Mia

Liverpool forward Mia Enderby has been taken to hospital with a suspected neck injury following her side’s 2-1 defeat at Tottenham.

She appeared to land on her neck after jumping for an aerial challenge and was taken from the field on a stretcher.

There were 22 minutes of stoppage time played at the end of the match, owing largely to Enderby’s injury.

Enderby, 20, has featured in all six of Liverpool’s Women’s Super League games this season and started against Spurs.

Former Sheffield United player Enderby signed a new two-year deal in the summer, having made 42 appearances and scored six goals in her first two seasons with the club.

Liverpool are already without Marie Hobinger and Sophie Roman Haug, who suffered anterior cruciate ligament (ACL) injuries before the international break.

The Reds are second-bottom at the WSL, having failed to pick up any points from their first six matches.

TORONTO — Welcome to a special daily edition of the Envelope at TIFF, a newsletter collecting the latest developments out of Canada’s annual film showcase. Sign up here to get it in your inbox.

Christina House, our staff photojournalist, continues to kill it with her portraits out of the Toronto International Film Festival. In the last day alone, she’s seen Angelina Jolie, Jacob Elordi and the cast of “Frankenstein,” Jodie Foster and more.

Or maybe you’d rather watch a video interview with Angelina Jolie and the cast and director of the inspiring fashion film “Couture?” Follow us on Instagram for all of our daily posts.

‘Blood will be shed. Possibly even a tear’: Our critic on Rian Johnson’s new ‘Knives Out’ mystery

Amy Nicholson had fun with “Wake Up Dead Man: A Knives Out Mystery.”

She’s also noticing a fair amount of Canadian pride at her screenings. It’s been an unusually loaded moment for foreign relations with our neighbors to the north.

Amy weighs in on the scene from the first four days, her favorite (and less-than-favorite) movies at TIFF and a few surprises.

The day’s buzziest premieres

‘The Smashing Machine’

Sunday saw the TIFF schedule loosen up its restrictions regarding films that premiered at other festivals and audiences started to see more major titles from competing fests.

Take for example the Monday night premiere of “The Smashing Machine,” which just won the directing prize at Venice for Benny Safdie.

Making his solo debut apart from brother Josh — their most recent collaboration was “Uncut Gems” — Benny turns in a surprisingly heartfelt sports story based on mixed marital arts fighter Mark Kerr.

Taking the leading role is none other than wrestler-turned-actor Dwayne Johnson, in a part seemingly tailor-made to play off his own career arc and give him a prestige boost he has never had before.

Add Emily Blunt to the mix, as Kerr’s supportive partner, along with boutique studio A24 and the film seems like it should land the right combinations. — Mark Olsen

‘Exit 8’

Ever fear that you’re racing around but going nowhere — that you’re in such a rush to make your way through the world that you’re barely seeing it?

Japan turned that feeling into a best-selling video game in which commuters are condemned to roam an underground subway station until they learn to pay attention to their surroundings.

Now Genki Kawamura has transformed that game into a movie. In Kawamura’s emboldened adaptation, our main player, the Lost Man (Kazunari Ninomiya of the pop band Arashi) is an aimless young slacker who is stuck both physically and emotionally.

If he ever wises up and escapes, he’s got to make better choices.

I’ve got a few quibbles with the film’s mechanics, but “Exit 8” is a moving metaphor for the art of giving things a close, appreciative watch. On day five of a film festival, we could all use a reminder to look sharp. — Amy Nicholson

I’m watching overtourism in action. Within the iridescent marvel that is Croatia’s Blue Cave, four boats holding about a dozen people each have an allotted 10 minutes before we motor back out again so that the next batch of visitors can float in. About 1,500 people a day visit this beautiful grotto on the island of Biševo, the biggest attraction within the Vis archipelago, two hours and 20 minutes south of Split by ferry. After paying the €24 entrance fee, I’m left underwhelmed by this maritime conveyor belt. At least the 45-minute foot ferry from Komiža, on the archipelago’s main island of Vis, to Biševo’s Mezoporat Bay, the launch point for boats to the Blue Cave, is only €4.

Croatia map for Vis

Many of the other cave visitors are on one of the countless speedboat tours departing from all over Dalmatia and crowding into Mezoporat Bay before whizzing off elsewhere. I’m staying on Vis itself to take a longer, slower, more satisfying look at the island, where I spent a night three years ago and which I’ve been hankering to revisit ever since. Despite the overwhelming popularity of the nearby Blue Cave and its speedboat tours, plus the boost in tourism on Vis after much of Mamma Mia! Here We Go Again was filmed here in 2017, I know there’s a quieter, mellower side to the island, and it doesn’t take long to find it.

In sleepy Rukavac on Vis’s south-eastern coast, British couple Xania and Craig Wear welcome me into one of their four guest rooms in the large stone house they renovated after moving here 20 years ago. The former PE teachers run WearActive, offering yoga, kayaking, paddleboarding and cycling in Rukavac. On their seven-day, “relaxingly active” holidays you can do as much or as little as you like. “Actively relaxing”, I find, is just as fitting a description.

Xania serves delicious plant-based food on the large shaded terrace, which has views of the sea. But before breakfast we walk to the flat rocks of Bili Bok beach, where Craig puts me through my yoga paces. Clean, salty air fills my lungs as I lunge and stretch by the Adriatic. I follow this with a swim at nearby Srebrna beach. Late afternoons are spent lazing on the pebbles at Tepluš beach, 10 minutes’ walk from the house. I could get used to this.

The next morning, my hosts suggest kayaking 6 miles (10km) from Rukavac to Stiniva Bay, Vis’s most famous beach and a place of peerless beauty. Two giant limestone cliffs curve round the pebbly beach, nearly meeting in the middle. From the top of the hill behind the cliffs there’s a steep, rocky footpath to the beach, but it’s infinitely more enjoyable to paddle on to the beach, where only kayaks, paddleboards and small rubber dinghies are allowed. Craig is on a paddleboard, while Xania and I share a kayak, and my husband has a single kayak. At 8.30am there are only about four people here, and we have a blissful, peaceful swim.

Craig knows I’ve always wanted to learn how to paddleboard, so on the way back to Rukavac we stop in tranquil Ruda bay. After some expert instruction, I’m on the board and paddling away, initial jitters soothed by the hypnotic motion of gliding on the water. Now I see what all the fuss is about.

Away from the water, my husband and I get to know Vis more intimately, crisscrossing its vineyard-covered interior and heading up and down its winding mountain roads. Its capital, Vis town, dozes during the day, most restaurants closing while the sailing crowd cruises. It comes alive at night, the restaurant terraces along the Venetian harbour buzzing in the summertime warmth.

Smaller Komiža is the place for lunch, with everything from cheap pizzerias to smart restaurants. Near Gusarica beach we find Konoba Jastožera, a restaurant built on stilts over the water, where lobster pots hold the restaurant’s speciality.It’s only when I hear the soundtrack to the Mamma Mia! films that I realise we’ve stumbled on one of the sequel’s filming locations, and instantly expect high prices and low quality. Wrong on both counts. As long as we don’t order lobster, it’s one of the most affordable restaurants we’ve seen so far, with two courses for €25. It’s not all money, money, money here.

For an island that was off limits to foreigners until 1989, when the Yugoslav army base here closed down, Vis seems to be taking its time in developing its tourism (Biševo’s Blue Cave aside). I spot a few military tours about, taking people to the huge network of tunnels and bunkers left behind by the army. I get a fascinating glimpse into 1944 Vis when I hike up to the collection of caves at the foot of Mount Hum, where future Yugoslav president Tito and his fellow partisans hid from the Nazis.

Then there’s the growth of active holiday companies bringing more people to the island, which Xania sees as a positive thing, even if it means more competition. “Vis would then become an island that’s known for its adventure holidays,” she says. “And then you have more people coming to do that kind of tourism.” I nod in agreement. The island’s natural rhythm – slow, unhurried – is one to be savoured, not raced through.

The trip was provided by WearActive, which offers seven-night active holidays from €1,590pp, including breakfast, four lunches, three dinners with wine, five days of activities, transfers to restaurants on four evenings and from Vis town ferry terminal

1 of 3 | Janice Combs, mother of Sean “Diddy” Combs arrives at Federal Court for the Sean “Diddy” Combs’ sex trafficking trial in New York City on Friday. The Sean Combs jury Friday heard from “Mia,” one of the alleged sexual abuse victims in his sex trafficking and racketeering case. She acknowledged later positive social media posts about Combs, but said she had severe PTSD and her time with Combs was very confusing. Photo by John Angelillo/UPI | License Photo

May 30 (UPI) — The Sean “Diddy” Combs jury Friday heard from “Mia,” one of the alleged sexual abuse victims in his sex trafficking and racketeering case. She acknowledged later positive social media posts about Combs.

She testified Thursday that Combs repeatedly physically and sexually assaulted her, making her feel trapped in what she alleged was ongoing abuse.

“Mia” said she felt she didn’t have any safe way to report the abuse.

Combs denies all the charges and maintains sexual acts described by prosecutors were consensual.

Under prosecutor questioning “Mia” said she was traumatized by the abuse she alleges Combs inflicted on her and that it resulted in complex, severe Post Traumatic Stress Disorder.

Under cross-examination from defense lawyer Brian Steel, “Mia” was asked about posting a good birthday wish for Combs five years after the abuse was alleged to have occurred.

It said, “Thank you for being the good kind of crazy. Thank you for being a friend and bringing friends into my life.”

Asked why she would do that and also promote the person she claimed had stolen happiness in her life, “Mia” said her experience with Combs was “a very confusing cycle of ups and downs.”

In an effort to discredit her testimony and establish reasonable doubt of Combs’ guilt, the defense confronted her with more positive posts and messages from “Mia” about Combs.

“Mia” testified that she posted the positive social media posts about Combs in part because it was about demonstrating how great your life was even if it wasn’t true.

She added she felt fear any time Combs was unhappy because it meant she was unsafe.

“Mia” said during cross examination that her dynamics with Combs would shift and “when things were good, we felt really safe” and almost forgot about the abuse.

She said she had to “beg” Combs to allow her to go to her grandmother’s funeral.

On Tuesday, former Combs assistant Capricorn Clark testified she saw Combs beat Cassie Ventura for having a relationship with another rapper. She added Combs told her he wanted to kill Scott Mescudi, also known as “Kid Cudi.”

Combs is charged with one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.