Olivia Moultrie scored both goals in the Portland Thorns’ 2-0 victory over Angel City in Los Angeles.
With the win, the Thorns (10-8-7) clinched a league-record ninth consecutive playoff appearance.
Angel City (7-12-6) was already eliminated from playoff contention prior to kickoff at BMO Stadium. ACFC’s last postseason appearance came in 2023.
Moultrie got the Thorns off to the perfect start in the 23rd minute. The 20-year-old switched the ball between her feet to buy a yard of space and then unleashed a shot into the top corner from 21 yards out to make it 1-0.
After Sara Doorsoun fouled Reilyn Turner in the box, Moultrie stepped up from the penalty spot and coolly converted to make it 2-0 in the 60th. It was her eighth goal of the season.
Christen Press came off the bench for Angel City in the 60th, with Ali Riley entering in the 82nd. Both veteran players received a standing ovation from the home fans on their final appearance at home in Los Angeles. The veteran duo are set to retire at the end of season.
A first taste of L.A.’s new Maydan Market. Plus, eating in this town for $50 or less, a cookbook of gravestone recipes, allegations of racial discrimination at a popular L.A. cafe … and how Diane Keaton liked to drink her favorite wine. I’m Laurie Ochoa, general manager of L.A. Times Food, with this week’s Tasting Notes.
Market of dreams
Chefs Rosio Sanchez, left, and Laura Flores Correa of Copenhagen’s Sanchez and Hija de Sanchez, sample mole-sauced turkey legs from Lugya’h at Maydan Market.
(Laurie Ochoa / Los Angeles Times)
Many of us have favorite places to take out-of-town guests — restaurants, hiking trails and idiosyncratic spots like the recently reopened Museum of Jurassic Technology that show our friends and family why we love L.A.
For years, I’ve brought friends to Mercado la Paloma, the food hall and cultural center that is home to Gilberto Cetina‘s Holbox, the seafood counter that was our L.A. Times Restaurant of the Year in 2023 and last year was awarded a Michelin star. These days, there’s always a line for Cetina’s exquisite seafood plates, including his octopus taco with squid-ink-stained sofrito. While one person in your group waits to order at Holbox, you can find many other things to bring to your table at the mercado — unbeatable cochinita pibil and more Yucatecan dishes (try the papadzules or a refreshing agua de chaya) from Chichén Itzá, founded by Cetina’s father Gilberto Sr.; Oaxacan nieves or ice cream flavored with mamey, tuna (cactus fruit) or especially leche quemada (burnt milk) from OaxaCalifornia; and Fátima Juárez‘s gorgeous quesadilla de flor, with orange squash blossom petals spilling out of the blue corn tortilla like sunshine at her masa-focused restaurant Komal (one of Bill Addison’s picks on his 101 Best California Restaurants list).
This week, however, I tried a new place when Rosio Sanchez, the Copenhagen-based chef I wrote about in this newsletter a few months ago, said she was coming to L.A. for the Chef Assembly conference and two collaborations, one that took place Wednesday with Jordan Kahn at Meteora and another that is happening all day Sunday at Enrique Olvera and chef Chuy Cervantes’downtown taco spot Ditroit with Yia Vang of Minneapolis’ Hmong restaurant Vinai. Sanchez wanted to meet someplace for lunch, but had just tried Komal at the Mercado la Paloma and had even been to Thai Taco Tuesday at Anajak Thai, one of my other dependable suggestions for wowing visitors. I had to change my usual game plan.
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Chef-founder Rose Previte details the bevy of vendors and dishes at West Adams’ cross-cultural new food hall.
Fortunately, our intrepid woman about town Stephanie Breijo had been telling me all about Maydan Market in anticipation of its recent opening in L.A.’s West Adams neighborhood, across the street from a branch of chef Kat Turner‘s Highly Likely. In addition, Breijo made a hunger-inducing video showing off the live-fire-based restaurants at the heart of the market founded by Rose Previte, whose Maydan in Washington, D.C., is devoted to the cuisines of the Middle East and was among the Top 40 restaurants chosen in 2024 by the Washington Post’s recently unmasked criticTom Sietsema.
Here in Los Angeles, Previte wanted to open a food hall centered on hearth cooking from different cultures. That not only means new branches of her Maydan restaurant and Compass Rose cafe, but Afro-Mexican Guerrerense cooking at Maléna from Tamales Elena founder Maria Elena Lorenzo; Yhing Yhang BBQ from Holy Basil chef Wedchayan “Deau” Arpapornnopparat, serving charcoal-grilled Thai chicken, seafood and duck, and a space for emerging chefs that is currently featuring Melnificent Wingz from Melissa “Chef Mel” Cottingham.
Most of the places so far don’t open until 5 p.m. — I spotted Arpapornnopparat prepping some fantastic-looking chile sauces for his dinnertime barbecue that I am eager to try. But lunch operations are slowly getting underway and on Thursday afternoon we were lucky to find Alfonso Martinez of Poncho’s Tlayudas fame at Lugya’h, his new post in the market. In addition to tlyaudas — which Addison, in his 2022 review of Poncho’s called one of his “this is the Los Angeles I love” dishes — Martinez is serving dishes from Oaxaca’s Sierra Norte at Lugya’h.
Mole-covered turkey leg with a black bean tamal from Alfonso Martinez’s Lugya’h at Maydan Market.
(Laurie Ochoa / Los Angeles Times)
With Sanchez and her chef Laura Flores Correa, best known as Laurita, I was able to try a turkey leg sauced in a dark, rich “mole de bejed” with a black bean tamal on the side. The meat was incredibly moist, perfect with the tamal. We also got bowls of foamy Mexican cacao-flavored atole, which came with brioche-like Oaxacan pan de yema.
A slice of tlayuda with chorizo, grilled tasajo and the blood sausage moronga from Lugya’h at L.A.’s Maydan Market.
(Laurie Ochoa / Los Angeles Times)
And even though the current plan is to serve tlyaudas only during dinner, we were able to try one with three meats: chorizo, beautifully charred on the edges from the fire; a slice of grilled tasajo, and a link of moronga, one of the best blood sausages I’ve ever eaten, from a recipe, as Addison writes, handed down as a wedding gift from the father of Martinez’s wife Odilia Romero. She was helping out at the market this week, though is anxious to get back to her work advocating for Indigenous migrants in L.A. That might not be easy once word spreads about the deliciousness of Lugya’h’s food.
Alfonso Martinez, right, and Odilia Romero, who have expanded their Poncho’s Tlayudas operation to Maydan Market under the name Lugya’h.
(Laurie Ochoa / Los Angeles Times)
Indeed, each of the places Previte has curated is certain to draw a crowd. I’m looking forward to bringing more friends and trying them all.
If you think $50 a person sounds like a lot for dinner …
(Juliana Yamada / Los Angeles Times)
“It’s crazy that $50 per person is now considered a cheap sit-down meal.”
“The fact that LAT is suggesting $50 a person is somehow a ‘win’ is pretty crazy.”
Those are two reader comments on our 50 under $50 guide to restaurants where it’s possible to eat for $50 or less a person — including tax and tip. Which actually means finding items on the menu that cost $38 a person to account for an approximate 10% sales tax and 20% tip. We thought it was important for you to not get hit with charges that traditionally are not reflected on most restaurant menus.
To those readers who say $50 a person is too much to spend for a nice sit-down dinner, we agree. But all over the city — and in so many parts of the country — it’s increasingly difficult to get dinner at a non-fast-food or fast-casual restaurant for less than $50. Indeed, some of our finest restaurants charge $500 and even more than $1000 a person once you figure in wine or sake pairings.
This kind of pricing, which accounts for luxury ingredients and livable salaries for members of the kitchen and dining room staff that provide world-class service, puts many of our most acclaimed restaurants out of reach for the majority of Angelenos. That’s why we thought it was important in these tough economic times to come up with a guide to more affordable restaurant choices. We weren’t only going for “cheap eats.” Our entire Food team searched the city for a range of places that, as senior Food editor Danielle Dorsey wrote, “must be open until 9 p.m.” (so a true dinner spot), “doesn’t have to offer table service, but must [have] seating available to enjoy your food on-site” and where “you must be able to order at least two menu items, whether that’s a starter and a main, an entree and a dessert, or a large plate and a cocktail.”
The restaurants we chose ranged from the casual but highly acclaimed Sonoratown, which has what our critic Bill Addison says is “the Los Angeles food item I have consumed more than any other” (the $12.50 Burrito 2.0) to strategic ordering suggestions at star chef spots such as Dave Beran‘s Pasjoli and Bestia from husband-and-wife chefs Ori Menashe and Genevieve Gergis. In between are affordable date-night places, including Cody Ma and Misha Sesar‘s Persian spot Azizam, the buzzy Cal-Italian Beethoven Market and Propaganda Wine Bar in the Arts District. We’re always looking for more suggestions. If you have a favorite affordable place, tell us about it in the story’s comment section.
Also …
Stephanie Breijo spoke with archivist and social media personality Rosie Grant about her new cookbook “To Die For: A Cookbook of Gravestone Recipes,” which as the title implies, is a collection of recipes that decedents or their loved ones treasured so much they had them etched on their tombstones.
Breijo also broke down the allegations of racial discrimination at the L.A. restaurant Great White and Gran Blanco “after intensifying social media videos claim that Great White segregates customers based on ethnicity and race, which its owners and some employees deny.”
And finally … ‘slug it down’
Diane Keaton in 2023.
(Raymond Hall/GC Images via Getty Images)
In memory of the great Diane Keaton, let’s raise a toast to her unforgettable movie roles and personal style with what she called “the only wine that I love.”
“It’s called Lillet,” she said in an Instagram video she made back in 2022 with a similar unconventional approach to ice that Stanley Tucci demonstrated his viral negroni video from 2020. After adding many ice cubes to a large yet elegant tumbler, she fills the glass with Lillet and adds a wedge of lemon, instructing her followers to “slug it down” without the addition of the usual tonic or sparkling water. Apparently, Keaton was not a spritz kind of gal. “And if you don’t like it,” she said to her viewers, “that’s fine with me. I’ll just drink all this myself.” Sounds like she knew how to live.
U.S. House Minority Leader Hakeem Jeffries (D-N.Y.) visited three Black churches in Los Angeles on Sunday morning to campaign for California’s redistricting effort, which could add five or six Democratic representatives to his ranks.
Amid a congressional deadlock over healthcare subsidies that has left the government shut down for more than two weeks, the minority leader returned to the Golden State to campaign for Proposition 50. The ballot measure would give his party more power against Republicans, who Jeffries said have refused to negotiate in the shutdown and otherwise.
“This is trouble all around us,” Jeffries told the congregation at First African Methodist Episcopal Church of Los Angeles in West Adams — after poking fun at President Trump’s 2016 gaffe misspronouncing a book of the Bible. “Folks in the government who would rather shut the government down than give healthcare to everyday Americans. Wickedness in high places. And now they want to gerrymander the congressional maps all across the country to try to rig the midterm elections.”
The packed congregation — most wearing pink to support Breast Cancer Awareness Month — were receptive to his message.
“This is a way of trying to keep things equal,” said Kim Balogun, who was in Sunday’s crowd. “A level playing field.”
For many of its members, First AME is more than just a church. As the city’s oldest African American congregation, it has been at the forefront of the fight for civil rights since its founding in 1872.
“This is family,” said Toni Scott, a retired special-education teacher who has been with First AME for 52 years. “As one of the church’s previous ministers used to say, ‘This is a hospital. People are sick; we come to be healed,’” she said.
When news reached L.A. that Nelson Mandela would be released from prison, South African immigrants and anti-apartheid activists flocked to the church, anxiously awaiting the first sights of Mandela walking free. During the 1992 riots, First AME was a bastion of hope amid a sea of chaos.
“We thank you, God, for bringing us through dark times and chaotic times,” the Rev. Charolyn Jones said to the congregation on Sunday, “knowing that our church, the African Methodist Episcopal Church, was born out of protest.”
House Minority Leader Hakeem Jeffries, left, greets parishioners at First African Methodist Episcopal Church of Los Angeles. “It’s an honor and a privilege to spend time worshiping at Black churches here with Congresswoman Sydney Kamlager-Dove to reinforce the message of the importance of voting yes on Proposition 50,” Jeffries said.
(Ethan Swope / For The Times)
For Jeffries, the first Black person to lead a major political party in Congress, the West Coast trip amid a congressional impasse was important.
“The African American churchgoing community has always been the foundation of the Black experience in the United States of America,” Jeffries said, who also visited the congregations of Mt. Sinai Missionary Baptist Church in South L.A. and Resurrection Church of Los Angeles in Carson. “It’s an honor and a privilege to spend time worshiping at Black churches here with Congresswoman Sydney Kamlager-Dove to reinforce the message of the importance of voting yes on Proposition 50.”
The state’s redistricting effort, Proposition 50, is part of a national fight over control of the U.S. House of Representatives, instigated by President Trump. Republicans hold a slim majority in the House, but in June, Trump began pushing Texas Republicans to redraw the state’s congressional maps to yield five more likely GOP seats.
In response, Newsom proposed California temporarily depose of its independent redistricting commission, led by 14 citizens, to redraw the state’s maps and add five Democratic seats, effectively canceling out Texas’s move.
The Democratic-controlled state Legislature quickly produced redrawn maps and scheduled a Nov. 4 special election to put them up for a vote. Mail-in ballots are already in the hands of voters.
California Republicans, including former governor Arnold Schwarzenegger, have slammed the initiative as a “big scam.” Schwarzenegger called Democrats hypocritical, arguing that while they call Trump a “threat to democracy,” they want to “tear up the Constitution of California” and “take the power away from the people and give it back to the politicians.”
Jeffries noted that California was letting its citizens ultimately decide — unlike some Republican-led states.
“We said from the very beginning that we want to find bipartisan common ground whenever possible, but unfortunately, Republicans, from the beginning of this presidency, have adopted a take-it-or-leave-it, go-at-it-alone strategy,” he said, which is part of why, he added, Proposition 50 is so important.
In the current shutdown, Democrats said they will not vote for a funding bill unless it extends tax credits in the Affordable Care Act that are set to expire for many Americans at the end of the year and reverses cuts to Medicaid that Republicans passed in July’s so-called Big Beautiful Bill.
If the ACA credits expire, premiums would on average more than double for Americans on the enhanced tax credit, one health policy research firm found. But Republicans point out they come with a price: The Congressional Budget Office estimates they would cost the government $350 billion over the next decade.
The bill, which is now law, will cut Medicaid spending by $793 billion, the CBO estimated, and lead to 7.8 million Americans losing their insurance.
On the government shutdown, Richard Balogun, a member of Sunday’s First AME congregation, thinks fighting for healthcare is a worthwhile cause.
“Isn’t it amazing that in England, Australia … you can have national healthcare? Maybe you don’t get treated within the first hour, but you get treated,” he said. In America, “you have to ask yourself sometimes, if I’m going to the emergency room, can I afford that thousands of dollars I’m going to have to pay? That should not be the case in this country.”
A government shutdown has consequences: 2.3 million civilian federal employees are going without pay — roughly 750,000 of whom are furloughed. When the employees are back-paid after the government reopens, that’ll correspond to roughly $400 million of taxpayer money spent every day of the shutdown to pay employees who were not working, the CBO estimates.
Beyond National Park closures and air travel delays, food programs for low-income families could run dry without a funding bill. The Women, Infants and Children Program (WIC) can see effects as soon as one week after a shutdown, the CEO of the National WIC Assn. said. Meanwhile, SNAP (formerly known as food stamps) could also run out of funding further down the line.
Republicans blame Democrats for shutting down the government over their healthcare concerns, but Jeffries pinned it on Republicans, who’ve refused to negotiate.
To Scott, the pink her congregation was wearing to support breast cancer survivors only emphasized the importance of access to healthcare. (Jeffries sported a pink tie.)
“More people need to know what’s going on, so just having him go from church to church, mostly in the Black neighborhoods — that’s where we have the most people: in our churches,” Scott said. “Some may hear the word, see something on fake news, but we know in the church you’re going to hear truth.”
It was one of those performances that will be spoken about for years.
Los Angeles Dodgers superstar Shohei Ohtani delivered a night for the ages in the Dodgers’ 5-1 win over the Milwaukee Brewers in the clinching fourth game of the National League Championship Series on Friday night.
After slumping throughout the postseason, the Japanese sensation hit three home runs and pitched six shutout innings with 10 strikeouts at Chavez Ravine to advance the Dodgers to the World Series.
Yes, the Dodgers are advancing to their second-straight World Series, where they’ll face either the Seattle Mariners or Toronto Blue Jays, beginning Friday.
They will attempt to become the first Major League Baseball team to win consecutive crowns since the New York Yankees’ threepeat from 1998 to 2000.
However, the night became a celebration of Ohtani, as documented by my sports colleagues.
Let’s take a look at some of what made Friday such a magical evening.
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Los Angeles, can you understand the singular greatness that plays here? Fall Classic, are you ready for another dose of Sho-time?
Ohtani and the Dodgers are back on baseball’s grandest stage, arguably the best player in baseball history concocting arguably the best single-game performance in postseason history.
The final score was 5-1, but, really, it was over at 1-0, Ohtani’s thunderous leadoff homer after his thundering three strikeouts igniting a dancing Dodger Stadium crowd and squelching the Brewers before the first inning was even 10 minutes old.
How far did that first home-run actually travel? Back, back, back into forever, it was the first leadoff homer by a pitcher in baseball history, regular season or postseason, a feat unmatched by even the legendary Babe Ruth.
The unicorn Ohtani basically created the same wizardry again in the fourth inning and added a third longball in the seventh in carrying the Dodgers to their second consecutive World Series and fifth in nine years while further cementing their status as one of baseball’s historic dynasties.
Ohtani took one of the best rounds of batting practice anyone in attendance had seen, getting into the real work of trying to fix a swing that had abandoned him for much of this postseason.
In 32 swings, Ohtani hit 14 home runs. Many of them were moonshots. One even clanged off the roof of the right-field pavilion.
Over his previous seven games, going back to the start of the NL Division Series, he had two hits in 25 at-bats.
He had recorded 12 strikeouts and plenty more puzzling swing decisions. And he seemed, at least in the estimation of some around the team, unusually perturbed as public criticisms of his play started to mount.
Then, two days later, a tour de force performance that will be talked about forever.
“He woke up this morning with people questioning him,” said Andrew Friedman, Dodgers president of baseball operations, during an alcohol-soaked celebration in the clubhouse afterward. “And 12 hours later, he’s standing on the podium as the NLCS MVP.”
Up next for the Dodgers is the World Series and perhaps some more Ohtani magic.
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Matheus Nascimento and Joseph Paintsil each scored on Saturday night to help the Galaxy beat Minnesota United 2-1 in the regular-season finale for both teams.
Minnesota (16-8-10) is fourth in the Western Conference and will play fifth-seeded Seattle in the best-of-three first round of the MLS Cup playoffs.
Nascimento gave the Galaxy (7-18-9) the lead for good when he scored on a first-touch shot from the center of the area in the 12th minute.
Paintsil, on the counterattack, outraced the defense down the left sideline and then bounced a low shot off the far post and then slammed home his own rebound to make it 2-0 in the 52nd.
Joaquín Pereyra scored in the fifth minute of stoppage time for Minnesota.
A couple of minutes later, the Galaxy’s Edwin Cerrillo was shown a yellow card in the 67th and another, resulting in a red, in the seventh minute of stoppage time.
Seth Jarvis scored 1:45 into overtime and the Carolina Hurricanes extended their undefeated start to the season to five games despite giving up a three-goal lead in a 4-3 win over the Kings on Saturday night at Crypto.com Arena.
Jarvis netted his sixth goal of the season, capitalizing on a fortunate bounce after Kings defenseman Brandt Clarke blocked Sebastian Aho’s shot, scoring into an open net with goalie Anton Forsberg unable to get back in position.
Jordan Staal had two goals, Jesperi Kotkaniemi also scored, and Brandon Bussi made 25 saves for the Hurricanes.
Kevin Fiala tied it midway through the third period for the Kings, who have lost four straight. Trevor Moore and Andrei Kuzmenko also scored, and Forsberg made 36 saves.
The Hurricanes went up 3-0 early in the second period before the Kings responded. Moore got the Kings on the board and looked to have picked up a second less than a minute later, but it was waived off for goaltender interference by Warren Foegele.
Kuzmenko cut it to 3-2 on the power play with 3:56 left in the period, the first conceded by Carolina this season in 10 road penalty kills.
For all of its dominance, Carolina had scored two goals in the first period coming into the night. Staal doubled that in the opening 3:58, including scoring 12 seconds into the game when William Carrier found him alone at the back post for his 300th career goal.
Staal joined his brother Eric in the 300-goal club, making them the fourth brother pair to accomplish it and joining Maurice and Henri Richard, Bobby and Dennis Hull, and Brent and Brian Sutter.
Hurricanes defenseman Shayne Gostisbehere played 4:06 in the first period before exiting the game with a lower-body injury.
Wow, what a week in sports. USC defeats Michigan, a Dodger pitches a complete game for the first time in the postseason since 2004 and they sweep the Brewers to go to the World Series for the second consecutive year after being 0-6 against Milwaukee during the regular season. Perhaps Michael Conforto will be added to the roster and win MVP in the World Series.
Jeff Hershow Woodland Hills
While basically sleepwalking through the first three games of the NLCS, Shohei Ohtani saves his best for last. He goes “Hollywood” and produces the single greatest performance in MLB history as the final curtain comes down on the Milwaukee Brewers and extends the Dodgers’ magical journey to repeat as World Series champions.
Stay tuned for the sequel!
Rick Solomon Lake Balboa
It’s a bird, it’s a plane … no, it’s superhuman Shohei! He pitches a shutout, strikes out 10, and hits three tape-measure home runs. Wow!
Marty Zweben Palos Verdes Estates
In the history of Major League Baseball, has there ever been a player like Shohei Ohtani? I don’t think so. Shohei is the best ever. Enough said.
Chris Sorce Fountain Valley
Now that the Dodgers have effortlessly powered their way back into the World Series, it’s quite obvious that $400 million actually does buy what it used to!
Jack Wolf Westwood
At last, the second coming of the Dodgers has happened. We’ve been waiting for it and hoping for it, and now it’s here. Great offense, great defense and superb pitching. Our new chant should be “all the way L.A., all the way.”
Cheryl Creek Anaheim
Statistically speaking, there is a case to be made in comparing the postseason accomplishments of Sandy Koufax and Blake Snell. From a historical perspective, there is no comparison.
Koufax is a legendary lifetime Dodger who pitched until he physically was no longer able to do so. Snell famously refused to take the ball in his last Giants start to save himself for a free agency money windfall.
Bill Waxman Simi Valley
Stop the presses! The world is still spinning on its axis! Holy Toledo, Dave Roberts finally figured out a starting pitcher’s arm doesn’t fall off after 100 pitches. Too bad he didn’t come to that revelation during Blake Snell’s Game 1 performance, but better late than never as the saying goes.
It’s easy to miss the confidence of Billy Wilder or Frank Capra whenever some brave soul tries to make a comedy that takes America’s temperature by straddling cynicism and optimism. Those Hollywood masters could handily juggle the sweet, sour and satirical and, in Wilder’s case, even leave you believing in a happy ending.
With his writing-directing feature debut, “Good Fortune,” however, Aziz Ansari, who stars alongside Seth Rogen and Keanu Reeves (as an angel named Gabriel), swings big, hoping to capture that jokey truth-telling vibe about the State of Things. His subject is a fertile one too: the gig economy fostering our crushing inequity, but also the desperation of the have-nots and how oblivious the wealthy are about those who made them rich. So let’s stick it to the billionaires! Let Keanu help the downtrodden!
Ansari’s high-low morality tale, set in our fair (and unfair) Los Angeles, is a friendly melding of celestially tinged stories (“Heaven Can Wait,” “Wings of Desire”) and body-swap comedies (“Trading Places”). But as agreeable as it is, it can’t square its jabs with its sentimentality. It’s got heart, kind eyes, a wry smile and some funny lines, but no teeth when you really need things bitten into, chewed up and spit out.
Ansari plays Arj, living a serious disconnection between his professional identity — wannabe Hollywood film editor — and how he actually exists: task-gigging for scraps and living in his car. When a garage-reorganizing job for Jeff (Rogen), a Bel-Air venture capitalist, turns into an assistant position, Arj feels secure enough to use the company card for a fancy dinner with occasional colleague and romantic interest Elena (an underused Keke Palmer). Jeff clocks the charge the next day, though (a realistic detail about the rich watching every penny), and immediately fires Arj.
All along, Arj’s sad situation has touched Reeves’ long-haired, khaki-suited angel, whose life-saving purview (he specializes in jostling distracted drivers) is low in the hierarchy overseen by boss guardian Martha (Sandra Oh). Gabriel wants a big healing job to show Arj, with a little role-reversal magic, that being Jeff isn’t all it’s cracked up to be. Except, of course, it is. (David Mamet’s line “Everybody needs money — that’s why they call it money” comes to mind.) The newly luxe-and-loving-it Arj shows no signs of wanting to switch back (which is apparently his call to make in the rules of this scenario), leaving out-of-his-depth Gabriel in the position of convincing a sudden billionaire why he should go back to being poor.
Which is where “Good Fortune,” for all its grasp of how Depression-era screwball comedies made the filthy rich mockable, struggles to match its issue-driven humor with its fix-it heart. While it’s funny to watch Rogen’s freshly desperate character suffer food-delivery humiliation, buying the script’s changes of heart — and the film’s naïve idea of where everyone should be at the end — is another matter. That’s why screwball comedies didn’t try to upend capitalism, just have some clever fun with it and let a simple love story stick the landing. Ansari’s ambition is admirable but he’s better at diagnoses than solutions.
His gold-touch move is giving the hilariously deadpan Reeves one of his best roles in years: a goofy meme brought to disarming life and the movie’s beating heart. Doing good can be hard work; understanding humans is harder. Plus, Reeves makes eating a burger for the first time a sublimely funny reaffirmation that sometimes, indeed, it is a wonderful life.
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Rebecca Ellis, Noah Goldberg and the esteemed Julia Wick, giving you the latest on city and county government.
For nearly three years, Los Angeles City Controller Kenneth Mejia has been trying to use his office to dig deep on the city’s homelessness programs — how they’re run and, more importantly, how effective they are.
The road so far has been a bit bumpy.
Early in his tenure, Mejia sent staffers to the Westside to monitor Mayor Karen Bass’ Inside Safe program, which moves unhoused people into hotels and motels. He quickly pulled back after facing resistance within City Hall.
A year later, Mejia offered to have his office conduct a court-ordered audit of the city’s homelessness programs. The work went to a private firm instead, at a cost to taxpayers of nearly $3 million.
Mejia also promised to produce a “focused audit” on Inside Safe, the mayor’s signature homelessness initiative, which has not materialized.
At one point, he even posted an Instagram video of himself and his staff doing choreographed moves to Kendrick Lamar’s “Not Like Us,” to explain why he hadn’t audited the program. The video displayed the words: “We tried. We tried. We tried.”
But this week, the city’s top accountant got his big break, securing a plum role in the high-stakes legal battle over homelessness between the city and the nonprofit L.A. Alliance for Human Rights. That fight hinges on whether the city is living up to its commitment, enshrined in a legal settlement, to clear encampments and build more homeless beds.
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On Tuesday, U.S. District Judge David O. Carter assigned attorney Daniel Garrie, an expert in cybersecurity and computer forensics, as a new third-party monitor to determine whether the city is truly on track to open 12,915 new homeless beds and remove nearly 10,000 encampments, as required by the settlement.
Carter tapped Mejia to serve as a liaison between Garrie and the city, calling him the “most knowledgeable person” on homelessness funding. In a six-page order, the judge said the city controller would support Garrie by “facilitating data access.” He also said Mejia would be less expensive than former City Controller Ron Galperin, who was also under consideration and expected to charge $800 an hour.
The judge’s order was well-timed, coming at a moment of heightened scrutiny over homelessness initiatives in L.A. and across the region.
On Thursday, federal prosecutors accused two real estate executives of misappropriating millions of dollars in state funds allocated in the region’s fight against homelessness. According to prosecutors, one of them engaged in bank fraud, identity theft and money laundering — purchasing a property on L.A.’s Westside and quickly flipping it for more than double the price to Weingart Center Assn., a nonprofit housing developer that received city funds to build interim homeless housing.
Mayoral candidate Austin Beutner, the former schools superintendent who spent some time at City Hall, also turned up the heat, calling this week for Bass to let Mejia audit the city’s homeless programs. He made that pitch after Rand researchers concluded that the region’s yearly homeless count is not accurately tracking homeless people who don’t live in tents or cars.
“The Mayor is blocking the elected Controller from auditing the City’s efforts,” Beutner said on X. “We need an immediate audit to tell us how much is being spent, on what, and whether it’s having any impact.”
Bass spokesperson Clara Karger, in an email to The Times, said the mayor and the city controller “work well together” on various issues, including a recent audit of the city’s housing department.
Asked whether Bass refused to participate in Mejia’s planned Inside Safe audit last year, Karger replied: “A city elected official should not conduct a performance audit of another elected official.”
“Inside Safe has robust oversight systems in place,” she said. “There are hundreds of pages of publicly available reports on Inside Safe and an assessment of Inside Safe was completed under the Alliance settlement.”
City Atty. Hydee Feldstein Soto declined to weigh in on Carter’s order. But she has previously pointed to a 16-year-old legal ruling barring the city controller from conducting performance audits of other elected officials.
“The legal advice from the City Attorney’s Office is known to our clients and has not changed over the years,” said Feldstein Soto spokesperson Karen Richardson.
The judge’s order may only be the beginning.
Mejia has been urging the city’s Charter Reform Commission to propose language that clearly gives him the power to audit programs overseen by his fellow elected officials. Such a move would erase any doubts about whether he has the legal standing to scrutinize Inside Safe.
The debate over the powers of the city controller goes back decades. In 2008, then-City Controller Laura Chick clashed with City Atty. Rocky Delgadillo over her attempt to audit his office’s workers compensation unit. The following year, right before Chick left office, a judge sided with Delgadillo and found that the controller lacked the authority for the audit.
In the short term, Carter’s order could give Mejia new leeway to identify lax oversight of L.A.’s homelessness programs, offering the public fresh insight into how closely they are tracked, and possibly identifying waste or fraud.
Mejia declined interview requests from The Times. Last month in federal court, he dazzled Carter with his office’s online dashboards, which show expenditures not just for Inside Safe but many other homelessness programs.
Carter praised the work of Mejia and his team, according to a transcript of the proceedings. Mejia, in turn, said his office enjoys the work but sometimes struggles to carry it out with its existing staff.
“Some of these contracts are 400 pages,” he said. “And so right now, we have a two-person team who is doing all of that and putting all this together.”
Attorney Elizabeth Mitchell, who represents the L.A. Alliance, welcomed the selection of Mejia, saying he’s clearly been pushing to get more involved in the case.
“My only concern is, I don’t know if he will engender a lot of cooperation from the city, because they don’t seem inclined to cooperate with him,” Mitchell said.
That wasn’t the message from Councilmember Tim McOsker, who voiced alarm in recent months over the costly bills submitted by the outside law firm handling the L.A. Alliance case for the city. McOsker, who spent several years in the city attorney’s office, expressed confidence in Mejia’s abilities and said the decision to pick him would be cost effective.
“It is imperative that we give value to the taxpayers of the city of Los Angeles,” he said.
State of play
— BEUTNERPALOOZA: After weeks of speculation, Beutner jumped into the June 2026 race for mayor. His team got off to a choppy start last weekend, uploading “Austin for LA Mayor” images to his social media accounts before he had even made a formal announcement, then abruptly taking them down. Hours later, Beutner formally went public, blasting Bass over the city’s handling of the Palisades fire, which destroyed his mother-in-law’s home and severely damaged his Pacific Palisades home.
By Monday, Beutner had released a video announcing his campaign, which assailed Trump over his immigration crackdown. Two days later, he appeared with supporters in San Pedro, repeating his warning that the city is “adrift.”
— DEFINE ADRIFT: The following morning, Bass joined former Councilmember Mike Bonin, director of the Pat Brown Institute for Public Affairs, to discuss politics, leadership and her tenure. She took issue with Beutner’s characterization of L.A. as “adrift,” saying the city has been through “multiple shocks this year,” including a catastrophic firestorm and “being invaded” by federal authorities in June.
The talk took place on the 72nd floor of the U.S. Bank Tower, offering a staggeringly beautiful post-rain city view, which offers a good excuse to revisit former California poet laureate Dana Gioia’s classic poem, “Los Angeles After the Rain.”
— FIERCE AMBITION: Is L.A. County Supervisor Lindsey Horvath running for mayor of Los Angeles? The former West Hollywood mayor hasn’t ruled it out — and moved to the city a few months ago.
— WE’RE NOT IN TEXAS ANYMORE: Two more plaintiffs in L.A. County’s $4-billion sex abuse settlement have come forward to say they were told to invent their claims in exchange for cash. The allegations follow a Times investigation published earlier this month that found seven plaintiffs who claimed they received cash from recruiters to sue the county over sex abuse. Downtown LA Law Group, which filed cases for the plaintiffs, has denied involvement with the alleged recruiters.
— BUT WAIT, THERE’S MORE: Meanwhile, the county is preparing to pay out an additional $828 million to another group of plaintiffs who say they were sexually abused in county facilities.
— GETTING OUT THE VOTE: Real estate developer Rick Caruso, the is-he-or-isn’t-he potential mayoral/gubernatorial candidate, is sending mailers to more than 45,000 voters who lived in fire-damaged sections of Pacific Palisades, Malibu and Altadena and now have temporary addresses. He advised them on how to update their voter registration by listing a temporary mailing address while also remaining in their original voting district, according to a Caruso spokesperson. Caruso is paying for the effort, which is nonpartisan and doesn’t mention any specific election. His team declined to provide the cost.
—SPEAKING OF CARUSO: Politico took a look at the mall magnate’s recent travels around the state, which have fueled speculation that he’s leaning toward a gubernatorial bid. The outlet reported that Caruso, who self-financed his 2022 mayoral campaign, recently met with Democratic megadonors Haim Saban and Ari Emanuel.
— THREE’S COMPANY: East Hollywood resident Dylan Kendall filed paperwork this week to challenge incumbent Hugo Soto–Martínez in next year’s race to represent Hollywood, Silver Lake, Echo Park and other neighborhoods. Kendall, a business owner who previously worked at the Hollywood Chamber of Commerce, cited quality-of-life issues as the impetus for her candidacy. Political consultant Michael Trujillo and fundraiser Kat Connolly have joined her campaign. (One of Soto-Martínez’s upstairs neighbors,Colter Carlisle, is also running.)
— MORE FALLOUT FROM G: L.A. County Chief Executive Fesia Davenport received a $2-million payout this summer after telling the county supervisors she had experienced professional fallout from Measure G, a voter-approved ballot measure that will soon make her job obsolete.
— 1,000 DAYS LEFT: Bass reminded Angelenos on Friday that the start of the 2028 Olympic Games is just 1,000 days away. Appearing in Venice, she signed an executive directive streamlining preparations for the international event.
— BYE, JULIA: We are super bummed to report that this was erstwhile City Hall reporter Julia Wick‘s last week at The Times. She will miss all of you. But she says please keep in touch!
QUICK HITS
Where is Inside Safe? The mayor’s signature program to combat homelessness went to Hollywood this week, focusing on the area around Santa Monica Boulevard and Heliotrope Drive in Soto-Martínez’s district.
On the docket next week: The council’s public works committee takes up the issue of long-delayed sidewalk repairs, including the city’s obligations to make them wheelchair accessible.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
From Bill Plaschke: One minute he was burning through the top of the first inning with three flaming strikeouts.
Roar!
The next minute — literally — he was slugging through the bottom of the first by driving a ball 446 feet into the back of the right-field pavilion.
Roar! Roar!
Three innings later he was doing it again, striking out two batters in the top of the fourth inning before driving a ball 469 feet over the roof of the same right field pavilion.
Roar! Roar! Roar!
Then in the seventh inning after he had left the mound after six scoreless, 10-strikeout innings, he hammered history again, driving a ball 427 feet over the center-field fence to complete a three-homer night.
Dodger fans, do you realize what you’re watching here? Los Angeles, can you understand the singular greatness that plays here? Fall Classic, are you ready for another dose of Sho-time?
Dodgers 2, at Milwaukee 1 (box score) Dodgers 5, at Milwaukee 1 (box score) at Dodgers 3, Milwaukee 1 (box score) at Dodgers 5, Milwaukee 1 (box score)
ALCS Seattle vs. Toronto Seattle 3, at Toronto 1 (box score) Seattle 10, at Toronto 3 (box score) Toronto 13, at Seattle 4 (box score) Toronto 8, at Seattle 2 (box score) at Seattle 6, Toronto 2 (box score) Sunday at Toronto, 5 p.m., FS1 *-Monday at Toronto, 5 p.m., Fox/FS1
When Tim Skipper first took over the team a month ago, he placed a new opponent on the schedule: the locker room. The interim coach showed players pictures of how it should look, including the lockers and the surrounding floor.
They scrubbed the place and it’s been spotless ever since. Sort of like the Bruins’ play starting with that Penn State game.
“I think a clean locker room makes you a lot happier,” Skipper explained this week. “It shows team discipline and it shows you can win off the field, so now you can go ahead and get on the field.”
“We have identified a style of play that we want to be, and it’s our job now to keep the standard the standard, you know, play with that fanatical effort, play with fundamentals, being smart, you know, all those things we just have to continue to do,” Skipper said. “But it’s not like something that’s just going to show up on Saturday. You have to practice about it. You have to work on it and not just talk about it.”
Can the Bruins keep it up after two consecutive victories? Here are five things to watch Saturday afternoon at the Rose Bowl when UCLA (2-4 overall, 2-1 Big Ten) faces Maryland (4-2, 1-2):
From Ryan Kartje: He was on the brink of the biggest moment of his football career last November when Jayden Maiava tried firing a back-shoulder pass to the sideline and disaster struck.
His third start at USC, to that point, had been his best, by far. While Notre Dame rolled over USC’s run defense, the young quarterback kept the Trojans afloat, passing for three scores and rushing for two more in a performance reminiscent of the one that, in 2022, secured Caleb Williams his Heisman Trophy.
But then came that sideline throw in the final minutes. The pass was picked off by the Irish and returned for a touchdown. A few minutes later, having led USC back into the red zone once again, Maiava threw a second, back-breaking pick-six.
Maiava knows he can’t afford to let that trend continue if USC has hopes of knocking off its rival on the road.
Here’s what else to watch as No. 20 USC travels to South Bend, Ind. to take No. 13 Notre Dame on Saturday night.
From Sam Farmer: When the Chargers are successful — and they have won four of six games this season — you can most often trace the results back to two elite components: the arm of Justin Herbert and the leg of Cameron Dicker.
The football world celebrates the former. Herbert has pinpoint precision, even when draped in defenders. But the latter, Dicker’s record-breaking reliability, has almost become an afterthought. He’s going to make his kicks.
Nearly 80% of NFL games were decided by one possession last season, underscoring the value of a kicker who can deliver three points time after time. For instance, Dicker tied a career high by kicking five field goals in the 29-27 win at the Dolphins, including the 33-yard clincher — and in his five seasons he has never missed a field goal of 40 yards or fewer.
From Gary Klein: Rams star receiver Puka Nacua will not play Sunday against the Jacksonville Jaguars because of an ankle injury he suffered in last Sunday’s victory over the Baltimore Ravens, coach Sean McVay told reporters Friday in Baltimore.
Nacua, who ranks among NFL leaders in catches and yards receiving, did not practice this week in Baltimore, where the Rams stayed before their scheduled departure to London on Friday.
The Rams (4-2) play the Jaguars (4-2) at Wembley Stadium.
Veteran receiver Davante Adams is expected to become quarterback Matthew Stafford’s primary target. Tutu Atwell, who sat out against the Ravens because of a hamstring injury, will return Sunday. Jordan Whittington also is expected to start.
From Thuc Nhi Nguyen: After slow-playing stars Luka Doncic and Austin Reaves, rotating different lineups to accommodate an unreasonably busy six-game preseason schedule and giving their two-way players extended run, the Lakers buttoned up the rotation for a final preseason game Friday that coach JJ Redick called a “dress rehearsal.”
With the curtain finally lifting on Tuesday, the Lakers are not quite ready for showtime.
Doncic dazzled with 31 points, nine assists and five rebounds to lead five double-digit Lakers scorers, but the Kings came back for a 117-116 win at Crypto.com Arena. Despite playing without Keegan Murray, Domantas Sabonis, DeMar DeRozen or Malik Monk, the Kings still shot 54.7% from the field, led by 25 points on 10-of-17 shooting from former Laker Dennis Schroder.
Kings captain Anze Kopitar has a significant foot injury that could sideline him for the near future.
The Kings announced that Kopitar is “week to week” on Friday, a day after he missed the team’s 4-2 loss to Pittsburgh.
Kopitar was hit in the foot by a deflected puck during a shootout loss at Minnesota on Monday. After saying Kopitar’s availability would be a game-time decision for the game against Pittsburgh, the Kings acknowledged the injury could be more significant.
1912 — Black boxer Jack Johnson arrested for violating the Mann Act for “transporting women across state lines for immoral purposes” due to his relationship with white woman Lucille Cameron. Later convicted by an all-white jury and sentenced to a year in prison.
1924 — Harold “Red” Grange accounts for six touchdowns in Illinois’ 39-14 win over Michigan. Grange returns the opening kickoff 95 yards for a touchdown. He follows with touchdown runs of 66, 55 and 40 yards in the first 12 minutes of the game. Grange later passes for another touchdown and returns another kick for a touchdown.
1953 — Woodley Lewis of the Los Angeles Rams has 120 yards in punt returns, including a 78-yard touchdown return, and 174 yards in kickoff returns in a 31-19 victory over the Detroit Lions.
1968 — Bob Beamon of the United States shatters the world record in the long jump at the Summer Olympics in Mexico City. Beamon’s leap of 29 feet and 2 1-2 inches betters the mark by one foot, 9 3-4 inches. The previous record, 27-4 3-4, was held by Soviet jumper Igor Ter-Ovanesyan and Ralph Boston.
1969 — Mike Adamle rushes for 316 yards as Northwestern beats Wisconsin 27-7.
1974 — Chicago center Nate Thurmond, in his first game with the Bulls, records the NBA’s first quadruple-double. Thurmon has 22 points, 14 rebounds, 13 assists and 12 blocks in the Bulls’ 120-115 overtime win over the Atlanta Hawks at Chicago Stadium.
1978 — Dave Gall becomes the first jockey to win eight races during a single program. He rides in 10 consecutive races for the day at Cahokia Downs in Alorton, Ill., finishing second and fifth in his two losing efforts.
1981 — Joe Danelo of the New York Giants kicks six field goals in a 32-0 victory over the Seattle Seahawks.
1992 — Miami and Washington are tied for No. 1 in The Associated Press Top 25 football poll. It’s the first tie at the top in 51 years and the third since the poll started in 1936.
1997 — Willamette’s Liz Heaston, a junior, becomes the first woman to play in a college football game when she kicks two extra points in a 27-0 win over Linfield College in the NAIA.
2002 — New Zealand’s Michael Campbell wins the longest match (43 holes) in World Match Play history in the morning, then defeats Ian Woosnam later in the day to reach the semifinals. Campbell’s 10-foot birdie putt at the seventh sudden-death hole beats Nick Faldo, the longest match in the event’s 39-year history by three holes.
2005 — Boston’s Brian Leetch becomes the seventh defenseman — and 69th player — in NHL history to reach 1,000 career points with a goal and an assist in the Bruins’ 4-3 loss to Montreal.
2009 — Tom Brady, Patriots, throws six touchdown passes — five in one quarter, an NFL mark, in a 59-0 win in the snow against Tennessee.
2013 — Grambling cancels its football game against Jackson State after Grambling’s disgruntled players refuse to travel to Jackson for the game on Oct. 19.
2015 — The Green Bay Packers stop San Diego on fourth-and-goal from the 3 with 15 seconds left and overcome a career day by Philip Rivers to hold off the Chargers 27-20. Rivers sets career highs with 43 completions, 65 attempts and 503 yards passing with two touchdowns.
2016 — Chicago Blackhawks forward Marian Hossa became the 44th NHL player to reach 500 career goals. The 37-year-old Hossa slid a power-play backhander through the legs of Philadelphia goaltender Michal Neuvirth at 5:04 of the second period, giving the Blackhawks a 4-0 lead. Chicago won 7-4.
Compiled by the Associated Press
THIS DAY IN BASEBALL HISTORY
1977 — Reggie Jackson hits three consecutive home runs, all on the first pitch, to lead the New York Yankees to the World Series championship over the Dodgers in six games.
Until next time…
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at [email protected]. To get this newsletter in your inbox, click here.
Adams, a three-time All-Pro in his first season with the Rams, has been targeted 55 times. He has 26 catches for 396 yards and three touchdowns.
Adams and quarterback Matthew Stafford have connected on several dynamic plays, but their timing remains a work in progress.
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Gary Klein reports from Rams practice at Camden Yards in Baltimore as the team prepares for its London game against the Jacksonville Jaguars.
“It’s not how I drew it up as far as efficiency goes,” Adams said. “I think we both would’ve liked to be a little bit more efficient, but I know for myself over the last few [games], just based off how we started, [there’s been] a little bit of pressing.”
Stafford put the onus on himself.
“There’s been some good ones,” he said. “There’s been some missed ones. I would take the majority of the blame on a lot of those and just give him a better chance on a couple.”
Adams rose to stardom while playing eight seasons with Aaron Rodgers with the Green Bay Packers. But that connection also took time, Adams said.
“It definitely didn’t start off the first couple years, let alone the first couple of games the way that we got going,” Adams said. “Not that we have another 10 years to go, but it takes time. It’s not easy.
“Puka and Matthew have been playing together for years now and they have a little better understanding of where one another is going to be, what to expect, and just making it work. It’s been a few where there’s really no excuse for me or him. We just have to put it together.”
Atwell will be back after sitting out last Sunday’s victory over the Baltimore Ravens because of a hamstring injury. Atwell has four catches on nine targets, including one for a long touchdown.
But he said he was not concerned about targets as much as affecting the game in other ways. The speedy threat opens opportunities for Nacua, Adams and others.
“Every opportunity we’ve given him, he’s seized it,” Stafford said. “I don’t see anything different happening. If he gets more opportunities in this game, I have a ton of trust in him.”
Federal authorities are now pursuing a misdemeanor charge against David Huerta, president of Service Employees International Union California, who was arrested during the first day of a series of immigration raids that swept the region.
Prosecutors originally brought a felony charge of conspiracy to impede an officer against Huerta, accusing him of obstructing federal authorities from serving a search warrant at a Los Angeles workplace and arresting dozens of undocumented immigrants on June 6.
On Friday, court filings show federal prosecutors filed a lesser charge against Huerta of “obstruction resistance or opposition of a federal officer,” which carries a punishment of up to a year in federal prison. The felony he was charged with previously could have put him behind bars for up to six years.
The U.S. attorney’s office in Los Angeles declined to comment.
In a statement, Huerta’s attorneys, Abbe David Lowell and Marilyn Bednarski, said they would “seek the speediest trial to vindicate David.” The lawyers said that “in the four months that have passed since David’s arrest, it has become even clearer there were no grounds for charging him and certainly none for the way he was treated.”
“It’s clear that David Huerta is being singled out not for anything he did but for who he is — a life-long workers’ advocate who has been an outspoken critic of its immigration policies. These charges are a clear attempt to silence a leading voice who dared to challenge a cruel, politically driven campaign of fear,” the statement read.
The labor union previously stated that Huerta was detained “while exercising his First Amendment right to observe and document law enforcement activity.” Huerta is one of more than 60 people charged federally in the Central District of California tied to immigration protests and enforcement actions.
Two recent misdemeanor trials against protesters charged with assaulting a federal officer both ended in acquittals. Some protesters have taken plea deals.
In a statement Friday, Huerta said he is “being targeted for exercising my constitutional rights for standing up against an administration that has declared open war on working families, immigrants, and basic human dignity.”
“The baseless charges brought against me are not just about me, they are meant to intimidate anyone who dares to speak out, organize, or demand justice. I will not be silenced,” he said.
Huerta was held at the Metropolitan Detention Center in downtown Los Angeles for days, prompting thousands of union members, activists and supporters to rally for his release. California Democratic Sens. Adam Schiff and Alex Padilla also sent a letter to the Homeland Security and Justice departments demanding a review of Huerta’s arrest.
A judge ordered Huerta released in June on a $50,000 bond.
The case against Huerta centers on a June 6 workplace immigration raid at Ambiance Apparel. According to the original criminal complaint filed, Huerta arrived at the site around noon Friday, joining several other protesters.
Huerta and other protesters “appeared to be communicating with each other in a concerted effort to disrupt the law enforcement operations,” a federal agent wrote in the complaint.
The agent wrote that Huerta was yelling at and taunting officers and later sat cross-legged in front of a vehicle gate to the location where law enforcement authorities were serving a search warrant.
Huerta also “at various times stood up and paced in front of the gate, effectively preventing law enforcement vehicles from entering or exiting the premises through the gate to execute the search warrant,” the agent wrote in the affidavit.
The agent wrote that they told Huerta that if he kept blocking the Ambiance gate, he would be arrested.
According to the complaint, as a white law enforcement van tried to get through the gate, Huerta stood in its path.
Because Huerta “was being uncooperative, the officer put his hands on HUERTA in an attempt to move him out of the path of the vehicle.”
“I saw HUERTA push back, and in response, the officer pushed HUERTA to the ground,” the agent wrote. “The officer and I then handcuffed HUERTA and arrested him.”
According to a statement from SEIU-United Service Workers West, SEIU California State Council, and the Service Employees International Union, “Huerta was thrown to the ground, tackled, pepper sprayed, and detained by federal agents while exercising his constitutional rights at an ICE raid in Los Angeles.” Video of his arrest went viral.
“Despite David’s harsh treatment at the hands of law enforcement, he is now facing an unjust charge,” the statement read. “This administration has turned the military against our own people, terrorizing entire communities, and even detaining U.S. citizens who are exercising their constitutional rights to speak out.”
Acting U.S. Atty. Bill Essayli, posted a photo on the social media site X of Huerta, hands behind his back, after the arrest.
“Let me be clear: I don’t care who you are — if you impede federal agents, you will be arrested and prosecuted,” Essayli wrote. “No one has the right to assault, obstruct, or interfere with federal authorities carrying out their duties.”
In an interview with Sacramento TV news oulet KCRA last month, Essayli referred to Huerta as Gov. Gavin Newsom’s “buddy” and said he “deliberately obstructed a search warrant.”
While speaking with reporters in June, Schiff said Huerta was “exercising his lawful right to be present and observe these immigration raids.”
“It’s obviously a very traumatic thing, and now that it looks like the Justice Department wants to try and make an example out of him, it’s all the more traumatic,” Schiff said. “But this is part of the Trump playbook. They selectively use the Justice Department to go after their adversaries. It’s what they do.”
In a rare public rebuke, the Los Angeles City Council pressed the city’s top lawyer to abandon her attempt to halt a federal judge’s order prohibiting LAPD officers from targeting journalists with crowd control weapons.
One day before “No Kings” demonstrations against the Trump administration were set to launch in L.A. and elsewhere, the council voted 12-0 to direct City Atty. Hydee Feldstein Soto to withdraw her request to lift the order.
Hours later, Feldstein Soto’s legal team did just that, informing the judge it was pulling back its request — around the same time the judge rejected it.
Since June, the city has been hit with dozens of legal claims from protesters and journalists who reported that LAPD officers used excessive force against them during protests over Trump’s immigration crackdown.
The lawsuit that prompted the judge’s ban was brought by the Los Angeles Press Club and the news outlet Status Coup, who pointed to video evidence and testimonials suggesting that LAPD officers violated their own guidelines, as well as state law, by shooting journalists and others in sensitive parts of the body, such as the head, with weapons that launch projectiles the size of a mini soda can at speeds of more than 200 miles per hour.
“Journalism is under attack in this country — from the Trump Administration’s revocation of press access to the Pentagon to corporate consolidation of local newsrooms,” Councilmember Eunisses Hernandez, who introduced the motion opposing Feldstein Soto’s legal filing, said in a statement. “The answer cannot be for Los Angeles to join that assault by undermining court-ordered protections for journalists.”
In a motion filed Wednesday, Feldstein Soto’s legal team sought a temporary stay of the order issued by U.S. District Judge Hernán D. Vera. She reiterated her earlier argument that Vera’s ban was overly broad, extending protections to “any journalist covering a protest in [the City of] Los Angeles.”
The city’s lawyers also argued that the ban, which bars the LAPD from using so-called less lethal munitions against journalists and nonviolent protesters, creates “ambiguous mandates” that jeopardize “good-faith conduct” by officers and pose “immediate and concrete risk to officer and public safety.”
In addition to Feldstein Soto’s request for a temporary stay, the city has filed an appeal of Vera’s injunction. The U.S. 9th Circuit Court of Appeals is taking up the appeal, with a hearing tentatively set for mid-November.
Council members have become increasingly vocal about their frustrations with the city attorney’s office. Two months ago, they voiced alarm that an outside law firm billed the city $1.8 million in just two weeks — double the amount authorized by the council. They have also grown exasperated over the rising cost of legal payouts, which have consumed a steadily larger portion of the city budget.
After Feldstein Soto’s motion was reported by LAist, several city council members publicly distanced themselves from her and condemned her decision.
In a sternly worded statement before Friday’s vote, Councilmember Hugo Soto-Martínez wrote that the city attorney’s “position does not speak for the full City Council.”
“The LAPD should NEVER be permitted to use force against journalists or anyone peacefully exercising their First Amendment rights,” said the statement from Soto-Martínez, who signed Hernandez’s proposal along with Councilmembers Ysabel Jurado and Monica Rodriguez.
On Friday, the council also asked the city attorney’s office to report back within 30 days on “all proactive litigation the Office has moved forward without explicit direction from the City Council or Mayor since July 1, 2024.”
Rodriguez said that Friday’s vote should send a message that the city council needs “to be consulted as a legislative body that is independently elected by the people.”
“What I hope is that this becomes a more permanent act of this body — to exercise its role in oversight,” she said.
Carol Sobel, the civil rights attorney who filed the lawsuit on behalf of the plaintiffs, welcomed the council’s action. Still, she said Feldstein Soto’s filings in the case raise questions about whose interests the city attorney is representing.
“Sometimes you say ‘Mea culpa, we were wrong. We shouldn’t have shot people in the head, despite our policies,’” she said.
Kings captain Anze Kopitar has a significant foot injury that could sideline him for the near future.
The Kings announced that Kopitar is “week to week” on Friday, a day after he missed the team’s 4-2 loss to Pittsburgh.
Kopitar was hit in the foot by a deflected puck during a shootout loss at Minnesota on Monday. After saying Kopitar’s availability would be a game-time decision for the game against Pittsburgh, the Kings acknowledged the injury could be more significant.
Kopitar is beginning his 20th and final season in an NHL career spent entirely with the Kings. The Slovenian center announced his impending retirement last month at the start of training camp.
The two-time Stanley Cup champion has twice won the Selke Trophy as the NHL’s top defensive forward. He is the second-leading scorer in Kings history and a five-time All-Star.
The Kings are off to a rough start to the season, losing three straight to fall to 1-3-1. New general manager Ken Holland made only a few changes to the roster that matched the franchise records for points and victories last season.
Los Angeles hosts unbeaten Carolina on Saturday night.
His lawyers filed an emergency appeal urging the court to set aside rulings of judges in Chicago and hold that National Guard troops are needed to protect U.S. immigration agents from hostile protesters.
The case escalates the clash between Trump and Democratic state officials over immigration enforcement and raises again the question of using military-style force in American cities. Trump’s lawyers have repeatedly gone to the Supreme Court and won quick rulings when lower-court judges have blocked his actions.
Federal law authorizes the president to call into service the National Guard if he cannot “execute the laws of the United States” or faces “a rebellion or danger of rebellion against the authority” of the U.S. government.
“Both conditions are satisfied here,” Trump’s lawyer said.
Judges in Chicago came to the opposite conclusion. U.S. District Judge April Perry saw no “danger of rebellion” and said the laws were being enforced. She accused Trump’s lawyers of exaggerating claims of violence and equating “protests with riots.”
She handed down a restraining order on Oct. 9, and the 7th Circuit Court agreed to keep it in force.
But Trump’s lawyers insisted that protesters and demonstrators were targeting U.S. immigration agents and preventing them from doing their work.
“Confronted with intolerable risks of harm to federal agents and coordinated, violent opposition to the enforcement of federal law, the President lawfully determines that he is unable to enforce the laws of the United States with the regular forces and calls up the National Guard to defend federal personnel, property, and functions in the face of ongoing violence,” Solicitor Gen. D. John Sauer wrote in a 40-page appeal.
He argued that historically the president has had the full authority to decide on whether to call up the militia. Judges may not second-guess the president’s decision, he said.
“Any such review [by judges] must be highly deferential, as the 9th Circuit has concluded in the Newsom litigation,” referring to the ruling that upheld Trump’s deployment of the National Guard in Los Angeles.
Trump’s lawyer said the troop deployment to Los Angeles had succeeded in reducing violence.
“Notwithstanding the Governor of California’s claim that deployment of the National Guard to Los Angeles would ‘escalat[e]’ the ongoing violence that California itself had failed to prevent … the President’s action had the opposite, intended effect. In the face of federal military force, violence in Los Angeles decreased and the situation substantially improved,” he told the court.
But in recent weeks, “Chicago has been the site of organized and often violent protests directed at ICE officers and other federal personnel engaged in the execution of federal immigration laws,” he wrote. “On multiple occasions, federal officers have also been hit and punched by protesters. … Rioters have targeted federal officers with fireworks and have thrown bottles, rocks, and tear gas at them.”
“More than 30 [DHS] officers have been injured during the assaults on federal law enforcement” at the Broadview facility alone, resulting in multiple hospitalizations, he wrote.
Officials in Illinois blamed aggressive enforcement actions of ICE agents for triggering the protests.
Sauer also urged the court to hand down an immediate order that would freeze Perry’s rulings.
The court asked for a response from Illinois officials by Monday.
Los Angeles County is poised to pay out an additional $828 million to victims who say they were sexually abused in county facilities as children, months after agreeing to the largest sex abuse settlement in U.S. history.
The award, posted on the county claims board agenda Friday, would resolve an additional 414 cases that were not included in the $4-billion sex abuse settlement approved this spring. Both the supervisors and the county claims board will need to vote on the payout before it is finalized.
The record $4-billion settlement covered more than 11,000 people, who say they were abused inside county-run juvenile facilities and foster homes as children. The individual payouts will range from $100,000 to $3 million.
The newest payout would break down to an average of roughly $2 million per person. It involves cases from three prominent law firms: Manly, Stewart & Finaldi, Arias Sanguinetti Wang & Team, and Panish Shea Ravipudi.
The firms declined to comment on the potential settlement until the vote by the Board of Supervisors.
The announcement follows reporting by The Times that found nine plaintiffs who say they were paid by recruiters to sue the county over sex abuse. Four of them have said they were explicitly told to make up claims. All had lawsuits filed by Downtown LA Law Group, or DTLA.
The firm has denied any involvement with recruiters who allegedly paid plaintiffs to sue. DTLA said previously it would never “encourage or tolerate anyone lying about being abused” and is conducting new screenings to remove “false or exaggerated claims” from its caseload.
The county said any claims brought by DTLA will undergo an additional level of review before payments are made, citing reporting by The Times. The extra screening “may require plaintiff interviews and additional proof of allegations,” the county said.
DTLA did not immediately respond to a request for comment Friday.
The exterior of Downtown LA Law Group’s offices in Los Angeles.
(Carlin Stiehl / Los Angeles Times)
Supervisor Kathryn Barger, who recently launched an investigation into the $4-billion settlement following The Times’ reporting, said the vetting will ensure “money goes only to the true victims of abuse.”
“Our settlements balance our obligation to compensate victims and treat their experiences with compassion with the need to put strong protections in place to protect taxpayers from fraud,” she said.
County Counsel Dawyn Harrison says she wants to see the law changed so “unscrupulous lawyers don’t get windfalls at the expense of survivors of abuse.”
“The conduct alleged to have occurred by the DTLA firm is absolutely outrageous and must be investigated by the appropriate authorities,” said Harrison. “Not only does it undermine our justice system, it also deprives legitimate claimants of just compensation.”
All cases will be reviewed by retired judges before the money is allocated, the county said.
If a judge believes a claim is fraudulent, the plaintiff will not get any money, the county said Friday. The county’s original plan stated that if the county found a fraudulent claim, the plaintiff could be offered $50,000 to resolve it or remove the case from the settlement so that it could be litigated separately.
The flood of claims was unleashed with the passage of Assembly Bill 218 in 2020, which changed the statute of limitations and gave survivors a new window to sue their abusers. Since then, school districts and governments have faced many decades-old claims, for which they say there are no longer records kept on file to allow for vetting.
Dominique Anderson, pictured above around age 11, is among the plaintiffs who sued the county for alleged sexual abuse and would stand to receive payouts as part of a new settlement announced Friday.
(Courtesy of Dominique Anderson)
County supervisors have been increasingly critical of the law, which they argue has left them defenseless against claims dating back to the 1950s. If the supervisors approve the new settlement, the county will have paid out nearly $5 billion in child sex abuse lawsuits this year — with more to come.
The county is still facing an additional 2,500 cases, which they say will further strain the region’s social safety net. The county recently required most departments trim their budgets to pay for the $4-billion settlement.
“L.A. County and other local governments must balance their obligations to past victims with the need to avoid ruinous financial impacts,” said acting Chief Executive Joe Nicchitta.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
When news broke last weekend that Diane Keaton had died at age 79, it came as an extraordinary shock because so much of Keaton’s screen presence and persona was rooted in a vitality, a sense of of being very much alive and open to everything.
Revisiting Keaton’s Oscar-winning performance in “Annie Hall” this week, I was struck by how much humor she mined from a hyperawareness of self, often commenting on her own dialogue and behavior as she was still in the act of doing it. She brought a tremendous charge to everything she did.
Diane Keaton and Jack Nicholson in the movie “Something’s Gotta Give.”
(Bob Marshak / Columbia Pictures)
In her appreciation of Keaton, Amy Nicholson called her “the icon who feels like a friend,” adding, “The contradiction of her career is that the things we in the audience loved about her — the breezy humor, the self-deprecating charm, the iconic threads — were Keaton’s attempts to mask her own insecurities. She struggled to love herself. Even after success, Keaton remained iffy about her looks, her talent and her achievements. In interviews, she openly admitted to feeling inadequate in her signature halting, circular stammers.”
There was a very genuine wave of emotion and affection after the news of Keaton’s death. One of the most heartfelt and moving tributes came from screenwriter and director Nancy Meyers, who worked with Keaton on four films, from “Baby Boom” to “Something’s Gotta Give.”
As Meyers said, “She made everything better. Every set up, every day, in every movie, I watched her give it her all.”
Meyers added, “She was fearless. She was like nobody ever. She was born to be a movie star. Her laugh could make your day and for me, knowing her and working with her changed my life.”
AMC Theaters have already announced limited showings of both “Annie Hall” and “Something’s Gotta Give.” Other screenings will certainly happen shortly.
Crispin Glover, still doing his own thing
Crispin Glover in “No! YOU’RE WRONG. or: Spooky Action at a Distance.”
(Volcanic Eruptions)
Still best known for the eccentric screen presence he brought to movies such as “River’s Edge,” “Wild at Heart,” “Charlie’s Angels,” “Back to the Future” and countless others, Crispin Glover is also extremely dedicated to his own filmmaking practice.
“No! YOU’RE WRONG” is the third feature Glover has made himself. He began developing the screenplay in 2007, started building the sets in 2010, began shooting in 2013 and didn’t commence editing until 2018. He goes at his own pace, though Glover is self-excoriating.
“None of this is acceptable,” he tells me during a recent video call from New York City following the film’s world premiere at the Museum of Modern Art. “I’m not happy that this has taken as long as it’s taken. Every step of this film just took ridiculously long.”
While Glover enjoys talking about the film, he struggles to explain what it’s actually about. Set across five time periods — 1868, 1888, 1918, 1948 and right now — Glover shot for the first time on 35mm and, for some scenes, used a hand-cranked camera that belonged to the Czech animator Karel Zeman. The negative was hand-processed, which can alter how it looks, with some sections then colored by hand to replicate early film techniques.
“It’s almost better for me to talk about the technical aspects because by talking about the the technical aspects, it sort of reveals things about the film itself,” Glover says. “All of my films on some level deal with surrealism in one aspect or another. And part of the way surrealism operates is to have either disparate pieces of information or withholding information so that the audience can make the correlations themselves and become a participant in the art.”
Bruce Glover in the movie “No! YOU’RE WRONG. or: Spooky Action at a Distance,” directed by his son Crispin Glover.
(Volcanic Eruptions)
Aside from Glover himself, the film includes his father, character actor Bruce Glover, who died in March 2025, as well as his mother, dancer Betty Glover, who died in 2016. Following the death of his father, Glover had to make some changes.
“I don’t want to say too much,” says Glover as he catches himself starting to clarify an aspect of the story. “You’d have to see the film. It’s not good for me to talk about it because the way the film is made and layered, it’s something that people will have different interpretations of. And if I say too much, then it will sway the interpretation. They’ll think, ‘Oh, it’s wrong because the filmmaker said this,’ but it isn’t wrong. What they’re thinking is what’s right for them.”
Points of interest
Cronenberg movies at Brain Dead
Léa Seydoux, left, Viggo Mortensen and Kristen Stewart in the movie “Crimes of the Future.”
(Nikos Nikolopoulos)
Brain Dead Studios has been running a program of David Cronenberg films through October and still has a few titles left to go. And while his films may not fit everyone’s strict definition of Halloween-style spooky, they are reliably unsettling in their examinations of the darker aspects of human existence.
Friday will see a screening of 2022’s “Crimes of the Future,” starring Viggo Mortensen, Kristen Stewart and Léa Seydoux, Monday will be Cronenberg’s 1991’s adaptation of William S. Burroughs’ “Naked Lunch,” Thursday brings 1979’s low-budget horror film “The Brood” and Saturday, Oct. 25 will have 1996’s controversial “Crash.”
I spoke to Cronenberg around the release of “Crimes of the Future,” which at the time felt like something of a summation of the director’s ongoing interests in technology and the body, though he claimed it wasn’t intentional.
“It’s not a self-referential film because I’m not thinking that when I’m writing it or directing it,” Cronenberg said. “But the connections are there because my nervous system, such as it is including my brain, is the substrate of everything I’m doing. So I might even say in the Burroughsian way that all of my work and all of my life is one thing. In which case, it now makes perfect sense that there should be these connections.”
David Fincher’s ‘The Game’
Michael Douglas in the movie “The Game.”
(Tony Friedkin / Polygram Films)
David Fincher’s 1997 thriller “The Game” is somewhat easy to overlook in his filmography, landing between the provocations of “Seven” and “Fight Club” and before fully-formed works like “Zodiac” and “The Social Network.” However, the movie, in which a wealthy man (Michael Douglas) finds his life turned upside in what may be a live-action role-playing game, is strange and unpredictable and among Fincher’s most purely pleasurable movies. It plays at the New Beverly on Friday — a rare chance to catch it in a theater on 35mm.
In his review of the film, Jack Matthews wrote, “Douglas is perfectly cast. Who else can blend moneyed arrogance, power and rank narcissism with enough romantic flair, intelligence and self-deflating humor to make you enjoy his defeats and his victories? What other major star is as much fun to watch when he’s cornered?”
I can’t think of another time that I was quite as terrified as when I walked alone into an interactive horror maze called “Feast” at a chilling carnival-like event called “The Queen Mary’s Dark Harbor: Summoned by the Seas,” which takes place in the parking lot in front of the famously haunted ship, and also in the creepy bowels of its engine rooms, through Nov. 2.
“Dark Harbor,” is the scarier sister event to Griffith Park’s famous “Haunted Hayride.” Both Halloween season fright fests are produced by Thirteenth Floor Entertainment Group, which specializes in seasonal terror. The highlight of the nightly carnivals — which include food and drink booths, bars and rides — are a series of interactive mazes populated by bloody monsters, drooling ghouls, murderous clowns, spectral ghosts and maniacal serial killers.
The spooks are largely played by local actors — many of whom come back year after year for a guaranteed paycheck while pursuing a profession that is anything but financially sound. It is to these hardworking artists that the events owe their success. I was struck by just how dedicated the actors were to scaring us mere mortals out of our pants.
The masks, elaborate makeup and props, including butcher knives and bats, surely help the players stay in character— but this is not easy work. The actors must contend with aggressive guests who try to get in their faces (this is against the rules), as well as shrill, shrieking patrons who jump and run as they approach (guilty!).
But the actors are specially trained to handle these reactions and more.
“Each fall, Queen Mary’s Dark Harbor and Los Angeles Haunted Hayride hire a few hundred performers, most of our cast are locals who come back year after year. We hold open calls in the summer and focus on energy, movement, and presence more than traditional acting experience,” wrote “Dark Harbor‘s” general manager, Star Romano, in an email.
After the performers are hired, Romano explained, they attend orientation, safety training and rehearsals leading into opening weekend.
“It’s a huge community effort, part performance, part team reunion, and one of my favorite things about the season,” Romano wrote.
The result of those efforts led to me sleeping with the lights on for two nights straight.
“Get away from me! I’m too scared!” I shouted at one Leatherface-type character as he approached me with a chain saw.
“That’s the whole point,” he growled under his breath before obeying my wishes and lurching off toward another fear-stricken guest.
(NOTE: For a kid-friendly immersive Halloween experience, you can head to the company’s “Magic of the Jack O’Lanterns,” which features 5,000 hand-carved pumpkins on-site at South Coast Botanic Garden.)
I’m arts and culture writer Jessica Gelt, inviting you to sink into spooky season with me. Here’s your weekly arts and culture news.
On our radar
Benjamin Millepied’s L.A. Dance Project performs “On the Other Side.”
(Laurent Philippe)
L.A. Dance Project Renowned choreographer Benjamin Millepied continues his exploration of the intersection of dance and visual art with the ballet triptych “Gems,” featuring artwork by collaborators Barbara Kruger, Liam Gillick, Mark Bradford and others. The performance is composed of three contemporary ballets inspired by precious stones: “Reflections” (2013), “Hearts & Arrows” (2014) and “On the Other Side” (2016). The show — with music by David Lang and Philip Glass — marks the first time these pieces have been staged together. — Jessica Gelt 7:30 p.m. Thursday through Oct. 25. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. https://thewallis.org/show-details/la-dance-project-gems
New York artist Jon Henry stages photographs that reflect on reports of Black men killed by police.
(The Brick)
Monuments The most eagerly anticipated theme exhibition this fall is reflected in the emphatic title, pointedly written all in caps. “MONUMENTS” was inspired by the wave of revulsion following the violent 2017 white supremacist Unite the Right rally in Charlottesville, Va. — a deadly riot opposing the proposed removal of a local statue of Confederate Gen. Robert E. Lee. That statue is now gone, torn down along with some 200 other tributes across the country to American turncoats who supported chattel slavery. (The last known Confederate monument in Southern California was removed in 2020.) A selection of decommissioned Confederate statues will be shown at MOCA and alternative space the Brick, joint organizers of the exhibition; they’ll be paired with contemporary work by Bethany Collins, Stan Douglas, Leonardo Drew, Jon Henry, Martin Puryear, Hank Willis Thomas, Kara Walker and a dozen other artists, borrowed and commissioned for the occasion. — Christopher Knight Thursday through May 3, 2026. Geffen Contemporary at Museum of Contemporary Art, 152 N. Central Ave., Little Tokyo; The Brick, 518 N. Western Ave. moca.org
Vikingur Olafsson will perform with conductor Santtu-Matias and Philharmonia.
(Timothy Norris / Los Angeles Philharmonic)
Santtu-Matias Rouvali and Vikingur Ólafsson join the Philharmonia Orchestra It’s been almost a decade since Finnish conductor Santtu-Matias Rouvali, a former Dudamel Fellow at the L.A. Phil, last returned to Southern California as a guest conductor of the L.A. Phil. In the meantime, though, he’s been busily attracting attention in London as principal conductor of the Philharmonia Orchestra (having succeeded Esa-Pekka Salonen in 2021). For his first local appearance with the Philharmonia, he is joined by the stellar Icelandic pianist Vikingur Ólafsson in Ravel’s Piano Concerto in G. The program also includes the local premiere of a new score meant to awaken environmental awareness, popular Mexican composer Gabriela Ortiz’s “Si el Oxígeno Fuera Verde” (If Oxygen Were Green), along with Shostakovich‘s Fifth Symphony. Shortly after fall, Ólafsson heads back to Disney in January as soloist with the L.A. Phil for John Adams’ latest piano concerto, “After the Fall.” — Mark Swed 8 p.m. Tuesday. Renée & Henry Segerstrom Concert Hall, 615 Town Center Drive, Costa Mesa. philharmonicsociety.org
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The week ahead: A curated calendar
FRIDAY
Ethan Remez-Cott, left, and Matthew Goodrich in the play “Amerika or, The Man Who Disappeared.”
(Amanda Weier)
Amerika or, The Man Who Disappeared There’s Kafkaesque and then there’s the genuine article. Open Fist Theatre Company presents the world premiere of Dietrich Smith’s adaptation of the Franz Kafka novel that details the strange experiences of a 17-year-old European immigrant after he arrives in New York City aboard a steamer. 7:30 p.m. Friday; 7 p.m. Saturday; 2 p.m. Sunday; and 7:30 p.m. Monday, Oct. 20; through Nov. 22. Atwater Village Theatre, 3269 Casitas Ave. openfist.org
Ms. Holmes & Ms. Watson–Apt. 2B Two free-spirited roommates embrace mystery and adventure in the L.A. premiere of Kate Hamill’s dark modern comedy, a gender-bent spin on Sir Arthur Conan Doyle directed by Amie Farrell. 7:30 p.m. Thursday-Saturday; 2 p.m. Sunday through Nov. 2. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org
नेहा & Neel Asian American theater collective Artists at Play and Latino Theater Company collaborate for the world premiere of Ankita Raturi’s new comedy about an Indian immigrant and single mom on a cross-country college tour with her 17-year-old American-born son. Directed by East West Players artistic director Lily Tung Crystal. Through Nov. 16. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org
17th OC Japan Fair Japanese culture festival featuring food, shopping, a cosplay show, a tuna cutting show, popular Japanese entertainers, traditional instrument performances, games, kimono models meet and greet, and more. 4 p.m.-10 p.m. Friday; noon-10 p.m. Saturday; 11 a.m.-7 p.m. Sunday. OC Fair & Event Center, 88 Fair Drive, Costa Mesa. oc-japanfair.com
David Roussève will perform “Becoming Daddy AF” Friday and Saturday at the Nimoy.
(Rachel Keane)
Becoming Daddy AF Renowned dance-theater artist David Roussève presents the West Coast premiere of his experimental movement journey “Becoming Daddy AF.” The piece marks Roussève’s first full-length solo performance in more than two decades and explores themes that have touched and shaped his life, including HIV, genealogy and the loss of his husband of 26 years. (Jessica Gelt) 8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Unravelled The story of Canadian biologist Dr. Anne Adams, who turned to painting at age 53, and her remarkable connection to French composer Maurice Ravel, with whom she shared the same rare brain disease. A play infused with music and visual art, written by Jake Broder and directed by James Bonas. 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
SATURDAY
British artist Edmund de Waal will install new work in three sites at the Huntington, including the Chinese garden.
(Linnea Stephan)
The Eight Directions of the Wind British artist, potter and writer Edmund de Waal is obsessed with archives, which he describes as “places, streets, hillsides as much as card indexes.” For a body of new work, he once traveled to the place in China where the clay used to make porcelain was discovered — and then on to Dresden, Germany; Cornwall, U.K.; and the Appalachian Mountains, where subsequent cultures reinvented it. De Waal’s three site-specific, yearlong installations will be in the Huntington’s cultural and natural “archives” that are its art gallery and Chinese and Japanese gardens. (Christopher Knight) Through Oct. 26, 2026. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Lorde performs Saturday at the Kia Forum.
(Scott A Garfitt / Invision/AP)
Lorde Just as her generation has, by all accounts, sobered up and gone sexless, Lorde returned this year with a defiant album about the giddy rush of partying and the frightening ramifications of a body in search of pleasure. “Virgin” pulls her back to the experimental electro-pop many fans were hoping for after the relatively complacent “Solar Power,” and the album is brimming with startling meditations on pregnancy scares, familial inheritance and the malleability of gender. (August Brown) 7 p.m. Kia Forum, 3900 W. Manchester Blvd., Inglewood. thekiaforum.com
Orchidées Cellist Kate Ellis performs composer Nick Roth’s cello étude — which traces the 100‑million‑year evolution of orchids by translating their DNA sequences into music — accompanied by time‑lapse footage of blooming specimens from the Huntington’s orchid collection. Also available to livestream. 7 p.m. The Huntington, 1151 Oxford Road, San Marino. huntington.org
Tortoise The lauded post-punk band performs “Touch,” their first new album in nine years with opening sets from local duo Jeremiah Chiu & Marta Sofia Honer and KCRW DJ Ale Cohen. 8 p.m. Saturday. The Broad, outdoor East West Bank Plaza, 221 S. Grand Ave., downtown L.A. thebroad.org
TUESDAY A Concert for Lowell A memorial tribute to Lowell Hill, one of the great patrons of new music in L.A., featuring many of the city’s top local artists, including Wild Up, MicroFest, Piano Spheres, the Industry, Partch Ensemble, Monday Evening Concerts, Long Beach Opera and People Inside Electronics. 8 p.m. Monk Space, 4414 W. 2nd Street. brightworknewmusic.com
Morgan Siobhan Green as Eurydice and Nicholas Barasch as Orpheus in the 2022 “Hadestown” North American Tour.
(T Charles Erickson)
Hadestown The Tony and Grammy Award-winning musical that reimagines the myth of Orpheus and Eurydice as a New Orleans-style folk opera returns on its latest national tour. “Born out of a concept album by Anaïs Mitchell, who wrote the book, lyrics and music, the show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty in a 2022 review. “Developed by Rachel Chavkin, the resourceful director who won a Tony for her staging, ‘Hadestown’ achieves a fluidity of musical theater storytelling that makes an old tale seem startlingly new.” Through Nov. 2. Hollywood Pantages Theatre, 6233 Hollywood Blvd., Hollywood. broadwayinhollywood.com
Learning to Draw The exhibition traces a 300-year evolution of artistic training and the mastery of drawing in Europe from about 1550 to 1850. Bringing together the physical control of the hand and the concentration of the mind, the foundational artistic act became essential to exploring, inventing and communicating visual ideas in the modern world. Through Jan. 25, 2026. Getty Museum, 1200 Getty Center Drive. getty.edu
Dispatch: Ben Platt: Live at the Ahmanson
Actor, singer and songwriter Ben Platt stands for a portrait at the Bernard B. Jacobs Theatre in New York on Thursday, April 20, 2023.
(Justin Jun Lee / For The Times)
Breaking news sure to make L.A. musical theater fans swoon: Center Theatre Group announced Friday that Broadway superstar Ben Platt will be in residency for two weeks and 10 shows at the Ahmanson Theatre , Dec. 12–21. Two-time Tony Award-winning director Michael Arden is set to direct the the residency, appropriately titled, “Ben Platt: Live at the Ahmanson.” Platt’s appearance comes a year after he staged a wildly successful three-week residency at Broadway’s Palace Theatre, which included a cornucopia of famous special guests including Cynthia Erivo, Nicole Scherzinger, Jennifer Hudson, Kacey Musgraves, Sam Smith, Micaela Diamond and Shoshana Bean. The production is staying mum on who might appear onstage alongside Platt during his L.A. run, but it’s safe to expect more big names.
“When you think of the very best in musical theatre, it simply doesn’t get any better than Ben Platt, whose stage presence and charisma make him one of the seminal performers of his generation,” said CTG’s artistic director, Snehal Desai, in a news release that promised “the holiday event of the season.”
Bassist Tonya Sweets, from left, Marlon Alexander Vargas and drummer Dee Simone in “littleboy/littleman,” directed by Nancy Medina, at Geffen Playhouse.
(Jeff Lorch)
A tale from a land of immigrants Rudi Goblen’s “littleboy/littleman” is in the midst of its world premiere at the Geffen Playhouse. The two-person show about two Nicaragua-born brothers is much like a performance piece, writes Times theater critic Charles McNulty in his review. It’s also a deeply American story. “Lest we forget our past, America is the great democratic experiment precisely because it’s a land of immigrants. Out of many, one — as our national motto, E pluribus unum, has it. How have we lost sight of this basic tenet of high school social studies?” McNulty writes.
Les Miz at 40 I went backstage at the Pantages for the opening night of “Les Misérables,” which happened to coincide with the 40th anniversary of the legendary musical. The mood was euphoric and everyone in the cast and crew seemed to have a story about a formative connection to the show. Stage manager Ken Davis walked me through the maze-like wings and filled me in on what it takes to tour a show of this scale. Of particular note: The touring production travels with 11 tractor trailers containing over 1,000 costumes, 120 wigs and hundreds of props.
Patrick Martinez, “Fallen Empire,” 2018, mixed media
(Michael Underwood)
When the sum is less than the whole Times art critic Christopher Knight was not impressed by “Grounded,” a newly opened exhibition at the Los Angeles County Museum of Art. The show’s theme, rooted in recent acquisitions of contemporary art, is promising, but ultimately falls apart. Viewed as a whole, “the 39 assembled contemporary paintings, sculptures, photographs, textiles and videos by 35 artists based in the Americas and areas of the Pacific underperform,” writes Knight. “Sometimes that’s because the individual work is bland, while elsewhere its pertinence to the shambling theme is stretched to the breaking point,” Knight writes.
Remembering Bernstein Tuesday marked the 35th anniversary of Leonard Bernstein’s death, and reminders of the great composer’s tributes to John F. Kennedy abound, writes Times classical music critic Mark Swed. In a piece of commentary about what Bernstein’s work can teach us about memorials, Swed examines multiple L.A. productions rooted in that work, including L.A. Opera’s “West Side Story” and Martha Graham Dance Company’s “En Masse” at the Soraya. Swed also wonders whether those important pieces will reach the Trump administration’s newly configured Kennedy Center in the spring.
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Guests attend the K.A.M.P. family fundraiser at the Hammer Museum on Oct. 12, 2025, in Los Angeles.
(Stefanie Keenan / Getty Images for Hammer Museum)
Everyone went home happy UCLA’s Hammer Museum raised nearly $200,000 last weekend with its 16th annual K.A.M.P. (Kids Art Museum Project) fundraiser. More than 700 excited parents and children showed up at the gloriously messy event co-chaired by Aurele Danoff Pelaia and Talia Friedman. Kids roamed the courtyard over the course of four hours, creating art at stations set up and manned by participating artists including Daniel Gibson; Sharon Johnston and Mark Lee of the Johnston Marklee architecture firm; Annie Lapin; Ryan Preciado; Rob Reynolds; Jennifer Rochlin; Mindy Shapero; Brooklin A. Soumahoro; and Christopher Suarez. Fairy Gardens were constructed of thick clay and foraged leaves; cardboard boxes were painted with rollers; plates were spray-painted and affixed with knickknacks and jewelry; and geometric shapes were glued to canvases and painted an array of bright colors. Children went home with their art, and parents left knowing they supported a host of free Hammer Kids programs that serve thousands of children and families annually.
Fair wages on Broadway Musicians working on Broadway, represented by AFM Local 802, voted to authorize a strike earlier this week — with 98% in favor. The nearly 1,200 musicians have been working without a contract since Aug. 31. According to an open letter the musicians sent to the Broadway League on Oct. 1, their demands include: “Fair wages that reflect Broadway’s success. Stable health coverage to allow musicians and their families to enjoy the health benefits that all workers deserve. Employment and income security so that hardworking freelance musicians have some assurance of job security. This includes not eliminating current jobs on Broadway.” Bargaining talks are ongoing.
Gene Hackman co-stars in “Bonnie and Clyde,” alongside Warren Beatty and Faye Dunaway.
(Associated Press)
Gene Hackman, art collector The late actor Gene Hackman’s art collection will go up for auction through Bonhams in November. Highlights of the 13-piece collection — which is being offered as a single-owner sale — include works by Milton Avery, Auguste Rodin and Richard Diebenkorn. Hackman was passionate about art throughout his life, and took an extra-special interest in it after he stopped acting. During that time he dedicated himself to taking classes and art-making. He even kept a journal of everything he learned, according to Bonhams.
Historic homes tour Paging architecture fans: It’s not too late to reserve a spot in Dwell’s open-house event, back in L.A. for its second year. Tours of three historically significant Eastside homes are on offer during the day-long event, which launches from Frank Lloyd Wright’s Hollyhock House in Barnsdall Art Park. The three additional houses in the tour are: Richard Stampton’s Descanso House in Silver Lake; Taalman Architecture, Terremoto, and interior designer Kathryn McCullough’s Lark House in Mount Washington; and Fung + Blatt’s San Marino House in — you guessed it — San Marino.
— Jessica Gelt
And last but not least
Still feeling sad about losing Diane Keaton? Me too. Here’s a list I put together of her 10 most important films. Watch one you haven’t seen — if that’s possible.
