lot

Nearly 50 years on from “Star Wars” and the launch of a media empire (large or small “e”? You decide), the fandom has become its own galaxy of warring planets. But based on the success of the streaming series “The Mandalorian,” set around the title bounty hunter, we can all agree that his charge Grogu — green, wrinkled, big-eyed Baby You-Know-Who — is still adorable. Of the many “Star Wars” offshoots, this seems to be the sturdiest.

The brand is back together for “The Mandalorian and Grogu,” which is a movie, a hoped-for franchise revival, a fourth season of sorts and an affable throwback. But it’s never quite riveting enough as canon or fodder to supplant anyone’s memories of [insert favorite “Star Wars” film here].

The expectations game was never going to help series creator Jon Favreau’s big-screen version, written with Dave Filoni and Noah Kloor. Granted, this upscaled, agreeably rangy treatment of an adventure storyline that wouldn’t have been out of place on the show could have attempted more. Especially when it puts sci-fi icon Sigourney Weaver in an X-wing pilot uniform as a veteran of the Rebellion, but barely gives her anything to do besides secure Mando a job and keep tabs on his progress. (Gang, try harder. It’s Sigourney Weaver.)

Aimed squarely at kids of all sizes, “Star Wars” has become a glorified tour of a billionaire’s expanding playworld and “The Mandalorian and Grogu” wants the track well-oiled, not bumpy. The simple pleasures here of good vs evil, IMAX hugeness and composer Ludwig Göransson’s space-opera-hits-the-club score, go down easy enough to not be aggravating. It’s a lot.

But it’s not this reviewer’s position to tell you what “a lot” is — loose lips spoil scripts. When the moment comes at an appropriately dangerous time for our heroes, we sense the kind of thing that only movies can do well when they’re myths writ large: slow things down, shift momentum away from the tyranny of exposition and let emotion, humor, wonder and character co-exist. “The Mandalorian and Grogu” takes the series’ thematic underpinnings — what parenting looks like between a masked human loner and an otherworldly toddler — and deepens them.

The movie takes place in wonderfully detailed environments that evoke the earlier, beloved films. You’re not being pandered to, however; the payoff is a lovely echo. Elsewhere, the action set pieces are serviceably handled by Favreau. (One of them plays like, of all things, an homage to “The French Connection.”)

Otherwise, this is another hunt-and-retrieve narrative for the bounty hunter voiced by Pedro Pascal, physically embodied in armor by Brendan Wayne and, in combat, by fight choreographer Lateef Crowder. Still independent but New Republic-curious, Mando is tasked by Weaver’s Col. Ward to find a wayward scion of the slimy gangster Hutt clan, Rotta (voiced by Jeremy Allen White), whose return will unlock some important information. Of course, things don’t go as planned, which for a while is interesting — are the Hutts like the Corleones, perhaps? — until it’s not, because then the dialogue would need to rise above the level of a middle-school play.

That being said, one of the movie’s strong points, absent its story deficiencies, is that, across its many wordless scenes, it’s at heart a solidly rousing, delightfully icky creature feature, in the vein of a supercharged Ray Harryhausen-meets-Guillermo del Toro joint. “It’s a hard world for little things,” Lillian Gish famously says in “The Night of the Hunter,” a movie nobody will ever confuse with “The Mandalorian and Grogu.” But we all know summer fare like this is only ever as enjoyable as the monsters conjured up for conquering.

SAN DIEGO — The Dodgers entered the late innings Monday in an unenviable position: trailing the Padres, whose biggest strength is their bullpen.

“When they have a lead they don’t relinquish it too often,” manager Dave Roberts said after the Dodgers’ 1-0 loss Monday. “You know the numbers — when they’re ahead in the seventh inning they don’t lose. You do have to be a little more aggressive and capitalize when you do get those chances.”

Including Monday, the Padres are 20-2 when leading after six innings, 21-1 when leading after seven, and they have a perfect 22-0 record when leading after eight.

Even when Padres closer Mason Miller got off to an uncharacteristically wild start in the ninth inning Monday, the Dodgers failed to capitalize.

He walked Freddie Freeman and Kyle Tucker on nine pitches. And the next three batters — Will Smith, Max Muncy and Andy Pages — all have proven their ability to do damage in clutch moments.

But it was Miller on the mound, a rare reliever who could actually challenge for the Cy Young Award.

“In this kind of series, you know you’re going to have close games,” Freeman said after the game. “And we just couldn’t get it done.”

Miller got out of the jam with a fly out, strikeout and ground ball, and notched his league-leading 15th save.

Shohei Ohtani dives back to first base in the fourth inning.

(Tony Ding / Ap Photo/tony Ding)

“We still had really good at-bats,” Freeman said. “There’s a silver lining to it. Scoring off Mason is going to be really hard to do. It’s going to take one of those kinds of innings where you can maybe walk a couple of guys and get a bloop. Not much squaring up going on against him.

“But we had an opportunity, maybe with him throwing a lot of pitches might make him be down next game. You just try to have little wins.”

The Dodgers could also avoid him by claiming a lead. On Monday, Dodgers starter Yoshinobu Yamamoto held the Padres to three hits and one run — Miguel Andujar’s first-inning homer.

But the Dodgers’ offense, which scored 31 runs in a three-game series against the Angels, only managed four hits off Padres starting pitcher Michael King, and only one in the first five innings.

“You’re trying to cover realistically 30 inches,” Freeman said. “Because you have ball-to-strike pitches — you’ve got backdoor sliders that are starting as balls coming back, you’ve got front-door sinkers for lefties. So it’s not just the whole plate you’re worried about; you’re going to worry about a whole lot of different things. … He had all of it working tonight.”

The Dodgers finally strung some hits together in the sixth. With two outs and Hyeseong Kim on first, Shohei Ohtani beat out a swinging bunt, and the throw from Padres catcher Rodolfo Duran zipped past first base.

Kim, who took off from first on contact, rounded third hard but slammed on the brakes when third base coach Dino Ebel held up the stop sign.

“It’s kind of the timing of it, where [Fernando] Tatis [Jr.] came up with the ball, and Dino’s got to make the decision,” Roberts said. “You don’t know that he’s not going to come up with it clean. At that point in time, to be quite honest, Dino had the best view of the runner coming in, Kim, and where they were at on the field. So it’s one of those things, I’m definitely not going to second guess it.”

Kim was stranded there.

Then in the eighth, he again made it to third on a single from Ohtani with two outs. And again, he got stuck 90 feet away from tying the score.

Welcome back to the Times of Troy newsletter, where USC and Notre Dame are back at the bargaining table — as you first read in this space last Monday — and also back to bickering about who’s to blame for blowing up their century-old rivalry in the first place. One step closer to order being restored!

I have less faith in the rest of college football and its leadership, which now appears to be mobilizing around a playoff format that’s almost universally disliked by actual consumers of college football. The 24-team playoff is a great deal for coaches, who want to be able to point to as many playoff berths as possible for job security. It’s probably a good deal for athletic directors, digging through couch cushions for extra NIL dollars. And for the TV networks, it’s especially juicy. Twenty four teams means more than double the number of games, and each of those games is pulling in an average of between 10 million and 20 million viewers. That’s a lot of eyeballs and a lot of advertising dollars. (For everyone but ESPN, which currently has exclusive rights up to 14 teams.)

It’s also a good deal for Notre Dame, whose athletic director Pete Bevacqua came out this week in support of the 24-team playoff in an interview with the Athletic. The Irish would essentially assure themselves of a bid in most years, which, per Bevacqua, would make it easier to clear the way for USC and Notre Dame to play again.

Big Ten commissioner Tony Pettiti has been leading the charge on the 24-team playoff. So while USC athletic director Jennifer Cohen hasn’t said anything about her preference, it would be a surprise to hear her publicly oppose what the rest of the conference has been pushing.

But why do we have to push anywhere? Why do we have to keep fixing the playoff? And if you must keep tinkering with college football, well, there are plenty of ways to fix it that won’t water down the product and devalue the regular season the way playoff expansion does. Plus, who’s to say that after two seasons at 24 teams, the conference commissioners don’t decide they want to expand again? To 28 teams? To 36 teams?

The 12-team playoff already makes a lot of money. But like everything now, it has to make the most possible money or be as big as possible. I actually long for the days when college football’s leaders did whatever they could to keep the game from changing.

Now it’s the only thing that feels inevitable these days around college football.

Back to school

Marqise Lee at his graduation ceremony.

(USC)

Marqise Lee stepped to the lectern Friday, in full cap and gown, looked out over a full crowd at Galen Center, and cleared his throat. For so many reasons, the former USC wideout still couldn’t quite believe he was standing there.

Growing up, no part of Lee thought that college would even be available to him. He was brought up in the most difficult of circumstances in Inglewood. Separated at a young age from his sister and his mother, who was deaf. Thrust alone into the foster care system. He ended up living in a motel for three years.

When he did make it to USC, class hadn’t been a priority. Football was his focus from the start, and it would ultimately lead him to the NFL, where he’d never really taken the idea of returning to school that seriously. A counselor would try to convince him on a few occasions and even got him onto campus to set up a schedule.

“But it just never happened,” Lee told me.

Then, his football career ended, and his daughters started getting older. They never got to see him play football. He started thinking about what it would mean to show them what he could accomplish. So Lee decided to go back.

It wasn’t easy at first. He was taking five classes, a full course load. He felt uncomfortable being the oldest student in the class.

“When I first sat in there,” he said, ”I was like, I really don’t need to come back.”

His statistics class, especially, was daunting. He looked for any reason to leave. Then, he thought of his daughters.

“To go back to school and tell my daughters, yeah, I went back, but I wasn’t successful — and expect them to succeed?” Lee said. “Yeah, I can’t.”

But before long, Lee found that he actually liked his classes now. He enjoyed the group projects where he used to only do the bare minimum.

After sloughing off his final semester the first time around at USC, Lee needed at least three B’s and two A’s. No easy feat at USC.

Lee ended up getting A’s across the board. At the end of the semester, the school asked him to be the speaker at its student athlete commencement. Which is what led Lee to that stage, where he delivered a hell of a speech Friday.

“It was just like, this is something that you never ever dreamed about,” Lee said. “You never dreamed about graduating from college. So like to get that done was amazing. And then, I have an opportunity to sit up here and say to these kids and get them prepared for their future, by at least letting them understand where I come from and how hard it is. So they know that we actually can fight through anything that comes our way.”

Next up for Lee?

“I’m about to try and go get my master’s degree after this,” he said.

Cofie’s plans changing?

Jacob Cofie reacts after a layup and a foul during a win over Washington State last season.

(Steve Galluzzo / For The Times)

A month ago, USC basketball announced that Jacob Cofie, one of its starters from last season, planned to return next season. It was a huge coup for Eric Musselman, who had a grand total of two returning players in two seasons as USC’s coach.

Cofie decided to still take part in the G League scouting combine. But in the process, he became one of five players who earned invites to the NBA scouting combine last weekend.

While in Chicago, Cofie was asked if he’d considered keeping his name in the draft. And he didn’t say no. “I’m leaving that up to my agent right now,” he said.

But even with the combine invite, I don’t expect that Cofie could climb any higher than the second round of this NBA draft. And depending on where he would be drafted, if he’s drafted at all, he might actually stand to make more at USC in revenue sharing dollars and NIL.

Cofie has nine days, technically, to make a decision. But I expect we’ll hear sooner than that on his future, and I’d be shocked to hear he’ll be spending next season anywhere but USC.

—USC baseball locked up the fourth seed in the Big Ten tournament. But what about hosting a regional? The Trojans managed to take one of three against Oregon to at least lock up a bye until Friday in the Big Ten tournament. But right now, USC is likely on the outside looking in at hosting its first NCAA regional since 2002. All that could change with a run in the Big Ten tournament. Doing so, though, probably means pulling off an upset of No. 1 UCLA. If USC wins its first tournament matchup against whomever emerges out of Illinois, Iowa, Michigan State and Purdue, then the Bruins will almost certainly be on tap. Win that game, and their hosting fate could change fast.

—Pete Carroll is coming back to teach “The Game of Life” at USC. The former USC coach delivered the commencement address for the Marshall School of Business last Friday, and in the process, announced that he’ll be making his triumphant return as Professor Pete next school year. A spot in Carroll’s class was one of the most coveted on campus in his first go-round — good luck getting off that waitlist the second time!

—Honor Fa’alave Johnson, USC’s top commit in 2027, reaffirmed his plans to sign with USC. That was after a group of USC coaches flew down to the safety’s hometown of San Diego via helicopter. Not a bad way to show you mean business — especially as Texas was doing its best to flip Fa’alave Johnson.

—Some Big Ten championship results from the weekend: The USC men finished fourth in the Big Ten track and field championships, while the USC women finished third. Meanwhile, women’s rowing placed sixth at their Big Ten championships.

What I’m Reading This Week

Patrick Radden Keefe writes for the New Yorker.

(Manuel Balce Ceneta / Associated Press)

It’s a quiet time for new TV, so I took the radical step of picking up a new book this week. (Crazy, I know.) That said, I’m always game for reading something new from New Yorker staff writer Patrick Radden Keefe, who, for my money, is one of our greatest living nonfiction writers. His latest book, “London Falling” follows an American family investigating the death of their 19-year-old son, who they find was living a secret life within London’s criminal underworld mysteriously before he jumped mysteriously from a building into the Thames River in 2019.

Keefe is a tremendous reporter and writer, capable of turning a nonfiction narrative into a roller coaster, page-turning story that reads like a crime novel. This book, like “Say Nothing” and “Empire of Pain” before it, is one I won’t forget any time soon.

Scheduling note

I said I’d be off this week, however the Lee graduation was so nice that waiting to report on it seemed wrong. But the newsletter will be on hiatus the next two weeks.

In case you missed it

NCAA to expand March Madness fields to 76 teams

A star pitcher at USC, he was cut after six years in the minors. Then Banana Ball came calling

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

Kaden Tennyson is a high school senior who works at an ice cream shop to make a few bucks to help pay for Uber drives and a veterinarian bill for his injured dog. He’s also a shotputter and discus thrower at Riverside Notre Dame.

He was suffering from a strained tendon in his right ankle resting at home when his ice cream manager called with a request for assistance.

“It was insanely busy,” said Tennyson, who is 6 feet 6 and 300 pounds. “I took an Advil and served birthday cake, brownie, chocolate fudge.”

There was no way Tennyson wouldn’t answer the call for duty.

“It’s my first job as a teenager,” he said. “It’s good for job experience.”

Tennyson never made it to the Southern Section track preliminaries after winning the league title.

“Every throw, it hurt badly,” he said. “I wanted to push through it.”

He made the decision to protect his future, so he passed on a chance to compete at Saturday’s Southern Section track championships.

He’s enjoyed much success in high school, on and off the playing field. He was back-to-back Skyline League champion. His best efforts were 51-10 in the shotput and 145-7 in the discus. He was admitted to 19 colleges. He was recognized by the Riverside Hall of Fame as a top scholar-athlete. He’s a two-time Principal’s Honor Roll recipient.

And yet, all that pales in comparison to what he has been forced to endure while his mother, Janet, twice battled cancer, affecting everyone emotionally and financially.

“As a mother, it’s been humbling to watch the kind of young man he has become through adversity,” Janet said in a letter she wrote honoring her son.

Fighting cancer is exhausting for everyone involved.

“We didn’t a spend a lot of time together, “ Kaden said. “She was mainly asleep. I wanted to be strong at home and not cry to make her sad. My friends helped a lot.”

Some of the senior activities Kaden hoped to participate in were lost for financial reasons, like going to the prom with his girlfriend.

He’s focused on the future.

“One of my dreams is to raise my own successful family,” he said. “In order to do that, you need to be successful yourself.”

He’ll take his 3.8 grade-point average and giant body to study buisness and compete in track and field at UC Irvine.

His mother is recovering. He intends to walk at graduation on June 5.

His mother says, “Kaden’s journey reflects resilience, family, perseverance and the reality that the effects of a serious illness don’t end when treatment does.”

Kaden’s smile continues. Maybe it’s because he works at an ice cream shop.

Asked he if he gets to sample the products, he said, “Sometimes.”

That’s a happy ending on any day.

Clave Especial is finally taking a break.

In the last two months, the corrido tumbado band from Salinas, Calif., performed at the South by Southwest music festival in Texas—and made headlines by singing a narcocorrido; spoke to Latino students at Cornell University in upstate New York; and even embarked on a impromptu 10-hour road trip to show their support for Juan, a contestant from Mexico on one of MrBeast’s latest challenges who has become a viral sensation.

In fact, the trio— lead singer Alejandro Ahumada, guitarist Leonardo Lomeli and tololoche player Rogelio Gonzalez — felt so compelled to make the pilgrimage to the North Carolina grocery store where Juan has been sequestered for months, that they ditched all press events for their latest EP “Afterafter,” released on April 30, in order to meet and serenade him. The band even awarded a $5,000 scholarship to his son, Angel.

“Why? Because it felt so right,” said Ahumada. “His story connected with us, because we also come from hardworking parents that really gave it all for us.”

As the rush of East Coast travel wore off, Clave Especial returned to Salinas to throw a huge homecoming bash. “It’s like a full-circle moment,” said Ahumada of their May 4 performance at the Salinas Sports Complex.

They joined a video call from their childhood bedrooms to discuss “Afterafter,” a five-track project set to a fiery tempo — 140 BPM to be exact — that is nostalgic for summer days and the never-ending after-parties they bring. The songs were selected from their vault, they said, which includes a long list of tracks that didn’t make the cut for “Mija No Te Asustes,” the band’s 2025 critically acclaimed debut that featured co-signs by Fuerza Regida, Edgardo Nuñez and Luis R Conquirez.

This interview has been edited and condensed for clarity.

What was it like to perform back home in Salinas?

Alex: That’s actually the second time that we come back as Clave Especial. The first show was at the Fox Theater, which was a sold-out show. People were asking us, “Hey when are you guys coming back?” We decided to do it now at the Salinas Sports Complex.

Jumping to the EP, how did “Afterafter” come to be?

Alex: It was more like a fun concept that we kind of had in mind. We were actually working towards an album at a writers camp in Ensenada. It was at the beach. Then we jumped around to Miami, Puerto Vallarta. We caught ourselves jumping around beaches, a lot of parties. We want to give people like a summer EP, something they can slap during the summer when they’re partying.

If “Mija No Te Asustes” is an album about this confident boss man calling the shots, how would you characterize “Afterafter”?

Alex: I think it’s that same guy from the first album, he’s still living it up. In “Mija No Te Asustes” there’s some songs like “Como Capo” that introduce that vibe to this EP, so we just continued that wave. It was our biggest song yet. We knew that people liked us apart from the corridos like “Rápido Soy,” “No Son Doritos,” but I think with “Como Capo” we discovered that people like other sounds and lyrics. That’s what we tried to continue in “Afterafter.”

Musically, how would you describe the sound of this EP?

Leo: One thing about us, when we get in the studio, we play a lot in the tempo 6/8s, this upbeat speed. We always hit the BPM at 140 BPM — that’s the Clave Especial essence.

One of the songs that caught my interest was “Scary Movie,” because it reminded me of a corrido-inspired “Thriller” (by Michael Jackson). It also connects the past album because there’s a phrase where you say “Mija, no te asustes.” Tell me the backstory of that spooky song.

Alex: That’s funny, because I’m going to watch the Michael Jackson movie today. That song was actually composed by someone from Street Mob from Ensenada. I think that song was already in the vault.

Leo: That song was tailored for [the past] album. The [ad lib] was an Easter egg.

I saw that you were all recently in North Carolina at the grocery store where Mr. Beast is doing a challenge. There’s one Mexican dad named Juan competing for the million-dollar prize. You guys went to see him and also gave his son a scholarship. Why was it important for you guys to show up?

Alex: Basically we were in [New York] having dinner. We had some press the next day but we had to cancel on them. We commented on Mr. Beast’s video, and the comment got a lot of likes, we’re like “oh shoot, this is dope, this has a real impact on the Mexican community.” His son had swiped up on us, thanking us for supporting his dad.

We saw that Juan told his son to leave the competition ‘cause he wanted to keep going to school. I think we’re one of the few bands in the industry that went to school. I have my bachelor’s degree from Fresno State. It was something that really resonated with us. We had also just come off a panel there at Cornell University so everything just set the tone. We saw the map. It was 10 hours away, obviously a drive, but this opportunity’s never gonna come. We’re from Cali and this is on the other side of the country and we’re here now. Let’s show that the Mexican community is very powerful, united. Let’s go show some support to Juan and his kid. Hopefully he wins!

The last time we chatted was at the Rolling Stone showcase at SXSW. I didn’t get a chance to talk to y’all afterwards, during the end of your set, you sang a cover of Los Alegres del Barranco’s “El Del Palenque” which venerates the narco leader El Mencho, who was killed by Mexican forces just weeks prior. Why was it important for Clave to sing that song specifically?

Alex:  We just like the song. At the end of the day it’s just music. It’s storytelling. It’s corridos. That’s what corridos is all about, and that’s why I got into the music scene. We just like the song. We’re from Jalisco, from Michoacán. It always turns up the crowd, so we did it for the people. People want to hear corridos. We’ve been seeing the censorship going on, but at the end of the day I don’t think that’s the problem. It’s a lot deeper than that, and music is just music, we’re just storytelling, singing music, having fun on stage.  I don’t know if we had it in our set list or not, but I think we had just played a song prior to that that had the same tones. I was like, keep it going, let’s play this one next. Nothing deep.

So it wasn’t planned?

Alex: No, it wasn’t. Afterwards I was like, “Damn, I sang that.” But, eh, who cares?

Do you guys ever get worried when you sing corridos? Or is that something that you’re able to manage being from the U.S., which provides a layer of protection?

Alex: There’s a famous dicho: El que nada debe, nada teme. Like at the end of the day we don’t owe anybody anything. We do music, we’re here by our own sacrifice. People that know our story know that.

Maya Hawke sits at a picnic table in Griffith Park with an iced tea and a small notebook and happily reports that she still likes her new record.

“Every other album cycle I’ve done, by the time I got to the point where the album came out, I hated it,” says the 27-year-old singer and actor. “I was just exhausted by the internet and by being public, and I wouldn’t want to post about it. So I kind of tried to build this rollout where it could be enjoyable. And it seems to be working.”

On this recent morning, she’s about a week and a half from releasing “Maitreya Corso,” a set of deep-thinking folk-pop songs about love and art and how the two intersect; to help drum up interest in the LP, Hawke’s fourth, she’s on tour playing intimate live gigs like the one she did last night at the Troubadour, where she was accompanied by Christian Lee Hutson, with whom she made the record.

Hutson, who’s known for his work with Phoebe Bridgers, is also Hawke’s husband: After collaborating on her 2022 album “Moss” and 2024’s “Chaos Angel,” the two were married this past Valentine’s Day in Hawke’s hometown of New York. (You may have seen the pictures in People magazine of the couple on the street with Hawke’s parents, Ethan Hawke and Uma Thurman, and her castmates from “Stranger Things.”)

As we talk, Hawke wears the same vintage Beastie Boys T-shirt she had on at the Troubadour; when we’re finished, she’s got a flight to catch to Denver for her and Hutson’s next show.

I was struck last night by the intense eye contact between you and your husband.
I’ve never played guitar before onstage, and so I think a lot of that is me being nervous and wanting to keep rhythm. I’m looking at his eyes but also at his hands. His chordal shapes are different than mine but I’m following the rhythm to make sure I’m staying in the pocket.

Why didn’t you play guitar before?
I’ve been playing since I was 11, but I reached a point where I was getting better a lot slower than my brother was or than other people in my life. You pick up the guitar to play and then a bunch of guys sit down next to you and they’re like, “Oh, can we jam?” And you’re like, “I don’t know if I can jam. I was trying to write a song and now you’re noodling all over me. You know what? I’ll just put it down.” Later, when I started making music professionally, I met all these extraordinary musicians, and I thought: Why would I play guitar when I’m not as good as you are? Then I really hated doing shows.

Because of that?
I’m not a dancer — I don’t want to be a pop star and do dance moves. I don’t have a big Adele voice. And standing up there and just singing — I was like, I should be at a poetry reading. So I made myself a promise that if I made another record I would have to play guitar and write songs that I can play.

It’s funny: You were both super locked-in during the songs, but then between them your banter was extremely loose.
I wanted to build a show that was a concert I would want to go see. I’m weird — I don’t love concerts, but I do I like it when people talk. I can hear the record at home — what I don’t get at home is a sense of the person.

Who would you say are some of music’s great between-song talkers?
Hmm.

I think Adele might be the best I’ve seen.
She’s really good. I saw her once when I was younger — I had a year where my dad took me to see all the biggest women of that year. I remember thinking: When I leave the theater, I’m filled only with joy and no jealousy because I could never do what she’s doing. That’s a gift from God, and I’m not in competition with that gift.

But after she hits you with that, she’ll just freestyle for three or four minutes.
That’s what I want too — I want to see some humanity, especially these days when everybody is being force-fed so much perfection and so much unattainable grace.

There are a tremendous number of words on this record.
It’s very verbose.

Why?
I love words — lyrics are my favorite part of songs. One of the first songs that got written for this record was “Devil You Know,” which was like an experiment where I wrote this poem in free verse. I’ve been in a fight with my husband about free verse versus poetic form. He’s pro-free-verse, I’m anti-free-verse.

What’s your beef?
My beef is: Free verse is great — I wish you could have spent a little more time making it rhythmically sound.

To you it feels like —
Like a first draft. The confines of a structure make your brain work in a different way: How do I get this idea across in a sonnet or a villanelle? But I tried writing this free verse thing, and I really liked it and wanted to write more things like that. Normally, I love the arrow of a Willie Nelson lyric, which is: What’s the simplest way I can say the most complicated thing? And I have some of that on this record, like in “Bring Home My Man.” But I also was like, What’s the most complicated way I can say the simplest thing?

OK, speaking of that: I read the essay you had this philosopher Justin Smith-Ruiu write about the album. I understood probably 11% of it.
I’m obsessed with him. I read his Substack religiously — it’s called the Hinternet. He’s just a brilliant genius, and I was like, I don’t know what he’s gonna say, and I don’t know if it’ll make sense to anyone, but it’ll make sense to me.

Honestly, some of the songs might also have gone over my head. How important is it to you that the listener grasps everything that’s going on in your music?
Zero percent important. I want people to take from it what they take from it. One of the coolest things in my life has been putting out songs and having people form crazy personal attachments — sometimes communal attachments, where all the people think it’s about the same thing and they’re all wrong. That’s so much more interesting to me than if they just thought it was exactly what I thought it was.

How do you listen to the songs you love? Are you trying to figure out where they came from?
Yes, but I don’t care if I’m right. I’ve had many a debate about what [Elliott Smith’s] “Say Yes” is about — gone through the lyrics with friends and been like, “Wouldn’t you say that this supports my theory?” But it doesn’t matter to me what it is. It’s just fun to try to connect all the dots.

Maya Hawke and Christian Lee Hutson in New York in March.

(Ilya S. Savenok / Getty Images for Tibet House US)

Break down the chronology of your and Christian’s relationship. You made this record not as married people but —
As engaged people.

How did that compare to the previous album?
When we made “Chaos Angel” we were maybe in a slightly uncanny valley of being friends who were in love but not together at all. But our working dynamic has always been pretty amazing, even from when we met doing “Moss.” Christian was really the person who made me want to play guitar and write music. He was like, “What do you mean your music isn’t good enough? Why, because you didn’t go to jazz school? I didn’t go to jazz school.” That kind of belief really shaped my journey from “Moss” until this record.

Are you the type of person who needs a facilitator?
I really enjoy support and encouragement, and I often need permission.

I wonder why.
Just a couple of weeks ago, I was talking to someone, and I was like, I want to spend less time with this person, but I want them to want to spend less time with me. I don’t want to be the one to draw the boundary — I need their permission to draw a boundary between us. My therapist was like, “We can work on that.”

Is this classic child-actor people-pleasing stuff?
I wasn’t a child actor.

When did you start?
I did my first audition at 15 but I didn’t get the part. Then I didn’t end up working until I was 18.

I’d argue that at 18 the world still sees you —
As a young person, yeah.

But I take your point.
I don’t know what it has to do with. It’s not exactly people-pleasing. There’s definitely an oldest-sibling thing I have a bit. I’m very interested in sibling-order theory. I think it’s extremely influential to who people are — better than astrology, for sure.

You’re older?
I’m oldest of five. Generally, when I meet eldest siblings, there’s a kind of interesting energy of someone who both needs to be in charge and needs a lot of permission.

Has anything changed about the way you and Christian collaborate since you got married?
We’re really happy, and we’ve been really happy. It’s awesome that we were friends for a long time first. When I got into relationships in the past, I would kind of pick the person that liked me the least. I didn’t like myself very much, and I thought that someone who didn’t like me must be a genius and that I could overcome my inherent ineptitude by getting them to like me. And in order to get them to like me, I would transform myself into becoming a person that they would like. Then we’d have a very happy couple of months until I got bored of not being myself. What being friends with someone first did was that it made it very hard to trick them.

Some of these new songs seem very clearly to be about the two of you.
Totally. A lot of this record is about how much I learned about what love really is — what it could be and how to be good to another person. My ideas about those things really transformed in the last couple of years.

As a child of divorce, were you ambivalent about marriage?
I think if anything it was the reverse. I wanted to get married twice in my life. Once was when I was 18 years old, and it was definitely mental illness: I want the nuclear family that I didn’t have, and I want it now. Then I was kind of neutral on whether or not I would get married. Then I met Christian, and I was like, “I don’t know if I’m ready to be in this kind of relationship, but you’re my person.” And we stayed in each other’s lives until it ended up being the right time.

Plenty of people find their person without wanting to have a wedding.
Are you a romantic?

I’m not sure I know.
When I was younger, I imagined myself in a sort of French marriage where we both cheated on each other but didn’t talk about it and had a lot of mutual respect. But I didn’t find a French marriage — I found my best friend. You know what a piece of s— I am and you still love me? I wake up every morning still happy to see you? That’s a miracle — we gotta have a party.

Last thing: Did finishing “Stranger Things,” which had defined the structure of your life for so long — did that change the way you think about making music?
It’s changed the way I think about everything. Basically, from about four months before the show wrapped until a year after that, I was pretty freaked out.

Because you knew a big change was coming?
Because I didn’t know how I would be reborn out of it. Even when I was resentful of being like, “I’m booked, and I can’t do this other thing that I want to do,” the show was so grounding. I was really lost without it. I’m not freaked out about it anymore, but I’m in a renegotiation of the structure of what I want my life to look like.

Do you feel some kinship with your former castmates on that?
Everyone freaked out in different amounts and at different times and to different degrees of wanting to talk about it. But we all collectively had a very, very intense time moving through the last season.

You’ve got upcoming acting projects —
I didn’t actually die like I thought I was going to.

But did the end of that job create space for music to play a bigger role in your life?
In some ways, it could become smaller. I had an ensemble part in a show that takes a year to film, which creates a tremendous amount of waiting-around time. I think that’s why so many “Stranger Things” actors have musical projects: You can’t film anything else but you can sit in your house with your keyboard. What I’ve really been feeling since the show ended was an invigorated desire to double down on acting. I’ll never not make music, but the music industry is difficult for me. I don’t know if it’s just that I was raised in the acting industry and I understand the things that are f— up about it better.

The music biz feels more opaque to you?
I struggle with some of the things that one should do in that industry to grow their project. When you’re promoting a movie, you’re on a team promoting an external item. When you promote a record, you’re doing self-promotion: “Buy my stuff. Do my thing. Put me on your chest.” It feels a little too “Look at me,” which isn’t my comfort zone.

Better start making those TikToks.
Yeah, I can’t. I really can’t.

The Sparks signed guard Kate Martin to a developmental player contract Sunday just hours before their first game of the season. About 45 minutes before tipoff, Martin arrived in Los Angeles.

“It’s been chaotic, but honestly, found a lot of clarity, a lot of confidence, and where I’m at and where the future of my career is heading,” she said. “So honestly, kind of all over the place, but feeling really good and having a lot of clarity right now.”

Martin was a surprising end-of-training camp cut for the Golden State Valkyries after she averaged 6.2 points per game in 42 contests last season. But Golden State was deep at the wing position, making Martin expendable with its other positional needs.

Speaking publicly for the first time since being cut, she was emotional, but excited for the opportunity with the Sparks.

“I chose L.A. because of the way they approached me,” she said. “I just feel honored for the opportunity. And opportunities don’t always come around in this league. And so for the year that I got cut to be the year where there are development spots, I feel very grateful for that.”

The Sparks had one developmental spot left after signing Louisville graduate Laura Ziegler during training camp.

Martin will be available to be on the active roster for 12 games, while receiving a weekly stipend of $750 in addition to a pro-rated minimum salary of $6,000. She has the most experience of any player signed to a developmental contract across the league with two full seasons under her belt.

“(Martin is) great in the locker room, great teammate, super hard worker,” said Las Vegas Aces coach Becky Hammon, who coached Martin in her rookie season. “She’s somebody who came in with pro habits and a lot of times from college, that’s hard to do, but she came in and was a nice piece for us.”

The 25-year-old was a fan favorite with the Valkyries and had the third highest-selling jersey in the WNBA last season despite coming off the bench for Golden State.

Martin first went viral during the 2024 draft when she was selected 18th overall by Las Vegas and was in the room to support her Iowa teammate, Caitlin Clark. She averaged 2.6 points per game in 34 games as a rookie with the Aces before being selected by the Valkyries in the expansion draft in December 2025.

“Now my expectations for myself are to buy into being an L.A. Spark,” Martin said. “I know that roles are ever changing throughout the season, but right now, I’m gonna be where my feet are, and I’m going to buy into this role as a development player. I’m going to learn, I’m going to grow, and I’m just going to make the most of this opportunity.”

It’s unclear how much Martin will play with the Sparks, but she might have a path because they lack wing depth. The Sparks are backcourt heavy, then have three bigs in Nneka Ogwumike, Cameron Brink and Dearica Hamby. Rae Burrell and Sania Feagin fill that role, but Martin could bring a three-point shot and energy off the bench.

“It’s a great fit for us,” Sparks coach Lynne Roberts said. “Thrilled how that worked out. It’s no secret, I love shooters. I think it’s a great add. And I think this gives her a chance in the developmental spot to just kind of settle and really pour into the player development. Her work ethic is unbelievable.”

I walked around a street fair in Irvine over the weekend, checking out the crowd while waiting for my daughter’s dance team to perform. We were a few short miles from Angel Stadium, but you wouldn’t have known it: lots of people wearing Dodgers caps, someone wearing a Shohei Ohtani cap, someone else wearing an Ohtani jersey, someone else wearing a Clayton Kershaw jersey, a dog wearing a Dodgers bandana, and people repping the Padres, Giants, Athletics and Yankees.

After 25 minutes, someone walked by in an Angels cap.

If the passion wanes, apathy can set in. I wondered if that is where the Angels might find themselves now, with a slice of their fan base finding a more enjoyable way to spend its summers than watching one losing season after another, and with the shadow of baseball’s best team extending ever more securely into Orange County.

Something else happened over the weekend that made me wonder. On the heels of a winless road trip, and on the day before the Angels would claim the worst record in the major leagues, Angels general manager Perry Minasian said this to reporters: “Our best baseball is in front of us. There’s no doubt about that.”

No doubt?

Angels general manager Perry Minasian declined to predict in the team would make the playoffs this season.

(Elsa Garrison / Getty Images)

On the Angels’ broadcast the previous night, reporter Erica Weston presented play-by-play announcer Wayne Randazzo with a birthday gift: a figurine of Grogu, a character in the Star Wars family. Randazzo said he would keep Grogu in the broadcast booth, as a good luck charm for the Angels.

“We certainly could use one,” Randazzo said.

Minasian, the sixth-year general manager, has yet to deliver a team that finished better than 17 games out of first place. On Wednesday, I asked him to explain why he was so confident in saying he had “no doubt” the team’s best days were ahead.

“We’ve been very competitive,” Minasian said. “Our wins and losses aren’t where we want them to be, but we have lost a lot of one-run games, a lot of tough games.”

The Angels have lost six one-run games. So have the Yankees, the team with the best record in the American League.

The Angels’ run differential is minus-14. They are four games behind in the AL West, where the first-place Athletics have a .500 record and a minus-21 run differential. You never know.

So far, however, the Angels’ offense is all about the three true outcomes: They strike out the most of any major league team and rank among the top six in walks and home runs, but they do not rank among the top 10 in runs. Only five teams have given up more runs.

“Going to the bullpen has been a harbinger of danger for the Angels,” Randazzo told viewers. The Angels’ bullpen entered Wednesday with a 5.35 earned-run average, the highest in the AL.

Owner Arte Moreno cut payroll this year, amid the implosion of the FanDuel regional sports networks. Edwin Díaz was not walking through the bullpen door.

Angels owner Arte Moreno.

(Ashley Landis / Associated Press)

But the Dodgers find solid bullpen arms in ways beyond buying them: Evan Phillips was cast off by the Baltimore Orioles during a 110-loss season; Alex Vesia was acquired from the Miami Marlins after putting up an 18.69 ERA in his first five major league games.

“We’ve had guys like that,” Minasian said.

He cited Brock Burke, a waiver claim who gave the Angels two solid seasons in middle relief. Minasian traded him last winter for outfielder Josh Lowe, and any general manager would trade a middle reliever for a middle-of-the-order bat. To this point, Lowe has a .198 on-base percentage and a .287 slugging percentage.

Lowe is but a data point in illustrating this primary point: Minasian’s margin for error is smaller than it otherwise would have been if Moreno had not withdrawn from the market for top-tier free agents or had approved trading Ohtani for elite prospects that would have accelerated rebuilding. Smaller, but other teams do more with less.

“We’ve got to be able to develop our own players,” Minasian said.

On the day Minasian said he had “no doubt” better days were ahead for his team, the Angels, their triple-A affiliate and their double-A affiliate all were in last place.

Analysts perennially rank the Angels’ farm system among baseball’s worst. Minasian said he’ll put his faith in four homegrown starters: José Soriano, Reid Detmers, Jack Kochanowicz and Walbert Ureña. Their combined ERA so far: 2.99.

“When you look at good teams and sustainable winners, they build rotations, whether that’s through trades or free agency or your own,” Minasian said. “We’re doing it with our own. You can’t microwave that overnight.”

You can’t make fans wait forever for October either. Angels fans have heard enough about building a competitive team and needing patience.

They have not seen their team in a playoff game in 12 years. When are they going to see that?

Angels pitcher Walbert Ureña delivers against the New York Mets at Angel Stadium on May 1.

(Luke Hales / Getty Images)

“I’m not in the prediction business,” said Minasian, whose contract expires after this season. “They’re going to see a team that plays hard every day. They’re going to see young, talented players day in and day out.”

That’s fine, but when are they going to see a winning team?

“The proof will be in the pudding,” he said. “It doesn’t matter what I say. I could say all these things. At the end of the day, we’re going to go play 162 games. We’ll see where we end up and who’s done what, and we’ll go from there.”

On Wednesday, the Angels won a series for the first time since April 12. They’re 3-2 with Grogu in the broadcast booth.

The schedule gets more challenging: a trip to Toronto and Cleveland, then back to the Big A to play the Dodgers. The same distant Angel Stadium seat available on the resale market for Wednesday’s game for $5 (fees included) is available for $103 for the opener of the Dodgers series.

Orange County loves a winner. There was a long line at that Irvine street fair to collect souvenirs from one booth — the one for the Anaheim Ducks.

The Southern Section will hold its four track and field prelims on Saturday at four high schools, but lots of focus will take place at the Division 3 meet at Yorba Linda.

Servite, with its outstanding sprinters, and Sherman Oaks Notre Dame, with sprinters, hurdlers and shotputters, will be trying to qualify their best athletes in preparation to battle it out at the Southern Section championships on May 16 at Moorpark High.

“We’re trying to qualify but also build upon all our races,” Servite coach Brandon Thomas said.

Servite looks finally healthy. Robert Gardner, a sprinter who was hurt all season, ran 10.87 seconds last week in the 100 meters in his comeback race. He’ll be one of four Servite athletes trying to qualify in the 100. Another previously injured athlete, Jaelen Hunter, has also returned and will be in the 400.

Notre Dame’s Brayden Borquez recovered from his spill at the Arcadia Invitational to win the 110 hurdles last week at the Mission League finals. JJ Harel, the defending state champion in the high jump, is also gearing up to score points in the long jump and triple jump.

Outside Yorba Linda, opponents of transgender track athlete AB Hernandez competing for Jurupa Valley are planning to hold a news conference to protest her participation.

Other finals will be held at Trabuco Hills (Division 1), Ontario (Division 2) and Carpinteria (Division 4).

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Welcome back to the Times of Troy newsletter, where the spring sports calendar is quickly coming to a close at USC. Saturday saw a trio of Trojan teams upended in the NCAA tournament. The women’s beach volleyball team fell in a brutal quarterfinal shutout by No. 5 Florida State. Men’s volleyball faltered in the second round to No. 3 Hawaii, and the men’s tennis team was shut out 4-0 by No. 9 Oklahoma.

But at USC, there’s a lot of excitement about what’s coming next. The year ahead is a critical one, and not just for Lincoln Riley and the football program. Eric Musselman enters Year 3 with no tournament invites to date, but the most talent he’s had yet as USC’s men’s basketball coach, while the women’s basketball program could be more talented next season than it has ever been.

That abundance of star power has made for a much different offseason for Lindsay Gottlieb this spring. At this time last year, the women’s basketball coach was scrambling to put pieces together in the transfer portal after JuJu Watkins’ knee injury derailed the Trojans’ plans of a title run. The vibes …. were not great. Two promising young guards, Avery Howell and Kayleigh Heckel, left. Some potential transfers who hoped to play with Watkins went elsewhere. All setting up for an up-and-down season.

But with Watkins set to return to full-go this summer and a trio of five-star prospects set to join her, Gottlieb entered this offseason facing polar opposite circumstances. Watkins is set to retake her throne as the most dominant player in women’s college basketball. Jazzy Davidson, already the national freshman of the year, should only get better as a sophomore. And Saniyah Hall, the nation’s top recruit in 2026, would be the best player on most college basketball teams. She may only be the Trojans’ No. 3 next season.

So when Gottlieb set out to survey the transfer portal this spring, she wanted to take a much more selective, intentional approach to building out an already-stacked roster.

“We wanted players that fit,” Gottlieb said. “It takes the person to have the courage to understand that they can really contribute with these really talented players that we have. And also a humility to know that we’re trying to win a national championship, so you’ve got to [be] confident and believe in your abilities. But it can’t necessarily be where they want something crafted around them only, you know? Because we’re trying to win a national championship.”

Pania Davis with Florida State last season.

(Gary McCullough / Associated Press)

She wanted more size, to split time with five-star freshman Sara Okeke at center and found 6-foot-6 center Pania Davis, a towering rim protector who played last season at Florida State.

“We were studying the best bigs that fit us, and 6-6 just jumps out at you,” Gottlieb said. “The way she moves we were really excited about.”

Gottlieb also set out to add an experienced guard in the portal after nearly all of USC’s backcourt depth departed in the offseason and landed on one that she’d known since her first year as the Trojans’ coach.

Gottlieb met Ryann Bennett at a camp during that first season, and when she became available last month after two seasons at UC Davis, her skills just happened to fit USC’s needs perfectly.

“She’s just a really good all-around player,” Gottlieb said. “She can create and pass. She plays some point guard. I don’t think she’s going to be afraid of taking or making a big shot.”

USC could add another player or two in the portal from here, Gottlieb said, but she also doesn’t want to upset the balance that she has right now, on a roster that should already be among the best in the nation.

The question now isn’t so much who USC adds, but how Gottlieb will manage the needs of a roster full of star players. Though, she scoffs at any concern that there’s only one ball to be shared among USC’s star-studded group.

“There’s one ball for South Carolina. There’s one ball for LSU. There’s one for UCLA,” Gottlieb said. “We’ve gotta play in a way that values winning. I don’t think it should take away anyone’s individual skills. But the priority has to be playing the best possible basketball.”

A joyous title run

USC women’s water polo players celebrate after defeating California for the NCAA title last month.

(Derrick Tuskan / NCAA)

The first season that Casey Moon took over USC’s water polo program, he freely admits that “I fell on my face.”

The Trojans lost in the NCAA tournament quarterfinals of the 2024 season, their worst finish in decades. And in the weeks that followed, Moon tried to step back and reevaluate what he wanted to be as a head coach. He had no choice but to be away from the pool, which was under construction all summer.

“The thing that kept coming up,” Moon says, “is this aspect of joy.”

Two years later, Moon has USC water polo back on top again, winners of their seventh national title. He and his players say “joy” is the reason why.

“We’re really unserious, and I think it helped us a lot this year,” said goalkeeper Anna King, who had a career-high 14 saves in the national title win. “We’re trying jokes the whole time. 
We’re just, like, making fun of each other. We keep it light.”

Maggie Johnson, a senior attacker, points to a moment between the third and fourth quarters of USC’s narrow title win over California.

“We are up by one, and they zoom in on our huddle, and we’re all just dancing,” Johnson said. “And I think that just encapsulates, like, what our team is.”

—The NCAA is primed to change its eligibility rules in a big way. The new rules would eliminate the notion of “redshirts” or eligibility waivers — and hopefully stop the cascade of legal challenges — by giving athletes five years to play, with only few exceptions. Eligibility issues have been a disaster as of late for the NCAA, and president Charlie Baker said last week that he’s “pretty optimistic” that the changes will pass when a vote happens later this month. Lincoln Riley has said in the past that he favors the five-year rule, though it’s been a while since we asked.

—The Big Ten distributed a record $1.7 billion in 2024-25, USC’s first year in the league. That was a 55% increase from the previous year, before USC, UCLA, Washington and Oregon joined and the most money ever distributed by a college football conference. And from that pile of conference cash, USC should bring in somewhere between $76 million and $80 million. That’s nearly three times as much as the school got in its last year of the Pac-12. In case you needed reminding why USC left.

—USC lost a key member of its football front office. Zaire Turner came with general manager Chad Bowden in 2025 to be the Trojans’ new director of recruiting operations and played a key part in putting together the nation’s No. 1 class in 2026. Now, after a year, Turner, a Dallas native, is off to Southern Methodist where she’ll be senior director of recruiting.

—USC baseball notched its second straight Big Ten sweep. That brings the Trojans to 37-12 on the season, which still leaves them within striking distance of second place in the Big Ten with one conference series — and two overall — remaining in the regular season. With five more wins out of their seven remaining games, the Trojans would lock up their best regular season in a quarter century.

—A shout-out to USC women’s golf, who I unfortunately overlooked in last week’s newsletter, even after they’d won the school’s first Big Ten title and 10th conference title overall. And not just that, sophomore Jasmine Koo won the individual Big Ten title. She was already the winningest player in USC women’s golf history, but added her most distinguished honor yet by becoming the school’s eighth individual conference champion.

What I’m watching this week

Oscar Isaac as Josh Martin, Carey Mulligan as Lindsay Crane-Martin in “Beef.”

(COURTESY OF NETFLIX)

When its first season debuted on Netflix in 2023, there weren’t many shows out there that could build anxiety-inducing tension quite like “Beef.” And I’m happy to report that it’s still got it.

Season 1, which starred Ali Wong and Steven Yeun, centered on a road-rage dispute that escalated out of control. Season 2 has a totally new story, even better actors — Oscar Isaac and Carey Mulligan are the couple at the center of the beef — and even higher stakes. This time, a younger couple played by Charles Melton and Cailee Spaeny witness Isaac and Mulligan, who run the country club they work at, get into a raging fight, the optics of which don’t look so great.

This problem maybe could’ve been solved with a little communication. But judging by the name of the show, you can probably guess which direction it went.

In case you missed it

More March Madness: NCAA basketball tournaments reportedly set to expand to 76 teams

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

Brittany Brown looks strong.

She looks confident.

She looks capable of achieving her dreams.

That’s how Brown looks in the mural painted in her honor at Vista del Valle Elementary — and it’s how the 31-year-old U.S. sprinter feels in real life nearly two years after winning a bronze medal in the women’s 200-meter at the 2024 Paris Olympics.

But that’s not always how she felt decades ago during her time as a student at the Claremont school.

“I grew up very sickly,” Brown told The Times last month while visiting Vista del Valle for a mural unveiling ceremony. “I had asthma. I had pneumonia, bronchitis. … I never thought I’d be running because I just was not the person that would be running. I was told to stay inside, not go outside.”

U.S. sprinter Brittany Brown celebrates winning the bronze medal in the women’s 200-meters at the 2024 Paris Olympics.

(Christian Petersen / Getty Images)

Former Vista del Valle Elementary student Brittany Brown wears her 2024 Paris Olympics bronze medal at the school’s district track and field competition April 24.

(Etienne Laurent / For The Times)

Brown’s family also faced housing uncertainty and financial struggles during that time. They moved around a lot, and sometimes Brown and her family — mother Yo-Landa, father Wayne, older sister Brandi, twin brother Brandon and younger brother Bryan — found themselves living in a hotel room near the elementary school.

Her mother told The Times that the school and the community provided invaluable support during those trying times.

“I think emotionally, it took a toll on her,” Yo-Landa Brown said. “But, of course, she was always joyful. She was very observant. She was kind. I could tell she used to cry a lot, but we all just tried to keep things calm and collected around her.”

U.S. sprinter Brittany Brown, a bronze medalist at the 2024 Paris Olympics, is all smiles after winning a ribbon in the Vista del Valle track meet as a fourth grader in 2007.

(Brandi Brown)

The mural ceremony was held April 24 immediately after the school’s 50th annual district track meet, where Brown interacted with the participants and handed out ribbons. Vista del Valle Elementary hosts all seven elementary schools in the district each year for the meet. It was as a fourth-grade participant at the same event nearly 20 years ago that Brown discovered she loved to run — and also that she was very good at it.

“I remember running just felt very freeing. Like it just felt like, ‘OK, I’m not the sick kid. I can just try and do something,’” said Brown, who holds the Claremont High School record in the girls 100-meter and 200-meter races. “And I was also winning, so that helped as well. … Running has brought me opportunities I never thought I would ever experience.”

The mural was painted by local artist Xiucoatl Mejia, who attended Claremont Unified School District schools from kindergarten (Sumner Elementary) through high school (Claremont High). He has painted several murals at district schools in recent years and was already working with first-year Vista del Valle principal Charles Boulden to start an after-school art club for the students.

The two men thought it would be great to have a mural on campus to tie in with the half-century anniversary of the district track meet. The realization that one of the country’s top sprinters was a Vista graduate who got her start at the same meet served as further inspiration.

The mural depicts an adult Brown running while wearing a Vista track uniform and carrying a torch. A large group of children runs behind her, with some of those kids resembling students from the art club.

People gather in front of a mural featuring U.S. sprinter Brittany Brown prior to its unveiling ceremony April 24 at Vista del Valle Elementary in Claremont.

(Etienne Laurent / For The Times)

“It just made sense to include some of the kids who were in the class and make it a little bit more custom to the school and personal to these kids,” Mejia said.

Third-grader Levi Adams said being depicted in a mural on a school wall is “special because when you’re older you can go back and look at it.”

Second-grader Holland Ly agreed that “it’s pretty special” to be featured in a painting that “many people” will see through the years.

Art club students also helped paint the mural.

“I had the kids lay out the whole track,” Mejia said. “I wanted them to do that very specifically, because I wanted them to understand that that’s the foundation for the race in our scene. … I wanted them to have that part in it, and be able to look back on it and see it.”

The theme of the piece initially was victory, Mejia said, but it evolved.

“As it progressed, the theme kind of changed into carrying the torch and paving the way for a better future for our youth and for our communities,” Mejia said. “It became a lot bigger than what initially it was. It became something that is a little bit more powerful than any singular victory. It was a collective victory with everyone.”

Boulden thinks the mural ended up being a tremendous success.

U.S. sprinter Brittany Brown holds up her bronze medal from the 2024 Paris Olympics surrounded by, from left: mother Yo-Landa Brown, twin brother Brandon Brown, brother Bryan Brown, grandmother Jeanette Royston and sister Brandi Brown.

(Brandi Brown)

“I couldn’t be happier with how it is — the colors, how vibrant it is and what it represents to me,” the principal said. “I see perseverance in there, and I see chasing dreams, and I see kids chasing after somebody who’s chasing their dreams as well.”

Brown is also thrilled with how the first mural in her honor turned out.

“I think it’s really good! I’m really, really happy with it,” said Brown, who is currently training in Los Angeles with the long-term goal of competing for the U.S. again in the 2028 Summer Olympics. “I love the colors. It even has my choker — I wear a choker when I run a lot. It has the little, fine details, so I think that was really cool.”

Her mother said she thought it was “really touching” that Mejia included images of current Vista students in the painting.

“Yes, Brittany is the Olympian, but now you have the next generation involved,” Yo-Landa Brown said. “Their stories will continue to live on and they will remember that. And that will give them the inspiration to be better and to do better in their lives. I thought that was phenomenal. I felt so thankful that he was able to capture that.”

Wearing her Olympic medal around her neck, Brown addressed the student body at the mural ceremony and became emotional while talking about the hardships she overcame while attending the school.

Olympian Brittany Brown hands out ribbons and high-fives to participants in Vista del Valle’s annual district track and field meet April 24 in Claremont.

(Etienne Laurent / For The Times)

“I really just want them to know you can create beautiful stuff, even in the struggle,” Brown told The Times afterward. “It’s going to be a lot harder, but you can still create beautiful stuff in the struggle. And I definitely have created a different life for me. …

“I never thought the little girl in the hotel would freaking have a mural. I never thought, like a little asthma girl, you know, someone who wasn’t allowed outside, that this would be my story. So it’s definitely crazy. That’s what I want them to know.”

Brown’s message seems to have resonated with the students. Fifth-grader Kaylee Mency said Brown’s story of her childhood struggles “really meant a lot to me because she still kept going even though her life wasn’t as good.”

Fifth-grader Eliana Ocegueda added: “She went to this school and now she’s an Olympian. It’s really inspiring and it kind of makes you think about you can be anything you want to be.”

They call themselves the Booked Babes. Tonight, the women are gathered in Anna Sokol’s kitchen, surrounding an oven-roasted duck stuffed with apples. The dish is a Ukrainian delicacy from Sokol’s home country, where she was once a fashion designer and influencer. Now, she’s in Venice Beach. Sunlight bleeds in from the window where the sun is setting over the Venice Canals. At the women’s feet, a mini Bernedoodle, Zipper, paces nervously, barking at arriving guests. Screams echo from the upstairs bedrooms, where two husbands are in exile, watching a Green Bay Packers game with a newborn baby.

Tonight’s book club is Eastern European-themed, prompting the women to wear red cardigans and dresses. The book under discussion is “The New Rules” by Russian-born TikTok influencer Margarita Nazarenko, who prescribes gender roles that Sokol recognizes as distinctly Eastern European. Nazarenko is a best-selling author with more than 600,000 followers on Instagram, known for offering practical, blunt dating advice to women. “Her methodology feels very Eastern European in male and female relationships and dynamics,” Sokol explains as her guests pick at deviled eggs and brie cheese with manicured nails.

The guest list for the Booked Babes is small — only six women, with one of them commuting remotely from Miami; this time, she joins over FaceTime. The Booked Babes was founded more than two years ago at a holiday party as a New Year’s resolution to read more and forge new friendships. Since then, the women have become best friends, and the book club meetings they host have taken on a life of their own —becoming more spectacular and competitive with each meeting.

The Booked Babes journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses.

(Anna Sokol)

“It started off very normal in the beginning, very casual,” book club member Cassandra Leisz explains. “I don’t really know when the switch happened.”

With each passing month, the book club became more elaborate and more involved — including vacations in coastal towns, costuming, pickleball tournaments and monogrammed custom merch.

Take the historical literary fiction novel “Perfume: The Story of a Murderer” by Patrick Süskind, for example, set in the 18th century. The group journeyed to a gothic mansion in La Jolla and dressed as Marie Antoinette in extravagant rococo dresses. Eighteenth century activities included croquet and designing a custom perfume, all accompanied by fashion photography. Sokol chose the novel for its cult status in Ukraine: “Everyone read it, even though it’s a really weird book.”

For the book club members, the spectacle is part of the fun. “It gives us all a chance to be creative and come together. You get to make it whatever you want it to be. There’s the element of: how do I want to express myself in this time period?” says Leisz.

For the book club pick “Flawless” by Elsie Silver, Ashley Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck.

(Anna Sokol)

For her turn hosting, Leisz rented a boat — not quite a yacht, she clarifies — in Marina del Rey, paired with lobster rolls and champagne. The novel was “The Wedding People” by Alison Espach, set in a hotel in Newport, R.I. Leisz leaned into the snobby, blue-blood aesthetic described in the book for her outing.

“It is a financial commitment. We put a lot of money into it between the decor, the gifts and the activity,” says Leisz.

Opinions and literary taste often vary among the women. The book club enjoys sparring over polarizing books, but the point is always friendship. “There are a lot of times I don’t like the book, but I love having an opportunity to spend time with girlfriends,” says Ashley Goldsmith.

Custom merch like personalized sweatshirts, elaborate gifting and travel have become a tradition for this book club.

(Anna Sokol)

For her book club on “Flawless” by Elsie Silver, Goldsmith planned a cowboy picnic in Franklin Canyon, complete with her mother’s vintage Chevy pickup truck for photo ops. The meal was followed by a mechanical bull-riding competition at Saddle Ranch. Goldsmith even hired a security guard to secure the public picnic bench beginning at 7 a.m.

The Booked Babes have attracted attention on the members’ social media with eager requests to join. The book club always politely declines, given its specific chemistry. “The second we started posting about this and talking about it, people were like, ‘Oh my God, how do I join?’” says Leisz. Since schedules are already tricky to maneuver, the club does not accept new members.

The Booked Babes raise their glasses.

(Carlin Stiehl / For The Times)

In curating a book club, the members insist that diversity of opinion is key. “We’re all quite different from each other. We have very different backgrounds. Some of us come from different countries,” says Leisz. Illana O’Reiley, who joined over Facetime, immigrated from Dublin and is currently living in Miami.

At dinner, the book club sits down for the Ukrainian meal to discuss “The New Rules.” On the table are elaborate rose arrangements and settings draped in red ribbon. Amanda Ghaffari slyly streams the Green Bay Packers game on her iPhone. O’Reiley jokes via Facetime she is eating popcorn and watching the hit gay drama “Heated Rivalry.”

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1. A flower arrangement is set for a themed book club. 2. A cheese plate. 3. Book club members wear red and pink dresses for their meeting. (Carlin Stiehl / For The Times)

The conversation includes some light teasing about each other’s attachment styles — the intimate banter of close friends. Victoria Frenner, who is a therapist, expresses skepticism about the book’s punchy tone. “When someone is speaking on something with a lot of conviction, like, there always has to be some kind of caveat,” Frenner says.

“This is why I wanted you to read it. It’s very Eastern European-focused.” Sokol says. “American girls are a little more on the independent side. She doesn’t say ‘don’t be independent,’ but she talks a lot about femininity.” Sokol recounts the dizzying story of meeting her husband at a wedding in Moscow, which begins with her husband attending a nightclub in Dubai.

Ashley Goldsmith reads her individualized star chart.

(Carlin Stiehl / For The Times)

For the activity planned, Sokol, who is eight months pregnant and wearing a dazzling candy-pink dress that matches the chosen book’s cover, presents the members with their own custom Slavic astrology reading, one she procured from a Ukrainian astrologer she visited when she was 19. Fortune telling and mysticism are common in Eastern Europe, she explains. The custom readings are bound in booklets, each featuring a spirit animal, such as a panda, and suggested habits.

“Avoid fast cars and motorcycles. Avoid countries with active war,” one of the booklets read.

Ghaffari explains that ever since she was 3 years old in Milwaukee, her mother has been in a decades-long book club. “She flies back for it, and she’ll recommend books that they just read,” Ghaffari says. Three weeks ago, Ghaffari had her first baby, who is in attendance, whom she jokes is the “book club heir.”

The Booked Babes fall quiet as they thumb through their astrology booklets, reading about destiny, transfixed by the mesmerizing promise of inevitable fate.

Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.

ANAHEIM, Calif. — When Joel Quenneville took over the long-suffering Ducks nearly a year ago, the veteran head coach cautiously said he hoped to get his new team into contention this season for its first playoff spot since 2018.

His young, hungry Ducks made it to the playoffs, all right — and they’re clearly not just happy to be here.

After nearly winning the Pacific Division in a surprisingly strong regular season, these Ducks ended the franchise’s eight-year postseason drought — and now they’ve eliminated Connor McDavid, Leon Draisaitl and the two-time defending Western Conference champion Edmonton Oilers with a six-game series victory in the first round.

Anaheim finished it off with a 5-2 victory in Game 6 on Thursday night, calmly dispatching its more experienced opponents with the poise and potency that this team has shown for long stretches this season. Quenneville could only applaud as his team took the next step on its journey.

Ducks center Leo Carlsson celebrates with left wing Chris Kreider after scoring an empty net goal during Game 6 of their Stanley Cup playoff series against the Edmonton Oilers on Thursday in Anaheim.

(Mark J. Terrill / Associated Press)

“It’s a huge win,” Quenneville said. “I’m happy for the players. I’m happy for the fans. And now we’ve got a taste of playoff hockey, and I think we can feel at this moment that it’s so much fun playing games that have the meaning, and the building being as loud and excited as it is. It seems to grow from this level on.”

The future has finally arrived in Orange County, and the raucous sellout crowds that have supported this team all season long are loving the return of playoff hockey for the team that won California’s first Stanley Cup in 2007.

The Ducks also had one of the NHL’s best teams while winning five straight division titles through the middle of the 2010s, but those teams twice lost in the Western Conference finals before Anaheim fell into a rut of seven straight years without a playoff berth.

Those years of high draft picks have led to a roster with impressive high-end talent in its young core, and general manager Pat Verbeek added a slate of veteran signees to bolster it. Quenneville was the next huge piece of the puzzle, and the three-time Stanley Cup winner as a head coach has guided the Ducks to a first-round postseason upset.

“We know that (at) our best is a really good team when we’re playing the right way,” said Troy Terry, the longest-serving Ducks player since 2018. “We proved it to ourselves that we can do it consistently in a series, and our group should have a lot of confidence going forward in what makes us a good team.”

After stumbling into a 2-6-2 slump down the stretch and blowing the division lead, the third-place Ducks drew the playoff-tested Oilers in the first round. It looked like a nightmare matchup for an inexperienced team — but the Ducks were ready.

Anaheim stormed to a 3-1 series lead while pumping 20 goals past the Oilers, who looked slower and creakier than the Ducks. Edmonton showed off its postseason poise in Game 5, throttling the Ducks in a 4-1 victory and putting the onus on their inexperienced opponents to finish off the series.

And that’s exactly what the Ducks did: They scored three goals in the first period, jumped to a 4-1 lead after two, and never allowed the Oilers to get up enough momentum to seriously threaten a comeback.

“I’m just proud with the maturity level of that game,” Terry said. “For how inexperienced and young our team is, it’s exciting moving forward.”

Anaheim also got a star-making performance from defenseman Jackson LaCombe, who led the team with nine points while also leading its defensive effort against McDavid and Draisaitl. LaCombe, a late addition to the U.S. Olympic team last winter, led the Ducks with a plus-6 rating while playing 22 1/2 minutes per game and taking just one penalty.

“A lot of us young guys are learning a lot as we go along, and I thought we got better throughout the series,” LaCombe said. “It means a lot for us.”

The Ducks have extended their breakthrough season for at least another couple of weeks, and they’re relatively healthy. Their next opponent will be the Vegas Golden Knights — another experienced playoff team loaded with veterans.

The Ducks and their fans are thrilled to take the next step on this unlikely journey.

“Now we get to experience another round, and I think this is healthy for us,” Quenneville said. “We’ve got a young group that … you don’t know how they’re going to play, but you’re certainly excited what the upside is.”

Beacham writes for the Associated Press.

Ticket prices are just the start of the soaring expenses many fans will face while trying to watch World Cup games this summer.

NJ Transit is charging $150 for round-trip tickets from Manhattan to the Meadowlands (the regular price is $12.60) for the World Cup final, while host committee shuttle buses will cost $80.

The Massachusetts Bay Transportation Authority is demanding $80 to ride one of the 14 express trains on the 30-mile trip from downtown Boston to Foxborough for games at Gillette Stadium. That’s more than three times the normal price.

Parking in Kansas City, meanwhile, will set you back by as much as $900, depending on the game and lot.

In Southern California, however, it will cost $1.75 to get to SoFi Stadium on a combination of buses or trains from as far away as Claremont and Simi Valley. That’s also what it costs to get to the Inglewood venue on any other day of the year; only two of the 11 World Cup cities in the U.S. are offering less expensive public transportation.

“We’re trying to make things convenient,” said Conan Cheung, the chief operations officer for the Los Angeles County Metropolitan Transportation Authority, or LA Metro, the second-largest transit agency in the country, servicing more than 305 million riders in 2025.

That’s a marked departure from the experience fans have reported ahead of this summer’s World Cup, which was marked by complaints over difficulty getting access to buy tickets, high ticket prices, shifts in seat locations after they were purchased, high fees and expensive game-day transportation.

“There’s no standardized fare set across the board,” Cheung said of World Cup transportation. “We’ve made a commitment to keep our system accessible. The way we’re planning the entire program is to ensure that we support people from the minute they decide to come to L.A. for the World Cup.

Workers are getting SoFi Stadium ready to host World Cup matches this summer.

(Eduard Cauich / Los Angeles Times )

“We also want to make sure that your excitement and your experience for the World Cup starts and ends on Metro.”

LA Metro has been able to hold costs down in part because it received $9.6 million in funding from the $100 million Congress gave the Federal Transit Administration to support transportation to and from World Cup stadiums. LA Metro is adding about 300 buses to its regular fleet to handle the additional demand, with shuttles servicing nine direct routes to SoFi and various fan zones.

Roughly 200 of those buses will lent to LA Metro from 11 regional transit agencies. Additional security officers also will be added.

“I feel prepared,” Cheung said, “but you never know what’s going to happen. We’ve done enough major special events to know that you can do all the planning in the world, but you need to make sure that you have contingencies in place and you’re prepared to pivot at a moment’s notice.”

A case in point: when Game 3 of last fall’s World Series went into extra innings, LA Metro immediately extended the operating hours for Metro buses and trains, ensuring people had rides home when the game ended just shy of midnight.

“Part of our preparedness is going through tabletop exercises,” he said. “The point is to ensure that the flow from the parking, from the transit connection and walking up made sense and was intuitive and easy to follow.”

Since Metro trains don’t run directly to SoFi, Cheung has added shuttle buses to take fans from the stations to the stadium. Portable restrooms and hydration stations will be available. And nine park-and-ride sites will be set up around L.A. and Orange counties. Reserve and pay for a parking space and everyone in your car can ride to the stadium for free. (Be sure to bring a lot of friends since the parking fees range from $59 to $102 for the June 12 opening match.)

A pair of visitors from Japan rush to catch a Metro bus in March.

(Genaro Molina / Los Angeles Times)

Cheung said LA Metro has been preparing for the World Cup almost as long as some of the players. When Taylor Swift brought her Eras tour to SoFi in the summer of 2023, LA Metro used that as something of a dress rehearsal for the World Cup, expanding late service and adding free shuttles from nearby train stations.

That increased ridership by 25%, which meant less traffic on the roads and freeways leading to the stadium. A repeat of that could be crucial during the World Cup since five of the eight games played at SoFi are scheduled to start at noon local time.

And just as the Taylor Swift concerts prepared LA Metro for the World Cup, now the World Cup will help inform preparations for the 2028 Olympics.

“A lot of the strategies that we’re doing now — the process for working with not only local jurisdictions, state and federal agencies, as well as the other transit agencies in the regions — we’re setting up ways that are going to help not only for the Olympics and Paralympics, but anytime we need to pull together to support our communities for special events [or] natural disasters.”

For more information on LA Metro services in and around the World Cup, go to www.metro.net/riding/world-cup

⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.

Maybe Tom Cruise will make a visit to Sherman Oaks Notre Dame on Thursday for the Mission League track and field finals since he’s the one who said in his 1986 movie, “Top Gun,” that he feels “the need for speed.”

There will be no lacking in speed for the 100 meters, where there are so many runners who have run under 11 seconds this season that a second 100 final could be run if needed. Zion Phelps of Loyola has the fastest time at 10.39. Quincy Hearn of Notre Dame is at 10.52. Jayden Davis of Loyola has run 10.57. And there’s a freshman at Harvard-Westlake, Calvin Portley, who ran 10.69 at Monday’s prelims.

The 4×100 relay also should be outstanding, matching Notre Dame and Loyola. The Notre Dame quartet of Nikko Petronicolos, Quincy Hearn, Beckham Borquez and Emmanuel Pullins has run 40.76. Loyola has a time of 40.73.

Borquez is also a top hurdler and defending state champion JJ Harel of Notre Dame will be in the high jump. Ejam Yohannes of Loyola is one of the favorites to win a state title in the 400.

League finals are scheduled all week, with the Trinity League finals on Friday at 6 p.m. at JSerra.

Southern Section prelims will be held next weekend, followed by the finals on May 16 at Moorpark High.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com

When you break a promise as clear as “No new wars,” you shouldn’t be surprised when even your most loyal supporters revolt. And that’s exactly what is happening to President Trump.

One such disillusioned supporter is Tucker Carlson — who on a recent podcast with his brother Buckley admitted, in essence, “My bad.”

“You wrote speeches for him. I campaigned for him. I mean, we’re implicated in this, for sure,” Tucker Carlson said during the conversation.

“In real ways, you and me, and millions of people like us, are the reason this is happening right now,” Calson confessed, referring to the Iran war. “We’ll be tormented by it for a long time. I will be, and I want to say I’m sorry for misleading people, and it was not intentional.”

Having worked for Carlson for six years at the Daily Caller, I’ve always found him intelligent and funny and generous, even as I have profoundly differed with him on a variety of issues throughout the Trump era.

It did my heart good to hear him accept some responsibility for what Trump has wrought.

A lot of people were complicit in boosting Trump, and some of them have even subsequently criticized him for various sins (failing to release the Epstein files, going to war with Iran, etc.). But this is the first time I can recall anyone of this stature explicitly apologizing for helping elect Trump. And that warrants a certain amount of respect.

Still, let’s be clear-eyed about what Carlson is — and isn’t — saying here. Specifically, it’s worth noting that the apology doesn’t extend to validating those of us who opposed Trump from the beginning.

In fact, it almost can’t.

Doing that would require the confessor to reinterpret not just Trump’s presidency, but also the entire ecosystem that made supporting Trump a viable option in the first place.

It would mean admitting that the framework he used to evaluate Trump was flawed, not just the outcome.

That would end up being perceived as an indictment on the broader Republican electorate — and on Carlson’s worldview and judgment — not just on Trump’s recent performance or (even more conveniently) the notion that Trump has changed or was co-opted by Israel (or whomever) since 2024.

It’s a much bigger ask than saying, “I regret this specific result.”

Specifically, Carlson is not conceding that the “Never Trump” crowd got it right — which is what those of us who have spent a decade opposing Trump (with little fanfare) have been dying to hear for a decade (even more so than “I’m sorry.”)

This is an important distinction, partly because it means that, although Carlson is now a convenient ally in the “resistance,” he is not opposing Trump for the same reasons that most Democrats or Never Trump conservatives oppose Trump.

If you put aside Trump’s decision to go to war with Iran, the Carlsons’ second-biggest criticism of Trump (based on their two-hour-long podcast) is his failure to more vigorously defend the Jan. 6 Capitol rioters.

That’s right. It’s not that he sicced immigration enforcers on immigrants and that they subsequently killed two American citizens. It’s not that DOGE fired lots of good people. It’s not that this president tried to use the Department of Justice to seek vengeance on his political rivals. It’s that Trump — the person who pardoned these people — wasn’t aggressive enough in defending the criminals who stormed the U.S. Capitol while trying to overturn the 2020 election results.

And while there’s no reason to doubt Carlson’s remarks are sincere (he has been a vocal opponent of war with Iran) and meaningful (he’s an influential figure), his comments may also signal something else: a recognition that opportunity awaits.

Consider this: Trump’s political standing is in deep trouble (Trump’s approval rating is down to 33%, according to a new AP-NORC poll).

What is more, Trump’s fading fortunes aren’t just isolated to Trump. As always, there is collateral damage: JD Vance.

Once seen as Trump’s obvious heir, Vance now finds himself in a difficult position, defending the war in Iran and attacking the pope, while simultaneously releasing a book about his Catholic conversion.

In that sense, Carlson’s apology could be less a grudging epiphany than a strategic recalibration. It acknowledges that Trump has gone off the rails but stops short of examining why it was destined to go wrong in the first place.

Carlson gets close to the answer when he tells his brother, “there were signs of low character. We knew that,” but then dismisses it by saying “there are tons of people of low character who outperform their character.”

Without deeper reflection, this apology risks becoming just another pivot — one that has as much to do with positioning as it does with repentance.

And that would be a shame.

It’s easy to regret an outcome. It’s much harder to interrogate the instincts that led you (and tens of millions of Americans) to enable it.

Apologies like Carlson’s won’t close the chapter on this long national nightmare.

Matt K. Lewis is the author of “Filthy Rich Politicians” and “Too Dumb to Fail.”

Thirty years ago, comedian and actor Tig Notaro didn’t have a clear direction in life, so she followed some childhood friends who wanted to get into entertainment to Los Angeles. Secretly wanting to do stand-up, Notaro decided to try her luck at various outlets in town, which became the start of her successful career.

“I stayed on my friends’ couch near the Hollywood Improv on Melrose, and a couple months later, got my own studio apartment in the Miracle Mile area,” Notaro says. “I love all the options for everything in L.A. — the entertainment, the restaurants. I like to stay active. So many people love the hiking options in Los Angeles, and I’m one of them.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Notaro appears in Season 3 of Apple TV’s “The Morning Show” and is a series regular on Paramount+’s “Star Trek: Starfleet Academy,” as she was on “Star Trek: Discovery.” She’s also a touring stand-up comic and hosts “Handsome,” a comedy podcast, with Fortune Feimster and Mae Martin. The trio will be taping a live show May 4 at the Wiltern with the cast of Netflix’s “The Hunting Wives.” The live shows include interviews, but also “incorporate some ridiculous things,” she says. For example, upon hearing that some of the hosts always wanted to learn to tap dance, Notaro “hired a tap instructor to come to our live show in Austin and teach us how to tap dance in front of the audience.”

Notaro lives near Hollywood with her wife, actor Stephanie Allynne, their 9-year-old fraternal twin boys, Max and Finn, and three cats, Fluff, Linus and Skip. When she’s not touring, her ideal Sundays include sampling vegan restaurants, wandering through bookstores or museums, and doing something physically active with the family.

This interview has been lightly edited and condensed for length and clarity.

6 a.m.: Up with the kids

Because we have active children, we still wake up at 6 a.m. or 6:30 a.m. on Sunday, but there’s not as much of a rush to get going. Stephanie and I will often have coffee and chat in the living room together. I love that part of the day. Stephanie may cook breakfast, but Max and Finn are pretty self-sufficient and can make certain little meals for themselves. Max is really starting to take an interest in cooking, so he’d make breakfast for himself. Our family is vegan, but he eats eggs, so he makes himself an egg sandwich with avocado a lot of times.

9 a.m.: Daily morning walk

After breakfast, we usually have a morning walk around our neighborhood. That’s a daily thing I like to do, regardless of what’s going on. Now that I’m not touring as much, tennis is back on the schedule. So I’d go to Plummer Park in West Hollywood and play for a while, then join the family for lunch.

11:30 a.m.: Hike with a side of chickpea sandwich

I love Trails, a cafe in Griffith Park, where you can eat outdoors. It serves simple food, and has good vegan options. I usually get their chickpea salad sandwich. The food there is great. Afterward, we’d visit Griffith Observatory, where there’s lots to see. There are lots of great trails in the park, so we’d go for an hour hike before leaving.

3 p.m.: Browse the shelves for rock biographies

Bookstores are fun, so we’d head downtown for the Last Bookstore, which is in a historic building with lots of vintage books. I really love all things plant-based, and I’m a very big music fanatic. So I love to look for vegan books, nutrition books, rock biographies and autobiographies. It’s just fun to browse around the stacks.

If we didn’t go to the bookstore, we’d probably go to LACMA. Our sons are huge fans of art and want to go for each new exhibit. They love Hockney, Basquiat and Picasso, to name a few.

4 p.m.: Cuddle with cuties at a cat cafe

We’d then make a quick stop at [Crumbs & Whiskers], a kitten and cat cafe on Melrose for coffee, snacks and to pet the cats. It’s best to make reservations in advance. There’s cats all around the place that need to be adopted. You can visit and pet them, or find a new roommate. I’d love to take some home, but we already have three.

5:30 p.m. Italian or sushi, but make it vegan

We’re an early dinner family. One restaurant we like is Pura Vita in West Hollywood. It’s the greatest vegan Italian food, and for non-vegans, nobody ever knows the difference. It’s the first 100% plant-based Italian restaurant in the United States. They make an incredible kale salad and I love the San Gennaro pizza. It’s got cashew mozzarella, tomato sauce, Italian sausage crumble and more.

Then there’s Planta in Marina del Rey. It’s right on the harbor and you can sit outside and look at the boats coming in and out. They have sushi, salads and other plant-based entrees. They’ve got a really great spicy tuna roll that’s made out of watermelon. They are magicians.

Or there’s Crossroads Kitchen in West Hollywood. They play the best classic rock, and the atmosphere is upscale, fine dining. The appetizers that we always get are called Moroccan Cigars, which are vegan meat substitutes fried in a rolled batter. I really like the grilled lion’s mane steak, their mushroom steak with truffle potatoes, or the scallopini Milanese, that has a chicken or tofu option. I get the chicken with arugula on top. I always love to have a decaf espresso with dessert, which is either a brownie sundae or banana pudding.

7:30 p.m.: Comfort watch or word games

After dinner, the kids often like to watch an episode of “Friends,” a show that all ages enjoy, sports or “The Simpsons.” Or we’d play a game where each of us will add a word to a sentence and create a weird or funny long sentence until one of our sons says period. Then they’ll try and remember the whole sentence and repeat it back.

9:30 p.m.: Bubble bath then bed

The boys usually go to bed at 8:30 p.m. and bedtime for us is 9:30 p.m. Stephanie and I would read or chat. I like to take a bubble bath, if people must know. The best Sundays for me mean finding a good balance of relaxing and being active. I feel very lucky that my family and I can do those things together.

Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.

Trade the flower crowns and sneakers for a cowboy hat and some boots, because Coachella has moved out of the Empire Polo Club in Indio and the Stagecoach Festival is moving in, April 24 to 26.

Post Malone, who headlined Coachella in 2025 and played a set of country covers at Stagecoach in 2024, is back to headline the country music fest along with Lainey Wilson and Cody Johnson.

From what to know about the festival to how you can watch from home, here’s your guide to Stagecoach.

When is Stagecoach? Where is the venue?

Stagecoach 2026 runs April 24 to 26 at the Empire Polo Club at 81-800 Ave. 51 in Indio.

Who is performing at Stagecoach 2026?

This year’s main stage headliners are Cody Johnson, Lainey Wilson and Post Malone.

You can also expect big sets from Brooks & Dunn, Bailey Zimmerman and more rock-centric acts like Journey, Counting Crows, Third Eye Blind and Bush. Then there’s Ludacris, Pitbull and Diplo, who is bringing back his HonkyTonk dance area as well as performing.

See the full lineup.

Fun fact: Mane Stage performer Teddy Swims played the main stage at Coachella the last two weekends, but we haven’t heard if he’s bringing out David Lee Roth again. And Diplo was also at Coachella with Major Lazer.

What’s new at Stagecoach this year?

The big thing is the new Mustang Stage. Back in the early years of Stagecoach, there was a tent with the same name that featured a lot of cowboy poets and bluegrass. It was much smaller than what we’re expecting of this new one, which is set up where the massive Sahara Tent is during Coachella.

Anyone who has tried to see one of the big artists over at the Palomino Stage during Stagecoach in recent years knows how it can easily overflow, so this should ease some of that congestion for artists like Journey, Hootie & the Blowfish and the Red Clay Strays.

It’s also taking over the late-night sets with Diplo, Pitbull and Ludacris that had previously been done at the Palomino.

Can I still get tickets to Stagecoach? How much are passes?

Yes, there are still passes available for Stagecoach 2026. A general admission three-day pass is $619. (There’s also a deal if you buy a six-pack of GA passes that comes out to $569 per pass.) You can get a GA combo pass that includes shuttle transportation starting at $699. There’s also a GA pass that gets you access to the Rhinestone Saloon adjacent to the Mane Stage and the Rose Garden Saloon next to the Palomino Stage for $974.

If you want to get close to the Mane Stage, a Corral Standing Pit pass is $1,899. Corral reserved seating runs from $1,199 to $2,299. The chairs are folding camping chairs, and the highest tier option has drink holders. If you purchase any of the seating options, you can take the chair home as a souvenir Sunday night. Corral passes (standing or seated) come with access to the more exclusive Corral Saloon as well as the Rhinestone and Rose Garden Saloons.

You can buy tickets at stagecoach.com/passes.

What’s the difference between general admission and Corral passes?

Stagecoach is different from Coachella in that if you want to be close to the largest stage, you will need to pay for a Corral pass. Those in the Corral Standing Pit will be the closest.

If you have a GA pass, be prepared to just see the biggest acts on a screen. For Stagecoach, there are multiple screens set up in the field for the general admission areas — and usually a feed with a screen over by the Beer Barn, too.

GA passholders who are willing to stand typically have access to an area closer to the Mane Stage than those with blankets or low-backed lawn chairs.

That being said, GA passholders have traditionally been able to get up close at all of the other stages.

When does Stagecoach release set times?

Stagecoach set times are already posted. Similar to Coachella’s surprises, the festival recently announced that Dan + Shay are on the bill for Friday on the Palomino Stage.

When do gates open at Stagecoach? How late does the music go?

The parking lots open at noon daily and the gates open at 1. Everything ends at midnight or earlier.

As the venue opened, country music fans made a run across the field to secure good concert-viewing positions on the first day of Stagecoach in 2022.

(Allen J. Schaben / Los Angeles Times)

What’s the deal with parking? What about the shuttles? Can I take a rideshare? How’s traffic?

Who says you can’t get anything for free anymore? Day parking is free at Stagecoach.

Like I recommended for Coachella, drop a pin in your phone as soon as you park so you can find your car at the end of the night.

There is a rideshare lot. You can also purchase a shuttle pass for $130. There’s also preferred parking for $299.

Stagecoach doesn’t have as many people as Coachella, so the traffic usually isn’t as bad, but Monday can get congested as people head home from the desert.

If you want to avoid traffic or you’re looking for some off-site adventures during Stagecoach, check out these 14 fun desert side quests.

Where do I put my stuff? Are there lockers? Is there a place to charge my phone?

Stagecoach still has medium-sized lockers available to rent. They are $84 for the weekend and you can reserve them in advance. Small charging lockers for devices are $74 for the weekend.

Backpacks 18” x 13” x 8.5” or smaller are allowed inside the venue.

Beyond the charging lockers, there are places around the grounds where you can charge your own devices. Bring your own cable/plug.

A man drinks a beer from a woman’s boot while watching Willie Nelson & Family perform on the Mane Stage on the second day of Stagecoach 2024.

(Allen J. Schaben / Los Angeles Times)

What’s the weather going to be like for Stagecoach and how can I prepare for it?

It’s looking like we’ll hit a high of 90 degrees on Friday, 81 on Saturday and 78 on Sunday, according to Accuweather. The lows will dip into the 50s, though, so you might want to throw in a long-sleeved flannel shirt or hoodie for when the sun goes down and Brooks & Dunn sing about dancing under a neon moon. Since blankets and towels (50” x 70” max) are also allowed, you could also roll yourself up into a Stagecoach burrito, I suppose.

You can also bring in handheld fans (paper or battery-powered).

Plastic personal-sized water misters are allowed in, too, but they have to be empty when you get there.

The wind doesn’t look too bad right now, but it will inevitably kick up. Don’t bring a cough home as a souvenir. Bring a face covering like a bandanna or a PPE mask.

The desert is hot. Are there water stations?

I know lots of people enjoy the beer at Stagecoach, but it’s not the same as water. My mantra in April is dehydration is serious business. And if you’re drinking beer, you definitely want to keep drinking water.

The good news is that there are multiple refill stations around the grounds, and if you need to buy a bottle of water, it’s only $2.

Like Coachella, you can bring in an empty refillable container, but it needs to be plastic (no metal or glass) and 64 ounces or less. Empty hydration backpacks are allowed, too.

For a free boost of electrolytes, the Electrolit booth is back with free samples between the Mane Stage and Diplo’s HonkyTonk. (Pro tip: I stopped there every day on my way in during Coachella. Hydrate early, hydrate often.)

What’s the deal with food at Stagecoach?

If you like barbecue, you’re in the right place. There’s a whole lot of it at Stagecoach. Flavortown also comes to Stagecoach with cooking demos throughout the weekend courtesy of Guy Fieri and friends.

There are a fair number of vendors that were also at Coachella, including Prince St. Pizza, Irv’s Burgers, Love Hour and Oh My Burger, the latter two of which impressed Danielle Dorsey, one of our food editors, at Coachella this year.

If you’re buying food on site, plan on $20 and up for most entrees, with a few deals to be had.

If you’re looking for freebies, the Electrolit and Coca-Cola installations are still there from Coachella and Monster Energy also has a space where it’s giving out samples. (Monster Energy also has a meet and greet with Redferrin after his performance on Saturday and a surprise DJ set on Sunday.) As for free food, sometimes they pass out samples to the crowd after the Guy Fieri demonstrations.

What else can I do while I’m in the desert? Is there time to do anything outside of the festival?

I’m glad you asked. Earlier this month, we put together a collection of side quests around the desert. Some, like snapping a photo of the Forever Marilyn statue in Palm Springs or seeing the former Coachella festival art installation “Sarbalé Ke,” are easy to do before entering Stagecoach for the day. Others are more involved and can be a great way to miss that traffic coming back on Monday.

If you’re looking for more options, we’ve got a Gen Z guide to eating, drinking and shopping in Palm Springs and restaurant critic Bill Addison recently updated his dining guide to Palm Springs.

How can I watch Stagecoach from home?

In recent years, Stagecoach has been streamed on Prime Video, Amazon Music and Twitch.

The streams start each day at 3 p.m. Pacific. There are two channels set up.

A specific schedule hasn’t yet been announced, but a press release from Amazon says the stream will include sets from Cody Johnson, Lainey Wilson, Post Malone, Third Eye Blind, Avery Anna, Ludacris, Michael Marcagi, Pitbull, the Red Clay Strays, Wynonna Judd and Diplo.

Star receiver Puka Nacua will fully participate in voluntary offseason workouts, the Rams are getting closer to another contract adjustment with quarterback Matthew Stafford, and coach Sean McVay and general manager Les Snead hope backup quarterback Jimmy Garoppolo decides to put off retirement and return for a third season and possible Super Bowl run.

McVay and Snead addressed those topics and the NFL draft on Tuesday during a videoconference with reporters.

Nacua led the NFL in receptions last season but also was involved in a string of off-the-field incidents the last few months, including an alleged biting incident that led to a civil lawsuit. Those situations put the brakes on any immediate discussion between the Rams and Nacua about a massive extension for the fourth-year pro.

In March, Nacua began a rehabilitation program in Malibu, but he was present for the first day of workouts on Monday.

Nacua, 24, “looks great” and is “doing really well,” McVay said. McVay declined to detail discussions he’s had with the All-Pro, who was a finalist for NFL offensive player of the year.

“He and I have a great relationship,” McVay said. “Feel really good about kind of the direction we’re going.”

Stafford, 38, led the Rams to the NFC championship game last season and is the reigning NFL most valuable player. According to overthecap.com, he is due to carry a salary-cap number of $48.3 million this season.

But Stafford has no doubt demanded, and will receive, a raise and a possible additional year in a deal that the Rams acknowledged two years ago is essentially a year-to-year situation.

“Progress has been made,” Snead said of negotiations.

There is no timeline, Snead said, “but don’t expect any drama, per se.”

Garoppolo, 34, has backed up Stafford for two seasons, and he has been invaluable.

Last year, with Stafford sidelined for training camp because of a back issue, Garoppolo ran the offense and prepped the defense with a skillset honed during a 12-year career that included a Super Bowl appearance. Stafford joined workouts before the season and remained healthy throughout, but Garoppolo was perhaps the most valuable insurance policy in the NFL.

Last season, Garoppolo played on a one-year contract and earned $4.5 million, according to overthecap.com.

McVay expressed confidence in fourth-year pro Stetson Bennett, but said he was hopeful that “when the time is right,” Garoppolo will “change his mind,” and return.

“You leave the door open,” McVay said when asked if there was a point that Rams would press Garoppolo to return. “I don’t think you want to press. What you don’t want to do is ever force a guy to play if in his mind he’s ready to move on.

“But you don’t want to minimize that, ‘Hey, if you do decide you want to play, let’s make sure it’s here with us.”

The Rams have the 13th pick in the NFL draft, which begins Thursday in Pittsburgh. They have one pick in the second and third rounds, one in the sixth round and three in the seventh.

Receiver, offensive line and edge rusher are among the positions the Rams could address with their first top-15 pick since they selected quarterback Jared Goff with the No. 1 pick in 2016.

“There’s a lot of possibilities,” McVay said. “We don’t control what happens in those 12 picks before, and so what we’ve done is a lot of contingency planning and a lot of conversations, and feel really good about that.”

Serving, blocking, passing and hitting.

Mira Costa put it all together over the final three sets of its Bay League boys’ volleyball showdown with Redondo Union on Monday night, prevailing 26-28, 25-13, 25-18, 25-22 to avenge a five-set loss in the teams’ first meeting and stake its claim for the No. 1 seed in the Southern Section Division 1 playoffs.

“Last time we didn’t think they were as good as they were, but we’ve watched a lot of film since then and saw where they like to go,” said outside hitter Mateo Fuerbringer, who finished with a match-high 27 kills and four of his team’s nine aces. “We didn’t pass that well in the first set, but after that we started spreading the ball around more and our serving was really good tonight. We got them out of system a lot.”

Colby Graham had nine kills and three blocks and ended each of the middle sets with a kill as the Mustangs (31-2, 7-1) totaled 15 stuff blocks. Wyatt Davis added eight kills and three blocks and Enzo Barker finished with five kills and two aces.

Redondo Union’s Vaughn Flaherty, left, and JR Boice try to block a hit from Mira Costa’s Colby Graham.

(Steve Galluzzo / For The Times)

Mira Costa snapped Redondo Union’s 18-match winning streak and evened up the league standings, but the Mustangs gained the tiebreaker by virtue of fewer sets lost head-to-head.

Mira Costa saved three match points in the first set before Mavrick Essert ended it with one of his eight kills for the visiting Sea Hawks (26-3, 7-1). His older brother Cash Essert had 11 kills and JR Boice added 10 but Redondo Union was unable to maintain its momentum, never leading once in the last three sets.

Redondo Union keyed on Fuerbringer to win the first encounter 27-25, 21-25, 25-22, 21-25, 15-13 on its home court March 26, but Monday’s match was a different story as Mira Costa varied its attack to keep the Sea Hawks on their heels.

“We were gassed the first time because that was right after we played Loyola,” Mustangs setter Jake Newman said. “Loyola took a lot out of us even though we won. So we weren’t prepared for Redondo, but this time around we had two weeks to practice and study their tendencies.”

Mira Costa libero Dane Del Riego returns a serve in a four-set victory over Redondo Union on April 20, 2026.

(Steve Galluzzo / For The Times)

Newman said closing the match in four sets was critical.

“At 24-22 we were telling each other we have to win, we’re not letting this go five,” he said. “We needed to beat them in four for the league championship.”

Mira Costa lost to Corona del Mar in tournament play early in the season but has since defeated the Sea Kings twice. It also has victories over Huntington Beach, Loyola and Newport Harbor — all of which will likely make the highest division.

Redondo Union won its own Varsity Invitational tournament Saturday, rallying to beat Loyola in the finals, and swept Newport Harbor at home March 21.

Coach Greg Snyder praised the Mustangs for executing the game plan to near perfection but warned it may not be the last time they have to face their archrival.

“That’s a really good team we just beat … we could very well see them again the playoffs,” he said. “I wouldn’t be surprised if that happens.”