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SILVERSTONE, England: Max Verstappen needed about 35 minutes to overcome 100 karting drivers in a Red Bull event at Silverstone on Wednesday.

Verstappen started 101st at the Silverstone karting circuit, and overtook 64 drivers on the first lap alone, with many of his opponents crashing among themselves.

Many got blocked on the track after a pile-up that prompted a full-course yellow flag. Verstappen went off track but was able to return.

“That was simply lovely,” Verstappen said. “It was a lot of fun.”

Verstappen, who finished second in Formula 1’s Spanish Grand Prix on Sunday, was up to 37th after the first lap, and up to sixth place by the sixth lap.

He went off track again but stayed comfortably faster than most drivers, none of them with any significant professional driving experience.

He said jokingly that the victory ranked as “the best one yet” in his career.

The original 7 Up kids have returned for one final series of the groundbreaking social experiment.

70 Up viewers have shared their reaction to the series coming to an end, as the groundbreaking social experiment reaches its final chapter.

14 children, consisting of ten schoolboys and four little girls, gave cameras an insight into their lives back in 1964. Every seven years since, they’ve continued to show a glimpse of their story, from education, their early careers, marriages, raising children and retirement.

ITV has now returned one final time, for 70 Up. The synopsis previously teased: “Seven decades. One extraordinary experiment. The groundbreaking documentary series returns to meet the people we first saw as 7-year-olds as they reflect on life at 70.”

As well as several of the original children returning, now in their 70s, the programme paid tribute to two who have died, Nick and Lynn, and features Charles, who stopped taking part in the franchise from his 20s.

Viewers have admitted they found the series “heartbreaking”, as one person said: “I’m bawling already knowing Nick is no longer with us.” Another agreed, saying: “I’ve watched this all my life, makes me sad and reflective I’m the same age.”

Someone else wrote: “I admit to having shed a few tears, watching tonight. I’ve grown up with them. It’s been wonderful.” Another commented: “Absolutely, life’s ups and downs, at 7 full of hope and life, I feel i know these people, I don’t.”

Someone else said: “All of it is making me very emotional. In the blink of an eye, hopes and aspirations are just distant memories and time has run out. Life is over so very quickly . Too quickly.”

Another said: “I hope you’re watching seventy Up It’s heartbreaking.” Another added: “The sadness in watching #70UP is not only the lives drawing to a close and the challenges facing individuals but also the knowledge that television will never again be this ambitious.”

One person added: “Ah even a glimpse of Neil on #70UP bring the tears, watched religiously with mum and dad growing up, comparing, dreaming, crying, feel so blessed watching but also wish these were longer eps, I could watch for hours more…. this programme was a huge part of how I learned about life and my country.”

Several others called Neil’s journey heartbreaking and sad, after he opened up about his loneliness and being homeless at times in his life, candidly sharing his struggles. One person said: “I’ve watched all of these series from the get go even though I’m no where near their age group, just to add! It’s made me feel quite reflective on my own life, quite emotional really. But watching Neil’s story has flawed me, big time! His loneliness is a hard watch.”

Another echoed: “Watching #70Up. Neil breaks my heart every 7 years. He was such a happy little boy.” Yet another wrote: “Ooh that was a hard watch at times.” One person added: “I was in tears even from the opening titles Such a touching and interesting series.”

Ahead of the series airing, Jo Clinton-Davis, controller of factual ITV and commissioner of 70 Up, said: “The 7 Up story is much more than a TV documentary, it’s a document of our times. A truly distinctive landmark piece of film-making that has become part of our cultural fabric.

“In the evolving stories of our cast we see the universal themes of life play out. It is the series that made me want to get into television. It is the series that I am beyond proud of having been involved in since 56 Up. It is a tribute to Michael Apted who will forever be associated with it and to the continued dedication and remarkable skill of Claire Lewis.

“Yet in Asif Kapadia we have an outstanding director who will bring his passion, creativity and incredible flair whilst safeguarding the very precious ‘Up’ legacy. Ultimately, this is a tribute to the courage of all the cast who continue to share their lives with us so we can see our lives in them.”

70 Up is available to watch on ITVX.

Sunday’s highly anticipated premiere of “60 Minutes” scored 7.9 million viewers according to Nielsen, the lowest for a season opener since 2000.

Nielsen data showed the news magazine was down 21% compared to last year’s opener, which averaged 10.3 million viewers. The premiere was the first ratings report card for the program since a major upheaval that occurred behind the scenes under CBS News Editor-in-chief Bari Weiss.

The number — which was also below the 2025-26 season average of 9.1 million viewers — has to be a disappointment to CBS News. The episode received a major promotional push in the weeks leading up to the premiere, which featured an exclusive interview with an Air Force officer who was shot down over Iraq.

The story of the pilot’s heroism may not have been enough to overcome the public’s antipathy toward the U.S. military operation which has gone on much longer than President Trump predicted.

The program did suffer from some comparisons to 2025.

The ratings for “60 Minutes” are often tied to the lead-in from the late afternoon NFL game on CBS, which was also off from 2026. Most of the country saw the Minnesota Vikings top the Green Bay Packers by a score of 39-22 which, with 18.4 million viewers, was down 22% compared to a comparable broadcast window last year.

Broadcasters tend to blame Nielsen when there are significant ratings declines. The NFL has already raised concerns to the research company about changes to its methodology in counting viewers, as the first week of games are down significantly compared to a year ago.

This year, CBS did not have the exclusive late Sunday window with its NFL game. Fox carried the Philadelphia Eagles-Washington Redskins contest in the time period. Last year’s “60 Minutes” opener was on Sept. 28, when CBS had the sole game with a Kansas City Chiefs-Baltimore Ravens contest.

CBS News did see “60 Minutes” retain a larger portion of its audience lead-in compared to last year, despite a later start time of 7:48 p.m. Eastern. The delay meant half of “60 Minutes” competed with NBC’s “Sunday Night Football,” the most-watched TV program of the week. It dropped to 6 million viewers by the final quarter hour.

While there are plenty of rationales, CBS News will have to be patient and hope that viewers will sample the program, which largely had the same look as last year despite Weiss’ changes.

But personalities matter to TV viewers, and the new “60 Minutes” is without four of its longtime correspondents — Anderson Cooper, Scott Pelley, Cecilia Vega and Sharyn Alfonsi. The latter three were fired by Weiss after clashing with her over their belief she is pushing the show to the political right. Weiss — who took over editorial control of CBS News after parent company Paramount acquired her heterodox digital news site the Free Press — also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

Viewers on Sunday briefly saw one of Weiss’ new hires, former conservative New York Times opinion writer Ross Douthat, who has no previous experience as a TV presenter.

If you’re planning a weekend in Windsor with a trip to Legoland included, this fancy hotel is a treat for the grown-ups but still has everything you need for the kids

“Oh no, this place looks fancy,” I told my partner as we drove up the winding path towards the De Vere Beaumont Estate in Windsor.

With its stately home feel and landscaped gardens, it had all of the makings of a lovely romantic getaway. Except we’d turned up with our two-year-old toddler, and now I worried that, despite promising to be a family-friendly hotel, this might be one of those properties where ‘family friendly’ means ‘as long as your kid sits quietly in the corner’. Thankfully, I was wrong.

De Vere Beaumont Estate is quietly family-friendly; at a first look it doesn’t feel like children are welcome, but once you actually settle in, it’s very accommodating.

The hotel may feel grandiose from the outside, but it’s not pretentious. It’s modern with quirky artwork, cosy armchairs, and a parlour bar serving an impressive array of drinks, with a large outdoor terrace.

My only quibble was the check-in process; there was a wedding onsite which caused a long queue at the reception. We actually gave up for a while and went to the bar for about an hour before returning, and even then we still had to wait 20 minutes.

Still, when we did get the keys to our room, it wasn’t disappointing. It was a decent size with a double bed, two armchairs and a table, a desk, and a large bathroom (shower only). If, like us, you’re travelling with a little one who still needs milk at night, be warned that rooms don’t have mini fridges – but we had prepared and packed an ice cooler.

The estate is very picturesque with large landscaped gardens, patches of woodlands, and a playground for older kids. It felt like we scratched the surface when we went for a wander, but there are some longer walks for those who aren’t tied to taking a pram along for the ride.

When it came to dinner, we decided to stick onsite at the hotel’s 1705 Restaurant & Bar. Again, at first glance I wasn’t sure if it would be stress-free with a toddler.

For a start, there wasn’t a children’s menu which had me instantly panicking about whether we’d need to convince our two-year-old that he did in fact want the likes of salad or soup for dinner, but thankfully the staff were incredibly accommodating when we asked if there was anyway we could get some sort of simple pasta dish, and they made us a special portion of mac and cheese.

The menu for grown-ups did tick all the boxes though. We went for the scallops and mozzarella salads as our starters, and steaks for the main. Prices range around £14-£35 per person so it’s not a particularly cheap meal, but the overall vibes, good food and friendly staff made it feel like a holiday treat.

With a toddler, it was time to head back to the room for an early night. However, after an hour of him resisting sleep, we admitted defeat, and headed back down to the terrace for a drink, taking the toddler in his pyjamas, in the pram. Nobody batted an eyelid, we easily found a table, and ended up enjoying some nice wine in the last of the sunshine.

The next morning, after making the most of the hotel’s extensive breakfast and dropping off our room key in a very quick check-out process, we made the most of the hotel’s location just a 15-minute drive from LEGOLAND Windsor.

Our toddler was under 90cm which meant he could enter for free, but also meant he was too short for a few of the bigger attractions. Still we managed to tick off more than I expected including a submarine ride, a train, and the iconic Fairy Tale Brook boat ride. There were also heaps of playgrounds throughout the theme park. As for queues, the longest we saw was 35 minutes for a NINJAGO ride, but generally we were impressed at how quickly everything moved – a very welcome feature when you’re waiting around with a toddler.

The theme park allows you to bring your own food and drink in the park which was very helpful for snacks (our little one, like most his age, is spectacularly picky about what he will eat), but I wish we’d packed more for ourselves too as when we did decide to just get some nuggets and chips for lunch, as well as some ice creams, it set us back about £30.

Overall, De Vere Beaumont Estate proved an ideal base; a lovely space for us grown-ups to enjoy, and a handy location to one of the UK’s biggest attractions. It’s definitely one we’ll be returning to!

• Rooms at the De Vere Beaumont Estate start from £129 a night based on two people sharing. Book at devere.co.uk.
• LEGOLAND Windsor day tickets start from £32pp when booked online in advance at legoland.co.uk.

The first edition of “60 Minutes” since CBS News editor in chief Bari Weiss initiated drastic changes to the venerable program made it to air Sunday. But the changes weren’t all that apparent on screen.

The 59th season premiere was highly anticipated following months of turbulence behind the scenes. Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega, both of whom complained the executive pushed them to add right-wing talking points to their stories. Longtime correspondent Scott Pelley was ousted after he angrily questioned the firings at a staff meeting.

Weiss — who took over editorial control of CBS News after parent company Paramount acquired her heterodox digital news site the Free Press — also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

Weiss restocked the program’s correspondent corps with one new full-timer — Ross Douthat, the longtime conservative opinion writer for the New York Times — and several new contributors, none of whom showed up in the premiere.

Douthat is the only newcomer added to the opening credits where the correspondents introduce themselves on camera. He also did the closing segment called “The Last Minute,” talking about the dangers of AI and the need for “journalism you can trust.”

But the look and tone of “60 Minutes” remained intact, with only a few minor tweaks to the graphics.

The episode was heavily promoted, with one on-air spot drawing on clips with from the program’s storied past. Correspondents throughout CBS News touted the premiere on their social media accounts.

The program opened with Norah O’Donnell’s exclusive interview with the Air Force officer who was shot down over Iran and rescued by special forces. The U.S. fighter jet was the first to be lost over enemy territory in more than 20 years.

The interview gave a detailed account of the rescue mission and steered clear of any political discussion about the Iran war, which O’Donnell described as “costly and unpopular.” Secretary of Defense Pete Hegseth sat for an interview, focusing solely on the rescue mission.

The second segment was a hidden-camera investigation showing how self-styled lobbyists are shopping access to President Trump to felons looking for a pardon. Video captured pardon brokers Jack Burkman and Jacob Wohl, who were seen asking for $300,000 for their help, saying they worked with influencers close to Trump who would advocate for their cases. (The White House told “60 Minutes”: “Anyone spending money to lobby for pardons is foolishly wasting their money … President Trump performs his constitutional duties in an ethically sound manner, and to suggest so otherwise is either ill-informed or malicious.”)

Some on social media expressed surprise that “60 Minutes” would do a tough story on the Trump administration under Weiss after repeated reports that she is attempting to make the program more amenable to conservatives. “So I guess Bari Weiss didn’t totally destroy “60 Minutes” after all?” political analyst Chris Cillizza wrote on X.

The Los Angeles Rams made up the third segment in the program, which typically includes sports stories when CBS has a late afternoon football game leading into prime time. The package mostly focused on Rams head coach Sean McVay.

The ratings for “60 Minutes” will be issued by Nielsen later this week. Last year the program averaged 9.1 million weekly viewers, making it the most watched non-sports program in prime time.

The Great Celebrity Pottery Throw Down sees six stars take on a new challenge in the pottery barn.

Viewers of The Great Celebrity Pottery Throw Down have issued their verdict on host Liza Tarbuck.

The Channel 4 series launched on Sunday, September 13, with six celebrities taking on a new challenge. They include Lucy Beaumont, Fatiha El-Ghorri, Richard Herring, Paul Merson, Layton Williams, and Denise Van Outen.

With little to no pottery experience, they braved the pottery studio, hoping to impress judges Keith Brymer Jones and Rich Miller to earn a place in the grand final and be crowned winner. But unlike the original format, the celebrity edition has no weekly elimination rounds.

Channel 4 had earlier teased: “Viewers can expect a few wonky edges, and some cracking clay creations as each celebrity grows in confidence and ability. But who will be holding their breath, waiting to see if their muddy masterpieces emerge from the kiln intact, who will reduce Keith to tears with their creative ceramics, and who will crack under the pressure as the competition gets more competitive over the weeks?”

After being announced as presenter, Liza previously shared: “I knew I’d enjoy Keith and Rich’s company and I did. People flourish around emotionally intelligent people, and the boy’s encouragement and kindness really promoted a growth in our newbie potters that was a pleasure to witness. I absolutely loved being there.”

Viewers have now declared their support for the former BBC Radio 2 presenter, who announced her radio show exit earlier this year, saying that after 36 years, it was “time to go”. Demanding to see more of her on their screens, one fan wrote: “Liza Tarbuck is such a natural presenter, yet television companies consistently use the same faces. Liza is a great addition to #potterythrowdown.”

Another said: “LOVING Liza Tarbuck on #PotteryThrowdown Always loved her on Radio2.. but she is PERFECT for this! What a signing @Channel4.” Someone else wrote: “Never watched Celeb Pottery Throw Down before… It’s brilliant, loving Denise, Layton, Lucy, Richard, and Liza Tarbuck presenting is brilliant… she always is, why doesn’t she get more TV time?”

“More Liza Tarbuck on the telly box please!” one viewer added, as another said: “I’d love to see more of Liza Tarbuck – she’s absolutely hilarious! Make her the permanent presenter for #potterythrowdown.”

Another wrote: “Liza + Pottery Throwdown is a dream come true! But seeing the skill level they’re all starting this, I feel this is going to be an emotional journey of a series.” Yet another echoed: “@PotteryThrow great to see Liza on the TV again, funny lady, love her.”

Meanwhile, Liza spoke about working with judges Keith and Rich in an interview with The Guardian ahead of the new series airing. “Keith is fabulous,” she said. “A really good laugh. But trust me, Rich is the one slyly holding it all together.

“They’re both open-hearted and emotionally intelligent, which is a lovely quality in men of a certain age. That makes it a safe space and brings people’s barriers down. Celebrities aside – what a horrible label – they’re just humans. Keith said to me early on: ‘Just watch the clay work as therapy,’ and it really did.”

After being announced as the presenter of the series, Liza was flooded with support from fans. One person said: “Yay, so excited to see Liza Tarbuck!!”

Another said, “Yay, Lisa Tarbuck,” while a third added, “So excited to see this … and Lisa Tarbuck.” Someone else wrote: “Never watched this before… Liza Tarbuck appears- I’M IN!”

The Great Celebrity Pottery Throw Down is available to watch on Channel 4.

The first edition of the remade “60 Minutes” under CBS News editor in chief Bari Weiss debuts Sept. 13 with a reliable formula from the venerable newsmagazine’s playbook.

Correspondent Jon Wertheim will lead off the 59th season with an in-depth look at the Los Angeles Rams, the favorite of oddsmakers to win the Super Bowl this season. Wertheim sits down with Rams general manager Les Snead, head coach Sean McVay and veteran quarterback Matthew Stafford. The segment will also explore team owner Stan Kroenke’s investment in technology, including artificial intelligence, to help the team gain an edge on the field.

Jon Wertheim interviews Los Angeles Rams head coach Sean McVay.

(CBS News)

“60 Minutes” has often turned to sports-related segments when a season premiere follows a late afternoon NFL game. Last year, Wertheim profiled Ultimate Fighting Championship Chief Executive Dana White for the 58th season premiere. The program scored more than 10 million viewers and was the most-watched non-sports program of the week. In 2023, Wertheim interviewed University of Colorado head football coach Deion Sanders for the 56th season opener.

CBS News will be under pressure to have “60 Minutes” get off to a strong start in the ratings following the major upheaval at the program earlier this year.

After the completion of a successful season where ratings were up 9% over the previous year, Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega — both of whom complained that the executive pushed them to add right-wing talking points to their stories. Weiss also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

In response to the firings, longtime correspondent Scott Pelley accused Weiss of “murdering” the program and claimed she was putting “her thumb on the scale” for more favorable coverage of President Trump’s administration. Pelley was shown the door with cause after confronting management at a June 1 meeting. CBS denied the claims.

The discord meant the program spent much of the summer hiring replacement correspondents, including Ross Douthat, a conservative New York Times opinion writer with no experience as a TV journalist.

Weiss, founder of the heterodox digital news site the Free Press, was hired by Paramount Chief Executive David Ellison with a mandate to pull the news division to the political center. The stated goal has put every move by Weiss under heavy scrutiny, as many critics have suggested she is at the network to placate the Trump White House while Paramount pursues its acquisition of Warner Bros. Discovery.

Other new “60 Minutes” contributors include author and journalist Sebastian Junger, former CNN and Vice News correspondent Gianna Toboni, and Trevor Phillips, a British journalist who joined CBS News earlier this year as a senior global affairs correspondent. They will join correspondents Wertheim, Norah O’Donnell, Bill Whitaker and Lesley Stahl.

The program will also feature stories with CBS News correspondents outside of the core group at “60 Minutes,” such as Seth Doane and Matt Gutman.

The other two segments on the “60 Minutes” premiere, — which could include a significant newsmaker interview, — will be announced sometime next week.

This year’s premiere should get a strong boost, as most of the country will get CBS coverage of a late afternoon match-up between the Green Bay Packers and the Minnesota Vikings, two contenders in the highly competitive NFC North. The network’s pregame show “The NFL Today” is traveling to Green Bay for the telecast.

A brand new series has returned with 12 new hopefuls battling it out for the winning title

RuPaul’s Drag Race descended into chaos with an apparent feud exposed just minutes in.

The latest season of the hit show has returned to BBC screens tonight (September 3) with an impressive roster of celebrity guests.

As always, 12 new hopefuls will be battling it out for the coveted title of the next Drag Race Superstar. Resident judges Alan Carr, Graham Norton, and Michelle Visage have returned to the BBC panel alongside an A-list rotation of guest judges including Hollywood actress Thandiwe Newton.

The brand new season kicked off this evening, with episodes available on BBC iPlayer and BBC Three.

But it wasn’t long before the show was plunged into chaos when an apparent feud became known. Paris Baby was the third contestant to be introduced as she admitted she liked to “start some drama”.

However, introducing herself to her cast members, she confessed to “saying some things” about former drag queens that have previously been seen on the show.

Stating she had been blocked after messages were “leaked”, she was then asked what she would do if one of the girls walked in the room today, to which she replied: “Ask them why they blocked me.”

And it wasn’t long before tensions started to rise, when Flesh walked in the doors, drag related family to previous contestants Bones and Krystal Versace.

Appearing to be one of those who had “blocked” Paris Baby, the two soon met face to face. When asked about their history, Flesh replied: “I don’t think we’ve ever met before”, as Paris Baby explained.

Speaking to cameras, Flesh admitted: “I didn’t immediately recognise Paris until I sat down and she said we had beef. We’ve never met but I saw her perform once and I left before the number had finished. I thought it was rude to laugh.”

Explaining to the group, she continued: “We are a super tight family so anyone speaks about your family you’re obviously going to say well you’re not going to be in our space.” Flesh then branded Paris a “troll” before a tense head to head that had had the group in fits of laughter.

But some fans watching at home were left unimpressed as one person said on X: “Flesh VS Paris Baby – The two have their first encounter of the season and well …” Another wrote: “Is Paris Baby becoming already one of the least liked queens from the franchise already?” However, one viewer said: “I love Paris baby so so much already I just know she’s only gonna last like 2 episodes though”

A synopsis for the episode reads: “A brand spanking new series of RuPaul’s Drag Race UK returns! Over the next ten weeks, a cast of fabulous new drag queens will compete for RuPaul’s seal of approval and the much-coveted title of UK’s Next Drag Race Superstar.

“International drag legend RuPaul welcomes the queens into the werkroom for the very first time. Entering one by one, they meet their fellow competitors, and of course, they meet RuPaul, who sets them a surprise first challenge.

“The queens are tasked with staging a talent show at the Werkin’ Queens’ Club – RuPaul’s very own twist on a traditional working men’s club.”

RuPaul’s Drag Race can be streamed on BBC iPlayer

Taskmaster made a return to our TV screens for a brand new series and viewers were quick to share their reaction

Taskmaster’s highly-anticipated return has sparked the same reaction from viewers.

Fans were quick to share their verdict just minutes into the return of the Channel 4 comedy show which returned to screens tonight (September 3) for its 22nd series. It introduced a brand new group of celebs taking on the bizarre challenges set by Greg Davies and his co-host Alex Horne.

The new series saw Richard Ayoade, Matt Lucas, Chloe Petts, Isy Suttie and Nina Conti enter the Taskmaster’s set for the first time. Richard Ayoade, best known for playing Maurice Moss in The IT Crowd, is joined by Matt Lucas, the Little Britain star and former Great British Bake Off host. Comedian Chloe Petts, Peep Show actress and comedian Isy Suttie, and award-winning ventriloquist Nina Conti complete the line-up.

As ever, the five comedians were handed a collection of strange and seemingly impossible challenges, with Greg ultimately deciding who deserves the coveted points.

The opening episode, titled In My Mind There’s A River, saw the stars thrown straight into the madness, with Greg and Alex putting them through their paces as they battled to impress the Taskmaster.

They first challenge called hunting for golden apples, where they had to search for and obtain the apples, with the usual Taskmaster opportunities for creative interpretations and questionable tactics. Up next was rearranging furniture and the stars were given a furniture-based challenge where their ability to interpret the instructions became important.

And finally they took on performing a duet with themselves, which was one of the more bizarre tasks, requiring the contestants to effectively perform both parts of a musical number.

It didn’t take long for viewers to share their reactions to the new series on social media as a flurry of fans claimed that it is the “best show on TV.”

One fan wrote: “Aaah, and #Taskmaster is back… suddenly the world feels normal again. The only TV show that makes me smile every time.” Another viewer was already in stitches after the opening challenge, posting: “First task in and I’m creasing already #Taskmaster.”

Others were equally enthusiastic, with one simply declaring: “Best show on tv #taskmaster.” A fourth fan added: “This is gonna be a fab series I feel it in my bones #Taskmaster.” And another agreed, writing: “Really fun opening to the series.”

You can stream the new series of Taskmaster on Channel 4.

Norah O’Donnell is returning to “CBS Mornings” in what is expected to be the start of a significant revamp of the struggling program.

CBS News told staffers Thursday that the former anchor of the “CBS Evening News” will become a co-anchor of the morning show on Tuesday Sept. 8 alongside Gayle King and Nate Burleson. O’Donnell is also a full-time correspondent at “60 Minutes.”

The addition of O’Donnell is the first step in a makeover for “CBS Mornings,” which will be redesigned to have a faster pace and more live interviews, according to people familiar with the plans and were not authorized to discuss them publicly.

There is also talk it will become more of a discussion program similar to MS NOW’s “Morning Joe.” The memo announcing her return was written by Jon Tower, a “CBS Mornings” senior producer who once worked on that program.

O’Donnell, 52, was part of the trio of co-hosts that gave CBS News the highest ratings in three decades, “CBS This Morning,” when she shared the desk with King and Charlie Rose. The program launched in 2012 and saw its ratings increase for five straight years. The audience levels fell off when Rose departed the program after he was hit with sexual harassment allegations in 2017.

“CBS This Morning” was renamed “CBS Mornings” in 2021, and adapted the theme music of the network’s popular weekend program “CBS Sunday Morning.” But the revamp never lived up to a promise to deliver the same in-depth stories as the Sunday program and failed to draw new viewers.

“CBS Mornings” has long been the ratings also-ran in the mornings behind NBC’s “Today” and ABC’s “Good Morning America.” But the program has hit record audience lows this year in part due to the cancellation of “The Late Show with Stephen Colbert.”

Colbert was replaced by “Comics Unleashed” which is attracting about a third of the “Late Show” audience which was just over 2 million viewers. As a result, far fewer viewers are leaving their sets tuned to CBS after switching off for the night.

O’Donnell left the morning shift in 2019 to become anchor of the “CBS Evening News.” The program remained in third place in the ratings behind “ABC World News Tonight” and “NBC Nightly News,” but performed far better than John Dickerson and Maurice DuBois, the anchors who replaced her in 2025 and only lasted a year before they were replaced by Tony Dokoupil.

O’Donnell was content with a new role as a senior correspondent and contributor to “60 Minutes.” She has steered clear of controversies that have occurred at CBS News since Bari Weiss was installed as editor-in-chief, and showed a willingness to step up for big assignments.

O’Donnell’s put-me-in-coach attitude has turned out to serve her well as she was elevated to a full-time correspondent at “60 Minutes” and will soon be the center of a revamped morning program.

O’Donnell joined CBS News in 2011 as chief White House correspondent after a 12-year run at NBC News.

The Jury viewers were left baffled as tensions erupted among the jurors just minutes into the first episode of the new Channel 4 series.

The Jury took a turn minutes into the new series.

Viewers were left baffled just moments into the return of the Channel 4 series after tensions began to rise among the 12 jurors. The BAFTA-winning programme returned for a new series on Tuesday (September 1) night, once again putting a group of ordinary people in a specially constructed jury room in a recreated murder trial.

This time, the jury is considering the case of two brothers, one just 14 years old, who are accused of killing their stepfather. The brothers admit stabbing the man more than 69 times while he was asleep, with the jury having to decide whether the killing was an act of desperation or a calculated murder.

However, viewers were quick to comment on the reaction inside the jury room after the first trial and initial evidence had been presented. As the 12 contestants began discussing what they had heard, it quickly became clear that they were far from united in their views.

One juror, Jamie, admitted he was struggling to remain objective because of the age of one of the defendants. “This is mental,” he said. “My main aim is to be completely objective and then there’s a 14 year old put in front of me and it’s thrown it out of the window. I’ve got a boy that’s nearly f****** 14. As a dad, two young boys. I feel like it’s made it so much more challenging to be objective.”

He later described the evidence they had heard as a “massive bombshell”. Another juror questioned whether the group could fairly assess the case given that Daniel was only 14. “Do we feel that we can make a fair decision, because he’s so young?” they asked.

But not everyone believed Daniel’s age should influence their thinking. Kim insisted: “Age doesn’t come into it for me. Maybe it should but as it stands, I’m not looking at it as an age thing.”

Christopher, 20, disagreed and argued that Daniel’s age could be important when considering his responsibility for what happened. “I think it ought to a bit. I’m gonna be a really annoying sociology student right now,” he said. “But I think we do need to consider his age because I think that’s going to impact whether he’s in full control of his faculties.”

Jamie agreed with Christopher’s argument, pointing out that a teenager’s brain is still developing. “Their brain is still forming. So how can you say someone’s completely responsible as an adult when they’re not an adult?” he asked.

Kim, however, pushed back strongly. “So it justifies him killing him? No,” she replied. Jamie insisted the situation was more complicated than that. “But it’s not as simple as that. It’s not a simple thing,” he said.

Kim responded: “For you, maybe not, but for me, it is that simple. I am very black and white.” She went on to focus on the circumstances of the killing, arguing that the number of stab wounds made it difficult for her to separate Daniel’s age from the crime itself.

“The killing was nasty. The amount of times Daniel stabbed him. There was no justifying that,” she said. “Looking at him as a 14 year old, rather than the crime that he’s committed, I think it kind of clouds the judgement.”

Chloe, 23, also took a firm position on the issue. “Yeah. That’s overkill. You know what you’re doing after you’ve done it over 69 times,” she said. “If you’ve already done one big gash on the neck, you can’t do that to someone and expect them to be walking around perfectly the next day.”

She added that she believed the brothers intended to kill their stepfather and did not think Daniel’s age could be used as an excuse. “If they were adult enough to commit an adult crime, then surely they can take the punishment,” Chloe said.

The heated discussion came relatively early in the programme, with viewers watching the jurors begin to form opinions as the case started to unfold. Some viewers were surprised to see such strong opinions emerging while the group had only been presented with an early portion of the evidence.

One viewer wrote on X: “Not seen any evidence yet and they already arguing #TheJuryC4.” Another said: “Making up your mind before you’ve heard even a lick of evidence is insane but go off I guess.” A third questioned the make-up of the jury, asking: “Do they actually have level headed people on the series this time? #TheJury.”

However, not everyone watching was critical of the programme. One viewer praised the return, writing: “I’m watching, it’s one of the best programmes on TV and with all the debate over jury trials, a fitting watch. #TheJury.”

As the first episode continued, the jurors were presented with further information about the case, giving them more evidence to consider as they attempted to establish exactly what had happened.

You can stream the new season of The Jury on Channel 4

BBC Vigil is back and a lot has happened since fans last saw DCI Amy Silva and DI Kirsten Longacre.

BBC Vigil fans have been quick to point out an indication of Amy and Kirsten’s relationship status.

WARNING: This article contains spoilers from BBC Vigil season three.

As well as the intense international murder investigations, Vigil fans have loved watching the blossoming romance between DCI Amy Silva (played by Suranne Jones) and DI Kirsten Longacre (Rose Leslie).

The couple have come a long way since they met in series one of the BBC crime thriller, overcoming both personal and professional struggles.

But it didn’t take long before viewers got the update they were waiting for in the debut episode of BBC’s Vigil, which is now ready to stream on BBC iPlayer.

When Amy and Kirsten first appear onscreen, they are in their bedroom with their young son Fergal, Kirsten folding clothes and Amy lying in bed with him.

They lovingly muck about and in a later scene after Kirsten is told she is flying out to Svalbard, she hugs her adopted daughter Poppy.

Before they part ways, Amy and Kirsten share a long embrace and reciprocate their “I love you”.

Fans flocked to X to share their love for this insight into the couple’s home life, with one person writing: “Seeing our #Silvacre ladies being a family with Poppy & Ferg is super lush.”

Another said: “This mutual I love you and hug were perfect”, as fellow fans commented they are “super cute” and have an “amazing bond”.

But these scenes are particularly eye-opening as eagle-eyed viewers have noticed that Amy and Kirsten are wearing rings, indicating that they got married during the three-year hiatus.

A viewer jokingly shared: “Me everytime their rings came on screen trying to get a closer look.”

Quoting Amy who tells the chief of Svalbard’s police to “look after my officer”, a fan said: “One Amy Silva please. That’s the WIFE.”

As someone else commented: “The worry, Poppy, the rings, the little one, the foundations for future arguments…Silvacre is back.”

But it’s not all good news for the happy family as they are now separated as Kirsten ventures to Svalbard to investigate the murder of a British soldier.

So how will Kirsten fare up on the frontline following her maternity leave and when will Amy join her in Norway?

Vigil is available to watch on BBC One and BBC iPlayer.

Lulu performed her own James Bond song, The Man with the Golden Gun, at the BBC Proms at the Royal Albert Hall

Lulu appeared to be moved to tears following her showstopping performance at the BBC Proms.

Host Nick Mohammed set the tone from the very start of the evening, joking that his appearance at the concert was doubling up as an audition for the next James Bond.

“I will say, while a decision hasn’t yet been made about who’s going to be the next James Bond, I am kind of seeing this as my audition,” he told the audience.

“I know it’s a bit unconventional. I’d usually just do a self-tape on my phone, but I thought, why not hire out the Royal Albert Hall with the full support of an orchestra?”

Introducing conductor Daniel Bartholomew-Poyser, Mohammed joked: “Tonight, we provided the illustrious leader of our special operation with a short wooden stick, but when aimed in a particular direction, is able to do this. May I present the man with the golden baton.”

The Royal Albert Hall played host to the beloved and instantly recognisable theme tunes from the Bond franchise, alongside memorable soundtracks from other spy films, with Mohammed describing their mission as a celebration of “more than 60 years of 007 soundtracks and songs, arguably some of the most iconic film music ever created.”

The BBC Concert Orchestra, led by Bartholomew-Poyser, delivered the music alongside a lineup of special guest vocalists.

Yet it was Lulu who truly stole the show. The legendary Scottish singer took centre stage to perform her very own James Bond number, The Man with the Golden Gun.

Fans flocked to X to share their reactions, with one writing, “Ahhh! The eternally delicious LuLu x x x,” reports the Daily Record.

Another praised, “I was so looking forward to this…best thing? Lulu.” Lulu looks and sounds fabulous,” a third chimed in, while another gushed, “Lulu looks and sounds phenomenal.”

One fan noted that Lulu “Seemed emotional at the end there,” while another enthused, “Best singer so far…go on Lulu!”

The audience erupted in cheers and applause for Lulu, who stood on stage, visibly tearful, following her breathtaking set.

The BBC Proms is available to watch on BBC iPlayer.