s also being transformed by tech money. What’s going on there is analogous to what the oil business did in Houston and Dallas. San Antonio is the gateway to South Texas — it’s like 85% Hispanic. You feel the difference in culture there, and that’s wonderful. That’s my answer.

Did you ever have a move-to-L.A. moment?
I leased houses three different times. The first album I made in Los Angeles was “Joshua Judges Ruth,” in 1991, and the house belonged to a college professor who took a job at New Mexico State. It was on a street called Multiview, one switchback down from Mulholland — between Laurel and Nichols Canyon on the Valley side. I had a beautiful view of Universal City and the 101 as it came in. I remember this professor, when he was showing me the house, he called it “the river of lights.” So I lived there and then later rented the same house two different times, years apart, on a street called Torreyson, right below the Lautner [Chemosphere].

You’re set to get a star this year on the Hollywood Walk of Fame.
I don’t know if that’s true. I think I’m eligible.

It’s true — I checked.
We’ll see.

Let’s say it happens, which it will. How’s that strike you?
I think it’s always an honor to be recognized by any official organization. But that sort of stuff seems completely separate from the work I’m concerned with. What’s important is the work and how you get to do it.

Which of your albums would you say is your best?
It’s impossible to say. I’m proud of the Nashville records — the budgets were smaller and I had to record those records more quickly. But when I went to Los Angeles and spent too much money recording “Joshua Judges Ruth,” that was one of the most expansive creative experiences I ever had.

Define “too much,” right?
It was too much. Instead of recording three or four songs a day, we recorded two songs. Two weeks later, you didn’t love the take, let’s record it again. There was time to search for ideas, not just document ideas — that was the biggest difference for me. The natural way of doing things — just knocking it out — is absolutely valid. But from my point of view, I was more comfortable spending more money [laughs].

Where’d you like to eat when you were working in L.A.?
When we worked at Conway, we’d have lunch every day at Lucy’s El Adobe to the point that I gave them a credit on the albums.

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10 minutes backstage with Bailey Zimmerman at Stagecoach

Bailey Zimmerman performed Friday night at Stagecoach, where his set mixed post-grunge country hits like “Religiously” and “Where It Ends” with a cover of Miley Cyrus’ “The Climb” and an appearance by BigXthaPlug on their duet “All the Way.” Before Zimmerman’s set, I met with the 26-year-old singer inside a denim-bedecked pop-up presented by American Eagle, for whom Zimmerman serves as an official spokesbro.

Did you only agree to become an American Eagle ambassador because you thought you might be able to meet Sydney Sweeney?
I would understand why you would think that. But honestly, no — it was a full circle moment in my life. Before my American Eagle deal, I had all the American Eagle underwear. They couldn’t send me new ones — I had ’em all.

Do you get free jeans?
They give me everything for free.

Could you get me some free jeans?
Maybe? I could do one of those things where I’m like, “Oh, it’s for me,” but it’s really for you.

By my count, this is your fourth Stagecoach in a row.
Yep.

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You never miss this, bro.
It’s my favorite time of the year — it’s sick. I come out here the whole weekend. The first year, I brought my best friends, and we’ve done it every year since — all my friends and their fiancees now because we’re getting older and they’re getting married. So it’s just a big party all weekend. It’s something I look forward to.

Speaking of getting married, last year you you told me you were looking for a wife. Any progress?
Well, you know, honestly, I’m still just kind of doing my thing. I’m on God’s timing, truly —I’m just letting it roll.

You’re a Justin Bieber guy.
Beliebe it.

“Swag” or “Swag II”?
I was hesitant to want to listen to “Swag II” because I love “Swag I” so much. But then once you get into “Swag II,” it’s like, Dude, this is so fire, bro. Both albums are so fire — I’ll listen to either one.

Did you watch Bieberchella?
Yes!

What did you think of the YouTube of it all?
I thought it was really cool. I loved it — it was just something way different. I’ve never seen that done like that. Iconic — I would call it iconic. That’ll go down in history.

Bailey Zimmerman on Stagecoach's main stage.

Bailey Zimmerman on Stagecoach’s main stage.

(Allen J. Schaben / Los Angeles Times)

You have a current radio hit, “Chevy Silverado.” What was your first truck?
A 2005 white Chevy Silverado. That’s what the song’s about.

Yes, of course. But I didn’t know it was true to life — I thought you were using writerly inspiration.
No, true to life, man. My grandpa had a 2005 crew-cab short-bed Chevy Silverado, and I bought it off of him. I had to borrow money from my bank in my hometown, and I bought it of him because times weren’t good at the time. When the used car dealership was going good, maybe he would’ve given it to me, but at that time, it wasn’t going good, so I had to borrow money and have a payment at the bank. Adult things.

You know where that truck is now?
I still have it. Honestly, I didn’t think anybody would resonate with the song — I didn’t think anybody would listen to it just because it was so personal to me. Every single line is a real life story from my life, so to see it resonating with everybody and seeing it do what it’s doing — it’s so cool, man.

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Commentary: 90 minutes, 6 gubernatorial candidates, zero big moments — but some differences that matter

Two of our esteemed gubernatorial candidates, the cowboy and the dilettante, apparently could not find ties for the first debate Wednesday night, showing up with dress shirts casually unbuttoned.

Mr. Middleground sported a scruffy sorta-beard, apparently unable to pay for a razor in the midst of California’s affordability crisis. It’s a trademark look that always makes me think if this doesn’t work out, he’ll opt to live on a boat in some not-too-expensive slip by the Bay.

The billionaire wore Nikes instead of dress shoes, a sartorial nod perhaps to his bid to be the outsider-fighter. Or maybe his feet just hurt.

The last two contenders were remarkably unremarkable.

Why start with fashion? Honestly, it might be the most interesting, and telling, bit of insight that came from this first (of three) chances for our next governor to let us know who they are and what they’re made of. If the debate showed us anything, it’s that none of these candidates are hiding follow-me charisma or an excitement-inducing political vision for our collective future.

Yes, there were a few decent jabs here and there about Tom Steyer’s money, Katie Porter’s temper, Matt Mahan’s tech ties and Chad Bianco’s far-right world view. But even those were predictable.

Still, in between the yawns, there were a couple of answers worth noting, ones that might actually give us insight into how the Democratic candidates differ (Despite all the hype, it seems increasingly unlikely that two Republicans will come out of the primary, and even more unlikely that in a Democratic vs. Republican race, the Democrat would lose in blue California.)

I’ll start with a surprising place where I agreed with Steve Hilton, the Republican endorsed by President Trump.

The candidates were asked if they would support a ban on social media for kids under age 16. This is a quickly accelerating idea not beloved by tech companies. Australia and Indonesia already have bans in place. Other countries, including France and Portugal, have them in the works. Florida banned children under 14 from opening social media accounts on their own last year.

And a Los Angeles jury last month dealt a blow to Meta and YouTube when it found the platforms had damaged the mental health of a young woman with their addictive features.

Hilton took the ban question a step further, saying it “misses the point.” He has long argued that it isn’t just social media that is the problem, but having kids staring at a digital device for hours a day instead of interacting in the real world. It was one of the most genuine answers of the night.

“We’ve got to get to the heart of the problem, and that’s the devices and the screens,” he said. “I think that every parent in their heart knows that it’s wrong.”

While Steyer and Xavier Becerra, the former California attorney general, both said they would support such a ban, the remaining three candidates hedged or said they would not. Porter said no to a ban under age 16, but said she “might consider a different ban,” without being specific.

Mahan, who is backed by significant tech money, and Bianco both said they believed requiring parental consent was the way to go (though Mahan said he would ban devices in schools).

As Becerra pointed out, “kids have died as a result of their use of social media,” so it’s a place where policy matters. And if a candidate doesn’t see government’s role in controlling the dangers of social media, what will happen with artificial intelligence?

The candidates also had differences in how they would handle homelessness and the related crisis of housing affordability, though the devil was often buried in the details.

At least for Democrats. For Bianco, the difference was stark.

“We are not dealing with homeless. So stop calling it homeless,” he snapped at the moderators. “It has nothing to do with homes. This is drug- and alcohol-induced psychosis, mental illness.”

Of course, this is wrong. Last year, the UC San Francisco Benioff Homelessness and Housing Initiative released the results of the state’s most comprehensive survey of homeless people. It found that for most people living on our streets, “the cost of housing had simply become unsustainable.” It also found an increasing percentage of those folks were older — almost half were over the age of 50 — and had become homeless after a hardship such as an illness or a job loss.

“It’s also families who are fleeing intimate partner and domestic violence,” Porter said. “It’s people who are double and tripled up. It’s people who are living in their cars on our college campuses. Homelessness comes in a lot of different forms.”

Most of the Democratic candidates seemed to understand this and embraced the increasingly popular idea of putting more money into helping people stay housed after a hardship, instead of trying to get them housed after they lose their place.

“How can I help you keep your home?” Becerra said. “Because it costs me so much more money to pick you off the streets, provide you with the assistance in the shelter, than it does to keep you in the home.”

But the issue of homelessness is also where daylight emerged between the candidates. Steyer said he and his wife had helped finance low-barrier homes, not just shelter spaces, where people do not need to be addiction-free and where they can bring pets — two issues that are common hindrances for moving folks off sidewalks voluntarily.

Mahan, the mayor of San José, who often touts his city’s success at moving people indoors, agreed that emergency and interim housing was critical, but also voiced support for forcing folks to accept help. Last year, San José passed an ordinance he backed that some say criminalizes homelessness — a person can be cited twice for refusing shelter, and a third refusal within 18 months can lead to an arrest.

“When shelter was available, we required that people come indoors,” Mahan said, adding, “We have to be able to mandate treatment.”

It’s a controversial position, but also one that is increasingly popular. Gov. Gavin Newsom has backed mandated treatment, in a lighter form, with his CARE Court (which is technically voluntarily). And the movement to require people to accept a shelter space or face arrest is growing on the right and even the Democratic-middle.

But there is a fine and dangerous line with mandated treatment and shelter requirements that is often pushed further and further to the side in favor of the clean, safe streets argument. Whenever we start locking folks up — whether it’s in mental wards or immigration detention centers or jails — we should be careful that expediency isn’t trumping ethics.

Of course, the debate would not be complete without the Democratic candidates’ position on our president, speaking of ethics.

Steyer was gleeful that Trump has come after him on social media, a point of pride that he is a relevant figure in the fight against MAGA. He also said he would abolish Immigration and Customs Enforcement if he could, which he can’t.

Becerra highlighted his many lawsuits as California’s attorney general during Trump’s first term, and pledged to keep fighting. Porter leaned into her time in Congress and her efforts to help Democrats in other races win.

Mahan took a different route, pledging to fight when necessary, but adding, “We need a partnership, and we need to find common ground with this administration on certain issues.”

Newsom learned the hard way that common ground is what Trump says it is, and shifts without warning or reason.

So what’s the takeaway from all this?

Boring dad; feisty mom; rich do-gooder; striving newcomer; MAGA one; MAGA two.

None of them hit it out of the park, but no one struck out. Maybe next time.

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MasterChef fans divided minutes into 2026 series as new judges take over

Anna Haugh and Grace Dent made their joint MasterChef debut on Tuesday

A fresh series of MasterChef has landed on the BBC with a new hosting duo.

Series 22 sees celebrated chef Anna Haugh and restaurant critic Grace Dent take over from Gregg Wallace and John Torode as judges. The pair will test 48 of the country’s best amateur cooks with an array of spectacular challenges.

The first heat of this year’s competition aired on Tuesday (April 21), with six talented cooks from all walks of life heading into the kitchen to battle it out for a coveted MasterChef apron.

They include digital portfolio manager Rosdip, 33, construction project company director Brendan, 57, tech programme manager Jhané, 29, environmental consultant Sabina, 49, accounts assistant Samantha, 39, and IT manager Matt, 41.

Just moments into the episode, viewers were left divided as Anna and Grace made their joint debut. Some fans were frustrated with the pair’s facial expressions, with one person writing on X (formerly Twitter): “I’m assuming it must be in the contract that judges/presenters on MasterChef must express shocked/surprised faces at every opportunity possible! Gregg and John did it for years and it looks like it’s continuing!”

Another added: “Someone tell Anna that she doesn’t have to replicate Gregg’s surprised face every time a contestant tells her what they are going to be cooking,” while a third said: “I can’t watch #MasterChef any longer. [Anna] and her daft facial expressions.”

A fourth fan echoed the sentiment: “Why do those two presenters keep making such stupid faces?”

Meanwhile, other viewers were delighted with Anna and Grace’s debut, with one person writing: “Loving the two ladies, Grace and Anna running the MasterChef kitchen.”

Another added: “Love Anna and Grace in this series,” while a third said: “Absolutely love Anna.” A fourth fan commented: “Loving Grace and Anna on #MasterChef.”

During the episode, Anna and Grace put their trust in the amateur’s taste buds as they introduced the Signature Dish round, which saw the contestants make their favourite dish from home.

The cooks who made the best two dishes, Rosdip and Jhané, were immediately rewarded with a MasterChef apron, while the other four fought it out for the last two aprons in the Classic Recipe Test.

The amateurs were each given the same recipe for one of Anna’s favourite brunch dishes, which put core cookery skills to the test.

The successful group of cooks, along with their newly-earned aprons, had one more hurdle to jump to secure their quarter-final place.

Anna and Grace invited last year’s final three – champion Harry Maguire and finalists Claire Syrenne and Sophie Sugrue – to sample the food on offer.

They tasted two courses from each of the cooks, before Anna and Grace revealed the three contestants who would be going through to the quarter-finals.

MasterChef season 22 is available to stream on BBC iPlayer

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Senior travellers urged to do simple exercise on the plane ‘every 30 minutes’

Long-haul flights can cause in-flight circulation stiffness and fatigue, especially for older travellers

Anyone who’s flown long-haul will be acutely aware of the stiffness, exhaustion and sluggish circulation that can develop, potentially marring the start of your holiday. And this is particularly relevant for older passengers.

With this in mind, Inspiring Vacations has teamed up with Melbourne-based Pilates instructor Brittany Tatterson to reveal some movements anyone can perform while still aboard their flight.

She explained: “Seated movements every 30 to 60 minutes are ideal, with the opportunity to stand and walk every one to two hours where possible. Many people wait until they already feel stiff, but by that point the body has already tightened and circulation has slowed.

“The good news is you don’t need to stand in the aisle or take up extra space. The most effective movements are often the smallest and can be done entirely within your seat.”

The discreet in-seat exercises you can do (without anyone noticing)

The first movement Brittany suggests is gently tilting your pelvis forward and backwards, as this can help engage your core and relieve pressure from your lower back.

“You can also keep your toes on the floor and slowly lift your heels up and down to encourage circulation through the legs, which is particularly important on long-haul flights,” Brittany added.

“Breathing is another big one. Inhaling through your nose and allowing your ribs to expand, then exhaling slowly, can help improve both your breathing and overall energy levels.” She also notes that even minor neck movements, such as gentle nods, turns and slight tilts, can alleviate tension that accumulates from screen time and poor posture.

Meanwhile, simply clenching and releasing your glutes can help support your pelvis and ease strain on the lower back without drawing any attention from those around you.

How to move without annoying your neighbour

While these movements are vital for a comfortable journey, Brittany emphasises that they should never come at the expense of those around you.

“Move slowly and mindfully; there’s no rush. Slower movement is not only more considerate, it’s actually more effective for the body,” she says. “The key is to keep everything small and controlled, staying within your own space wherever possible.”

A few simple etiquette rules can make all the difference:

  • Keep movements small and within your seat space
  • Avoid wide arm stretches or anything intrusive
  • Move during quieter moments, not meal service
  • Only walk the aisle when it’s clear

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