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Brandon Flowers stands onstage at the Ford Theatre wearing a sharp black suit and a bejeweled bolo tie and tells the audience about his cousin Bobby’s job parking cars in the 110-degree heat of the Las Vegas Strip.

“That was gonna be me in another life, only my big plan was to work at the Bellagio,” he adds. “Nicer place, more tips.”

As the frontman of the Killers, Flowers, 45, has spent more than two decades singing about the struggles and the temptations at the heart of the American dream. But on his new solo album, “Thrasher,” he trades the Killers’ gleaming, synth-laced rock for the crackling sound of hand-played country music.

He cut the LP at Nashville’s historic RCA Studio A, where country giants like Dolly Parton and Waylon Jennings once worked; not only that, but to accompany him he recruited veteran session players including David Rawlings, Bruce Bouton and 85-year-old Charlie McCoy, who played harmonica on George Jones’ immortal “He Stopped Loving Her Today.”

Yet for all its old-school country cred, “Thrasher” also emphasizes Flowers’ roots as a Vegas showman — his tremulous croon, his go-for-broke emotion, his almost preacherly understanding of how to take a crowd up (and up) and how to take it back down. Think Glen Campbell or Donny Osmond.

“Or Wayne Newton,” says Rawlings with admiration. The guitarist, known for his long collaboration with Gillian Welch, performed with Flowers at July’s Newport Folk Festival. “It’s really thrilling to see the way he inhabits this stuff onstage,” he adds. “I have such incredible respect for anybody who knows how to entertain at that level because it’s an absolute gift — and it’s really hard work.”

Flowers, who grew up in Las Vegas and Utah and who shares three sons with his wife, spoke about the album in his dressing room last month a few hours before the Ford show. A sequel to “Thrasher,” recorded during the same sessions, is due out next year.

The Nashville OGs who played on these records — do you think they were impressed by you?
I think they were refreshed. I think they didn’t quite know what they were getting into and were pleasantly surprised.

For you, it was a different way of working, right? These players are artists. But it’s also just another day on the job.
You feel that: “Charlie’s got to leave at 4 to go to the Opry.” He still gets his licks in.

I wonder what it would’ve sounded like to cut 10 Killers classics with this band.
Probably like the Traveling Wilburys or something. The second album has some of that DNA. This one was more of a narrative album — a lot of stories. The other one, it’s more in the romantic realm. I’m excited to get it out. I have another one cooking.

A third album?
Well, because they’re so efficient. It’s opened up a door for me that I feel like I’ll always be able to explore. If I have 10 songs, I can go to Nashville for five days and cut the whole thing. We do two songs a day, no problem.

You’ve said there’s this idea in rock music that making an album needs to feel like climbing a mountain.
I blame it on U2. You don’t feel like you’re doing it right if you’re not doing that. We really went into that on “Sam’s Town” — we climbed Everest, man. When we finished “Sam’s Town,” I remember the last day — it was like 6 in the morning, the sun was up and we were finally done. What a relief it was.

Now the veil has been lifted.
It doesn’t have to be like that.

Did you get a feel for Nashville as a town while you were there?
I got a breakfast spot: Cafe Roze. I don’t want to blow it up too much because I want to be able to get in. But you know Cafe Stella in Silver Lake? They used to have my favorite breakfast in the world: sourdough, soft scramble, prosciutto and Parmesan. And they have that exact thing at Cafe Roze — it’s like I’m transported back. I could eat it every day with a side of avocado.

“Thrasher” follows a number of country excursions by rappers and pop stars. Do you have any anxiety about being seen as a carpetbagger?
No, because I’m not trying to bulldoze my way into the world and open a bar in Nashville. This is an authentic part of myself — I have an education in this music. People have a lot of preconceptions about country music, especially lately. Everyone says the same thing: cold beer, dirt road, Friday night. But there’s such an art to the tradition — it’s a soulful artistic endeavor. I’m trying to come at it from that angle.

What’s your relationship with modern country music — Morgan Wallen and Miranda Lambert and the like?
I don’t have one. It’s more people that are on the fringes, I guess — Jason Isbell or Sturgill Simpson. I got Sturgill’s guitar player because I was a fan of that stuff.

Before I heard “Thrasher,” I expected kind of a stripped-down Isbell vibe.
I could see him doing “In a Heartbeat” or “Miss America.” But once we got to Nashville and got the guys in the room, it just got a little more pep in its step.

Does being embraced by the Nashville industry feel like a reasonable goal?
That’s a whole other nut to crack. You hear stories about Dwight Yoakam having a tough time — and he brought some heat. Or John Prine just because he was from Illinois and not from further south. I’m not gonna go on a campaign to prove how worthy I am.

You’ve been dinged by people who think you’re putting on an accent on this record.
I feel like this is more how I speak than maybe they’re accustomed to. I don’t know, I might’ve leaned in a couple times. There is a Utah accent — it was something I was embarrassed by when I was younger. But now I’ve lived there 16 years of my life total, so it just starts feeding its way back in.

Is your vocal approach different for country than for rock?
There’s more quiet in these songs — more room for the story to be told. In the rock band, I’m competing — everybody wants to be heard — whereas this one, there’s this beautiful thing where the guys don’t mind being in the background. They want to frame the picture, and I’m the picture.

Did you find yourself making more of an effort to enunciate?
I’ve always been cognizant of that. Just today, there was a band — I won’t say who it was — but I was interested in hearing their new thing, and I didn’t understand a word until the chorus. I was rooting for the guy the whole time, but it’s like: How can I fall in love with this if I don’t know what’s happening?

Brandon Flowers performs last month at the Ford Theatre.

(Rob Loud)

Got some questions about specific songs. “One of Us” is about your brother-in-law, which made me realize how few people write songs about their in-laws.
He passed away unexpectedly a few years ago. You know, I’m the youngest of six, and he married my oldest sister. She’s 17 years my senior, so when they got married, I was a kid — he became my big brother and was a masculine figure in my life and all that. There’s your family and then there’s your found family, and he’s part of my found family. I wanted to honor him, and this is my way of doing it.

I assume your sister’s heard the song.
Oh yeah. A lot of those moments happen on this record where I had to play the song for the person, and you just can’t help but be brought closer together. You’re taking part in their grief but we’re also celebrating him. It was beautiful.

“Miss America” is about another one of your sisters.
The one next in line.

She’s addressing an abusive ex, and you sing it from her point of view — from a woman’s perspective.
It just started like that. I don’t remember a moment of thinking: Am I gonna do this from the outside or am I gonna step into her shoes? Maybe it’s something to do with that Tom Waits song [“Christmas Card from a Hooker in Minneapolis”] — something about that maybe gave me permission.

Did you play “Miss America” for that sister?
It felt like the gentlemanly thing to do. If she’d said no, I would’ve been heartbroken because I think “Miss America” is gorgeous — I’m really proud to be part of it. But I would’ve honored her wishes.

In “An American Dream,” the point of view seems to keep shifting. At one point I think the narrator becomes Elvis Presley?
Chorus 1, I’m singing with this man that used to give me cigars and tobacco when I was a kid — we’re singing it together. Giving a 13-year-old Red Man tobacco — there was nothing shady about it, or nothing too shady — but it was still a wild move. Then Chorus 2, Elvis and I are both singing — I see it that way.

Which era of Elvis are you envisioning?
Whenever I think of him, I think of him in ’68. Nobody’s ever looked that good — it’s not fair.

You’re known for your flights of lyrical fancy: “Burning down the highway skyline in the back of a hurricane,” for instance, from the Killers’ “When You Were Young.” Did country music allow for those flourishes?
Verse 2 of “Does It Ever Cross Your Mind?” is a great example: “I could’ve been born in Bangladesh but I wasn’t / I was born here with just enough jelly beans in my basket to ask you to go wishing on a star.” That’s fun.

In “An American Dream” you say, “We blew through starlight on bricklayers’ knees.”
We’re performers, and we’re here to entertain you. But we’re working-class men, me and Elvis.

Some of these lines get at this crucial point that I think your music makes, which is that pageantry and sincerity can coexist.
I think people get confused a lot — they might look at a line like the one you just talked about and think it’s total bulls—. It’s annoying to me to read a review and see where they just don’t get it — and they think they’re the smart one. I saw someone talking about my tropes, and they brought up the Bangladesh line. I thought: What are you talking about? That’s the most left-field line.

You’re challenging the listener to accept that over the top doesn’t necessarily mean phony.
It’s so American to be over the top and to still have substance. That’s the chorus of “An American Dream”: “Gold and silver / God and glitter.” I guess I’m trying to spoon-feed it there a little bit.

Plenty of Killers songs involve people making bad decisions. How do you think about the degenerate’s place in country music?
It’s funny how people aren’t quite familiar with how wild it was. The same person in me that was excited about old Depeche Mode stories still gets excited about old George Jones stories. And a part of me yearns for that. But I keep it under wraps.

Your oldest son is 19, which means you became a dad at a fairly young age.
It was just par for the course. I grew up in an LDS family — my sisters were having kids when they were 17 and 18. So having Ammon at 26 — that was the oldest anyone had had their first child in my family. They were like, “Brandon might be gay.”

How did you reconcile the rock star and new dad halves of your life?
It sort of gave me a direction early on because I was a little bit teetering in those days. Who’s ready to have this wild fame brought on them at such a young age? We weren’t the Beatles, but “Hot Fuss” and “Sam’s Town” were really successful records — we went straight to arenas. It was tough to navigate, and family gave me an anchor.

Do you hear before parenthood and after parenthood in your music?
There’s a song called “Be Still” on the fourth record — a song to the kids. But I don’t know if the writing changed that much. Everybody was getting older in the band, so whatever happened, you can’t place the blame just on me.

MICK Jagger’s granddaughter Amba Jackson, 30, has revealed she was “taking a lot of drugs and being a borderline alcoholic” while she was at university.

Amba is the daughter of Jade Jagger, 54, and her former partner, artist Piers Jackson.

In her debut Substack post, artist Amba wrote: “I went to University to study Fashion Design in New York because, at 19, I wanted to be Edie Sedgwick in Factory girl.

“I was taking a lot of drugs, and the school was easy to get into.“

Amba, who was struggling to cope with life at the prestigious Pratt Institut, continued: “‘For a highly sensitive, neurodivergent, mentally unstable, borderline alcoholic adolescent.

“Who wanted to spend a significant amount of time getting drunk and chatting sh** with her equally unstable friends, keeping up with schoolwork was challenging.

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“I felt completely broken by the expectations and couldn’t understand why I seemed to struggle so much more with tailoring than my peers.”

However, in a 2015 Harper’s Bazaar interview with her family, Amba was described as academically successful.

Her older sister Assisi Jackson, 34, said Amba was ‘working her socks off’ at Pratt.Institute

But, Amba has now said she had been struggling with feelings of shame and inadequacy at the time.

She explained: “Looking back, I realise I convinced myself that I was superior to all my classmates to avoid the experience of belonging to the group, and to cope with copious amounts of shame.

“I adopted the identity of cool and aloof, mature and slightly messed up English girl, who lived off campus and did her own thing.”

Amba eventually found an outlet for her passion while spending two years working with experimental artist and fashion designer Susan Cianciolo in Brooklyn, where she helped make clothes, quilts, collages and dolls.

At first she struggled to understand Susan’s unconventional approach but she eventually came to see the studio as a place where the sensitivity she had tried to conceal could be expressed without judgment.

And now Amba is now hoping to create a similar environment in South Devon.

She says she is seeking planning permission to convert stables on her land into a community art centre, following six years studying art therapy.

ATLANTA — Who would you rather have starting an October game for the Dodgers than Yoshinobu Yamamoto?

No one, right? And you wouldn’t be the only one thinking that.

Tarik Skubal thought so too.

When Dodgers manager Dave Roberts told Skubal he would start the team’s playoff opener, Skubal responded with a question.

“Why?”

Skubal was honored with the assignment, but he also was worried.

“I was like, ‘Is Yoshi OK?’” Skubal said Tuesday.

He is, as the Atlanta Braves found out the hard way. Yamamoto pitched the Dodgers to within one game of the National League Championship Series, setting a postseason high with 10 strikeouts in a 3-1 victory.

In seven innings, Yamamoto gave up one run on four hits, all of them singles. In only one of those innings did Atlanta advance a runner beyond first base.

“I just have a lot of respect for him and for what he means here in L.A. and what he has accomplished here,” Skubal said. “I know we have a lot of good starting pitching, and I know there is a lot of thought that goes into it, but I just assumed he would be the Game 1 guy.”

You could say Yamamoto rises to the October occasion, but Mookie Betts would not say that, if only because Yamamoto rises to the occasion on just about every occasion.

“I don’t see it any different,” Betts said. “I think he does it all year, too.

“He just has so many weapons. He throws a lot of strikes with a lot of pitches. He’s hard to hit.”

Skubal, a two-time Cy Young winner, is brilliant in October.

In seven postseason appearances, he has a 1.97 earned-run average. He gave up five runs in one inning, and he has given up five runs in the other 44⅔ innings. The Dodgers’ grand prize from the trade deadline was hardly a reckless choice to start Game 1 of the division series.

Yamamoto has a 2.14 ERA in 11 playoff appearances, the fourth-lowest of any pitcher since 1903 to make at least 10 postseason starts. He drains the life out of an opposing crowd as well as anyone in major league history, with a 1.42 ERA in six road playoff outings.

“I’m a fan of this game as much as I am a player,” Skubal said. “So, when I watch guys do really impressive things and do great things, I understand what it takes because I also play the game.

“When he goes out and performs like he does, it’s almost like I expect it. And now, being a teammate of his, it’s not surprising at all why he goes and performs like he does, because the way he prepares is as good as anybody in this game. It’s just a ton of fun to be on the same side of it.”

Yamamoto admitted to feeling nervous, even if you would never sense it from watching him. That’s part of the way he prepares, too.

“During the preparation and before the game, then I do get nervous,” Yamamoto said through an interpreter, “but at that time, I personally think that’s very important.”

And then the game starts, the nerves dissipate, and the opponent is methodically slayed.

“He just has a way to just make pitches, calm his heartbeat,” Roberts said.

Highlights from the Dodgers’ 3-1 win over the Atlanta Braves in Game 3 of the NLDS.

The Dodgers have played seven postseason series with Yamamoto, and they have won them all.

We’ll always cherish last October. In 76 regular-season starts with the Dodgers, he has one complete game. In back-to-back starts last October, he threw a complete game both times.

Of the Dodgers’ four victories in the World Series, Yamamoto earned three — including Game 6 as a starter and Game 7 as a reliever, with no day of rest in between.

“I got goosebumps watching that,” Skubal said. “I didn’t know how he was doing it. That’s what I was thinking: How is this going to work?

“His stuff looked even better than it did in Game 6, which is insane to say. But it did. When I was watching on TV, I was like, ‘Holy … he looks better today than he did yesterday, and he did pretty well the day before.’ It’s incredible.

“Hopefully, we’re not having to do that again to him.”

That is one big reason why the Dodgers acquired Skubal. If Tyler Glasnow wins Wednesday — and the Dodgers won in all six of Glasnow’s postseason appearances last October — they are off to the NLCS.

The Game 1 starter could be Skubal, followed in Game 2 by Yamamoto. That’s a tall order for opposing batters and, so far, a winning order for the Dodgers.

ATLANTA — When Edwin Díaz envisioned his first season with the Dodgers, it looked nothing like this. He was going to stay healthy all year, pitch like an All-Star. He certainly was going to throw in more than 21 regular-season appearances.

A slew of injuries, with mechanical issues layered on top, had other plans. But everything resets in the postseason. And against the odds, the right-hander is back in the closer conversation.

“It means a lot,” Díaz said in a conversation with the Times Monday. “Because I was nowhere, basically this season. They gave me the last week and a half of the season to come and pitch. And I was ready every day.”

If he can keep pitching the way he has since returning from the IL in September, it’ll strengthen the Dodgers’ chances at a three-peat. They went into the postseason with a closer-by-committee approach. But manager Dave Roberts said before the Dodgers’ workout at Truist Park on Monday that they could get to a consistent closer by the end of the postseason.

“Certainly that last outing was as good as we’ve seen him throw, and it’s hard to imagine throwing any better,” Roberts said of Díaz’s perfect inning against the Atlanta Braves Sunday, which included three fastballs over 100 mph. “We built him up, regained the confidence in himself. So, I think that it’s certainly a viable option for [Tuesday] night. I feel very confident [with] him finishing a game.”

Though his first postseason outing for the Dodgers was in the sixth inning of Game 2 of the National League Division Series, Díaz has been mainly in high leverage in his playoff career — he owns a 2.19 ERA in nine postseason appearances. The former Mets closer even recorded a four-out save at Dodger Stadium in Game 2 of the 2024 National League Championship Series.

“I don’t try to think, ‘Oh, there’s many thousands of fans here,” he said. “Just me against the hitter, and I trust myself. And like I always tell myself, ‘You are a warrior, you are you are the best, and go and compete.’”

The Dodgers’ closer situation has been in flux all year. They had signed Díaz to a three-year, $69 million contract with that role in mind. And even when he missed three months for arthroscopic surgery to remove loose bodies from his elbow, and lefty Tanner Scott took over in the ninth inning, the spot was open for Díaz when he returned.

That was not the case after his second IL stint. And it was during that month-long road back that he finally re-found himself on the mound.

“I was like this maybe in the [World Baseball Classic] and first couple games early in the year before I got hurt,” Diaz said. “But now I feel way better than everything. So I think this is the best I ever felt this year.”

The process started with treating his neck. Díaz was feeling tightness around the front side of his right trapezius muscle, which could have contributed to Díaz dropping his arm angle. He received medication and needling therapy to address the issue, he said.

Trainers used manual manipulation to find Diaz’ ideal arm slot and build muscle memory, and he was quickly cleared to resume throwing.

“I’ve been doing that for so long, I just lost it for a little,” Díaz said of his arm angle. “And we’ve got a really good group of coaches right here, and they found it right away.”

Díaz began a rehab assignment with Triple-A Oklahoma City in early September. But it wasn’t smooth sailing. In his fourth outing, Díaz issued three walks and surrendered five runs in just two-thirds of an inning.

“I got mad at myself because I knew I was better than that,” Díaz said. “I wasn’t able to control my fastball. So after that game, I talked to the pitching coaches in Triple-A to say, ‘We need to find something because I want to be back in the big-leagues, I want to help this team to win.’”

They dug into Díaz’ biomechanics and found that his hip position was different from last year. When he’s right, Díaz explained, his leg lift starts with his hip. But he’d begun to rush the move, which caused his arm to lag behind.

He threw a bullpen with the adjustment and then took it into one final rehab appearance, a one-hit outing.

“I told the team, ‘I’m ready to go,’” Díaz said.

He sure was. Díaz posted a spotless ERA in six games down the stretch, limiting opponents to one hit combined. And that success carried into his Dodgers postseason debut.

“He’s put himself in a position to be the closer,” Roberts said. “And in October, I don’t pay too much attention to the long sample of a season in a lot of cases because in October things happen quickly, and you’ve got to be willing to read and react.”

For Díaz, the season may not have gone as planned, but his vision of the next few weeks is as clear as ever. He wants to record the final out of the World Series.

“I know how to control my emotions,” he said. “I learned that during my career, and I’m pretty good at that. I just can’t wait to be in that position, and if I’m in there, I will give my 100%.”

Welcome back to the Times of Troy newsletter, where I, like many of you, can’t help but wonder: What’s going on with Jayden Maiava?

As USC’s quarterback kneeled out the final seconds of an unsatisfying win over Washington on Saturday, he didn’t waste any time celebrating on the field. Maiava spotted an NBC camera trained on him, turned toward the Coliseum tunnel and took off.

The camera followed Maiava and caught USC sports information director Katie Ryan sprinting to reach him. But even after Ryan caught up to the quarterback, Maiava barely broke his stride. He just kept running, the first one up the tunnel, while his Trojan teammates remained on the field.

It was a strange moment, after a game of strange moments for Maiava. And it certainly was not the sort of body language you want to see from your starting quarterback and team leader. Let alone after a win.

It didn’t get much better afterward, when USC trotted him out for the team’s postgame news conference. Maiava was asked about not being able to get into a rhythm. And he proceeded to answer a question that seemingly wasn’t asked.

“Just being able to trust it, fall back on routine plays,” Maiava said.

That’s not new for Maiava, who has often avoided any questions that he doesn’t want to answer by using a non sequitur football cliche. That’s his right. He’s not obligated to play ball with reporters.

USC quarterback Jayden Maiava jogs off the field without pausing for an NBC interview after the Trojans’ win over Washington at the Coliseum on Saturday.

(Ronaldo Bolanos/Los Angeles Times)

But USC has trumpeted Maiava’s progress as a vocal leader for more than a year now. And as the quarterback, he is naturally a representation of the program’s leadership and its larger culture. Which is what makes the body language of the past two weeks, as USC’s season feels on the brink, particularly concerning. Especially in context with what we’ve seen on the field.

The truth is Maiava hasn’t really looked the same since the shutout of Fresno State on Sept. 4, when he appeared to hurt his right shoulder. Maiava was asked about it the following weeks, but he said that he was “great.”

“It’s a physical game,” Maiava said. “It’s what happens.”

No one has mentioned the injury since, but Maiava has been markedly less accurate in the ensuing four games. He’s completing 60% of his passes over that time, after the first two games had him closer to 90%. Maiava’s mechanics have looked far less consistent over that stretch. And then there were the moments Saturday in which Maiava appeared tentative, like he might actually be shying away from running the ball.

During USC’s opening drive, Maiava scrambled away from pressure and had a chance to take off upfield and potentially pick up the first down with his legs. But instead he sprinted wider toward the sideline, in search of receivers who weren’t there in the corner of the end zone. He ended up getting sacked.

A couple possessions later, Maiava launched a prayer down the field off his back foot. It was intercepted and the quarterback threw his hands, fully aware the turnover was his fault.

USC’s problems certainly can’t be laid at Maiava’s feet. The quarterback has been pretty good this season by normal statistical standards. He’s ninth in the nation in passing yards per game (290) and third in total passing touchdowns (15)

But our eyes also don’t deceive us. Maybe he is hurt. Regardless, in order to actually save their season, the Trojans need Maiava to be more than just a passable Big Ten quarterback. They need him to put the team on his back.

Riley said earlier this season that Maiava has come further than any other passer he’s mentored as a college coach. But midway through his third season at USC, it’s this last step in his development that seems to be most troubling Maiava.

Patterson in the press box

USC defensive coordinator Gary Patterson walked onto the field before the Trojans played Oregon at the Coliseum on Sept. 26.

(Ronaldo Bolanos/Los Angeles Times)

With its defense clearly struggling to communicate, USC moved defensive coordinator Gary Patterson from the field to the press box.

The results at least seemed palpable on Saturday. The defense was much more dialed in on third down, holding the Huskies to just a single conversion on 12 attempts. And the secondary seemed to iron out most of its communication problems.

Whether that can be attributed to Patterson being the one in the booth is impossible for me to say. The bigger question, as I see it, is why there was such a disconnect between Patterson, his scheme and the rest of the staff. Riley seemed to suggest that the way Patterson wanted to do things wasn’t clicking with the rest of the operation.

“Going through some of these first few games, seeing the makeup of the staff, it was a conversation that he and I had on Sunday,” Riley said after USC’s win over Washington. “We thought there were some reasons just kind of in our operation that made sense. He knows this defense obviously better than anyone. He was used to having, I think, a staff at TCU — if you look at his staff there, for years and years, they had little to no turnover, right? So when you had guys who had been coaching with you for 15-20 years, like he had in a lot of ways, you might handle that different. He had a heck of a defensive staff, and it’s kind of like players, right? You’re trying to just move the chess pieces to get everyone in the right position to get the best out of them.”

House of Troy ‘Chapter 3: A New Era’ episode drops this week

Ask most people from within the Trojan family when things started to unravel for USC’s football program, and they’ll inevitably point to the Reggie Bush-related NCAA sanctions as an obvious starting place.

Well, what if I told you that the mess that USC would find itself wrapped up in could’ve been so easily avoided?

At least, that’s the opinion of the key former members of New Era Sports & Entertainment, the failed sports agency that said it paid Bush and his family. Bush continues to deny allegations he violated NCAA rules. What could’ve presumably ended with one calm conversation in 2006 ended up snowballing into a yearslong saga that didn’t just upend USC football, it derailed the lives of everyone involved.

You can hear the whole story on Tuesday, at this link and wherever you get your podcasts.

— USC’s pass rush finally played to its potential. The Trojans tallied 25 (!) pressures against Washington and sacked Demond Williams Jr. five times, which was more than its previous three games combined. The most important of those sacks came on the final drive, as Kameryn Crawford dropped Williams on a critical third down, deep in USC’s own territory. Freshman Luke Wafle also got his first college sack, after being close basically 10 other times, and he seemed relieved by that. He wasn’t the only one relieved by the pass rush production. The Trojans’ maligned secondary, in particular, was a major beneficiary.

— Rampant penalties may just be a part of this team’s identity. USC committed nine penalties against Washington and lost 94 yards, but the numbers alone didn’t tell the whole story. Half of those penalties were pretty consequential. An illegal formation call brought back a USC passing touchdown, then a face mask from Wafle kept the ensuing Washington drive moving. The Huskies ended up scoring a go-ahead touchdown. USC has at least eight penalties in three of its past four games.

— Should Desman Stephens II keep his starting job when he returns? Not because of what happened against Oregon, but because of what happened against Washington. I thought his replacement, Ta’Mere Robinson, played the best game of any linebacker at USC this season. Robinson had six defensive stops, twice as many as any other Trojan defender on Saturday. He added a sack and graded quite well in coverage by Pro Football Focus. It’s not like Stephens was playing all that well before his suspension. USC also got a strong showing from reserve linebacker Elijah Newby.

— Alex Graham is clearly essential to USC’s secondary. The Trojans’ Swiss Army knife defensive back returned from injury Saturday and made a marked difference for the whole unit. Graham had four pressures as a blitzer and has looked absolutely lethal in that role. And he played a huge part in taking away Washington’s short-area passing game, which can be dangerous if Williams is able to get loose. There’s no player more valuable on the back end of USC’s defense.

This week … in 2006

USC’s Brian Cushing blocks Sean Douglas’ punt during the Trojans’ win over Washington on Oct. 7, 2006.

(Matt Sayles / Associated Press)

For the second straight week, USC’s defense was backed up deep into its own territory in the final seconds, in danger of losing to a lesser Pac-10 team.

Washington had gotten the ball back with 1:34 remaining, trailing the Trojans, 26-20, when Husky quarterback Isaiah Stanback proceeded to march down the field on USC’s defense. Stanback scrambled to convert a fourth down with 18 seconds remaining, then completed a 19-yard pass to the USC 15.

But with two seconds left, Washington couldn’t get set in time to spike the ball. The clock ran out on their comeback attempt.

The whole experience gave linebacker Brian Cushing flashbacks of USC’s loss to Texas at the Rose Bowl.

“That last minute just got a little nerve-racking,” Cushing said.

Olympic sports spotlight

USC’s men’s water polo team was down 12-11 to California when the Trojans collected the ball with five seconds remaining in their Mountain Pacific Sports Federation opener. Somehow, they managed to win the game from there.

It started with an exclusion. Then a goal with a single tick left on the clock, sending the game to overtime.

It went to a second overtime and USC eventually put away the game 15-14 with a golden goal from Strahinja Krstic. A scintillating start to conference play.

Polling the people

Newsletter editor and poll manager Houston Mitchell is out this week, so we’re extending our poll one more week. If you have not voted, feel free to weigh in now.

Will Lincoln Riley be USC’s coach in 2027?

Yes

No

Click here to vote in our survey.

What I’m watching this week

Sienna Miller and Dominic West star in the new HBO series “War.”

(Justin Downing/ Sky / HBO)

I’ve been yearning for a slow-burn HBO drama since the end of “Industry’s” most recent season, and I’m optimistic that the network appears to have delivered.

“War” has that potential, at least. The first season of what is apparently an anthology series follows a high-stakes divorce case between a tech mogul played by Dominic West and a movie star played by Sienna Miller. And while it doesn’t seem to be breaking any new ground as a legal drama, the writing and acting appears to be on point — as usual with an HBO show of this magnitude.

In case you missed it

Listen now: Podcast ‘House of Troy’ features inside look at highs, lows of USC Athletics

USC silences the ‘Fire Lincoln!’ chants with thrilling comeback win over Washington

Lincoln Riley backs coordinator Gary Patterson amid USC defensive woes

Jahkeem Stewart eases back from injury at critical time for USC defense

‘All options are on the table’: Fallout from Oregon loss puts Lincoln Riley on hot seat

Ultimate SoCal college football sports bar guide: Where to watch your team

Times of Troy: USC gave Lincoln Riley everything. And for what in return?

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

A look at the top 25 high school football teams in the Southland after Week 6:

Rk. School (record) result; Next game; last week’s ranking

1. SANTA MARGARITA (6-0) def. Mater Dei, 14-7; vs. Servite at Saddleback College, Friday; 1

2. ST. JOHN BOSCO (5-1) def. JSerra, 40-14; vs. Orange Lutheran, Friday; 2

3. SIERRA CANYON (6-0) def. Loyola, 41-0; at Gardena Serra, Friday; 3

4. CORONA CENTENNIAL (3-3) def. Vista Murrieta, 65-14; vs. Murrietta Valley, Friday; 4

5. MATER DEI (4-2) lost to Santa Margarita, 14-7; at JSerra, Friday; 5

6. MISSION VIEJO (4-1) def. Huntington Beach Edison, 42-14; at Yorba Linda, Thursday; 6

7. ORANGE LUTHERAN (4-2) def. Servite, 56-21; at St. John Bosco, Friday; 7

8. SAN CLEMENTE (6-0) def. Yorba Linda, 28-0; at Los Alamitos, Friday; 8

9. PALOS VERDES (6-0) def. Long Beach Millikan, 42-7; vs. Inglewood, Friday; 10

10. JSERRA (4-2) lost to St. John Bosco, 40-14; vs. Mater Dei, Friday; 11

11. SERVITE (3-3) lost to Orange Lutheran, 56-21; at Santa Margarita, Friday; 12

12. CORONA DEL MAR (6-0) def. Villa Park, 24-10; vs. Tustin, Friday; 13

13. BISHOP AMAT (5-1) def. Gardena Serra, 27-26; vs. Chaminade, Friday; 14

14. LA SERNA (5-1) def. Warren, 27-3; vs. La Mirada, Friday; 15

15. CREAN LUTHERAN (4-2) def. Tustin, 21-7; vs. Capistrano Valley, Friday; 16

16. CARSON (5-1) def. Gardena, 57-0; at Banning, Friday; 17

17. OXNARD PACIFICA (5-1) def. Oaks Christian, 38-17; at Newbury Park, Friday; 18

18 . CHAMINADE (5-1) lost to Sherman Oaks Notre Dame, 28-21; at Bishop Amat, Friday; 9

19. GARDENA SERRA (3-3) lost to Bishop Amat, 27-26; vs. Sierra Canyon, Friday; 19

20. HUNTINGTON BEACH (6-0) def. El Modena, 24-21; at Dana Hills, Friday; 22

21. SAN JACINTO (6-0) def. Temescal Canyon, 49-0; vs. Tahquitz, Friday; 24

22. ORANGE (6-0) def. El Dorado, 42-14; vs. Segerstrom, Friday; 25

23. SHERMAN OAKS NOTRE DAME (6-0) def. Chaminade 28-21; at Loyola, Friday; NR

24. CAPISTRANO VALLEY (6-0) def. La Habra, 42-20; at Crean Lutheran, Friday; NR

25. YORBA LINDA (4-2) lost to San Clemente, 28-0; vs. Mission Viejo, Thursday; 23

In 2011, Joe Kay debuted Soulection as a college radio show at Cal State Long Beach, spinning rare B-sides, progressive beats, inventive flips of classic records and soulful underground tracks.

Fifteen years later, the niche local broadcast on K-Beach Radio has ballooned into a cultural movement that extends far behind his alma mater’s campus. Beyond its flagship on Apple Music with nearly 750 episodes (Grammy-winning producer Swizz Beatz was a recent guest DJ), Soulection is also an independent record label, live event and clothing brand. Operating under the banner “the Sound of Tomorrow,” the collective championed artists like Kaytranada, Brent Faiyaz, Bryson Tiller and Snoh Aalegra before they were household names.

Still, Kay remains hungry for more. “There’s so much more to do,” says Kay, who released his first project “If Not Now, Then When?” last year.

“We’re at this breaking point of not just being underground,” he adds. “It’s like we’ve been D-1. We’ve been to the playoffs. Now we’re like how do we get to the championship and not just show up to the championship, how do we win?”

On Saturday, Kay and his tight-knit crew are celebrating Soulection’s 15th anniversary with a festival at Reframe Studios Outdoors in Atwater Village. The lineup includes DJ sets from Kay, Grammy-winning producer and artist Kaytranada, Sango, Esta, DJ Miss Milan (who DJs for Doechii), Ayanna Heaven and surprise guests. (Kay doesn’t even know who all will show up.)

Ahead of the hallmark event, Kay spoke about how he continues to find emerging talent when everyone’s an artist or DJ these days, building long-term staying power, his new dance music concept and why he’s nowhere near done pushing the limits of what Soulection can do.

Joe Kay and his team are celebrating 15 years of Soulection on Saturday at Reframe Studios Outdoors in Atwater Village.

(Jason Armond / Los Angeles Times)

This weekend, you are celebrating the 15th anniversary of Soulection with several guests, including Kaytranda, who has been connected to the brand for years but has yet to be on an official Soulection lineup until now. What does this homecoming mean for you?

It’s special. Just having Kaytranada, it’s been long overdue but right on time, and to me that’s all that matters. About four years ago, we did a private party in L.A. in between Coachella, and it was him, Peggy Gou and myself, and it was a really cool party. So we played together, but in terms of a public, front-facing event, this is the first time he’s been on one of our lineups. What I appreciate about him is his work ethic. That man just doesn’t love to DJ, but this man works so hard. I work really hard, and then I see him and it makes me just want to go harder. This man is constantly on tour and he just finds a way to keep putting out music that people care about so much. I think that alignment between him, Esta and Sango is special. Even having Miss Milan, it’s one thing to be a DJ for someone like Doechii, but to also see what she does independently, I really admire that. There’s not a lot of women in the space who are moving like that and are recognized. She’s a boss on stage. Then, Ayanna Heaven is from New York, but she’s Jamaican and we’re lucky to have her.

What else can we expect at the show?

We’ll have a sunset set of Soulection and Friends, so special guests will pop out to do a couple songs. We’re not even sure who’s going to be popping out completely, but we have a handful of names and there’s some good people who I feel like have been part of the Soulection sound and Soulection radio. In London, people were like :We wanted a party. There were a lot of performances.” So now we’re giving people the party and we’re trying to move, but there will be a portion where everyone does a couple of songs. I love how we listen to feedback from one event and we make adjustments. I think that’s part of why we’re still around.

Soulection was pivotal in giving early platforms to artists like Brent Faiyaz, Bryson Tiller and Anderson .Paak before they became global superstars. What is your internal filter for spotting rising talent and has this changed over the years?

It’s a loaded question because talent and gifted people are everywhere. I find those people everyday. But in terms of who has the “it factor,” that one takes more layers. It’s not about “Does this person have to have that ‘factor’ for me to give them an opportunity or to be excited about them?” It’s more so an internal feeling. Nowadays, content is important so it’s the music and it’s mainly how they message themselves. How are they communicating their work, their vision and is it resonating with me? Then I scan their socials. I have no problem following anyone. I’m not one of those guys like “I have to have my following ratio at a certain amount and I’m too cool to follow you.” If I’m interested, I’m interested. I think today it takes a lot more to stand out. It’s a saturated [market], but I feel if you can break off and stand out now, it says a lot more than ever because everyone’s an artist and a DJ. Whereas 10 to 30-plus years ago, it was so much more of a rarity. It was a lot harder to be an artist so now that’s what makes it a bit more complicated.

It’s been over a year since you released your debut project “If Not Now, Then When?” You’ve talked about overcoming impostor syndrome to make it. What did you learn about yourself throughout the process?

It went by really quick. I’m really glad we dropped that project. It taught me a lot. When people ask, “So what do you do? Or can I find you on Apple or Spotify?” It’s nice to have something to direct people to outside of the radio show, there’s a body of work. I get emails every week of how many people are still discovering the music even though it might be old to us. Working on this project taught me a lot about accountability. I realized putting out a project as a label head and allowing artists to share their vision versus how I would do things are two different worlds even under Soulection. I’m so used to being on the executive or A&R side and letting people cook like “We’re here to help market it, but this is your work.” I honestly was proud of it because in my opinion “This is how I think you should do a rollout” and it was nice to show proof of concept. Also, working with all these great artists. I’m still in awe when I think about D-Mile being on two records. Bruno Mars is on tour right now, selling out SoFi Stadium. He’s doing like 8-10 times what we’re doing and D-Mile is a big part of his sound. To know we had him be a part of my project was a blessing and says a lot about the work that has been done.

Last year, you talked about potentially releasing an album this year. Are you still planning to do that?

It truly is extremely difficult to get a project done when you’re on tour and that’s why it didn’t get done. I did about 30 cities and when you’re going city to city, country to country, there’s really no time. When you’re putting together these projects, I feel like you have to literally be stationary for weeks at a time when you wake up and that’s all you think about. It’s very difficult when you’re stopping and going and nowadays. There’s a lot of chasing with the artists. Even if they are down, artists have their own projects, their own rollouts, their own tours. We’ve also been working on this 15-year celebration for the last year and a half, so I would say the album is the next focus.

You’ve been cooking up a new concept called Tempo. Can you tell us about that?

I’m very passionate about Tempo. If I could launch it today, I would. I’ve been using that word so much because I keep trying to tell people we’re trying to make people dance. If the women move and are having a good time, everyone’s moving. That’s why we love dancehall, Afrobeats, amapiano and now as we’ve seen in the last years, Afro House, and these other genres. It’s essentially dance music. I’m also very close to South Africa, specifically Cape Town and Johannesburg. That’s a place I’ve been going since 2015 and I’ve built a really good connection with people out there. As these new subgenres started to come out in like 2018, I’ve been very passionate and researching that music. A couple years ago, I was there and I curated these shows with some really great local artists and producers. I’m just very passionate about trying to push those artists to a higher scale. Imagine Brent [Faiyaz], Leon [Thomas], SiR or Snoh Aalegra or Kwn, hearing their vocals on an Afro House record or just the right tune that has that tempo. Now all of a sudden, you have Shimza, Keinemusik or Francis Mercier playing the records in front of 30,000 to 50,000 people. I feel like we have those relationships with the artists. They need to be told like, “This is who you need to work with. Trust me.” Then bringing them together and not feeling like we have to make it pop or saturate the music or make the drums lighter and more radio-friendly. I think we do it in an organic Soulection style. To me, that’s really the goal of Tempo. It’s not just an event, but it’s also like a sub label of Soulection that focuses on electronic music, a lot of Afro electronic music but not just that — just house music in general. There’s no boxes or boundaries to it. If it moves you, we’re going to put it out.

Joe Kay will be DJing alongside Kaytranda, Sango, Esta, DJ Miss Milan and Ayanna Heaven at the Soulection anniversary show on Saturday.

(Jason Armond / Los Angeles Times)

Looking back on the last 15 years, what are you most proud of what you’ve built with Soulection?

There’s a couple things. One, it’s nice to have my team who have been with us for over a decade. It’s a testament to what we’ve built, that people still want to be here. It makes me feel good that I have a loyal group of people who are my friends, who I’m grateful to call my family and who go up to bat for me and the team everyday. It’s not easy. Now that we’re older, I feel like, we choose to be here. Secondly, to think about all the artists and collectives that have been motivated by Soulection and have gone on to create their own businesses or have gone on to sign to agencies or get a manager. To know they were listening to Soulection at one point, that’s all it was meant to be — to inspire. It’s not about being on Soulection, it’s more of how do you take this motivation and create your own. It’s nice to be a part of that, but also they did the work.

That’s cool because it makes me think of how you were heavily inspired by labels like Stones Throw. You wanted to intern for them, but ended up creating your own thing and now Soulection is a blueprint for others.

I’m still inspired by Stones Throw. They literally just hit 30 years, so they’re literally two times what we’re doing. That had me thinking like, “Damn, what are we at year 30?” To see them still doing it, it’s very admirable. To be [a blueprint] is still great, but I don’t feel complacent. We just feel like there’s so much more to do. You asked, “How do I stay excited to show up to work everyday amongst all the craziness” and I think it’s my curiosity. I’m just grateful to provide for my family and for so many others for just doing something that I love everyday. Being about music, arts and highlighting people, that’s a blessing. I think we can take that for granted, but I don’t and I really do wake up everyday like, “How are we going to change someone’s life?” That’s the best part about it.

Star receiver Puka Nacua will play against the Philadelphia Eagles on Sunday in Philadelphia, but star defensive lineman Aaron Donald is out because of a back issue, Rams coach Sean McVay said Friday.

Donald, a three-time defensive player of the year, has not practiced this week following the Rams’ loss to the Denver Broncos on Sunday in Denver. McVay said Donald, 35, was experiencing back soreness.

“He’s as tough as it gets. Just not feeling good enough,” McVay said, adding, “He would do it and he could probably go be productive but part of our job is to protect these tough dudes like him from themselves.”

Donald has played in two games since ending a two-year retirement in late August. He did not make the trip to Australia for the season opener against the San Francisco 49ers, but made three tackles in the Rams’ 28-6 victory over the New York Giants at SoFi Stadium.

Donald had one tackle and one quarterback hit in the 30-26 loss to the Broncos.

“He’s working as hard as he can to get himself feeling as good as possible and we’re hopeful and optimistic that good days are ahead,” McVay said.

Nacua sat out the last two games because of a hip injury that caused hip, groin and abdominal soreness.

McVay said Nacua has been “strong, looks sturdy, looks explosive,” during practice this week.

“I think it will really just be a feel for the overall conditioning,” McVay said, adding that he hopes “the magic of the [game] jersey” will help Nacua have a productive game against the Eagles.

Tight end Terrance Ferguson (ankle) and cornerback Jaylen Watson (shoulder) will not play on Sunday, McVay said. Tight end Colby Parkinson (shoulder, knee) and edge rusher Josaiah Stewart (groin) are questionable.

Rams place Terrance Ferguson on injured reserve

Rams tight end Terrance Ferguson jogs back to the locker room against the Giants on Sept. 21.

(Kyusung Gong / Associated Press)

The Rams opened the season with five tight ends on the roster, which some might have regarded as a surplus.

But the Rams need the depth.

On Friday, the team put Terrance Ferguson on injured reserve because of an ankle injury.

Ferguson, a 2025 second-round draft pick, was injured Sept. 21 against the Giants, but he played through it against the Broncos.

Ferguson has seven catches for 63 yards and a touchdown.

Ferguson must sit out at least the next four games against the Eagles, Buffalo Bills, Arizona Cardinals and Las Vegas Raiders. He is eligible to return for the Nov. 1 game against the Chargers.

The Rams began the season with five tight ends on the roster. Tyler Higbee and Davis Allen are at full strength. Max Klare, a second-round draft pick from Michigan, could get his first action on offense against the Eagles.

Rams release punt returner Xavier Smith

Rams wide receiver Xavier Smith runs the ball against the Kansas City Chiefs during a preseason game in August.

(Charlie Riedel / Associated Press)

What a difference a day makes.

Less than 24 hours after Rams special teams coordinator Bubba Ventrone said the team was not going to replace punt returner Xavier Smith, the team released him.

“We just need better production out of that position,” McVay said, adding that some of the “decisions” that Smith made in last Sunday’s loss to the Denver Broncos proved costly.

“We’ve got to make better decisions,” McVay said. “We’ve got to be able to field it.”

Receiver Alex Bachman is expected to be promoted from the practice squad to handle punt returns. McVay said he was “optimistic that I think we’re going to see some good stuff from Alex on Sunday.”

Smith, 29, is a third-year pro who signed with the Rams as an undrafted free agent and worked his way into a role as a kick returner and rotational receiver.

Smith appeared to be on his way to overcoming a major error in last season’s NFC championship game, when he lost a fumble in the 31-27 defeat by the Seattle Seahawks.

But through three games, Ventrone on Thursday described Smith’s performance as “inconsistent.”

“We need to do a better job of tracking the ball, judging the ball, fielding the ball when necessary, not fielding it in other situations,” Ventrone told reporters. “He knows that and hopefully we’ll get the improvements that we need in that area.”

Ventrone was asked if there was any thought about replacing Smith as the punt returner.

“No, we have a lot of trust in ‘X’, I really do,” Ventrone said. “He’s put in a lot of time and effort in training camp and obviously moving into the season. I think that he’ll do the necessary things to be able to sustain at that position for us.”

But on Friday morning, the Rams announced they had waived Smith.

McVay said the Rams “weren’t thinking” about making a change when Ventrone spoke to reporters Thursday.

“As you get a chance to kind of take a step back, evaluate the totality of our group, what’s the best way to try to be able to put together all three phases, did feel like that was in the best interest of the group,” McVay said, adding, “and that decision was made kind of later [Thursday night].”

After sitting out the last two games because of injury, Rams star receiver Puka Nacua appears on track to play Sunday against the Eagles in Philadelphia.

But the status of star defensive lineman Aaron Donald remains unclear.

Nacua was sidelined for a victory over the New York Giants and Sunday’s defeat by the Denver Broncos because of a hip injury that caused groin and abdominal soreness. But Nacua returned to practice in a limited role on Wednesday and was listed as limited again on Thursday.

“It’s exciting,” Nacua said after practice. “That’s my safe space out there, and to be out there with the guys, I think that’s been the most important thing, feeling that camaraderie and then also the ability to put my foot in the ground.”

Nacua, the NFL receptions leader in 2025, caught five passes for 74 yards in a season-opening defeat by the San Francisco 49ers in Australia.

What would it mean to return to action against the Eagles?

“I can’t think of anything else but smiling,” he said.

Donald, a three-time NFL defensive player of the year, has not practiced this week because of a back issue that surfaced after the loss to the Broncos, a defeat that dropped the Rams’ record to 1-2.

Donald, who ended a two-year retirement in late August, did not make the trip to Australia. In his season debut against the Giants at SoFi Stadium, he made three tackles in the Rams’ 28-6 victory.

Donald had one tackle and one quarterback hit in the 30-26 loss to the Broncos.

“Aaron’s been awesome,” defensive coordinator Chris Shula said. “I think he’s really elevated that whole group.”

With edge rusher Myles Garrett out at least two more games while recovering from knee surgery, the Rams for the first time this season could line up without either of the two future Hall of Famers.

“Those are two of the best players in the world — two of maybe the best players of all time,” Shula said. You’re always going to want them on the field, but we’re lucky where if those guys are out we have a lot of depth and a lot of capable guys. … You’re never going to expect them to perform at the level of Aaron Donald or Myles Garrett, but we expect a lot of guys to go out and contribute and play really well and have a really good rotation going.”

The line feature interior players such as Kobie Turner, Braden Fiske and Poona Ford, and edge rushers Byron Young, Josaiah Stewart, Desjuan Johnson and Wesley Bailey.

Dodgers right fielder Kyle Tucker has never shied away from just how bad his performance at the plate was for much of his first season in Los Angeles.

For the first five months of the season, when he’d show brief glimpses of progress before sinking back into an extended slump, Tucker’s .683 OPS was the third-worst among Dodgers hitters with at least 100 plate appearances, better than only Hyeseong Kim and Kyle Freeland, who both spent time in triple A.

In September, however, he found a sustainable adjustment. He fixed his bat path, extending through the ball more consistently instead of pulling off of it. He posted a .889 OPS in September, on par with his four straight All-Star seasons before signing with the Dodgers.

Now, all of a sudden, he looks like a potential difference-maker in the postseason.

“The last month or so is more or less what I expect out of myself,” Tucker said in a recent conversation with The Times. “The biggest thing is we have an opportunity now being in the playoffs to win another World Series. Once the playoffs start, you can forget about any stats or personal numbers. The only one that really matters is the win column. So that’s just what I’m gonna try and contribute towards.”

The Dodgers offense had a lot of success stories like Tucker’s in the final month of the regular season. He helped carry the offense, along with Teoscar Hernández and Mookie Betts, who turned around their seasons down the stretch, and Will Smith, who returned from the IL and quickly found his home run swing.

The Dodgers’ starting rotation is their biggest strength going into the postseason. But the offense’s performance against elite pitching, and the bullpen’s execution in tight games, could make or break a series.

Here’s how some other key players are trending going into the postseason:

Designated hitter Shohei Ohtani: Fortunate to have the bye

Shohei Ohtani appears on the right track for a successful postseason.

(Gina Ferazzi / Los Angeles Times)

Ohtani returned from the IL with five games left in the season, and he went five for 21 with one extra-base hit.

All indications from general manager Brandon Gomes and manager Dave Roberts in video conference calls before the Dodgers’ closed workout Tuesday were that Ohtani was feeling good physically.

“I feel confident that you’re going to see the best version of Shohei of the last two months,” Roberts said. “I know that’s sort of a low bar given his injury, but I do think that he’s as healthy as he’s been in quite some time, and every day from the training staff, it keeps getting better. So, number one, he’ll be a threat being in the lineup, but I do think that the performance piece will be what we’re hoping for.”

First baseman Freddie Freeman: Ice cold

Freddie Freeman did not hit well in September.

(Ronaldo Bolaños / Los Angeles Times)

Freeman, who pushed through a bout with tendinitis in his right knee earlier this month, hit just .184 in September and went 0-for-7 in his last two games.

On Tuesday, Freeman said he had no pain in his knee. But finally acknowledged that the injury could have affected his swing mechanics, while again emphasizing that he wouldn’t use that as an excuse.

Freeman has a plan for the bye week that he hopes will set him in the right direction for the playoffs.

“I’m going to hit on the field every day,” he said Sunday. “I already know how my Tuesday is going to go. There’s going to be a lot of blocked balls to left [field], a lot of flares into left. I’m hoping as Tuesday goes Wednesday, I’ll come back and those will be put down a little more. Thursday they’ll be moved over to shortstop and by Friday I will be feeling good. That is how my head is thinking right now.”

Center fielder Andy Pages: Out of the gate running

It was hard to predict how the center fielder would look at the plate when he returned from a fracture in his left hand. He recorded a 1.181 OPS in six games and homered twice in the final regular-season series against the San Francisco Giants.

“He went into last October really scuffling, and it sort of bled into October,” Roberts said over the weekend. “Where, I think right now he feels really confident, swinging the bat well, and the hope is that this one bleeds into October as well.”

Reliever Edgardo Henriquez: Healthy

Henriquez is “trending really well” after throwing live batting practice, Gomes said. If this week continues to go smoothly, the flame-throwing right-hander is expected to be on the NLDS roster.

“Given the body of work, what he’s done, the unique skill set,” Roberts said, “could be huge for us — will be huge for us.”

Reliever Edwin Díaz: Strong finish

Díaz made five appearances after his latest return from the IL (neck). He gave up just one hit in those games, with a 52.9% strikeout rate.

“I don’t know if we could have asked much more out of Edwin,” Gomes said. “Felt like each outing was more and more sharp and looking more like himself. So feel that he’s in a great place right now. Stuff out of hand is as good as it’s been all year. And we know that he has pitched in the hottest of hot games in the past and in any role, especially in the postseason. So he’s looked great, and glad that he’s in the position that he’s in and was able to bounce back after the IL stint.”

NLDS weather: Sweltering

Los Angeles’ weather forecast for this weekend, when the Dodgers are set to host the first two games of the NLDS, shows temperatures reaching the high 90s. The Dodgers are scheduled to play Game 2 at 5 p.m. on Sunday. But Saturday’s game time will depend on the results of the wild-card round. First pitch for Game 1 could be at 1 p.m. or 6 p.m.

It’s relatively easy to find USC and UCLA fans in Southern California, but where can proud Georgia, Michigan, Florida or Alabama fans go to watch games in the Los Angeles area with like-minded sports expats?

Look no further than the Los Angeles Times’ ultimate SoCal college football sports bar guide.

If you’re an alum or fan of teams from the Power Four conferences — the ACC and ally Notre Dame, Big Ten, Big 12 and SEC — this guide will lead you to your tribe. No longer will you be the only person cheering and clapping at the bar when Oklahoma scores a touchdown or walk into a bar wearing Michigan blue and only seeing others decked out in Ohio State gear.

Find your home away from home on game day.

Scroll down or filter through location to find where fan bases for most Power 4 schools hang out during the game.

A new age of Clippers basketball started on Monday.

It’s about moving on, or attempting to, after the franchise endured a nightmare offseason.

“My entire summer’s been basketball,” guard Darius Garland nonchalantly said during media day at Intuit Dome. “My main thing is to come in here and win games. So, that’s my main focus.”

The Clippers’ offseason was engulfed by the NBA’s salary-cap circumvention investigation into the team’s endorsement deals with Kawhi Leonard. The NBA fined the Clippers $30 million, stripped them of five first-round picks, dealt suspensions to owner Steve Ballmer and president of basketball operations Lawrence Frank — and the Clippers ultimately traded Leonard, who was fined merely $700,000, back to Toronto.

Garland represented his teammates in prioritizing hoops.

But for Trent Redden, the Clippers’ interim president of basketball operations, things weren’t that simple. The admittedly nervous executive started Monday’s news conferences by apologizing to the Clippers’ faithful for the aftermath of the Leonard situation.

“Our fans deserve to hear from us before this, and for that we’re sorry,” Redden said. “We’ve been listening to the thoughts, the concerns, and feeling the emotions of our fan base. They mean everything to us. … We hope to fulfill our promises to them, to build their trust and move forward through this time.

“This franchise often has done its best work with its back against the wall … We hope to represent our fans the same way we always have in dark times, by coming out fighting.”

Fighting is all the new-look Clippers can do as they enter the 2026-27 season.

Leonard is back north of the border. Other stars, such as Paul George, James Harden and the recently retired Russell Westbrook, are distant memories in L.A. For the first time in years, the Clippers aren’t entering a season with championship aspirations.

“It’s been difficult,” said Ty Lue, who enters his seventh season as the Clippers’ coach. “But I give our players a lot of credit … the leadership is great [and] the morale is great, even in these tough situations. That’s good to see, when you have your players coming in every day, giving everything they have; a lot of teams don’t have that.”

The Clippers’ league-record streak of 15 consecutive winning seasons is in jeopardy. Nonetheless, the team will still feature plenty of intrigue roster-wise, with a mix of youngsters “doing TikToks” and “old heads” trying to keep up, as Garland described it.

“I think we can surprise a lot of people,” he said.

Garland himself, 26, enters his first full season in L.A. as the team’s go-to scorer. A two-time All-Star, he’s primed to lead a promising backcourt alongside 19-year-old rookie Keaton Wagler, the Clippers’ No. 5 pick in the 2026 draft.

Wagler is one of the team’s promising young players, alongside fellow rookie Baba Miller, Kobe Sanders and the rehabbing Jordan Miller and Yanic Konan Niederhauser.

“I’m just going to do my best to stay mentally focused,” Wagler said when asked about the pressure of being the team’s first top-five pick since Blake Griffin in 2009. “Not worry about all the outside noise.”

The Clippers return key role players like Derrick Jones Jr., Kris Dunn, Bradley Beal and Brook Lopez, and sport new ones like Max Strus and Gradey Dick via trades.

However, the team’s ceiling will rest on the influence of new forwards Brandon Ingram and Rui Hachimura. Hachimura is coming off a strong playoff run and four-year stint with the Lakers.

“One thing about here … everybody talks about how they take really good care of their players,” Hachimura said of signing a two-year, $28-million contract with the Clippers this offseason.

Ingram, the centerpiece of the Leonard trade, is a solid three-level scorer and will shoulder much of the offensive load alongside Garland — when healthy.

Redden shockingly shared that Ingram is recovering from a partially torn Achilles tendon in addition to heel surgery.

“I had been dealing with some pain throughout the year with the Raptors, especially coming down crunch time with the Raptors,” Ingram said. “I didn’t quite know what it was. Near the end of the season, we figured out what it was, and surgery was the best thing to do.”

The 29-year-old Ingram, though, should make a full recovery and claims his best days are still ahead of him.

He feels the same way about his new Clippers team.

“I know [there are] little to no expectations for us this year,” Ingram said. “We have enough in the building to compete. This is what we love to do. So, we’ll go out and compete every single night, learn, go on to the next game and get better and better.”

The bromance between Luka Doncic and Austin Reaves remains strong and it’s a bond the Lakers will lean on with LeBron James no longer on the team.

After eight years of James being the Lakers’ leader, the role now will be shared by Doncic and Reaves.

Doncic already took a step in that direction when he invited his teammates to his home country of Slovenia in August for a bonding trip.

Reaves chided Doncic about losing in rowing, bowling and golf while they were in Slovenia together.

Reminded about it Monday at the Lakers’ media day, Doncic immediately retorted: “I beat him in golf two days ago. … He didn’t say that, huh?”

Doncic paused and smiled.

“The key was I was playing great golf,” Doncic said. “He gave me some strokes, I’m not going to lie — as he should.”

Reaves spoke about the events his group won in Slovenia and how they beat Doncic in the process.

“We won the rowing, we won the golf, we won bowling,” Reaves said. “Luka tried to put on a blue shirt when his rowing team lost, which is crazy. But he did host us, so we let him hold the first-place trophy for once.”

The two friends and teammates have developed a closeness that their teammates have noticed.

“They get along so well that it’s kind of easy for them to co-lead this team — in different ways sometimes,” Jake LaRavia said. “I think sometimes Luka leads by example and we watch him and we watch how he goes about himself. AR can sometimes be a bit more vocal. But I think they both do a great job at what they are good at it when it comes to being leaders for this team.”

Lakers guard Luka Doncic speaks during the team’s media day in El Segundo on Monday.

(Eric Thaye r/ Los Angeles Times)

Doncic led the NBA in scoring last season (33.5 points per game) and was third in assists (8.3). He averaged 7.7 rebounds and shot 47.6%, including 36.6% from three-point range.

The three-year, $165-million contract extension Doncic signed last year kicked in this season.

“Obviously, it’s a new challenge,” he said about his leadership role. “I was in this position in my career a lot of times, so it’s not new to me. But I feel great, I feel excited, and like I said, I’m ready to go. It’s been a long time since I played basketball, so I’m ready.”

Reaves is entering his sixth season with the Lakers, making him the longest-tenured player on the team. In June, he signed a four-year, $180-million deal, the largest contract for an undrafted player in NBA history.

Reaves earned it by averaging career-highs in points (23.2) and rebounds (4.7).

The Lakers have nine new players and Reaves knows he’ll need to provide guidance.

“I think it’s different for everybody,” Reaves said. “I’m not going to lead the same way Bron does. I’m not going to lead the same way Luka does. I like to do things a little different. I was talking about doing more one-on-one conversations. There will be times where I need to speak up in group settings and I’ll do that when the time comes. But I think you just got to be true to yourself and do what’s comfortable for you.”

Doncic played in just 64 games last season. He missed the last five regular-season games and all of the playoffs with a left hamstring strain. After spending time in Europe rehabbing his hamstring over the summer, Doncic said he’s healthy and ready to go with no restrictions when the Lakers begin training camp Tuesday.

“I know I had a lot of time, just taking it slowly, not taking no risks,” Doncic said. “But right now, I’m feeling great. I feel rested. Mentally I feel great, so I can’t wait just to start.”

With Walker Kessler, Quentin Grimes, Jaden Hardy, Kevon Looney, Sandro Mamukelashvili, Collin Sexton, Matisse Thybulle and Ziaire Williams among the newcomers on the Lakers, Doncic and Reaves are looking forward to what comes next.

“I like everybody that we signed,” Doncic said. “I think there’s a lot of underrated guys. … Now training camp is going to help us a lot, focus on basketball, get to know what they like on the court, but I’m very excited to play with all of them.”

Aaron Donald is still earning his spot.

In his mind, anyway.

During defensive line drills, the Future Hall of Famer continues to go third — even when groups are split — rather than lead.

“Earning my keep right now,” Donald said after Rams practice Thursday. “I’m a guy that likes to work and earn everything I get.”

Donald, 35, has one game under his belt after returning from a two-year retirement to rejoin the team that selected the three-time NFL defensive player of the year in the first round of the 2014 NFL draft.

Donald played 33 snaps in the Rams’ 28-6 victory over the New York Giants on Monday. He made three tackles, including one for a loss.

Donald said he watched tape of his performance six times — two times by himself, once with his brother and three more times on his own.

“Not as bad as I thought,” he said. “A lot of things to clean up but on the right track.”

Donald looked “excellent,” defensive coordinator Chris Shula said.

“He was awesome,” Shula said. “He put a lot of pressure on the quarterback, and then you see like some of the run plays … that group as a whole played really tough, played stout, played physical at the line of scrimmage and Aaron was a huge part of that.”

Now, one of the top interior pass rushers in NFL history is preparing for Sunday night’s game against the Denver Broncos in Denver.

Will Donald’s playing time increase?

“Every game is going to kind of tell its own story,” Shula said. “I think we have a general range of where he would be, but I think depending on how the game plays out, you never know how many snaps and the situations that you’re going to be in.

“You never want to put a full hard cap on it.”

Donald is happy with the way his return to game action is playing out.

“We’ve got a good rotation … keeping guys fresh and right now I’m liking it,” he said. “I think it’s at a great pace right now.

“I’m getting my feet wet, get going, get a feel for the game again and other guys are out there working and getting work too.”

Etc.

Rams receiver Puka Nacua (hip), who sat out against the Giants, did not practice for the second day in a row. On Wednesday, coach Sean McVay told reporters he was “not sure” if Nacua would play against the Broncos. Later in the day, he told ESPN radio that Nacua was “not making great progress.” … Tight end Colby Parkinson (knee) and safety Kam Kinchens (hamstring) also did not practice.

A federal judge declined Thursday to rule immediately on a proposed settlement between Paramount Skydance and 12 state attorneys general, leaving the last major legal hurdle to the studio’s $111-billion acquisition of Warner Bros. Discovery unresolved for now.

U.S. District Judge Araceli Martínez-Olguín did not indicate how she would rule, but said she wanted more information before deciding whether to approve the proposed consent decree, a court-enforceable agreement that would allow the merger to proceed under certain conditions..

“I’m not the only one who has some questions for you all. There’s lots of interest,” said Judge Martínez-Olguín. “I appreciate people are interested, but I also want to make sure that I have everything that I’m going to consider in front of me.”

The judge said she would issue a ruling “in due course.”

The hearing comes three days after California Atty. Gen. Rob Bonta announced that the two sides had reached an agreement.

It requires the combined company to release at least 30 films in theaters each year, commit at least an additional $1.5 billion to domestic film production and set aside $47.5 million for workers affected by the merger.

“When theater owners have publicly said that supply is the problem, those are voices that carry weight because they’re in the market,” said Paula Blizzard, an attorney for California, during the hearing. “They are the people we’re trying to protect — the businesses and the competition that we are trying to protect.”

The settlement proposal also includes stipulations on how basic cable channel negotiations must proceed, creates a board intended to protect the editorial independence of CBS News and CNN, and bars Paramount from selling or closing its Melrose Ave. lot or Warner Bros.’ Burbank lot while requiring the company to operate them “in a manner consistent with past practices.”

An independent monitor will oversee the settlement implementation. The agreement, if approved by the judge, will be in effect for five years.

“Paramount wants to get to work. Paramount is doing this deal because it wants to compete. Netflix, Amazon, Disney are far larger streaming undertakings,” said Josh Holian, an attorney for Paramount, during the hearing. “Paramount believes that a transaction like this can be transformative in fueling its ability to compete in that market.”

Before ending the hearing, Judge Martínez-Olguín assigned the parties several tasks, which included addressing a letter from U.S. Senator Cory Booker (D-N.J.) who echoed some concerns about the proposal.

Booker, the top Democrat on the Senate Judiciary Subcommittee on Antitrust, Competition Policy, and Consumer Rights, asked the judge to conduct an “independent public-interest review” before approving the settlement agreement. Because the U.S. Justice Department closed its investigation of the Paramount-Warner Bros. merger without seeking any remedies, Booker argued, the proposal is “the only enforceable instrument that will govern” the combined company.

Martínez-Olguín asked the parties to submit their responses to Booker’s letter by Monday, Sept. 28 at noon.

Warner Bros. Discovery Chief Executive David Zaslav had told staff earlier this week that he expected the deal to close no later than early October.

The settlement has divided Hollywood, with some saying Bonta bowed to political pressure from Los Angeles Mayor Karen Bass and California Gov. Gavin Newsom. During negotiations, Paramount threatened to move its studio out of state, which Newsom said he took seriously.

After the proposed settlement was announced, Paramount Chief Executive David Ellison said the combined company would remain in L.A.

Many in Hollywood are concerned about the threat of layoffs from the merger. Paramount has told Wall Street it plans to make more than $6 billion in cost cuts. A recent report commissioned by L.A. County estimated that 4,500 jobs could be lost over three years.

Something’s in the air this fall — and it’s not just the autumnal chill. For some reason, survival thrillers are all the rage; there are even two featuring a man and his dog. First, we had Ridley Scott’s “The Dog Stars” with Jacob Elordi and a Belgian Malinois traversing a postapocalyptic landscape.

The latest is “Heart of the Beast,” an Alaskan-set story about two combat veterans — one human, one canine — who set out for a post-retirement camping trip and find themselves in a perilous situation after the human, retired Special Forces officer James (Brad Pitt), suffers a heart attack while piloting his seaplane. James and his combat dog Odin survive the crash, just barely, but they’re stranded deep in the wilderness, miles from civilization.

The film is directed by David Ayer, a purveyor of wild action flicks and ballads of masculinity; the screenplay is the debut effort of Cameron Alexander. Their intent is to deliver something muscle-bound and emotional — if a man can’t cry about an Army dog, what can he cry about? But until the last two minutes of the film, “Heart of the Beast” is essentially “Homeward Bound” for adults. You know, the 1993 kids adventure film featuring a golden retriever, a bulldog and a cat named Sassy who have to make their way home through the wild. Marry the structure of that film with a Jack London-inspired milieu, add some blood, gore and rather cheesy Iraq war flashbacks, and you have “Heart of the Beast.”

We watch James as he’s rained on, chewed on, pulls trunks out of an icy lake, falls off a log, breaks his arm, faces down a bear, fights off wolves, sustains many head injuries and inexplicably keeps going, in hopes of saving if not himself his dog, the most important creature in his life.

And oh, is Odin worth it. Played by four different dogs named Uber, Seeka, Ryker and Hondo, the performance that these dogs collectively deliver is worthy company to an Oscar winner — the dogs may even eclipse Pitt for sheer screen presence. With every whimper, sigh, howl, bark and head tilt, these dogs create an empathetic portrayal of a highly intelligent creature that has been through battle and has the scars (and nightmares) to prove it. Odin is a bionic dog, with titanium teeth and a prosthetic foot from injuries sustained during wartime, but nothing slows him down, not even a plane crash. However, the film does have its limitations when it comes to the other wildlife, all digitally created and the CGI isn’t convincing in the slightest.

“Heart of the Beast” is an onslaught of danger and misery, alleviated only by the pleasure of watching James’ survival skills and ingenuity. This man makes a lot of mistakes on this journey (he’s constantly calling himself “stupid” and “dumb”), but he’s also kind of a MacGyver. He starts a fire with cotton balls and Neosporin. He carries an alarming number of knives. He splints his own arm. If anything, it’s an excellent lesson on carrying the right gear and always taking medical supplies on a camping trip — if you ever go camping again after this.

Pitt typically excels when there’s a little (or a lot) of levity for him to exercise his loose-limbed charms and there’s precisely none of that in “Heart of the Beast.” Ayer pushes the emotional and physical extremes and it feels like a dirge: a forced march through the muddy Alaskan wilderness with plenty of body horror on top. The one moment of camaraderie comes in the beginning, when James shares a beer with a mysterious stranger (J.K. Simmons) who happens upon his camp and might even be an apparition of an old miner. James does share moments of affection and victory with Odin but there’s nothing to relieve the constant danger, even though structurally, the film has already sapped its potential suspense.

“Heart of the Beast” has its highs and lows but cinematically, it’s a mixed bag — entirely predictable and just not great. Nevertheless, there’s no denying that the star of the movie is indeed Odin and he’s a very, very good boy.

Walsh is a Tribune News Service film critic.

Hayley Williams is speaking out days after her ex-husband, Chad Gilbert, the founding guitarist of pop-punk band New Found Glory, died at 45 following a battle with cancer.

Williams posted the statement on her Instagram Stories on Wednesday, writing that she hasn’t known what to say or “if it’s appropriate” but that she wants to address her former husband’s death because “life is made of the paths we cross and the reasons we cross them are infinite.”

“Chad is indeed a legend in the scene and my time connected to him taught me a lot,” she wrote. “He introduced me to people that continue to shape my life in beautiful ways, and to music and culture that has made life a lot richer.

“There isn’t much that hasn’t already been said about what he contributed to the musical world a lot of us grew up in. His influence and attitude guided the genre forward. His passion for fostering the community was inspiring and sticks with me.

“I will forever be grateful that from him I gained a deeper understanding and a reverence for the community and the culture of hardcore.”

Musician Chad Gilbert of New Found Glory and singer Hayley Williams of Paramore arrive at the 2010 People’s Choice Awards.

(Christopher Polk / Getty Images for PCA)

Williams concluded her statement by sending her love and sympathies to Gilbert’s family, friends and his New Found Glory bandmates Jordan Pundik, Cyrus Bolooki and Ian Grushka.

Gilbert died Sunday morning “peacefully in his sleep,” the band and his wife, musician Lisa Cimorelli, announced on social media. No cause of death was given, but the musician had been candid about his battle with cancer in recent years.

“He left this world surrounded by friends and family and took his final breaths with his wife and mother by his side, just as he wished,” the joint statement posted Sunday to Instagram read.

Williams and Gilbert were married in February 2016 after nearly a decade of dating but split the following year in July 2017, saying at the time that marriage wasn’t for the faint of heart.

Gilbert later married Cimorelli in October 2020, and the two welcomed a daughter, Lily, in 2021.

Nneka Ogwumike answered the same question she’s been facing for almost two months.

Why now? Why leave the WNBA when she still leads the Sparks in scoring and rebounding, has played a central role in helping the league negotiate a transformative new collective bargaining agreement and returned to the city where her pro career began?

Ogwumike is at peace with her decision. And when she steps onto the court in a Sparks jersey for the last time Thursday, she will do it without regrets.

“I’m mostly grateful,” Ogwumike said. “I haven’t really been thinking much else besides just being grateful for the opportunity to have had a 15-year career in the WNBA and also to finish in a Sparks jersey.”

There is a lot for which to be grateful.

Ogwumike entered the WNBA as the No. 1 overall pick of the Sparks in 2012. Now, 15 seasons later, she is leaving the league as one of its most accomplished players — and as the most prolific scorer in Sparks history.

Sparks forward Nneka Ogwumike, left, tries to drive past Lynx forward Napheesa Collier during a game in Minneapolis.

(Matt Krohn / Getty Images)

“It feels freeing,” Ogwumike said of her decision to retire. “It feels like there’s a level of autonomy that I’m able to have, and I’m very happy about that.”

The numbers only begin to tell the story.

Ogwumike was rookie of the year after averaging 14 points and 7.5 rebounds per game. Four years later, she produced the best season of her career, averaging 19.7 points per game, winning MVP and leading the Sparks to their third WNBA championship.

She spent 12 seasons with the Sparks before leaving for Seattle, then returned to Los Angeles this season to finish her career.

Along the way, she established herself among the most productive players in league history. Ogwumike will finish her career fourth all-time in scoring with 8,013 points, behind Diana Taurasi, Tina Charles and DeWanna Bonner. She is third all-time in rebounds with 3,571 and third in steals with 716.

And on July 17, she added one more piece of history to the résumé, passing Lisa Leslie to become the Sparks’ all-time leading scorer.

Sisters Chiney, left, and Nneka Ogwumike pose for a photo at the Bird’s Eye View After Party during WNBA All-Star weekend.

(Daniel Boczarski / Getty Images for Vox Media)

“This is where it all started [for me],” Ogwumike said. “So very happy to be able to share this time, both the beginning and the end of my career in L.A., and I had a majority of my career playing for this organization, so it really does mean a lot to be able to finish in it as well.”

The return, however, did not unfold quite the way Ogwumike or the Sparks had envisioned.

Los Angeles entered the season with playoff expectations after bringing Ogwumike back, signing Erica Wheeler and trading for Ariel Atkins. The Sparks had not made the postseason since 2020, and the hope was that Ogwumike’s return could help change that.

Instead, the season became a struggle. The Sparks will finish 10 games out of a playoff spot, leaving Ogwumike’s final games less about a postseason push and more about what she could leave behind.

“The season is not at all what I expected, but it doesn’t mean that I can’t come out here to do my job and try and be great, and be great as a result,” Ogwumike said. “And as always, playing with my teammates as well.”

That has meant spending time with the young players who will carry the Sparks forward after she is gone.

Sparks coach Lynne Roberts and Nneka Ogwumike talk on the sideline during a win over the Indiana Fever in July.

(Katelyn Mulcahy / Getty Images)

Ogwumike has particularly focused on Cameron Brink, the young forward who represents a significant part of the organization’s future.

“I think right now I’m really spending a lot of my time trying to pour into Cam as well,” Ogwumike told reporters this week. “I really do think that she’s the future of the league. … I’m happy to be able to leave whatever I can before I throw my feet up.”

It is a fitting final role for a player whose career has stretched across generations of the WNBA.

“She’s poured into me since I got into the league,” Dream forward Angel Reese said in August. “Kind of like one of my first vets, always being there for me, always texting me, and also really like educating me on the things that were going on, knowing that it was a big CBA coming up.”

Her final contribution might not be something that appears in a box score. It might be what she passes on.

“She’ll be missed,” said Valkyries forward Gabby Williams, who played with Ogwumike in Seattle the previous two seasons. “As a friend, but also as a fan. I’ll miss watching her in the W.”

Williams knows what Ogwumike’s career has meant to the league, but she also understands what comes next.

“I’m really happy for her,” Williams said. “Happy she gets to take that next step. I know what it means to her. I’m glad her last year was pivotal for the CBA and she’ll always have her name written on that.”

Ogwumike, though, isn’t spending much time looking backward.

She hasn’t thought about what her final moments in the WNBA will feel like, only the gratefulness she feels to have had her 15-year career.

“I haven’t,” Ogwumike said when asked if she has thought about her last moments in the league. “Still just focused on playing.”

Welcome back to the Times of Troy newsletter, where we’ve reached a critical fork in the road for the Lincoln Riley era.

The soft part of the schedule is behind USC. Oregon awaits next Saturday. The time is now for Riley and USC, just like the billboards around L.A. have been insisting for months.

That this moment arrives after Saturday’s uninspiring escape from Rutgers only amplifies the pressure on USC’s coach. Against arguably the worst team in the Big Ten, the Trojans were once again plagued by many of the same road woes that Riley has failed for four years to solve. USC’s defense, now on its third coordinator under Riley, was largely a disaster. Even the offense, with another Heisman Trophy candidate at quarterback, looked clunky and out of sync.

Now, Riley is out of time to iron out these issues. Because there is no more important game for USC this season than next Saturday. Outside of the 2022 Pac-12 title game, which went quite poorly for him, I’d argue it’s the most important game of Riley’s entire tenure to date.

Riley has yet to beat Oregon as USC’s coach, while Dan Lanning and the Ducks have run circles around the Trojans, on and off the field, during the four-plus years they’ve both been coaching out West. Oregon may have never won a national title, but has been to the College Football Playoff in three out of those four years. USC has never been to the Playoff. The two teams have become legitimate rivals over that time. But in two meetings with Oregon under Riley, there’s never been any doubt about who’s the better team.

For a brief moment, early in this season, it seemed like that might be shifting. Oregon was stunned by Oklahoma State, just two weeks ago, leading to real questions about whether the Ducks are the Playoff contender they were made out to be.

That loss, though, actually ratcheted up the importance for Riley. With Oregon appearing this vulnerable, there are no excuses for USC or its coach if they don’t win this game. No matter the situation that Riley inherited, the Trojans should have what it takes, by Year 5, to compete with Oregon. Full stop.

That’s the standard that USC was expecting in shelling out over $11 million per year to its football coach. But in four-plus seasons under Riley, the Trojans have just six wins against ranked opponents and have consistently blown their biggest games.

Think, for a moment, of Riley’s biggest win at USC. Are you having a hard time conjuring it? That’s because of the six ranked teams that USC has beaten under Riley, all of them finished with four losses that season.

Clay Helton had three top-five wins at USC through his first 18 games as head coach. Meanwhile, in almost five years and 57 games, I’d argue Riley still doesn’t have a single great win.

He can change that Saturday. But if Riley can’t lead USC past Oregon now, after all this time, who’s to say he ever will?

“House of Troy”: Chapter 1 drops Sept. 22

Pete Carroll when he was coaching USC.

(Getty Images)

Twenty five years ago, USC’s football program was in a bad spot.

The Trojans hadn’t been relevant in over a decade, and Paul Hackett had just been fired as head coach. USC needed a new direction. But its search for Hackett’s replacement was going poorly. Two coaches — from Oregon and Oregon State, no less — had already turned them down. That’s when Daryl Gross, the USC official in charge of the search, turned his attention to a twice-failed NFL coach.

Pete Carroll.

His hire would turn out to be a seminal moment in the history of Trojan football. But that was not how folks saw it at the time.

“There’s legendary stories of fax machines just blowing up and paper after paper coming through,” said Rocky Seto, who was a grad assistant at the time. “People weren’t happy.”

Bill Plaschke, The Times columnist, wrote a column at the time ripping the hire. Carroll himself called Plaschke after that, begging for a shot.

“All he kept saying,” Plaschke said, “was just gimme a chance.”

Well, it turned out OK for Carroll and the Trojans. They won back-to-back national titles and nearly won a third during his tenure as coach.

It’s what came after that, as USC tried to cling on to the Carroll era, that’s the subject of a new narrative podcast series from LA Times and LA Times Studios, House of Troy. Starting with Carroll’s hire a quarter-century ago, we’ll walk you through how USC rose to college football prominence and how it all came crashing down once Carroll left.

The first chapter of House of Troy drops on Sept. 22, with new episodes coming every week after that. Before then, be sure to subscribe wherever you get your podcasts.

King Miller runs past Rutgers defensive lineman Farell Gnago in the first half.

(Adam Hunger / AP)

—King Miller is the clear RB1 at the moment. USC may view Miller and Waymond Jordan as starting running backs, but there’s no doubting who has taken the reins at the top of that rotation. Both are averaging over five yards per carry. But Miller has at least 15 carries in all four games, while Jordan hasn’t eclipsed 11. Personally, I’m a bit surprised by that divide given how great Jordan looked before his injury last season. It makes me wonder if he’s all the way back from his ankle surgeries.

—The receiver rotation is still up in the air right now. With Trent Mosley out indefinitely, USC opened the game with Kayden Dixon-Wyatt, Corey Simms and Zacharyus Williams as its top three wideouts. Dixon-Wyatt is deservedly locked in that spot, while Simms balled it in his 20 snaps, catching four passes for 72 yards despite missing some time during the game due to injury. Hines ended up playing more snaps, but had a key drop on third down that we’d be talking much more about if USC hadn’t gone for it and converted on fourth. Williams played in the slot, but had just one catch. The real mystery here is Terrell Anderson, who was dressed and not on the injury report, but didn’t play a single snap on offense. Anderson was viewed, at one point, as a key contributor, so it’s not clear what happened.

—Kaylon Miller replaced Hayden Treter as the starting left guard. The move was a bit unexpected, given how Treter played through three games. Treter still played 28 snaps to Miller’s 40 against Rutgers, but with a very good Oregon defensive line on tap, the offensive line will be tested next week unlike it has all season. Miller has always had the respect of offensive line coach Zach Hanson. We’ll know at the start of the game next week whom he trusts the most in that spot.

—USC isn’t built to withstand injuries in the secondary. No unit on the entire roster has more doubts about its depth, and against Rutgers, USC had to test that depth more than it would like. Top corner Jontez Williams only played 22 snaps, while slot corner Alex Graham only played 15. Kennedy Urlacher and Rock Hill took their places, and while they did a fine job, the ripple effects of one injury on the position could be significant. Behind those players are a lot of question marks. So USC better hope that they’re all healthy heading into Oregon.

—USC men’s hoops will play four Big Ten road games in 10 days to start 2027. Which, on its face, seems patently insane. But after a screwy start to the Big Ten schedule a year ago, coach Eric Musselman actually asked for a slate exactly like this. The reason? His team doesn’t have to travel back and forth twice to the East Coast. In this case, they will have to travel from Bloomington, Ind. to College Park, Md. But that’s much more doable than an extra 10 hours of flying.

This week, in 2006 …

After hosting College Gameday and beating No. 19 Nebraska at home, USC opens its Pac-10 season on the road with a dominant defensive performance at Arizona, winning 20-3.

Led by new inside linebacker Rey Maualuga, the Trojans didn’t allow a single point until the fourth quarter. The offense, meanwhile, finally found a running back to lean on. With Reggie Bush and LenDale White both off to the NFL and USC still waiting for someone to step up in their place, Emmanuel Moody heeded the call. He rushed for 130 yards and a score as the Trojans stood pat at No. 3 in the AP poll.

Polling the people

We asked, “After three comfortable wins in the non-conference schedule, do you feel better about the Trojans’ trajectory than you did at the start of the season?”

After 1,523 votes:

Nothing has changed, 47.4%
Yes, I feel better, 45.8%
No, I feel worse, 6.8%

Olympic sports spotlight

A brutal start to the season isn’t getting much better in Big Ten play for USC’s women’s soccer team. After starting the conference slate by being shut out, 5-0, by Michigan State, USC was shut out again by Purdue, 2-0, and then managed a tie against Oregon, 1-1.

The Trojans have scored one or fewer goals in seven of their nine matches this season and are 0-5-2 in those scenarios. They need to produce more offense — and stat.

What I’m watching this week

Domhnall Gleeson as Ned in “The Paper.”

(Aaron Epstein/Peacock)

It tends to take at least a season for a sitcom to really find its rhythm, and so far, that’s been the case for “The Paper,” the spinoff of The Office which dropped its second season on Peacock recently. The first season got the journalism right, but the narrative was a bit clunky, as it sorted out who of its characters should be leading the way.

Fortunately, it seems like they’ve figured it out. Especially in the case of Domnhall Gleeson’s lead editor character, Ned Sampson, who I find far more likable in Season 2.

In case you missed it

No. 12 USC defeats Rutgers in Big Ten opener, but defensive woes detract from win

USC freshman star Luke Wafle’s football roots date back nearly a century

USC freshman star receiver Trent Mosley to miss Rutgers game

Chad Baker-Mazara sues USC, accuses Eric Musselman of ‘racially charged’ tirade

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

A look at the top 25 high school football teams in the Southland after Week 4:

Rk. School (record) result; Next game; last week’s ranking

1. SANTA MARGARITA (5-0) def. Norco, 34-0; vs. Mater Dei, Oct. 2; 1

2. ST. JOHN BOSCO (4-1) def. Honolulu Saint Louis, 63-21 ; vs. JSerra, Oct. 2; 2

3. SIERRA CANYON (4-0) def. Orange Lutheran, 28-10; vs. Oxnard Pacifica, Friday; 3

4. CORONA CENTENNIAL (2-2) def. Rancho Cucamonga, 41-7; vs. De La Salle at Cal, Saturday; 6

5. MATER DEI (4-1) lost to Las Vegas Bishop Gorman, 25-8; vs. Santa Margarita, Oct. 2; 5

6. MISSION VIEJO (3-1) def. Pittsburg, 42-35; vs. Huntington Beach Edison, Oct. 2; 7

7. ORANGE LUTHERAN (3-2) lost to Sierra Canyon, 28-10; vs. Servite, Oct. 2; 4

8. SAN CLEMENTE (4-0) did not play; at Murrieta Valley, Friday; 8

9 . CHAMINADE (5-0) def. St. Bonaventure, 27-24; vs. Sherman Oaks Notre Dame, Oct. 2; 9

10. PALOS VERDES (5-0) def. Wilmington Banning, 34-0; vs. Long Beach Millikan, Oct. 2; 10

11. JSERRA (4-1) def. Bishop Amat, 37-28; vs. St. John Bosco, Oct. 2; 11

12. SERVITE (2-2) did not play; at Damien, Friday; 13

13. CORONA DEL MAR (5-0) def. La Serna, 30-24; at Villa Park, Oct. 2; 14

14. BISHOP AMAT (4-1) lost to JSerra, 37-28; at Gardena Serra, Oct. 2; 15

15. LA SERNA (4-1) lost to Corona del Mar, 30-24; at Warren, Oct. 2; 21

16. CREAN LUTHERAN (3-2) def. Oakdale, 38-21; at Tustin, Oct. 2; 16

17. CARSON (4-1) def. North Torrance, 50-28; vs. Gardena, Oct. 2; 18

18. OXNARD PACIFICA (4-0) did not play; at Sierra Canyon, Friday; 19

19. GARDENA SERRA (3-2) def. Oaks Christian, 41-0; vs. Bishop Amat, Oct. 2; 20

20. TUSTIN (4-1) def. Westlake, 28-21; vs. Crean Lutheran, Oct. 2; 24

21. LA HABRA (5-0) def. Orange Vista, 36-7; at Capistrano Valley, Oct. 2; 25

22. HUNTINGTON BEACH (5-0) def. Yorba Linda, 29-25; vs. El Modena, Oct. 2; NR

23. YORBA LINDA (4-1) lost to Huntington Beach, 29-25; at San Clemente, Oct. 2; 12

24. SAN JACINTO (4-0) def. Great Oak 40-28; at Aquinas, Friday; NR

25. ORANGE (5-0) def. Etiwanda, 35-28; at El Dorado, Oct. 2; NR

Aaron Donald said Friday that he planned to make his season debut for the Rams against the New York Giants on Monday night, but star receiver Puka Nacua’s status is more hazy because of a hip injury.

Donald, 35, rejoined the Rams after ending a two-year retirement. The three-time NFL defensive player of the year did not travel to Australia for the season-opening defeat by the San Francisco 49ers, but he has participated in several 11-on-11 drills this week.

Asked if he would play on Monday, Donald said, “That’s the plan.”

Donald’s plan? Or the Rams’?

“I think that’s all of our plan,” he said. “We have a conversation, we figure it out.”

Donald said he felt as if he had never been away.

“Kind of getting in the groove of things, understanding everything a lot better out there playing a lot more free, a lot more loose and looking more like myself to me,” he said.

Nacua, who was sidelined for a few weeks during the preseason because of a psoas injury, caught five passes for 74 yards against the 49ers and practiced on Thursday. The psoas is involved in hip movement, so it is not clear whether Nacua’s absence was caused by the same injury or a new one.

Nacua was scheduled to speak with reporters on Friday, but did not do so because he did not practice. Coach Sean McVay is scheduled to speak with reporters on Saturday.

Regardless, the Rams are expected to get a boost from Donald, an eight-time All-Pro.

Edge rusher Byron Young played with Donald as a rookie in 2023. Now he will be playing alongside him again.

“He hasn’t missed a beat,” Young said.

While Purdue is not projected to be a Big Ten juggernaut this season, UCLA coach Bob Chesney and his team expect to be challenged during their first game against Big Ten competition on Saturday at the Rose Bowl.

The Boilermakers’ defensive line features five high-impact players that are at least 6-foot-3, and a nose tackle who weighs in at 301 pounds and anchors a defensive front that ranks second in the Big Ten with 17 tackles for loss.

“They’re talented in who they’re as individual players, there are some game-wreckers in there,” Chesney said. “They are as vertical as can be, they jump out of their stances, they’re jumping snap counts and they’re violent. They pose a giant problem, and we are not going to be able to push them around, and we are not going to be able to find ourselves in a spot where they tire. This is going to be a battle on the inside throughout the entire course of that game.”

While UCLA’s ground attack has dominated through the first two games of the season — rushing for 277 yards and six touchdowns against California and 214 yards and four scores against San Diego State — it might be harder for the Bruins’ running backs to have their way against the Purdue defense.

Purdue held both Indiana State‘s and Wake Forest’s starting running backs to less than four yards per carry, and has conceded just two rushing touchdowns to those starters this season.

“There’s some things that I think Purdue does a really good job defensively, in terms of getting off the ball,” said UCLA offensive coordinator Dean Kennedy. “They have got a lot of length. They’re a very, very big team, it will probably be one of the biggest teams we will face, so we have to be prepared for that.”

However, the Boilermakers have struggled to stop quarterbacks on the run — allowing Indiana State’s Elijah Owens and Wake Forest‘s Gio Lopez to combine for 118 rushing yards and two touchdowns — giving Bruins senior quarterback Nico Iamaleava the opportunity to rely on his legs.

While Iamaleava should have wide receivers Landon Ellis and Brian Rowe Jr. back to full strength, fortifying the aerial attack, the signal-caller will be without Mikey Matthews, after the slot receiver went down with a lower-body injury against San Diego State.

“There’s a fine line. Understanding what the coverage is doing, when is it time to take off and go,” Kennedy said. “If you are going through your read, from a clock standpoint, and it’s not there, it’s a great time to take off and go. It’s our job as an offense to create explosives, whether it’s him taking off or it’s him creating a scramble drill. We look at scramble drills, that we have to create explosives, and that’s something we have to do a better job of.”

Defensively, the “Bruin Bullies” will be tasked with stopping running back Fame Ijeboi, who has run for 201 yards and four touchdowns on 5.3 yards per carry this season. Chesney said that Ijeboi has a “Wayne Knight” feeling to him, where he plays low to the ground, displays proficient body balance and leg drive, allowing him to be influential in the passing game and break tackles.

While UCLA has already faced formidable rushers in Cal’s Adam Mohammed and San Diego State’s Lucky Sutton, Ijeboi could be the most impactful yet. And no one knows that more than Bruin defensive coordinator Colin Hitschler, who went to the same high school as the Boilermaker running back.

“It’s been fun to watch his growth, following him through high school, and watching him earn those scholarships and opportunities,” Hitschler said. “Those first two games, he jumped off the tape. He’s got great potential and he’s going to go a long way. We have to do a good job putting a physical shoulder on him and knocking him down because he’ll run through contact and does a great job of finding the edges.”

If Ijeboi is unable to get it going, it will have to be up to Purdue quarterback Ryan Browne to generate offense.

While the signal-caller struggled last season — throwing nine touchdowns with 10 interceptions — Browne has looked like a new player in 2026, passing for 646 yards and four touchdowns.

Browne has benefited from the addition of two premier slot receivers in Florida Atlantic transfer Asaad Waseem and Iowa State transfer Xavier Townsend. They have combined for 25 receptions, 277 yards and one score.

“What makes them unique is there are a lot of them,” Hitschler said. “When you have 10 personnel and that many receivers that can catch the ball, it can create mismatches, and we play a lot of man, so who’s going to fold first?” Hitschler said. “Are we going to be able to man them up or are we having to play more zone? Those are questions that will play out as the game dictates by who’s winning the one-on-one matchups. It’s the chess match that always happens in any game.”

The Bruins’ defense will look to force turnovers,
but that is no easy feat as the Boilermakers have yet to turn the ball over this season.