Michael

Once they are into the meat of the season, few at Old Trafford will remember this day.

However, depending on how the situation unfolds before the transfer window closes on 1 September, it could be very significant in one way.

With an hour gone, Marcus Rashford was introduced by Carrick as one of six substitutes.

It was his first appearance for his boyhood club since Viktoria Plzen away in the Europa League on 12 December 2024, after which he was effectively banished by Amorim and loaned out, first to Aston Villa and then Barcelona, from where he was not expected to return.

Carrick had enough opportunities when he spoke to UK media in Maynooth on Thursday to say so if it was certain Rashford will be staying beyond this month.

United officials were quick to make it known the number nine shirt Rashford wore in Poland was not permanent, to stave off any complaints from those tempted to buy one.

The 28-year-old looked relaxed enough throughout.

When he was sent out for his first warm-up during the game, he applauded the positive reception he got from United supporters in the corner he was running towards. Although, within seconds, Samuel Chukwueze was tapping home AC Milan’s first equaliser at the same end of the pitch.

Rashford was out later than most of his fellow substitutes for a second-half warm-up, but he still had time for a couple of passing tricks with Martinez – a World Cup semi-final rival a month ago.

Once the England attacker came on, it was noticeable he stayed wider than Patrick Dorgu, the man he replaced on the left. For the record, Dorgu and Harry Maguire were United’s men on the scoresheet in this latest tune-up.

Rashford’s first run ended with him conceding a foul, but it wasn’t long before a brilliant piece of play by the corner flag took him past an opponent.

Not surprisingly, that brought the crowd to its feet.

As reintroductions go, it was solid, not spectacular. But it didn’t need to be anything more.

Premier League games at Hull and against Ipswich will offer a greater insight into Carrick’s thinking. The transfer deadline will bring permanence to what remains an uncertain situation.

North Carolina has placed football general manager Michael Lombardi — a longtime confidant of coach Bill Belichick — on paid administrative leave, the university said Monday in a statement.

The school didn’t provided further details. Multiple media outlets are reporting that the move is connected to a complaint filed to UNC’s human resources department.

“As is standard procedure with personnel matters, leadership, staff, and student-athletes are prohibited from addressing this topic further, and has no reflection on the merits,” the university said in its statement.

In addition, multiple media outlets are reporting a possible investigation into the Tar Heels football program by the College Sports Commission, which regulates revenue sharing and name, image and likeness deals in collegiate sports. The Athletic reports that Lombardi’s actions are believed to be of interest to the CSC.

Lombardi, 67, is a former longtime NFL executive who was a member of the Cleveland Browns’ front office during Belichick’s stint as the team’s head coach in the early 1990s. Lombardi was assistant to Belichick’s New England Patriots coaching staff from 2014-2016.

When six-time Super Bowl winner Belichick was named UNC coach in December 2024, Lombardi was brought on board almost immediately to help the Tar Heels navigate the changing college athletic landscape.

“Everything we do here is predicated on building a pro team,” Lombardi told reporters in February 2025. “We consider ourselves the 33rd [NFL] team, because everybody involved with our program has had some form of aspect in pro football.”

The Tar Heels went 4-8 last year. They are set to open preseason camp this week before starting the season against Texas Christian in Dublin, Ireland, on Aug. 29.

The Associated Press contributed to this report.

NO-ONE travelled further to become an international star than Sam Neill, who died today aged 78.

He would leave his home in the South Island of New Zealand to fly thousands of miles to film sets in Britain, Europe and America – but always travel back to his far-flung base the moment they were over to spend time with his family.

They confirmed his death in a statement, writing: “It is with immense sadness that the whānau of Sam Neill share the news of his passing on Monday 13th July, in Sydney, Australia.”

This followed a battle with stage three blood cancer after he was diagnosed in 2022.

After undertaking an experimental treatment announced a month ago he was in remission.

His family said: “The loss was sudden and unexpected but blessed by the fact that Sam remained cancer- free.”

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Sam became famous thanks to his role in Omen III (The Final Conflict) where he played the antichrist who had risen to become a British politician trying to prevent the second coming of Christ.

Before then starring in 1983 British TV series, Reilly, Ace of Spies, in which he played Sidney Reilly, a Russian-born adventurer who became a successful spy during the First World War.

But his entry to the big-time came ten years later in Jurassic Park, directed by Steven Spielberg, which spawned a craze for everything about dinosaurs. 

The film, about a theme park where the public could see cloned dinosaurs, caught the public’s imagination – and broke box office records.

The dinosaurs run riot in the film when all safety fences are broken, killing park workers and each other as there is a battle for supremacy. 

Neill’s lead role of dinosaur expert Dr Alan Grant escaped the carnage and went on to star in sequels, Jurassic Park III (2001) and Jurassic World Dominion (2022), making a personal fortune in the process.

Yet he was a last minute choice after bigger star names like William Hurt, Kurt Russell, Harrison Ford and Tim Robbins all turned it down.

“It was a warning never to become too big or too expensive,” he said. 

“You can lose a lot of good parts in that way. I preferred quiet progress.”

Neill did precisely that throughout his career of over 100 movies in nearly 50 years, in which he would turn up in the most unlikely roles.

It included that of Major Chester Campbell in the first two series of the BBC’s hit series Peaky Blinders.

He was born on September 14th, 1947 in Omagh, Northern Ireland to New Zealander father Dermot, an army officer, and mother Priscilla, who was English. 

Although he was christened Nigel, he later thought the name ‘prissy’ and changed it to Sam in childhood. 

His family continued to call him Nigel.  

He is survived by actor son Tim (b 1983) whom he had with actress Lisa Harrow, a fellow New Zealander.  

Despite reports to the contrary, they never married.

He also has daughter Elena (b 1991) with estranged wife Nariko Watanabe, a Japanese make-up artist whom he met on Dead Calm (1989), which was co-star Nicole Kidman’s breakthrough movie. 

He had a stepdaughter with Watanabe, Maiko Spencer (b 1982).  

Neill spent virtually his entire life travelling, first with his father’s job moves around Ireland and then, when he retired from the army, to New Zealand, aged seven.

His father joined the family brewing wholesale business near far-flung Dunedin, which was Gaelic for Edinburgh and founded in 1848 as a Scottish Free Church settlement.

“I was an outsider from the start there,” he recalled. 

“Bullying at school, mocked for my accent, being called names and beaten up – the lot.

“Cowboy films and TV series were very popular at the time, so I called myself Sam to sound like one. It didn’t do much good.”

He was sent away to boarding school in Christchurch, more than 200 miles north along the coast. 

“It was even more lonely,” he said. 

“I developed a stutter, although I could talk perfectly up to that point.”

He used the experiences and memories when he became an actor, always being prepared to take on new projects wherever they were in the world.

“I had an ability to pretend to be other people – probably because I had to at school,” he told me. 

“I never had any great expectations as an actor.”

He started working in television documentaries and in small acting roles.  

He was 30 before he appeared in a movie, Sleeping Dogs (1977), an action thriller made in New Zealand. 

“That film was a calling card,” he said. 

“It was a critical success and that led to some offers, all thousands of miles away. It was a case of either travel or never leave.”

He had arrived in London when we first met in March, 1989, promoting a film called A Cry in the Dark, with Meryl Streep.

It was an alarming real-life Australian story about a baby girl who disappeared from a campsite.

The baby’s mother, Lindy Chamberlain (played by Streep) insisted that a wild dingo dog had taken her baby, but a disbelieving public felt that she was making up a story to cover up murder.

Neill was playing husband Michael Chamberlain. 

“It revealed to me the price of being an international star, like Meryl,” he said.

“She was the most famous actress in the world at that point and the sort of stuff she had to put up every day was incredible. 

“One was a story about her leaving her husband for Michael Jackson!

“I thought to myself ‘if this is what real stardom means, I don’t want it.’   So I had to be careful. I wanted recognition, but also want privacy and sanity.”

Neill went on to achieve exactly that.  

We met several times over the years. He had a calm, down-to-earth manner, unfussy and unflashy, with a dry self-mocking sense of humour.

“I have always been free of ambition – honestly,”  he said.

“I realised, early on, that if I started to desperately want things, then I was going to be disappointed.

“There was always someone whose career was going to better and bigger than mine. There was also someone going to get the parts I wanted.

“So I never had a game plan. If I’d had one, I would have moved to Hollywood and committed to a career in films, going to endless meetings and being a ‘personality.’

“Instead, I have never moved my home from New Zealand. I’ve been fortunate in that enough work has come up – and I’ve travelled to do it.

“I had to get used to the biggest jet-lag, the longest time-changes to the body and being away from home. But that’s been worth it.

“Don’t forget that the first time I went to New Zealand in the early 1950’s it took two months by boat and now it’s only 21 hours by plane.”

He was also cautious about being caught in the trap of other well-known actors. 

“I don’t know what it is about us that leads us in to more temptation,” he laughed.

“I think we are sometimes over-celebrated and can have far more fame than is comfortable. So when trouble comes, it’s all over the public domain.

“I once went to a pub’ with English actor Warren Clarke, drank non-stop to keep up, blacked out and woke up in bed with a woman I didn’t know. 

“The trick is to keep your trousers on and go to bed early. It’s mostly worked for me up to now.”

He seemed to effortlessly glide into some major roles in films like The Hunt for Red October (1990) and The Piano (1993) and TV series The Tudors (2007), Happy Town (2010) and Alcatraz (2012).

There was a certain irony that when playing his unrelentingly tough Northern Ireland police chief in Peaky Blinders, he couldn’t master the accent.

“I was born in Northern Ireland and had the accent as a kid, but had buried it so deep in my mind that I had the greatest difficulty digging it up again.”

He ended up calling his Irish friend Liam Neeson for some tips and delivered the part pitch-perfect.  

“I probably over-did it a bit in the end,” he said.

“I love working in Britain. I feel part British, obviously, and the quality of the acting and the film crews are hard to beat anywhere in the world.”

Between each highly-paid role and movie, he would return home to New Zealand and not work, sometimes for months on end, so would simply slip out of the headlines.

On the last occasion we met, he was more interested in talking about his own wine label in New Zealand. 

He had used the old family connection with wine to grow his own and set up a company to produce it.

He lived, very happily he said, among wine-making and animals on a ranch in Central Otago, surrounded by mountains and lakes.

Neill announced in his 2023 autobiography Did I Ever Tell You This? (Penguin) that he had been undergoing chemotherapy since March, 2022 for a type of blood cancer. 

He had first noticed swollen glands when travelling to promote Jurassic World Dominion.

He had put a hold on his acting work. 

“I have been very fortunate to enjoy the best cities in the world – like London, Paris or Rome – and I have never been too jaded to get a kick out of that,” he said. 

“But the thing that pleases me more than anything is to sit still at my home, have a quiet glass of red wine and contemplate life.”

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Actor and racing driver Michael Fassbender is returning this month as CIA Agent Martian in season two of The Agency. He talks sociopaths and obsessive preparation on set.

Leading a double life is nothing new for Michael Fassbender, who is returning as CIA agent Martian in season two of spy thriller The Agency. An actor and a professional racing driver, Michael, 49, has reached an optimum level in both careers. Yet, despite this enviable skill set, achieving success and fitting in perfectly in two very different worlds, it would not mean he would make a perfect spy.

For that, according to a real life agent, who he spoke to while researching his role, Michael would need to be a sociopath. He says of this revelation: “That was a real gateway into the character for me.”

The Agency, starring Michael as Brandon Colby, codenamed Martian; Jodie Turner-Smith as his lover Dr Samia Fatima and Richard Gere as CIA chief James Bradley, launches season 2 on Saturday June 21 on streaming service Paramount+. A dramatic trailer for the series hears Martian saying: “I betrayed my country, did I cause harm? Yes. I lied to my friends, my colleagues. I sacrificed people. I deserve my fate. If I had to do it again, I wouldn’t hesitate.”

Season one saw CIA covert operative Martian being suddenly ordered to abandon his long-term undercover assignment in Ethiopia – where he fell in love with Samia – and return to London. In Africa he was working under the false identity – known in the world of espionage as a ‘legend’ – of Paul Lewis.

Michael picks up the story in season two, saying: “Then she [Samia] arrives in London. Then he meets up with her, which he shouldn’t do and then he compromises her. She gets captured and his new objective is to basically get her to safety. But by doing that, he becomes a double agent and betrays his country, becomes a traitor and the walls are closing in on him.”

Born in Heidelberg, Germany, Michael’s mum, Adele, hailed from County Antrim, Northern Ireland, while his dad, Josef, was a chef, who had worked at The Savoy in London. Together with his older sister, Catherine, now a neuropsychologist, the family moved to Kilarney in County Kerry when he was two, where his parents ran a local restaurant, West End House.

A Catholic altar boy when he was young, Michael says this trained him to perform to an audience. And, after initially harbouring ambitions to be a heavy metal guitarist – growing his hair and listening to thrash metal – aged 17, he appeared in a local play and changed direction.

Relocating to London, aged 19, he enrolled at the Drama Centre, but dropped out before completing his third year to start his professional career in a touring production of Three Sisters by Anton Chekhov. Launching his film career in 2001 in Steven Spielberg’s Band of Brothers, his credits since include Hunger (2008) Shame (2011) 12 Years a Slave (2013) – for which he was nominated for a best supporting actor Oscar – and X-Men (2011).

He was also nominated for a best actor Oscar for playing the Apple co-founder in the 2015 movie Steve Jobs. Married to Swedish actress Alicia Vikander, 37, the couple and their two young sons live in Lisbon, Portugal, but retain strong ties with London, where they spent many years.

Known to completely immerse himself in a role – for example, losing 40 lb to play an IRA hunger striker in Hunger – when preparing for the role of Martian, he also met up with two genuine spies. Speaking on The Arts Hour, he says: “The first guy I talked to, I felt like I wasn’t going to need dirt or negative aspects, let’s say. Then I spoke to another guy. We were going through the character and I was like ‘is this guy a sociopath?’ And he was like ‘well let’s go through the characteristics of a sociopath.’”

Clinically diagnosed as antisocial personality disorder, sociopaths have a persistent disregard for the rights, feelings and safety of others – feeling neither empathy, nor remorse. Returning to his conversation with the spy, Michael continues: “We went through the list [of characteristics] and he was like ‘we’re ticking a lot of boxes here.’ I was like ‘yes, ok, so he is.’ And he was like ‘well, it’s a good thing to be in that job.’”

In the new season of The Agency, Martian will be seen desperately trying to claw back some semblance of humanity after being out on his own, as a covert operative, for 7 years. Michael explains: “A lot of spies work in the embassy, so if the heat comes on them, they have a passport and they can get out. But a non-official covert doesn’t have that.”

Describing Martian’s relationship with Samia and with his daughter in London, who he hasn’t seen for many years, he continues: “It’s sort of his fight for humanity. He’s been in the business for about 20 years, so he’s quite jaded. He’s crossed a lot of moral lines he didn’t think he’d do at the beginning of his career.”

As for his own career, for 10 years, Michael has pursued parallel interests in racing driving and acting. Between 2019 and 2023, he stepped away from Hollywood, pursuing a serious career as a professional sports car racer. Joining a development programme with Porsche back in 2018, his greatest racing achievement has been completing the 24 Hours of Le Mans endurance classic in 2022.

The 2023 documentary Road to Le Mans follows his journey. Michael has said of racing: “My first dream has always been to go racing. Even before acting.” Someone who doesn’t do anything by halves, it is unsurprising that Michael would never have been content to keep racing as a hobby. His desire to give everything his personal best applies both to racing and acting.

Reputed to have read the script for Shame around 350 times, so he could get inside the head of a sex addict, he claims to have reined in his obsessive preparation for The Agency. He laughs, saying he read the script “150 times.” He says: “I try and do it 10 times a day.”

Explaining the need for this degree of intensity, he shrugs: “I’m a slow learner! It’s just something I’ve always done. If I keep reading it, I feel like the dialogue is seeping into the bones and I’m thinking about the character as I’m reading.”

Hugely professional, Michael adds: “I just don’t want to turn up on set unprepared. A lot of things can fall through the cracks that are out of my control, but the worst thing is if I leave set and I’m ‘oh I messed up because I didn’t do my homework.’“ An anathema to the average sociopath, this sense of duty and consideration for others would probably make Michael a lousy spy.

*This interview has been adapted from The Arts Hour on the BBC World Service, available on BBC Sounds.

Nearly 17 years after the King of Pop’s death, Michael Jackson is dominating the box office, television ratings and headlines.

“Michael,” the biopic about the star that hit theaters in April, has surpassed $900 million at box offices globally, according to Deadline, making it the second-highest-grossing film of 2026 behind “The Super Mario Galaxy Movie,” which hit $1 billion. Although “Bohemian Rhapsody” is still the highest-grossing musical biopic, “Michael” is a mere $11 million behind and will likely snag the title in coming weeks.

The film, which stars Jackson’s nephew Jaafar Jackson, follows the “Thriller” hitmaker from his early career leading the Jackson Five to reaching pinnacle star status in the late ’80s. The film’s timeline ends before 1993, when Jackson faced sexual abuse allegations brought by 13-year-old Jordan Chandler.

On Tuesday, “Michael” was released to streaming services, and fans at home can rent or buy on-demand from Amazon Prime Video and other platforms.

Also available for streaming is the Netflix docuseries “Michael Jackson: The Verdict,” which became available on June 3 and dominated the streamer’s charts with nearly 18 million views in its first week. The three-part series examines the pop star’s 2005 molestation trial, in which he was acquitted of all charges, and features key players from the trial, including jurors, eyewitnesses and prosecutors.

The lead prosecutor, Ron Zonen, spoke with TMZ on Tuesday and said that, although he wasn’t sure audiences would view the allegations with a different lens 20 years later, he wanted the documentary to be “as accurate as possible” and feature “the perspective of people who were involved in the trial.”

As far as the response from viewers, Zonen told the outlet that he’d received threats via email. “Well, there are people who are fans, who express their displeasure at the position that we took in this documentary, and express their displeasure very clearly to me,” he said, adding that he’s not bothered by the bad blood with mega-fans, and that the threats were more numerous at the time of the trial.

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More than 20 years after Michael Jackson was acquitted on charges of child molestation — and two months since the global superstar’s record-breaking biopic skirted any mention of abuse allegations — a new Netflix docuseries brings his trial and the aftermath to the foreground.

“Michael Jackson: The Verdict,” a three-part documentary directed by Nick Green and released Wednesday, chronicles his 2005 trial in Santa Maria that began with a search raid of the pop star’s sprawling Neverland Ranch and ended with a jury finding him not guilty on 10 counts, including four counts of child molestation. At the center of the case was Gavin Arvizo, a then-15-year-old cancer survivor from Los Angeles.

Because recording was not allowed in the courtroom, the documentary relies heavily on archival footage from media surrounding the trial and firsthand accounts of key figures involved, including prosecutor Ron Zonen, Jackson family attorney Brian Oxman, journalist Diane Dimond, two trial jurors, and friends and supporters on both sides of the case.

The episodes also delve into the 2003 documentary “Living With Michael Jackson,” in which the pop star is interviewed by British journalist Martin Bashir, that sparked questions about his behavior, leading to the charges against Jackson. Jackson’s historically questionable relationships with children, the media circus surrounding the trial and the effect it had on fans, the family at its center and Jackson himself are explored, too.

Here are six key takeaways from “The Verdict.”

Jackson allegedly had his personal assistant order child pornography

One of the docuseries’ most revealing interviews came from Vincent Amen, a former Jackson associate who worked at Neverland Ranch from 2002 to 2003. He said he was put in charge of taking care of the Arvizo family during their stay at the property following media backlash from Gavin Arvizo’s appearance in “Living With Michael Jackson.”

At that time, Amen said, he “wholeheartedly” believed in Jackson’s innocence, especially because Jackson’s friend Frank Tyson, also known as Frank Cascio, a member of the family who filed a lawsuit against Jackson’s estate in April detailing alleged sexual abuse, vouched so strongly for him. Cascio, who met Jackson when he was 5 years old and later became his personal assistant, told Amen, “Michael would never do this with a child.”

Amen’s conviction shifted, however, after he discovered a disturbing magazine that apparently belonged to Jackson in Cascio’s possession.

“Frank cleaned out his house of anything that came from the Neverland Ranch. And he hands me a Nike bag,” Amen said in the docuseries. “I took the bag and I’m driving home, and I felt, ‘Something’s a little suspicious.’ And I said, ‘Let me take a look in this bag.’ I start taking videos to document this. I open the bag. I start looking, and I see a magazine.”

The series shows shaky footage of Vincent apparently finding a nudist magazine called “Naturally.” He flips to a video ordering section with titles circled in black marker, including videos called “Nudist Youth Weekend” and “Euro-Nudist Family.”

“I confronted Frank, I said, ‘Frank, what is this magazine? Because, you know, there’s circles around videos with naked children,’” Amen recounted. “He said, ‘That’s just a phase that Michael and I went through. He circled the videos that he wanted, I ordered them, and it was a phase that we went through.’ They watched them together.”

The Arvizo children called Jackson ‘daddy’ and had their own bizarre nicknames

Along with footage of the nudist magazine, Amen held on to other evidence of his time with Jackson and the Arvizo family, including a set of Polaroid pictures featuring Gavin’s mom, Janet, and younger brother, Star.

In one, Star points directly into the lens. It’s captioned, “You my daddy Michael.” Another photo of a smiling Janet and Star includes a handwritten caption from Janet that says, “Dearest loving Michael, we appreciate you being our family. What God brings together, no man can undo. We love you.”

Under a photo of Star with a cross-eyed expression, he wrote, “I love you, my daddy Michael. Your son, Blowhole.”

“These are the nicknames that Michael would give these young boys,” Amen said.

Bashir documentary marked a pivotal shift in the perception of Jackson

Martin Bashir in “Michael Jackson: The Verdict.”

(Netflix)

Though the first allegations of child molestation against Michael Jackson emerged in 1993, it was footage from Bashir’s “Living With Michael Jackson” that ignited public concern about Jackson’s relationship with Gavin.

In a pivotal scene from the 2003 documentary, Jackson brings Gavin in as an example of a child with cancer that he helped. Gavin, 13 at the time, leans his head on Jackson’s shoulder and holds his hand. Jackson tells Bashir that the two often share a bed at the Neverland Ranch, though in another scene he stresses that it’s not sexual.

“I realized that we had something that was hugely significant, but I didn’t realize the extent of the bombshell until the broadcast,” Bashir recalled in “The Verdict.”

“You can see it. You can look at that moment in the Martin Bashir documentary and you can actually pin the end of his life to that very moment,” J. Randy Taraborrelli, Jackson’s childhood friend and biographer, said in the docuseries.

Given Jackson’s stardom, news and tabloid media swarmed the scene of the trial along with droves of dedicated fans (and a much smaller contingent of detractors). And the archival footage from “The Verdict” shows the extent to which fandom and media frenzy influenced the proceedings.

Jackson’s fans stationed themselves throughout the route he’d take to the Santa Maria courthouse with signs showing their support, sometimes standing and shouting and other times driving alongside him and honking. Jackson had his director of security, Kerry Anderson, film these drives while he waved and engaged with supporters.

As many as 1,000 fans showed up on the first day of the trial, and many would line up starting at 5 a.m. for raffle tickets that would allow them to enter the courtroom. One fan interviewed for the docuseries, Sheree Wilkins, said she quit her job as a preschool teacher to move to Santa Maria for the trial. When the “not guilty” verdicts were announced, she fainted and had to receive medical attention.

TV news stations from around the world, including Taiwan, Japan and Mexico, sent crews to cover the trial.

Even inside the courtroom, where cameras were not allowed, enthusiasm for Jackson’s music could not be contained. Attendees recalled everybody, from the jury to the judge and even the prosecution, “swaying in their seats” when songs played as part of an evidence display.

“I remember me moving in time to his music,” prosecutor Ron Zonen said. “At one point Tom [Sneddon, the District Attorney leading the prosecution] jabbed me and said, ‘Would you stop moving your foot?’ ”

Jackson’s mental and physical health deteriorated

Mark Geragos briefly served as Jackson’s defense attorney.

(Netflix)

According to numerous interviews in “The Verdict,” Jackson’s substance use was problematic before and during the trial.

Jackson was not at Neverland during the raid that predated his charges. According to journalist Dimond, her sources said he was in Las Vegas “having wild parties.”

“There were cigarette burns in the leather couches and chairs. There were empty liquor bottles on every table. And this is where Michael Jackson had been for several days, entertaining young teenage boys, who all spoke German,” she said.

Later, Jackson’s well-publicized physical pain became the catalyst for controversy when he was hospitalized overnight, where he was allegedly given enough pain medication “to tranquilize an elephant,” and failed to show up on time for court the next day. The judge threatened to issue a warrant for his arrest if he didn’t make it to the courthouse within the hour, leading Jackson’s team to speed there at 90 mph.

Throughout the trial, stress took an enormous toll on Jackson, defense attorney Mark Geragos said in the docuseries.

“I watched him just disintegrate, literally disintegrate. The ingestion of substances was just astronomical. There was a time when I actually saw him in the fetal position on the floor, and I thought, ‘What do we do?’ I mean, you don’t want his death to be on your hands because you took some inaction,” he said. “We had genuine concerns whether he could even withstand a trial — physically, mentally.”

The prosecution’s case fell apart at the hands of key witnesses

“The Verdict” lays out, step by step, how the trial ended in Jackson’s full acquittal. One major contributor, the docuseries seems to argue, is the downfall of the prosecution at the hands of its own witnesses.

Defense attorney Tom Mesereau was an expert at discrediting witnesses, subjects told the filmmakers, but certain key witnesses, like Janet Arvizo, struggled to connect with the jury on their own.

“I called her Janet from another planet,” admitted juror Melissa Herard. “Sorry, but that’s just how she acted.”

Jackson’s ex-wife Debbie Rowe was meant to take the stand as a smoking gun for the prosecution but instead revealed no new information and came to Jackson’s defense.

The prosecution also partially hinged its case on past allegations of child sexual abuse against Jackson, but conflicting testimony caused these efforts to backfire. A former Neverland employee claimed to witness Jackson molest Wade Robson when he was a child, but Robson took the stand and denied anything happened.

“It’s hard to convince a jury when the subject of the act itself said it didn’t happen,” Zonen said.

In 2013, Robson reversed his stance and filed a lawsuit against the Jackson estate alleging sexual abuse. His allegations, along with those of James Safechuck, were the subject of the 2019 documentary “Leaving Neverland.”

Bristol City are close to appointing Lincoln boss Michael Skubala as their new manager.

The Robins have moved quickly for the 43-year-old after failing to convince Bournemouth assistant Tommy Elphick to join.

Nothing has been signed yet but it is now expected Skubala will move to the Championship side.

It will cost Bristol City over £1m in compensation with Skubala understood to have signed a new contract at Sincil Bank after initially missing out on the job to Elphick.

Skubala won the League Managers’ Association League One manager of the season after taking the club to the second tier for the first time in 65 years by winning the title.

He is close with Bristol City sporting director James Ellis, only formally appointed at the Robins this month, with the pair having worked together in the Great Britain Universities setup.

The former Leeds Under-21 boss was one of the leading contenders before the Robins initially chose Elphick, 38.

The former Brighton and Aston Villa defender had positive talks and was impressed with the club and its personnel but decided against making the move on Wednesday.

With Marco Rose replacing Andoni Iraola at the club, sources have told BBC Sport Elphick wants to assess his options further.

Bristol City, who finished 12th in the Championship, are looking for a permanent manager after appointing former England boss Roy Hodgson as an interim replacement following Gerhard Struber’s sacking in March.

Michael O’Neill says he is “100% committed” to Northern Ireland after he signed a new four-year contract with the Irish FA, but he has not ruled out another dual role in the future.

O’Neill had been appointed interim Blackburn Rovers boss in February and had been balancing this role with his position at Northern Ireland, who lost to Italy in the World Cup play-offs in March.

However, it was announced earlier in the month that he would not be taking on the Blackburn job on a permanent basis.

On Wednesday, the IFA confirmed that O’Neill had extended his current contract by four years until 2032.

When asked if he would consider taking on a short-term dual role again in the future, O’Neill did not rule it out as he said: “That’s not a question I need to answer at this minute”, adding it was “hypothetical”.

O’Neill said that he did not “have any regrets” about taking on the role with Blackburn, but admitted he “probably could have done with a little less drama”.

“I said all along, I didn’t think it would affect our preparation for the Italy game, which it didn’t,” O’Neill said.

“I managed to keep Blackburn up, which was the remit of the job.

“I probably think that maybe I underestimated the reaction to it a little bit, but ultimately that’s a learning experience for me as well.”

Earlier on Monday, thousands of City fans lined the streets of Manchester to bid a final farewell to the departing Guardiola.

This season’s successful men’s, women’s and academy teams were driven on buses to Etihad Stadium, where they were greeted by a waiting crowd, before the entourage made its way to Co-Op Live for the ‘after party’.

All three teams celebrated their trophy victories on stage, with City women’s striker Khadija Shaw making the shock announcement that she has signed a new four-year contract to remain at the club.

Guardiola’s three children, as well as former captain Fernandinho, ex-sporting director Txiki Begiristain and goalkeeper Ederson – who left last summer – helped bring out all 20 trophies won under Guardiola.

Surprise appearances by current Bayern Munich boss Kompany and midfielder Jack Grealish, who spent a season-long loan spell at Everton, were loudly cheered by those in attendance.

Guardiola said goodbye for the final time in an interview with Oasis star Noel Gallagher.

“First of all, thank you so much for coming tonight to say bye,” said Guardiola.

“I feel tonight that really shows the connection this club has. [City chairman] Khaldoon Al Mubarak and all the people and all the City fans that were connected from the first minute.

“Thank you so much, I don’t have enough gratitude. Always, for the rest of my life, I will have you in my heart.”

Tributes were also paid to captain Bernardo Silva and defender John Stones, who will also be leaving the club this summer upon the expiry of their contracts.

Striker Erling Haaland said on stage: “It has been a pleasure to play with Bernardo and John – and of course Pep.

“We won a lot of trophies and I was happy to play with Bernardo and John because they are amazing footballers but even better people deep down.

“It has been an amazing journey, but we need to keep pushing and fighting even without them.”

HE’S responsible for teaching Michael Jackson the famous moonwalk and choreographed some of the pop superstar’s biggest hits.

Now Shalamar icon Jeffrey Daniel, 71, has spoken in defence of Jackson’s box office smashing biopic, Michael, which has come under fire for omitting controversial elements of the singer’s life – including multiple allegations of child abuse.

Giving his view on the film, which has grossed over $700m worldwide, he says: “At the end of the day, they’re a family and it’s about their family and it’s up to them to do. The public likes to hear controversy. The public likes dirt.

“They want to delve into that negativity. But when you look at Michael’s life and when you look back at it, the negativity was something that was fabricated. There are things that were just engineered to stand against him.”

Speaking from a friend’s home in LA ahead of Shalamar’s 50th anniversary UK tour, he continues: “There’s no way in the world you’re going to be totally vindicated on all charges and acquitted and still looked at as if you’re guilty? Then what was the point of even going to court?

“What was the point of even standing in front of a jury to come to a conclusion that you’re absolutely, unequivocally not guilty if the public is still going to keep running with the narrative of what you were supposed to have done? That doesn’t make sense to me.”

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The film’s critics have called it a glorified promo for MJ’s glittering career, void of the challenging and concerning allegations he faced over the course of his life.

However, Colman Domingo, who plays Michael’s dad Joe Jackson, told the Today Show that it was the film’s timeline that dictated the events. It focuses on Michael’s life from the 60s through to 1988, some five years before the first allegations were made.

With the film teasing a part two, the darker side of Jackson’s life could still be revisited.

Filmmakers were also reportedly forced to do expensive re-shoots, having originally intended to include Jordan Chandler’s 1993 accusations when he was 13 years old.

They were unaware that part of Chandler’s $23m settlement in 1994 forbade anyone from dramatising the account.

Further accusations came much later, with Gavin Arzio’s allegations that he had been molested by Jackson as a child leading to seven charges brought against the star. However, in 2005 he was found not guilty on all counts.

In 2019, 10 years after Jackson’s death, the documnentary Leaving Neverland raised more uncomfortable questions.

The two alleged victims who were the focus of it, Wade Robson and James Safechuck, have joined forces to seek $400m (£298m) in damages from the Jackson estate in a civil trial set to take place later this year.

But Jeffrey has a different outlook and cites an online conspiracy theory that claims Jackson used his Neverland Ranch to shield child victims of paedophile financier Jeffrey Epstein as evidence of his innocence and insists MJ was trying to save “youngsters”.

Despite all of the allegations, Jeffrey maintains his late friend is still a great role model.

He continues: “You know what’s really inspiring? I’m seeing kids five years old, six and 10 years old imitating Michael.

“They weren’t alive even when he passed away. And they still love him. His legacy is living on.

“He’s the most successful post-mortem artist in history. He’s making more money in his grave than a lot of artists that are out there working their butts off right now. That is a testament to a miracle.

“I mean, because I work with him and I know him, I’m not trying to be biased.”

The biopic is very much a family affair, endorsed by the Jackson estate and with the King of Pop’s nephew Jaafar, 29, cast in the titular role.

However, MJ’s siblings Rebbie, Randy, and Janet don’t feature in the project and none has addressed their absence publicly, though La Toya Jackson said her sister “kindly declined” to be involved.

Jeffrey says the portrayal of the young Michael is so uncanny that it’s like seeing him revived from the dead.

“My God, you have to tip your hat to Jaafar,” says Jeffrey.

“That boy played the hell out of Michael. I couldn’t imagine anyone else. It’s like that guy who played Freddie Mercury [Rami Malek]. It’s like he was born to play that role. And deservingly enough, he won an Oscar for it.

“I see a lot of Michael Jackson impersonators, and they’re pretty good. But they either do too much or they only encapsulate just one dimension of Michael’s performance. Jaafar captured it in its totality.

“He was subtle when it was time to be subtle. He was dynamic when it was time to be dynamic. His mannerisms, the way he spoke, I got emotional.

“I mean, there’s about three times during the film I almost went to tears because I just got emotional because of the scenes that I had something to do with. And I was there when that happened. And I was a part of that when it was happening.

“And then it reminded me of being with Michael and the person he was. It was like seeing a relative come back to life or something. Because I was very close with him.”

Jeffrey’s working relationship with Michael began in 1980, two years prior to the Shalamar founder’s legendary performance on Top of the Pops.

Unknown to the public at the time, Jeffrey had taught the groundbreaking move to MJ after the Thriller star was mesmerised by it while watching an episode of American music show, Soul Train in 1979.

Jackson spent three years practising what was then referred to as a backslide before debuting his version in 1983 during a Motown 25 TV special.

Meanwhile, Shalamar had been scheduled to perform I Can Make You Feel Good on ToTP in 1982 but it was canned at the last minute when the song dropped down the singles chart.

Undeterred, they returned weeks later with a point to prove after Night to Remember became a hit.

Jeffrey’s backslide caused such a stir, bosses scrambled to get the group back for another performance.

Not long after, MJ took the backslide to new heights and remains synonymous with the move.

“I worked with him for over 20 years,” says Jeffrey. “And so, to see this come to life like that again, it was just amazing. I can imagine how his family must have felt.

“Jackie Jackson and Jermaine and Marlon were saying how they were feeling watching this come to life in front of them on screen. And by their own relatives as well, so it’s amazing.”

Jackson’s not the only megastar Jeffrey worked closely with.

He also found a fan in Sir Paul McCartney too, with the Beatle actively seeking him out on a visit to London in the 80s.

Their fortuitous meeting came when McCartney’s crew, who were filming musical drama Give My Regards to Broad Street, spotted Jeffrey taking a walk by the canal in Maida Vale and told him Macca was keen to work with him. The two music men had a brief introduction and Daniel would later return to the UK to work with him on the project properly.

On their second meeting, McCartney hopped out of a car after filming a scene with actress Tracey Ullman and proceeded to lead Jeffrey around the set by the hand, before they sat down for lunch with his late wife Linda.

He said: “I mean, oh my God. Come on, this is legendary greatness. You know, it was an amazing experience.”

Fast forward to the present day and Shalamar are gearing up to bring their energetic set to the UK next month.

Slick and well-honed after five decades, the group know what the audience wants and are more than happy to give it to them.

“The good thing about it is that we have so many hits to choose from and that’s a good thing,” says Jeffrey. “But we’re always trying to adjust it to make sure that we keep the shows interesting and that they appeal to the audience that’s there.”

The live music market is more competitive than ever. Already this year a string of big acts have been forced to cancel tours due to sluggish ticket sales.

When it comes to putting bums on seats, many of whom weren’t alive when Shalamar burst into the charts, Jeffrey says: “We have a catalogue of evergreen, feel-good music. And I think because when times get hard and we go through things, people need a respite.

“I think Shalamar’s music is kind of the antidote to that because it can help you get away when they’re in the audience. They’re up on their feet dancing. They’re singing along.

“I think we’re the last of the high performance bands in the 80s where the choreography, the costume, the interaction, it’s all there, you know.

“Not to toot our own horn, but I think we put on a good show together, you know. And it’s very entertaining. And the people love what we’re doing. And we love the people.”

Netflix is dropping a three-part docuseries that revisits Michael Jackson’s 2005 trial in which he was acquitted on charges of child molestation.

“Michael Jackson: The Verdict” drops June 3 and features archival footage and interviews with key players involved in the trial including jurors, figures from both the defense and the prosecution, journalists who were inside the courtroom and other eyewitnesses who saw the events unfold firsthand.

“It has been 20 years since the trial of Michael Jackson in which he was found not guilty. Yet, to this day, controversy still rages,” the filmmakers said. “No cameras were allowed in court, and so the public’s view of the facts at the time were filtered by commentators and presented piecemeal. It was time to take a forensic look at the trial as a whole.

“Anyone interested in the Michael Jackson story should feel this documentary gives them a window into what was largely a closed event and a chance to feel closer to what happened.”

The Santa Barbara Superior Court trial lasted 14 weeks, and the jury, which included eight women and four men, deliberated for more than 30 hours across seven days.

Jackson was acquitted on 10 felony charges: four counts of child molestation, four counts of plying a minor with alcohol in order to molest him, one count of attempted child molestation and one count of conspiracy to hold the boy and his family captive at the Neverland Ranch. He faced more than 20 years in prison.

Produced by Candle True Stories, the production company behind Netflix’s “Untold: The Liver King,” and directed by Nick Green, “Michael Jackson: The Verdict,” comes at a time of renewed interest in the “King of Pop.”

The Jackson-estate-approved biopic “Michael” hit theaters last month, and depicts the origin story of the hitmaker from childhood through his upward trajectory to superstar status in the 1980s. Notably, the movie omitted the slew of allegations that followed Jackson from the ’90s until his death in 2009.