magic

LOTS of family shows claim to be for everyone aged 5 to 95, but in practice, very few are. 

Now You See Me Live is one of those rare West End unicorns that will have all ages on the edge of their seats (or standing on top of it in my son’s case).

And Sun Club members can get half price tickets. 

The big-budget magic shows are based on the Hollywood films starring Isla Fisher and Sir Michael Caine and Mark Ruffalo, but fear not, you don’t have to have seen the movies to understand the theatre production.

They have almost nothing in common, aside from the fact that there are four main magicians known as ‘The Horsemen’ –  Enzo Weyne, Andrew Basso, Gabriella Lester and Matthew Pomeroy – alongside three supporting magicians who all appeared on Britain’s Got Talent –  Eden Choi, Fraser Penman and Rafferty Coope. 

This is, however, as close to a Vegas-style magic show as you’re going to get in the UK, which is why it makes sense that the next stop on its world tour will in fact be the Nevada city.  

Read More Sun Club Offers

TRUE STORY

Get this £8.99 bestselling book by the ‘Millennial Agatha Christie’ for FREE

Dig into fun

Get 2-for-1 tickets to Diggerland

Club members can grab half-price tickets to Now You See Me Live at the London Coliseum. 

To get your tickets, sign up to Sun Club for £1.99 a month or just £9.99 for one year in our sizzling summer sale, then head to the Sun Club Offers hub and find the Now You See Me Live page or click here. 

Running  in London until September 6, it had my son and I engrossed from start to finish. 

His jaw practically hit the floor, I squealed, the middle-aged man sitting next to me shouted aloud in wonder… the acts the magicians played out for the audience were truly mesmerising. 

Without spoiling too much of the magic, the moment the escapologist is locked, handcuffed, upside down in a tank of water in a recreation of Houdini’s water torture stunt, is undoubtedly a highlight of the show.  

As was the moment the cast appeared to travel through time, carrying possessions from the audience.

And I’ll never work out how they tasked the entire theatre of 2000-plus people to rip up a bunch of playing cards and the result that ended up in my hand.

Meanwhile, my seven year old son’s favourite act by far was Britain’s Got Talent semi-finalist Eden Choi, who appeared to shoot hundreds of playing cards out of his hands across the stage.

But for the most part, this is a full-on audience participation event, from start to finish.

We threw bouncy balls around the venue, we ripped up packs of cards, we collectively took part in mind-reading – there were very few parts of the show where we were required to stay silent.

In fact, we were actively encouraged the holler at the stage on several occasions. 

When the time came for the curtain to close, my seven year old actually stood on his seat (sorry London Coliseum staff) to give his final round of applause. 

Which surely shows you quite how impressive it was.

Click below to sign up to Sun Club and bag your half-price tickets.

18+ England and Wales residents only. Sun Club subscription required. Online access required. Offer ends at 23:59 on 31/08/26. Non-transferable and non-refundable. Offer valid on performances until Friday, September 4, 2026 for Monday – Thursday matinee and evening, Friday matinee, and Sunday matinee and evening shows, plus Friday, August 21 and Friday, August 28, 2026 evening performances only. Discount cannot be applied to previous purchases and is subject to availability. Full T&Cs apply, see below. 

In a way, Johansson had one of the most unenviable jobs upon his appointment. Filling the very large boots left by Askou.

Despite only spending one season in the Scottish Premiership, the Dane attracted so many admirers – far beyond Lanarkshire – through his approach, attitude and style of football.

It’s remarkable how seamlessly Johansson has picked up where he left off. Even more so considering key performers Elijah Just, Elliot Watt, Callum Slattery and Calum Ward also moved on.

Few people had a better view of the now-Toulouse boss’ brilliance than Halliday – who spent his last playing year under Askou’s eye – and he says “a lot of the fundamentals are very similar” under Johansson.

Halliday, who apparently jumped out his seat at Said’s second goal against the Finns, added on BBC Sportsound: “I love what Motherwell stand for, how progressive they are, trying to do it a completely different way that’s proven, surely to everyone, that it can work.

“Squad development, the youth academy, playing a brilliant brand of football and the fact they lost a fantastic coach and manager last year to go out and recruit similar, I love it.”

Invested like many others, the former midfielder does maintain that a signing or two – particularly a goalscoring forward – would be the final piece of the captivating puzzle.

“In wider Scottish football, I hope people sit up and take note of what they’re doing,” Halliday added.

“I really hope they sign one or two more players at the top end of the pitch, because if they do that, I think they could be every bit as good as last year.”

WHEN booking a holiday there are three specific factors you must consider that can completely change the cost.

Get one of them wrong and you could pay hundreds more for an almost-identical week away… however if you get all three RIGHT you’ve found what I like to call the holiday “magic equation”.

The three key ‘ingredients’ to getting the best deal are where you go, when you fly and how long you stay.

I’ve been digging through thousands of On the Beach holidays to find the best-value combination of departure date, destination and duration for every remaining holiday window before November.

I didn’t just pick whichever holiday had the lowest price, though.

My analysis also compared each option against similar holidays, prices from last year, hotel ratings, customer reviews and the number of hotels still available – and what I’ve been left with is four very specific recommendations.

There’s one for families escaping before the end of the school holidays, two for couples and families with toddlers who can travel outside term time, and one for the October half-term scramble.

So here are the four magic holiday combinations I’ve uncovered – plus a deal you can book right now for each one.

Fly to Tunisia on… August 20

If you’re still hoping to get away with school-age children this summer, August 20 is the date I’d be circling, especially for trips to Tunisia.

The best-value August combination in our analysis was a seven-night all-inclusive holiday to Mahdia, departing on August 20 and returning on August 27.

The average price was just £698 per person – 22.6% cheaper than similar holidays and 9.2% less than people paid last year.

That’s particularly impressive because it gets you back before the end of August too, so no breaking the school holiday rules.

Mahdia itself is a bit of an under-the-radar alternative to Tunisia’s better-known resorts.

It’s a historic coastal town with a beautiful old medina and long stretches of pale sandy beach.

The sea here is often wonderfully clear and shallow, while hotels tend to be large, all-inclusive and built around keeping children occupied.

In other words: much of what families book Turkey for, but frequently at a lower price.

I found a particularly good deal at the four-star Mahdia Beach & Aqua Park from £623pp (and it’s all-inclusive).

It’s a huge beachfront resort with several pools, waterslides, and children’s activities, as well as a high Tripadvisor score – more than 1,900 gave it 4.2 out of five.

Tunisia deal

Mahdia Beach & Aqua Park, Mahdia

• Seven nights
• All inclusive
• Return Liverpool flights

From £623pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Egypt on… September 23

September is where holiday prices start to calm down from the summer surge.

For couples and parents with children below school age, the best-value combination was a seven-night all-inclusive holiday to Nabq Bay in Sharm El Sheikh, departing on September 23.

The average holiday cost £709 per person, which was 12.3% below the price of a comparable break.

More importantly, it was a massive 22.2% cheaper than last year – the biggest year-on-year drop of any winning combination in the data.

Nabq Bay is one of my favourite recommendations for anybody wanting a proper fly-and-flop holiday in September.

Temperatures are normally still well above 30C, so the weather stays beautifully warm and the resort is full of enormous all-inclusive hotels with private beaches, waterparks and enough swimming pools to require a map.

And Nabq Bay is especially well suited to families with toddlers.

Most of the holiday happens inside the resort, so you’re not repeatedly folding a buggy into taxis or attempting a cultural walking tour at precisely the moment somebody decides they need a nap.

My deal is at the Parrotel Aqua Park Resort is all-inclusive for £450pp when flying on September 23.

As the name rather usefully suggests, the main attraction is its enormous waterpark, but there are also several pools, restaurants, children’s facilities and a private beach area.

Egypt deal

Parrotel Aqua Park Resort, Nabq Bay

• Seven nights
• All inclusive
• Return Stansted flights

From £450pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Turkey on… October 13

October delivered the strongest overall value score from all the data I sifted through, especially when flying to Turkey.

The winning combination, by far, was a seven-night all-inclusive holiday to Marmaris, flying on October 13 and returning on October 20.

This is just before the half term holidays so is suited for couples or families with little kids not yet in school.

The average price was just £537 per person – that’s 21.4% cheaper than similar holidays and 11.6% below last year’s price.

Marmaris works brilliantly in October because you get the best bits without quite so much of the summer chaos.

The resort wraps around a huge bay backed by pine-covered mountains, with a long waterfront, beaches, boat trips and a seemingly endless supply of restaurants.

Daytime temperatures are typically still warm enough for the pool and beach, although evenings are cooler and there’s a greater chance of rain than during summer.

It’s also a great month for exploring. You can walk the marina without melting, take a boat along the coast or visit Marmaris Old Town without needing to stop for emergency air conditioning every ten minutes.

The deal I found is at the three-star Supreme Hotel, a simple but well-reviewed base with a pool, restaurant and a useful location for reaching the centre of Marmaris.

The best deal I found was an all-inclusive week at the Supreme Hotel from £235pp when flying October 13. At £33.57 per person, per night  – including your flights, hotel, food and drinks – that’s my standout bargain of the lot.

Turkey deal

Supreme Hotel, Marmaris

• Seven nights
• All inclusive
• Return Gatwick flights

From £235pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Fly to Greece on… October 25

If you’ve got kids, you’ll know that October half-term is always difficult.

Once every family in Britain needs roughly the same handful of departure dates, the chances of finding a bargain tend to disappear faster than the good flight times.

But the data did uncover one combination that stood above the rest: seven nights all-inclusive in Kardamena, Kos, departing on October 25.

The average price for a deal here was £740 per person – 13.4% cheaper than comparable half-term holidays and 13.2% below last year.

Kardamena is one of the livelier resorts on the Greek island during summer, but by late October it becomes considerably calmer.

You still have its long beach, waterfront and marina, while Kos Airport is only around a 15-minute drive away.

That short transfer here is a serious half-term advantage too – nobody wants to follow a four-hour flight with a two-hour coach tour of every other family’s hotel.

The weather is the slight gamble, as late October brings warm sunny days, but you might see some businesses closing for the season.

So, this is one where I’d choose a hotel with plenty happening on site.

Lucky for you, the deal I found does exactly that, which is an all-inclusive seven-night stay at Canvas by Mitsis Family Village, for £558pp when travelling on October 25.

It’s built on a hillside overlooking the coast, with pools, waterslides, family entertainment and access to a beach below, and it scores a very impressive 4.4 out of five from almost 2,500 Tripadvisor reviews.

That’s £181.60pp below the average price uncovered by the half-term analysis, and proof that the school-holiday premium can still be beaten if you get the date, duration and destination exactly right.

Greece deal

Canvas by Mitsis Family Villas, Kos

• Seven nights
• All inclusive
• Return Bristol flights

From £235pp. BOOK HERE

If you click on a link in this box, we will earn affiliate revenue

Winning tip: a boat tour in County Fermanagh

The MV Kestrel has been taking boat tours out from Enniskillen on Lower Lough Erne for as long I can remember. We were brought out as primary schoolchildren on a geography field trip and I was recently a passenger for a civilised stag party. It’s popular for a reason: the tour (adults £15, under-12s £11) passes the old alma mater of Oscar Wilde and Samuel Beckett (Portora Royal School), and stops at the sixth-century monastic settlement on Devenish island. The silence out here has to be heard (or rather not heard) to be believed. The lough is beautiful regardless of the weather – and with this being Fermanagh, if you don’t like the weather just give it 10 minutes.
Tom

A fun-packed day on Glasgow’s riverside

My family loves a day trip to Glasgow’s Riverside Museum (free entry) on the north bank of the Clyde, quite near the Kelvingrove art gallery. It’s a great place for all generations to explore, and we love that it has interactive displays for children and a wealth of detail on Glasgow’s technological and industrial past for adults. Quite often there will be pop-up events, and the museum regularly runs holiday activities and workshops for families. It also has a purpose-built skateboarding spot outside and just over the Govan footbridge, there is the Maple Leaf, a newly opened artisan bakery that produces Scotland’s best croissants.
Katie

Bowled over by Bolsover in Derbyshire

I’ve lived 30 minutes from Bolsover Castle (adults from £15.38, children from £7.65, free for English Heritage members) for more than three years, but only decided to visit when trying to entertain my visiting parents and nephews (aged from two to 75). It was brilliant. The site has gardens and ruins to explore, a wall you can walk on and a castle to climb, but we also loved the interactive activities. In the basement, my nephew was wide-eyed at how his voice echoed through the chambers.
Sarah Rose

A wetland wonder in London

Not many Londoners know that there is a real treasure of a nature reserve just 20 minutes from the city centre by tube, perfect for a free family day out. The Walthamstow Wetlands is a protected area in the Lee valley, easily reached via Tottenham Hale station. I often spend a day there with my kids in spring and summer. We make up a picnic together, take a bird guide, a flask of tea and a pair of binoculars each. That, and a sense of curiosity and appreciation, is all you need for a great family day out. My teenagers especially enjoy the circular bird walk, viewing platforms and hides to enjoy unusual wildlife. There are also guided walks and talks about the wildlife.
Nigel

Inspired by a family reading of Laurie Lee’s As I Walked Out One Midsummer Morning, we decided to follow his footsteps and have a walking day in the Cotswolds. It was brilliant. The sweet rolling hills stretching from Broadway to Bourton-on-the-Water are easy on the feet and easy on the eye for youngsters, parents and grandparents alike. The paths are well signposted and straying into little villages like the Slaughters – with their honey-coloured houses, village greens, pubs and tea rooms – is a joy. And don’t miss the National Trust’s Hidcote and Upton House for heavenly buildings, gardens and views over the Cotswolds.
Nicoletta

Be inspired by Isaac Newton in Lincolnshire

The National Trust’s Woolsthorpe Manor (adults from £15, children from £7.50), with its mix of history, science and a great picnic spot, has everything for a brilliant outing. It’s where Isaac Newton grew up and sheltered from the plague, and the house tells this story in a fascinating, family-friendly way. The gardens are a beautiful and peaceful spot to enjoy an ice-cream – next to the famous apple tree, of course. The discovery centre’s activities and experiments are brilliant for budding scientists of all ages. It’s our favourite stop off the A1 – a lovely day out which packs a punch for its small size.
Laura K

A quirky destination in the Yorkshire Dales

The Forbidden Corner (adults from £16.99, children from £14.99, pre-booked tickets only) on the Tupgill Park estate on the eastern edge of the Yorkshire Dales offers a day of mysteries and surprises. We loved exploring its maze of tunnels, secret doors, strange statues and hidden passages. It’s wonderfully quirky and just as entertaining for adults as for children. We also walked round the estate, discovering the herb garden and Fish Temple. We enjoyed a picnic, but you could eat in the cafe or restaurant.
Susanna B

A magical woodland in Gloucestershire

Puzzlewood (adults from £9.90, children from £8.50) is one of our favourite hidden gems in the UK. Within the ancient Forest of Dean, this magical woodland feels as if you’ve stepped into a fairytale. Our children loved winding through the twisting paths, clambering over mossy rocks and discovering hidden corners, while we enjoyed the peaceful atmosphere and spotting TV and film locations. There’s also a small farm, picnic areas and a cafe, making it easy to spend the whole day here. If your family enjoys outdoor adventures with a touch of magic, I can’t recommend Puzzlewood highly enough.
Susanna Callaghan

A country park in Bedfordshire

Rushmere country park in Bedfordshire is our favourite summer day out. Our boys love the woodland play areas and den-building, while the walking trails through the trees are perfect even on hot days because there is plenty of shade. We usually take a picnic and stay the whole day there without spending very much at all. There are wildlife trails, cycling routes and lots of open space for football or games. It feels miles away from everyday life, and is perfect for families wanting an affordable summer adventure.
Nicola Hart

Fruit-picking in Surrey

When my family needs an easy summer day out, we head to Crockford Bridge farm in Surrey to fill our baskets with juicy strawberries, raspberries and rhubarb before rewarding ourselves with homemade gelato from local favourites Gelateria Danieli, served in the Wilding Barn. There are up to 24 flavours – some made using fruit grown on the farm – plus excellent vegan sorbets. Afterwards, the children can burn off any remaining energy in the playground. We leave with sticky fingers, punnets of fruit and the feeling we’ve made the most of a summer afternoon.
Carrie

The Owens family curse strikes again — and this time it’s here for the next generation.

In the new trailer for “Practical Magic 2,” released Wednesday, Sally’s (Sandra Bullock) daughter Kylie (Joey King) learns about her family’s legacy and curse after her paramour is involved in an accident.

“It’s true, we’re witches and the curse is real,” Sally tells a tearful Kylie, who along with her sister (Maisie Williams) grew up being told stories where everyone who fell in love died. But the siblings didn’t believe they were actually cursed.

“I will never trust you again,” Kylie responds.

Directed by Susanne Bier, the sequel of 1998’s “Practical Magic” will follow Sally and Gillian (Nicole Kidman) as they chase after Kylie who has set off to “fix the curse,” which will put her on a dark path. Along the way, the sisters encounter a mysterious “scholar of the craft” played by Lee Pace.

The trailer also offers a glimpse into Sally and Gillian’s present lives — with the latter teasing the former’s apparent lack of love life. It seems Sally is uninterested in tempting the fates since for generations those who have fallen in love with members of the Owens family have been cursed to die. Even after things take a turn with the tragic accident, it’s clear that their sisterly bond remains strong. While Sally seems worried about her daughters inheriting her powers, the clip also hints that there might be some happier times ahead.

Also returning for the sequel are Dianne Wiest and Stockard Channing, who play Sally and Gilly’s aunts Jet and Franny Owens. In the original film, Jet and Fran are the witchy, eccentric aunts who took in their nieces after their parents died. The “Practical Magic 2” cast also includes Xolo Maridueña, who plays Kylie’s seemingly ill-fated love interest, and Solly McLeod.

Written by Akiva Goldsman, Georgia Pritchett and Kelly Marcel, “Practical Magic 2” is based on the 2021 novel “The Book of Magic,” the fourth and final installment of author Alice Hoffman’s “Practical Magic” series.

“Practical Magic 2” will hit theaters Sept. 11.

TOY STORY 5

(PG) 102 minutes

★★★★☆

IT’S more than 30 years since the first Toy Story film changed the way we look at the contents of an old toy box.

And it might seem that after four films — and a pretty dire Buzz Lightyear spin-off in 2022 — that the story of toys could have been packed up and put in the loft for ever.

But, no. There’s always room for another play.

And Woody, Buzz and their motley crew realise there’s a new enemy sucking the imagination out of their beloved children’s minds: Technology.

The film focuses on good old rootin’-tootin’ Cowgirl Jessie (voiced by Joan Cusack), who is favoured by her owner, Bonnie.

DULCIE PEARCE

Disclosure Day is punctured with plot holes and one-dimensional characters

DULCIE PEARCE

There’s plenty in silly, fun Masters Of The Universe to entertain the family

The kid loves nothing more than playing games where Jessie and Buzz Lightyear get hitched.

Sadly, the neighbourhood kids don’t want to join in with Bonnie. In fact, they laugh at her suggestions.

When Jessie goes on a mission to persuade them otherwise, she watches as they all sit staring at devices, like little zombies.

“That’s not playing!” she exclaims. “They’re not even looking up.”

In a misguided act of kindness, Bonnie’s parents buy her a Lilypad (Greta Lee) — a kid-friendly tablet that she can use to “connect” with other children. And, as you can imagine, this does the opposite.

Bonnie becomes addicted to the screen, while shunning her toys, losing her imagination and getting cyber-bullied by the girls in her class.

So, it becomes Jessie and the crew’s job to get her away from the screen and the misery it brings. Which, as any parent will know, is a near impossible task.

There is also another story running alongside it involving a shipment of new Buzz Lightyears trying to find their way to a star.

At the same time, Woody has to be brought into the pack as he’s living on the outside with the rebellious Bo Peep.

The brilliant dynamic between competitive pals Woody and Buzz is hugely missed here — as is Randy Newman’s superb theme tune, You’ve Got A Friend In Me.

This time, Taylor Swift’s original song, I Knew It, I Knew You, is played at the credits.

And Jessie’s relentless energy also becomes a little grating.

However, it’s great to see the gang back together on the big screen, and this outing has enough entertainment and imagination to make sure you won’t check your phone throughout.

EFFI O BLAENAU

(15) 90mins

★★★★★

THIS hard-hitting drama is adapted from Gary Owen’s one-woman play Iphigenia In Splott, which transforms his doomed Greek tragedy character into a working-class woman.

Effi (Leisa Gwenllian) has a bleak life, spending her days drinking vodka from a mug with her mates and eating Pot Noodles in a grim house in the Welsh valleys.

Her joy comes from club nights in Llandudno, where she meets handsome soldier Lee (Tom Rhys Harries) and the pair have a passionate one-night stand.

After he ghosts her, Effi discovers she’s pregnant.

But in the poorly maintained hospital in the poverty-stricken area, an NHS maternity care horror story then changes her life forever.

This Welsh-language film is a breathtaking work by director Marc Evans.

It strikes the perfect balance of grit and heart to make the subject matter compelling.

Gwenllian’s performance as the unpredictable and broken Effi is a masterclass in how to make an initially unlikeable character be- come someone you want to throw your arms around and care for.

FAMILIAR TOUCH

(12) 90mins

★★★☆☆

IN her debut feature film, director Sarah Friedland brings to life a moving story about a woman with dementia who is placed in a retirement community.

We meet clever, stylish Ruth (Kathleen Chalfant) as she’s making a delicious meal with immaculate precision. Yet at one point, she pops a piece of toast on to the dish-drying rack.

Her son then arrives – whose name she needs a reminder of – and she wonders about his profession and acts as though they may be on a date.

But he is there to take her to an assisted-living home.

Ruth has significant short-term memory loss, though she can still reel off the recipes with precision.

She enters with little protest, apart from telling the carer, in front of her son, that she never wanted children.

Chalfant’s performance is brilliant and has none of the clichés of the elderly.

Ruth is still a sassy, flirty woman who really knows her own mind even though it is betraying her.

This gentle film has a slow pace and the long, silent scenes often ask a lot of the audience – and there’s no rush in unravelling the story.

But its subtle characterisation makes it compelling and somehow uplifting.

Six Flags Magic Mountain wants to change its narrative.

Known as a destination for thrill seekers, the coaster-heavy amusement park is putting the emphasis on its animated characters.

Now open is a revamped, kids-focused area in Looney Tunes Land, a remake of the former Bugs Bunny World and Whistlestop Park. All told, it’s a 5-acre space with nine rides, including two kiddie coasters, as well as still-to-come play areas, a live show and an in-development augmented reality experience.

I last walked through the area about two summers ago, and it was in a derelict state. I’m happy to report it’s more welcoming, prettier and dotted with plant life and landscaping.

Gone is the vintage Magic Flyer, once Magic Mountain’s oldest coaster (the park’s eldest thrill seeker is now Gold Rusher). Also among the casualties: Tweety’s Escape, a steel swing that placed children in birdcages that had begun to look like mini jails. It was a grim-appearing ride.

The remaining attractions have all received some much-needed TLC. Some even have added mini storylines. What was Whistlestop Train, for instance, is now Taz’s Tasmanian Train Tours. It follows a narrative in which the ride’s titular character has escaped the zoo and is eluding capture, generally causing havoc on the countryside. It’s a calm, slow-moving ride through a small green space, and we see failed attempts to trap Taz, such as an overgrown mice contraption. The ride concludes with a mechanical not-so-hidden Taz, but not before glimpsing a statue of Tasmanian She-Devil in full kiss mode.

A look into the Bugs Bunny-focused area of Magic Mountain’s new Looney Tunes Land.

(Myung J. Chun / Los Angeles Times)

The reimagining comes two years after Six Flags Entertainment Corp. and the Cedar Fair Entertainment Co. completed a merger, which in SoCal brought Magic Mountain and Knott’s Berry Farm under the same ownership. Six Flags’ corporate creative producer Clayton Lawrence says post-merger, the company pinpointed upping the family appeal at Magic Mountain as among its first orders of business.

That meant last summer devoting resources to improving the Hurricane Harbor water park, which Lawrence says specifically attracts families and grandparents. This year, attention was turned to the primary park in Looney Tunes Land.

“We really thought about what this park needs,” Lawrence says. “What will the parents need? How do we slow the guests down a little bit? This park has so many thrills in it — so many coasters — that we wanted to create a place that was nice to take a break from all the action and also develop areas where grandparents and parents could watch little ones burn off energy.”

It’s safe to say that Magic Mountain’s core audience is likely always going to be thrill seekers. And that fan base will be served next year with the planned opening of a new coaster that will overlook the Looney Tunes area.

The kiddie coaster the Road Runner Express at Six Flags Magic Mountain.

(Myung J. Chun / Los Angeles Times)

Magic Mountain attracted 3.3 million visitors in 2024, according to data released by the Themed Entertainment Assn. While Lawrence was not able to break down which percentage of that number included those traveling with children 12 and under, it’s safe to say that a greater family appeal is viewed as one of the ways to boost a SoCal audience.

“There’s a lot of people who grew up coming up here, or their first ride was inside Bugs Bunny World,” Lawrence says. “A lot of families have a daredevil teen who can go on the rides, but they also have a little one. This is about the multi-demo family.”

Looney Tunes Land is broken into four mini areas — Taz-Mania, Road Runner Ridge, Bugs Bunny Play Park and Camp Duck Amok. While there are no major distinctions between the spaces, there are slight differences. Taz’s footprints, for instance, are found in the gravel-colored pavement of Taz-Mania, and in the Daffy Duck locale the flooring looks a bit like rockwork. A small outback-like trail in Taz-Mania will soon be home to an augmented reality game, and a much-needed green space in the Bugs Bunny spot will later this summer be populated with tunnels and little climbing structures.

Asqwer Turki, 13, poses for a picture with Wile E. Coyote at the new Looney Tunes Land at Magic Mountain.

(Myung J. Chun / Los Angeles Times)

There are fun additions to spot on the refreshed rides. The Canyon Cruiser beginner’s coaster, for example, nods to classic Looney Tunes cartoons, specifically prank-filled episodes featuring Daffy Duck, Bugs Bunny and Elmer Fudd. The children’s theater has been remade into Bunny Bowl, and given giant carrots that call the attention of guests.

Such light thematic touches, said Magic Mountain President Brian Oerding, have been missing from parts of the park. They’re vital, he says, in lengthening a guest’s day.

“We’ve learned that softening the hardscape creates a better environment, a better experience, and that means you’re going to want to hang out more,” Oerding says. “Some folks will walk by black asphalt and not think anything about it, but when you look into Looney Tunes Land, and you look at the softness of the pavement and the additional landscaping, we’ve created a happier space. Mom and Dad are happier, and that means they’ll hang out longer.”

Mountain Park President Brian Oerding officially opens the new Looney Tunes Land at Magic Mountain.

(Myung J. Chun / Los Angeles Times)

Looney Tunes Land has also given Magic Mountain some much-needed in-park entertainment, as the area has been lacking a live show for a number of years. “Vacation Mayhem” comes in at just under 15 minutes and features Bugs, Daffy, Porky Pig and Sylvester imagining their perfect getaway spots in song.

Things go wrong, of course, and Bugs even explores some vices by gambling in Las Vegas, which was an odd choice I thought for a kids show, but Looney Tunes did always have a bit of an edge. Nevertheless, the musical numbers, ranging from reworkings of “The Gold Diggers’ Song (We’re in the Money)” to “Hello Muddah, Hello Fadduh (A Letter From Camp)” keep it zipping along.

“If we don’t believe that entertainment and character shows are important, we’re missing it,” Oerding says. “Yes, the rides are cool, but we haven’t done an actual entertainment show in here in a long time.”

And Lawrence says Looney Tunes is essentially a model for the entire park. No, that doesn’t necessarily mean more kiddie rides in the coming years, only that Six Flags is looking at other places where the park can use some beautification.

“This is what we want to do for the rest of the park,” Lawrence says. “Disciplined design. Nice hardscape.”

And here’s hoping for some more plants and an additional fountain or two.

This week in SoCal theme parks

Alexis Rosales of Bell gets drenched by Luke Brodowski, performing as Fluke Mayfield at Knott’s Berry Farm’s Ghost Town Alive! in 2024.

(Allen J. Schaben / Los Angeles Times)

• It’s the most wonderful time of the year. Knott’s Berry Farm begins its summer season on Friday, and that means the return of Ghost Town Alive! This interactive live show, now a decade old, is unlike anything at any other SoCal park, and in my mind it’s the best summer entertainment available. This hybrid live-action role-playing game and work of interactive theater enables guests to live out mini-Wild West adventures while interacting with more than two dozen actors. Players follow a loose story centered on the drama in the fictional town of Calico, in the park’s Ghost Town area. It’s silly, it’s wacky and there’s even a daily newspaper. Ghost Town Alive! runs on select days, and I’ll see you there Friday.
• World Cup, Lego Style! Carlsbad’s Legoland is celebrating the arrival of the World Cup with a host of limited-time activities and Lego creations. The park, for instance, has built a 30-foot-long re-creation of SoFi Stadium, and elsewhere has created brick versions of a host of soccer stars. There are interactive events as well, such as accuracy challenges and games that have attendees trying to score goals off of Lego minifigures. Legoland’s FIFIA World Cup Experience 2026 launches Thursday and runs through July 19.
• Oogie Boogie Bash tickets drop — and a Haunted Mansion street parade? The Disneyland Resort’s popular after-hours event Oogie Boogie Bash returns Aug. 18, and tickets for Magic Key passholders go on sale June 16 (the general public sale is June 18). New this year to the Disney California Adventure experience is what the resort is calling “Madame Leota’s Swinging Wake.” Though not a full-scale parade, expect Haunted Mansion characters — the concept art shows floats of the attraction’s “stretching room” portraits — as well as ghostly dancers. But with something new, something must depart. “Madame Leota’s Swinging Wake” is replacing the “Frightfully Fun Parade.” Ticket prices vary by day, starting at $139. October dates, for instance, top off at $199.
• “Harry Potter” will hover above Dodger Stadium. A theme park-like drone show is arriving Saturday at Dodger Stadium. More than 1,200 drones will soar over the park as part of a “Harry Potter”-inspired production, which will also feature music, trivia and an appearance from the film’s Bonnie Wright (Ginny Weasley). Expect re-creations of “Potter” iconography such as Hogwarts Castle, magical creatures, the Sorting Hat and more. The hourlong show begins at 9 p.m. and Butterbeer will be on hand. Tickets start at $52.90 for adults.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Last week I put out a call for Disneyland fans to share their Carousel of Progress memories. The theater attraction, centered around a rotating auditorium, debuted at the 1964 World’s Fair before making its way to Disneyland in 1967. It was moved to Florida’s Walt Disney World in 1975. The Walt Disney Co. announced recently that the Florida version would be undergoing a top-to-bottom overhaul, but its dedication to technological optimism throughout the decades would remain.

I’m thoroughly enjoying the remembrances. Many cited it as a favorite. “My father was a musician, and it became a family tradition that we’d sit in the back row and sing ‘[There’s] a Great Big Beautiful Tomorrow’ loudly at the top of our lungs from the very beginning of the ride, which I’m sure newcomers thought was weird and probably annoying,” wrote one reader. Another noted, “The mid-60s were exciting years to be a kid, as the future seemed so promising and exciting; the [Carousel of Progress] plugged right into that enthusiasm.”

Many shared similar sentiments. “The animated activities of the characters and their dialogue embraced the ‘Happiest Place on Earth” theme that was prevalent throughout Disneyland in those earlier days,” said one fan. A few, however, called out that the attraction was sponsored by General Electric, making it feel a bit like an advertisement. As one reader summarized: “It was incredibly clunky product placement, even to a kid’s ears.”

Formula One racing sensation Kimi Antonelli made a mockery of suggestions that the Monaco Grand ⁠⁠Prix would stall his incredible start ⁠⁠to the season by producing a stunning qualifying lap to stick his Mercedes on pole position.

The qualifying battle lived up to expectations, with provisional pole changing hands several times before the 19-year-old championship leader snatched it with his ⁠⁠final lap on Saturday.

He edged out Red Bull’s Max Verstappen by 0.043 seconds to become the first Italian since Jarno Trulli in 2004 to take pole position in the principality.

“It was one of those laps that we call a magic lap. I was able to put it all together. It was such a close ⁠⁠qualifying with Max,” Antonelli, who clocked 1:12.051 (1 minute and 12.051 seconds) to claim his fourth pole in six races this season, said.

“I knew the last lap was good; I was just hoping that it would be enough, but it was very close.”

Antonelli is the youngest driver to lead the championship, having won the last four races, but the unique nature of Monaco’s twisting circuit, full of slow corners, was supposed to take away the Mercedes power advantage.

Ferrari pair on second row

Ferrari have been strongly tipped as ‌‌race favourites but had to be content with the second row on Sunday’s grid, with Lewis Hamilton third quickest, 0.228 seconds slower, and local favourite Charles Leclerc, winner of the race in 2024, fourth.

Leclerc had been on provisional pole with time running out in Q3 – the third and final session of qualifying – but clipped the wall on his final lap as he tried to wrestle it back, stopping his car at Rascasse.

Ferrari dominated Friday’s two practice sessions, with Hamilton and Leclerc first and second in both, although Antonelli was quickest in Saturday’s final practice.

“Congrats to Kimi. Mega, mega job. Having your first pole here is so special,” three-time Monaco champion Hamilton, who is yet to win a race for Ferrari, said.

“It was tough for us. We were looking so strong in practice, and ⁠⁠we barely changed anything, but the car was drastically different once we got to qualifying for some reason.”

Isack Hadjar, in ⁠⁠the second Oracle Red Bull, bounced back from a nasty crash in Friday practice to qualify fifth, with Antonelli’s teammate George Russell, who trails him by 43 points in the standings, a disappointing sixth.

Reigning world champion and last year’s Monaco winner Lando Norris will be on the fourth row alongside fellow McLaren driver Oscar Piastri, with the team’s hopes of victory in ⁠⁠their 1,000th Grand Prix now looking slender.

‘The walls start coming closer’

Antonelli finished 18th and last at the Monaco Grand Prix 12 months ago, and he was expected to feel the pressure of leading the standings on his return.

But he ⁠⁠now has a golden chance to continue his dream start to the season by emulating Trulli, ⁠⁠who converted his pole into a victory in his Renault in 2004.

“I think this is one of the most intensive, if not the most intense, qualifying sessions of the year, and it takes a massive effort,” he said. “When it is about finding the last two tenths, it is not easy because the walls start coming closer.

“But I felt great this morning, and I am happy that we ‌‌could finish the job today.”

Of the last 22 Monaco Grands Prix, only six have been won by a driver who did not start on pole, such is the extreme difficulty of overtaking on the narrow, twisty circuit that snakes round the stunning Mediterranean playground.

The last three editions have all been won by the ‌‌top ‌‌driver in qualifying, but Hamilton did win from third on the grid in 2016, and with Verstappen showing great speed here this year, Antonelli will be taking nothing for granted.

“If you would have told me yesterday I would be on the front row, I would have taken it,” Verstappen said.

A site of big changes, the Music Center has become farewell central. Alongside the Gustavo Dudamel hullabaloo at Walt Disney Concert Hall, James Conlon has begun his final appearances in the Dorothy Chandler Pavilion as music director for two decades of Los Angeles Opera, with his own signature form of enchantment in Mozart’s “Magic Flute.”

The silent-movie panache of Barrie Kosky’s production, which opened Saturday night at the Dorothy Chandler Pavilion and runs through June 21, is on its way to becoming a perennial. This is the third revival since L.A. Opera first staged it in 2013 — all four times with Conlon in the pit. The production operates like an operatic graphic novel and live animated film charmingly all in one. The scene is a giant movie screen broken up in sections and upon which is projected witty, fantastical background animation, while the characters are the live singers, dressed as though silent film stars.

The orchestra plays Mozart’s score as though it were, as orchestras did in the old days, accompanying a silent movie but to radically different effect. Fulgurous cinematic spectacle may immerse your attention, but the opera’s essence is transferred from the stage to the pit. The singers, meanwhile, function to an unusual degree as choreographed characters in a cartoon, leaving little opportunity for body language, allowing, instead, individual expression almost exclusively to their voices.

In Mozart’s opera, Tamino, a prince in a fairyland of mystic temples and mystifying gods, relies on his supernatural flute that turn sorrow into joy to get him out of jams. The genius of Kosky’s singularly musical production is that it magically makes the orchestra itself a compendious magic flute. It more than ever becomes an agent of delight.

That is where Conlon comes in. He has, while leading L.A. Opera for 20 seasons (half the company’s existence), served as an advocate for the core operatic repertory — notably Mozart, Verdi and Wagner — much of it little heard in our late-blooming former operatic desert. He has also been an international champion of his “recovered voices” project, salvaging the neglected operas of composers in the first half of the 20th century who were silenced by Nazi Germany.

“The Magic Flute,” one of the world’s two or three most popular operas, needs no such patronage. Written at the end of Mozart’s life as a popular entertainment, its a singspiel, or sung play. As a proto-Broadway musical operatic genre of spoken word and musical numbers, it appeals on all levels. The fairy-tale libretto is child-friendly. Mozart’s score is tune heaven.

The troublesome Queen of the Night dazzles with high notes that shoot out like daggers. The main lovers, Tamino and Pamina, are lyrical wonders. The comical bird-catcher, Papageno, is everyone’s darling. The domineering Sarastro, an all-powerful priest, bellows spiritual profundities. But if you start digging under the surface, deeper than the symbolic Freemasonry and all, you may never find bottom.

The opera begins with three ceremonial chords in the orchestra that signal a brief, sober introduction quickly undercut by an exhilarating fast-forwarding overture. Those three chords can be made to mean many things. Often, they come across as commands by an orchestra to sit up straight and pay attention. They may be dignified or downright quirky and playfully no big deal, just a here-we-go.

Conlon handles them as a sweet, perfectly tuned, almost amorous invitation to pleasure, implying this will be a genial, gracious, laid-back “Flute.” Among his accomplishments in L.A. has been to make the opera’s orchestra capable of producing just such velvety, flowing Mozart, as well as terse, tight theater.

Here, Conlon offers a lesson in the kind of leadership generally lacking in modern society, by simultaneously staying out of the way yet being at the essential center of things. Depth here is not announced, but the care of phrasing implies that there is more to everything Mozart is saying than first meets the ear, that, under it all, the “Magic Flute” is not fantasy but a spiritual lesson in morality.

Many in the cast, this revival, are young singers, not yet well known and new to the company. Sydney Mancasola and Miles Mykkanen, as Pamina and Tamino, are likable, lyric lovers. Kyle Miller catches Papageno’s vulnerable charm. Aigul Khismatullina, Queen of the Night, impresses with the silvery pricks of her high notes, while Kwangchul Youn’s Sarastro, unsteady in middle register, takes on weight at the bottom of his bass. Zhengyi Bai’s lustful Monostatos, disguised in the production as a hammy vampire, almost steals the show a time or two. The Three Ladies and Three Spirits provide vocal allure.

One of the evening’s most theatrical moments, though, came after the music stopped when what sounded like a gun interrupted curtain calls. But as if rescued by a magic flute, an instant of fear turned to joy, glittery gold graffiti filling the Chandler and celebrating Conlon.