His two older brothers were both Division I athletes with Dominic Davis playing football and running track at USC and Diab Davis running track at California.
For a dual-sport athlete with big dreams like Pleasant, having mentors in his two brothers to lean on and gain advice from was everything he ever needed.
But once the four-star Gardena Serra product made it to Oregon for his first year of college football, he struggled to adapt and get situated in Eugene, Ore., — he needed another older brother.
Defensive back Rodrick Pleasant signals downfield during a UCLA football preseason practice.
(Isabella Serafini/UCLA Athletics)
And it was former Oregon and Chargers cornerback Nikko Reed who stepped up to the plate and guided Pleasant through his first two years of Power Four football.
Reed’s impact on Pleasant was so profound that the UCLA cornerback promised himself that he would be the Reed to other younger players.
And now it is the senior’s time to pay it forward.
“That’s what I’ve taken pride in in the spring, being a leader, being a guy that can talk too, being the guy that I needed when I was a young kid,” Pleasant said on the second day of UCLA preseason camp. “I’ve had great leaders for me when I was at another place, and that’s what I’ve been trying to work on and be there for the guys because I know I’ve dealt with stuff that they’re going through, so that’s what’s been the biggest thing for me.”
Pleasant got his first taste of leadership throughout spring practices. He was recovering from a shoulder injury suffered at the tail end of the 2025 season and had to sit out of team and contact drills.
On the sideline, Pleasant had to learn to impact the game and the players around him without stepping onto the field.
The 2025 All-Big Ten honorable mention honoree quickly found out that by coaching others, he could also help himself.
“Being out there and being able to coach the guys and help the guys. If you can coach it, you can play it,” Pleasant said. “It wasn’t a frustration. I believe in the staff. I believe in what we’re doing here and they had me limited … for a certain reason. I trust the process.”
The Gardena native could have entered the transfer portal after head coach DeShaun Foster was fired three games into the 2025 season. And he had another chance after the season ended with his position coach Demetrice Martin left for Arizona State.
But the Bruins new coaching staff left a lasting impression on Pleasant.
“It’s a family-oriented place. You see, their families running around here, their kids. They’re people at the end of the day, and being around them is special,” Pleasant said. “So knowing that they treat their families like that, and have their families around us, I appreciate it.”
And no one left a stronger imprint then Chesney, who Pleasant said has been the same guy ever since their meeting.
Despite five new cornerbacks joining the team through the transfer portal and 2026 recruiting class, the comfort induced by the family-oriented coaching staff has allowed Pleasant’s leadership to flourish, supporting one of the deepest position groups on the team.
“We’ve been jelling. . We’ve been practicing for a very long time together and the chemistry is there,” Pleasant said. “It’s exciting. A lot of dudes are on the same page together, so that’s what I’m really excited about.”
Pleasant is determined to be a leader among the defensive back group and in the locker room, being the person Reed was to him.
And one of the first players he took under his wing was sophomore cornerback Osiris Gilbert, a UConn transfer.
“That’s my guy. He’s a young guy. He’s going to be special,” Pleasant said of Gilbert. “He has talent. He’s a competitor, and I’m excited about this season for him. He has a lot to give out to us, and he’s going to bring a lot out of us.”
Rodrick Pleasant, center, of Gardena Serra wins the 100 meters state championship in 10.20 seconds in 2023. Jaelon Barbarin, left, of Simi Valley finished sixth and Anthony Flowers of South Torrance was fourth.
(Nick Koza)
While Pleasant’s leadership is centered around UCLA football, it does not end there.
The defensive back and former 100-meter sprinter who broke the California state record in the 100-meter dash with a time of 10.14 at the CIF Southern Section Masters Meet in 2023 is also supporting the Los Angeles Jets Track Club.
“I went to the [USA Track and Field] Junior Olympics this past weekend and it’s just great seeing the young kids,” Pleasant said. “I’m a Jet at heart, and being out there and watching them run, it brings back memories. I’ve done it and the youth is a special place. Being somebody that they can see has done it before is like no other. So that’s why I wanted to get back. I like to be there because I know I needed somebody.”
“To be fair, I really hate running,” Thompson, a former track star, said. “But I’m really good at it.”
Thompson has proven that so far in Chargers training camp, sprinting around defenders and maximizing his 5-foot-9, 170-pound frame in passing drills.
His speed and do-it-all attitude have made him one of Justin Herbert’s favorite targets, including on deeper routes, over the last two weeks.
“He’s going to be very good,” Herbert said of Thompson. “We saw it early on that he was going to be. He’s skilled. He’s fast. He’s going to make a lot of plays for us. So, I’m really excited about him.”
Added Thompson: “I know my speed is pretty much unmatched when I step on the field, and that’s something I take strong confidence in.”
Thompson was clearly the fastest player going into the 2026 NFL draft after he posted a time of 4.26 seconds in the 40-yard dash, the third-best time ever, at the scouting combine.
And after leading the Southeastern Conference with 1,054 receiving yards as a senior at Mississippi State, Thompson impressed the Chargers enough to be their fourth-round pick.
He’s thrived ever since — as a wideout and as a returner.
“I agree with Justin,” added coach Jim Harbaugh. “We’re all seeing the same thing. Much like Akheem [Mesidor], so far, so good — really good.”
Special teams coordinator Ryan Ficken has been impressed with Thompson’s work ethic, saying “he’s willing to go ahead and put in the work.”
The Chargers have good reason to be excited about Thompson’s budding role.
New offensive coordinator Mike McDaniel’s scheme is largely focused on getting the ball to playmakers in space quickly. With Herbert being tasked this season with getting rid of the ball quicker, receivers are being tasked with finding ways of getting open sooner.
“We’re doing a lot more motions, a lot more shifts, a lot more stuff like that. “[McDaniel’s] whole philosophy is speed and moving fast,” wideout Quentin Johnston said. “Just different formations … variations of the same route … I mean, shoot, that just shows how good a coach Coach Mike is — got us in different positions to be successful.”
Thompson acknowledged he struggled to adapt to the NFL’s “20-word” play calls early on after coming from no-huddle communication rules in college.
McDaniel, however, acknowledged the progress and dedication he has seen from the rookie over the last few months.
Chargers wide receiver Brenen Thompson runs a drill during rookie minicamp in May.
(William Liang / Associated Press)
“I think he’s captured the attention of the quarterback room by his attack and ownership of the offense,” McDaniel said. “Typically, it’s a very difficult transition … there’s not pictures on the sidelines that you memorize. … The most impressive part has been his professional attack and ownership of assignment, which is not easy.
“Now, the next challenge is that you have all these stacked installs — can you still execute everything while these new plays are being shoveled to you, much like in a season where you have a new game plan every week?”
It helps Thompson to have veteran receivers such as Johnston and Ladd McConkey, who are willing to work with him.
“I pick their brains a lot,” Johnson said. “Whether it’s a certain route or certain play, how do they see these things? … I think the world of those two guys, along with everyone else in the room.”
McConkey and Johnston have enjoyed working with him too.
“He’s flying around across the field,” McConkey said. “He didn’t run 4.2 by accident. … He’s going to be able to help us a lot this year, for sure.”
Added Johnston: “Man, that’s my dawg. He came in with one thing on his mind: speed. Shoot, you’ve seen his [40-yard dash] time … he brought that to the league — to this team — which I appreciate a lot. He’s a very smart dude in the classroom. … He’s been a fun guy to be around.”
The Chargers’ offense will undoubtedly be different under McDaniel — Herbert’s new shotgun stance is proof of that. Speed and spacing will be key. And those who find ways to learn and contribute quickly, like Thompson, will earn playing time.
“I came here to contribute [and] to make this team better, and so whether that’s blocking, running, special teams — whatever that is — I’m going to put my best foot forward,” Thompson said. “I’m nowhere near where I want to be right now.”
Dorsey High’s 1982 City Section football championship team walked onto the stage with a youthful swagger. Though it has been decades since they celebrated within the halls of the school, it was like they had never left that courtyard.
Alumni and family cheered and danced alongside them at Dorsey’s first full athletics reunion. Soon after, the cheerleaders for the 1976 championship basketball team came out to perform. The up and coming sports teams for the 2026-27 school year came out with their families, as hundreds of people celebrated the legacy and the future of the school.
But Dorsey has undergone a lot of changes since the turn of the century.
In 25 years, it has gone from a well-attended school with a successful athletics program to one that has faded into the background of Los Angeles.
The last football championship came in 2001. The next year, Dorsey enrolled 2,211 students, the most in school history, according to Public School Review. Now, enrollment is hitting a low with 792 students, according to US News, and the athletic teams are trying to find that powerhouse status again.
Enter former football head coach Paul Knox. He had a solution — or at least an idea. Bring together the athletics alumni of Dorsey for a day of celebration, with a look ahead to the future.
On Saturday, hundreds of current and former Dorsey Dons came to the school for the reunion. There were a lot of stories, old photos, laughter and love being passed around from people who haven’t touched the campus in four decades. Alumni from all the way back in the 1950s came. Knox gave tours of the renovations the school has undertaken, and the event also highlighted the soon-to-be football stadium and new basketball gym.
Later in the day, the current teams were introduced to everybody in attendance as was the 1976 City championship basketball team. The chance to showcase both the past and present is what inspired Knox, who hasn’t coached at Dorsey since 2014, to put on this event.
“The atmosphere that is here, the pride that everybody has in the school in general … it’s one of the most passionate alumni that you are going to have,” Knox said.
Dorsey’s enrollment struggles are not unique. Across California, public school enrollment is down. In the Los Angeles Unified School District, enrollment dropped over 16,000 in the past year. Private and charter schools are on the up in both academics and athletics, leaving places such as Dorsey — that dominated for so long — behind.
Dorsey High alum and former major leaguer Don Buford sits under a towering ficus tree on campus Saturday during the school’s all-sports reunion.
(Caleb Otte / For The Times)
Dorsey has a long history of sending athletes to the professional leagues. Former major leaguer Don Buford, who graduated in 1955, was present at the event. He barely had a moment to himself as multiple other alumni wanted to chat and grab photos with him, and Buford was happy to exchange excited, reminiscent anecdotes.
Buford was sitting in front of a massive ficus tree, with roots the size of a 5-year-old child coming up out of the ground. He took a moment to look back when talking to a class of 1958 alumni, noticing the size of the plant.
“When I went here, this was just a little tree,” he said.
Eighty years of students coming through the halls of Dorsey watched the small seedling sprout into a towering, beautiful beast.
Knox, and the administration of the school, are treating this reunion as the initial seed for the rehabilitation of the athletics program and hopefully the entire school.
“The passion is there,” Knox said. “We’re really hoping to inspire the teams now, to show them that there’s depth behind the things they do.”
Beyond the prime directive of the event, it simply served as a way for the Dorsey community to experience joy. So many former players caught up with their coaches. People were introducing themselves to legendary alumni that they hoped to meet. Finding a face without a smile would’ve been a Herculean task.
The day also served as a chance to show the current students at Dorsey what opportunities are out there for them, whether that be from sports or otherwise. Former champions were highlighted alongside what Dorsey hopes are their future champions.
Baseball alumni all wore shirts that said “Legacy of Greatness … Five Rings, One Legacy.” Their most recent championship was in 2014. Little signs like that permeated the day, as did a big one displaying every Dorsey championship.
The idea that the school has a history of success, and they want to get back there, was the cornerstone of the event — without it being explicitly stated.
“Once you go here, you get that feeling,” Knox said.
Even with all the fanfare, the man giving out raffle tickets at the front entrance encapsulated it perfectly.
This month’s LA Jazz Festival was slated to be one of the largest concerts in Los Angeles history.
With dozens of performances spread throughout every City Council district, organizers hoped the shows would draw 250,000 attendees and inaugurate the city as a home for jazz events on par with New Orleans and Montreal.
Those hopes will have to wait, as organizers announced the cancellation and postponement of the festival on Friday, including its main show Aug. 22-23 on Dockweiler Beach.
“Due to significant, unanticipated last-minute public safety and municipal costs associated with the final permitting of the On The Beach Festival, we have reached the decision to unfortunately postpone this year’s inaugural LA Jazz Festival,” organizer Martin Ludlow said in a statement to the Times. “Although this decision was an extremely difficult one to reach, our commitment to the audiences and artists participating in the festival is to have a first-class experience worthy of the great legacy of Jazz and our great city. We were encouraged by the enthusiastic support of the artists on the bill, the fans and our sponsors for this inaugural event, and we look forward to presenting all of the components of this incredible cultural opportunity for Los Angeles and the world in 2027 and beyond.”
John Legend, Janelle Monáe, Charlie Wilson, Parliament Funkadelic and Raphael Saadiq were booked to headline the main show.
“We are so grateful to all the artists–from our headliners to our musicians in the parks, many of whom went above and beyond to make this affordable to the community,” Ludlow added. “All current ticket holders for LA Jazz Festival events will be refunded in full within 30 days. We apologize deeply for this situation and vow to make this right over time.”
LA Jazz Festival was a major project for Ludlow, a former Los Angeles City Council member turned music promoter and community activist after pleading guilty to misappropriating funds in 2006.
Ludlow announced the show in a splashy speech on the steps of City Hall in February, flanked by Mayor Karen Bass and other civic leaders. “During this journey, you can only imagine there’s a lot of highs and a lot of lows,” Ludlow said then. “When you have those lows, you want a friend that really can lift you up.”
Back in February, Ludlow described the mission of LA Jazz Festival with a civil rights-inspired fervor, saying that “This festival is intended to lift up our ancestors that came to this country in bondage, terrorized, brutalized. It’s also about celebrating the end to those last bastions of Jim Crow racism, the days we were denied access to public drinking fountains, public swimming pools and public beaches. From the beginning of this journey, we’ve been very intentional about telling the narrative of that human rights struggle called Jazz.”
Every now and then a rom-com comes along with an absolutely ludicrous premise that we just sort of accept because it creates the unique conditions for watching a pair of budding movie stars fall in love. This year’s entrant is “One Night Only,” written by Travis Braun, directed by Will Gluck and set in a pretty familiar if spit-shiny New York City. The catch is that America, for some reason, has outlawed premarital sex, with the exception of one night a year, when singles can get their freak on. It’s like “The Purge” but for sex, so the Sex Purge.
Braun’s script was on the Black List, a collection of the best unproduced screenplays in Hollywood, which tends to reward hooky, high-concept projects, often to mixed results. That is most definitely the case with “One Night Only,” a film that exists on the vapors of a bizarre plot and the appeal of hot actors.
You probably have a lot of questions, and “One Night Only” is only going to satisfy some of them. How does the government police the premarital sex? With bio-sensors, of course, as explained by a drunken tech bro (Nicholas Braun) in an exclusive lounge. Singles receive small tattoos that turn from red to green during the 12 hours that premarital sex is permitted, body modifications that measure things like oxytocin and dopamine and whether one sensor is in close proximity to another. Sexual acts that are solo, distanced or parallel are permitted, yet many questions still remain about the kinds of hookups that can be had during the mandated ban.
The why of it all is much less satisfactory. An upbeat news report explains that rates of teen pregnancy are down, which is a very 1980s justification. The whole gambit feels dated and underexplored, both conceptually and politically — so you’re saying single straight people are an oppressed sexual minority? Maybe that idea should have been unpacked a little bit more.
On the night of the Sex Purge, the streets are flooded with attractive, thin, largely heterosexual couples making out all over the place. Perish the thought of being single and vulnerable, as they say on “Love Island,” on such a night, which is how we find our two winsome protagonists, Owen (Callum Turner) and Allie (“A Complete Unknown’s”Monica Barbaro). Owen’s a pizza maker whose girlfriend (Maya Hawke) wants to explore someone else; advertising jingle singer Allie has been ditched by her best friend (King Princess) for a prince.
These two strangers are both despondent and desperate. When they bump into each other on the street, a meet-cute turns into a meet-puke, and so the story follows an enemies-to-friends-to-lovers track, as they spend one crazy night continually running into each other on their increasingly urgent sex quest. The script does a good job of throwing up plausible obstacles and sticky situations for these two to navigate: price-gouged condoms, police raids, catfishing, injuries, parental ambushes, etc.
Turner and Barbaro have charm up the wazoo, and Gluck does a fair amount of key-jangling to distract from the nagging issues of the premise itself. There are repeated gags about Allie’s job singing covers of popular songs reworked for pharmaceutical companies and almost too many celebrity cameos. Every time a celeb’s face pops up it’s essentially an “ooh, shiny thing!” moment so that we stop thinking about the intricacies of the world where Sex Purge happens. Allie’s hopeless romanticism isn’t well-established, and there’s a whole complicated climax (no pun intended) involving the Empire State Building that could have been a lot smoother and more intuitive.
Allie’s most impressive feat is making it 12 hours in New York City in spike heels and a sequined micro-mini, but rom-coms are the stuff of fantasy anyway. Yet “One Night Only” doesn’t present us with fun escapism but, rather, a misguided, underbaked and very straight-guy fantasy of what something like this might look like, which is essentially … lots of people kissing in public? It’s tame and weirdly conservative.
Turner and Barbaro give it their best, but not even their charisma can reliably bolster the inherent structural flaws of this concept and its execution. “One Night Only” feels purged of a brain.
Katie Walsh is a Tribune News Service film critic.
‘One Night Only’
Rated: R, for sexual material, language and brief nudity
It may be summertime, but Karol G is unapologetically leaning into her sadness.
On Friday, the Colombian pop star released her sixth studio album “No Me Arrepiento de Sentir Tanto,” a 14-track project that details the depths of heartache one can only access when finally tuning out the world.
Tinged with dream-pop accents and acoustic instrumentation — though still fringed with her signature reggaeton-pop flair — it is a dramatic departure from her previous album, “Tropicoqueta,” a lofty, genre-rich album that envisioned a Latina-led utopia as a tropic floral paradise.
Now, with “No Me Arrepiento de Sentir Tanto” — which in English translates to “I Don’t Regret Feeling So Much” — Karol G swaps her vibrant, tropical facade for a soft blue vulnerability. Her special new brand of perreo melancolía features guest vocals by Drake (who sings in Spanish), Bruno Mars, Greg Gonzalez (of Cigarettes After Sex), as well as Spanish stars Judeline and Rusowsky.
The melodrama begins early on with the opening track, “Te Llevas To” — a moody EDM elegy that explores the loss of one’s self after a relationship ends. In an interview with Elle magazine, the hit maker shared that she spent a lot of time alone when creating this project, following her split from Colombian singer-songwriter Feid late last year — long before headlines caught wind of their breakup in January.
“Everything started when I went to Hawaii [last November]. I did a lot of hiking alone. I would climb the mountains alone. I would stand there gazing at the sky. I learned a lot about enjoying my solitude in this industry — we are really, really lonely. Compared to the rest of the world, you’re very isolated,” said Karol G in the Elle interview.
Rumblings of the new project first surfaced in April when Karol G performed at the 2026 Coachella Valley Music and Arts Festival as its first Latina headliner. There, she debuted “Después de Ti,” a shoegaze ballad joined by Greg Gonzalez, frontman of the indie-pop band Cigarettes After Sex; the song expressed profound grief after Karol experienced a loved one’s death.
“I cry a lot. I’m super sentimental and I’ve hated myself a lot for that,” Karol G revealed to Elle in her July cover story. “But at the same time, I’d rather suffer because I lived too much — because I loved too much, because I had too much fun — than to not have had those experiences, you know? I’m inviting everyone to be a little more dramatic, a little more extra.”
Although her classic bichota essence — a term Karol G frequently uses to describe herself, as a female counterpart to the Puerto Rican bichote, or “big shot” — is still heavily present in the new LP. Earlier this summer, Karol teased the song “Matadora” during the opening night of her international stadium tour in Chicago; produced by reggaeton pioneer Tainy, the sultry track is hallmarked by a muffled jazz trumpet and suggestive verses for an unknown paramour.
Her longtime collaborator, Colombian record producer Ovy On The Drums, also returns to incorporate elements of Karol’s the Grammy-winning 2023 album, “Mañana Será Bonito,” which followed her public breakup with ex-fiancé Anuel AA and grew into a massive commercial hit. With Ovy, Karol revived the shadowy timbre of her joint Shakira track “TQG” into the new “Bebiendo Lágrimas,” a reggaeton song that adamantly rejects the notion of love.
Mexican American producer Edgar Barrera — who previously worked with Karol on her merengue smash “Si Antes Te Hubiera Conocido,” as well as “Mi Ex Tenía Razón” and “Gucci los Paños” — reprises his role as a música mexicana connoisseur, aiding in Karol’s synth-doused Tejana-style cumbia, “Alguien Que Te Amaba.” (The track was also written with legendary songwriter Pete Astudillo, who co-wrote many of Selena Quintanilla‘s greatest hits.)
In the anguished “Con Quien Andara,” the singer pays tribute to the Spanish singer-songwriter Jeanette and her hazy, sentimental pop ballad from 1976 titled “Porque Te Vas?” And if that’s not enough of a nostalgia bomb, there’s the dream-pop reggaeton track “Bby Wow,” which features Judeline and Rusowsky and was inspired by the popular 2003 dancehall track, “Coolie Dance Rhythm” by Cordel “Scatta” Burrell. (Millennials may also recall echoes of this sample in popular tracks like Nina Sky and Jabba’s 2004 “Move Ya Body.”)
A word of advice for the Karol G fans — tropicoquetas and bichotas alike — this is an intimate record that’s best heard alone for the first time. So light up that candle, lock the doors and bring the tissues if you have to — just don’t be ashamed to feel all the feels, or shake your booty if the mood strikes.
During the 2021 season, NFL players who had not received a COVID-19 vaccination were subject to daily tests for the virus and restrictions, such as wearing masks inside team facilities and practicing social distancing.
Rodgers did not get vaccinated — he has said he’s allergic to an ingredient in the vaccines — and instead opted for an alternative treatment to help prevent him from getting the virus. Still, he told reporters he was “immunized” and did not follow all of the league’s protocols for unvaccinated players.
In early November 2021, Rodgers tested positive for COVID-19 and admitted he had “misled people about my status.” He was fined $14,650 for the protocol violation and missed a game because unvaccinated players had to isolate for 10 days after testing positive.
Rodgers clearly still had a lot to get off his chest during Tuesday’s show.
“A lot of people had probably fake vac cards back in the day, too,” Rodgers said. “They didn’t have a problem with that. I mean, I remember seeing some of the vax cards. It was, like, written in crayon. I’m like, all right, so we’re gonna pass that on, but we’re gonna be second-rate citizens over here — I gotta wear a yellow armband, train in the back, can’t be around more than three people.
“Oh, you know, you got to wear a mask when you do your your interview, and all of us are going to be masked up the entire time back here, 20 feet away from you, because that’s safety first. What crock of s— we had to go through! Crazy times.”
Although McAfee tried changing the subject multiple times during the first several minutes of the interview, the host eventually embraced the topic and applauded Rodgers for standing “on your side of the truth throughout the entirety of that thing.”
“Your name was slandered,” McAfee told Rodgers. “You were called a murderer. You were called a lot of things.”
George R.R. Martin says he fears “the worst may be yet to come” as he opened up about the personal challenges that ran parallel to a year of professional highs.
The fantasy author, who created the world of HBO series “Game of Thrones,” said in a post published to his website on Monday that he has “battled sadness and depression” amid a “stressful” and “overwhelming” year of some exciting endeavors, “dreams coming true” and “nightmares.” In his blog post, his first since February, Martin wrote that he has lost friends — he did not provide names — and briefly mused on aging: “I turned seventy-seven last September, and I tell you, getting old is no fun.”
“But there have been amazing times as well,” he continued, “I suppose that’s just life. Of course, I knew that.”
Martin, who is writing his long-awaited book “The Winds of Winter,” said he has fallen behind on blog entries and intends to get readers up to speed, “but my posts are likely to [be] short and rushed.” The author also highlighted the recent critical success of HBO’s “Knight of the Seven Kingdoms,” also adapted from his work. While he acknowledged the drama’s nine Emmy nominations, “including the big one, Best Drama,” Martin also noted that his attendance at the upcoming Emmy Awards in September “depends…on, well a lot of things.”
His latest post rings similar to another entry he shared in March 2018, when he reveled in “lots of exciting things going on” but also shared with followers that he is “buried in work, so much that it is starting to overwhelm me.” He announced at the time he would be taking a break from writing his posts.
“I’ll return eventually,” he said in 2018, “Just don’t know when.”
Martin has faced seemingly endless questions about the status of “The Winds of Winter” and his ability to complete the planned sixth novel in his “A Song of Ice and Fire” series that inspired the hit HBO drama “Game of Thrones,” for more than a decade. He tried to shut down those concerns in 2014.
“I find that question pretty offensive, frankly, when people start speculating about my death and my health,” he told a Swiss newspaper at the time.
Since then he has assured fans that progress is ongoing, previously voicing hopes for completion dates that have since passed. What we do know is “it’s going to be a huge book,” Martin teased in 2020.
CHICAGO — Just a few days ago, new Dodgers pitcher Tarik Skubal was on the other side, on a mid-market Detroit Tigers team that had hoped to unseat the Dodgers from the top of the league, before a disappointing season made them sellers at the trade deadline.
Still, with that perspective, he wasn’t going to entertain any talk about the Dodgers ruining baseball.
“I don’t really sympathize with people that blame the Dodgers for anything they’ve done,” Skubal said from the Barrel Room at Wrigley Field on Monday. “They’ve developed a really good organization. They draft well. They acquire talent really well. They retain talent. It’s a winning organization. Now the complaints seem to be [happening] because they’ve won the last two World Series. I don’t think it was like that three years ago. So I don’t really sympathize with people that are complaining. Because the Dodgers do all the right things.”
Skubal didn’t want to talk about his impending free agency. And he said he did not have any conversations with Tigers president of baseball operations Scott Harris about preferring to be traded to the Dodgers. Before the trade, he told Tigers reporters that he wanted to remain with the only team he’d known and compete for a championship there.
“Initial reaction, there was a lot of emotions,” Skubal said. “I spent eight years with the Detroit Tigers. That place will always be special to me no matter what. In the same breath, I’m excited to be here with these guys. When you watch them from across the way, see them do their thing on TV, you just have a lot of respect because they play the game the right way.
“The entire focus of this organization is on winning championships and that is my entire focus — playing baseball — so we’re very much aligned. I’m ready to go out there and compete and give this organization and city everything that I’ve got.”
The Dodgers put the final touches on their trade deadline, adding catching depth as Dalton Rushing went on the 10-day injured list with a sprained left elbow. The Dodgers added two backstops they’re already familiar with in Ben Rortvedt and Hunter Feduccia. They also added left-hander Kris Bubic, who is dealing with a shoulder injury.
It was clear all along, however, that Skubal was going to be the biggest splash of the deadline — for any team, really. And fuel for frustrated baseball fans upset about the Dodgers acquiring another star player.
“I think the Dodgers have done a fantastic job in player development,” said Cubs president of baseball operations Jed Hoyer, who also engaged in trade talks for Skubal. “They have a really good farm system, and Scott [Harris] did the best thing you could do for the Tigers and got a lot of talent back. And obviously they did the best thing for their team.
Dodgers pitcher Tarik Skubal throws in the outfield before the team’s game against the Chicago Cubs at Wrigley Field on Monday.
(David Banks / Associated Press)
“And he’s an incredible pitcher. I mean, there’s no question about that. And I guess we’ll see firsthand. But I know there’s been a reaction around baseball about it, but they put themselves in positions to do that deal, and they did, and that’s exactly what they should be doing.”
Skubal had accepted by the end of his last start that he was going to be moving on.
“Losing that game kind of felt like that was kind of it for me in Detroit,” he said. “So not surprised, but that didn’t make the news any easier because I love a lot of those people there. I’ve got a lot of respect about what they do and how they go about their business. A lot of those guys are like my best friends on and off the field. I wish those guys nothing but the best. I’ll be rooting for them, unless we’re playing.”
He officially starts a new chapter Tuesday, taking the mound for the Dodgers at Wrigley Field.
“They’ve been a pretty good baseball team without me,” he said. “So I’m going to show up and kind of be a chameleon in a sense and fit right in with these guys and just jell with them. They’ve got the winning recipe. They know what it takes to win.”
Welcome back to the Times of Troy newsletter, where summer break is over, USC’s preseason camp is underway and we are officially back in your inbox with news, notes and analysis on the Trojans every Monday morning from now through football season and beyond. I hope you had a lovely, peaceful summer. Because this fall, the stakes will have never been higher for Lincoln Riley, who’s entering his fifth and most consequential season yet as USC’s football coach, one that could decide the direction of the Trojan football program for years to come.
We’ve got a lot planned for the Times of Troy this season, including a very exciting announcement to come later this month. But over the next four weeks, before USC kicks off the 2026 season, we’ll take a close look at the team and season ahead.
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This week, we start with the Trojans’ offense, which, in four years with Riley as coach, has consistently remained among the best in the sport. Say what you will about Riley as a play-caller or an overall CEO type, but only one team in college football ranks better in average opponent-adjusted efficiency (FEI) on offense over the course of Riley’s tenure (sorry, it’s Oregon). And only once, in four seasons with Riley, has USC fallen out of the top seven nationally in that efficiency rate.
USC finished third in the nation in offensive FEI last season. And there’s a legitimate case to be made that the offense should be even better in 2026. Two cases, really.
The first path is probably obvious and will no doubt be the source of every preseason TV segment about USC. The road to success for Riley has always run through the quarterback. And Jayden Maiava has all the tools necessary to be that guy. He took a huge step forward last offseason, and if he continues that trajectory, he should be one of the best quarterbacks in the country this season.
But Maiava has also been surrounded by seasoned receivers the last two seasons, including one who just got picked in the first round of the NFL draft. His top returning receiver, Tanook Hines, is sitting out with an injury to start camp, while the rest of the pass-catcher two-deep is made up of either freshmen or transfers. We don’t know how long Hines will have to sit out, but any amount of time isn’t ideal. It’ll be on Maiava to build chemistry in the room and make it all work on the fly.
I suspect he’ll do just fine in that regard. But if USC is really going to reach its offensive potential this season, I believe it’ll be the run game that gets them there.
Riley earned his reputation as a passing savant at Oklahoma for good reason. He had two Heisman Trophy-winning passers and one runner-up in his first three seasons with the Sooners, and all three are now starting NFL quarterbacks. There’s no college coach with a resume even close to comparable when it comes to passing. But what’s often lost about those Riley teams is that Oklahoma also had a stellar rushing attack, one that had to be accounted for at all times, and, in turn, made the passing attack all the more explosive.
USC’s run game hasn’t been bad since Riley took over, not by any stretch. In fact, in terms of expected points added per rush play, the Trojans have ranked among the 15 most efficient run games in college football in each of Riley’s four seasons. They just haven’t run the ball nearly as much as that efficiency suggests they would.
This season would be a great time to shift that ratio. Because this is the best backfield Riley has had at USC.
Before he got hurt last season, Waymond Jordan was on his way to being seen as one of the best backs in the Big Ten, if not the country. He averaged 6.55 yards per carry, which ranked 15th among qualifying running backs in the country, but better yet, he picked up more yards on average after contact (5.15) than all but one other running back in the nation.
Assuming he’s fully healed from his ankle injury last October, Jordan should immediately remind everyone that he’s bound for stardom. And his backfield mate may not be that far behind.
King Miller scores on a 41-yard run against UCLA last season.
(Gina Ferazzi / Los Angeles Times)
King Miller didn’t get regular carries until Week 6 last season, after Jordan went down. But he ended up busting 26 rushes of 10 yards or more anyway. That’s once every six carries. That’s bonkers, even before you consider that Miller is formerly a walk-on.
The pairing of those two backs, plus the threat of Maiava’s legs, gives USC a varied backfield capable of breaking a big play at any moment. Better yet, in the Big Ten, it gives Riley and his offense the ability to extend drives and wear down opposing defenses. That’s too often been missing from USC’s offense since coming to the Big Ten.
But there’s no excuse not to lean more on the run this season. Throw in the fact that USC is deeper and more talented on the offensive line than at any other point in Riley’s tenure, and it’s not hard to envision a Trojan offense dynamic enough to dominate teams on the ground and through the air.
Offense has never been a problem for Riley at USC. But we also haven’t seen Riley’s offense at the full extent of its powers just yet. And if USC is going to make the Playoff for the first time under Riley, that’s going to have to change this season.
Preseason MVP pick (non-QB): Waymond Jordan … Back from injury, I’m betting Jordan is better than ever.
Breakout pick: Kayden Dixon-Wyatt, freshman wide receiver … Take your pick of top prospects at the receiver position, but I think Dixon-Wyatt could be the big-play threat USC needs alongside Hines.
Biggest question mark: Wide receiver/tight end … So much talent, but so little of it is proven. Don’t be surprised if someone you’re not expecting breaks out at the position.
Bold prediction: Freshman tight end Mark Bowman leads the team in touchdown catches.
—USC‘s top projected cornerbacks are both cleared ahead of camp. We didn’t see Jontez Williams all spring, and we haven’t really seen Chasen Johnson at all since he was injured almost a year ago. So it’s easy to forget how touted both cornerbacks were coming out of the transfer portal. I’m particularly high on Williams, who was clearly the team’s top target in the portal this offseason. I expect both will start on the outside, unless Marcelles Williams makes a serious push to play there in camp.
—Riley is strongly in favor of the 24-team College Football Playoff. That’s been the official Big Ten Conference stance for months, so it’s no surprise to hear Riley echo those feelings. “This is something that’s not going to diminish the game in any way,” Riley said. “Having more teams in a tournament to determine a champion is not going to make it worse.” Of course, Riley’s concern isn’t the overall health of the game, but rather the fact that more playoff spots mean more chances for him to check that box. I don’t blame any coach for feeling that way. But there’s a reason why they shouldn’t be in charge of these decisions.
—Some weight fluctuations … The biggest change since spring belonged to offensive tackle Elijah Vaikona, who lost 25 pounds to open the fall at 360, while two players, tight end Walter Matthews (now 305) and defensive back Carrington Pierce (now 185) each added 20 pounds to their frames. A couple other notable changes: Veteran defensive lineman Jide Abasiri is down to 280 and could play more on the outside this season, while young edge rusher Jadyn Ramos bulked up to 250, after joining USC at (generously) 220 pounds last spring. Freshman five-star tight end Mark Bowman is also up to 245, which should help keep him on the field.
—Grant Govel spurned the Pittsburgh Pirates to return as USC’s ace. The Trojans were one of the big winners of the MLB draft deadline, as their No. 2 starter will now return to take over the top of the rotation. Govel had a 2.87 ERA and an opponent batting average of .203, which made him one of the better pitchers in the Big Ten. But Mason Edwards’ amazing year overshadowed, in some regard, the success Govel was having. That won’t be the case in 2026-27.
—Bloom Football Performance Center is having its grand opening this week. The football team already moved in a couple weeks ago, but the new state-of-the-art facility will get its close-up later this week. The media will be doing a tour Thursday, so be sure to follow along on social media for photos and videos from inside the facility.
The Best Thing I Watched This Summer
Anne Hathaway and Tom Holland in “The Odyssey.”
(Melinda Sue Gordon / Universal Pictures)
It’s not exactly an original take to sing the praises of a movie that’s become a global phenomenon. But “The Odyssey,” more than any blockbuster in recent memory, is worthy of piling on. I caught the film in its intended 70mm IMAX format, and I can confidently say it was the most amazing cinematic experience I’ve ever had.
The sheer scale of the movie is something to behold, even before you consider just how difficult it is to adapt an ancient epic poem into an interesting movie script. And on both counts, Christopher Nolan does not disappoint. The performances are outstanding, the score is beautiful, and the themes that Nolan pulls from the poem somehow manage to give a fresh take on a 3,000-year-old story.
I look forward to watching it again, as soon as I can, in IMAX 70mm. Though, judging by the current ticket situation, that might have to be at 3 a.m. on a Tuesday.
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
Esther Kim Varet has gotten a lot of questions recently from “depressed” liberals wondering whom they should vote for in November to represent them in the redrawn 40th Congressional District, which covers a large swath of inland Orange County and portions of San Bernardino and Riverside counties.
The Democratic art gallery owner placed third in last month’s closely watched primary for the seat, behind Republican incumbent Reps. Ken Calvert of Corona and Young Kim of Anaheim Hills. Calvert and Kim were pushed into the same district by last year’s Proposition 50 and will be the only two candidates facing off for the seat in November.
Kim Varet said her supporters have “obviously put a lot of thought into” which of the incumbents to support, but they have had a hard time swallowing the idea of voting for either. So she tells them why, “if we’re playing a kind of longer game,” they should vote for Kim.
She says Calvert is favored to win, so supporting Kim will “force both sides to spend more on this race” and reduce Republican spending on other races where Democrats still have a shot at beating a GOP incumbent. She says Calvert is “much more senior” than Kim, so ousting him would be “more significant.” And Calvert, as chair of the House Appropriations Subcommittee on Defense, has funded Trump’s war in Iran and would be “morally the better target.”
In last month’s primary, Kim Varet and other Democratic candidates collectively won 42.9% of the district vote, compared with Calvert’s 34.9% and Kim’s 20.6%. If enough of those Democratic voters coalesced behind Kim, they could end Calvert’s 33-year run in Congress.
Whether they will, however, is unclear. Such “orphaned” voters — those left without a candidate of their party in a general election — are historically just as likely to abstain from voting or to vote based on far less strategic considerations. Californians created that dilemma more than a decade ago when they approved the top-two primary system that puts all candidates on the same ballot and only allows the top-two finishers to advance to the general election, regardless of their party affiliation.
Paul Mitchell, a Democratic redistricting expert who devised California’s new congressional map under Proposition 50, said the backers of California’s primary system sold it years ago as a moderating force, where those orphaned voters would be encouraged to select the least partisan general election candidate.
But in reality, Mitchell said, “it doesn’t work that way.”
Voter decisions
Mitchell said intraparty matchups in the past have shown 35% of orphaned voters or more simply abstain from voting in that race.
A recent analysis Mitchell conducted of races, including for seats in the state Legislature, showed such undervoting among orphaned voters in every intraparty race for a state Senate seat in 2024 — one clear example being the competitive and costly battle between two Democrats, Laura Richardson and Michelle Chambers, in South Los Angeles.
Many others vote based on “tertiary things,” he said, such as a candidate’s race or gender, or whether they seem local or a Washington insider.
“Traditionally, it isn’t so much about somebody being more moderate,” he said, in part because voters can’t always discern moderation among candidates of an opposing party. “Republicans might be able to tell the difference between a moderate Republican and a conservative Republican, but Democrats can’t tell the difference.”
Incumbency can also be a drag on a candidate if orphaned voters dislike their track record, even if their opponent is even further from those voters politically. As one example, Mitchell pointed to rural, more conservative parts of the state going for Kevin de León over Sen. Dianne Feinstein when he challenged her in 2018, despite his running to her left.
“You’re like, how in the hell did these rural counties vote for Kevin de León? And it was because there were a lot of Republicans who, if they were going to vote in the U.S. Senate race, just wanted to vote against Feinstein,” Mitchell said.
Katelyn Stauffer, an associate politics professor at University of Georgia who has studied voter behavior in top-two races in California, said people “like to make decisions that are easy,” and “for most people, the ultimate cue is, does this person share my party?”
When party doesn’t differentiate candidates, voters tend to rely on other “simple cues or heuristics,” Stauffer said.
For example, based on her research, she said, women regardless of party and Democrats regardless of gender are more likely to vote for a woman in such scenarios.
Candidate messaging
Candidates could consider moderating their message to attract orphaned voters, though that can be perilous.
In a statement to The Times, Calvert accused Kim of trying to woo orphaned voters with a more bipartisan message, as evidence she is untrustworthy.
“Young Kim has bragged to some voters that she’s a moderate who censured President Trump. She’s then claimed to others that she [is] a 100% Trump Republican. It’s obvious Young Kim will say anything to try and hold on to her job, which is why voters from every party just can’t trust her,” Calvert said.
He said he has “been a consistent conservative in Congress for many years and that’s not going to change.” He also claimed to be “one of the most effective members of Congress,” saying he has secured funding to reduce traffic congestion, fight fires and improve water infrastructure in his district — things “voters from all parties want.”
Chris Pack, a spokesman for Kim, denied that Kim is changing her tune depending on her audience, and dismissed Calvert’s claims of serving his constituents well, calling him a “do-nothing dinosaur” who has failed to improve his constituents’ lives for decades.
“The truth is he’s had more than enough time to deliver for the people of California, and he hasn’t,” Pack said.
Similar intraparty battles are playing out in other congressional races between Democrats.
In the 4th Congressional District, which stretches through the Napa and Sacramento valleys, Republican voters could help decide between incumbent Rep. Mike Thompson (D-St. Helena) and his challenger from the left, venture capitalist Eric Jones.
Thompson — who has been in Congress since 1999 and sits on the powerful Ways and Means Committee — won 41% of the vote in the primary, while Jones won 22.2%. A slate of six Republican candidates collectively won 36.1%.
Jones, who backs progressive measures to expand Medicare and cut working-class taxes, said he hopes voters of all stripes look beyond political labels and see that he is the only candidate in the race who will take on big utilities, healthcare lobbyists and other big-business interests who fund Thompson’s campaigns.
“I want voters to realize that there’s a real choice in front of them,” he said.
Thompson said he is focused on doing his job, introducing himself to voters in the new parts of his district, reconfigured under Proposition 50, and “figuring out how I can work with them” to address their concerns. He said there is “a lot of commonality” among voters of all parties who want “good roads, clean air, water, strong [agriculture], safe communities,” and that he’s been endorsed by local Republicans and Democrats alike.
Thompson also rejected Jones’ criticism of his fundraising, saying he has “done a lot of good work that’s not necessarily in the interests” of those who have contributed to his campaign. He also said fundraising is necessary in a race against a wealthy opponent like Jones, who donated millions of dollars to his own campaign.
In the 7th Congressional District, Republican voters will help decide between incumbent Rep. Doris Matsui (D-Sacramento) — who has been in Congress since replacing her late husband there in 2005 — and her challenger from the left, progressive Sacramento City Councilmember Mai Vang.
Vang won 31.2% of the primary vote. Matsui won 29.1%. Two Republican candidates together won 37%.
In a statement to The Times, Matsui said November’s general election “will be a significantly different race because there will be many more voters that didn’t vote in the primary,” and that she will “work harder to court voters by meeting them where they are and informing them how I’ve delivered on my promises,” including on healthcare, public safety and jobs.
Vang did not respond to a request for comment but has previously accused Matsui of not delivering on her promises for decades.
“After 20 years, families are living paycheck to paycheck, people of my generation are no closer to owning a home, and you still can’t afford a doctor visit,” Vang said last month.
Party involvement
Political parties have traditionally shunned meddling in races where they lack a candidate of their own, experts said. They sometimes endorse in races where two members of their own party are facing off against each other, but not always.
Nick Poche, a Republican National Committee spokesperson, said his organization is largely focused on three races in which Republicans are either looking to hold or win seats from Democrats: the 13th Congressional District, where Republican Kevin Lincoln is challenging Rep. Adam Gray (D-Merced); the 22nd Congressional District, where Rep. David Valadao (R-Hanford) is trying to fend off Democrat Randy Villegas; and the 48th Congressional District, where Republican Jim Desmond is facing off against Democrat Marni von Wilpert for the seat of retiring Rep. Darrell Issa (R-Bonsall).
He called the Democrats in those races “radical socialists and emblematic of California’s far-left failures,” and said his party would be campaigning against them. But he declined to speak to the Calvert-Kim race, or the races in which two Democrats are facing off.
The California Republican Party did not respond to a request for comment.
Rusty Hicks, chair of the California Democratic Party, said his party is focused on “fulfilling the promise of Proposition 50” to flip five seats to help his party win control of the House, and is also focused on three competitive races: those for Valadao’s and Issa’s seats, and one in the 6th Congressional District, where Democrat Richard Pan is taking on Republican-turned-independent Rep. Kevin Kiley of Rocklin.
Hicks said the party will not endorse Calvert or Kim, whom he called “two rotten choices,” but has endorsed incumbents Matsui and Thompson in their races against fellow Democrats because they have “been leading” on issues of affordability and access to healthcare and “are best positioned to be reelected.”
Jones scoffed at his party endorsing his opponent. “Are we really excited that the Democratic machine keeps trying to choose our electeds for us?” he said.
When they landed the diving competition for the 2028 Summer Olympics last year, operators of the Rose Bowl Aquatics Center in Pasadena trumpeted it as a gold-medal achievement. But swimmers and others who use the facility are now learning that pre-Olympic construction probably will force them out of three immensely popular swimming pools for more than a year.
The Aquatics Center will close as early as next April, and not be returned to its regular users until after the Olympics conclude in the summer of 2028, people with knowledge of the plans confirmed to The Times.
Such a prolonged closure will send the more than 400,000 people who pour through the center’s turnstiles each year scrambling to find other places to swim, dive, play water polo and aqua-aerobicize. The center’s two 50-meter pools and an adjacent therapy pool will be closed, along with two expansive hot tubs, the people said.
Aquatics Center operators declined to discuss details of the shutdown, saying they plan to make an announcement Monday. They said it’s premature for them to discuss what improvements the Games will bring to the 36-year-old swim complex, as those negotiations have not been concluded.
The Rose Bowl Aquatic Center in Pasadena, shown on Friday, is set to close next year to make way for reconstruction as the center will host diving in the 2028 Olympics.
(Christina House / Los Angeles Times)
Jacie Prieto Lopez, vice president of communications for LA28, the Olympics organizing group, confirmed that improvements would be made to the facility but said specifics were still being sorted out.
“We cannot comment on specific facility improvements as those remain under active discussion between LA28 and the Rose Bowl Aquatic Center,” Prieto Lopez said “But based on initial evaluations of the existing facility, improvements could include the pool, diving tower and mechanical systems.”
Opened in 1990, in part with profits from the 1984 Los Angeles Olympics, the Aquatic Center was once viewed as a state-of-the-art facility. But it has grown somewhat shopworn and in need of a makeover. The operators of the center expect LA28 will pay for some of that work.
While LA28 officials wouldn’t discuss details, people familiar with their view said the Olympic organizers would balk at bankrolling every upgrade pined for by the city of Pasadena (which owns the facility) and the nonprofit that operates the center.
The massive deck around the swimming pools has grown rough in places. The locker rooms are cramped. Aged pumps and filters need an upgrade. Who should pay for these improvements has been the subject of prolonged discussion between LA28 and the Rose Bowl Aquatics Center operators, the people familiar said.
“At the end of the day, it’s going to be a win-win for LA28 and the Aquatics Center,” said one of the people, who wasn’t authorized to speak publicly. “The LA28 group is putting in a lot of investment. That should account for the fact the Rose Bowl will be losing revenue during the closure.”
Aquatics Center loyalists, however, wonder how they will cope with the loss of their pools.
“The pool helps me keep my weight down. It keeps my blood sugar down. It’s just everything to me,” said Elizabeth Ramirez, a social worker from Alhambra, after emerging from a morning aqua-aerobics class. “So when it closes down, it’s gonna definitely have an impact on my health. … Hopefully they will be able to tell us [about] another place where we will be able to go.”
Lynn Roberts, with one leg stunted by childhood polio, finds her time in the pool “life changing, because in the water I can do the things that everyone else does.” She knows that Rose Bowl is looking for alternative locations, but so far there are no details. The thought of the pool being closed for more than a year is “a big thing,” she said, adding “People are very, very concerned.”
The Rose Bowl Aquatic Center on April 6 in Pasadena. The facility will host diving in the 2028 Olympic Games.
(Eric Thayer / Los Angeles Times)
Like a dozen other regulars, Bonnie Stern talked about the social hub the Aquatics Center creates. It’s been her gateway to new friendships, a walking group, brunches and even a regular happy hour.
“We’re all really concerned. There’s such a wonderful community here,” said Stern, who works in the entertainment industry. “We haven’t heard yet where we can go. And where are we going to be able to find what we have now?”
The complex also rents space to a cafe and a separate shop, the Swim Guy. Michael Eisenberg, who co-owns the swim equipment business with his brother, Craig, worries about losing clientele.
“We spent a lot of money setting this up and building our relationships with customers and teams,” Michael Eisenberg said. “The RBAC asked us if we could stay open and service the community during construction, but I don’t see how we can do that, since all our teams and the public will be scattered to different pools in the area. My brother and I are kind of freaking out about it about how best to serve the teams and the public and the financial cost of closing.”
Aquatics Center executive director Melanie Sauer said the nonprofit and its many user groups — for youth swimming, Masters swimming, water polo and more — are working fervently to find alternative pools. Rose Bowl Masters Swimming (to which the writer of this article belongs) already has launched new workouts at Occidental College in Eagle Rock and is talking to other pool operators.
The financial losses during the closure could be significant. The Aquatic Center reported $8.6 million in receipts from admissions, merchandise and services in 2024, the most recent year reported on its federal tax filings. Another $1.6 million came in via gifts, grants, contributions and membership fees.
Sauer said that an “RBAC on the Road” program will seek to draw payments from user groups when they relocate to other pools. She said it’s premature to provide any details of those arrangements.
Organizers of the Games announced the shift to the Rose Bowl center — in the Arroyo Seco just south of the more than 100-year-old football stadium — in September of last year. Previously, the Games planned to have divers compete at the LA84 Foundation/John C. Argue Swim Stadium, immediately southwest of the Los Angeles Memorial Coliseum, which will host track and field events.
A drone view of the pool, lower right, at Exposition Park on Nov. 10, 2025, in Los Angeles.
(Eric Thayer / Los Angeles Times)
But the Exposition Park pool, used for the 1932 Los Angeles Olympics, was not deep or wide enough for diving. And it would have proven more costly to retrofit than the Rose Bowl pool.
“This facility requires minimal work, provides additional amenities for athletes, and accounts for up to $17.6 million in revenue increases and cost savings,” LA28 said when it announced the shift to the Rose Bowl pool.
People familiar with the plans for the Pasadena complex say that Olympic diving fans will be seated in bleachers that will be erected atop the “competition” pool, which sits closest to the parking lot. Additional seats may wrap around the north end of the dive pool.
That pool’s 10-meter platform, originally constructed with a donation from the late televangelist Gene Scott, will be torn down and replaced. One plan being considered by LA28 organizers would eschew the existing locker rooms in favor of temporary modular structures, the sources said.
LA28 officials believe that any short-term losses to the center will be more than made up for by the long-term gains from the international attention the pools will receive and the promise that other major swimming and diving events will be held there, according to people who have spoken to the Olympic organization. LA28 officials point to an analysis by the Southern California Assn. of Governments that projected the Games will generate more than $17 billion in gross domestic product for the region.
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1.A child jumps off a diving board.2.Margaret Shieh, 79, of San Marino, participates in a water fitness class.3.Swimmers do laps at the Rose Bowl Aquatic Center.(Christina House / Los Angeles Times)
Both the 2028 Games and those future events will help fill Pasadena hotels, restaurants and shops, bolstering the local economy and adding tax dollars to the city treasury, according to supporters of the plan. The pool is being considered as the site of the 2028 Olympic diving trials, one source said.
“This historic opportunity will shine a global spotlight on our community,” the Aquatic Center proclaimed last year. “We look forward to keeping you updated as more details become available.”
SPRINGFIELD, Ill. — The first day all the members of the Women’s Professional Baseball League were at the same field, it rained.
That didn’t dampen the smiles around Robin Roberts Field the day before the league opens play Saturday, marking the first professional women’s baseball games in 72 years.
“Getting to be together for six whole weeks or around two whole months with them [if we make the playoffs] is honestly going to be a game changer,” said third baseman Ashton Lansdell, who stars for the USA national team. “I think we’re going to build a really unique and exciting culture that is going to last a very long time, especially with the inaugural season at WPBL. Like we’re starting from the ground up, so we get to build all of these things from the very beginning.”
The Los Angeles Queens, managed by former Dodgers second baseman Eric Young, have arguably the most star-studded roster, behind Savannah Bananas third baseman Lansdell, former Little League star Mo’ne Davis and Japanese ace pitcher Ayami Sato.
The Los Angeles Queens’ Ayami Sato pitches during a Women’s Pro Baseball League exhibition game in March 19 in Fort Myers, Fla.
(Rebecca Blackwell/AP Photo/Rebecca Blackwell)
“I pretty much have an idea who I want to lead off and who’s my starter,” Young said. “Those two things I do know. But the rest of the lineup, I’m looking forward to making it. The first one will be very special, just like everything else.”
Women’s baseball has been long fractured with few opportunities for the best to gather in one spot. The only consistent tournament has been the Women’s Baseball World Cup, with the U.S. going undefeated in group play this week in Rockford ahead of the WPBL’s quick week of preseason practices.
The WPBL will be the first women’s baseball league since the All-American Girls Professional Baseball League, which operated from 1943 until 1954 to offset the loss of male baseball players called into action during World War II. The league gained popularity and notoriety when it was dramatized in the 1992 film “A League of Their Own.”
While women’s baseball didn’t boom and girls were mostly limited to playing softball, some women sought a chance to play the sport they loved.
The WPBL, even with a limited six-week season at one location, is helping many players realize seemingly impossible dreams and honoring the first recorded women’s game with a paid crowd and the home of the single-season Springfield Sallies.
Games will span seven innings and the league will use aluminum bats featured in college baseball and softball, while outfield dimensions were altered to be closer to the Women’s World Cup field dimensions. Salaries range from $300-$500 per game for the 15-player rosters.
“It’s just what we’ve all dreamed of our whole lives,” Lansdell said. “The coolest thing out of all of it is that we’re starting this league this year, but in the next five to 10 years, even two years down the road, I’m so excited to see just the growth of women’s baseball and the amount of hope and inspiration that we have.”
Like many women’s baseball players, Lansdell had a history in softball, contributing to the Women’s College World Series season in 2025 at Ole Miss. More recently, she went 11-for-13 with two doubles and two home runs in five games during the U.S. World Cup group stage for a historic .846 batting average.
Players warm up before a game on the fourth day of tryouts for the Women’s Professional Baseball League in August 2025 at Nationals Park in Washington.
(Julia Demaree Nikhinson / Associated Press)
She will be the core of the Queens’ lineup, surrounded by some of the biggest name in the sport. Brittany Apgar grew up playing in all-boys baseball tournaments before playing college softball at Greensboro College.
“I think this is really when the quote that baseball is 90% mental and 10% physical kicks in because that game’s going to be a lot,” Apgar said of the Saturday opener. “Like we have the honor of doing the first game. That will be a lot of pressure on everyone.”
The Queens flaunt one of the best right sides of the infield in the league with Lansdell at third and Curacan 19-year-old shortstop Thaima Maximiliana.
Australian shortstop Caitlin Eynon hit .375 in the World Cup and could contribute to the Queens’ lineup, too.
Davis highlights an outfield that includes Apgar and Japanese center fielder Suzu Narasaki. Amira Hondras, 18, played for the U.S. after spending time with MLB Develops and the Chicago White Sox youth league and is one of the best young women’s baseball prospects in the nation.
Sato leads a staff of pitchers from several backgrounds. Canadian 19-year-old right-hander Michelle Roche plays college baseball in British Columbia while 38-year-old veteran Meggie Meidlinger has been a bullpen stopper for the U.S.
“More than anything, I’m excited for the opportunity to play with talented players from around the world,” Sato said through her translator, Mayo Hiran. “That’s something that I’ve been working for for a long time.”
The Queens face the New York Heights to begin their season and will play 30 games through the start of September before a two-week playoff period.
By this time next year, they may get a chance to play home games in the Los Angeles area. The league hasn’t announced its plans for shifting games outside of Illinois other than to confirm they aspire to do so.
But for a few moments this weekend, in Springfield alone, dreams will come true and a sport will be reborn.
“It’s going to be a lot of people’s first time for a lot of things,” Apgar said. “Some of the people didn’t actually get to make it to tryouts, so there’s some people that are drafted that I haven’t even seen in person before. It’s all exciting.”
A UCLA jersey worn by Lew Alcindor in the 1968 NCAA national championship game and the 1969 Final Four is set to garner more than $1 million at auction.
The man who has owned it for the past half century — a former Los Angeles resident who was a huge fan of the player now known as Kareem Abdul-Jabbar — didn’t have to pay nearly as much for the historic piece.
In fact, he paid no money at all. Instead, he traded for it after a Lakers game in the Forum parking lot back sometime in the mid- to late-1970s, giving up one of his prized possessions as a teenager living in South Gate:
His transistor radio.
“I used to listen to Dodger games on it under my pillow,” said the auction’s consignor, a man named David who asked to have his last name withheld because of privacy concerns.
Back then, David and some friends would often take the bus to the Forum, where they would try to convince fans to give them their extra tickets to attend the Lakers game that night. Afterward, they would wait in the parking lot for players to leave the building.
A UCLA jersey, worn by Lew Alcindor during the 1968 national championship game and a 1969 national semifinal, is up for bid at Grey Flannel Auctions.
(Grey Flannel Auctions)
“We were young and crazy. We waited till the players came out and kind of talked to them,” said David, who says he once walked with Wilt Chamberlain to his car. “And there were other kids there. We would trade stuff, and that is basically how I got the jersey.”
By then, Abdul-Jabbar was a star with the Lakers, after winning three NCAA titles under legendary UCLA coach John Wooden and leading the Milwaukee Bucks to an NBA championship in 1971.
The young man who was originally wearing the No. 33 Bruins jersey that night was actually a USC fan, David said, so the trade was fairly easy to pull off.
“Back then transistor radios were real popular,” David said.
Over the decades, he mostly kept the jersey stored away neatly, occasionally pulling it out for a look or to show others. Recently, David said, he was “just cleaning things out” and decided it was time to part ways with the cherished item.
“I said, you know, someone else will really enjoy this,” David said. “And they’ll display it, and people can enjoy it more than I will stuck in some kind of storage thing.”
According to Michael Russek, director of operations for Grey Flannel Auctions, David didn’t know a lot about the jersey’s history when he first brought it in, only that it was issued by UCLA and had likely been worn by Alcindor in some game at some point.
Photo-matching revealed that he had worn it in several games, including some very significant ones. He wore it while scoring 34 points with 16 rebounds in UCLA’s 78-55 victory over North Carolina in the 1968 national championship game and also during multiple games the following season, including the Bruins’ 85-82 victory over Drake in a national semifinal game (Alcindor had 25 points and 21 rebounds).
UCLA’s Lew Alcindor steals the ball and dribbles away from a group of North Carolina players
(Harold Filan / Associated Press)
“That’s when it really started to come together that we have something that’s truly special,” Russek said.
As of Friday morning, bidding had reached $850,101, with a 22% buyer’s premium bringing the price to nearly $1.04 million. The auction ends Aug. 16.
David said he was “very surprised at how it took off so quick. I’m not familiar with these kind of auctions or jerseys, really. But there’s a lot of alumni from UCLA down there, and a lot of people would like something like that.”
The current Oregon resident added that he hasn’t thought about what he’s going to do with all that cash.
“I’m not the kind of person who does plans for money until I have it,” he said.
One balmy October day in Havana, as the Cuban French sister act Ibeyi plotted the video for “Offerings” — an electro-spiritual ballad from the new album “Offering,” released in June — Lisa-Kaindé Díaz unceremoniously asked her twin Naomi Díaz, to ceremoniously shave her head on camera.
Naomi was accustomed to Lisa-Kaindé’s whims long before they became professional artists. But to take a blade to her sister’s voluminous curls would be a bridge too far.
“I was like, ‘Hell no. I’m not doing that!’” Naomi recalled to The Times, over a Zoom call from Paris.
“As always, when I come with my woo-woo stuff, Naomi is eye rolling like, ‘Girl, what is this s—?’” said Lisa-Kaindé. “But this time around, Naomi was like, ‘OK.’”
The music video ended with Lisa-Kaindé releasing her locks into the sea.
At the core of Ibeyi, which translates to “twins” in the Yoruba language, is the polarity between sisters. Lisa-Kaindé is the bleeding heart who whispers divinity into her lyrics, and Naomi grounds them with the beating pulse of her percussion. They sing in unison, both in tension and harmony. This is the synergy that illuminates their atmospheric approach to the Afro-Cuban jazz tradition.
Born into a musical family in Paris — their mother the French Venezuelan singer Maya Dagnino, their father the Grammy-winning Cuban percussionist Anga Díaz (of Irakere and Buena Vista Social Club) — the 31-year-old sisters jump-started their music careers at 18 when they were discovered by British producer Richard Russell, who also helms the indie powerhouse XL Recordings. After releasing a self-titled debut in 2015, the Díaz sisters appeared in the utopian short film for Beyoncé’s “Lemonade,” then released two more albums under XL: 2017’s “Ash” and 2022’s “Spell31,” which Lisa-Kaindé admitted underperformed expectations.
For “Offering,” they parted with XL and braved the studio as independent artists, inviting new collaborators into the project such as producer Michael Brun (J Balvin, Victoria Monét)and the famed Cuban conguero Pedrito Martinez.
“Things didn’t go the way you wanted them to go, now what does it free?” said Lisa-Kaindé. “It freed a lot of things, in our personal and professional lives,” she added.
The duo returned to their roots in Havana last fall to film the visuals for “Offerings” — as well as other singles “Aset” and “Hurry Hurry,” which were co-directed by Corry Van Rhijn and Roman Pichon Herrera. Family, friends and neighbors filled the frames with dancing and dominoes; their apartments painted in shades of mint, butter yellow and palomino pink, flecked with a patina cultivated by humidity and time.
As Cuba remains a topic of heated debate in the U.S. — or a political football — the Díaz sisters remind listeners that the island nation is still home to over 10 million people, including their relatives, whom they’ve visited regularly since they were little girls.
In 2027, Ibeyi will embark on a North American tour, which kicks off Jan. 27 at the Fillmore in San Francisco and includes a stop at Pacific Electric in Los Angeles on Jan. 29. (“I want everybody to cry, dance and twerk that ass at our shows!” said Naomi.) The Díaz sisters spoke to The Times about their season of upheaval and the recovery that informed their first independent outing yet.
This interview has been edited and condensed for clarity.
What has changed for you the most since you released “Spell31?”
Lisa-Kaindé: A lot has changed, personally and in the world. We needed to stop for a little bit and gather our thoughts, reflect on our career and all that we have done. We went from anger to sadness to acceptance. We left XL Recordings, which was our home for 10 years [and] three albums. We also stopped working with Richard Russell, whom we love. He was one of the first people to hear the album. But we really needed to experience something new.
Naomi: We started when we were 18, and now we’re independent and more in control than ever. We tried to find new producers with whom we felt a deep connection. That was like leaving a marriage and going on Tinder and having lots of bad dates… Our sound is so strong that we’d eat them, so we had to find producers whose sound could stay strong with ours.
I hear a lot of heartbreak in this album, but also making peace with that. How do you personally heal from the pain of such endings?
Lisa-Kaindé: We just go through the s—. There’s no other way. I think we should all be courageous to change. Look into the mirror and be like: “Who am I? What do I want to do?” And just live. L-I-V-E. It could also be L-E-A-V-E.
You have a T-shirt that says, “I used to make spells, now I make offerings.” What does that mean to you?
Lisa-Kaindé: “Spell31” [went] hand-in-hand with my high expectations. I felt like we needed to put a spell on the world, so that the world would love us. When “Spell31” didn’t meet the expectations I had, it was painful. I went into a meditation and came out thinking: “I used to make spells. Now I make offerings.” Suddenly it was so obvious I was trying to feed myself from the wrong source of protein. What if I just gave without expecting anything?
Some of your lyrics name orishas from the Yoruba religion, such as Elegua and Olokun. What does your spiritual practice look like?
Lisa-Kaindé: The older we grow, the more religious I’m becoming … but Naomi lives her spirituality in very different ways. For her, twerking in a sweaty club can be one of the most spiritual things ever. She’s getting more and more gangster.
Naomi: It’s how we grew up. We never use the word “spiritual,” but spirituality can be a lot of things. To me, there’s nothing more spiritual than being in [famed Atlanta strip club] Magic City. Some people are gonna light a candle. Everybody can do whatever the f— they want.
Lisa-Kaindé: It’s about living in a way that is aligned with what makes you vibrate, what makes you feel alive.
What was it like for Naomi to cut Lisa’s hair in the video for ‘Offerings?’
Naomi: I was scared that she would not like her reflection. She came [to me] with, “Can you be the one shaving my head?” And I was like, “Hell no. I’m not doing that!” She was like, “Please, [it’s] really important for me as a twin.”
We didn’t have any mirrors. It was tough, but [as] I was doing it, I was like, “I hope she’s gonna love herself.” At one point I looked at her and I was like, “Oh, you’re so beautiful!” And she was like, “If Naomi tells me I look beautiful, I am.” It was really powerful.
In the closing track, ‘Lucky,’ you sing: ‘We can’t manifest for s—; God will always choose for us.’ Be honest, is this in response to those trending videos on social media about manifestation magic?
Lisa-Kaindé: Funny enough, we’ve never talked about this to the press. … But I went kind of cuckoo with the manifestation while making “Spell31.” I started writing three times a day: “It’s gonna do well.” It was the first time I ever did that. And when it didn’t work, I was like, “What do you mean? I did all of the things y’all told me to do!” And that’s why I’m saying we can’t manifest for s—. What happened was exactly what was supposed to happen.
My own outlook changed after a priestess told me to keep an altar to bring offerings to my ancestors. If you want something … you have to give the universe something to work with!
Lisa-Kaindé: You need to give! That doesn’t need to be a religion or whatever. Just be kind. It’s an exchange. There’s always a price — and that doesn’t have to be a terrible thing. It could be a very beautiful thing. I think it’s better if there’s a price. You’re not just demanding the universe to give you something just because you say it enough times.
I sense more thunder in the sounds of ‘Offering,’ especially in Naomi’s percussion. ‘Mosh Pit’ is a storm of trap and acoustic elements. Can you talk about making this song?
Naomi: This was the first song we made for the album. We met Michael Brun, who is Haitian and lives in New York. We wanted a tough energy, we wanted dragon energy in this song. I listen to a lot of rap and trap, so there’s a little more of myself in this. Ibeyi is like a needle between Lisa and I; for 10 years, the needle moved a little more toward Lisa, but now it’s moving toward me. Life is like that.
You shot multiple music videos in Cuba. What made you decide it was time to make these videos in Havana?
Naomi: We recorded the videos in September and October. We wanted to show Cuba because it’s remembering our dad. Home is Paris, London and Havana for us.
Lisa-Kaindé: After having done the visuals from “Spell31” inside the studios … we needed something more personal. We had never done visuals in Cuba, but I think it’s because we’re very protective of Cuba. We’re protective of what the world sees Cuba as, whether it’s the old ladies smoking cigars, or the American cause. We’d go there in the summers [for] our whole lives. We wanted to show something beyond what tourists see. These are the people who actually live there. It’s important to know how people live.
Naomi: We wanted to be with our people and show the real Yoruba, Cuban way of living. Parties full of elderly people, young people … everybody twerking!
This big house party happens in the video for the song ‘Aset.’ Can you tell me about shooting the party scene?
Lisa-Kaindé: Funnily enough, I think our family was more involved behind the scenes. Naomi’s best friend helped with all of the wardrobe because she’s a fashion girlie. One of the directors we’ve known since we were 15 years old, he’s like a brother to us. We also worked with a conguero, like our dad, his name is Karín. We filmed the “Offerings” video in his house. Then we went to La Playita 26, which is not far from our old house, to look at the sea.
Naomi: What’s beautiful is that it was all real. It was also [full of] people we didn’t f— know. But it was raw.
Lisa-Kaindé: The day we filmed “Aset,” when I saw Naomi dance, I was like: “Here we are. Here is that freedom [we’ve been] missing.”
If you get out to Joshua Tree and the night is clear, look up. You’ll see not just the stars, but a massive swath of the Milky Way. It’s a reminder that the vastness is always present, beyond the city’s bright lights. And once dawn comes, the desert performs the same magic: long horizons, unfamiliar landscapes, the creeping feeling that we are small, short-lived creatures on an immense ancient planet. No wonder some people find it unsettling.
On the Shelf
Yellow Pine
By Claire Vaye Watkins Riverhead Books: 256 pages, $29
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Not the characters in Claire Vaye Watkins’ new novel “Yellow Pine,” who embrace the desert in the extreme. They live at the far side of the Mojave Desert where California meets Nevada. Wherefore the pines, you ask? The book’s title is a wry joke — “Yellow Pine” is not a forest, not a tree. It’s a massive solar array slated to be built nearby in the Nevada desert. A ragtag crew of desert dwellers are hoping to stop it, or at least slow down the grinding wheels of capitalism that see the desert merely as an empty space for the taking.
Primary among them is Rose, a 30-something single mom who lives near the end of a very, very long dirt road in a cabin she calls Nothingness Flats. Rose works for an environmental nonprofit that has gone remote because it’s the pandemic; she often spirals at the state of the world. “Sometimes I think I can feel the planet just hemorrhaging under all this greed. Like it’s tectonic,” she laments.
Rampant environmental destruction notwithstanding, the novel kicks off with the joyous return of Miles, the guy who got away. He is an outdoor person, like Rose; has trouble fitting into societal norms, like Rose; and he is an ideal intellectual partner for her, bantering, well-read and ready to engage. Also, they have great sex.
Lest I portray this as a typical summer beach read, Watkins’ writing is in a special, different mode. Her latest books somehow cut past narrative traditions and portray plot and emotion more directly. Another novel might find Rose, after she decides she loves Miles so much that she wants to get pregnant, going to a doctor, getting tests, worrying about being almost 40 and what that means. Rose does none of that — she just suddenly deeply wants a baby, and that desire is vivid in the text. Overexplained storytelling is set aside for something that’s striking and vivid.
When I reached Watkins via Zoom to talk about the book, I asked her how she does it. “Partly it’s an intuition I have about what makes an interesting story,” Watkins says. “A story requires a lot of improbable decisions. Maybe they’re not great decisions, but the person doesn’t know that at the time.”
In “Yellow Pine,” Miles is not without some red flags. In my reviewer’s copy, I found myself scrawling “bad idea!” in the margin, trying to warn Rose about him. It gives the story some tension, and shows that our heroine isn’t perfect — she’s just doing her best under desert skies.
Rose lives in Tecopa, population 120, among people who’ve chosen the isolation, quietude, natural beauty and brutal conditions on purpose. Of the real-life people in these communities, Watkins says, “It’s really tough. The environment is extreme. There are no amenities. There’s no jobs. … I think there’s a refusenik quality to them.”
Nevertheless, some of them come together to try to forestall the installation of the solar array. They point out that “solar farm” is a misnomer because the land — an alluvial plane with Yucca colonies dating back hundreds of years, creosote rhizomatic rings even longer — will be scraped and fenced. What happens to the endangered desert tortoises is awful. These activists are trying every legal recourse and have set up a tiny camp at the edge of the property. Sweetly, and with little hope, they make a small community of people who understand each other and the desert landscape that others see as a blank space on the map.
“In California most of the biodiversity in the state is in the inland deserts, partly because a lot of the other ecosystems have been totally destroyed, you know? It’s a very alive place,” Watkins explains.
In “Yellow Pine,” Rose’s conviction that she should get pregnant grows to a point where she comes up with a wild scheme to make that happen. It is very funny, outsized and unexpected. It’s a small individual resistance to the impending destruction of the desert.
Watkins is very good at making a humorous turn at the end of thoughts, sentences, books. This is her fourth. Her debut, the short story collection “Battleborn” in 2012, set her on a trajectory of accolades; 2021’s “I Love You But I’ve Chosen Darkness,” was an L.A. Times book prize finalist. She is currently a professor of writing at UC Irvine.
“The thing I love about novels, writing them and reading them, is that it’s private thoughts,” Watkins says. “It’s this cool technology that we’ve come up with to deal with the fact that we don’t know what’s going on in each other’s heads and hearts and how painful that can be.”
She adds that a novelist’s job is to care about the reader. “There’s something really beautiful about, I’m going to do my very best with my part and then I give it to you, and I let it go and I trust you and I respect you,” she says. “I love the world when I’m writing and my books are like acts of love, partly because I really struggle. I’m not walking around loving my fellow man easily.”
When our Zoom began, she apologized for the noises outside — construction, dog walkers, gardeners. I couldn’t hear them at all, but I got the impression that those intrusions and distractions were weighing on her. “I feel like I have a very sensitive instrument,” she says. “I get a little agitated and the pace is really, really different.”
I had been expecting to reach her at an improbable desert outpost, like a Death Valley library with Wi-Fi, but instead reached her in Orange County. It’s for her job, and also as a part-time parent, much easier for amenities. It’s a busy town where there are lots of people, lots of businesses, lots of traffic, the hectic pace of modern life — but still, the desert has its pull. She splits her time between the two locales.
“Yellow Pine” is a testament to her beloved remote corner of the Mojave, its beauties, hardships and endangerments. The place has been an essential part of her creative process and project. “What we do for fun in Tecopa is like, watch the sky. That’s our entertainment, you know?” she says, reflecting on the long moments of silence that stretch out over the evenings. “And it’s like, ‘wow.’”
The 2003 Honda Award winner. A 2024 second-team All-American. The single-season NCAA home run record holder. And a freshman of the year honoree.
The Portland Cascade’s Megan Grant fields the ball during a game against the Oklahoma City Spark on July 4 in Edmond, Okla.
(Courtesy of AUSL)
All of whom never dreamed of being a professional softball player. Not because their love for the sport dwindled. Nor because professional routes were not an option. Pro softball leagues have existed since 1976, but they have lacked the visibility and accessibility imperative to flourishing and gaining popularity.
“From my experience growing up, and it’s the same amongst a lot of athletes that are my age, we didn’t have a lot of role models to look up to,” said Chicago Bandits outfielder Jessica Clements, who spent her senior season at UCLA in 2025. “We had Jennie Finch, Natasha Watley, Monica Abbott, but the odds of playing professionally were slim. There wasn’t a lot of opportunity, and a lot of younger kids were unsure of what the environment would look like in many years.”
The AUSL — which launched in 2025 and builds off previous iterations of professional softball — saw a 181% increase in average viewership across ESPN platforms in one year, including a record-high 404,000 viewers for a June 21 game between the Portland Cascade and Texas Volts.
Among the 96 active players in the AUSL, 13 are former UCLA softball players — omitting two general managers, a head coach and an assistant coach that are a part of the AUSL and hail from the Westwood program — making UCLA the most well-represented school in the league. That pipeline was on full display this weekend at Texas A&M’s Davis Diamond, where the Utah Talons — who boast a roster with five former Bruins, including UCLA softball associate head coach Lisa Fernandez as the general manager — clinched their second straight AUSL title over the Chicago Bandits on Sunday. UCLA alum Jadelyn Allchin was named the AUSL championship MVP.
And UCLA softball’s presence in all facets of AUSL is no coincidence.
The Bruins feature 12 NCAA championships and 119 All-American honorees, both of which rank first all time, and that’s not including an AIAW title and one All-American before the NCAA era. But while the program is known for its accolades, the influence UCLA and its players have made on the sport stretches far beyond any banners or trophies.
“When you look at the history of softball in the last 40 years, you can’t see a U.S. national team, any pro venture or excellence at any level of softball without having an influence of UCLA in it,” said Oklahoma City Sparks general manager Kirk Walker, who spent 24 years coaching as an assistant coach in Westwood.
There have been only three coaches — Sharron Backus, Sue Enquist and Kelly Inouye-Perez — in UCLA history, all of whom created unparalleled success and a program built on a standard of excellence and a familial culture. But no aspect of the UCLA culture may be more significant than the “Bruin Bubble” — a concept at the very heart of the program centered on alumni involvement.
“It comes from the women who were there from the beginning, paving the way for players like us and players that are to come,” said Sparks infielder Delanie Wisz, who competed at UCLA from 2020 to 2022. “The idea of the ‘Bruin Bubble’ and buying into something bigger than yourself, coach Sue Enquist, coach Sharron Backus and coach Inouye-Perez have done a really good job of keeping that at the forefront, and making sure that we’re playing for something much bigger than any individual award.”
While the childhood aspirations of the Bruins in the AUSL never reached the height of professional softball, a common goal connected them all — playing for their dream school in Westwood and learning from individuals who have achieved immeasurable success greater than any record or championship.
Utah Talons General Manager Lisa Fernandez shows off her 2025 AUSL championship ring in Salt Lake City, Utah.
(Courtesy of AUSL)
Backus and Enquist set the foundation for what softball is today, paving the way for new opportunities by sacrificing for the greater good of softball’s future.
While the duo set the trail ablaze, they have passed the baton to a trio of coaches — Inouye-Perez, Walker and Fernandez, who have spent a combined 72 years in Westwood.
And the group has not stopped running since.
The Bruins are not only responsible for creating the next generation of pro softball players through the UCLA program, but also furthering the message and mission of Backus and Enquist.
“From when I was in college to now, there’s been a big shift in how things go,” said Rachel Garcia, two-time Honda Cup winner at UCLA and a Volts pitcher in the AUSL, “but at the end of the day, Lisa Fernandez, Kelly Inouye-Perez, Kirk Walker, that would be who I’d want to play for every single day, because I know that they are able to give the girls what they need in order to perform at the best that they can be.”
While Inouye-Perez continues to steer the Bruin ship, Walker and Fernandez serve in general manager roles for the Sparks and Talons, respectively.
The Utah Talons’ Jordan Woolery fields the ball during a July 11 AUSL game against the Oklahoma City Spark in Edmond, Okla.
(Morgan Givens / AUSL)
Grant emphasized that all three coaches could easily walk away because of the imprint they left and the resume they built. Yet, Inouye-Perez and Fernandez not only chose to stick around the game, but to reinvest their time in furthering the league and sport altogether.
“I accept the responsibility to help carry the torch and move it forward, and hand it off to the Jennie Finches and the Cat Ostermans,” Fernandez said. “They’re going to hand it off to the next generation that are going to continue to build this game and hopefully it’ll become something where little girls can go, ‘I’m going to be a professional softball player, and be a role model for those who have the opportunity to watch me.’ And at the end of the day that’s the true value.”
Integral to pushing the game forward is taking advantage of the traction and momentum gained by the 2028 Summer Olympics, where softball will return to the stage for the first time since 2021.
Fernandez highlighted that when softball was added to the Olympics in 1996, it was the pinnacle of the sport. But when it was removed following 2008 because the IOC didn’t see enough global competition for the gold medal, she felt that she failed. It was a setback that inspired her push to get the sport to a place where it did not have to rely on the host country to include it among Olympic events.
“A mission that’s close to my heart is the growth of the sport globally because it is so important for it to be in the Olympics, not just in 2028 but in 2032,” said Talons pitcher Megan Faraimo, who competed at UCLA from 2019 to 2023. “I don’t want to be the last generation to make it into the Olympics. I want to protect the future of everyone coming after me, and that means capitalizing on it being in L.A. We can use that to then push the sport into 2032 and hopefully get back on that Olympic rhythm.”
The Times’ preseason top 25 high school football rankings for 2026:
1. ST. JOHN BOSCO: Braves have few weaknesses but must prove they can win in the rain after last season’s first-round playoff debacle to Orange Lutheran.
2. CORONA CENTENNIAL: The offense is going to be balanced and explosive with quarterback Jaden Jefferson the trigger man and Quentin Hale his partner in battle.
3. SIERRA CANYON: Trailblazers have the offensive linemen and running back to run the ball and the defensive linemen to attack quarterbacks.
4. SANTA MARGARITA: Eagles won’t be ready to start the season dominating with too many young players but beware by season’s end.
5. ORANGE LUTHERAN: There’s already signs the Ray Fenton coaching formula is working with lots of talent on both sides of the ball.
6. MISSION VIEJO: Diablos have their best offensive line in years, giving coach Chad Johnson lots of options.
7. MATER DEI: Depth is gone but there’s enough talent to be very good on their best day.
8. SAN CLEMENTE: Just trust Jaxson Rex to do anything and everything for improved Tritons.
9. CHAPARRAL: There’s a crazy amount of offensive firepower ready to be unleashed.
10. RANCHO CUCAMONGA: They play tough, hard-nosed football.
11. EDISON: Quarterback Sam Thomson’s fourth year as starter sets the stage for big Chargers season.
12. CREAN LUTHERAN: If the Saints’ many transfers get eligible, quarterback Caden Jones should flourish.
13. GARDENA SERRA: With five starters back on the offensive line and the arrival of RB AJ McBean, Cavaliers are ready to play smashmouth football.
14. CHAMINADE: There’s speed and size surrounding sophomore quarterback Jeremy Mellalieu.
15. SERVITE: New coach Rick Garretson has a history of building top teams with speed, which Friars have plenty.
16. JSERRA: Lions will be competitive in nonleague games but Trinity League remains formidable challenge.
17. DAMIEN: USC commit Gavin Williams is the definition of the word elite on defense and offense.
18. PALOS VERDES: Ryan Rakowski is back for fourth year as starting quarterback and is a proven winner.
19. OXNARD PACIFICA: Quarterback Taylor Lee is back with lots of skill-position players.
20. LOYOLA: If Cubs can get production at the quarterback position, they can surprise teams.
21. BISHOP AMAT: Still one of the toughest teams to beat on their home field.
22. WESTLAKE: The scoreboard operator will deserve extra pay trying to keep up with Warriors’ scoring barrages.
23. CARSON: Best in the City Section looking to beat some Southern Section teams with improved line play.
24. CORONA DEL MAR: Should have excellent passing attack if the line can provide protection.
25. TUSTIN: Lots of individual talent but can they get breakthrough win against a top opponent?
New UCLA football coach Bob Chesney has won over cynics with his unflinching optimism and attention to detail.
(Allen J. Schaben/Los Angeles Times)
The new football coach has infused the completely rebuilt program into a place so energetic, his players run around sharing their inspiration to complete strangers.
“Yeah, we’re gonna win here,” Chesney says.
This shared spirit starts every morning in this building, in the team meeting room, where Chesney orders his players to stand and sing the school fight song as if they are standing on the field after a victory.
The words to the song are displayed on a giant screen, which increasingly isn’t used because most of his players have now learned the song by heart. Those who fail to sing get tagged with a red laser pointer, so pretty much everyone croons.
“I’m not gonna let people put limits on us,” Chesney says. “I’m not gonna let them tell us what we can and can’t do.”
“People say why here?” Chesney says. “I say, why not here?”
He shows up for my early afternoon visit last week dressed uniquely for a $33.75 million coach of a Big Ten school on the outskirts of Hollywood.
He is dressed like a player. Black shirt, black shorts, thin sheen of sweat adorning his expressive forehead.
“Been lifting weights,” he says.
Are weight machines set aside for the coaches?
“Lifting with the players,” he says. “These guys are telling me what to do.”
UCLA coach Bob Chesney stands on the field in between players and shouts instructions during a spring practice.
(Robert Gauthier/Los Angeles Times)
Full disclosure: I arranged my visit full of skepticism about this guy that has UCLA fans swooning.
C’mon. Seriously? He’s ready for this? How can he be ready for this?
The son of a small-town high school football coach in Pennsylvania coal country, Chesney had risen from obscurity to … more obscurity. He had previously coached at four different small schools you couldn’t find on a map. Salve Regina? Assumption? What?
This will be Chesney’s first shot under the bright lights. And he is taking that shot with a program whose best shots couldn’t hit the broad side of a barn.
The Bruins have not been to the Rose Bowl game in 28 years, and he is going to fix that? They have not won a Rose Bowl game in 41 years, and he was going to change that culture?
The celebrated Chip Kelly couldn’t do it. The emotional Jim Mora Jr. couldn’t do it. The cheerleading Rick Neuheisel couldn’t do it. The cerebral Karl Dorrell couldn’t do it. The affable Bob Toledo thought he had done it until his team inexplicably quit on him just 60 minutes from a berth in the national championship game.
I had covered all of these coaches, hearing their annual promises, seeing their annual collapses, realizing USC had a stranglehold on the college football money and attention in this town, and I had come up with an inescapable conclusion.
What Chesney is trying to do with UCLA football can’t be done.
Then I met him.
The best word to describe initial impressions of the 48-year-old former college safety would be, wow.
He talks fast. He oozes belief. He sells UCLA. He sells himself. He doesn’t shrink from his giant task. He doesn’t rationalize or equivocate his team’s sordid history.
He’s like one of those charming smart kids who never takes no for an answer.
“I feel it,” he says.”I feel it.”
No wonder his recruiting has been phenomenal, ranked seventh nationwide for the class of 2027, a trend that began this summer with 42 transfers, many of whom will start. No wonder he has been recognized by fans while hanging out in West Hollywood or Griffith Observatory or Dodger Stadium, where he’s already sat wide-eyed in a meeting with Dodger manager and UCLA grad Dave Roberts and Sandy Koufax.
He feels it, and the Bruin Nation feels it with him.
“Everybody’s included,” he says. “You wanna be included? C’mon, you’re included.”
As the self-proclaimed driver of the Bruin bandwagon in recent years — only to be derailed by midseason every time — I’ll pass on the inclusion. I’ve got to see it before buying it. But right now, Chesney has worked me up into such a lather that, yeah, I’m believing.
First, Chesney points to his resume, a litany of small schools who accumulated big victories, a dossier that includes only one losing season and none in the last seven years.
His head coaching career started at Division III Salve Regina (Rhode Island), where he turned eight consecutive losing seasons into three straight winning seasons.
“‘You can’t win there, nobody can win there’ is what they said,” Chesney says. “We won there.”
James Madison coach Bob Chesney and running back Wayne Knight celebrate after winning the Sun Belt championship on Dec. 5 in Harrisonburg, Va.
(Robert Simmons / Associated Press)
Then there was Division II Assumption in Massachusetts, where he took a team that had two winning records in 17 years and led them to five consecutive winning records and three straight playoff appearances.
“They said, ‘You can’t do it, nobody can do it,’’’ Chesney says. “We did it.”
Then there was Holy Cross, also in Massachusetts, where he took the team to a record five straight Patriot League championships while advancing as deep as the FCS quarterfinals.
“They told us, ‘The academics are too tough, the tuition is too high, you can’t win there,’’’ Chesney recounts. “We won there.”
Finally there was James Madison in Virginia, where he took a team whose stars had all followed Curt Cignetti to Indiana and still triumphed, leading them to a Cinderella appearance in the College Football Playoff.
“A lot of people doubted it, a lot of people didn’t believe it could work,” Chesney says. “We’ve proved a lot of people wrong throughout the years.”
After his resume, Chesney points to his surroundings. He is more awed by UCLA’s gravitas than any other football coach I can remember. It’s clear he can sell the school because he has such respect for the school.
“Here you’re a handshake away from changing your life … the school has an 8% acceptance rate, you’re walking around this campus with valedictorians and future CEOs and doctors and lawyers,” he says. “You’re surrounded by greatness, you have a chance to breathe this rare air that very few people get a chance to breathe.”
But for Chesney to fill this air with a football championship requires a price. It is a price that, so far, many potential donors have been reluctant to pay. But in today’s college football world, it is the cost of doing business.
Face it, Cignetti couldn’t have changed Indiana’s fortunes so rapidly if it wasn’t for Mark Cuban money. Chesney believes he can do the same thing here … with a little push.
Longtime UCLA donor Angelo Mazzone chipped in $10 million recently, and more such gifts are needed for UCLA to be able to pay the players that bring them a championship.
”There’s a major financial commitment that comes with getting those four- and five-star kids, but we can really turn the tables with that kind of help,” Chesney says. “Every single thing that is needed is here, we just have to make sure we get the support from the people on the outside that we need to actualize our dream.”
UCLA coach Bob Chesney shares his vision for the program during his introductory news conference on Dec. 9.
(Allen J. Schaben/Los Angeles Times)
He’s doing all the right things while chasing that dream.
Even as his bosses are pushing to move the team out of the Rose Bowl to SoFi Stadium, he loves the Rose Bowl, and took his team there for its spring game on a weekend that began with him standing outside the brightly lit marquee with his father and his son in the dark.
“It was one of those moments, I was like, man, the history of this place … to me to play in the Rose Bowl, what an honor and a privilege,” he says.
The game actually drew a decent spring crowd of 10,000-12,000, partially because Chesney had worked so hard at banging the drum. He and his players even brought pizzas to various campus groups in hopes of enlisting support.
“You want to be around this program, you can be around this program,” he says.
Then there’s his opinion of USC. He doesn’t have one. He never mentions them. For a UCLA coach, this is a good thing.
“I guess we’re perceived to be in their shadow, and for whatever reasons we weren’t an option the last couple of years, but look at our recruiting, I know we’re becoming an option for L.A. again,” Chesney says. “I think you can change a lot of people’s opinions on who they want to be rooting for.”
As in all levels of football, it all comes down to the quarterback, and Chesney had his first win by convincing budding star Nico Iamaleava. The kid was roundly criticized in this space for holding out and then walking out on his Tennessee team last year, but he has since grown up, and could be the sort of game-changer that Chesney requires.
“Watching Nico with his athletic ability, his arm, creating plays after the play with his legs, I have very high hopes,” says Chesney.
There are potentially outstanding transfers at half of the positions, and, with some solid returning players — this is a team that beat seventh-ranked Penn State, remember — the Bruins have a decent foundation.
UCLA coach Bob Chesney pats running back Anthony Woods on the helmet during the team’s spring game at the Rose Bowl on May 2.
(Allen J. Schaben/Los Angeles Times)
Throw in a favorable 2026 schedule that doesn’t include Ohio State or Penn State or Washington or Iowa, and one thinks they might even have a chance at making some miracles.
“You’re going to see a different brand of football, one that is united, that is passionate, that is physical, that is tough, that has a lot of fun playing together,” he said.
You’re also going to hear a sound that died in the brief DeShaun Foster era, a sound that has never lasted more than a couple of weeks in the last 30 years.
That rumble is the Bruin football bandwagon. It’s revving up again. The inimitable force that is Bob Chesney wants to include you on the start of its journey.
Kylie Cantrall loves having a day off in the Valley.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Born and raised in the L.A. area, Cantrall has been working in entertainment since launching a YouTube channel at 7 years old. At 21, she’s been rising through Hollywood’s ranks, doing everything from animated voices to toplining live-action series, all while garnering millions of social media followers. These days, she’s best known to the teen, tween and under set for her starmaking turn as “Red” in Disney’s “Descendants” franchise, with “Descendants: Wicked Wonderland,” which dropped last week. Ever the multi-hyphenate, Cantrall is also hoping her new eight-song EP — the aptly-titled “Valley Girl Problems,” which she’s been promoting with “Life of a Valley Girl” travelogs on TikTok — will help further her career in mainstream pop music.
Because of all that ambition, Cantrall is busy nearly all of the time. Except Sundays. “Sunday is my favorite day of the week,” she says, “and that’s because of all the things I get to do.”
Here’s everything Cantrall would do on a sunny Sunday.
This interview has been edited for length and clarity.
9 a.m.: Sleep, then hike
I’ll grab a yogurt for breakfast and then head out the door, on my way to Fryman Canyon for a little morning hike. That’s my go-to spot because I like that you can actually control how hard you want the workout to be. It’s not the craziest hike — it’s actually pretty calm — but there are a couple of incline points. It really is the perfect place for when you want to meet up with a friend and get some steps in, but you also don’t want to be dying while you’re trying to have a conversation.
Noon: Empanadas at the farmers market
After a hike, I’ll usually go to the Studio City Farmers Market. I’ll get a little vanilla latte with oat milk, and I’ll stop at this stand, King’s Empanadas, because they make my favorite empanada in L.A. I get the shredded chicken one, which is cute and tiny but really filling.
There’s another vendor there [Bautista Family Organic Ranch] that sells dates and they’re literally the best dates I’ve ever had in my life. They’re desserts, essentially. They’re so caramelly and sweet.
I always get berries at the market, too, like raspberries and blueberries. There’s another vendor [Thyme for Honey] who makes different flavors of granola and their coffee-flavored granola is so bomb that I’ll always get that too.
2 p.m.: Flea market finds
I’d probably meet up with a friend and go to the Silverlake Flea Market, which I’ve been really liking recently. It’s a bit of a drive for me since I’m in the Valley, though, like a cute 25 to 30 minutes.
At the Silverlake Flea Market, I’ve had a lot of luck with jewelry, like I’ve found a lot of really great rings, necklaces, and earrings, or little random other things. I always end up picking up a crystal too. It’s like an energy that just takes over me.
I might also luck out and find a cute baby tee. They have really good vintage artist T-shirts and I got a cute Janet Jackson Rhythm Nation tour shirt last time I was there.
4 p.m.: Matcha stop
After the Silverlake Flea [which is held in Atwater Village], I’ll go to a coffee shop that I’m obsessed with. It’s called Laveta, and they have the best matcha I’ve ever had. It’s got a good cream top, and the shop has a cool vibe and ambience.
6 p.m.: Fighting traffic with the top down
I like to go and frolic every now and then just to get out of my Valley bubble, but after Laveta I’d probably head home. I’m thinking I’d hit some 6 p.m. traffic, but I’d be listening to music with the top down in my Mini Cooper. Maybe some Sade, maybe some Brandy. I might throw in a little Kim Petras if traffic is clear, and I’m speeding down the freeway.
7 p.m.: Laundry and “The Morning Show”
I’d probably try to be home by 7 to do laundry. I’d watch “The Morning Show,” which is my favorite show right now. Maybe I’d do a face mask too.
For dinner, I’ll go pick up some Katsuya if I’m feeling crazy. Their spot in the Valley has my favorite sushi, and I’m a big sushi gal. I’ll get the Robert roll and maybe even a miso soup if I’m feeling crazy. I’ve got to add crispy rice with spicy tuna too.
After that, probably just more “Morning Show” and then I usually try to be in bed by 11 p.m.
Indiana Fever guard Sophie Cunningham stands by her comments about transgender athletes competing: She says she just ‘wants to protect’ women’s sports.
Despite her views that were expressed in an ESPN article published Tuesday, Cunningham insisted the next day that she doesn’t have anything against the transgender community.
“I got a lot of negative feedback about me hating trans. And I’m like, ‘I never once said that,’” Cunningham said in the article. “I think that I am here to extend love. But I also think with that love is truth, being honest. And I want to protect young girls in a locker room, or young girls in sport who shouldn’t have to go against biological men.”
The article became fodder for questions Wednesday before the Fever’s 123-88 victory against the Connecticut Sun.
“I think it’s kind of common sense,” Cunningham told reporters. “And I think I’ll always believe in that. I think it’s really important to protect children, and that’s little girls who are also involved in that category. And so I’ll stand on what I said, and I’ll always believe that.”
She reiterated that her feelings on the matter don’t stem from hatred.
“I think there is room for absolutely everyone here, and I think there is room to love everyone,” Cunningham said. “I truly think when you get people in the same room and you have conversations, you actually have a lot in common with a lot of people. And so I’m there to love.
“But I’m also there to love biological women, and I think that there are rights that need to be protected. And, like I said, I’m gonna stand true to that. I’ll never falter in my beliefs in that. But I have never once said that I hated the trans community. Like I said, I think there’s space for everyone.”
Cunningham appeared to triple down on her comments Thursday morning on Instagram, writing simply, “I said what I said.”
The topic of transgender athletes participating in women’s sports has become a polarizing issue in recent years. In February 2025, President Trump signed an executive order, “Keeping Men Out of Women’s Sports,” that looked to ensure that entities receiving federal funding abide by Title IX in alignment with the administration’s view that a person’s sex is the gender they were assigned at birth.
Last month, the Supreme Court upheld laws in West Virginia and Idaho that banned transgender athletes from competing on girls’ sports teams. Days later, two transgender girls who were the first to challenge Trump’s executive order dropped their lawsuit in New Hampshire.
“Men should not be playing in women’s sports. It’s completely ludicrous that anyone could support that,” White House press secretary Karoline Leavitt told reporters Thursday. “It’s even more ludicrous that you do have [Sophie] Cunningham — a female athlete herself, very accomplished in her own right — coming forth and speaking that truth that men shouldn’t play in women’s sports, we want to protect women and girls, and the backlash she is receiving from Democrats and left-wing figures across the country is astonishing.”
The league’s collective bargaining agreement states that “only players who are women are eligible to play in the WNBA,” but does not specifically exclude transgender women. When reached for comment, a WNBA representative referred The Times to a statement released by the Fever on Wednesday.
“Our players are thoughtful adults with their own perspectives and voices, and those views are their own,” the team said. “We are committed to welcoming fans from every background and treating everyone with respect, and that’s what guides us as an organization.”
Cunningham has been called “MAGA Barbie” since her college days at Missouri, according to Complex, because some of the people she follows and engagement with conservatives on social media.
In 2022, when Pennsylvania swimmer Lia Thomas became the first transgender athlete to win an NCAA Division I national championship, Cunningham reposted a since-deleted tweet stating that “female collegiate athletes deserve so much better than this.”
Soon after, Cunningham posted a statement saying that she stands “with all people, especially my fellow athletes.”
“I do not judge, but support all races, religions, sexual preferences and gender equity,” she wrote. “We all have a place in this world to compete and I hope we are able to grant everyone that opportunity fairly.”
Even with a seeming endorsement from the White House and a nickname that’s followed her, Cunningham says her political views are “very much in the middle.”
“I agree with things on both sides, disagree with things on both sides,” she said in the ESPN article. “And that’s all I’ve ever said about my political beliefs. But people love to assume.”
On Wednesday, Cunningham went into more detail, telling reporters “I’m not a very political person.”
“But I do have beliefs, I have morals, and I’ll always stand on those and be true to who I am,” she added. “… And so when it comes to just protecting young girls in sport and women in sport, I feel very strongly about that.
“That’s why you have Title IX. That’s why you have some of the greats in women’s sports. If Title IX and women’s sports weren’t protected, then you wouldn’t hear about any type of women in sport.”
A year after racking up more miles than any team in the NFL, the Chargers are homebodies.
For the first time in their 10 seasons in Los Angeles, they will open with back-to-back games on their home field — against Arizona and Las Vegas.
What’s more, one of their away games will be at SoFi Stadium, against the host Rams on Nov. 1.
Who knows if less time in an airplane will make a difference, but a franchise that hasn’t won a postseason game since the 2018 season will look for anything to change that trajectory.
It’s worth noting that Jim Harbaugh got his team to the playoffs in each of his first two seasons, and he has a history of turning around franchises in college football and the pros.
And, as they’ll show in training camp, the 2026 Chargers have made some significant changes.
Here are five things to watch in training camp:
Justin time
Chargers offensive coordinator Mike McDaniel speaks at a news conference on June 17.
(Eric Thayer / Los Angeles Times)
It’s the seventh season for Justin Herbert, and the star quarterback is on his fifth offensive coordinator. Will former Miami Dolphins coach Mike McDaniel be the play-designing architect to push him over the top and get him that elusive first playoff victory?
Already, McDaniel has done some tinkering and fine-tuning, tweaking Herbert’s footwork out of the shotgun formation to allow him to get the ball out of his hands a fraction of a second earlier. That should allow his receivers more time to turn up the field and bump up their yards-after-catch numbers.
The ball is coming out even before the receivers have turned their heads for it, and McDaniel has warned them the ball could hit them in the face if they’re not ready. It’s a way to neutralize the pass rush, too.
“If you’re getting the ball out quickly, there’s really nothing they can do about it,” Herbert said of defenders. “You’ve got to find a way to slow them down, and I think that’s just [McDaniel’s] way of taking them out of the game.”
Herbert has absorbed a lot of hits over the years, and he has leaned heavily on his arm strength too.
“In years past, you rely on your arm strength to put the ball exactly where you need to,” he said, “instead of trusting it and just throwing it to a spot and letting them go and get it.”
Next man up
Chargers defensive coordintor Chris O’Leary speaks at a news conference on June 17.
(Eric Thayer / Los Angeles Times)
Jesse Minter did such a solid job as defensive coordinator of the Chargers that he was hired as head coach of the Baltimore Ravens. So in steps his protege, Chris O’Leary, who coached under him at Georgia State and Notre Dame before spending the 2024 season coaching Chargers safeties. Then it was off to Western Michigan for O’Leary last season, where he was defensive coordinator — a year of experience in that job before returning to replace the departing Minter for the Chargers.
If it ain’t broke, don’t fix it. That’s expected to be the philosophy of O’Leary, who tutored his Western Michigan players by showing them tapes of the Chargers.
That said, he’s probably not going to follow Minter to the letter. He likely will have the same coverage schemes and rely just as much on All-Pro safety Derwin James, but his defenses might blitz more than Minter’s (the Chargers were near the bottom of the league in that category in 2026) and will look to turn first-round pick Akheem Mesidor into a pass-rushing star.
Odafe Oweh, acquired during the 2025 season in a trade with Baltimore, will play for the Washington Commanders this season. Mesidor, a linebacker who played collegiately at West Virginia and Miami, was selected 22nd overall.
It’s all on the line
Chargers offensive tackle Joe Alt participates in a drill at minicamp in June.
(Eric Thayer / Los Angeles Times)
The Chargers have huge draft capital invested in their offensive line — including spending first-round picks on bookend tackles Rashawn Slater and Joe Alt — and that was supposed to be a strength of the team last season. That went off the rails early, however, with the team losing Slater to a season-ending injury in training camp and Alt soon after the season started.
The line wound up being a disaster with a reshuffled cast virtually every week. One of the few fixtures was center Bradley Bozeman, who Pro Football Focus rated 40th out of 40 players who qualified at that position. He retired after the season.
The Chargers have a new center in Tyler Biadasz, who was released by the Commanders in a cost-cutting move, and Alt (ankle) and Slater (knee) are cleared and ready to go. If this unit can stay healthy, it will look a lot different — and a lot better — than the 2025 version.
Beginning of the ends
Chargers tight end David Njoku speaks during a news conference on May 19.
(William Liang / Associated Press)
In the not-too-distant past, the Chargers had one of the NFL’s premier tight ends in Antonio Gates, enshrined in the Pro Football Hall of Fame last summer. Since, the team has had more downs than ups at the position, although it saw some flashes last season from rookie Oronde Gadsden II, a talented pass catcher.
The Chargers got another infusion of promising tight ends in the offseason, acquiring free agents David Njoku and Charlie Kolar, both of whom thrived elsewhere.
Njoku was a gifted receiver and blocker in Cleveland, catching 81 balls and scoring six touchdowns in 2023. His numbers dropped off last season, though, as the Browns cycled through five different quarterbacks.
Kolar was more blocker than receiver in his four years with the Ravens, and he did that very well. When he did see passes thrown his way, he did a good job of reeling those in.
Oh my, Omarion
Chargers running back Omarion Hampton speaks at a news conference during minicamp on June 17.
(Eric Thayer / Los Angeles Times)
The rookie grade for running back Omarion Hampton? Incomplete. The 2025 first-round pick from North Carolina got off to a good start, including a 128-yard rushing performance at the New York Giants in Week 4, before sustaining a fractured ankle the following week that sidelined him for two months.
In his sophomore season, he should be running behind a far better line and playing for an offensive coordinator with a history of coaching running backs to breakout seasons. Look what De’Von Achane did under McDaniel in Miami, where he ran for 1,350 yards and caught 67 passes last season.
If Hampton can come close to that, he’ll be a popular fantasy pickup.
