Matt

Matt Tebbutt has shared his honest reaction to Ricky Gervais’ raunchy new Netflix comedy series, Alley Cats.

Saturday Kitchen star Matt Tebbutt didn’t mince his words as he called Ricky Gervais’ new Netflix show “filth”.

Matt was back for another instalment of his much-loved cooking show on Saturday (August 1) and was joined by chefs Sam Evans, Shauna Guinn and Justin Tsang, while Olly Smith shared his expertise on drinks. Actress and comedian Kerry Godliman was also in the studio kitchen, discussing her previous work and upcoming projects.

Kerry, who has worked alongside actor Ricky Gervais in shows such as Afterlife and Derek, will now be lending her voice for the brand new series of Alley Cats. Showcasing a clip of the show to those in the kitchen and fans at home, Matt was clearly impressed.

But he quickly added that, although the Netflix show is a cartoon, it is not suitable for younger audiences. Matt said bluntly: “And that is the only clip we can show, because it’s filth!”

Kerry agreed and replied: “Oh yeah, there is a lot of filth. But that is a sweet clip.”

Matt added: “Yeah, it’s not family viewing. Unless you have teenagers.”

According to The Guardian, Alley Cats centres on a group of stray cats who spend much of their time lounging on a sofa inside a run-down house, passing the time by watching television. Leading the gang is Gus, an overweight ginger tom voiced by Ricky Gervais, whose loud, cynical outbursts and dismissive views usually dominate every conversation.

Also among the feline cast is Ponce, played by Tom Basden, a well-groomed pedigree cat with a more sensible outlook. Despite often being the voice of reason, he’s frequently mocked for being neutered.

Completing the trio is Puke, voiced by David Earl, an unkempt and crude character known for his outrageous remarks and bizarre stories, including one particularly shocking anecdote involving a hedgehog.

According to reports, the show, which is set to land on Netflix, August 7th, is filled to the brim with sweary banter, which has lead creator Ricky to beg viewers to not be offended.

As reported by the Mirror, Ricky said: “It would take a very special kind of person to complain about what a fictional cartoon cat thought of something, but it will happen.

“Please don’t be offended by anything these characters say or do. They can’t help it. They’re cats. So sometimes, they’re ****s.”

Saturday Kitchen airs Saturdays from 10am on BBC One.

Sussex have announced that former Kent boss Matt Walker will take over as their new head coach for the 2027 season.

The 52-year-old will take charge on 1 November, succeeding Paul Farbrace, who is switching roles to become Sussex’s new Director of Cricket.

Walker spent eight seasons as head coach at Kent, guiding them to promotion to Division One in 2018, T20 Blast success in 2021 and the One-Day Cup in 2022.

He has also coached in the England men’s set-up and is currently batting coach at Warwickshire and assistant coach with MI London, formerly known as Oval Invincibles, in The Hundred.

More to follow.

In addition to their four yellow cards, England gave away 14 penalties to Argentina’s six, taking their tally for the Nations Championship to 34 conceded in three matches.

Former England wing Chris Ashton believes this pattern of ill-discipline is a weakness opposition teams will look to exploit.

“If you are playing against England, you know they are going to give penalties away and make some stupid errors that result in them losing games,” Ashton told BBC Radio 5 Sports Extra.

It’s a problem that’s not lost on the players, with Immanuel Feyi-Waboso, who scored England’s fifth try and lit up the match with his jinking runs, identifying it as something for the team to work on.

“Discipline is a huge thing,” he said. “I don’t know how many cards there were but too many. We can’t be having games where we finish with 13 [players].”

Borthwick was eager to focus on his team’s “incredible spirit” as they hung on to win.

“It’s almost unfair to pull out one example but Henry Slade’s tackle at the end was incredible,” he said.

“It shows the fight that’s in this group of players, as well as their togetherness and connection.

“Right now these players deserve a fantastic holiday, a good night out tonight and a good rest.

“They’ve worked hard and it’s been a season that’s been going a while.

“We all know about the number of minutes the English players play and these guys have stuck to it right to the very end.”

Meanwhile, Argentina head coach Felipe Contepomi accused England of showing a “lack of respect” during his post-match news conference.

Contepomi took exception to the music and cheering that could be heard coming from England’s changing room next door.

Having asked the England representative present in the room to stop the noise, Contepomi lost patience when it did not, and walked out of the room.

BUSTED’s Matt Willis has penned an emotional book about his life on and off the stage.

The musician says he hopes the project will help others who are currently battling addiction issues.

Speaking about Mending: Busted, Breaking and Getting Better, out on October 8, Matt said: “For a long time, I wasn’t sure I’d ever be able to tell this story, or even if I should.

“But over the last few years, I’ve realised that talking honestly about addiction, recovery, family and everything I’ve learned along the way might help someone else.

“This isn’t a book about having all the answers. I definitely don’t.

“It’s about learning that recovery isn’t a finish line, life doesn’t suddenly become perfect, and that we’re all still figuring things out as we go.

ROO ARE YA?

How Coleen Rooney masterminded Wayne’s transformation amid fat jab rumours

bride beauty

Liam Hemsworth’s ex and Dynasty star weds long-term boyfriend in New Zealand

“Writing it has been one of the hardest and most rewarding things I’ve ever done, and I honestly can’t wait for you to read it.”

Just four weeks before his marriage to Emma Willis in 2008, Matt checked into rehab, and despite a relapse in 2016, he’s now been sober for almost nine years.

He’s a brave man, and I’m looking forward to reading his book.

WANT A BLUE PETER BADGE LIKE HARRY? YOU JUST HAVE TO ASK

HARRY STYLES said it was one of his proudest achievements when he was given a Gold Blue Peter Badge to mark his record-breaking run of 12 shows at Wembley .

But I can reveal that the Beeb has now resorted to giving the famous accolade away on freebie websites in a desperate bid to keep the younger generation tuning in.

Once a prized possession, Blue Peter badges used to be given out strictly on merit.

However, an online listing reads: “The BBC are giving away free Blue Peter badges to anyone aged between five and 15.

“The badge allows you to gain free entry to over 200 attractions. Just send Blue Peter a letter explaining why you’d like one. That’s all.”

I understand it’s a sign of the times, but it seems a bit bleak to give it away for next to nothing.

BRITAIN’S Got Talent winner Sydnie Christmas joined American legend Gloria Gaynor for an unlikely collaboration on her 1979 hit I Will Survive at Boogie- town Festival in Surrey at the weekend.

Sydnie said: “I didn’t want it to end. Her love and passion consumes you.

“In that moment, nothing else mattered but the love of music.”

PUB MICK: IT’S CRAWL OVER NOW

SIR MICK JAGGER has revealed how he ended up singing in a pub in Oxford last month.

The global rock icon, whose band The Rolling Stones are on course for their 15th No1 album on Friday with Foreign Tongues, joined an Irish folk group at The Half Moon pub where he sang Handsome Molly with them.

Explaining how it happened, he told the Conan O’Brien Needs A Friend podcast: “I had dinner at an Oxford college and then one of the students who I was talking with said, ‘I play mandolin. I’m going down the road to play with an Irish band. Do you want to come?’.

“I said, ‘Sure’, and I took a couple of people I was with and the provost of the college, who took his gown off.

“The band was doing fiddle pieces and the guy joined in with his mandolin, but no one was singing so I thought, ‘Well, here’s an opening. This is my chance for pub crawl singing’.”

I don’t think you’ll ever have to revert to that, Mick.

Kerry’s all gold

KERRY WASHINGTON was going for gold as she hit the red carpet.

The actress wore this quirky metallic gown at the opening of stage production The Whoopi Monologues in New York.

Things really are going swimmingly for US star Kerry, who appears in the show penned by Sister Act’s Whoopi Goldberg.

The one-woman comedy turn debuted on Broadway in 1984, starring Whoopi herself, pictured with Kerry at the opening.

Speaking on US TV’s The View about the original hit, Kerry said: “Whoopi has been such a groundbreaker – a trailblazer and an inspiration for so many of us.

“Throughout my career, this show became a bonding place with other actresses. I would meet them and we would talk about how it impacted us and our idea of what was possible.”

SET FOR A MAIDEN VOYAGE

IRON MAIDEN have sold a stake in their publishing and master music rights, name and image to the Pophouse Entertainment company run by Abba’s Bjorn Ulvaeus, with massive plans to expand their legacy.

The big-money deal with Bruce Dickinson and the group was announced yesterday and comes after the firm partnered with other acts including Tina Turner and Kiss.

It will mean the band can pursue new creative ventures, including the filming of their Run For Your Lives tour for a “major cinematic project” as well as “developing a digital universe centered around” their mascot Eddie.

It’s exciting news for fans of the band, given Pophouse is the founding investor in Abba Voyage.

Perhaps Iron Maiden will be returning to a stage, in digital form, soon.

Kim’s heart is racing

KIM KARDASHIAN and Lewis Hamilton’s romance is motoring.

She shared this cute selfie with the F1 legend and her daughter Chicago, taken on a family getaway to Idaho.

Kim captioned the post on Instagram: “Summers at the lake with my favourite people.”

I first revealed in February that Lewis and Kim were dating, before they were pictured at the Super Bowl.

Since then, they’ve jetted all over the world on a series of dates, with Kim recently supporting her man at the Monaco Grand Prix.

Judging by the smile on her daughter’s face, Kim isn’t the only one who’s been won over by Lewis.

AFTER years of writing about politics, technology and the chaos of the modern world, Matt Bellamy wanted something different for Muse’s tenth album.

“The theme was to get back into mystery a little bit,” he says. “The mysteries of the universe, mysteries of spirituality and returning to the rawness of the unknown.”

Inspired by the 1977 Wow! Signal — an unexplained radio signal from space once seen as possible evidence of alien intelligence — and a turbulent period in his personal life, the record finds Bellamy searching for meaning on both a cosmic and personal level.

“I’ve turned completely apolitical,” he admits. “It’s weird when you go through things in your personal life — the news just becomes an annoying noise.

“When your life’s going great, you get drawn into the news and what’s going on in the world.

“But when you’re actually going through something yourself, the news and politics just become a headache.

HELPING HIM HEAL

Muse star spends time with sex therapist ex as he ‘heals’ from wife split

MARRIAGE HITS ROCKS

Muse’s Matt Bellamy & wife split as rocker snapped with mystery woman

“I’m a little bit gloriously out of touch. I’ve normally been so in touch, my finger’s always been on the pulse, and a lot of the albums I’ve made talk about the rise of populism. But this album and my life for the last year-and-a-half has been different.”

Bellamy has split from US model Elle Evans, his wife of six years, who he quietly separated from in October 2025.

“I’ve been through a separation involving two young kids,” he says carefully.

“I can’t really talk about the reasons behind it, but it was not your normal run-of-the-mill situation. I became a full-time single parent for a period of eight months.

“She’s doing a lot better now and she’s getting better, but it was an unusual situation to go through. It made writing the album so much easier.

“It’s hard to talk about what’s behind the album because I don’t throw people under the bus. And I don’t want my kids to grow up reading stuff.”

Bellamy, 48, is in London for band rehearsals and when we meet, he’s just back from the gym in a bid to shape up for the tour.

“I’m not that old,” he laughs. “But I met Mick Jagger at a party and I went straight in on the fitness. I was, like, ‘What is your secret?!’ He said when he was in his 30s, he started working out a few weeks before a tour.

“By the time he got to his 40s, he was working out for the same length as the tour.

“If it was a three-month tour, he’d work out for three months before. And by the time he got to his 50s, he was just working out all the time, all year round.”

The 1977 Wow! Signal fascinates Bellamy because it remains unexplained and happened around the time the band members were born.

“The Wow! Signal is probably, to this day, still the most interesting signal that’s ever been seen in space,” he explains.

“It happened in 1977, which is basically within 12 months of all the band being born.

“Chris [Wolstenholme] and I were born in 1978 and Dom [Howard] in 1977, so I just thought it was funny that this little Wow! Signal appeared around the time we came into this world.

“I think this album was really me letting go a little bit and engaging with the unknown.

“What is this thing inside me, or all of us, that wants to not be alone? I don’t mean with a partner or friends. I mean this thing in the universe. At the moment, we appear to be so alone, and we have this drive, which you see through religion and science.

“Behind all of it, we just don’t want to be alone.”

That search drew Bellamy back to one of his formative influences.

“I grew up watching Contact, the Jodie Foster film from the 90s,” he says. “I used to read Carl Sagan’s books and that film really stayed with me.”

It has also led him into the world of AI.

He adds: “I’ve spent time in the tech world, in California’s Silicon Valley and the Bay Area, and I had some involvement in that world.

“I went to a private talk where Sam Altman (CEO of OpenAI) was talking off the record about his thoughts on AI.

“I saw (Meta CEO Mark) Zuckerberg talking about it, too, and I was interested in what they were saying.

“When you really hear them, they know they’re ushering in an intelligence which is beyond us. They start to see it as, ‘Well, we’re just kind of messengers bringing in this thing that is going to be more intelligent than us’.”

Bellamy says he enjoys asking AI philosophical questions — and that is where Hexagons began.

“That’s actually my favourite thing to do with AI, and where I got the idea for Hexagons,” he says. “And again, I think that is part of the same human condition.

“Whether it be religion, looking for aliens in space or trying to bring in artificial intelligence, it’s kind of all the same thing.”

Epic, organ-led Be With You was the first song that made the album’s direction clear.

“You can look at it as a love song, or you can look at it as a religious song, almost,” he says.

“I’m not a religious person, but I decided to play the song on a church organ.

“I went to the biggest church organ in Los Angeles, so the song was recorded in this church-like setting.

“I liked the idea that it could be perceived as searching for alien life, or searching for alien intelligence of some kind, or God. That was the first song that felt right, lyrically and musically.

“There are a lot of personal elements in the album that are quite unusual for me.”

Bellamy says the album came from a difficult period, but that made the music flow.

“This was actually the easiest album for me to write and make for 15-plus years,” he says.

“Space Debris is probably the biggest reveal of what I went through, especially lyrically at the end,” he says.

“It’s the rawest moment of explaining what really happened over the last year. I like using space analogies — space debris, things breaking up and falling apart in gravity — to describe the chaos and feeling in your life.

“It also fits the theme of connecting this search into outer space for a higher power with the chaos and feeling in your own life.

“I hope the fans don’t ask me to play that one live.”

If Space Debris is the album’s rawest confession, Bellamy says it also opened the door to bigger questions running through the record.

“What I went through threw me off into the unknown,” he explains.

“When things go wrong in your life, that’s when you’re most likely to seek meaning or search for answers.

“In my case, it was a blend between religious thought, alien intelligence and AI.

“I don’t know what it is, but you’re searching for this higher power to guide you, or to give you answers.

“Music became my catharsis. It became my way to understand my situation.

“Making this album gave me flashbacks to these periods where music was my everything.

“It wasn’t something I had to do to pay the bills. It wasn’t something I had to do for the record label. It was something that I had to do for myself.

“That’s why I think this album is probably, since the 2000s anyway, the most raw, emotionally raw and honest album I’ve done.”

Bellamy says despite the personal nature of the album, Chris and Dom were central to every song.

“I’ve always been in charge of the lyrics, and I’m the leader in terms of the concepts,” he says.

“But musically, this is the most equal album we’ve had for a long time.”

The Wow! Signal includes some of the best tracks Muse have made in years.

Cryogen has already been compared to early Muse, while Shimmering Scars shows off the vulnerability in Bellamy’s voice.

“Cryogen is deliberately Muse from 2001,” he says.

With Shimmering Scars, he explains: “I felt like I needed to do five or six takes, so we could edit the best bits in.

“But producer Dan Lancaster was, like, ‘Nah, let it be raw, let it be weird.’

“To me, it sounded a bit off — not quite what I wanted it to be. But he was, like, ‘No, that’s the whole point. That sounds a little bit raw’.

“This is the first album where we said, ‘Let’s give Dan a go at producing it’. The last two albums were self-produced, so it was nice to hand the reins to someone else.

“He did a great job keeping us towards that more raw, vulnerable state in the performances.”

Bellamy believes AI is pushing younger listeners back towards authenticity.

“My stepson with Kate [Hudson], Ryder, is 22 and he’s just graduated from NYU,” he says. “Then Bing is 14, and I’ve got the two little ones as well.

“Having a boy who’s 22 and a boy who’s 14 means I get a real sense of what’s going on in their generation.

“I think that generation is turning away from pop, hip-hop and dance a little bit. They’re seeking raw, chaotic-sounding music.

“I think the reason why is because that generation is drowned by AI. AI is dominating everything they do, from schoolwork to music and the arts.

“I could be wrong but from what I sense from them, they’re gravitating towards what they know to be real.”

Recent single Nightshift Superstar was the band wanting to go French disco.

“I love Daft Punk, Justice and ABBA,” Bellamy says. “I went to see ABBA’s show and I loved it. They’re some of the best songs ever written. So after that and seeing Justice in Paris, I was, like, ‘How do we do that? Let’s just go there’.

“The song has a late-70s feel but with a more cutting-edge tone associated with modern dance music.

“But the good thing about it is that it really is us playing.”

One surprise on The Wow! Signal is Hush — a collaboration with pop star Ellie Goulding.

“Ellie was in the studio next-door, working with Marshmello on something,” says the singer.

“We have known each other for years and always wanted to try and do something together.

“Muse fans will read online that we’ve done a song with Ellie Goulding and think it’s going to be a pop song.

“But it’s got one of the biggest, heaviest riffs we’ve done in a long time. To me, it sounds a bit like New Born or something from 2001.

“The verses get a little bit poppy, I guess, but the main riff is pretty hard rock, so I thought it was quite fun to get Ellie’s voice over that kind of heaviness.

“I think it’ll be a nice surprise.”

Bellamy says the song came together by chance.

“This was an experiment,” he says. “It’s the only song on the album that really involves multiple writers.

“Ellie popped her head in towards the end of the day, at about 11pm, and went, ‘Hey, what are you guys up to?’ We played the song and she said, ‘Oh, can I sing on it?’ We tweaked the lyrics and turned it into a duet.

“It came completely by chance. It wasn’t planned to be a collaboration.”

Bellamy says the reaction from Muse fans to the new songs has “been the best we’ve had for at least 15 years” and he’s looking forward to getting back on the road following their special Brixton Academy show in April to launch the album.

The show marked Muse’s first appearance at the venue in 25 years, just before the release of Origin of Symmetry.

“I didn’t realise it had been so long,” Bellamy says.

“I remember the last time we played there, it was around the second album and I was so nervous because it was the biggest show Muse had ever done.

“We got to debut Be With You for the first time, and we had a great time.”

Visually, Bellamy says the full Wow! Signal world will come to life properly when Muse return to Europe in November.

“The American tour starts with what I’d call a medium-level production,” he says.

“But when we come to Europe, including London and Manchester in November, that’s when we’re going to ramp it up to a really sophisticated production.

“I think there’ll be a lot of geometry, a lot of hexagons, shapes and lasers, and strange, interesting visuals.

“Hopefully we’ll build the spaceship you see on the album cover in the arena.”

• The album The Wow! Signal is out today.

The Wow! Signal

Playing in goal for the U.S. men’s national soccer team is a little like playing right field for the Yankees. You’re following a long line of great players, making the comparisons — and the high expectations — unavoidable.

Matt Freese is the latest to be thrown into that crucible. But he considers that pressure to be a privilege, not a problem.

“I wouldn’t say it’s intimidating, I would say it’s inspiring,” he said before the U.S. training session Tuesday morning in Irvine. “It’s a long line of goalkeepers that I’ve looked up to for my whole life — and there were some before my life as well.”

Two games into this summer’s World Cup he’s certainly held his own with that group, giving up just one goal for a team that’s unbeaten and already through to the next round. However Thursday’s group-stage finale with winless Turkey will be far from meaningless for Freese since his first start for the U.S. came against Turkey 55 weeks ago, bringing his whirlwind international team career full circle.

U.S. goalkeeper Matt Freese waves to the crowd after beating Paraguay during a World Cup match at SoFi Stadium on June 12.

(Kelvin Kuo/Los Angeles Times)

He lost that game but his performance was good enough to make him the starter in the Gold Cup, where he was even better. A little over a year ago he was just a faint blip on coach Mauricio Pochettino’s radar. Now he has a World Cup shutout and with another clean sheet Thursday, he’ll join Matt Turner as the only American keepers to post back-to-back shutouts in a World Cup in 96 years.

“I dreamt of this opportunity. But you never know if it’s going to come,” Freese said. “I learned the ones that work hard without the promise of reward are the ones that usually succeed.”

Turner, who gave up just a goal in the group stage in Qatar four years ago, is Freese’s backup in this tournament. And he’s just the most recent U.S. keeper to stand out in a World Cup. In 2014, Tim Howard set a tournament record with 16 saves in a knockout-stage loss to Belgium and 12 years before that Brad Friedel made six stops in a 2-0 win over Mexico to send the U.S. to the quarterfinals for the only time.

“To have my name next to theirs as the next guy up is an incredible honor, and it’s something I’ve dreamed of,” Freese said. “The bar is set high and I’m going to strive to reach that bar and raise it even higher.”

Freese, 27, took an unusual route to that bar. The son of a neurosurgeon who earned a doctorate from MIT and the grandson of scientists who immigrated from Germany after World War II, Freese grew up in a household where academics were more important than athletics. So while he joined the Philadelphia Union academy as a teen, he craved the demands of school and left soon afterward to enroll at Harvard.

“When you’re a professional athlete at age 18, 19 sometimes it can be difficult to keep a routine, keep a regimen that keeps you focused and keeps you hungry,” Freese said. “For me, taking classes was something that occupied my time, occupied my mind and gave a very natural release off the field.

“I think at that age it was necessary.”

After two seasons at Harvard, he returned to Philadelphia to sign with the MLS team while continuing to take classes online, once writing a paper on penalty-kick analytics. In 2022, he graduated from Harvard with a degree in economics.

The soccer part wasn’t going nearly as well. Playing behind Andre Blake, a three-time MLS keeper of the year, Freese rarely saw the field in Philadelphia. But a trade to New York City FC in the winter of 2023 gave him a second chance and likely saved his career.

He made the most of it, earning the starting job in his second season, when he finished third in the league in saves, and getting his first call-up to a national team training camp in January 2025.

Six months later he was the team’s starter in goal.

The late-blooming Freese’s journey was unusual in another way too since he traveled to the World Cup from MLS. In the five World Cups between 1998 and 2014, the U.S. started Friedel, Kasey Keller and Howard — three English Premier League keepers — in goal. A dozen years later, the Athletic reports, there are no American goalkeepers in the top five European club leagues and the three goalies on this summer’s roster all play in MLS.

U.S. goalkeeper Matt Freese clears the ball as Australia’s Mohamed Toure closes in during a World Cup match in Seattle on June 19.

(Maddy Grassy / Ap Photo/maddy Grassy)

However as a guy with a Harvard diploma on his resume, Freese knows enough to know that getting to a World Cup isn’t about where you came from or even how long it took you to get there. All that matters is that you made it. And now that he’s there, his job isn’t to stand out, but to blend in.

“Being a goalkeeper is recognizing that it’s not always about you. And I’m comfortable with that,” he said. “The less action I have in a game means the better that we’re playing, and the more likely we are going to win.

“So I’m typically more focused on that and preventing any shots rather than just being only ready to save them.”

Bloomfield had been out of work since he was sacked as Luton boss in October 2025 when he was appointed at Oxford at a time when they were 23rd in the Championship, three points adrift of safety.

He came in after Rowett had overseen a dismal spell of one win in ten matches.

Bloomfield began his managerial career at Colchester United before taking over from Gareth Ainsworth at Wycombe Wanderers in 2023.

After leading the Chairboys to the League One automatic promotion places amid the challenge of big-spending Birmingham City and Wrexham last season, he left the club to take over at Luton.

But Bloomfield was unable to prevent the Hatters from suffering back-to-back relegations to the third tier and was dismissed after an underwhelming start to the season, with the club 11th in the table.

Speaking after Oxford’s relegation was confirmed in April, Bloomfield said he was confident of keeping his job.

“I’ve enjoyed my time at the club. It’s obviously not been the outcome that we wanted for the season.

“We’ve been pleasantly content with some of the improvements we have made but ultimately we wanted to stay in the league.

“I’ve not given much thought to my job and the bigger situation and ultimately, as a manager or head coach, all you can do is focus on being the best you can be,” he said in April.

Oxford looked capable of pulling off a “great escape” in late February and early March when they won three games in a row to move up to 21st.

However, just two wins in the following eight matches saw them lose ground on the sides above them.

Relegation brought an end to a two-year spell in the second tier after they won promotion via the League One play-offs in 2023-24.

Saturday Kitchen presenter Matt Tebbutt has been at the helm of the BBC cookery show for almost a decade

Saturday Kitchen host Matt Tebbutt has revealed a major confession nearly a decade after succeeding James Martin as the face of the BBC cookery programme.

The presenter, 52, had been a frequent guest and stand-in host before securing the permanent role in March 2017.

Speaking exclusively to Express.co.uk at Jeremy Clarkson‘s FarmFest during the May Bank Holiday weekend, he confessed he now finally considers himself a TV chef.

“I think it is fair to say now I am probably a TV chef. I originally started as a working chef doing all the hours for 14 years. That’s a tough game. TV cookery isn’t.

“It comes with other pressures. There are time pressures. Conformity. I mean I’ve always been a chef but I think now it’s veered into ‘TV chef’,” he acknowledged. Discussing his position on the long-standing cookery programme.

He explained, “My job is to make food and cooking look really accessible. We have our guest chef’s on and they’re the kind of the aspirational ones.

“My job is to do those dishes that people will look at and go ‘I could get out of bed now and go to the supermarket and buy those ingredients and make that’.”

“Whether they do or not I don’t know but it is there for them,” he chuckled.

One philosophy Matt is particularly passionate about is the “farm to fork” approach, which was amongst the key reasons he was supporting Farm Fest.

He made an appearance at the festival on Sunday, 24 May, where he delivered a cookery demonstration, gave a talk and even took on the role of judge at the dog show, despite confessing he keeps two cats at home, reports the Express.

“It’s absolutely [great] to be able to support British farmers at a time when the government isn’t and to highlight [what they go through],” he said shortly after his arrival.

“I mean, you see it around you,” he added, gesturing towards the nearby stalls.

“People who are committed to supporting farming and where the food comes from. It’s marvellous. So if I can show support, I will.

“I live in a rural part of Wales, so you see it on a daily basis. You are in pubs with farmers chatting to them, and you know the sort of problems that they are trying to overcome right now, so it is great to support this.”

Saturday Kitchen airs at 9am every Saturday on BBC One and iPlayer

Countryfile presenter Matt Baker and his wife Nicola have opened up about how they manage time apart due to his filming commitments

Matt Baker shared a rare insight into his marriage.

In a previous interview on ITV’s Lorraine, broadcast last year, Matt Baker and his wife offered candid insight into how they keep their relationship thriving despite lengthy stretches apart owing to Matt’s filming schedule.

As the conversation turned to Matt’s TV series and Nicola’s book, host Lorraine Kelly quizzed the couple on how they first met.

With a cheeky grin, she asked: “Now, you two met when you were babies, right? Teenagers. Nicola, were you into farming? Were you a farm girl?”

“No, I wasn’t a farm girl,” Nicola replied warmly. “I loved being outdoors. I loved just the outdoor life. But farming was something that came to me when we met.”

Lorraine then turned her attention to how the couple copes with prolonged time apart, particularly when Matt heads off to film Countryfile and other projects. She probed: “Obviously, you know, you go off and do your own thing writing the books, and you go off and do your own thing around Britain,” reports the Express.

She continued thoughtfully: “So there are times when you’re apart, but you don’t think sometimes that works. It just does. You know, you’ve always got something to talk about.”

“We are such do-ers, really,” Matt chipped in, adding: “We are so supportive of what each other wants to do.”

He concluded: “But yeah, we’ve just sort of found our way through because we sort of focus on what we’re passionate about.” Nicola offered her take on their situation: “And then we make the most of the time when we have together, you sort of prioritise that and make the most of that.”

When Matt isn’t busy filming, he often keeps his Instagram followers updated with his day-to-day life. In one of his most recent posts, the Countryfile presenter shared the heartbreaking news that his dog had died.

In an emotional social media post, Matt confirmed the loss of his cherished companion, writing: “R.I.P Bob”.

He wrote alongside the post: “It’s with a very heavy heart that I’m letting you know our wonderful Bob is no longer with us.

“He’s been gone a while, but I haven’t been able to talk about it as I’ve been finding it so incredibly sad. Bob was a brilliant dog. He was there for me with his gentle soul as the ultimate companion through some of the greatest chapters of my life, from raising our kids to all the changes we made on our family farm.”

He continued, “It’s broken my heart, but I feel hugely grateful to have had him in our lives, and I thank him from the bottom of my heart for everything he’s taught me and brought to our family.

“I’m sure all you dog lovers will agree the reason we love our dogs so much is because the only time they break our hearts is when they leave us. RIP Bob X.”

Lorraine airs weekdays at 9.30am on ITV and Countryfile airs on Sunday on BBC One.

Mindy Kaling was in her early 30s when the first TV series she created, “The Mindy Project,” made its debut and set in motion her attempt at forging an identity as a prolific multi-hyphenate after “The Office,” where she was a writer and cast member for eight seasons. But if you ask her to reflect on that time of her life, she says, it’s a bit of a blur.

As she explained recently, “I remember it, but not all that distinctly. It was such a grind — waking up at 6 a.m. to be on camera, wrapping late. And I did that for 117 episodes.”

But ask her about her 20s, when she was living in New York City and trying to figure out how she could break into the industry as a comedy writer? “I remember incredibly vividly,” she says. “I’m like, did I feel things more intensely back then? I’m not sure. But that period of time … there was just so many highs and lows. And it felt cinematic to me.”

So she made a TV show about it.

Premiering Tuesday with three episodes, “Not Suitable for Work” follows five ambitious 20-somethings living in Manhattan who are navigating the early stages of their careers while trying to have a semblance of a life and the heightened emotions they experience during this period. Kaling calls it the third chapter in her semi-autobiographical TV trilogy, which includes “Never Have I Ever,” about a first-generation Indian American teenager coping with her father’s death while trying to be popular (or at least not super uncool), and “The Sex Lives of College Girls,” about four young women who dorm together and boldly maneuver their new, uninhibited lives on campus.

In the new Hulu series, viewers are introduced to AJ Pascarelli (Ella Hunt), a hard-working and disciplined young woman who moves to town to start a high-pressure finance job, and her roommate Abhinaya “Abby” Chilukuri (Avantika), a savvy and fashion-obsessed assistant to a celebrity stylist. They live across the hall from Josh Teitelbaum (Jack Martin), an idealistic nepo baby of a media titan — he’ll lean into his privilege when it suits him while also trying to distance himself from it — with ambitions of making it in journalism. His two roommates are Kel Washington (Nicholas Duvernay), an insecure but earnest med student who would rather be acting, and Davis Beau Bradley Barrett III (Will Angus), a high-energy, bumbling financial analyst who works at the same corporate firm as AJ and is an undercover hopeless romantic. As one might expect, there are some messy entanglements within and outside the group.

1

2

1. Abby (Avantika), left, and AJ (Ella Hunt) move in together. 2. Across the hall live Davis (Will Angus), left, Josh (Jack Martin) and Kel (Nicholas Duvernay). (Gwen Capistran / Disney)

“I hope that young people will respond to the show, “ Kaling says. “We did so much research in it because at a certain point it is funny — I’m in my 40s, and I am often like, ‘I wonder if young people are suspicious about why I’m so obsessed with writing shows about young people.’”

So, why is she?

“Because I find it almost impossible to reflect on the current time I’m in,” she says. “It would be too painful to be too introspective about the time that I’m in. I need a real sense of distance to look back on it, especially since having kids. Once you have kids, it triggers these memories of your own childhood.”

Over video call from New York City, Kaling reflected on the series and her early years of trying to make it. These are edited excerpts from the conversation.

How did you land on the professions that your characters would be pursuing and what did you want to say about ambition at this stage of life?

I love people who have big wants, and sometimes the audience is like, “Maybe you want the wrong thing” and they [the characters] don’t quite know that yet. I love writing about the underdog. And with their particular professions, they’re all things that I had some interest in researching. I’ve always been fascinated by investment bankers. I went to Dartmouth, so I have a lot of friends who went into that, and I swear I’ve had my friends explain their job so many times to me, and I still didn’t totally understand it. We were lucky; a very famous investment bank very generously offered to let me come for a day and meet with young bankers. I also … write about the children of immigrants. I’m very, very interested in that story, and so we got to research what it’s like being the child of Nigerian immigrants. But every single character has a journey, or there’s an aspect of them that I feel like I really relate to, and that is in almost all my shows.

What was it like observing young people in the investment banking world?

They were wary — because they’re smart — of someone from Hollywood coming in to document what they were doing and asking questions. It helped that a lot of the guys liked “The Office” and a lot of the women liked “The Mindy Project” and “Sex Lives of College Girls” because they’re all kind of young. I think that made them trust me a little bit more. For the AJ and Davis characters, so much of what I researched when I was there fed into their plot line … almost all the characters have a boss they fear and idolize, and the way that first-year bankers feel about their managing directors is not dissimilar to the way I felt about Greg Daniels when I started at “The Office.” And the hours are actually not dissimilar.

There’s a moment early on where Jay Ellis’ character, Bill, who is a managing director at this fictional investment banking firm, is asked about work-life balance. I’m curious how you thought about that at the start of your career versus now.

I didn’t care at all about anything except my job for 16 years. It was my entire personality and purpose. When I was in my 20s, the only thing that mattered was being a good comedy writer and succeeding, and one day maybe being able to create my own shows. There was no balance. I didn’t want balance. I wanted to live and breathe comedy writing for my entire life. I hated the weekends, actually. And who wouldn’t? I was a friendless transplant in Los Angeles and I just wanted to get back to working at “The Office.” Every year I was there, I got more ambitious and I wanted to go off and create my own show and have a bigger part as an actor and everything.

It wasn’t until after I did that on “The Mindy Project” … that I just felt like, “OK, I get this. I want to now try being a mom.” Once I had my daughter, Katherine [at 37], it wasn’t that the balance changed, it was my first real, legitimate interest outside of work — that I cared about more than work.

“When I was in my 20s, the only thing that mattered was being a good comedy writer and succeeding, and one day maybe being able to create my own shows,” Kaling says. “There was no balance. I didn’t want balance.”

(Ebru Yildiz / For The Times)

After college, you moved to Brooklyn with two Dartmouth friends to pursue a career in comedy. You eventually got a full-time job as a production assistant on “Crossing Over with John Edward,” a program where people would receive psychic readings. Tell me about that time in your life.

I remember feeling like I had no access and that I didn’t have any place to put my ambition. It was so far away from anything I wanted to do — scripted comedy and reality television could not be further apart. It was a fascinating time because there were such highs and lows. There was the excitement of new crushes and having fun in a new city with two friends, but there was also the crushing disappointment of feeling like I was never gonna make it. I didn’t even have a path forward to making it, but I was lucky, because I lived with my two best friends. We would go to open mic nights, and we would go to restaurant week and see how the rich people in Manhattan were living. We would take the subway uptown to Central Park and walk along Fifth Avenue and like look at these amazing homes and just dream what it was like to be like a wealthy New Yorker who could buy everything that they read about on DailyCandy — now I’m really dating myself here, back when DailyCandy was a thing. But that’s what it was like, I just I felt a lot of extreme emotions.

How did you approach that job?

My boss was a producer and would approach the families and get their information, and then we would have to do research on them, but it was mostly because they would do a little clip package on the different families. I had to get them to sign releases to be on the show and get photographs of their deceased [loved ones] and them. I actually thought it was pretty interesting work. It just had nothing to do with comedy writing, and that job was not clearly going to lead anywhere toward comedy writing, and I came to New York because of “Saturday Night Live.” When I was working there is when my friend Brenda [Withers] … and I started writing this play “Matt & Ben” [a satirical play that imagines the story of Matt Damon and Ben Affleck before “Good Will Hunting” made them famous] in the time we had off. We started writing it, then I got that job as a PA, then the show went up at the Fringe Festival, and then it was going to go off off Broadway, and when it went off-off-Broadway, and I had a steady income, that’s when I quit my job there. I was only at “Crossing Over” for three or so months.

Greg Daniels attended a performance of “Matt & Ben” and it’s what led to you getting on “The Office” at 24. What was that first meeting like?

Back then, because the internet was so different, when I looked up Greg, besides his credits, you couldn’t find a lot of biographical information about him, or even a photo. I don’t think I even knew what he looked like. When I met him, I don’t think I had seen the British “Office” yet; I wasn’t cool. At that time, I had put so much pressure on this job. I only had two interviews — it was this and there was a show that ended up getting canceled while I was waiting to meet the showrunner. It was a pilot called “Nevermind Nirvana,” about an Indian man who married a white woman, and Ajay Sahgal was the writer. I was like, “Oh my God, if anyone is going to get hired to work on the show, it has to be me.” I was pretty excited about that meeting, but when I was sitting in the waiting room at the production offices to meet with Ajay, they told them they weren’t going to pick up the pilot, so I never even got to meet him, and they just told me I could leave.

I’d only had that interview, and then I met with Greg. This is my memory: it was a high-rise building in Century City, in the offices of “King of the Hill,” so there was a lot of like “King of the Hill” cutouts and stuff there. And he’s just a very thoughtful, quiet guy who doesn’t push conversation … I’m someone who’s pathologically chatty, and so talking to Greg, who is completely fine with there being pauses in conversation, and is just a confident grown-up, it was incredibly intimidating. I was very stressed out in our meeting, but I also was blown away by him.

That first season, you were also the only female writer on staff and the youngest —

B.J.[Novak] is a month younger than me. I want to correct that because he’ll read this and go, “Hey … !”

How did that play into how you felt in the room?

I haven’t really ever had imposter syndrome. And this is my probably my personality defect — I felt that even if I hadn’t seen anyone like me in these roles, that I was just going to be the first one, and I was going to work really hard and prove it to them. The staff was super competitive, but they were smart feminist guys. It was hierarchical and stressful, but it was not because of my fellow writers, except that I wanted to impress them. I felt nervous because I wanted to be contributing, but I don’t know why — I just loved the pilot so much that Greg had made, and I loved these characters, and this world — I was like, I can’t possibly lose my job, I love it too much. Which is probably really stupid, I didn’t ever think there’s a possibility that I could get fired here.

Phyllis (Phyllis Smith), Kelly (Mindy Kaling), Dwight (Rainn Wilson) and Michael (Steve Carell) in a scene from Season 2 of “The Office.”

(Paul Drinkwater / NBCUniversal via Getty Images)

We see how AJ wants to impress the boss and takes on more than she can chew and screws up some data before a big presentation. What was that first big mistake or misstep that you made in those early years that you still think about?

I remember Season 2 — because I just wanted to prove to Greg and to the cast and to the director, the cinematographer, and everyone that I was super invested — we were shooting “The Dundies” [episode]. I was an actor on the show as well, but I wasn’t acting in this scene, but it was my episode [that I wrote], and in between takes, John [Krasinski, who played Jim Halpert] and Jenna [Fischer, who played Pam Beesly] were just on set, and I remember going up to them and being like, “Guys, that take was so great!” And I walked away. Greg came up to me and was like, “You know, we really should let just the director talk to the cast between takes.” Greg, he’s my mentor, but he definitely, over the course of the eight years I lived there, had corrected me many times, as he should have, but that was one of the first times. I remember I was so embarrassed, but I didn’t understand it’s not the role of a story editor to be giving feedback to the cast between takes on a show.

The bosses on the show all have different styles and expectations that may seem demanding or annoying on the surface. How do they reflect where you’re at now?

No one trains you on how to be a good boss. And bad bosses are so prevalent. The entire premise of “The Office” hinges on this funny concept that terrible bosses exist. It wasn’t until I was on “The Mindy Project” that I was the employer for the first time. Every single year of that show, it was a battle getting a new season. One of the challenges of being a good boss is being able to put aside those personal, professional battles you’re fighting … but then also realizing that you’re a mentor to other people, and you have to start thinking about things that you never thought you needed to — overtime, maternity leave, respect in the workplace, the things that make the workplace enjoyable for everyone else who’s there working for you. And it’s not like that comes naturally.

The double blessing of having a good boss, which I did in Greg Daniels and Howard Klein [an executive producer on “The Office”], is that they modeled that for me. Even though I could not be more different than Greg. Even to this day, I’m realizing I have all the unique challenges of being a single mom, being the creator of these shows with crews and casts, but then also being able to be empathetic for all the people that work for me and making sure I make time to listen to them when they want to talk to me about an issue that they’re having; it’s a continual challenge that I’m hoping I’m getting better and better at [managing].

When Bill is asked about work-life balance, he’s also asked if he has inspirational words to impart. It’s very much about overworking and being productive. How do you tackle the question today?

I used to say “you have to write your own part.” And everyone would get annoyed because they’re like, “I’m not a writer.” I’ve had to really think about the question so I could be helpful. We all want a linear path to success. And if my career has taught me anything, it’s that the linear path just was not how I got my job. You know when you go on Google Maps and it shows you all the different paths — the fastest, one path with the toll road and one path that’s going to take seven minutes longer. I’ve only ever taken the one that’s seven minutes longer, or the toll; it’s never been the easy way. The sooner I got used to that, the better.

Before I let you go, in the show, one of the celebrity clients Abby is dealing with is Austin Blanchett, Cate Blanchett’s fictional nephew. Was it always going to be Cate? What other celebs were in the running?

It was Cate Blanchett’s nephew before we had Harry Richardson. When I worked on “Ocean’s Eight,” one of the biggest surprises on it was that Cate Blanchett was incredibly funny and did not take herself seriously at all. I suspect if anyone was going to think it was funny that in this fictional world of the show she had this useless nepo nephew that she had to help get jobs, it would be Cate. I hope she doesn’t sue me. I think she would think it was funny.

Matt Brown, who starred with his family in the Discovery reality television show “Alaskan Bush People,” was found dead in the Okanogan River in Washington state, law enforcement officials said Sunday.

Brown’s body was discovered Saturday by a group of private citizens who were conducting a search, the Okanogan County Sheriff’s Office said in a statement.

Brown’s brother, Bear Brown, said in a video posted Saturday on social media that fellow brother Noah had been with the search team, helped pull the body out of the river and identified him.

The official cause and manner of death is still to be determined by the coroner, the sheriff’s office said. But the Brown family believes Matt Brown died by suicide, Bear Brown said in the video.

Witnesses said they saw Matt Brown in or near the river and that he “took his own life,” Bear Brown said on social media.

“I would have never suspected he would hurt himself, honestly,” Bear Brown said in the emotional video. “He struggled for a long time.”

Bear Brown said his brother had battled with alcohol and drugs and that Matt Brown told him in their last conversation that he had “fallen off the wagon.”

The Brown family and their life in the Alaskan wilderness were the subject of the reality TV show “Alaskan Bush People,” which ran on the Discovery Channel from 2014 to 2022.

San José Mayor Matt Mahan’s run for California governor has been defined from the start by his donor list.

Mahan entered the race late and with little statewide name recognition, but catapulted into contention thanks to massive funding from billionaire tech titans, venture capitalists, cryptocurrency investors and other Silicon Valley elites. In a state with more than 23 million voters and hugely expensive media markets, the money signaled Mahan would be a contender.

It also spurred accusations from his more liberal Democratic competitors and powerful labor leaders that Mahan is beholden to Big Tech, including forces aligned with President Trump.

California Labor Federation President Lorena Gonzalez Fletcher recently described Mahan as “funded by Trump’s big tech billionaires,” while fellow Democratic candidate Tom Steyer — a billionaire running against corporate interests — called him “MAGA Matt Mahan.”

That framing has persisted, despite Mahan being a centrist Democrat who has publicly criticized Trump.

On Thursday, Mahan released a four-page “Plan to Hold Big Tech Accountable and Ensure AI Works for All Californians.” The proposal called for AI and data centers to pay for their power and water needs, fund workforce stability initiatives and ensure human oversight of AI tools in critical sectors such as healthcare. It also called for the state to use AI to become more efficient, to bar cellphones in schools and to require parental consent for kids 15 and under joining social media.

In an interview with The Times, Mahan, 43, said AI is “one of the most significant trends in society” and needs to be addressed.

He also rejected the notion that he would do Big Tech’s bidding, and the idea that his support from tech leaders is entirely or even largely premised on his plans for their industry.

“I’ve spoken very little about tech with any of my donors,” he said.

Mahan said his fundraising has instead been “centered on how we get California on a better path in terms of building housing, improving the quality of our public schools, solving our biggest problems,” which “just resonates with people in the tech industry.”

A ‘digital native’

Mahan, the son of a teacher and a mailman, grew up in the farming community of Watsonville but commuted to San José to attend high school at Bellarmine College Prep on scholarship as a low-income student. He went on to Harvard University, where he was student body president and classmates with Facebook founder Mark Zuckerberg, spent a year in Bolivia building irrigation systems, and then taught for two years in Alum Rock as part of the Teach for America program.

He then joined Causes, an early Facebook application that allowed nonprofits to build grassroots support online, and rose to become chief executive. In 2014, he co-founded Brigade, a nonpartisan platform where voters could advocate for issues, which was acquired in 2019. He won a San José City Council seat in 2020, and was elected mayor in 2022.

An early mayoral profile described Mahan as painting a whiteboard behind his desk to “write on the wall as I did in my tech days.” Another noted he used ChatGPT to write speeches. A third recounted how he’d used AI to make city buses run faster.

Mahan said he learned as a startup leader and a classroom teacher that metrics matter — that “when we take our precious tax dollars and invest them in public services, we should measure our performance.”

He said he has always believed government should take the best tech has to offer while being vigilant about the risks it poses, which maybe comes naturally to him as a millennial who remembers “the world before the internet” but is also something of a “digital native.”

Donors explain

Between Jan. 1 and April 18, Mahan’s campaign raised nearly $13.5 million, according to state campaign finance filings. During the same period, an independent expenditure backing Mahan called Back to Basics raised about $22.7 million, while another launched by the group Deliver for California raised nearly $3.3 million.

The donors are a who’s who of tech leaders, venture capitalists and other leaders in the gig, gaming, digital media and AI defense fields.

Sergey Brin, the co-founder of Google, gave the maximum individual contribution of $39,200 to Mahan directly, and $1 million to the Deliver for California committee. Reed Hastings, the co-founder and chairman of Netflix, gave the maximum contribution to Mahan, plus $1 million to the Back to Basics committee.

Some donors, such as LinkedIn co-founder Reid Hoffman, who gave the maximum to Mahan, are well-known supporters of progressive causes. Others, such as Palantir co-founder Joe Lonsdale and crypto founder David Marcus, who maxed out to Mahan, are also Trump backers.

Brin, a friend of Gov. Gavin Newsom since the Democrat was mayor of San Francisco, has been moving rightward recently. He has donated to the Republican National Committee and in March was appointed to the White House tech advisory council. He’s also a major donor to the nonprofit opposing the ballot measure for a new tax on California billionaires — which Mahan also is against.

Brin, Lonsdale and Marcus did not respond to a request for comment. Hastings and Hoffman declined to comment.

Several other tech donors did speak with The Times — and universally described their support for Mahan as less to do with his tech policies, and more to do with issues important to all Californians.

Jamie Siminoff, who sold his home security startup Ring to Amazon for $1 billion and gave the maximum donation to Mahan, said he thinks L.A., where he lives, is the “greatest city in the world” and California is the “best state in the world.” But he sees Mahan as someone who could make improvements by bringing the state toward the political middle on public safety, housing and homelessness.

“He’s just like a nice, pragmatic, sort of centrist person, from what I can see, [who] wants to make California better, and I’m 100% behind that.”

Siminoff said it doesn’t hurt that Mahan speaks the same language as many tech leaders, who are mostly just “pragmatic inventors and entrepreneurs” who want California’s leader to be “principled in thinking about fixing things.”

Ruchi Sanghvi, the first female engineer at Facebook and a former Dropbox executive who state records show donated $25,000 to Mahan, said she has known Mahan since he was leading Causes but fell out of touch. When he entered the governor’s race, and she “got all these emails from people that I respect” saying they were supporting him, she asked for a meeting.

At that meeting, she said, Mahan “really dug in on some of the core issues that I care about,” including housing, homelessness and education.

The San Francisco resident, political independent and mother of three said the idea that tech leaders are backing Mahan because they believe he will scratch their back in business is wrong. Referring to his tech plan’s restrictions on social media for youth, she said, “I don’t think of that as scratching my back.”

Instead, “what really resonates with me and my peers is that, yes, he is pragmatic,” Sanghvi said. “He cares about measurable outcomes, which I think is very critical.”

Marc Merrill, co-founder, co-chairman and chief product officer of L.A.-based video game developer and e-sports company Riot Games, gave the maximum to Mahan, as did his wife, Ashley, founder of the sleepwear brand Lunya. In a statement to The Times, Merrill said he and his wife are lifelong Californians who love the state and support Mahan because of his record “addressing California’s most pressing challenges with practical, results-oriented solutions” in San José.

Merrill said Mahan brought down violent crime, reduced homelessness with “data-driven programs that address root causes rather than just managing the problem,” and “fostered an environment where businesses are choosing to invest and grow in the city.”

Tech vs. labor?

Gonzalez Fletcher said tech leaders have long “been very clear about their desire to support candidates who won’t regulate AI, to support candidates who will go after organized labor” — and their support for Mahan is no different.

She pointed as an example to a March event attended by Mahan and hosted by one of his most vocal backers: Garry Tan, a venture capitalist and chief executive of Y Combinator, a startup incubator in San Francisco.

At the event — which was part of Tan’s launch of a new statewide group called Garry’s List, which he has described as a “Rotary Club for radical centrism” — Chris Larsen, the co-founder of the cryptocurrency network Ripple, railed against the influence of unions in California politics and the “weak” response from business leaders, according to video.

“We’ve got to fight on par with the unions when they’re proposing stupid, job-killing ideas like the San Francisco CEO tax,” Larsen said. He noted that several other candidates for governor, including former Orange County Rep. Katie Porter, whom he’d donated to, had backed the measure to tax companies that pay their chief executive 100 times more than their average employee.

Neither Tan nor Larsen responded to a request for comment.

Gonzalez Fletcher, a former state legislator, said the argument that California Democrats have caused the state’s biggest problems by bowing to unions is false, and that what is more true is that “ruling class” Democrats such as Newsom “acquiesce to business interests” driving the state’s affordability and homelessness crises.

She said employers get away with underpaying workers and big landlords are allowed to take advantage of renters. She said Airbnb, as a tech example, has gone unchecked despite causing “a lot of the removal of housing stock.”

She said one reason she opposes Mahan is that he “suffers from the same love affair with Big Tech” as Newsom.

Steyer — who has funded his own campaign to the tune of nearly $200 million — has repeatedly struck a similar note.

Earlier this month, his campaign wrote that “Mahan continues to fail working Californians by catering to tech billionaires and wealthy special interest groups.” In February, it wrote that although Mahan had the support of “powerful special interests hellbent on keeping California a playground for the rich,” Steyer had the backing of “bus drivers, cafeteria workers, and custodians.”

Airbnb declined to comment but in the past has denied claims its platform substantially contributes to housing affordability issues, and has donated to housing initiatives. Airbnb co-founder Nathan Blecharczyk, a Mahan donor, did not respond to a request for comment.

Mahan said he values unions, in part because he grew up in a union household and benefited from the high-quality healthcare that provided, included when he was hospitalized for a collapsed lung as a teenager.

He said he has also worked with tech employers who “are inventing the future, quite literally,” and “creating a lot of jobs and opportunity.”

Mahan said the idea the two are inherently at odds is false, because “business needs labor, and labor needs business,” and the real question is “how to balance everyone’s needs.”

“If we don’t have a strong enough regulatory environment, and business has too much power, workers can be exploited, the environment can be exploited and we can see really negative social outcomes,” he said. “But the flip side is also true. If labor in our politics has too much power, you can also see distortions, you can see investment flow elsewhere, you can see less housing get built.”

Mahan said that “neither side has a monopoly on the truth,” and that government has to “bring people together and strike the right balance.”

He also defended Airbnb, which in San José pays taxes just like hotels, he said.

“We don’t see Airbnb as an antagonistic thing. We don’t let them take over the market, we regulate them, we charge them, and we use their tax revenue to provide services to people.”

He said the state’s housing crisis is due to over-regulation slowing new building to the point where it cannot keep up with job growth — which he called “fundamentally unsustainable and unfair” to low-income folks pushed out of job centers as a result.

The answer is building more homes, more quickly, he said, including by reducing building fees and streamlining permitting processes — which he said he has done in San José and would replicate statewide as governor.

“I am, first and foremost, focused on making government deliver results that make a real difference in people’s lives,” he said. “That’s my North Star.”

CALL Her Daddy host Alex Cooper is pregnant and expecting her first child.

The podcast host revealed that she and husband Matt Kaplan were about to become parents in a new social media upload.

Alex flashed her bare baby bump as she sweetly looked into Matt’s eyes in the new snaps.

She could also be seen laughing as she gently placed a hand underneath her bump.

Alex added the caption: “Our family.”

She then took to her stories to re-post the announcement along with the additional caption: “Daddy Gang, there is something I’ve been waiting to share with you…”

NAME GAME

Louise Thompson claims Call Her Daddy star ‘stole’ her podcast name in new feud

OUCH!

Alix Earle takes aim at ‘ambulance chaser’ Alex Cooper in brutal TikTok repost

In another snap, Alex could be seen sat on Matt’s lap as she showed off her baby bump once more.

Her fans and celebrity pals were quick to react with congratulations over the baby announcement.

One person said: “I’m screaming!!!!!! I’m so happy for you guys!!!!!!!!”

Love Island USA star Huda Mustafa added: “IM GONNA CRY OMGGGG IM SO HAPPY FOR UUUUU!!!!!”

Another penned: “Call her MOMMY!”

With a fourth then stating: “Missed opportunity for the caption to be call him daddy.”

Alex has become the leading female talent in the podcast space thanks to her successful show.

She has welcomed guests including Victoria Beckham, Kim Kardashian and Zara Larsson to her couch.

Alex has been the world’s second biggest and second highest-earning podcaster since 2024, only behind Joe Rogan.

As well as landing various other endorsement, her podcast alone is understood to net the star $20million a year.