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The longest sea crossing connects three major cities

Stretching 34 miles across the Pearl River Delta, the Hong Kong-Zhuhai-Macau Bridge holds the record as the longest sea crossing ever constructed, connecting the southern Chinese cities of Hong Kong, Zhuhai and Macau. The 55km structure took nine years to build at a cost of approximately £15bn.

It has dramatically cut journey times between the three cities, transforming what was once an hour-long ferry trip into a drive of roughly 40 minutes. The bridge forms part of a broader initiative to strengthen transport links across the Greater Bay Area, a region the Chinese government is nurturing into a major economic powerhouse.

By connecting Hong Kong and Macau more directly with cities in Guangdong province, the crossing is designed to boost trade and movement throughout the region. Its construction incorporates several key elements, including a series of long-span bridges, man-made islands and connecting roads.

The main section features three navigation channel bridges – Jiuzhou, Jianghai and Qingzhou.

This was constructed to permit large vessels to pass through one of China’s most heavily trafficked shipping zones.

Engineers were required to contend with challenging conditions, including regular typhoons and a demanding marine environment, reports the Express.

The bridge employs single-column piers embedded in the seabed to minimise disruption to water flow and reduce the impact on local wildlife, including the Chinese white dolphin.

The three principal bridges feature cable-supported structures, each boasting a distinctive tower design.

These were designed to provide the crossing with a uniform yet diverse aesthetic, especially considering its prominence from land, sea and air.

The Jiuzhou Bridge maintains its original sail-shaped towers after modifications during the detailed design stage.

Engineering consultancy Arup played a role in various aspects of the scheme, including preliminary design work, artificial island construction and significant road and tunnel connections on the Hong Kong and Macau sides.

Further infrastructure associated with the crossing encompasses boundary crossing facilities and links such as the Tuen Mun-Chek Lap Kok Link, assisting in incorporating the bridge into the broader transport network.

Since its inauguration, the bridge has emerged as a vital route within the region’s transport infrastructure, demonstrating both the magnitude of China’s infrastructure objectives and the practical requirement for quicker links between its major urban centres.

Gavin Rossdale brought his band Bush to Stagecoach on Saturday — one of several groups at the festival this weekend with indelible rock hits from the 1990s. The 60-year-old, who recently premiered a television cooking show, also put in an appearance alongside Billy Bob Thornton, Wynonna Judd and Gavin Adcock at the fever dream that is Guy Fieri’s Smokehouse. I caught up with him between the two engagements.

This has gotta be your first Stagecoach.
It is. I was waiting till I got an invite. I didn’t want to just get a ticket — I wanted to be invited.

You just did a cooking demonstration with Guy Fieri. How’d that go?
Fantastic — really good fun. We had four people doing different dishes. He’s a great, great man — I love him.

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You’ve become a TV chef yourself. What’s the TV-chef-meets-TV-chef vibe?
I felt a kinship. I only had to tell him — we were talking about making the food — I said to him we could cook some secreto pork. That’s the secret, perfect part of the pork that people don’t know enough about. He was so impressed after that he left me alone to just do what I want.

Guy Fieri didn’t know about it, and neither did I.
Oh no, he did.

Clarification: I didn’t know about it. You were there with Gavin Adcock, which means that there were two Gavins.
It was a first for me.

I know that Paramount is here at Stagecoach. Are you interested in pitching an odd-couple comedy with you and Gavin Adcock? He’s a country guy, you’re a rock guy — I think we can make this happen.
He made a big steak sandwich, and I made a sort of a deep-fried chicken with rice and Japanese things. So I feel that we’re opposing sides and we could combine and make a really great balanced meal.

We’ll pitch this later tonight. How did Bush end up on a country music festival?
That is such a good question — you should’ve led with that. And I don’t have any answer for it. It’s like one of those things where I’m just excited to be here and I don’t want to screw it up.

What would screwing it up look like?
Choosing the wrong song.

The deepest cut.
A D-side. Nobody wants it. But it’s so hard to know what everyone knows. I was trying to do the set list, but I was like, Who is everyone here? Is it real cowboys? Is it Palm Springs cowboys? Is it California cowboys? What is it?

Gavin Rossdale and drummer Nik Hughes perform with Bush on Saturday.

(Allen J. Schaben / Los Angeles Times)

Bush is not the only rock band at Stagecoach. The Wallflowers are here, Third Eye Blind is here. You have any beef with these other rock bands?
Not on the culinary stage, because it was all chicken. But no, no — I don’t have beef with anyone. Life is too long for beefs.

If you were to play a country song, what would it be?
Zach Bryan’s catalog is sensational. They’re beautiful songs, and I feel that if I spent a good amount of time, I could do a faithful version à la Bush.

So Stagecoach 2029: Gavin Rossdale sings the Zach Bryan catalog.
Well, not the whole thing.

After back-to-back appearances at both weekends of Coachella, David Lee Roth popped out Saturday at Stagecoach to sing Van Halen’s “Jump” with Teddy Swims for the third (and final?) time. To discuss what he called his “three-peat,” I caught up later with the 71-year-old singer, who wore a bedazzled jacket and a leather vest.

Have you bought property in Indio? Do you just live here now?
No, I’ve bought property in the American musical fabric that extends beyond time frame, that extends beyond shoes and haircuts. It includes cowboy hats and yarmulkes.

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Next weekend this place is gonna be barren. Will you be back to sing “Jump” with nobody?
There’ll be plenty of people here for the Diamond Dave Big Rig Trucking School and Day Care Center.

You’re on your own tour right now. How are those shows going?
They go exquisitely because if you enjoy what you saw onstage [tonight], it’s that times 22 songs.

Twenty-two songs in the set.
Oh yeah. I wrote every word that I sing, I wrote every note that I sing — all the melodies — and I stacked all the harmonies. Ed [Van Halen], of course, contributed all the great guitar parts. And we wrote all of those parts literally sitting in a tiny little alcove room where you put a washer and a dryer. We would sit knee-to-knee the room was so small, and he’d play the electric guitar. His mom wouldn’t let him plug in because it would be too loud, so I had to lean over. Every song that you know of Van Halen, I heard from an unplugged-in electric guitar from four inches away, going, “Too long.”

Tighten it up.
Cut it short. All great musicians finish long after the ending.

Last time we talked, you said you were wearing Artemis II. What’s the outfit tonight?
This is classic Nudie’s western wear from Lankershim. This is from the ’50s. This has been all over the world. This is made by Nudie’s of Hollywood, who made all of Roy Rogers’ and Jean Autry’s [clothes] and all of “Bonanza,” “Gunsmoke,” “Rawhide’s” wear. Look up Nudie of Hollywood, OK? This baby’s worth more than my shoes, and they’re custom-made. This jacket’s worth more than my teeth — same thing.

Lyle Lovett performed Friday evening in Stagecoach’s Palomino tent with the group of killers he calls his Large Band. After the show, I sat with the singer and actor in the front seats of what I’ll call his Large SUV. “It’s a rental,” he said.

We’re in here because you want to protect your voice?
You know, I don’t smoke marijuana.

Anymore, or period?
Period. I have no moral judgment for other people, but I don’t think it’s good for me. When I smell it, I get concerned that it’s going into my body, and so I just try to stay away from it. In the artist tent, there were plumes everywhere. In fact, at our set, two songs in, I called over our assistant tour manager and I said, “Can you put some fans blowing back out into the audience?”

To send the weed back from whence it came.
Well, I don’t want people to waste it either — they paid good money for it. Jackson Browne asked me once in the parking lot of Conway [Recording Studios] — we were doing “The Road to Ensenada,” and he said, “Is it true you’re not cool with weed?” I said, “You know, I’m not.”

Where do you live these days?
In a couple of places, but in Austin, mainly.

People from Texas have strong opinions about the hierarchy of its cities. What’s the best city in Texas?
I can’t answer that.

You wouldn’t deign to.
It’s your thought, not my thought. The cities in Texas are distinct — wildly different from one another. Houston is one of the most international cities in the world. Austin is the most liberal city in Texas but it’s also being transformed by tech money. What’s going on there is analogous to what the oil business did in Houston and Dallas. San Antonio is the gateway to South Texas — it’s like 85% Hispanic. You feel the difference in culture there, and that’s wonderful. That’s my answer.

Did you ever have a move-to-L.A. moment?
I leased houses three different times. The first album I made in Los Angeles was “Joshua Judges Ruth,” in 1991, and the house belonged to a college professor who took a job at New Mexico State. It was on a street called Multiview, one switchback down from Mulholland — between Laurel and Nichols Canyon on the Valley side. I had a beautiful view of Universal City and the 101 as it came in. I remember this professor, when he was showing me the house, he called it “the river of lights.” So I lived there and then later rented the same house two different times, years apart, on a street called Torreyson, right below the Lautner [Chemosphere].

You’re set to get a star this year on the Hollywood Walk of Fame.
I don’t know if that’s true. I think I’m eligible.

It’s true — I checked.
We’ll see.

Let’s say it happens, which it will. How’s that strike you?
I think it’s always an honor to be recognized by any official organization. But that sort of stuff seems completely separate from the work I’m concerned with. What’s important is the work and how you get to do it.

Which of your albums would you say is your best?
It’s impossible to say. I’m proud of the Nashville records — the budgets were smaller and I had to record those records more quickly. But when I went to Los Angeles and spent too much money recording “Joshua Judges Ruth,” that was one of the most expansive creative experiences I ever had.

Define “too much,” right?
It was too much. Instead of recording three or four songs a day, we recorded two songs. Two weeks later, you didn’t love the take, let’s record it again. There was time to search for ideas, not just document ideas — that was the biggest difference for me. The natural way of doing things — just knocking it out — is absolutely valid. But from my point of view, I was more comfortable spending more money [laughs].

Where’d you like to eat when you were working in L.A.?
When we worked at Conway, we’d have lunch every day at Lucy’s El Adobe to the point that I gave them a credit on the albums.

Bailey Zimmerman performed Friday night at Stagecoach, where his set mixed post-grunge country hits like “Religiously” and “Where It Ends” with a cover of Miley Cyrus’ “The Climb” and an appearance by BigXthaPlug on their duet “All the Way.” Before Zimmerman’s set, I met with the 26-year-old singer inside a denim-bedecked pop-up presented by American Eagle, for whom Zimmerman serves as an official spokesbro.

Did you only agree to become an American Eagle ambassador because you thought you might be able to meet Sydney Sweeney?
I would understand why you would think that. But honestly, no — it was a full circle moment in my life. Before my American Eagle deal, I had all the American Eagle underwear. They couldn’t send me new ones — I had ’em all.

Do you get free jeans?
They give me everything for free.

Could you get me some free jeans?
Maybe? I could do one of those things where I’m like, “Oh, it’s for me,” but it’s really for you.

By my count, this is your fourth Stagecoach in a row.
Yep.

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You never miss this, bro.
It’s my favorite time of the year — it’s sick. I come out here the whole weekend. The first year, I brought my best friends, and we’ve done it every year since — all my friends and their fiancees now because we’re getting older and they’re getting married. So it’s just a big party all weekend. It’s something I look forward to.

Speaking of getting married, last year you you told me you were looking for a wife. Any progress?
Well, you know, honestly, I’m still just kind of doing my thing. I’m on God’s timing, truly —I’m just letting it roll.

You’re a Justin Bieber guy.
Beliebe it.

“Swag” or “Swag II”?
I was hesitant to want to listen to “Swag II” because I love “Swag I” so much. But then once you get into “Swag II,” it’s like, Dude, this is so fire, bro. Both albums are so fire — I’ll listen to either one.

Did you watch Bieberchella?
Yes!

What did you think of the YouTube of it all?
I thought it was really cool. I loved it — it was just something way different. I’ve never seen that done like that. Iconic — I would call it iconic. That’ll go down in history.

Bailey Zimmerman on Stagecoach’s main stage.

(Allen J. Schaben / Los Angeles Times)

You have a current radio hit, “Chevy Silverado.” What was your first truck?
A 2005 white Chevy Silverado. That’s what the song’s about.

Yes, of course. But I didn’t know it was true to life — I thought you were using writerly inspiration.
No, true to life, man. My grandpa had a 2005 crew-cab short-bed Chevy Silverado, and I bought it off of him. I had to borrow money from my bank in my hometown, and I bought it of him because times weren’t good at the time. When the used car dealership was going good, maybe he would’ve given it to me, but at that time, it wasn’t going good, so I had to borrow money and have a payment at the bank. Adult things.

You know where that truck is now?
I still have it. Honestly, I didn’t think anybody would resonate with the song — I didn’t think anybody would listen to it just because it was so personal to me. Every single line is a real life story from my life, so to see it resonating with everybody and seeing it do what it’s doing — it’s so cool, man.

Two of our esteemed gubernatorial candidates, the cowboy and the dilettante, apparently could not find ties for the first debate Wednesday night, showing up with dress shirts casually unbuttoned.

Mr. Middleground sported a scruffy sorta-beard, apparently unable to pay for a razor in the midst of California’s affordability crisis. It’s a trademark look that always makes me think if this doesn’t work out, he’ll opt to live on a boat in some not-too-expensive slip by the Bay.

The billionaire wore Nikes instead of dress shoes, a sartorial nod perhaps to his bid to be the outsider-fighter. Or maybe his feet just hurt.

The last two contenders were remarkably unremarkable.

Why start with fashion? Honestly, it might be the most interesting, and telling, bit of insight that came from this first (of three) chances for our next governor to let us know who they are and what they’re made of. If the debate showed us anything, it’s that none of these candidates are hiding follow-me charisma or an excitement-inducing political vision for our collective future.

Yes, there were a few decent jabs here and there about Tom Steyer’s money, Katie Porter’s temper, Matt Mahan’s tech ties and Chad Bianco’s far-right world view. But even those were predictable.

Still, in between the yawns, there were a couple of answers worth noting, ones that might actually give us insight into how the Democratic candidates differ (Despite all the hype, it seems increasingly unlikely that two Republicans will come out of the primary, and even more unlikely that in a Democratic vs. Republican race, the Democrat would lose in blue California.)

I’ll start with a surprising place where I agreed with Steve Hilton, the Republican endorsed by President Trump.

The candidates were asked if they would support a ban on social media for kids under age 16. This is a quickly accelerating idea not beloved by tech companies. Australia and Indonesia already have bans in place. Other countries, including France and Portugal, have them in the works. Florida banned children under 14 from opening social media accounts on their own last year.

And a Los Angeles jury last month dealt a blow to Meta and YouTube when it found the platforms had damaged the mental health of a young woman with their addictive features.

Hilton took the ban question a step further, saying it “misses the point.” He has long argued that it isn’t just social media that is the problem, but having kids staring at a digital device for hours a day instead of interacting in the real world. It was one of the most genuine answers of the night.

“We’ve got to get to the heart of the problem, and that’s the devices and the screens,” he said. “I think that every parent in their heart knows that it’s wrong.”

While Steyer and Xavier Becerra, the former California attorney general, both said they would support such a ban, the remaining three candidates hedged or said they would not. Porter said no to a ban under age 16, but said she “might consider a different ban,” without being specific.

Mahan, who is backed by significant tech money, and Bianco both said they believed requiring parental consent was the way to go (though Mahan said he would ban devices in schools).

As Becerra pointed out, “kids have died as a result of their use of social media,” so it’s a place where policy matters. And if a candidate doesn’t see government’s role in controlling the dangers of social media, what will happen with artificial intelligence?

The candidates also had differences in how they would handle homelessness and the related crisis of housing affordability, though the devil was often buried in the details.

At least for Democrats. For Bianco, the difference was stark.

“We are not dealing with homeless. So stop calling it homeless,” he snapped at the moderators. “It has nothing to do with homes. This is drug- and alcohol-induced psychosis, mental illness.”

Of course, this is wrong. Last year, the UC San Francisco Benioff Homelessness and Housing Initiative released the results of the state’s most comprehensive survey of homeless people. It found that for most people living on our streets, “the cost of housing had simply become unsustainable.” It also found an increasing percentage of those folks were older — almost half were over the age of 50 — and had become homeless after a hardship such as an illness or a job loss.

“It’s also families who are fleeing intimate partner and domestic violence,” Porter said. “It’s people who are double and tripled up. It’s people who are living in their cars on our college campuses. Homelessness comes in a lot of different forms.”

Most of the Democratic candidates seemed to understand this and embraced the increasingly popular idea of putting more money into helping people stay housed after a hardship, instead of trying to get them housed after they lose their place.

“How can I help you keep your home?” Becerra said. “Because it costs me so much more money to pick you off the streets, provide you with the assistance in the shelter, than it does to keep you in the home.”

But the issue of homelessness is also where daylight emerged between the candidates. Steyer said he and his wife had helped finance low-barrier homes, not just shelter spaces, where people do not need to be addiction-free and where they can bring pets — two issues that are common hindrances for moving folks off sidewalks voluntarily.

Mahan, the mayor of San José, who often touts his city’s success at moving people indoors, agreed that emergency and interim housing was critical, but also voiced support for forcing folks to accept help. Last year, San José passed an ordinance he backed that some say criminalizes homelessness — a person can be cited twice for refusing shelter, and a third refusal within 18 months can lead to an arrest.

“When shelter was available, we required that people come indoors,” Mahan said, adding, “We have to be able to mandate treatment.”

It’s a controversial position, but also one that is increasingly popular. Gov. Gavin Newsom has backed mandated treatment, in a lighter form, with his CARE Court (which is technically voluntarily). And the movement to require people to accept a shelter space or face arrest is growing on the right and even the Democratic-middle.

But there is a fine and dangerous line with mandated treatment and shelter requirements that is often pushed further and further to the side in favor of the clean, safe streets argument. Whenever we start locking folks up — whether it’s in mental wards or immigration detention centers or jails — we should be careful that expediency isn’t trumping ethics.

Of course, the debate would not be complete without the Democratic candidates’ position on our president, speaking of ethics.

Steyer was gleeful that Trump has come after him on social media, a point of pride that he is a relevant figure in the fight against MAGA. He also said he would abolish Immigration and Customs Enforcement if he could, which he can’t.

Becerra highlighted his many lawsuits as California’s attorney general during Trump’s first term, and pledged to keep fighting. Porter leaned into her time in Congress and her efforts to help Democrats in other races win.

Mahan took a different route, pledging to fight when necessary, but adding, “We need a partnership, and we need to find common ground with this administration on certain issues.”

Newsom learned the hard way that common ground is what Trump says it is, and shifts without warning or reason.

So what’s the takeaway from all this?

Boring dad; feisty mom; rich do-gooder; striving newcomer; MAGA one; MAGA two.

None of them hit it out of the park, but no one struck out. Maybe next time.

Anna Haugh and Grace Dent made their joint MasterChef debut on Tuesday

A fresh series of MasterChef has landed on the BBC with a new hosting duo.

Series 22 sees celebrated chef Anna Haugh and restaurant critic Grace Dent take over from Gregg Wallace and John Torode as judges. The pair will test 48 of the country’s best amateur cooks with an array of spectacular challenges.

The first heat of this year’s competition aired on Tuesday (April 21), with six talented cooks from all walks of life heading into the kitchen to battle it out for a coveted MasterChef apron.

They include digital portfolio manager Rosdip, 33, construction project company director Brendan, 57, tech programme manager Jhané, 29, environmental consultant Sabina, 49, accounts assistant Samantha, 39, and IT manager Matt, 41.

Just moments into the episode, viewers were left divided as Anna and Grace made their joint debut. Some fans were frustrated with the pair’s facial expressions, with one person writing on X (formerly Twitter): “I’m assuming it must be in the contract that judges/presenters on MasterChef must express shocked/surprised faces at every opportunity possible! Gregg and John did it for years and it looks like it’s continuing!”

Another added: “Someone tell Anna that she doesn’t have to replicate Gregg’s surprised face every time a contestant tells her what they are going to be cooking,” while a third said: “I can’t watch #MasterChef any longer. [Anna] and her daft facial expressions.”

A fourth fan echoed the sentiment: “Why do those two presenters keep making such stupid faces?”

Meanwhile, other viewers were delighted with Anna and Grace’s debut, with one person writing: “Loving the two ladies, Grace and Anna running the MasterChef kitchen.”

Another added: “Love Anna and Grace in this series,” while a third said: “Absolutely love Anna.” A fourth fan commented: “Loving Grace and Anna on #MasterChef.”

During the episode, Anna and Grace put their trust in the amateur’s taste buds as they introduced the Signature Dish round, which saw the contestants make their favourite dish from home.

The cooks who made the best two dishes, Rosdip and Jhané, were immediately rewarded with a MasterChef apron, while the other four fought it out for the last two aprons in the Classic Recipe Test.

The amateurs were each given the same recipe for one of Anna’s favourite brunch dishes, which put core cookery skills to the test.

The successful group of cooks, along with their newly-earned aprons, had one more hurdle to jump to secure their quarter-final place.

Anna and Grace invited last year’s final three – champion Harry Maguire and finalists Claire Syrenne and Sophie Sugrue – to sample the food on offer.

They tasted two courses from each of the cooks, before Anna and Grace revealed the three contestants who would be going through to the quarter-finals.

MasterChef season 22 is available to stream on BBC iPlayer

Long-haul flights can cause in-flight circulation stiffness and fatigue, especially for older travellers

Anyone who’s flown long-haul will be acutely aware of the stiffness, exhaustion and sluggish circulation that can develop, potentially marring the start of your holiday. And this is particularly relevant for older passengers.

With this in mind, Inspiring Vacations has teamed up with Melbourne-based Pilates instructor Brittany Tatterson to reveal some movements anyone can perform while still aboard their flight.

She explained: “Seated movements every 30 to 60 minutes are ideal, with the opportunity to stand and walk every one to two hours where possible. Many people wait until they already feel stiff, but by that point the body has already tightened and circulation has slowed.

“The good news is you don’t need to stand in the aisle or take up extra space. The most effective movements are often the smallest and can be done entirely within your seat.”

The discreet in-seat exercises you can do (without anyone noticing)

The first movement Brittany suggests is gently tilting your pelvis forward and backwards, as this can help engage your core and relieve pressure from your lower back.

“You can also keep your toes on the floor and slowly lift your heels up and down to encourage circulation through the legs, which is particularly important on long-haul flights,” Brittany added.

“Breathing is another big one. Inhaling through your nose and allowing your ribs to expand, then exhaling slowly, can help improve both your breathing and overall energy levels.” She also notes that even minor neck movements, such as gentle nods, turns and slight tilts, can alleviate tension that accumulates from screen time and poor posture.

Meanwhile, simply clenching and releasing your glutes can help support your pelvis and ease strain on the lower back without drawing any attention from those around you.

How to move without annoying your neighbour

While these movements are vital for a comfortable journey, Brittany emphasises that they should never come at the expense of those around you.

“Move slowly and mindfully; there’s no rush. Slower movement is not only more considerate, it’s actually more effective for the body,” she says. “The key is to keep everything small and controlled, staying within your own space wherever possible.”

A few simple etiquette rules can make all the difference:

• Keep movements small and within your seat space
• Avoid wide arm stretches or anything intrusive
• Move during quieter moments, not meal service
• Only walk the aisle when it’s clear

David Lee Roth popped out at Coachella on Friday to sing Van Halen’s classic “Jump” with Teddy Swims. After the show, we grabbed a few minutes with the 71-year-old rock star, who wore a beaded vest and tight silver-and-black trousers and sipped from a red plastic cup.

Ted, Teddy, Theodore — what do you call Teddy swims?
I call him Teddy. Teddy Swims is one of the best names ever — everybody’s saying it. All around in the city here are visitors from Germany, Holland, Japan, China, and they all know that name. Something like Greenberg? Helfenbein? [Shrugs]

What if you’d been Dave Roth?
My full name is David Lee Roth — it’s an anagram. When I was born, I had a traumatic birth — I was backwards, I had the cord around, I was hyperactive. My grandfather, who was a 70-hour-a-week physician — graduated medical school in 1920 — took a look at me two hours after I was born and told my mom, “He’s gonna be trouble.” And Mom’s way of saying “Go schtup yourself,” she added the middle name Lee. If you reverse the letters, it comes out the devil.

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You ever been to Coachella before?
This is my first time on this stage, and it’s the most forgiving audience. What a colorful, noisy bunch.

A forgiving audience? What does that mean?
It means if you go to Kenny Chesney, you gotta have the hat — the girls have to have the cut-offs. There’s rules. If you go heavy metal, you gotta cut the sleeves off a black shirt — not blue.

And here it’s catch-as-catch-can?
It’s inventive, creative, imaginative without rules — the way artwork perhaps used to be in the middle ’80s. In 1985, graphic art, sculptural art, automotive art — there were no rules. Today, you’re not getting on any gallery walls without a political bias. And today, here, I’m not sure what the bias is. I can wear something like this and it’s like, “Too bad you showed up in your day clothes.”

What is this outfit?
This is Artemis moon mission. I’m vacuum-packed for your safety — kid-tested, mom-approved. She likes it because it’s good for ’em. I like it because it’s gonna taste so good.

“I got my back against the record machine,” from “Jump.” Could you explain to the kids what a record machine is?
It’s a jukebox. And it’s a visual — like Broadway: [Sings] “When you’re a jet, you’re a jet / All the way from your first cigarette…” Now, I know Tony like I know me — the playground is neutral territory.

Wait, who’s Tony?
“West Side Story.”

What’s a jukebox have to do with “West Side Story”?
It suggests an image of a human being leaning against a jukebox saying, “I may not be the best thing in your mind today — but I’m the right tool for the job.”

Van Halen’s highest-charting single — what was it?
Either “Panama” or “Jump.”

It was “Jump” — a No. 1 hit in 1984. Remember what was No. 2 behind it?
Oh my God, “Boogie Oogie Oogie”?

“Karma Chameleon,” Culture Club.
OK, that’s Boy George.

You ever meet Boy George?
Yes, I did. Boy George would have fit into Coachella perfectly. Where is he? A Boy George comeback at Coachella? Stop lying.

What’s the best Van Halen song?
It depends what verb you’re attaching.

You choose.
Pairing, for example, the right alcoholic beverage with the right firearm is important. A light Pilsner goes with that new Czech machine pistol we saw in the last John Wick movie. And a Benelli shotgun for Guinness stout. Van Halen music is the same thing: What verb are you participating in? Are you dancing? How long? The whole night. Are we running? Sure. Who with? The devil.

What’s in your cup here?
This is what made me what I am today — fat and unemployed.

The pretty market town is famous for many things, including being the home of former Great British Bake Off judge Prue Leith

A pretty market town home to an iconic TV judge blew me away – not least because of its high street. Moreton-in-Marsh in the Cotswolds clearly attracts a remarkable number of visitors, judging by the sheer volume of eateries lining its streets.

A visit to the town’s high street reveals an almost unbroken row of bakeries, cafés, pubs, and artisan bistros – quite the sight for a town with a population of just over 5,000 residents (5,015 according to the 2021 Census).

Philip, 53, a cellarman at the local brewery, reflected on the changes: “It’s more touristy stuff. You don’t get so much. The old tour shops gone, the old card’s shop gone. Some of the shops have disappeared, definitely got more touristy. It’s got pluses and negatives. Got a supermarket and the market’s still here.”

When asked whether he ever crosses paths with the town’s most celebrated resident – former Great British Bake Off star Prue Leith – Philip was blunt: “I don’t.”

It seemed only fitting to pen this piece from within The Bell Inn. This much-loved establishment was once frequented by J.R.R. Tolkien himself, reportedly inspiring The Prancing Pony Inn featured in The Lord of the Rings.

We won’t Tolkien the micky (apologies…) and claim any resemblance to that literary giant, but there are certainly far worse spots to settle in than a pub crowned winner of The Pub of the Year in the North Cotswold Campaign for Real Ale Pub of the Year competition, reports Gloucestershire Live.

Inside, the atmosphere is wonderfully unpretentious – a lengthy rope allows dogs to wander freely, locals chat about everyday matters, and a map of Middle Earth adorns the wall.

The walls are adorned with vintage cameras, motorsport posters advertising motor oil, and numerous plug sockets for customers to charge their laptops and other devices.

According to two staff members I chatted to, regulations stipulate that no single pub can claim victory two years running, meaning the Bell may miss out on silverware this year.

Nevertheless, the establishment, which I selected after Google reviews highlighted its affordability, delivered a peppermint tea alongside fish and chips for a reasonable £12.50.

This followed a £3.90 cappuccino from Grouch Coffee, a nine-year-old enterprise near the local train station that began life serving coffee from the rear of a Piaggio.

Fresh from a 100-mile journey in my cherished MINI, and despite my reservations about Allpress beans, it was unmistakably a vital fixture in the community.

The proprietor and staff engaged warmly with families, while comedy posters and tea towels were scattered throughout the tastefully furnished cafe; a cafe situated in a town brimming with spring sunshine.

Emerging from New Road onto the fittingly named High Street, a bustling market was trading trinkets, carpets, fruit, vegetables, and antiques. Venture past the market, beneath which lies a sizeable car park, and you’ll find yourself facing an extensive row of shops, seemingly positioned every six feet or so.

Most of them, as Phil mentioned above, are coffee shops and cafes. Choosing where to grab a bite proved tricky, but if anyone’s concerned about the decline of the high street, Moreton’s appears to be thriving – particularly with a large Co-Op and Tesco Express nestled amongst the independent coffee shops and pubs.

Was it attractive? Certainly in the surprisingly mild spring sunshine, it felt like somewhere you could do more than simply pass through. It had the feel of a town worth pausing at during a long journey – a worthwhile and peaceful pit stop.

Regarding the former Bake Off judge, I’d also enquired at Grouch whether Prue was frequently spotted, and the response was no, not particularly; though perhaps she travels through on her way to the station to catch the 1h 31m £32 15:54 service to London Paddington for an evening out.

Prue has opted to make her home here, in a property she constructed with her husband John Playfair, and it seems to be an excellent town. The key question, though, remains: ‘Should I visit?’.

Absolutely. It would be a pru-dent choice.

easyJet said it is an ‘extraordinary circumstance’

An easyJet flight was forced to turn back and land shortly after departure today (Sunday, March 29) due to an “extraordinary circumstance”.

easyJet flight EZY439 was scheduled to depart from Glasgow at 11.50am and arrive in Jersey at 1.25pm. However, tracking data on Flightradar appears to show the aircraft turning back almost immediately following take-off. easyJet has confirmed the flight returned to the gate due to an “extraordinary circumstance”. Outlining the diversion on its website, the airline said it is “due to a crew welfare issue”.

easyJet added: “The disruption to your flight is outside of our control and is considered to be an extraordinary circumstance. We plan to refuel and continue your flight as soon as possible. Your crew will keep you up to date.”

easyJet encourages passengers to visit its website for entitlements, refund and compensation rights, and additional information. It added: “Once again we’re very sorry for the delay to your flight.”

An easyJet spokesperson said later on Sunday: “Flight EZY439 from Glasgow to Jersey on 29 March returned to Glasgow due to a cabin crew member requiring medical assistance.

“The flight landed normally in Glasgow and was met by medical services on the ground. We plan for passengers to continue their journey to Jersey later today and apologise for any inconvenience.

“The safety and wellbeing of passengers and crew is always easyJet’s highest priority.”

Great Britain claimed three gold medals in a sensational 28 minutes to make history and achieve the team’s best haul at a World Athletics Indoor Championships.

Georgia Hunter Bell began Sunday night’s medal rush when she stormed to her first global 1500m title, before pole vaulter Molly Caudery secured her return to the top of the podium in Poland.

A third triumph never looked in doubt as Olympic champion and world record holder Keely Hodgkinson dominated the women’s 800m final to win her first World Indoors gold.

Following Josh Kerr’s 3,000m triumph on Saturday, it guaranteed the British team’s most successful World Indoor Championships of all time, surpassing the three gold medals achieved in 1999.

Returning to the championships at which she represented Great Britain for the first time just two years ago, Olympic bronze medallist Hunter Bell reeled in Ethiopia’s Birke Haylom before bursting clear of her rivals on the final lap to win in three minutes 58.53 seconds.

Caudery, already guaranteed silver by the time her team-mate crossed the line, reclaimed the title which represented her breakthrough success two years ago with a second-time clearance over 4.85 metres.

ITV viewers were left saying the same thing as a new reality show debuted on Saturday night.

ITV viewers were not impressed as new reality show, Celebrity Sabotage, premiered.

The new series sees Joel Dommett, Judi Love, Sam Thompson and GK Barry sabotage ordinary people who think they are taking part in various reality shows, with the aim of winning them money.

In each episode, a fresh set of unsuspecting contestants will arrive, believing they’re participating in a brand-new ITV show. But what they don’t know is that hidden away in their very own high-tech Mission HQ are celebrity saboteurs, who are secretly watching the contestants’ every move and are being set their own sabotage missions.

Hosting the fake shows are a string of stars, including Emma and Matt Willis, Sara Davies and Clare Balding, while celebrities will also join Joel, Judi, Sam and GK to help with the sabotaging.

The first episode aired on Saturday (March 21), with a group of business enthusiasts embarking on a set of challenges under the watchful eye of entrepreneur and Dragons’ Den star Sara Davies.

The celebrity saboteurs were joined by comedian Jo Brand as they set about disrupting wedding video filming, deleting the contestant’s filmed footage, and sabotaging a wellness away-day face mask activity by using lashings of green food colouring.

After watching the first episode, several ITV viewers shared their complaints about the show’s premise.

“#CelebritySabotage This is as much fun as having a toothache, @ITV churns out some rubbish & this one is right up there. It’s a waste of our time, it makes you look forward to seeing the adverts! I’m going to sit outside & watch the car electric battery top up, a lot more fun!” one person wrote on X (formerly Twitter).

Another added: “How do programmes like these ever get commissioned. Utter rubbish,” while a third said: “What a s*** show.”

A fourth fan echoed the sentiment, saying: “This is a kids TV show that got mixed up in the schedule surely. Utterly dreadful hate watch,” with another similarly sharing: “This is appallingly bad even for ITV. How long before it’s shunted to 4.30 Sunday afternoon?”

Meanwhile, other viewers enjoyed the silliness of the show, with one person writing: “Honestly I knew I was going to like #CelebritySabotage, it’s a great show with a great cast and I really like how the fake shows are rip offs of others. Definitely will be watching next week.”