Matt

Matt Lucas has opened up about his new look, joking about his ‘bizarre’ beard

Matt Lucas appeared on Wednesday’s The One Show.

The actor, 52, was on the BBC One show, which also aired an emotional tribute to Dolly Parton, to talk about playing Fagin in Lionel Bart’s musical Oliver! for six weeks only at the Gielgud Theatre in the West End.

As well as Oliver!, Matt will also appear on Taskmaster alongside the likes of Richard Ayoade, Isy Suttie, Chloe Petts and Nina Conti.

Matt said of his new theatre role: “I’m growing this bizarre beard” to which host, JB Gill, said: “It looks good!” while co-host Clara Amfo, quipped: “Well, let’s talk about that. I don’t think we’ve ever seen you this way.”

This prompted Matt to admit: “Well, I’ve never ever tried. I grew a moustache for three weeks in the pandemic, but I mean, I, you know, I’ve talked about this before. I have alopecia. Lost my hair when I was six, shortly after that photo [a picture on screen] was taken, actually.

“So seven weeks ago, when I knew I was doing this, I went, ‘Right, what happens if I don’t shave?’ And this is what, so my aim is to keep growing it down to my ankles.

“And then when I’m at the football and it’s freezing in the winter. Wrap it as a scarf!” with Clara joking: “I love that. Function and fashion. Fantastic.”

Taking to Twitter, now X, viewers were also quick to comment on and praise Matt’s new look.

One person said: “Didn’t recognise Matt Lucas, quite a change since I last seen him. Looking good though. #theoneshow!”

A different viewer wrote: “Matt Lucas looks like a different person. #theoneshow” while another show watcher joked over how unrecognisable Matt looked: “They definitely said Matt Lucas was on #theoneshow tonight …. still waiting.”

Meanwhile, a different show watcher added: “Cant wait to see @RealMattLucas take on fagan in @OliverOnStage #theoneshow.”

It comes as Matt, who shot to fame on Little Britain and has more recently returned to the comic relief role of Thenardier in Les Miserables for the musical’s mammoth 40th anniversary celebrations, recently received his OBE for services to theatre.

The One Show airs on weeknights at 7pm on BBC One and BBC iPlayer

A former ABC News journalist is suing former colleague CBS News Chief Correspondent Matt Gutman over inappropriate remarks he allegedly made when they worked together several years ago.

Samira Said, a field producer for ABC News for four years, included the claims related to Gutman in a wrongful termination lawsuit filed Friday in Los Angeles Superior Court against her former employer and its parent The Walt Disney Co. Gutman, who joined CBS News in January, is named as a defendant as well.

The suit cited two incidents where Said claims Gutman created a hostile work environment by making inappropriate sexual comments while on the job. While waiting on a public line with Said during an assignment, Gutman allegedly “initiated a discussion rating a female correspondent’s appearance and reducing her professional standing to a numerical score based on her physical attributes.”

Said claims the other male crew members on the assignment joined in and tried to draw her into the conversation by soliciting her views. Said declined and stated the conversation was inappropriate.

The suit cited another exchange when the two covered a press event for a movie release. Said claims she and Gutman disagreed about whether they should leave the work site. “In front of multiple coworkers, Gutman responded by making a sexualized insinuation that Said must have an after-hours date in the city,” the suit said.

The suit also said the remarks made in front of co-workers were demeaning and “reduced [Said’s] professional judgment to a sexualized stereotype.”

Gutman, 48, was the first high-profile talent hire by CBS News Editor-in-Chief Bari Weiss, who took charge of the division in October 2025. He recently filled in as anchor of the “CBS Evening News” and scored higher ratings than the program’s regular anchor Tony Dokoupil.

Gutman spent 17 years at ABC News where he mostly reported from Los Angeles.

The suit also claims Said was wrongfully terminated from ABC News in 2025 after dealing with mental health issues. The suit accuses the company of violating California’s Fair Employment and Housing Act by not making accommodations for her.

A Disney representative declined comment as executives have yet to see Said’s complaint. CBS News and Gutman also declined comment, having not seen the suit.

Said was assigned to cover the 2022 shooting at the Robb Elementary School in Uvalde, Texas, where she was required to interview child survivors who had witnessed the killing of their classmates. Afterward, she told her supervisor she needed a short leave to attend to her health but was denied.

A psychiatrist eventually approved a medical leave. The suit alleges that shortly after it began Said continued to get assignment requests from David Herndon, then head of ABC’s Los Angeles bureau.

Said was assigned to cover the Los Angeles wildfires in January 2025. She was sent home three weeks in after a supervisor observed her deteriorating physical condition, according to the suit.

Said injured her foot later that year while covering a weather-related story in the area. She reported the injury to supervisors but was denied a request for medical leave after being evaluated by a company doctor.

Said is seeking compensatory and punitive damages along with her attorneys’ fees.

Matt Tebbutt has shared his honest reaction to Ricky Gervais’ raunchy new Netflix comedy series, Alley Cats.

Saturday Kitchen star Matt Tebbutt didn’t mince his words as he called Ricky Gervais’ new Netflix show “filth”.

Matt was back for another instalment of his much-loved cooking show on Saturday (August 1) and was joined by chefs Sam Evans, Shauna Guinn and Justin Tsang, while Olly Smith shared his expertise on drinks. Actress and comedian Kerry Godliman was also in the studio kitchen, discussing her previous work and upcoming projects.

Kerry, who has worked alongside actor Ricky Gervais in shows such as Afterlife and Derek, will now be lending her voice for the brand new series of Alley Cats. Showcasing a clip of the show to those in the kitchen and fans at home, Matt was clearly impressed.

But he quickly added that, although the Netflix show is a cartoon, it is not suitable for younger audiences. Matt said bluntly: “And that is the only clip we can show, because it’s filth!”

Kerry agreed and replied: “Oh yeah, there is a lot of filth. But that is a sweet clip.”

Matt added: “Yeah, it’s not family viewing. Unless you have teenagers.”

According to The Guardian, Alley Cats centres on a group of stray cats who spend much of their time lounging on a sofa inside a run-down house, passing the time by watching television. Leading the gang is Gus, an overweight ginger tom voiced by Ricky Gervais, whose loud, cynical outbursts and dismissive views usually dominate every conversation.

Also among the feline cast is Ponce, played by Tom Basden, a well-groomed pedigree cat with a more sensible outlook. Despite often being the voice of reason, he’s frequently mocked for being neutered.

Completing the trio is Puke, voiced by David Earl, an unkempt and crude character known for his outrageous remarks and bizarre stories, including one particularly shocking anecdote involving a hedgehog.

According to reports, the show, which is set to land on Netflix, August 7th, is filled to the brim with sweary banter, which has lead creator Ricky to beg viewers to not be offended.

As reported by the Mirror, Ricky said: “It would take a very special kind of person to complain about what a fictional cartoon cat thought of something, but it will happen.

“Please don’t be offended by anything these characters say or do. They can’t help it. They’re cats. So sometimes, they’re ****s.”

Saturday Kitchen airs Saturdays from 10am on BBC One.

Sussex have announced that former Kent boss Matt Walker will take over as their new head coach for the 2027 season.

The 52-year-old will take charge on 1 November, succeeding Paul Farbrace, who is switching roles to become Sussex’s new Director of Cricket.

Walker spent eight seasons as head coach at Kent, guiding them to promotion to Division One in 2018, T20 Blast success in 2021 and the One-Day Cup in 2022.

He has also coached in the England men’s set-up and is currently batting coach at Warwickshire and assistant coach with MI London, formerly known as Oval Invincibles, in The Hundred.

More to follow.

In addition to their four yellow cards, England gave away 14 penalties to Argentina’s six, taking their tally for the Nations Championship to 34 conceded in three matches.

Former England wing Chris Ashton believes this pattern of ill-discipline is a weakness opposition teams will look to exploit.

“If you are playing against England, you know they are going to give penalties away and make some stupid errors that result in them losing games,” Ashton told BBC Radio 5 Sports Extra.

It’s a problem that’s not lost on the players, with Immanuel Feyi-Waboso, who scored England’s fifth try and lit up the match with his jinking runs, identifying it as something for the team to work on.

“Discipline is a huge thing,” he said. “I don’t know how many cards there were but too many. We can’t be having games where we finish with 13 [players].”

Borthwick was eager to focus on his team’s “incredible spirit” as they hung on to win.

“It’s almost unfair to pull out one example but Henry Slade’s tackle at the end was incredible,” he said.

“It shows the fight that’s in this group of players, as well as their togetherness and connection.

“Right now these players deserve a fantastic holiday, a good night out tonight and a good rest.

“They’ve worked hard and it’s been a season that’s been going a while.

“We all know about the number of minutes the English players play and these guys have stuck to it right to the very end.”

Meanwhile, Argentina head coach Felipe Contepomi accused England of showing a “lack of respect” during his post-match news conference.

Contepomi took exception to the music and cheering that could be heard coming from England’s changing room next door.

Having asked the England representative present in the room to stop the noise, Contepomi lost patience when it did not, and walked out of the room.

BUSTED’s Matt Willis has penned an emotional book about his life on and off the stage.

The musician says he hopes the project will help others who are currently battling addiction issues.

Speaking about Mending: Busted, Breaking and Getting Better, out on October 8, Matt said: “For a long time, I wasn’t sure I’d ever be able to tell this story, or even if I should.

“But over the last few years, I’ve realised that talking honestly about addiction, recovery, family and everything I’ve learned along the way might help someone else.

“This isn’t a book about having all the answers. I definitely don’t.

“It’s about learning that recovery isn’t a finish line, life doesn’t suddenly become perfect, and that we’re all still figuring things out as we go.

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“Writing it has been one of the hardest and most rewarding things I’ve ever done, and I honestly can’t wait for you to read it.”

Just four weeks before his marriage to Emma Willis in 2008, Matt checked into rehab, and despite a relapse in 2016, he’s now been sober for almost nine years.

He’s a brave man, and I’m looking forward to reading his book.

WANT A BLUE PETER BADGE LIKE HARRY? YOU JUST HAVE TO ASK

HARRY STYLES said it was one of his proudest achievements when he was given a Gold Blue Peter Badge to mark his record-breaking run of 12 shows at Wembley .

But I can reveal that the Beeb has now resorted to giving the famous accolade away on freebie websites in a desperate bid to keep the younger generation tuning in.

Once a prized possession, Blue Peter badges used to be given out strictly on merit.

However, an online listing reads: “The BBC are giving away free Blue Peter badges to anyone aged between five and 15.

“The badge allows you to gain free entry to over 200 attractions. Just send Blue Peter a letter explaining why you’d like one. That’s all.”

I understand it’s a sign of the times, but it seems a bit bleak to give it away for next to nothing.

BRITAIN’S Got Talent winner Sydnie Christmas joined American legend Gloria Gaynor for an unlikely collaboration on her 1979 hit I Will Survive at Boogie- town Festival in Surrey at the weekend.

Sydnie said: “I didn’t want it to end. Her love and passion consumes you.

“In that moment, nothing else mattered but the love of music.”

PUB MICK: IT’S CRAWL OVER NOW

SIR MICK JAGGER has revealed how he ended up singing in a pub in Oxford last month.

The global rock icon, whose band The Rolling Stones are on course for their 15th No1 album on Friday with Foreign Tongues, joined an Irish folk group at The Half Moon pub where he sang Handsome Molly with them.

Explaining how it happened, he told the Conan O’Brien Needs A Friend podcast: “I had dinner at an Oxford college and then one of the students who I was talking with said, ‘I play mandolin. I’m going down the road to play with an Irish band. Do you want to come?’.

“I said, ‘Sure’, and I took a couple of people I was with and the provost of the college, who took his gown off.

“The band was doing fiddle pieces and the guy joined in with his mandolin, but no one was singing so I thought, ‘Well, here’s an opening. This is my chance for pub crawl singing’.”

I don’t think you’ll ever have to revert to that, Mick.

Kerry’s all gold

KERRY WASHINGTON was going for gold as she hit the red carpet.

The actress wore this quirky metallic gown at the opening of stage production The Whoopi Monologues in New York.

Things really are going swimmingly for US star Kerry, who appears in the show penned by Sister Act’s Whoopi Goldberg.

The one-woman comedy turn debuted on Broadway in 1984, starring Whoopi herself, pictured with Kerry at the opening.

Speaking on US TV’s The View about the original hit, Kerry said: “Whoopi has been such a groundbreaker – a trailblazer and an inspiration for so many of us.

“Throughout my career, this show became a bonding place with other actresses. I would meet them and we would talk about how it impacted us and our idea of what was possible.”

SET FOR A MAIDEN VOYAGE

IRON MAIDEN have sold a stake in their publishing and master music rights, name and image to the Pophouse Entertainment company run by Abba’s Bjorn Ulvaeus, with massive plans to expand their legacy.

The big-money deal with Bruce Dickinson and the group was announced yesterday and comes after the firm partnered with other acts including Tina Turner and Kiss.

It will mean the band can pursue new creative ventures, including the filming of their Run For Your Lives tour for a “major cinematic project” as well as “developing a digital universe centered around” their mascot Eddie.

It’s exciting news for fans of the band, given Pophouse is the founding investor in Abba Voyage.

Perhaps Iron Maiden will be returning to a stage, in digital form, soon.

Kim’s heart is racing

KIM KARDASHIAN and Lewis Hamilton’s romance is motoring.

She shared this cute selfie with the F1 legend and her daughter Chicago, taken on a family getaway to Idaho.

Kim captioned the post on Instagram: “Summers at the lake with my favourite people.”

I first revealed in February that Lewis and Kim were dating, before they were pictured at the Super Bowl.

Since then, they’ve jetted all over the world on a series of dates, with Kim recently supporting her man at the Monaco Grand Prix.

Judging by the smile on her daughter’s face, Kim isn’t the only one who’s been won over by Lewis.

AFTER years of writing about politics, technology and the chaos of the modern world, Matt Bellamy wanted something different for Muse’s tenth album.

“The theme was to get back into mystery a little bit,” he says. “The mysteries of the universe, mysteries of spirituality and returning to the rawness of the unknown.”

Inspired by the 1977 Wow! Signal — an unexplained radio signal from space once seen as possible evidence of alien intelligence — and a turbulent period in his personal life, the record finds Bellamy searching for meaning on both a cosmic and personal level.

“I’ve turned completely apolitical,” he admits. “It’s weird when you go through things in your personal life — the news just becomes an annoying noise.

“When your life’s going great, you get drawn into the news and what’s going on in the world.

“But when you’re actually going through something yourself, the news and politics just become a headache.

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“I’m a little bit gloriously out of touch. I’ve normally been so in touch, my finger’s always been on the pulse, and a lot of the albums I’ve made talk about the rise of populism. But this album and my life for the last year-and-a-half has been different.”

Bellamy has split from US model Elle Evans, his wife of six years, who he quietly separated from in October 2025.

“I’ve been through a separation involving two young kids,” he says carefully.

“I can’t really talk about the reasons behind it, but it was not your normal run-of-the-mill situation. I became a full-time single parent for a period of eight months.

“She’s doing a lot better now and she’s getting better, but it was an unusual situation to go through. It made writing the album so much easier.

“It’s hard to talk about what’s behind the album because I don’t throw people under the bus. And I don’t want my kids to grow up reading stuff.”

Bellamy, 48, is in London for band rehearsals and when we meet, he’s just back from the gym in a bid to shape up for the tour.

“I’m not that old,” he laughs. “But I met Mick Jagger at a party and I went straight in on the fitness. I was, like, ‘What is your secret?!’ He said when he was in his 30s, he started working out a few weeks before a tour.

“By the time he got to his 40s, he was working out for the same length as the tour.

“If it was a three-month tour, he’d work out for three months before. And by the time he got to his 50s, he was just working out all the time, all year round.”

The 1977 Wow! Signal fascinates Bellamy because it remains unexplained and happened around the time the band members were born.

“The Wow! Signal is probably, to this day, still the most interesting signal that’s ever been seen in space,” he explains.

“It happened in 1977, which is basically within 12 months of all the band being born.

“Chris [Wolstenholme] and I were born in 1978 and Dom [Howard] in 1977, so I just thought it was funny that this little Wow! Signal appeared around the time we came into this world.

“I think this album was really me letting go a little bit and engaging with the unknown.

“What is this thing inside me, or all of us, that wants to not be alone? I don’t mean with a partner or friends. I mean this thing in the universe. At the moment, we appear to be so alone, and we have this drive, which you see through religion and science.

“Behind all of it, we just don’t want to be alone.”

That search drew Bellamy back to one of his formative influences.

“I grew up watching Contact, the Jodie Foster film from the 90s,” he says. “I used to read Carl Sagan’s books and that film really stayed with me.”

It has also led him into the world of AI.

He adds: “I’ve spent time in the tech world, in California’s Silicon Valley and the Bay Area, and I had some involvement in that world.

“I went to a private talk where Sam Altman (CEO of OpenAI) was talking off the record about his thoughts on AI.

“I saw (Meta CEO Mark) Zuckerberg talking about it, too, and I was interested in what they were saying.

“When you really hear them, they know they’re ushering in an intelligence which is beyond us. They start to see it as, ‘Well, we’re just kind of messengers bringing in this thing that is going to be more intelligent than us’.”

Bellamy says he enjoys asking AI philosophical questions — and that is where Hexagons began.

“That’s actually my favourite thing to do with AI, and where I got the idea for Hexagons,” he says. “And again, I think that is part of the same human condition.

“Whether it be religion, looking for aliens in space or trying to bring in artificial intelligence, it’s kind of all the same thing.”

Epic, organ-led Be With You was the first song that made the album’s direction clear.

“You can look at it as a love song, or you can look at it as a religious song, almost,” he says.

“I’m not a religious person, but I decided to play the song on a church organ.

“I went to the biggest church organ in Los Angeles, so the song was recorded in this church-like setting.

“I liked the idea that it could be perceived as searching for alien life, or searching for alien intelligence of some kind, or God. That was the first song that felt right, lyrically and musically.

“There are a lot of personal elements in the album that are quite unusual for me.”

Bellamy says the album came from a difficult period, but that made the music flow.

“This was actually the easiest album for me to write and make for 15-plus years,” he says.

“Space Debris is probably the biggest reveal of what I went through, especially lyrically at the end,” he says.

“It’s the rawest moment of explaining what really happened over the last year. I like using space analogies — space debris, things breaking up and falling apart in gravity — to describe the chaos and feeling in your life.

“It also fits the theme of connecting this search into outer space for a higher power with the chaos and feeling in your own life.

“I hope the fans don’t ask me to play that one live.”

If Space Debris is the album’s rawest confession, Bellamy says it also opened the door to bigger questions running through the record.

“What I went through threw me off into the unknown,” he explains.

“When things go wrong in your life, that’s when you’re most likely to seek meaning or search for answers.

“In my case, it was a blend between religious thought, alien intelligence and AI.

“I don’t know what it is, but you’re searching for this higher power to guide you, or to give you answers.

“Music became my catharsis. It became my way to understand my situation.

“Making this album gave me flashbacks to these periods where music was my everything.

“It wasn’t something I had to do to pay the bills. It wasn’t something I had to do for the record label. It was something that I had to do for myself.

“That’s why I think this album is probably, since the 2000s anyway, the most raw, emotionally raw and honest album I’ve done.”

Bellamy says despite the personal nature of the album, Chris and Dom were central to every song.

“I’ve always been in charge of the lyrics, and I’m the leader in terms of the concepts,” he says.

“But musically, this is the most equal album we’ve had for a long time.”

The Wow! Signal includes some of the best tracks Muse have made in years.

Cryogen has already been compared to early Muse, while Shimmering Scars shows off the vulnerability in Bellamy’s voice.

“Cryogen is deliberately Muse from 2001,” he says.

With Shimmering Scars, he explains: “I felt like I needed to do five or six takes, so we could edit the best bits in.

“But producer Dan Lancaster was, like, ‘Nah, let it be raw, let it be weird.’

“To me, it sounded a bit off — not quite what I wanted it to be. But he was, like, ‘No, that’s the whole point. That sounds a little bit raw’.

“This is the first album where we said, ‘Let’s give Dan a go at producing it’. The last two albums were self-produced, so it was nice to hand the reins to someone else.

“He did a great job keeping us towards that more raw, vulnerable state in the performances.”

Bellamy believes AI is pushing younger listeners back towards authenticity.

“My stepson with Kate [Hudson], Ryder, is 22 and he’s just graduated from NYU,” he says. “Then Bing is 14, and I’ve got the two little ones as well.

“Having a boy who’s 22 and a boy who’s 14 means I get a real sense of what’s going on in their generation.

“I think that generation is turning away from pop, hip-hop and dance a little bit. They’re seeking raw, chaotic-sounding music.

“I think the reason why is because that generation is drowned by AI. AI is dominating everything they do, from schoolwork to music and the arts.

“I could be wrong but from what I sense from them, they’re gravitating towards what they know to be real.”

Recent single Nightshift Superstar was the band wanting to go French disco.

“I love Daft Punk, Justice and ABBA,” Bellamy says. “I went to see ABBA’s show and I loved it. They’re some of the best songs ever written. So after that and seeing Justice in Paris, I was, like, ‘How do we do that? Let’s just go there’.

“The song has a late-70s feel but with a more cutting-edge tone associated with modern dance music.

“But the good thing about it is that it really is us playing.”

One surprise on The Wow! Signal is Hush — a collaboration with pop star Ellie Goulding.

“Ellie was in the studio next-door, working with Marshmello on something,” says the singer.

“We have known each other for years and always wanted to try and do something together.

“Muse fans will read online that we’ve done a song with Ellie Goulding and think it’s going to be a pop song.

“But it’s got one of the biggest, heaviest riffs we’ve done in a long time. To me, it sounds a bit like New Born or something from 2001.

“The verses get a little bit poppy, I guess, but the main riff is pretty hard rock, so I thought it was quite fun to get Ellie’s voice over that kind of heaviness.

“I think it’ll be a nice surprise.”

Bellamy says the song came together by chance.

“This was an experiment,” he says. “It’s the only song on the album that really involves multiple writers.

“Ellie popped her head in towards the end of the day, at about 11pm, and went, ‘Hey, what are you guys up to?’ We played the song and she said, ‘Oh, can I sing on it?’ We tweaked the lyrics and turned it into a duet.

“It came completely by chance. It wasn’t planned to be a collaboration.”

Bellamy says the reaction from Muse fans to the new songs has “been the best we’ve had for at least 15 years” and he’s looking forward to getting back on the road following their special Brixton Academy show in April to launch the album.

The show marked Muse’s first appearance at the venue in 25 years, just before the release of Origin of Symmetry.

“I didn’t realise it had been so long,” Bellamy says.

“I remember the last time we played there, it was around the second album and I was so nervous because it was the biggest show Muse had ever done.

“We got to debut Be With You for the first time, and we had a great time.”

Visually, Bellamy says the full Wow! Signal world will come to life properly when Muse return to Europe in November.

“The American tour starts with what I’d call a medium-level production,” he says.

“But when we come to Europe, including London and Manchester in November, that’s when we’re going to ramp it up to a really sophisticated production.

“I think there’ll be a lot of geometry, a lot of hexagons, shapes and lasers, and strange, interesting visuals.

“Hopefully we’ll build the spaceship you see on the album cover in the arena.”

• The album The Wow! Signal is out today.

The Wow! Signal

Playing in goal for the U.S. men’s national soccer team is a little like playing right field for the Yankees. You’re following a long line of great players, making the comparisons — and the high expectations — unavoidable.

Matt Freese is the latest to be thrown into that crucible. But he considers that pressure to be a privilege, not a problem.

“I wouldn’t say it’s intimidating, I would say it’s inspiring,” he said before the U.S. training session Tuesday morning in Irvine. “It’s a long line of goalkeepers that I’ve looked up to for my whole life — and there were some before my life as well.”

Two games into this summer’s World Cup he’s certainly held his own with that group, giving up just one goal for a team that’s unbeaten and already through to the next round. However Thursday’s group-stage finale with winless Turkey will be far from meaningless for Freese since his first start for the U.S. came against Turkey 55 weeks ago, bringing his whirlwind international team career full circle.

U.S. goalkeeper Matt Freese waves to the crowd after beating Paraguay during a World Cup match at SoFi Stadium on June 12.

(Kelvin Kuo/Los Angeles Times)

He lost that game but his performance was good enough to make him the starter in the Gold Cup, where he was even better. A little over a year ago he was just a faint blip on coach Mauricio Pochettino’s radar. Now he has a World Cup shutout and with another clean sheet Thursday, he’ll join Matt Turner as the only American keepers to post back-to-back shutouts in a World Cup in 96 years.

“I dreamt of this opportunity. But you never know if it’s going to come,” Freese said. “I learned the ones that work hard without the promise of reward are the ones that usually succeed.”

Turner, who gave up just a goal in the group stage in Qatar four years ago, is Freese’s backup in this tournament. And he’s just the most recent U.S. keeper to stand out in a World Cup. In 2014, Tim Howard set a tournament record with 16 saves in a knockout-stage loss to Belgium and 12 years before that Brad Friedel made six stops in a 2-0 win over Mexico to send the U.S. to the quarterfinals for the only time.

“To have my name next to theirs as the next guy up is an incredible honor, and it’s something I’ve dreamed of,” Freese said. “The bar is set high and I’m going to strive to reach that bar and raise it even higher.”

Freese, 27, took an unusual route to that bar. The son of a neurosurgeon who earned a doctorate from MIT and the grandson of scientists who immigrated from Germany after World War II, Freese grew up in a household where academics were more important than athletics. So while he joined the Philadelphia Union academy as a teen, he craved the demands of school and left soon afterward to enroll at Harvard.

“When you’re a professional athlete at age 18, 19 sometimes it can be difficult to keep a routine, keep a regimen that keeps you focused and keeps you hungry,” Freese said. “For me, taking classes was something that occupied my time, occupied my mind and gave a very natural release off the field.

“I think at that age it was necessary.”

After two seasons at Harvard, he returned to Philadelphia to sign with the MLS team while continuing to take classes online, once writing a paper on penalty-kick analytics. In 2022, he graduated from Harvard with a degree in economics.

The soccer part wasn’t going nearly as well. Playing behind Andre Blake, a three-time MLS keeper of the year, Freese rarely saw the field in Philadelphia. But a trade to New York City FC in the winter of 2023 gave him a second chance and likely saved his career.

He made the most of it, earning the starting job in his second season, when he finished third in the league in saves, and getting his first call-up to a national team training camp in January 2025.

Six months later he was the team’s starter in goal.

The late-blooming Freese’s journey was unusual in another way too since he traveled to the World Cup from MLS. In the five World Cups between 1998 and 2014, the U.S. started Friedel, Kasey Keller and Howard — three English Premier League keepers — in goal. A dozen years later, the Athletic reports, there are no American goalkeepers in the top five European club leagues and the three goalies on this summer’s roster all play in MLS.

U.S. goalkeeper Matt Freese clears the ball as Australia’s Mohamed Toure closes in during a World Cup match in Seattle on June 19.

(Maddy Grassy / Ap Photo/maddy Grassy)

However as a guy with a Harvard diploma on his resume, Freese knows enough to know that getting to a World Cup isn’t about where you came from or even how long it took you to get there. All that matters is that you made it. And now that he’s there, his job isn’t to stand out, but to blend in.

“Being a goalkeeper is recognizing that it’s not always about you. And I’m comfortable with that,” he said. “The less action I have in a game means the better that we’re playing, and the more likely we are going to win.

“So I’m typically more focused on that and preventing any shots rather than just being only ready to save them.”

Bloomfield had been out of work since he was sacked as Luton boss in October 2025 when he was appointed at Oxford at a time when they were 23rd in the Championship, three points adrift of safety.

He came in after Rowett had overseen a dismal spell of one win in ten matches.

Bloomfield began his managerial career at Colchester United before taking over from Gareth Ainsworth at Wycombe Wanderers in 2023.

After leading the Chairboys to the League One automatic promotion places amid the challenge of big-spending Birmingham City and Wrexham last season, he left the club to take over at Luton.

But Bloomfield was unable to prevent the Hatters from suffering back-to-back relegations to the third tier and was dismissed after an underwhelming start to the season, with the club 11th in the table.

Speaking after Oxford’s relegation was confirmed in April, Bloomfield said he was confident of keeping his job.

“I’ve enjoyed my time at the club. It’s obviously not been the outcome that we wanted for the season.

“We’ve been pleasantly content with some of the improvements we have made but ultimately we wanted to stay in the league.

“I’ve not given much thought to my job and the bigger situation and ultimately, as a manager or head coach, all you can do is focus on being the best you can be,” he said in April.

Oxford looked capable of pulling off a “great escape” in late February and early March when they won three games in a row to move up to 21st.

However, just two wins in the following eight matches saw them lose ground on the sides above them.

Relegation brought an end to a two-year spell in the second tier after they won promotion via the League One play-offs in 2023-24.

Saturday Kitchen presenter Matt Tebbutt has been at the helm of the BBC cookery show for almost a decade

Saturday Kitchen host Matt Tebbutt has revealed a major confession nearly a decade after succeeding James Martin as the face of the BBC cookery programme.

The presenter, 52, had been a frequent guest and stand-in host before securing the permanent role in March 2017.

Speaking exclusively to Express.co.uk at Jeremy Clarkson‘s FarmFest during the May Bank Holiday weekend, he confessed he now finally considers himself a TV chef.

“I think it is fair to say now I am probably a TV chef. I originally started as a working chef doing all the hours for 14 years. That’s a tough game. TV cookery isn’t.

“It comes with other pressures. There are time pressures. Conformity. I mean I’ve always been a chef but I think now it’s veered into ‘TV chef’,” he acknowledged. Discussing his position on the long-standing cookery programme.

He explained, “My job is to make food and cooking look really accessible. We have our guest chef’s on and they’re the kind of the aspirational ones.

“My job is to do those dishes that people will look at and go ‘I could get out of bed now and go to the supermarket and buy those ingredients and make that’.”

“Whether they do or not I don’t know but it is there for them,” he chuckled.

One philosophy Matt is particularly passionate about is the “farm to fork” approach, which was amongst the key reasons he was supporting Farm Fest.

He made an appearance at the festival on Sunday, 24 May, where he delivered a cookery demonstration, gave a talk and even took on the role of judge at the dog show, despite confessing he keeps two cats at home, reports the Express.

“It’s absolutely [great] to be able to support British farmers at a time when the government isn’t and to highlight [what they go through],” he said shortly after his arrival.

“I mean, you see it around you,” he added, gesturing towards the nearby stalls.

“People who are committed to supporting farming and where the food comes from. It’s marvellous. So if I can show support, I will.

“I live in a rural part of Wales, so you see it on a daily basis. You are in pubs with farmers chatting to them, and you know the sort of problems that they are trying to overcome right now, so it is great to support this.”

Saturday Kitchen airs at 9am every Saturday on BBC One and iPlayer

Countryfile presenter Matt Baker and his wife Nicola have opened up about how they manage time apart due to his filming commitments

Matt Baker shared a rare insight into his marriage.

In a previous interview on ITV’s Lorraine, broadcast last year, Matt Baker and his wife offered candid insight into how they keep their relationship thriving despite lengthy stretches apart owing to Matt’s filming schedule.

As the conversation turned to Matt’s TV series and Nicola’s book, host Lorraine Kelly quizzed the couple on how they first met.

With a cheeky grin, she asked: “Now, you two met when you were babies, right? Teenagers. Nicola, were you into farming? Were you a farm girl?”

“No, I wasn’t a farm girl,” Nicola replied warmly. “I loved being outdoors. I loved just the outdoor life. But farming was something that came to me when we met.”

Lorraine then turned her attention to how the couple copes with prolonged time apart, particularly when Matt heads off to film Countryfile and other projects. She probed: “Obviously, you know, you go off and do your own thing writing the books, and you go off and do your own thing around Britain,” reports the Express.

She continued thoughtfully: “So there are times when you’re apart, but you don’t think sometimes that works. It just does. You know, you’ve always got something to talk about.”

“We are such do-ers, really,” Matt chipped in, adding: “We are so supportive of what each other wants to do.”

He concluded: “But yeah, we’ve just sort of found our way through because we sort of focus on what we’re passionate about.” Nicola offered her take on their situation: “And then we make the most of the time when we have together, you sort of prioritise that and make the most of that.”

When Matt isn’t busy filming, he often keeps his Instagram followers updated with his day-to-day life. In one of his most recent posts, the Countryfile presenter shared the heartbreaking news that his dog had died.

In an emotional social media post, Matt confirmed the loss of his cherished companion, writing: “R.I.P Bob”.

He wrote alongside the post: “It’s with a very heavy heart that I’m letting you know our wonderful Bob is no longer with us.

“He’s been gone a while, but I haven’t been able to talk about it as I’ve been finding it so incredibly sad. Bob was a brilliant dog. He was there for me with his gentle soul as the ultimate companion through some of the greatest chapters of my life, from raising our kids to all the changes we made on our family farm.”

He continued, “It’s broken my heart, but I feel hugely grateful to have had him in our lives, and I thank him from the bottom of my heart for everything he’s taught me and brought to our family.

“I’m sure all you dog lovers will agree the reason we love our dogs so much is because the only time they break our hearts is when they leave us. RIP Bob X.”

Lorraine airs weekdays at 9.30am on ITV and Countryfile airs on Sunday on BBC One.