Man

Bravado, insecurity, deceit. These are the bitter ingredients that seasoned the chef Anthony Bourdain inside the pressure cooker of the restaurant industry. Set over one formative summer in 1975, Matt Johnson’s affectionately sleazy biopic “Tony” is a portrait of the culinary adventurer (who died by suicide in 2018 at the age of 61) as a snotty 19-year-old Vassar student who doesn’t know an oyster knife from his ego. “I was — to be frank — a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass-kicking,” Bourdain confessed in his 2000 bestseller “Kitchen Confidential,” a scorching memoir that elevated him from obscurity to damaged saint. “Tony” opens with that quote and proves it with scenes of boozing, puking and petty crime. Miraculously, it’s the most heartwarming comedy of the year.

Teenage Tony (a feral Dominic Sessa of “The Holdovers”) claims he’s already writing the next great American book, a navel-gazing bildungsroman — his word, not mine — in the key of Kerouac. Really, he’s just a middle-class kid from New Jersey who doesn’t expect to work for a living. Stalking his high school crush Nancy (a grounded Emilia Jones) to Provincetown, Mass., he begrudgingly supports himself with a dishwashing gig at the Flagship, a humble seafood joint. The kid is ashamed of blue-collar labor. That his rowdy co-workers think he sucks at it is worse. This taste of humiliation would change his destiny.

Under the tutelage of the Flagship’s idiosyncratic unnamed chef (Antonio Banderas), Tony will discover the importance of punctuality. A devilish shellfish-shucker (Leo Woodall, an intoxicating scamp) will also introduce him to cocaine. That first bump hits Tony with such a rush that the soundtrack explodes with boogielicious disco.

Sessa was born to prowl around wild-eyed in retro polyester. He relishes the fast and funny dialogue, flinging around fancy words that don’t mean a thing. At low emotional tide, Sessa’s Tony can also be watchful and quiet. He makes us hear the character’s silent inner schemes as loudly as when he’s actually blabbering.

Director Johnson (“BlackBerry” and the maniacally brilliant “Nirvanna the Band the Show the Movie”) and his co-screenwriters Matthew Miller, Todd Bartels and Lou Howe have blended every hard-knock lesson that Bourdain learned across decades of job-hopping into one month of blood and sweat. Spiritually, it’s fantastic. Factually, it’s baloney, although “Tony” does restore the restaurant’s actual name — the Flagship — from Bourdain’s Dreadnaught, the pseudonym he gave it before he ever imagined future fans following him around the world. Mild spoiler alert: Readers of “Kitchen Confidential” will also know it’s dedicated to Nancy, who became his first wife.

The kitchen scenes are a combo platter of boot camp, frat house hazing ritual and kung fu movie. As Bourdain would later explain, he thrived in a setting where actions have instant consequences: a sore back, a sliced hand, a good meal. Burn the sandwich, toast it again; scrub every plate and punch out with pride. You can’t help but grin at Sessa’s hoot when his scrawny Tony finally manages to muscle a raw potato through a french-fry slicer. And at the end of a shift, he and his dysfunctional workplace family gather to share bowls of squid stew and taste the results of their work. Back in New Jersey, dinnertime with his biological family feels as cold and stale as their meal of frozen peas and store-bought white bread.

Banderas’ chef is the kind of mentor you’d expect to find on a mountaintop mediation retreat, starting over a half-dozen scenes coldly waking up the sleeping whippersnapper with a cold bucket of morning seawater to the face. As Banderas plays him, he’s a bearish marvel of a man with the kind of earthy soul that would have had Ernest Hemingway chugging salty dogs on his barstool all night. There’s a shot of Banderas biting into a tomato that’s pure bliss for him and us.

Whereas Tony talks a big game, squeezing Japanese words like boketto — the art of doing nothing — into conversation, Banderas shows us how to simply do it. (Likewise, a centerpiece montage makes penning a coming-of-age book look way lamer than than just living a full life.) Watching Banderas’ chef stare at the Atlantic, it may occur to you that a cook can no longer afford a waterfront shack on the sand. The film is too breezy to say so directly, but its emphasis on the value of honest work wants you to think it.

Watching Banderas spend a day simmering his own handcrafted ketchup simply to store it in repurposed Heinz bottles says everything about the guy’s devotion to food and his indifference toward marketing. It’s a little grating to see boorish Tony offer him business tips. It helps that some of his advice isn’t great.

“Tony” stays planted in its own immediate present, rarely hinting at the veers Bourdain’s biography will take. “Kitchen Confidential” won’t be published for another 25 years; his globe-trotting celebrity comes after that. Johnson keeps the tone so zingy and loose that you don’t have to know Bourdain at all to enjoy the movie. The ending even tacks on a let’s-save-our-hangout rally that could be Velcroed onto any ’80s comedy.

The script allows itself just two beats to squeeze out a knowing tear. The first comes when Tony describes his approach to writing: “I try to imagine interesting places I’ll probably never go, people I’ll never get to meet,” he says, unaware how much his horizons will one day expand. The second trickier and clumsier aside happens when Banderas’ chef tells Tony the tragedy of 17th century French cook François Vatel, who literally fell on his sword before serving a banquet to Louis XIV. Lore has it that Vatel didn’t have enough fish. The teenager doesn’t understand. “He killed himself? Why?” Tony repeatedly asks. That question will never have a satisfying answer.

Like a lazy Susan, today’s youth seem to be coming full circle to young Tony’s dilemma. He’s got one foot on the so-called safe path — college, white-collar isolation — and the other on a career that’s already covering him in well-earned scars. As employees are feeling insecure and replaceable, there are rumblings that the current crop of kids is gravitating back toward physical jobs and finding, as Tony did, that one can find fulfillment working with your hands. The stress of the kitchen didn’t make Tony a better man overnight. But it was the grit that grew a pearl.

That reality has created a new one.

Rashford is contracted to Manchester United until 2028. His salary of £325,000 a week makes him the club’s top earner at a time when minority owner Sir Jim Ratcliffe is trying to stay on top of wage costs, which is, by some distance, the club’s highest expenditure.

United’s transfer activity has slowed since Belgium midfielder Youri Tielemans joined them for £35m on 14 July.

While uncertainty over Rashford’s future is not the entire reason for this, it is a basic truth that Manchester United‘s search for a left-sided attacking player, or another striker, will be impacted if he stays at the club because he can play in both positions.

Equally, the amount United can pay in wages will differ depending on whether Rashford’s salary is part of the overall bill.

Many fans are conflicted.

Plenty feel Rashford’s fallout with Amorim over his performances in training was reflective of someone who no longer felt the joy of playing for his boyhood club.

Comparisons were made with his performances prior to his exit from United and those at Aston Villa, with England and then Barcelona.

Others think Rashford is too good to be discarded; a local lad who would benefit from an arm around the shoulder and is capable of making a significant impact in Carrick’s team.

The secondary point to that is could United sign a player of similar standing for £26m, given that is the fee sources close to Rashford feel would not be exceeded given it had been agreed with Barcelona?

Miami authorities on Tuesday night responded to a residence after a disturbing video was posted on social media that appeared to involve celebrity blogger Perez Hilton.

The Times has not confirmed the authenticity of the video. But the Miami-Dade Sheriff’s Office said in an emailed statement that authorities had received an influx of calls on Tuesday reporting that an individual was livestreaming acts of self-harm on social media.

After surrounding the Miami residence of a man who was not named, the Sheriff’s Office said around 9 p.m. that he had been “safely recovered and transported by Miami-Dade Fire Rescue to a local hospital, where he is receiving medical attention.”

Deputies had arrived earlier and said they spoke with family members at the scene and confirmed that the man was alone inside the home.

“In many incidents involving a person experiencing a mental health crisis or actively harming themselves, deputies prioritize de-escalation by creating time, distance and opportunities for communication,” the statement read. “Unless there is an immediate threat to others, slowing the situation and utilizing crisis intervention techniques can reduce the likelihood of a suicide-by-cop encounter and minimize the risk of injury to the individual, deputies and the public.”

Authorities said they had “tactically disengaged while continuing to monitor the situation.” In their later update, the Sheriff’s Office said that after the man had been transported to a hospital, mental health professionals were at the scene “providing support and resources to the individual’s family.”

A representative for Hilton did not immediately respond to The Times’ request for comment.

In the TikTok live video, a person who seems to be in distress harms himself. The video has since been removed from the platform.

Police and fire personnel converged on the Miami home Tuesday night. NBC6 News reported that some neighbors said Hilton lived at the home, but police would not confirm that.

Hilton, born Mario Lavandeira Jr., has been a pop culture personality since the early aughts when he launched his eponymous celebrity gossip rag. The venture garnered the columnist social status but also made him persona non grata among many celebrities who weren’t fans of his controversial coverage, which was often deemed disparaging, especially toward women.

Loaded pistol and rifle among items found in suspect’s pocket, car and home following arrest, police say.

A man carrying a loaded handgun and hollow-point ammunition has been arrested at Donald Trump’s Los Angeles-area golf club, days before a scheduled visit by the US president, local authorities said.

The man, arrested on Sunday at the Trump National Golf Club in Rancho Palos Verdes, was identified by the Los Angeles County Sheriff’s Department as 38-year-old Jeanine John Taele. The department said he had been seen photographing and filming the grounds while appearing to monitor security preparations ahead of Trump’s scheduled appearance at a Republican Party fundraising dinner on Tuesday.

Deputies said they found a 16-round magazine loaded with ammunition in his pocket, and later recovered a loaded pistol with a round chambered, along with a second loaded magazine, from his vehicle in the golf course car park.

Officials said Taele had already been under investigation by the El Segundo Police Department over a separate robbery case.

On Monday, detectives working with the FBI’s Joint Terrorism Task Force searched Taele’s Downey home, where they said they recovered an illegally modified rifle, a second pistol, body armour, high-capacity magazines, bulk ammunition and other radio signal devices and notebooks containing what officials described only as “concerning statements”.

The sheriff’s department said it had not identified any credible threat to the public and that Taele is being held without bail while prosecutors weigh charges.

Trump’s visit is part of a broader campaign swing through California and Nevada ahead of the November midterm elections.

A Ukrainian man has relived the moment a suspected Russian drone chased him before it blew up. The video, which made headlines round the world, shows Yurii, the vegetable seller, being attacked in Kerson.

Aug. 4 (UPI) — Authorities in Washington said late Monday that officers have arrested a 37-year-old man accused of starting one of three wildfires burning in Spokane County that have forced tens of thousands of people to evacuate and destroyed hundreds of structures.

The suspect, Aaron Farinacci, was detained Monday afternoon in Spokane County. He has been charged with one count of first-degree arson. He is being held on $1 million bond.

The Old Trails Fire erupted Saturday at around midnight PDT.

Spokane County Sheriff John Nowels told reporters during a press conference that authorities began investigating the fire when it ignited. He credited local citizens with helping investigators arrest Farinacci.

He said a “very good citizen” early Saturday was driving into Old Trails Road are to pick up a friend when he noticed a man standing by the roadside “looking into the trees.” On their way back, the citizen again saw the man who was now “bending down near some grass” and “looked very nervous,” the sheriff said.

A short time later, the citizen, now at home, saw smoke coming from the area where they had seen the man. The citizen returned to the scene and contacted the police, giving them a detailed physical description of the man they had seen.

“That description was broadcast to units in the area,” Nowels said, resulting in Farinacci being contacted by police about 1 1/2 miles from where the fire was started. Farinacci was detained, questioned and released after the witness identified him as much was still unknown at that early stage.

But following further investigation, police identified Farinacci as a suspect, developed probable cause “and determined that the origin of the fire was indeed exactly where the witnesses had seen Mr. Farinacci kneeling in the grass earlier that day,” he said.

A judge signed arrest and search warrants for Farinacci at 3 p.m. Monday and he was detained by 5 p.m., Nowels added.

“This was fantastic and very quick work by everybody involved,” he said.

“As it happens in so many critical cases, it was citizens who were paying attention to their surroundings, being aware and willing to step up and say something that led to the relatively quick apprehension of Mr. Farinacci.”

Farinacci has a felony conviction for manslaughter and was previously arrested in the same case on a charge of premeditated murder in Arizona, according to authorities.

Authorities will be looking at further charges in the Old Trials Fire case as the investigation continues, according to Nowels.

He said authorities allege that Farinacci started the fire with either waterproof matches or a butane lighter, both of which were in his possession of when arrested.

A motive is being investigated, according to Nowels, who said Farinacci told police when he was detained “about [that] we didn’t know the whole story, or something to that effect.”

The Old Trails Fire, Fairview Fire and Autumn Lane Fire have ripped through Spokane County, where roughly 65,000 people were forced to evacuate and more than 700 structures were destroyed.

According to a Monday update from the county, the three fires have burned about 8,026 acres of land and were 0% contained.

Do we still call it a “heat wave” if it never ends?

Maybe my Texas and Arizona friends can help me out here on proper nomenclature because, while everybody loves the sunshine, I’m starting to dream of the time when autumn leaves start to fall.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. My birthday’s still a few months away. Is it OK if I have a slice of this cake, anyway? Maybe the Television Academy can send it to the Emmy nominees who are no longer invited to the ceremony this year.

Read on for more …

Awards show adaptation or mere party foul?

What if you were invited to a party and then nine days later that invitation is rescinded? A party in your honor, no less, or at least one where you are among the honorees. How would you feel? Would you be tempted to take that birthday cake I just mentioned and smash it into the face of your host?

Maybe I’ve watched the pie fight in “Blazing Saddles” one too many times. (Happy 100th birthday, Mel Brooks!) Still, if I were among the Emmy nominees in the five categories that the Television Academy shuttled off the Primetime Emmy Awards to the untelevised Creative Arts Emmy Awards, I might be reaching for some baked goods and taking aim.

The five categories excised from the show include four from the limited series/movie group — supporting actor and actress, writing and directing. (Variety series writing was also cut.) When I wrote a few weeks ago that the limited series boom had gone bust, it wasn’t my intention that the TV Academy remove more than half of the categories from the show. It could have just been a down year, people! Television was pretty meh across the board the last 12 months. Why pick on one division?

In doing so, the Television Academy effectively disenfranchised HBO’s “DTF St. Louis,” the best limited series of the season, from the ceremony. Steven Conrad’s dark comedy about suburban loneliness earned 13 nominations, including supporting acting nods for each member of its stellar ensemble — Jason Bateman, David Harbour, Linda Cardellini, Richard Jenkins and Joy Sunday. Conrad was nominated for three — writing, directing and producing the series.

But now only Harbour, Bateman and Conrad will receive tickets to the show as executive producers of the nominated series. The other actors can attend the Creative Arts Emmys, held the weekend before the Primetime Emmys. And of course, HBO will be happy to buy them tickets if they want to go to the televised ceremony too.

The question is: Will they and other nominees, which include the likes of Nick Offerman (“Death by Lightning”), Charles Melton (“Beef”) and Dakota Fanning (“All Her Fault”), want to get dressed up two weekends in a row? (First-world problems, I know.)

“It really did manifest as a disinvite for all these people,” says one awards consultant who, like other sources for this story, requested anonymity in order to speak candidly about the move. “Had the Television Academy done it before nominations came out, then at least people’s expectations would have been managed. But now it’s sort of like you got invited to the party and now you can’t come. It’s not a very nice feeling.”

“Beef” star Charles Melton’s category, supporting actor in a limited series or TV movie, will be presented at the untelevised Creative Arts Emmys the weekend before the Primetime Emmys ceremony.

(Netflix)

Why did the TV Academy wait to shift the categories until after the nominations were announced? Why focus on limited series and not, say, spread the cuts across drama and comedy categories too? Are these changes permanent?

I asked these questions to the Television Academy and the answers were, basically: We announced as soon as possible. We’re going to sidestep that second query. And we’ll see how it goes!

What this comes down to is a desire to create a show that, in the words of a TV Academy spokesperson, is “driven by the need to innovate while delivering a three-hour broadcast, keeping audience expectations and the creative structure of the ceremony in mind.”

Translation: fewer awards, fewer speeches, more throwback segments that have a chance to go viral and get people talking.

The Oscars tried this in 2022, moving eight categories off the telecast, handing them out before the broadcast began. Members hated the idea and order was restored the following year with all 23 awards being presented during the live telecast. (In 2019, when the motion picture academy announced a similar move, saying that four categories would be handed out during commercial breaks, the blowback was so fierce that the decision was almost immediately reversed.)

Emmy ratings were up 8% last year, the highest since 2021. An average of 7.42 million viewers watched. Not NFL numbers, but a continued indication that the audience level for major awards ceremonies has stabilized after steep declines during the COVID-19 pandemic.

Still, there is a feeling among some that awards shows need to adapt and pick up the pace in a time when viewers’ attention spans have shortened. Is there an appetite for a three-hour ceremony when you can simply watch the highlights the next day on social media platforms?

“If people don’t want to see actors winning awards, then the days of televised awards shows should just be over,” gripes another Emmy consultant.

One thing that might be over — or at least greatly diminished — will be submissions for the supporting acting categories for limited series/movie next year if the academy makes this revision permanent.

“I think everyone will be going lead,” one network executive joked, “even if they have just five minutes an episode.”

The coastal spot has been ranked the worst seaside town in the UK by Which? magazine for the second year in a row – but one YouTuber made the 250-mile trip to see if the verdict was really justified

A popular coastal spot has made headlines once more – and not in a positive light. Which? Magazine has just ranked Bognor Regis bottom of its yearly list of Britain’s best and worst coastal spots for the second consecutive year.

The magazine polled more than 5,300 individuals about their experiences visiting UK coastal destinations over the past year, canvassing their opinions across a range of factors including beach quality, scenery, food and drink, accommodation, tourist attractions, shopping and value for money.

The Mirror’s own Levi Winchester, who grew up in the town, has witnessed its gradual decline over the years. “I remember many happy summers playing down the beach in Bognor Regis. At low tide, you could see sand for miles, as the smell of fish and chips wafted through the air,” Levi recalled when asked for her thoughts on a town that once served as a home to George V for three months.

“The town was always buzzing with families enjoying their trip to Butlin’s-and while the seaside resort still attracts large crowds every year, the town itself has lost its heart. The promenade lacks love and is in need of a serious revamp.

“Even under the lights of the pier, it still just feels grey and miserable. Like many other UK high streets, the main town centre is empty now with hardly any shops left. I barely recognised it when I last visited.”

One YouTuber decided to visit the spot last year after its first dismal ranking to see if it truly matches up to the title of being the UK’s worst. James Burton documented his trip on By The Curb channel and kicked it off by paying a visit to Butlin’s.

Butlin’s Bognor Regis Resort is one of the UK’s most iconic holiday destinations and one of only three remaining Butlin’s resorts, alongside Minehead and Skegness.

Over the years, it has undergone significant redevelopment, transforming from a traditional chalet-style camp into a modern family resort while retaining its much-loved heritage.

And after visiting, James believed it showed Bognor has a lot to offer. “Worst seaside town in the UK?” before continuing: “Absolute waffle. It’s lovely. I’m not going to say it’s the best. But it is nice. Yet again, I’ve proved them all wrong, I just come here, walked around and proved them wrong.”

James then enjoyed a beer, remarking: “It was just £4.90, which is not bad value really with that spectacular view.”

Butlin’s Resort Bognor Regis still welcomes over 385,000 visitors each year, with 300,000 staying as overnight guests and 85,000 popping in for a day visit.

James turned up just in time to catch one of the company’s iconic redcoats leading a crowd of delighted youngsters through an energetic rendition of “Heads, Shoulders, Knees and Toes,” and declared: “I’d have loved this as an eight-year-old.”

Living “life on the edge,” James also ventured into one of the resort’s numerous restaurants: “To be honest it looked a nice restaurant.

“I’ve never seen so many chicken nuggets though, they must go through thousands of chicken nuggets.”

Despite struggling to find his way out of the resort, James left with a positive impression: “I liked it. It looked good.

“I’m going to bring my daughter to a Butlin’s…it’s gone up in my estimation.”

Overall, James concluded that Bognor didn’t deserve its poor reputation: “It’s tidy. The people are friendly.

“It’s got a lovely beach. I know it’s a pebbly beach, but that don’t matter. You’ve got Butlin’s. Butlin’s was great.”

Semenyo joined City from Bournemouth for £65m in the January transfer window, with Guardiola fighting off competition from rivals Manchester United, Liverpool, Tottenham and Chelsea for his signature.

The player says interest first came in early December with “a lot of talks” taking place, before he made the decision the following month that he wanted to join City.

“I owe them everything to be honest,” Semenyo said of former club Bournemouth. “They helped my Premier League career flourish and obviously the management, the staff behind the scenes, they were all amazing, they made everything so smooth.”

Semenyo scored a total of 21 goals for club and country last season, netting the winning goal in the FA Cup final win over Chelsea which he called a “dream come true”, as well as lifting the Carabao Cup.

Speaking at Ahmad Tea’s Preparation is Everything event in Hong Kong, he added: “I think for me, I just wanted the next step to be the big one and Manchester City was the option. Pep spoke to me beforehand and he said, ‘look, when you come, I am going to make you a better player’.

“You want to get better, you want to improve every season and he definitely helped me with that in the first five months, but obviously sad for him to leave.”

Aug. 2 (UPI) — Greek police announced Sunday they have arrested a man in connection with the grisly discovery of a British woman whose body had been stuffed into a suitcase and abandoned in an Athens neighborhood.

The Hellenic Police said a 26-year-old foreign man was identified as a suspect in the case and that he has been charged with manslaughter, robbery and violation of weapons laws.

The victim was identified by police as a 38-year-old British woman whose body was discovered stuffed into a suitcase left in an abandoned building in the neighborhood of Kypseli at on July 18.

Multiple media reports named the victim as Elisabeth-Jane Ross, a resident of Scotland.

Authorities determined she had been dead for eight days before her body was discovered.

They said the suspect confessed to his actions after being interrogated on Thursday, confirming to authorities he placed Ross’ body in a suitcase and transported it to the abandoned site.

The man later used victim’s bank cards to withdraw money from he accounts, police said.

During searches carried out at his home, a replica pistol and a knife were found and seized, accounting for the weapons charge.

Hellenic Police said they worked closely with British and Scottish counterparts in investigating the case.

Lisa had initially stayed in the area of Keratsini, 5.9 miles (9.5km) west of central Athens, with Greek friends.

She had told them that on 15 July she would go to Kypseli, where her “American friends” or acquaintances were.

On Saturday Greek police said they were fast-tracking toxicology reports in order to ascertain the cause of her death, potentially “in the coming days”.

Test results can take anywhere from several weeks to a few months depending on the complexity of the case and the workload of forensic laboratories.

They were also looking to trace Lisa’s American friends, who they said were also staying in Kypseli.

First Minister John Swinney called it an “absolutely appalling case”.

A Scottish government spokesperson said: “This is an extremely distressing time for the family of Elisabeth-Jane Ross and it is important that their privacy is respected while enquiries continue.

“Scottish government officials are in communication with the family and with the Foreign, Commonwealth and Development Office to ensure they receive appropriate support.

“As this remains an operational matter for Police Scotland, it would not be appropriate to comment further.”

BRITISH filmmaker Justin Hardy, who directed the sequel to his dad’s horror classic The Wicker Man, has died aged 61.

The director’s family said Hardy died on Friday – just weeks before his latest film premiered – after suffering a heart attack.

In a statement the grieving family said: “Our family is devastated to share that Justin Hardy passed away last night.

“He was so full of life right to the end, and incredibly energised to be working towards premiering his latest film this month.

“We are all so proud of him and heartbroken he won’t be with us at his premiere.

“He was a man of family, of boundless creativity, and of devotion for everyone he held dear.”

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Hardy studied history at Oxford University before going on to study film in Bournemouth and scriptwriting in California.

During his career Hardy directed series and films including The Bill, Princes In The Tower, Trafalgar Battle Surgeon, The Relief Of Belsen, Spanish Flu: The Forgotten Fallen and London’s Burning.

He was also nominated for an Emmy and a Bafta, and in recent years had been teaching screenwriting at University College London.

His brother, Dominic Hardy, said Justin would be remembered as someone “with an incredible appetite for life.”

In 2024 the brothers released the documentary Children Of The Wicker Man.

It covered their complicated relationship with their dad’s hit film, which initially bombed at the box office before becoming a cult classic.

Filming of The Wicker Man saw dad Robin sacrifice his family life for a film that performed poorly initially.

Before his death aged 86 in 2016 the legendary director of The Wicker Man – Robin Hardy – spoke publicly about his desire to complete trilogy after he released The Wicker Tree in 2011.

After he died, the brothers were contacted and asked about plans for the third film, which Dominic said they then saw as the “impetus to close the chapter on the films.”

The brothers then decided to wrap up their father’s film trilogy.

Released this month, Wrath Of The Gods was inspired by a concept discovered in a recently unearthed script written by Robin and stars Game of Thrones’ Francis Magee and Norwegian actress Christiane Schaldemose.

Dominic: “I really love writing projects like this and if I could write things like this for the rest of my career, that would be great.’”

Justin Hardy is survived by his wife Larissa, and children Sam, Ludo, Nico and Summer.

Wrath Of The Gods will premiere at FrightFest in Leicester Square on August 28.

A UCLA jersey worn by Lew Alcindor in the 1968 NCAA national championship game and the 1969 Final Four is set to garner more than $1 million at auction.

The man who has owned it for the past half century — a former Los Angeles resident who was a huge fan of the player now known as Kareem Abdul-Jabbar — didn’t have to pay nearly as much for the historic piece.

In fact, he paid no money at all. Instead, he traded for it after a Lakers game in the Forum parking lot back sometime in the mid- to late-1970s, giving up one of his prized possessions as a teenager living in South Gate:

His transistor radio.

“I used to listen to Dodger games on it under my pillow,” said the auction’s consignor, a man named David who asked to have his last name withheld because of privacy concerns.

Back then, David and some friends would often take the bus to the Forum, where they would try to convince fans to give them their extra tickets to attend the Lakers game that night. Afterward, they would wait in the parking lot for players to leave the building.

A UCLA jersey, worn by Lew Alcindor during the 1968 national championship game and a 1969 national semifinal, is up for bid at Grey Flannel Auctions.

(Grey Flannel Auctions)

“We were young and crazy. We waited till the players came out and kind of talked to them,” said David, who says he once walked with Wilt Chamberlain to his car. “And there were other kids there. We would trade stuff, and that is basically how I got the jersey.”

By then, Abdul-Jabbar was a star with the Lakers, after winning three NCAA titles under legendary UCLA coach John Wooden and leading the Milwaukee Bucks to an NBA championship in 1971.

The young man who was originally wearing the No. 33 Bruins jersey that night was actually a USC fan, David said, so the trade was fairly easy to pull off.

“Back then transistor radios were real popular,” David said.

Over the decades, he mostly kept the jersey stored away neatly, occasionally pulling it out for a look or to show others. Recently, David said, he was “just cleaning things out” and decided it was time to part ways with the cherished item.

“I said, you know, someone else will really enjoy this,” David said. “And they’ll display it, and people can enjoy it more than I will stuck in some kind of storage thing.”

According to Michael Russek, director of operations for Grey Flannel Auctions, David didn’t know a lot about the jersey’s history when he first brought it in, only that it was issued by UCLA and had likely been worn by Alcindor in some game at some point.

Photo-matching revealed that he had worn it in several games, including some very significant ones. He wore it while scoring 34 points with 16 rebounds in UCLA’s 78-55 victory over North Carolina in the 1968 national championship game and also during multiple games the following season, including the Bruins’ 85-82 victory over Drake in a national semifinal game (Alcindor had 25 points and 21 rebounds).

UCLA’s Lew Alcindor steals the ball and dribbles away from a group of North Carolina players

(Harold Filan / Associated Press)

“That’s when it really started to come together that we have something that’s truly special,” Russek said.

As of Friday morning, bidding had reached $850,101, with a 22% buyer’s premium bringing the price to nearly $1.04 million. The auction ends Aug. 16.

David said he was “very surprised at how it took off so quick. I’m not familiar with these kind of auctions or jerseys, really. But there’s a lot of alumni from UCLA down there, and a lot of people would like something like that.”

The current Oregon resident added that he hasn’t thought about what he’s going to do with all that cash.

“I’m not the kind of person who does plans for money until I have it,” he said.

Tuli Tuipulotu wants to get paid.

Although Chargers coach Jim Harbaugh expected everyone to be full-go for training camp, the fourth-year edge rusher is holding in amid contract negotiations.

Tuipulotu, who was a full participant in minicamp, did individual work off to the side during Wednesday’s practice and was in general workout attire rather than in a helmet, jersey and football pants like his teammates. On Thursday, Tuipulotu suited up normally and participated in drills alongside fellow defensive linemen but didn’t participate in team sessions.

A hold in is one way players can exercise leverage during contract negotiations. Hold-in players fulfill basic requirements outlined in the collective bargaining agreement — such as attending meetings and doing individual work — to avoid mandatory fines from teams for not reporting to training camp.

“We keep it rolling in practice,” Chargers defensive coordinator Chris O’Leary said. “You know, you get into a game, and you spend a little bit more time game planning and figuring out how to fill that void. … So we haven’t felt it as much. Obviously, we miss [Tuipulotu] out there. We miss how vocal he is and plays that he makes. But for us, we’re just keeping it rolling with the guys we got out there.”

The No. 54 overall pick in the 2023 NFL draft, Tuipulotu has steadily climbed into a key role in the Chargers’ defense and is coming off a career year.

He collected 13 sacks in 2025 as a pivotal part of former defensive coordinator Jesse Minter’s system, which helped the Chargers finish the season fifth in yards allowed per game (285.2) and ninth in points per game (20.0).

“I just let my agent — let the guys — handle that,” Tuipulotu said during minicamp in June. “I’m just trying to be here with the team, you know what I’m saying? Be close with the guys.”

Tuipulotu, a Hawthorne native, has earned 26 sacks and 144 tackles over 36 starts with the Chargers. He made 16 starts last season.

“It’s just the process of it, man,” said Chargers safety Derwin James, who has earned a pair of hefty paydays after a training camp hold in of his own four years ago. “We love Tuli. Like, I knew the team loved me too when I had [a] similar situation.

“Sometimes, that stuff takes longer to iron out. But man, everyone knows we love Tuli here. … And he loves the team. So it’ll get worked out. … I can’t wait to have him out there. It’s just part of the business, man.”

James, a five-time Pro Bowl selection set to earn more than $24 million this season, is someone Tuipulotu can lean on during his hold in. Another is fellow edge rusher and future Hall of Famer Khalil Mack, who has mentored Tuipulotu.

The two said they discussed Tuipulotu’s situation privately. Like James, Mack is seasoned in contract negotiations, having famously signed a record six-year, $141-million extension with the Bears in 2018 after a holdout with the Raiders had him shipped to Chicago.

“I would be doing [Tuipulotu] an injustice not to talk to him about business or just life in general, of how to handle your business off the field and on the field,” Mack said, referencing Raiders teammates such as Charles Woodson and Justin Tuck who helped him navigate his early NFL years. “He kind of bounces questions off of me, and I say what I did or what I saw other people do — just give the best example or the best advice I can. But every situation is different.”

“I just hope you know everything works out in his favor,” Mack added. “And whatever works in his favor works in the organization’s favor as well.”

Tuipulotu said he didn’t have a timeline for his contract negotiations, but reiterated he’d show up.

But as a key cog in the Chargers’ defense who loves practice and training camp, the Chargers won’t feel quite complete on the field until Tuipulotu is practicing with his teammates again.

“There’s always something to get better at,” Tuipulotu said. “There’s always something you miss. Man, I love practice, you know what I’m saying? I bring the juice during practice.”

A man was convicted Wednesday of federal terrorism charges in the 2022 stabbing of Salman Rushdie, the author who has faced a decades-old death threat over his novel “The Satanic Verses.”

A jury found Hadi Matar guilty of all the charges against him, including engaging in an act of transnational terrorism.

A message seeking comment was sent to Matar’s attorneys.

Matar, 28, is already serving a 25-year New York state prison sentence on an attempted murder conviction in the August 2022 attack on an amphitheater stage. The federal conviction carries a potential life sentence.

Rushdie, who was about to speak on writers’ safety when he was attacked, was slashed 15 times in front of a stunned audience. He was gravely wounded and lost the sight in his right eye.

Matar’s defense: No evidence of his state of mind

Prosecutors asserted that Matar was motivated by the late Iranian Supreme Leader Ayatollah Ruhollah Khomeini ’s 1989 call for Rushdie’s death because of “The Satanic Verses.” Defense lawyer Nathaniel Barone countered that the government had no proof of what was in Matar’s head.

Matar himself declined to testify. Rushdie did, telling jurors: “I can’t say what his ambitions or his aim was, but the wounds were dispersed across my body.”

Rushdie won Britain’s prestigious Booker Prize for his 1981 novel “Midnight’s Children,” about his native India. “The Satanic Verses,” a novel of magical realism about the lives and dreams of two actors who survive a plane explosion, followed in 1988.

It drew critical acclaim in the United Kingdom but engendered protests around the Muslim world over what some believers saw as blasphemous suggestions about Islam’s Prophet Muhammad, particularly in a dream sequence. In the ensuing years, at least 45 people have been killed in riots over the book, a Japanese translator was stabbed to death, an Italian translator was attacked and survived, and the book’s Norwegian publisher survived a shooting.

Rushdie, who was born into a Muslim family, has said the dream sequence was just that. But he went into hiding for years, gradually emerging after Iran’s government distanced itself in 1998 from Khomeini’s fatwa, or religious edict.

“For two decades or more, I led a public life without a hint of trouble,” Rushdie testified at the trial in Buffalo, N.Y.

Yet the fatwa was never rescinded; indeed, Khomenei’s successor, the late Ayatollah Ali Khamenei, indicated in 2017 that it remained in effect. An Iranian foundation has offered a bounty of more than $3 million for killing Rushdie.

Prosecutors: Matar’s messages showed him zeroing in on Rushdie

Matar repeatedly broached the fatwa with contacts in messaging apps in 2021 and 2022, according to exhibits shown in court. The messages showed Matar fuming that he felt Rushdie had attacked Islam and, by surviving, emboldened others to insult the faith. Matar alluded to a 2006 comment along those lines by the late Hezbollah militant group leader Hassan Nasrallah, the messages showed.

Born in the U.S., Matar also holds citizenship in Lebanon, where Hezbollah is based. Prosecutors said that photos in Matar’s New Jersey bedroom and on his computer indicated his support for Hezbollah, which the U.S. has designated a terrorist organization.

Matar aimed to fulfill the fatwa and “wanted everyone to know he was doing this for Hezbollah,” Asst. U.S. Atty. Timothy Lynch said in an opening statement July 22.

The messages showed Matar initially talked about wanting to “expose” Rushdie, then about killing him. In a private note to himself, he wrote: “We need to kill him ASAP,” according to Lynch. The prosecutor said Matar framed the planned killing as part of what he considered a jihad, or holy war.

By spring 2022, the electronic chats showed, Matar wrote that he had discerned where Rushdie lived and was tracking his public appearances, eventually pointing out his scheduled August 2022 talk at the Chautauqua Institution, a western New York arts and intellectual center.

As Rushdie was being introduced, his attacker climbed on stage behind him, then stabbed him 15 times as the audience gasped. Spectators and another speaker, Henry Reese, scrambled to aid Rushdie. Law enforcement officers, assigned to the event, arrested the attacker — soon identified as Matar — after civilians restrained him.

Rushdie published a 2024 memoir about the attack, then returned to fiction with last year’s “The Eleventh Hour.” The author, who was knighted by Britain’s late Queen Elizabeth II, received a Dayton Literary Peace Prize lifetime achievement award in November.

Peltz writes for the Associated Press.

Harry Poulton enjoyed his first steak meal in Benidorm, despite living in Spain for around 10 years, and left people completely shocked with the way he ordered his food

Moving to Spain from the UK can be quite the transition. The pub culture and food is very different from one another since us Brits will happily devour a fish and chippy, while our Spanish friends turn to paella and tapas.

One man who swapped the England for sunny Spain is Harry Poulton – and he hasn’t looked back. Harry has become quite the local where he uses his social media platform to share advice and urge travellers to avoid three ‘no go’ areas. The Brit moved to Benidorm around 10 years ago after a lads’ holiday and vowed to never return back home.

Now after sinking his teeth into the Spanish culture for a decade, Harry revealed he hasn’t had a steak since he was back in England.

British Expat Shares Top Food Recommendations in Benidorm

In a bid to find the best steakhouse in the area, he ventured to the Old Town’s back streets where he came across a glorious food option called the Entrecôte Steakhouse Salsa Café de Paris.

The Spanish restaurant opened its doors last month and serves up a variety of charcoal-grilled premium meats from Galicia, located in the northwestern region, with a signature sauce.

Speaking with his 67,300 TikTok followers, Harry said he was “on the hunt for a decent steakhouse in Benidorm” as he thinks he finally found one.

First he checked out the entire menu where he saw starters and mains with a strong selection of meats aged up to 21 days. Before his food turned up, Harry had to enjoy a bottle of Coca Cola which is when a waiter arrived.

Inside the Menu Choices at Benidorm’s Newest Steakhouse

Offering a range of meats, Harry was stunned as he said: “Oh my goodness I was not expecting this.” The waiter shared the selection of cuts, which included a 500g Ribeye steak, 1kg Ribeye on the bone, fillet steak and the Entrecôte steak, known as their sirloin.

A pork rib was also on offer, the only cut matured for 21 days. Harry didn’t hesitate in going for the Entrecôte, requesting it well done – something his fans weren’t keen on.

Then in a second clip, he gave a proper lowdown on the entire meal.

Harry confessed: “Now I’ve not had a steak in a proper long time and I’m not even sure I’ve had a steak in Benidorm.

“But here I am and I’m about to tuck into this and it looks insane. We also have a lovely side salad and they also dished up a burger in their signature sauce.”

Upon tucking in, Harry simply declared: “Wow, absolutely unbelievable.”

He added: “The meat itself is very very juicy, full of flavour, it’s been cooked to perfection and covered in their signature sauce.

“With the sauce, I’m detecting a bit of butter, pepper and I think there might be a bit of brandy as well and it’s really different, I’m really liking the taste. For me, the meat is really soft and juicy. It’s incredible.”

Harry also confessed to feeling slightly nervous about the meat as he dislikes seeing it raw or bloody, however the restaurant did a “really good job”. Once the main course was cleared away, he was presented with dessert – a Pain Perdu, a brioche soaked in milk with cinnamon then caramelised in butter and orange juice, along with a tiramisu.

Wrapping up the whole experience, Harry said: “And just like that I’ve finished the meal. It was incredible, mouth-watering.

“I think what makes this place stand out is that you get to choose the meat that is cooked which I think makes it 10x better because you know what you’re getting.

“The food was cooked very very well and the staff are friendly, the service is quick and I think the prices are reasonable. So if you’re looking for a decent steakhouse in Benidorm in the Old Town this is the place to go to.”

Social Media Reacts to Controversial Steak Order in Spain

Since he shared the clips, many people fled to the comments section to share their opinion.

One admitted: “Went here last night! And not going to lie, best steak I’ve eaten in years!” Another fumed: “Well done c’mon you’re having a laugh.”

A third pointed out: “Way too expensive.” While a fourth mentioned: “Well done? Nahhhh that’s the only thing I’m going to judge you for.” And a fifth joked: “Well done? Surprised you didn’t get kicked out?”

Three women were wounded, two of them seriously, in a knife attack near Porte de Clichy in Paris. Bystanders and an off-duty police officer restrained the suspect, whose motive remains unknown.

Samantha Morton didn’t mean to start humming during that scene in “The Odyssey,” the scene everyone is talking about, when, as the sorceress Circe, she turns Odysseus’ men into pigs, literally molding them into their true savage selves.

It wasn’t in the script. It just happened. And when Morton was done, she looked over to director Christopher Nolan, waiting for him to say something like, “Maybe try it without the humming, Samantha.”

But Nolan didn’t say anything, so Morton did it again and the music that was swirling inside her head, which she remembers now as a symphony of glass harmoniums and theremin, kept coming out as Circe went about her witchy business, altering her gluttonous guests, who are busy slurping and gulping down her stew.

“These are sounds that can make you go mad, apparently,” Morton, 49, tells me, reclining on her bed at the Hotel Chelsea in New York. “So to transform the men, the magic came not just from my hands but from my sounds.”

Samantha Morton as Circe in “The Odyssey,” directed by Christopher Nolan.

(Melinda Sue Gordon / Universal Pictures)

Morton unabashedly believes in magic. How else, she asks, can you explain how a girl who was shuttled between children’s homes and a dozen foster families, only to be living on the streets of Nottingham, England, at the age of 14 with a criminal record, be here talking with me now, sipping green tea at the Chelsea?

“That’s got to be guardian angels and love — and not that I suddenly became good at acting and got a job,” says Morton, a veteran who’s been at it for 35 years, dazzling audiences and stealing scenes for the likes of Steven Spielberg, Jim Sheridan and, now, Nolan. “I’ve always believed that anything is possible and there’s no doubt in here,” and she pats her heart, “because I’ve always felt this immense love for me from another entity.”

When Morton heard that Nolan wanted to meet her for “The Odyssey,” she says she wept. If that sounds dramatic, she makes no apologies. She likens it to being an athlete who qualifies to represent their country at the Olympics. She’d spent decades honing her craft for that phone call. When it came, she flew to Los Angeles in January 2025 during the wildfires, embarking on what would become the best job interview of her life.

I ask her what she remembers about that meeting.

“I think it went really well,” Morton answers, laughing.

Morton told Nolan she hadn’t read “The Odyssey,” which, when you quit school at the age of 12, makes sense. Flying back home to England — she and her husband live in East Sussex with their children, 18-year-old daughter Edie and 12-year-old son Teddy — she recalled that, yes, she knew a bit of “The Odyssey” from having seen it parodied on an episode of “The Simpsons.” (“We’re ‘Simpsons’ mad in our house,” she says. “Like, mad.”)

But Morton doesn’t believe in bogging herself down in research, not since starring in a British TV production of “Jane Eyre” when she was 19 and carried around a heavily highlighted copy of the Charlotte Brontë book, despairing whenever the adaptation deviated from the novel. From that point on, she stuck to the script and her own imagination.

“That’s got to be guardian angels and love — and not that I suddenly became good at acting and got a job,” says Morton of her career. “I’ve always believed that anything is possible.”

(Ebru Yildiz / For The Times)

Thinking about Circe, Morton recalled going to the library with her dad (“We had nothing and were beyond poor, but he always had a library card,” she says) and finding the Howard Pyle fairy-tale book “King Stork.” She remembers being mesmerized by the story’s wicked witch. She recalls other witches from folk tales like Baba Yaga, frightening characters but also, she says, “women possessing an innocence that had been eroded over the years by the harshness of life.”

Morton does a playful verbal evasion when discussing the nuts-and-bolts aspects of shooting the scene where Circe transforms Odysseus’ men, saying that back in the day when behind-the-scenes features were prevalent on DVDs, she routinely declined to participate.

“I didn’t mean to be tricky, but it was like: This is my private moment. This is for me,” she says. “I do like the idea of a little mystery.”

But then a beat later, she laughs it off and dives in, remembering that her husband showed her an Instagram post from Nolan’s set revealing how the movie’s Cyclops was, in fact, a puppet.

“Oh my gosh — I love puppets!” Morton raves, and off she goes, telling me how much she adores Jim Henson and how “The Dark Crystal” is one of her all-time favorite films.

What she will say about her “Odyssey” scene is that there were no digital effects. Everything was real and “in camera” and that she was so in the zone that she barely remembers any of it, only flashes.

“That’s not CGI,” Morton says. “That’s human brilliance and a connectivity of me as a performer, almost dancing and feeling one. And not to say that it was sexual, but I wanted it to be very sensual when she’s with the men and the animals, just like, you know, that she’s almost one with them.”

“What was lovely about that,” Morton begins and then stops, wondering if she should draw back the curtain on the creative process. She goes ahead. “There was a day on set when Chris was like, ‘OK,’ and he put his hand in because I was a little scared. It’s like that scene in ‘Raiders of the Lost Ark’ where he puts his hand in the thing, and you’re like, ‘Oh no!’ I was a little nervous, but Chris did it first. I think he actually cut his finger.” She giggles. “You know, he’s going to go in first, like getting into the cold water in the sea. I felt protected and supported in that whole process.”

When Odysseus’ men arrive at Circe’s home, hungry, asking to be fed, Circe seems frightened — understandably so. She’s alone, and these soldiers have a history of pillaging and taking what they want. And yet, she’s a powerful sorceress. Is Circe really scared or tricking them to lure them in?

“I played that like she was genuinely frightened because she was caught off-guard,” Morton says. “I also wanted to play somebody that was all ages, so I played her like a 16-year-old girl in that scene. And then in other scenes, I’m playing her as a 90-year-old woman or a 49-year-old woman or a sister or a mother, a grandmother. I just wanted her to be ageless.”

Morton, looking out for Circe, stresses that transforming Odysseus’ men was not purely vengeful.

“It’s not just hate,” she says. “It’s not just harm. It’s not just anger. It’s almost like a Zen master within the goddess role of the teaching as well. ‘Be careful what you wish for,’ gluttony, greed, all of these things.”

There’s a righteous feminist rage underneath the scene as well, a modernization that brings “The Odyssey” fiercely and disturbingly up to date. It’s another reason why people leave are leaving the theater talking about Morton.

“In some weird way, the film lived or died over that character,” says director Nolan of Morton’s Circe, a creation of pure acting and no digital sorcery. “She was the fulcrum.”

(Ebru Yildiz / For The Times)

Nolan thinks “The Odyssey,” in some weird way, “lived or died over that character — she was the fulcrum.” He told The Times that “after one of her takes, the crew gave her a great round of applause.” Emma Thomas, Nolan’s producing partner and wife, later recalled that the last time that had happened was with Heath Ledger on “The Dark Knight.”

Morton makes a point of telling me how much Ledger meant to her, having been cast opposite him (and Odysseus himself, Matt Damon) more than 20 years ago in Terry Gilliam‘s 2005 fantasy adventure “The Brothers Grimm.” Miramax chief Harvey Weinstein overruled Gilliam, dropping Morton from the film because, in his eyes, she wasn’t attractive enough.

“And Heath fought for me with such kindness and compassion,” Morton says. “He’s up there with Philip Seymour Hoffman for me. There’s something otherworldly personal about what they gave, such sincerity and vulnerability and an absolute dedication to craft. They leave a mark on your heart.”

It’s not the first time Morton has invoked the heart in our conversation. She brought her son, Teddy, to New York for the premiere of “The Odyssey” because she wanted to show him the place where her creative spirit was born. Morton first came to New York as a teen to do press for “Emma,” returned a year later to promote “Jane Eyre” and then couldn’t bring herself to leave, “sofa-surfing” at friends’ apartments so she could immerse herself in the city.

“New York stole my heart,” Morton says. It’s where she first got into literature, devouring Charles Bukowski, roaming the aisles at the St. Mark’s Bookshop, checking out movies from Kim’s Video and gobbling hash browns and eggs over easy at the Waverly Diner.

Not long after, Morton scored the role that would land her the first of two Oscar nominations (for now, at least), playing the mute laundress in Woody Allen’s “Sweet and Lowdown.” The production put her up in a Greenwich Village apartment and when it ended, she moved to the East Village.

Only the diner remains but Morton still plans on touring the Village with Teddy, showing off all of mom’s old haunts and, yes, having a cup of soup at the Waverly.

“Life is good right now,” Morton says, smiling. “Who knows? Maybe I’ll indulge in some hash browns.”

A former security guard for Drakeo the Ruler testified under oath that he saw rapper YG produce a knife and slash it toward him during the 2021 backstage fight in which Drakeo was fatally stabbed, according to recently obtained deposition excerpts.

Alrick Cooper III, who was part of Drakeo’s security detail at the Once Upon a Time in L.A. festival, said YG was “front and center” during the Dec. 18, 2021, brawl and was one of three men he saw carrying what appeared to be short, improvised knives. He said YG, whose real name is Keenon Jackson, was wearing a ski mask, but he recognized the rapper’s hazel eyes as he tried to protect Drakeo, whose legal name was Darrell Caldwell Jr. Representatives for YG did not immediately respond to requests for comment.

The excerpts come from Cooper’s March 19, 2025, deposition, which surfaced last month in a court filing by attorneys representing Drakeo’s family in a civil lawsuit against festival organizers and security contractors. It adds more context to the fight after law enforcement investigating the killing searched a Burbank property and detained YG in the process on Thursday.

The California Highway Patrol, with help from the Burbank Police Department’s SWAT team, briefly detained YG while officers searched the property. He was released after the search and was not arrested.

YG has repeatedly denied involvement in Drakeo’s death. On his June 2026 song “We Know the Truth,” he rejected allegations connecting him to the killing and said he learned after arriving to perform at the festival that someone had been stabbed.

A CHP spokesperson said the agency “cannot comment as this is an ongoing and open investigation” when asked if YG was a suspect or person of interest in the case. No one has been arrested in the ongoing murder case. NBC Los Angeles reported that the warrant was served as part of the continuing homicide investigation. CHP told NBC that YG was present when officers arrived and was released when the search was completed.

Drakeo’s son and other relatives, along with Cooper, sued Live Nation, C3 Presents, Bobby Dee Presents and several security contractors in February 2022, alleging the companies involved in staging and securing the festival failed to protect Drakeo from a foreseeable attack. YG is not a defendant in the lawsuit.

‘Front and center’

Cooper testified that Drakeo’s group was confronted by at least 20 to 25 people backstage. When asked whether he recognized anyone in the opposing group, Cooper named only YG.

“He was directly involved in the fight?” an attorney for Drakeo’s family asked.

“Yeah,” Cooper answered. “Front and center.”

Cooper said the attackers divided into groups and surrounded Drakeo’s party near the artist entrance. Some wore red clothing, ski masks or hoodies and Cooper said festival security personnel failed to intervene and instead closed two gates that could have provided an escape route.

“They actually closed the gates and trapped us in to where we couldn’t leave,” Cooper testified. According to his account, one exit was blocked by security personnel while attackers swarmed the other side of the backstage area.

Cooper said he initially struck one of the approaching men and momentarily lost his footing. He then found himself fighting YG and a man he described as YG’s bodyguard, with Drakeo positioned a foot or two behind him and to his right.

“And then YG produced a knife from his left hand,” Cooper testified, describing the weapon as appearing to emerge from Jackson’s sleeve. “And when I saw that I just backed up.”

As the confrontation continued, Cooper said, the attackers moved toward Drakeo and “swarmed over” him. Police arrived almost simultaneously, according to Cooper, and began breaking up the fight.

Three men with knives

Cooper described the weapon he attributed to YG as a silver blade approximately three or four inches long. He said he did not see a handle and compared its appearance to an improvised prison shank.

“He was slashing at me with it, like getting me to back up,” Cooper testified. He said he was not stabbed.

Cooper said he saw two other men standing near YG with similar weapons. He described one man as being immediately beside YG and another as positioned behind and between them. Cooper said he concluded the men were armed after observing movements that differed from ordinary punching.

“Once I saw the stabbing, jabbing motion,” Cooper testified, he tried to move away from those individuals.

Cooper described one of the other men as a bald Black man, approximately 5 feet 9 inches or 5 feet 10 inches tall, with light-brown or hazel eyes and a blue patterned crew-neck shirt. He described the third as a similarly sized Black man with dreadlocks but said he could not remember the man’s clothing. Cooper estimated YG was approximately 6 feet 1 inch or 6 feet 2 inches tall.

Identifying YG behind a mask

Cooper acknowledged that the person he identified as YG was wearing a black balaclava that exposed only the area around his eyes. He said the man also wore a black bomber-style jacket, black pants with red stripes and shiny black shoes.

Asked how he could make the identification with much of the man’s face covered, Cooper said he had met YG “a lot” and recognized his eyes, body type, height, walk and demeanor.

Cooper also testified that members of the attacking group taunted Drakeo during the confrontation.

He recalled hearing statements including “Is this Drakeo?,” “Is that who I think it is?,” “What you want to do?” and “Now we finally got him.” Cooper also reported hearing Blood gang expressions, including “soo whoop” and “Sup, Blood,” and seeing individuals beating their chests.

Earlier in the deposition, Cooper said he had previously intervened when the two rappers encountered each other outside a recording studio.

According to Cooper, YG approached Drakeo and asked, “What’s up [with] all that internet stuff?” Cooper said he had to defuse that encounter.

Cooper also cited Drakeo’s 2021 song “IngleWeird,” interviews and music released by artists associated with the two camps as evidence of an escalating dispute. He recalled a summer 2021 interview featuring YG and two other artists in which, according to Cooper, someone said, “We don’t do that internet stuff, the homies going to get you.”

Cooper testified that the history led him to warn Drakeo before the festival that more security was needed. He believed there was a substantial chance the two artists or their entourages would encounter each other as Drakeo left the stage or festival grounds.

All parties will be back in court for the first of two hearings beginning Aug. 13 covering motions to dismiss the case brought by Bobby Dee Presents and Live Nation.

R&B singer Nivea publicly revealed her recent leukemia diagnosis on an episode of the Atlanta-based performance and interview series “Cadillac Chronicles.”

In a conversation with host Brian Freeman, the 44-year-old Grammy-nominated artist said she was diagnosed earlier this year and is “grateful to God” for her health as she undergoes treatment.

“I’ve been going through treatment, and everything is going great so far, and I expect it to continue. Amen, amen, amen,” she said on Tuesday’s episode.

“Cadillac Chronicles” features Freeman riding in his 1974 Cadillac Eldorado with a musician, usually a hip-hop or R&B artist. In addition to discussing gratitude, Nivea also performed her hits from the car’s passenger seat, including 2002’s “Don’t Mess With My Man,” which earned her a 2003 Grammy nomination.

It seems the diagnosis hasn’t slowed her down. The singer also revealed she’s working on new music and going to school for audio engineering, which she said she’s “always wanted to learn.”

“I’m doing all the things I want to do,” she said. “Loving on my children, and just being grateful and taking every opportunity that comes my way.”

Nivea — born Nivea B. Hamilton — was married to singer-songwriter and record producer The-Dream from 2004 to 2008, and shares three children with him: daughter Navy Talia, born in 2005, and twin sons London and Christian, born the following year.

She also shares a son, Neal — who performs as Lil Novi — with rapper Lil Wayne.

Leukemia is a cancer of the blood that begins in the bone marrow, which varies based on the type of blood cell affected and the stage of the disease. The “Complicated” singer did not reveal which type she was diagnosed with, but said she maintains a “positive” outlook in all areas of life.

“I’m very grateful for life. It’s so cliche to say, you don’t know the time nor the hour, but it’s true, and it just helped me put a lot of things in perspective,” she said. “I live in gratitude religiously.”

Manchester United have signed goalkeeper Janina Leitzig from Leicester City for an undisclosed fee.

The 27-year-old becomes their second signing of the summer following the arrival of defender Andrea Medina.

It is believed the former Germany youth international has signed a three-year deal at United after they triggered the release clause in her Leicester contract, which was renewed in 2025.

Leitzig has been at Leicester for three years, initially on a season-long loan from Bayern Munich, where she became a regular starter.

She leaves having made almost 70 appearances in all competitions but could not save Leicester from Women’s Super League relegation last season.

“It is a real honour to be a Manchester United player,” said Leitzig.

“I’m ready to bring all of my experience of competing at the highest level to help the team to have a successful season.

“I am joining a really excellent group of goalkeepers. Everyone has told me about the great environment that they have created.

“I cannot wait to push all together to maintain the high performance standards that this club deserves.”

Leitzig has been a long-term target for United and BBC Sport first reported in 2023 that they had made contact with the German goalkeeper while on loan at Leicester.

She will wear the number 25 shirt at Manchester United.

A video showing the final moments of Moroccan-born Abderrahim Fakir, who was struggling to breathe while being detained by police in Italy’s Bologna, has sparked protests demanding answers over his death.