los angeles times

Caitlin Clark set to make U.S. national team debut

Caitlin Clark is excited to make her U.S. national team debut next week when the Americans play in an FIBA World Cup qualifier in Puerto Rico.

It will be Clark’s first game in about eight months since a multitude of injuries derailed her WNBA season with the Indiana Fever in July.

“It’ll probably take me a second to knock a little bit of the rust off,” Clark said Saturday. “I’ll probably be a little bit nervous, which I usually don’t get nervous but that probably comes from I haven’t really played basketball in a while. I’m sure after the first minute of running around on the court, I’ll be just fine. But more than anything, just really excited. I know how much work and how much time I put in to make sure my body’s as healthy as it can be and to get back.”

It’s been quite a journey for Clark, who played in 13 games last season. She had groin injuries and then a bone bruise in her left ankle. She’s been in the gym getting ready, working with the Fever medical team and player developmental staff over the last few months.

“I’ve always been a person that’s going to just rely on my work. I feel like it’s certainly made me work harder,” Clark said of the injuries. “But that’s also probably the part that kind of stunk about it, is I felt like I put in so much time and so much energy going into last season, and then obviously, only appeared in about 13 games.”

Clark has fond memories of playing with younger USA Basketball teams. She recalled being in Colorado Springs in her teens and going into a room filled with jerseys of past American greats.

“My eyes were so wide, thought it was the coolest thing in the world of all,” she said. “[To see] the senior national jerseys of great men’s players and women’s players. It’s a 15- or 16-year-old’s dream of doing that one day.”

Clark knows this is just her first step with the national team. There was an uproar when she didn’t make the 2024 Paris Olympic team. She eyes playing on the World Cup team next fall and then in Los Angeles on the 2028 Olympic squad.

“There’s a lot to get to that point,” she said. “Obviously that’s my goal, the World Cup before that. There’s a lot for me to learn.”

Feinberg writes for the Associated Press.

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L.A. is getting four more years of Councilmember Monica Rodriguez

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Howard Blume and Noah Goldberg, giving you the latest on city and county government.

She’s blunt. She’s combative. She doesn’t go along to get along.

And now, Los Angeles City Councilmember Monica Rodriguez is almost certainly getting four more years in office.

On Wednesday, with the deadline past, no one filed a petition to challenge Rodriguez in the June 2 primary election. That makes her the only official at City Hall to be in that coveted position this year.

One caveat: Someone could still run as a write-in, waging a long-shot campaign. But realistically, Rodriguez has a free ride to continue representing her northeast San Fernando Valley district.

Rodriguez, who lives in Mission Hills, said she had been prepping for “another fight,” raising money and giving endorsement interviews. Now, she’s started talking about what her third and final term could look like.

“Giddyup. Everyone better buckle up,” she said, cackling.

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For an elected official, nothing can bolster one’s confidence like a reelection victory or two. Newly elected council members tend to keep a low profile their first few years. The longer they stay, the more outspoken they become.

Rodriguez, on the other hand, has been willing to speak her mind for quite some time.

She’s been a longstanding critic of Mayor Karen Bass’ Inside Safe program, which moves homeless people indoors. She has pushed, without success, for the city to yank its money from the embattled Los Angeles Homeless Services Authority, or LAHSA. Last fall, she told a mayoral aide that Bass’ team “botched” the Palisades fire recovery in the first few months.

Rodriguez frequently expresses her views in vivid terms, and in ways that can annoy her colleagues.

Last year, she warned a proposal to hike the minimum wage for hotel and airport workers to $30 per hour would trigger job losses, leaving the city with “the best paid unemployed workforce in America.”

She denounced the city’s plan to upgrade the Convention Center, saying the council was continuing to “fund failure.” She regularly drops the phrase “merry go round from hell” — shorthand for her struggle to get her colleagues to pull out of LAHSA, the city-county homeless agency that’s been the subject of blistering audits.

With the election approaching, the zingers have only gotten zingier.

Six weeks ago, City Councilmember Nithya Raman launched a last-minute bid to rewrite Measure ULA, the city’s tax on high-end property sales, saying it had chilled development of much-needed apartments. Raman wanted her proposal to go on the June ballot but failed to garner support from her colleagues, who said it hadn’t been vetted.

Rodriguez, in a screed delivered on the council floor, compared Raman to “the arsonist that comes showing up as a firefighter.”

That was a not-so-veiled reference to the fact that Raman promoted Measure ULA in 2022 — and downplayed concerns that it would affect housing production.

“Ms. Raman, you supported and endorsed the false notion to voters that [Measure ULA] was going to be the panacea — without study, without any of the verified proof,” she said. “We knew that these were the implications.”

Raman, in a statement on Friday, said she endorsed Measure ULA after reading through research suggesting that the tax, which generates money for housing programs, would not affect housing production. Newer analysis, she said, found that the measure “indeed resulted in less investment in multi-family housing.”

“That is a huge concern to me and should be to everyone in L.A., a City that is still very much facing a housing shortage,” said Raman, who is now running for mayor. “I am willing to take some heat to get the best outcomes for the City and to secure support for these crucial revenues.”

Stuart Waldman, president of the Valley Industry and Commerce Assn., a San Fernando Valley-based business group, said he appreciates Rodriguez’s direct approach, even when he disagrees with her.

“A lot of councilmembers, if they don’t agree with you, they won’t even meet with you,” he said. “There are council members who say they’ll listen and take [an issue] under advisement, even though they’ve made up their mind. They just don’t want to tell someone to their face that they disagree.”

Rodriguez’s approach doesn’t always reap political dividends.

Last year, Council President Marqueece Harris-Dawson removed her from a number of high-profile committees, including those that oversee homeless programs, public safety and the city budget.

Despite her warnings, the council hiked the minimum wage for tourism workers and approved the $2.6-billion Convention Center project. She championed the creation of a new youth development department, only for it to wind up on the chopping block in last year’s budget.

Rodriguez, 52, grew up in Arleta, the daughter of a U.S. Marine veteran who served in Vietnam while holding a green card, and later became one of the city’s earliest Latino firefighters in the wake of a federal consent decree on hiring. She graduated from San Fernando High School in 1992, one year after Assemblymember Luz Rivas and two years after U.S. Sen. Alex Padilla.

She worked for former Mayor Richard Riordan and former Councilmember Mike Hernandez and later ran unsuccessfully against former Councilmember Richard Alarcon. She joined the Board of Public Works in 2013, running for council a second time four years later.

With a third term looming, Rodriguez wants to take a program she launched in her district — moving homeless people out of RVs and into housing — and take it citywide. She’s excited about expanding a program for fixing sidewalks that also teaches job skills to young people.

Rodriguez acknowledged that her stances, and her remarks, can rub people the wrong way, noting that it’s “more comfortable to walk in a group than to walk alone.” Nevertheless, she doesn’t intend to change her approach.

“I know what I’m here to do, and I’m just going to continue,” she said.

State of play

— SCRAMBLE FOR SIGNATURES: The deadline for candidates for city office to turn in petitions arrived on Wednesday, and the signatures are still being counted. By Friday, 12 mayoral candidates had qualified to run against Bass, including Raman, reality television star Spencer Pratt and tech entrepreneur Adam Miller. The City Clerk’s office is still reviewing the petitions of several other mayoral hopefuls, all of them political unknowns.

— ANOTHER FREE RIDE: L.A. Unified School board member Kelly Gonez is also running unopposed in the June 2 election. On Wednesday, her one potential opponent, JP Perron, announced he was dropping out. Like Rodriguez, Gonez represents part of the San Fernando Valley.

— A HELPING HAND: For a hot minute, things were touch and go for Sylvia Robledo, a former council aide looking to unseat Councilmember Eunisses Hernandez. After filing her petitions, Robledo learned Tuesday that she was short 14 voter signatures. Raul Claros, one of her rivals in the race, stepped in to help close the gap, gathering some signatures himself. “People want options,” he said later on Instagram. “People want anybody but Eunisses Hernandez.”

Two of Robledo’s other opponents — entrepreneur Nelson Grande and nonprofit executive Maria Lou Calanche — added their own names to her petition. On Wednesday, she qualified for the ballot.

“We may have a different vision or path, but we all want new leadership,” Robledo said.

— JANISSE JETS OFF: The top executive at the Department of Water and Power, Janisse Quiñones, announced this week that she has taken a job as CEO of a privately owned electrical company in her native Puerto Rico. Quiñones, who was hired at $750,000 a year, faced criticism over the DWP’s decision to drain a reservoir shortly before the Palisades fire broke out. Her first day in the new job is March 30.

— TRUMP ON LINE 1: Bass spoke on the phone this week with President Trump to request FEMA reimbursements for the Palisades fire, KNX News reported. Bass told the station that the president was “very receptive.”

“I was reluctant to call because there are a few other things going on, like what’s happening overseas, and I didn’t think, given all that was happening internationally, that he would actually return my call,” she told the station.

— OVERDUE BILLS: The county Board of Supervisors voted this week to fund a financial review of the Los Angeles Homeless Services Authority, after finding that the agency owes tens of millions of dollars to nonprofits that oversee interim housing for the region’s homeless population. Supervisor Lindsey Horvath said her phone was “ringing off the hook” from groups needing to get paid by LAHSA.

— TIT FOR TAT: Meanwhile, the long-running feud between Bass and Horvath continued to boil over, with the two taking digs at each other over the future of the region’s homeless programs. Bass, in a statement, said pulling out of LAHSA too quickly would bring “unintended consequences” and leave “more Angelenos to die on our streets.”

“When the County created their new Department of Homeless Services and Housing, they also created a $300 million gap, which they had to close by prioritizing bureaucracy rather than services,” Bass said.

Horvath shot back, saying she is already conferring with council members on a strategy to have the city pay the county to provide homeless services.

“I’m ready to work with the City Council and show the Mayor what locking arms actually looks like,” she said, swiping one of Bass’ signature phrases.

— PALISADES BOWL IN PERIL: The owners of a mobile home park destroyed last year in the Palisades fire are marketing the site as a potential “mixed use” project — housing plus commercial space, which would result in permanent displacement of residents. City Councilmember Traci Park said any developer looking to take the sellers up on their offer should “pound sand.”

“What we are interested in doing is restoring this property as a mobile home park for the people who were there and remain displaced,” she said.

— PURSUING POT PROCEEDS: L.A. cannabis companies owe the city more than $400 million in business taxes, late fees and interest. Hoping to recoup $30 million of that total, the council voted this week to set up an amnesty program for those pot businesses that still owe money and haven’t already shuttered.

— JAIL DEATHS: Ten people have died in L.A. County jails so far this year, putting the county on track for another record-setting year of in-custody deaths. Now, county supervisors want the Sheriff’s Department to reverse that trend by beefing up safety checks, more closely monitoring cameras and increasing access to the overdose reversal drug Naloxone.

— FOR FLOCK’S SAKE: The Police Commission wants to know how data captured by the controversial license plate reader Flock Safety are being stored and shared. Commissioner Jeff Skobin asked for the information following reports that federal agencies had repeatedly accessed Flock’s surveillance data as part of Trump’s ongoing immigration crackdown.

QUICK HITS

  • Where is Inside Safe? The mayor’s signature program to fight homelessness went to a stretch of Laurel Canyon Boulevard in North Hollywood, underneath the 170 Freeway. About three dozen people went inside, according to Bass’ team.
  • On the docket next week: The council’s Planning and Land Use Management Committee meets Tuesday to take up a proposal to hike the penalties for putting up illegal billboards and other unpermitted signs.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.



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Hollywood Pantages announces a buzzy 2026-27 season

The Hollywood Pantages Theatre on Thursday announced its 2026-27 season, which contains a whopping seven L.A. premieres including “Maybe Happy Ending.” The hugely buzzy show about the complicated love between two humanoid helperbots was originally developed and staged in South Korea, and won six Tony Awards last year including musical, direction (Michael Arden), leading actor (Darren Criss) and book and original score (Will Aronson and Hue Park).

An early version of the show was first staged in Seoul in 2015, seven years before the rollout of ChatGPT and the ensuing AI doomsday alarm that platform sparked about the rise of hyper-intelligent robots. It will be interesting to watch “Maybe Happy Ending’s” lead robot characters, Claire and Oliver, contemplate their existence during a time when Elon Musk says his Optimus humanoid robots will be in widespread use by the end of next year.

Five shows will be staged at the Pantages before “Maybe Happy Ending,” starting with the season-opening L.A. premiere of “Water for Elephants.” Based on Sara Gruen’s 2006 novel, this musical about the dramatic life of a traveling circus performer during the Great Depression premiered on Broadway to mixed reviews in 2024 and closed after 300 performances.

Next up: The L.A. premiere of “The Outsiders,” based on S.E. Hinton’s iconic 1967 novel about the conflict between two gangs of disaffected youth. The show opened on Broadway in 2024 and was nominated for 11 Tony Awards — it ultimately won four including for musical and direction.

After that a new revival of the beloved rock opera “The Who’s Tommy” will take to the stage. Given the show’s 30-plus-year history of destroying audiences (in a good way) with its classic rock grooves, it’s sure to remain a steadfast crowd-pleaser.

Get your dancing shoes on for the L.A. premiere of “Buena Vista Social Club,” which was co-produced by John Leguizamo and opened on Broadway last year, garnering 11 Tony nominations and five wins, including a special Tony Award for the Buena Vista Social Club band. Based on the lives of musicians in Havana from the 1950s through the 1990s, and featuring plenty of infectious Latin music presented in Spanish, the show is set to launch its North American tour in Buffalo this fall before making its way to the Pantages.

The L.A. premiere of “Operation Mincemeat: A New Musical” is up next. The World War II-themed comedy about a British plan of deception premiered on Broadway last year and was nominated for four Tonys including musical.

Rounding out the L.A. premieres are a lavish production of “The Great Gatsby” and the season closer, “Death Becomes Her,” both of which are based on hot properties with plenty of audience recognition.

If you’re looking for a classic, fear not: “Hamilton” and “The Lion King” are returning next season to do what they do best: Thrill audiences and sell out shows.

I’m Arts editor Jessica Gelt contemplating a season pass. Here’s your arts and culture news for the week.

You’re reading Essential Arts

The week ahead: A curated calendar

FRIDAY
From John Doe to Lonesome Rhodes: Anti-fascism From the Archive
A double bill of “Arch of Triumph” (1948), a tragic romance set in 1938 Paris starring Ingrid Bergman, Charles Boyer and Charles Laughton, and “Voice in the Wind” (1944), a low-budget B-movie with Francis Lederer as a persecuted Czech concert pianist, opens this short series of films that were restored by the the UCLA Film & Television Archive. The series continues with Saturday’s pairing of “The Burning Cross” (1947) and “Open Secret” (1948) and “A Face in the Crowd” (1957) on March 20.
7:30 p.m. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

SATURDAY
Nuun to Midnight
A 37-film, 12-hour festival that merges music and visual arts serves as a fundraiser for curated arts presenter Middle Ear Project.
Noon-midnight. Automata Theater, 504 Chung King Road, Chinatown. automatala.org

Sarah Davachi + Robert Takahashi Novak: New Commissions
The Broad lobby’s unique characteristics will be utilized to create a deep listening experience for newly commissioned compositions by electroacoustic and minimalist organist Davachi and conceptual sound and contemporary electronic music artist Novak.
8 p.m. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

The Great Wall of Los Angeles
Judy Baca’s iconic mural inspired Gustavo Dudamel and Gabriela Ortiz to gather composers Juhi Bansal, Nicolás Lell Benavides, Viet Cuong, Estevan Olmos, Xavier Muzik and Nina Shekhar for this salute to the city, augmented by a video installation created director Alejandro González Iñárritu and cinematographer Emmanuel “Chivo” Lubezki.
2 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Alexander Malofeev
The young Russian pianist performs a program featuring works by Sibelius, Grieg, Rautavaara, Scriabin, Stravinsky, Arthur Lourié and Prokofiev.
7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St. broadstage.org

The Opera Buffs
Emerging musical artists from Southern California perform six mini-operas.
8 p.m. Saturday and Sunday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Wild Up
The orchestral collective Wild Up performs “The Odes,” a program highlighting experimentation across the ages, featuring works by French Baroque composer Jean-Féry Rebel, English dramatist Henry Purcell and Soviet modern polystylist Alfred Schnittke, as well as modern artists. The group will be joined by guest vocalist and composer Julia Holter, students from the Herb Alpert School of Music at CalArts and special guests.
8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

TUESDAY
Beetlejuice
The Broadway musical based on Tim Burton’s 1988 horror-comedy makes a local stop on its national tour.
Through March 22. Hollywood Pantages Theatre, 6233 Hollywood Blvd. broadwayinhollywood.com

Malice: Stories of Injustice
The Odyssey, in partnering with Mar Vista Voice and West Los Respuesta Rapida, presents a program of monologues based on the true stories of families and communities impacted by ICE, with proceeds benefiting the two charities.
8 p.m. Tuesday (in English) and Wednesday (in Spanish). Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

The Rilke Project
Piano Spheres presents pianist Vicki Ray performing works by Bernstein, Ives and Eötvös, as well as pieces from Los Angeles-based composers Steuart Liebig, Andrew Tholl, Joseph Pereira and David Rhodes, and the poetry of Rainer Maria Rilke.
8 p.m. 2220 Arts + Archives, 2220 Beverly Blvd. pianospheres.org

Six
The national tour of the Broadway musical by Toby Marlow and Lucy Moss, a modern pop take on the sextet of women who were the wives of Henry VIII.
7:30 p.m. Tuesday-March 13; 2 p.m. Saturday. Segerstrom Center for the Arts, 300 Town Center Drive, Costa Mesa. scfta.org

THURSDAY
Turning Points
Guest conductor Dinis Sousa leads the Los Angeles Chamber Orchestra in Huang Ruo’s “Tipping Point,” Schumann’s “Violin Concerto” with solo violinist Isabelle Faust, and Mendelssohn’s “Symphony No. 4,” a.k.a. the “Italian.”
7:30 p.m. Wednesday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills; 7:30 p.m. March 6. Colburn School, Zipper Hall, 220 S. Grand Ave., downtown L.A. laco.org

Arts anywhere

Kevin Kline and Laura Linney in the series "American Classic" on MGM+.

Kevin Kline and Laura Linney in the series “American Classic” on MGM+.

(David Giesbrecht/MGM+)

American Classic
The limited series (eight 30-minute episodes) stars Kevin Kline as an out-of-control Broadway star who returns to his Pennsylvania hometown. Featuring a fine supporting cast that includes Laura Linney, Jon Tenney, Tony Shalhoub and Len Cariou, Times TV critic Robert Lloyd calls the show “a love letter to theater, community and community theater.” Streaming on MGM+ (free 7-day trial available).

KUSC
Local classical music fans know very well the treasure we have in Classical KUSC, one of the few all-classical music stations left on the planet. And, indeed, people from all over the world listen online. But what if you’re just “classical curious” and don’t know where to start? With round-the-clock programming, multiple specialized streaming channels devoted to movie scores, seasonal sounds and more, plus live concerts and knowledgeable hosts, this is the place for enjoyment, enlightenment and education. And remember, it’s listener-supported! If you can afford to give, please do. Listen at 98.7 FM and stream at kusc.org

The jacket of the book "True Color" by Kory Stamper.

The jacket of the book “True Color” by Kory Stamper.

(Knopf)

True Color
Kory Stamper chronicles the life of I. H. Godlove, an eccentric scientist who infused the midcentury Merriam-Webster dictionary with a shockingly kaleidoscopic array of colors using only words. The worlds of color science, color psychology and color production provide a vivid backdrop for a journey across the 20th century. Knopf (March 31 release): 320 pp. $32

Culture news and the SoCal scene

People at a theater show.

People gather outside for pre-show drinks before Public Assembly theater’s show at the Women’s Twentieth Century Club on Thursday, Jan. 29, 2026, in Los Angeles.

(Carlin Stiehl / For The Times)

The roving company Public Assembly Theatre, which develops three one-act plays monthly in unconventional L.A. spaces, got an up-close look via a fascinating story by freelancer Emma Madden. Madden spent the better part of a month tracking the development process, read-throughs and final show, and tells the story of a tiny company that is making major waves with a Hollywood-weary crowd.

Freelancer Solvej Schou tells the difficult but ultimately uplifting story of an Altadena shop owner who closed twice during the last year: Once because of the Eaton fire, and again because of heavy flooding the following year. In the wake of all the trauma, the owner, Adriana Molina, hired a local muralist to paint a colorful outdoor mural of Altadena as a way to boost morale in the neighborhood.

A woman in a hallway.

Dalia Stasevska, a Ukranian-born conductor who is making her L.A. Opera debut with Philip Glass’ “Akhnaten,” poses for a portrait at the Dorothy Chandler Pavilion.

(David Butow / For the Times)

The Ukrainian-born conductor Dalia Stasevska made her L.A. Opera debut last weekend, conducting Philip Glass’ opera “Akhnaten,” which runs through late March. Times freelancer Tim Greiving sat down with Stasevska to write an in-depth profile that delves into her early love of opera and classical music as well as her efforts to raise money for humanitarian aid in Ukraine.

Malia Mendez got the skinny on a Christie’s auction in New York that features the $1-billion guitar collection of the late businessman Jim Irsay. Items on the block included Kurt Cobain’s 1969 Fender Mustang and the Beatles drum head from the band’s legendary appearance on “The Ed Sullivan show.”

A man in his living art studio.

Artist Ulysses Jenkins is photographed at his studio in Inglewood on Tuesday, March 8, 2022.

(Christina House/Los Angeles Times)

Mendez also penned a lovely obituary for Ulysses Jenkins, a pioneer of Black experimental video who died last month at the age of 79.

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Chiura Obata, "Full Moon, Pasadena, California," (1930) Verso, Asian American art

Chiura Obata, “Full Moon, Pasadena, California,” (1930) Verso, Asian American art

(The Huntington Library, Art Museum, and Botanical Gardens, Gift of the Obata Family)

The new theme for the fourth edition of the Getty’s PST ART has been announced. The 2030 survey will explore “the artistic and cultural exchange between Los Angeles and the Pacific Rim,” according to a news release. PST ART launched in 2011 and has since established itself as one of the region’s most timely and expansive art showcases — with participation from every corner of Southern California.

“PST ART is now an established and central part of Southern California’s cultural landscape, with each edition exploring key aspects of our past, present, and possible futures,” said Katherine E. Fleming, president and CEO of the J. Paul Getty Trust, in a statement. “With our large diasporic communities from around the Pacific Rim, Los Angeles is the perfect place to explore the far-reaching and varied impact of transpacific culture.”

— Jessica Gelt

And last but not least

Who doesn’t love a good breakfast sandwich? I’m resurfacing this list of where to find the best in the city. You’re welcome.

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Record-setting night for LeBron James ends with disappointment

From Broderick Turner: LeBron James, the king of NBA milestones, broke another record held by Lakers legend Kareem Abdul-Jabbar on Thursday night.

Unfortunately, his reward for such an achievement was a sore elbow — and a Lakers loss.

James broke Abdul-Jabbar’s record for the most career field goals in the regular season against the Denver Nuggets, but an elbow injury limited his contributions in crunch time of a 120-113 loss that ended the Lakers’ three-game winning streak.

After scoring over Denver center Nikola Jokic in the fourth quarter, James fell to the court and immediately grabbed his left elbow. He eventually got up and went to the bench with 3:58 remaining. He returned with 2:05 left and the Lakers down 112-111 before leaving again with 22 seconds left after Jokic scored consecutive baskets to give the Nuggets a 116-111 lead.

Sitting at his locker with his elbow wrapped in ice, James expressed frustration with referees not calling a foul on the play that led to his injury.

“That’s all [the referees] keep saying, ‘marginal.’ I’m so … tired of that word,” James said. “It doesn’t make no sense.”

And his elbow?

“It’s pretty sore right now,” James said. “It felt like one of those funny bone situations, but like, super more intense.”

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USC falls in women’s Big Ten tournament

USC's Jazzy Davidson leaves the game after sustaining an injury against Washington on Thursday.

USC’s Jazzy Davidson leaves the game after sustaining an injury against Washington on Thursday.

(Justin Casterline / Getty Images)

From Marisa Ingemi: If the USC women’s basketball hoped to make a case for a favorable NCAA tournament seed, the Trojans did themselves no favors during the past two weeks culminating with Thursday’s Big Ten tournament loss.

The No. 9 seed Trojans let a second-round tournament contest against No. 8 seed Washington get out of hand in the third quarter, stumbling to a 76-64 loss at Gainbridge Fieldhouse. USC’s conference run ended quickly after the Trojans delivered one of their worst offensive outings of the season.

It was USC’s fourth consecutive loss, putting its NCAA tournament positioning in question.

“There were eight teams that finished above us in our league,” USC coach Lindsay Gottlieb said. “Seven of them in the last reveal are hosting, and the other one here is obviously a tournament team that now we’ve split with. I don’t think [an at-large bid] is in question.”

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USC-Washington box score

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Rams re-sign veteran tight end Tyler Higbee

Los Angeles Rams tight end Tyler Higbee celebrates after scoring a touchdown.

Rams tight end Tyler Higbee celebrates after scoring a touchdown against the Arizona Cardinals on Jan. 4.

(Jessie Alcheh / Associated Press)

From Gary Klein: The Rams are keeping their longest-tenured player in the fold.

On Thursday, the Rams agreed to terms with tight end Tyler Higbee on a two-year contract, according to people with knowledge of the situation. The people requested anonymity because the deal has not been announced.

Terms were not disclosed but the deal is worth $8 million, according to multiple reports.

Higbee, 33, was a fourth-round draft pick by the Rams in 2016, and he is the leader of a tight end group that includes Colby Parkinson, Davis Allen and Terrance Ferguson, a 2025 second-round pick. Coach Sean McVay relied heavily on the group last season when he implemented a scheme that featured multiple tight end sets to protect quarterback Matthew Stafford, improve run blocking and complement star receivers Puka Nacua and Davante Adams.

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Dodgers will continue to help Andrew Toles

Andrew Toles bats for the Dodgers during a game in April 2017.

Andrew Toles bats for the Dodgers during a game in April 2017.

(Ralph Freso / Associated Press)

From Ed Guzman: The story of the Dodgers and Andrew Toles is one of a franchise trying to do the right thing by one of its former players struggling with mental health challenges.

Toles, a promising outfielder who played parts of three seasons with the team from 2016 to 2018, did not report to spring training in 2019 and was quietly placed on the restricted list before it was eventually revealed that Toles had been diagnosed with bipolar disorder and schizophrenia.

Every year since 2019, the team has quietly renewed Toles’ contract so he can retain his health insurance while placing him on the restricted list so he would not take a roster spot.

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Ciena Alipio a vital part of UCLA’s title push

UCLA gymnast Ciena Alipio celebrates with teammate Jordan Chiles after completing a beam routine.

UCLA gymnast Ciena Alipio, left, celebrates with teammate Jordan Chiles after completing a beam routine against Washington on Jan. 30.

(Jesus Ramirez / UCLA Athletics)

From Anthony Solorzano: Coming into her senior year, Ciena Alipio wanted to be as present as humanly possible and learn how to trust herself going into every competition.

She set forth goals for herself and a bigger one for the UCLA gymnastics team. With the first box checked after clinching their second consecutive Big Ten title, the work toward meeting each of her standards is just beginning.

“You’re seeing the result of every hard practice that we’re having,” Alipio said after Friday’s victory over Maryland. “We’re putting in work and we’re doing what we absolutely have to every single day in the gym and I think it’s just putting it all together on the same day.”

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Luka Doncic in danger of being suspended

Lakers star Luka Doncic reacts at the end of a 120-113 loss to the Denver Nuggets on Thursday night.

Lakers star Luka Doncic reacts at the end of a 120-113 loss to the Denver Nuggets on Thursday night.

(David Zalubowski / Associated Press)

From Broderick Turner: Lakers star Luka Doncic is one technical away from receiving an automatic one-game suspension after he picked up his 15th technical of the season in a 120-113 loss to the Denver Nuggets on Thursday night.

Doncic, who had 27 points, 10 rebounds and seven assists, was charged with a technical with 5:43 left in the second quarter.

“Just because I yelled at him, I guess. That’s what he said,” said Doncic about his interaction with referee Ed Malloy. “But I heard three other players say the exact same sentence and didn’t get a tech. And that’s my problem, you know, I was trying not to talk at all. This is the first thing I said — no warning or nothing.”

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Dodgers’ starting rotation taking shape

Dodgers pitcher Yoshinobu Yamamoto practices in Tokyo on Wednesday ahead of Japan's WBC opener.

Dodgers pitcher Yoshinobu Yamamoto practices in Tokyo on Wednesday ahead of Japan’s WBC opener.

(Hiro Komae / Associated Press)

From Jack Vita: Dodgers ace Yoshinobu Yamamoto was slated to start Team Japan’s first game in the World Baseball Classic early Friday morning Pacific Time in Tokyo against Chinese Taipei, with the expectation that he would pitch three innings.

While the right-hander is away from Camelback Ranch, other pitchers vying for a spot in the Dodgers’ starting rotation will be under the microscope — especially with health concerns yet again coming into play.

The Dodgers are no strangers to navigating pitching injuries over the course of a long season. Last year, Yamamoto was the only Dodgers starter to not miss a turn, making 30 starts before making five more during the postseason. But other than the now-retired Clayton Kershaw, who made 22 starts last year, no other Dodger hurler started more than 18 games.

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Dodgers-Reds box score

MLB spring training scores

MLB spring training standings

Ducks trade for veteran defenseman

Washington Capitals defenseman John Carlson controls the puck during a game against the Ducks in January.

Washington Capitals defenseman John Carlson controls the puck during a game against the Ducks in January.

(Nick Wass / Associated Press)

The Ducks bolstered their blueline Thursday night in anticipation of ending their long playoff drought, acquiring veteran defenseman John Carlson in a trade with the Washington Capitals.

In exchange for Carlson, the Ducks will send a conditional first-round pick (2026 or 2027 draft) and a third-round pick (2027) to Washington.

Carlson, who played an integral part of the Capitals’ 2018 Stanley Cup win and is a former Norris Trophy runner-up for the NHL’s top defenseman, should bring a veteran presence to a young Ducks team that is on pace to make the playoffs for the first time since 2017.

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More: Ryan Poehling agrees to four-year contract extension with Ducks

Artemi Panarin scores his first goal with Kings

Kings defenseman Mikey Anderson, center, celebrates with forwards Artemi Panarin, left, and Anze Kopitar.

Kings defenseman Mikey Anderson, center, celebrates with forwards Artemi Panarin, left, and Anze Kopitar after scoring during the second period of a win over the New York Islanders on Thursday night at Crypto.com Arena.

(Mark J. Terrill / Associated Press)

From the Associated Press: Artemi Panarin scored his first goal in a Kings uniform to lead his new team past the New York Islanders 5-3 on Thursday night for the club’s first victory under interim head coach D.J. Smith.

Panarin, Mikey Anderson and Adrian Kempe had a goal and an assist apiece for the Kings, and Darcy Kuemper made 31 saves. Samuel Helenius and Alex Laferriere also scored in just Los Angeles’ second victory since January.

Kings captain Anze Kopitar had an assist while playing his 1,500th game, becoming the 25th player in NHL history to hit the mark. The Slovenian center, who is retiring this spring after 20 seasons in Los Angeles, is just five points away from passing Marcel Dionne to become the Kings’ career scoring leader.

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Kings-Islanders box score

NHL scores

NHL standings

A quick Learner

Learner Tien plays a forehand return to Alexander Zverev in the Australian Open quarterfinals on Jan. 27.

Learner Tien plays a forehand return to Alexander Zverev in the Australian Open quarterfinals on Jan. 27.

(Dita Alangkara / Associated Press)

From Douglas Robson: Learner Tien’s first trip to the BNP Paribas Open a year ago barely registered — a curious outcome for what was essentially his hometown tournament debut.

Feeling unwell and still adjusting to the weekly grind of the ATP Tour, the Irvine native exited in the first round and quickly scratched it from his mind.

“Honestly, I don’t really remember my tournament here last year that well,” says Tien as he shuttled between pre-tournament media obligations this week. “I was in and out pretty quick.”

But 12 months is a lot of runway for a young player whose all-court ingenuity, appetite for improvement and ability to shed setbacks have generated lift.

“So far this year, everything has felt good,” Tien says. “And I’m feeling pretty comfortable.”

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This day in sports history

1920 — Mickey Roach of Toronto scores five goals to lead the St. Patricks to an 11-2 rout of the Quebec Bulldogs.

1964 — Boxing legend Cassius Clay joins the Nation of Islam and changes his name to ”Muhammad Ali″, calling his former title a “slave name”.

1976 — Dorothy Hamill wins the World Figure Skating Championships in Goteberg, Sweden.

1977 — Montclair State’s Carol Blazejowski scores 52 points against Queens College, setting a new collegiate scoring record (for men or women) in the current Madison Square Garden in New York.

1982 — The San Antonio Spurs and Milwaukee Bucks combine for 337 points in the highest scoring game in NBA history, to that point. The Spurs win, 171-166, in three overtimes.

1983 — The 12-team United States Football League begins its first season with five games.

1984 — Dale Hawerchuck of the Winnipeg Jets sets the NHL record for most assists in one period, with five in the second period of a 7-3 triumph over the Los Angeles Kings.

1988 — Julie Krone becomes the winningest female jockey in history with her 1,205th career victory. Krone rides a filly named Squawter to victory in the ninth race at Aqueduct Racetrack.

1996 — Detroit’s Chris Osgood becomes the third goalie in NHL history to score a goal, firing the puck into an empty net with 11 seconds remaining in the Red Wings’ 4-2 victory over Hartford.

2000 — Shaquille O’Neal of the Los Angeles Lakers scores an NBA season-high 61 points and had 23 rebounds in a 123-103 victory over the Los Angeles Clippers.

2001 — George Mason beats North Carolina-Wilmington 35-33 in the second-lowest scoring game in the shot-clock era of NCAA basketball.

2010 — Devin Harris scores 31 points and the New Jersey Nets erased an early 16-point deficit to beat New York 113-93. The Knicks miss all 18 attempts in the most futile 3-point shooting night in league history.

2011 — Lindsey Vonn clinches her third discipline title in three days with a super-G victory to wrap up a memorable weekend of ski racing in Tarvisio, Italy. Vonn took the super-combined and downhill titles the previous two days.

2014 — The Los Angeles Clippers rout the rival Los Angeles Lakers 142-94. It’s the most lopsided victory ever for the Clippers’ franchise and the most one-sided loss in Lakers history.

2015 — Syracuse coach Jim Boeheim is suspended for nine games, with the school punished for ignoring the “most fundamental core values of the NCAA” for academic, drug and other violations committed primarily by the men’s basketball program. The school is put on probation for five years and the basketball team is forced to vacate 108 wins in which ineligible players participated.

2015 — Shane Walsh scores the winning goal in the fifth overtime to lead UMass to a 4-3 victory over Notre Dame in the longest game in NCAA Division I ice hockey history.

2019 — LeBron James scores his 32,293rd point in the 2nd quarter of a Lakers’ 115-99 loss to Denver in LA to pass Michael Jordan into 4th place on the NBA all-time point scoring list.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

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Newsom planning $19-million push to polish California’s national image

Gov. Gavin Newsom plans to spend $19 million promoting California and dispelling “myths driven by misinformation and political rhetoric” in a marketing campaign that would run through the final months of his administration as he weighs a potential run for president.

The new contract, which is in the bidding process, comes as Newsom’s political future and national standing are closely tied to how voters view California’s economy, crime and quality of life — issues that have become central to attacks from President Trump and conservative media outlets.

The Governor’s Office of Business and Economic Development is seeking a contractor to design a statewide taxpayer-funded “California Brand Campaign,” with two-thirds of spending under the proposal to be used for paid advertising and media placements. Bidding on the contract opened Feb. 24 and is expected to end March 13.

The solicitation frames the campaign as an effort to push back on what Newsom has often described as misleading narratives about California. The campaign would launch during a period of financial uncertainty for the state, with Newsom’s January budget projecting a $3-billion deficit next fiscal year.

“California and its business climate have been falsely and maliciously maligned for years, and the state has a right to tell the true story — California is a great place to do live, work, invest and visit,” said Newsom spokesperson Tara Gallegos. “Setting the record straight will benefit every business, worker and resident of this state.”

Newsom is contemplating a run for president in 2028 and says he remains undecided about whether he will pursue the Oval Office.

State Sen. Roger Niello (R-Fair Oaks), who is vice chair of the Senate budget committee, said the language of the proposal request is concerning. He said it would make it easier to stifle criticisms of policies that he says make it difficult to do business in California.

“This is clearly part of the Gavin Newsom for President campaign, but what is most troubling to me is that this is a program to be developed by some private-sector contractor to define what is acceptable speech in the state of California,” Niello said. “That scares the stuffing out of me.”

The negative image of California — homeless encampments lining the streets, smash-and-grab robberies at malls and an exodus of residents and businesses fleeing high taxes and nanny-state governance — could be a liability for Newsom if he runs for president.

Newsom has seen his popularity surge in the last year after his fight-fire-with-fire approach to countering Trump’s rhetoric. The two-term governor has used his expanding platform, including a podcast and nationwide book tour for his recently released memoir, to repeatedly push back on Trump’s criticisms of California. He argues that California remains one of the world’s largest and most dynamic economies and the envy of other states.

The tone of the marketing campaign bid request itself echoes that message, with its introductory paragraph pulled directly from Newsom’s State of the State speech in January.

“California has never been about perfection,” it reads. “It’s about persistence. The courage of our convictions and the strength to embody them. That’s the California Way.”

Mike Madrid, a Republican strategist who runs the research nonprofit Latino Working Class Project, said scrutiny of the campaign will depend on whether the ads veer into politics or overtly promote Newsom in the way federal border security ads showcased the now ousted Homeland Security Secretary Kristi Noem.

“You have to ask why now?” Madrid said of Newsom’s timing for the California ad campaign. “He’s in the eighth inning of a nine-inning baseball game. Timing and tone are everything when considering the appropriateness.”

The use of taxpayer dollars to combat negative publicity about the state and the governor isn’t new under the Newsom administration.

Newsom tapped an employee in his communications office to serve as his “deputy director of rapid response” in 2024. Staff member Brandon Richards, who made $136,000 last year, is tasked with quickly dispatching responses to information the governor’s team deems inaccurate or misleading that is spread on social media and in the media.

When right-wing accounts claimed in February that Newsom allows dogs to vote in California, Richards responded with a CBS News article reporting that a woman was charged with five felonies for registering her canine. Richards and the governor’s office pushed back on false assertions that Newsom and his wife, First Partner Jennifer Siebel Newsom, were stealing money from the state through her office that same day.

Newsom’s frustration reached a boiling point over claims about the state’s response to the Los Angeles wildfires last year. President Trump publicly blamed Newsom and “his Los Angeles crew” for the disaster, though the Republican’s claims that a lack of water in Southern California led to a shortage for firefighters were widely debunked.

Newsom’s political team launched a website in January 2025 to fight misinformation about the L.A. fires, which he said at the time would “ensure the public has access to fact-based data.” The site, www.californiafirefacts.com, no longer appears to exist.

At one point, however, it redirected viewers to the redistricting campaign website for Proposition 50, according to internet archives. Newsom championed the successful redistricting ballot measure to add more Democrats to California’s congressional delegation, a direct response to Trump urging Texas and other Republican states to reconfigure their congressional boundaries to elect more Republicans to Congress.

Newsom adopted an even more aggressive social media strategy last summer after Trump deployed the National Guard and U.S. Marines to California during federal immigration sweeps. The governor directed his team to match the brash communication tactics emanating from the White House. His aides continue to shoot down criticism and launch their own snarky assaults on Trump and his allies.

The new ad campaign appears to be an extension of his work to refute the anti-California narrative.

The request for bids says “some look at this state and try to tear down our progress. They attack our values and caricature our culture. They distort the data to diminish our accomplishments.”

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Ducks acquire veteran defenseman John Carlson in trade with Capitals

The Ducks bolstered their blueline Thursday night in anticipation of ending their long playoff drought, acquiring veteran defenseman John Carlson in a trade with the Washington Capitals.

In exchange for Carlson, the Ducks will send a conditional first-round pick (2026 or 2027 draft) and a third-round pick (2027) to Washington.

Carlson, who played an integral part of the Capitals’ 2018 Stanley Cup win and is a former Norris Trophy runner-up for the NHL’s top defenseman, should bring a veteran presence to a young Ducks team that is on pace to make the playoffs for the first time since 2017.

“John Carlson brings leadership, character, a high hockey IQ and a presence to our lineup,” Ducks general manager Pat Verbeek said in a statement. “We are very excited to add a Stanley Cup winner to complement our group and make a big push down the stretch.”

Set to become a free agent this offseason, Carlson had 10 goals and 46 points in 55 games with the Capitals this season. He led all Washington skaters in ice time, averaging more than 23 minutes per game.

Carlson, however, has not played since Feb. 5 because of a lower-body injury. It’s unclear when he might make his Ducks debut, but was practicing with the Capitals before the trade. When he does get into the lineup, he’ll join Jacob Trouba and Radko Gudas as part of a formidable right-side defensive trio for the Ducks.

In 1,143 career games over 17 seasons entirely with Washington, Carlson recorded 771 points (166 goals, 605 assists) — ranking him 24th all-time among NHL defensemen. He also had 78 points in 137 playoff games. A two-time All-Star, Carlson played for the U.S. at the 2014 Sochi Olympic Games and in the 2016 World Cup of Hockey. He also scored the winning goal for the U.S. in the 2010 World Junior Championship.

The Ducks are second in the Pacific Division and have won 13 of their last 16 games. They face the Montreal Canadiens on Friday and the St. Louis Blues on Sunday before embarking on a four-game Canadian road trip.

The Carlson deal was finalized roughly 14 hours before Friday’s NHL trade deadline at noon PST.

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3 Los Angeles night hikes to check out during Ramadan

Many of us go into the mountains to think and practice gratitude.

For the hundreds of thousands of Muslims across Los Angeles County observing Ramadan this month, spending time in nature can offer an opportunity for quiet reflection and growth.

“This sacred month provides an opportunity to merge the spiritual with the physical, finding solace and inspiration in nature,” nonprofit Muslim Outdoor Adventures notes. “Through mindful hiking, we aim to embrace the challenges of staying active during Ramadan, using the trails as a space for reflection and collective growth.”

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Ramadan is considered the holiest month of the Islamic calendar. The holiday typically lasts 29 or 30 days, and during that time, Muslims will fast from sunup to sundown, including not drinking water. This excludes those who are exempt from fasting or not observing the holiday.

This year’s Ramadan started in mid-February and will end around March 19. (The Islamic calendar is based on lunar events, so Ramadan’s start and end dates vary from year to year.)

For fasting hikers, it’s important to ensure you plan accordingly, given your limited daily water and food intake.

Nadiim Domun, materials engineer at INOV8, said in a blog post that fasting hikers should plan ahead, and if they feel up to it, plan to break their fast at the top of a hill, taking their time to arrive at sunset. “On some days you’ll feel better than others. Be kind to yourself and only go hiking on days when your body feels up to it,” Domun said.

Below you’ll find three hikes and walks in places open after sunset. If observing the holiday, may your fasting be easy. Happy Ramadan!

An Art Deco building with Moderne and Modified Greek influences, lit up by golden light at night with the a cityscape behind.

A view of the Griffith Observatory with downtown Los Angeles in the background.

(Wally Skalij / Los Angeles Times)

1. Crystal Springs – Atwater Park in Griffith Park

Distance: 2.7 miles
Elevation gained: 130 feet
Difficulty: Easy
Dogs allowed? Yes
Accessible alternative: Los Angeles River Bike Path

The Crystal Springs – Atwater Park route is a 2.7-mile easy stroll through the southeast side of Griffith Park that includes a quick side trip over the L.A. River.

Griffith Park is open from 5 a.m. to 10:30 p.m., although you’ll want to mind where you park, as some areas are open only until sunset.

To begin, you’ll take the wide dirt Main Trail north for just over half a mile before reaching a tunnel. Congrats! You’ve just completed the hilliest portion of this hike. It’s time to turn on that headlamp as you take the tunnel beneath the 5 Freeway, marveling at the wonders of human ingenuity.

Next, you’ll head over to the North Atwater Bridge, or La Kretz Bridge, an impressive modern design you’ve probably noticed from your car in gridlock traffic.

Visitors walk over a wooden planked bridge with a modern metal and wire design over a flowing river

The North Atwater Bridge, or La Kretz Bridge, over the L.A. River.

(Emil Ravelo / For The Times)

The route next takes you to North Atwater Park. This area was separated from the rest of the park when the 5 Freeway was built in the late 1950s, resulting in 200 “prime acres of parkland” being destroyed, according to Friends of Griffith Park. Perhaps you’ll notice the squawk or chirp of birds settling in for the night.

From here, the path loops around the area for about a third of a mile before taking you back to the bridge. You’ll pass a corral and interpretive signs, among other things.

After crossing back over the bridge and under the tunnel (headlamp!), you’ll have a clear view of Beacon Hill, another great hiking destination in the park that offers stunning views of downtown L.A. You will head north again on the Main Trail, walking parallel to the 5. Hopefully the sound of the freeway is blocked by the lush trees that line the path.

You’ll take the Main Trail for about a third of a mile. At 1½ miles in your hike, you’ll bear left (or west), passing the Anza Trail Native Garden, planted by volunteers using seeds harvested from the park.

You’ll loop southwest around the path, passing the golf course and a baseball field before arriving at the newly renovated Griffith Park Visitor Center, open daily from 8 a.m. to 7 p.m. (It also has restrooms!)

From the visitor center, you’ll head east along a dirt path before looping back up with the Main Trail, which you’ll take south back to your car.

If you’d like something a little more challenging, you can peruse the Griffith Park Explorer route options. One of my favorites is the Five Points – Beacon Hill loop.

And if you’d like to go with a group, L.A. City Department of Recreation and Parks’ junior ecologist Ryan Kinzel and Emerson College professor Jacob Lang are hosting a free night hike through Griffith Park this Thursday.

So grab your headlamp, and have a great time!

A jogger travels along a pristine sandy beach.

Louisa McHugh, of San Pedro, jogs at Cabrillo Beach.

(Carolyn Cole / Los Angeles Times)

2. Beach path at Cabrillo Beach

Distance: 1.6 miles
Elevation gained: Minimal
Difficulty: Easy
Dogs allowed? No
Accessible alternative: The route below is a paved flat path.

This 1.6-mile beach walk is a gentle stroll along the mile-long Cabrillo Beach, where during the day you might spot kite surfers, barges and Catalina Island in the near distance.

To begin, start your walk in the northeast corner of the parking lot where the sidewalk begins. Walk south down the sidewalk, unless you’d like to walk on the sandy beach instead. Near the Cabrillo Beach Bath House, the path will curve east. You’ll continue east along the jetty until you reach the Cabrillo Beach Pier, where you might spot people fishing. You can pause to take in the views for as long as you’d like before heading back.

Although there are many beach walk options in Southern California, the reason I’m recommending Cabrillo Beach is because it’s a great place to observe grunion runs. At night, these small silvery fish come completely out of the water to lay their eggs in the wet sand, according to the California Department of Fish and Wildlife.

Beachgoers observe sand covered in small silvery fish.

Beachgoers witness an unusual fish spawning ritual known as a grunion run on Cabrillo Beach in San Pedro.

(Luis Sinco / Los Angeles Times)

“Grunion make these excursions only on particular nights and with such regularity that the time of their arrival on the beach can be predicted a year in advance,” according to the agency.

Depending on how late you’d like to stay up, you can take a beach walk and stay for the grunions, which are expected to arrive at 10:25 p.m. Thursday and 10:50 p.m. Friday.

Two hikers walk down a path amid large green bushes and yellow flowers under a cloudy sky.

Hikers walk down a path at Kenneth Hahn State Recreation Area.

(Kayla Bartkowski / Los Angeles Times)

3. Gwen Moore Lake to Western Ridgeline in Kenneth Hahn State Recreation Area

Distance: Around 2½ miles
Elevation gained: About 300 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: Gwen Moore Lake path

This 2½-mile journey through Kenneth Hahn State Recreation Area will take you past a charming lake and will gain just enough elevation to provide you with striking views of the city. It is more challenging than the other two paths, so please plan accordingly. (And pack that headlamp!)

Kenneth Hahn State Recreation Area is open from 6 a.m. to 8 p.m. Wednesday through Sunday. The park is around 330 acres and includes the stunning Baldwin Hills Scenic Overlook, which thousands access every year via a straight staircase with 282 steps.

Upon arriving at the park, you’ll pay $10 to park. Ask the staff member at the toll booth whether they have a map, as it’s great to have one on hand as you hike. For this hike, I’d recommend parking near the Gwen Moore Lake if you can.

To begin the hike, you’ll start at Gwen Moore Lake. You can either take the paved path that takes you along the western side of the lake or the straight paved path on the eastern side of the lake. It will take you due south.

About a third of a mile in, you’ll walk east past the Kenneth Hahn Visitor Center before quickly joining with the Park to Playa Regional Trail, a 13-mile path that guides hikers from near Windsor Hills to the ocean (near Ballona Creek). That’s an adventure for another day!

You’ll take Park to Playa, a short jaunt, bearing left (northwest) toward a large green space to join the Bowl Loop Trail, or on some maps, Park to Playa Alternate. Follow this path in the northerly direction until it jags left where you’ll join the Western Ridgeline Trail (or Park to Playa Alternate, depending on your map). From here, say hello to beautiful views of the city!

You will next take Diane’s Trail (who is she?) just over half a mile before heading down via the Forest Trail. Pause along the way to appreciate more gorgeous views of the city, including of downtown L.A.

Head south past the Japanese garden, and then take the paved road from the Japanese garden back to where you parked, hopefully near the lake.

A wiggly line break

3 things to do

People gather in a circle on a sunny beach, including seven surfers holding their boards.

During a previous Dana Point Festival of Whales, guests attend a sacred ceremony given by the Acjachemen Nation and observe the Dana Point Surf Club as their members paddle out to welcome the whales to Dana Point’s shores.

(Dana Point Harbor)

1. Whale-come the cetaceans in Dana Point
The 55th Annual Dana Point Festival of the Whales, which celebrates gray whale migration, is scheduled for Friday through Sunday in Dana Point Harbor. Visitors can attend the “Welcoming of the Whales” ceremony at 4:30 p.m. Friday at the Ocean Institute, or on Saturday, observe the cardboard boat race, learn at the marine mammal lecture series or chow down at the clam chowder cookout. On Sunday, attendees will pick up trash at 9 a.m. near at the Richard Henry Dana Jr. statue before attending a concert from noon to 5 p.m. performed from a floating dock. Learn more at festivalofwhales.com.

2. Stand up for public lands in Ventura
Environmental advocacy groups Los Padres ForestWatch and Climate First: Replacing Oil & Gas will host a hike at 11 a.m. Sunday through the Harmon Canyon Preserve in Ventura. Group leaders will educate hikers on the Trump administration’s proposal to open 850,000 acres, including about 400,000 acres across Central California, to oil and gas drilling. After the hike, participants are invited to make posters to spread awareness of the threat to public lands. Register at eventbrite.com.

3. Kick back with a kite in Redondo Beach
The 52nd Annual Redondo Pier Kite Festival will take place from noon to 5 p.m. Sunday at the Redondo Beach Pier (100 Fishermans Wharf). This free community event will feature live music, face painting and a kite flying contest. Kites will be available for purchase on the pier while supplies last. Guests can also bring their own kites. Learn more at redondopier.com.

A wiggly line break

The must-read

Two-seat chair lifts take skiers and other adventurers up and down a snowy canyon.

Visitors take the chair lifts at the Mt. Baldy Resort.

(Christina House / Los Angeles Times)

The ski world is becoming increasingly owned by large corporate chains, but small shops like the Mt. Baldy Resort continue to hang on. Times staff writer Jack Dolan wrote about how Mt. Baldy Resort, just over an hour from downtown L.A., works hard to remain competitive. The resort offers a quick escape for Angelenos who want to ski and appreciate “the wide expanse of the Inland Empire stretched to the Pacific Ocean nearly two vertical miles below,” Dolan wrote. Many of its guests find its old-school style more welcoming than the ritzy lodges in Taos and Tahoe. “There’s big conglomerates trying to buy everybody up, and I don’t want that,” said Chris Caron, a 65-year-old retiree who lives 20 minutes down the road from Mt. Baldy Resort. “That’s what I love about here. It’s not so commercialized.”

Happy adventuring,

Jaclyn Cosgrove's signature

P.S.

Porkchop is free! A month ago, I featured a story by Times staff writer Lila Seidman, introducing Wild readers to Porkchop, a three-flippered sea turtle who was being rehabilitated by the Aquarium of the Pacific in Long Beach. “Many Angelenos don’t know Eastern Pacific green sea turtles are swimming in their proverbial backyard, but they are — and they’re thriving,” Seidman wrote. “It’s estimated that about 100 of the hulking-yet-graceful animals live in the lower stretch of the San Gabriel River, where salt and freshwater commingle.” And thankfully, it’s now about 101, as Porkchop was released back into the wild on Friday. I’m not crying, you’re crying!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.



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Rams on verge of a big trade

Rams playing ‘Let’s Make a Deal’

From Gary Klein: Les Snead, no stranger to blockbuster trades involving first-round picks, might be on the verge of doing it again.

On Wednesday, the Rams general manager appeared to be getting closer to addressing his team’s most pressing need by nearing a possible agreement with the Kansas City Chiefs to trade for cornerback Trent McDuffie, a person with knowledge of the situation said. The person requested anonymity because an agreement had not been finalized.

According to multiple reports, the Rams would send a first-round pick — the 29th overall — and fifth- and sixth-round picks in this year’s draft and 2027 seventh-round pick to the Chiefs in exchange for McDuffie.

McDuffie, 25, is a former Anaheim Servite and Bellflower St. John Bosco High star who was a first-round pick by the Chiefs in 2022. He was an All-Pro in 2023 and has three career interceptions. He is due to earn $13.6 million this season in the final year of his rookie contract.

The acquisition of McDuffie would strengthen a cornerback group that was often a liability last season. During four seasons with the Chiefs, McDuffie forced eight fumbles, three interceptions and broke up 34 passes.

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Struggling USC loses sixth in a row

Zoom Diallo scored a career-high 26 points, Hannes Steinbach added 22 with a career-best 24 rebounds, and Washington rolled past USC 91-72 on Wednesday night.

Washington took the lead for good with 12:31 remaining. A 13-0 run that started with 4:33 to play pushed the Huskies’ lead to 85-65 with about two minutes left. Diallo scored on a dunk and Nikola Dzepina added a three to end the surge.

The Huskies (15-15, 7-12 Big Ten) swept the season series against USC, and have won three of their last five. The Trojans (18-12, 7-12) have lost six straight and 11 of their last 17 games.

Alijah Arenas scored 19 points and Ezra Ausar had 17 for USC. Jacob Cofie and Jordan Marsh added 14 points apiece.

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USC box score

Big Ten standings

Opportunity is knocking for Alex Freeland

From Jack Vita: For 24-year-old Alex Freeland, the time is now.

After the switch-hitting middle infielder enjoyed a cup of coffee in the big leagues last season, he’s trying to break camp with the Dodgers and get increased playing time at second base with veteran Tommy Edman expected to be on the injured list as he works his way back from right ankle surgery.

Freeland, who played 29 games with the Dodgers last season, and second-year utility man Hyeseong Kim, who played 71 games and was on the postseason roster, are among those vying for playing time at the start of the season, with veteran Miguel Rojas and and nonroster invite Santiago Espinal also in the mix.

Kim, who started Cactus League games at second base and center field, recently departed for the World Baseball Classic as he competes for Team South Korea, opening a door for Freeland to get more reps in the heart of the Cactus League season.

“Opportunity is present, so I’m trying to make the most of it,” Freeland said. “It sucks that Tommy’s not ready and he won’t be ready for the beginning of the season. He’s a big part of this team, so I wish him a super speedy recovery and I hope that he gets out there as quickly as possible. But yeah, with Hyeseong being gone, I am getting more reps at second and short, so I’m just trying to make the most of them.”

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Lakers hope win sparks greatness

From Thuc Nhi Nguyen: A three-pointer clanked off the side of the backboard. Four players were whistled for technical fouls. Passes from the Lakers and the New Orleans Pelicans sailed out of bounds.

The errors added up to an ugly game. The result, however, was beautiful for the Lakers, who notched a 110-101 comeback win over the Pelicans on Tuesday night at Crypto.com Arena. They clawed back from an eight-point deficit in the fourth quarter to win their third consecutive game, showing the kind of resolve coach JJ Redick said he hasn’t seen since November when the Lakers started 15-4.

“Nights like this can change the trajectory for teams and players,” guard Marcus Smart said. “So hopefully this win and tonight, in the way, the fashion that we won it, kicks our confidence up.”

Here are three takeaways from the game:

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Clippers beat the Pacers

Kawhi Leonard scored 29 points, Bennedict Mathurin scored 23 on 8-for-11-shooting, and the Clippers won their third in a row, 130-107 over the Indiana Pacers on Wednesday night.

Brook Lopez had 17 points for the Clippers while Darius Garland had 12 in his first home game since being acquired in a trade from the Cleveland Cavaliers last month.

Pascal Siakam had 29 points in his return after sitting out three games with a left wrist sprain to lead Indiana, but the Pacers lost their seventh in a row and fell to the bottom of the Eastern Conference standings with a 15-47 record.

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Clippers box score

NBA standings

Ducks defeat Islanders

Cutter Gauthier scored twice in a span of just over three minutes in the first period, backup goalie Ville Husso stopped 42 shots and the Ducks beat the New York Islanders 5-1 on Wednesday night.

Beckett Sennecke, Ryan Poehling and Frank Vatrano also had goals to help the Ducks to their 13th win in 16 games.

David Rittich had 20 saves for the Islanders, who had their five-game winning streak snapped despite outshooting the Ducks 43-25. Anders Lee scored the 304th goal of his career, tying Clark Gillies for the fourth-most in franchise history.

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Ducks summary

NHL standings

Lou Holtz dies

Lou Holtz never met an opponent that couldn’t beat him. Somehow, he squeaked out nearly 250 wins and a national title while cementing himself both as one of the most lovable and unlikable characters in college football — a one-of-a-kind iconoclast in a profession brimming with originals.

The pint-sized motivator who restored greatness at Notre Dame and demanded it everywhere else he went died in Orlando, Fla., Notre Dame announced Wednesday. He was 89.

Spokeswoman Katy Lonergan said the family did not provide a cause of death.

“Notre Dame mourns the loss of Lou Holtz, a legendary football coach, a beloved member of the Notre Dame family and devoted husband, father and grandfather,” Notre Dame president Rev. Robert A. Dowd said in a statement.

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This day in sports history

1924 — Frank Carauna of Buffalo becomes the first to bowl two straight perfect 300 games. Carauna throws five strikes to open his third game, giving him 29 straight strikes.

1931 — WGL radio broadcasts the first game of the American Basketball League championship series. The Brooklyn Visitations beat the Fort Wayne Hoosiers 14-10 in the first pro basketball game to be broadcast live on radio.

1960 — Carol Heiss wins the ladies title at the World Figure Skating Championships in Vancouver.

1965 — Ernest Terrell wins the world heavyweight title with a unanimous 15-round decision over Eddie Machen in Chicago.

1973 — New York Yankee pitchers Fritz Peterson and Mike Kekich announce that they’ve swapped wives and children.

1981 — Scott Hamilton wins the men’s title at the World Figure Skating Championships held in Hartford, Conn.

1985 — Mike Bossy of the New York Islanders scores his 50th goal, becoming the first NHL player to score 50 goals in eight consecutive seasons.

2004 — Ottawa and Philadelphia combine for an NHL-record 419 penalty minutes, with the Flyers setting a single-team mark with 213. There are five consecutive brawls in the final two minutes, including one involving both goalies. The previous record for penalty minutes was 406 by the Minnesota North Stars and Boston Bruins in 1981. The Flyers beat the Senators 5-3.

2016 — Makai Mason scores 22 points to lead Yale to a 71-55 victory over Columbia, clinching the Bulldogs’ first NCAA Men’s Tournament bid since 1962. The Bulldogs shared the Ivy championship last year with Harvard, but lost the playoff game with the Crimson. The win ends the second longest NCAA drought of any team that has made the tournament previously.

2016 — Clemson beats Boston College 66-50, completing the Eagles’ winless regular season in Atlantic Coast Conference play. The Eagles (7-24, 0-18) are the first men’s ACC team to go winless in their conference regular-season games since Maryland went 0-14 in 1986-87. Worse, BC’s football team went 0-8 in league play, making the school the first in ACC history to go winless in both sports in the same academic year.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

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Kawhi Leonard helps Clippers rout Pacers for third win a row

Kawhi Leonard scored 29 points, Bennedict Mathurin scored 23 against the team that traded him last month, and the Clippers won their third in a row, 130-107 over the Indiana Pacers on Wednesday night at Intuit Dome.

Brook Lopez had 17 points for the Clippers while Darius Garland had 12 in his first home game since being acquired from the Cleveland Cavaliers last month. He and Mathurin, who made eight of 11 shots, provided an effective backcourt off the bench, and center Isaiah Jackson added 10 points, four rebounds and three blocks against his old team as well.

The only negative on the night was when rookie center Yanic Konan Niederhauser was helped to the locker room after he suffered a right foot injury. He didn’t return. The Clippers said he’d undergo further evaluation and won’t join them for a two-game trip.

Pascal Siakam had 29 points in his return after sitting out three games because of a left wrist sprain to lead Indiana, but the Pacers lost their seventh in a row and fell to the bottom of the Eastern Conference with a 15-47 record.

Jay Huff had 18 points and was four for eight on three-pointers, and Jarace Walker added 17 points.

The Clippers (30-31) led 42-25 after one quarter and 63-51 at halftime, with Leonard racking up 20 points. The Clippers pulled away with a 16-2 run in the third quarter to extend a seven-point lead to 21.

The Clippers shot 55.1% to the Pacers’ 42.9% as L.A. pulled within a game of .500 for the second time since recovering from a 6-21 start. The Clippers play at San Antonio on Friday and at Memphis on Saturday.

Norchad Omier, a 6-foot-7 forward on a two-way contract, became the first Nicaraguan to score in the NBA, according to the Clippers, when he made a late jump hook in the lane.

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Commentary: Iran, Israel, pet otters and hair gel. Gavin Newsom’s book tour stops in L.A.

Israel, Iran, ICE, dyslexia, single moms and a pet otter named Potter were among the subjects discussed Tuesday evening at California Gov. Gavin Newsom’s tour stop in Los Angeles to promote his new book, “Young Man in a Hurry: A Memoir of Discovery.”

Speaking to a sold-out crowd of around 1,300 at L.A.’s historic Wilshire Ebell Theatre, the hourlong Q&A hosted by Writers Bloc and moderated by “Pod Save America” hosts John Favreau and Tommy Vietor was equal parts a get-to-know-the-man-behind-the-mask chat and a timely discussion about challenges facing the country.

The engaging discussion was clearly geared toward dispelling the image of Newsom as “that slick guy” (his own words), by covering his journey from an insecure, cocky young man trying to impress those around him to an adult who, through his successes and follies, has become comfortable in his own skin.

Gavin Newsom, Jon Favreau and Tommy Vietor sitting on stage

Gov. Gavin Newsom and moderators Jon Favreau and Tommy Vietor promoting Newsom’s new book, “Young Man in a Hurry.”

(Ronaldo Bolanos / Los Angeles Times)

He described his young, pre-politician self as posing in a suit: “I was thinking I was Pierce Brosnan in ‘Remington Steele.’ I just discovered hair gel,” Newsom joked. He said in those early years he was often overcompensating for his own feelings of inadequacy as the son of a single mom who struggled to pay the rent. As a kid with learning differences, whose undiagnosed dyslexia put him behind in school. Whose “broke and broken” father neglected his family while hobnobbing with wealthy San Francisco families, including the heirs of the Getty oil fortune.

A chatty, relaxed and sometimes free-associating Newsom rarely needed prompting from the moderators when speaking about his childhood, his family’s strange choice of pet (the aforementioned otter) or far more serious matters. He said that Democrats need to “fight fire with fire” and be more “ruthless” in their fight to win back the country.

Newsom’s politician-speak was evident in some of his more rehearsed efforts to convince the crowd that he’s a regular guy (he may not have changed many diapers with his first daughter, but he got better at his dad duties with his next three kids). But those instances were matched by unvarnished comments that appeared genuine, and risked alienating some of his base.

One such instance came early in the conversation, when Newsom was asked about where he stood on President Trump’s new Iran war, and the administration’s changing rationales on why it launched the military operation without consulting Congress.

“[The Trump administration’s] first rationale was we’ve got to make sure that they’re not armed with nuclear [weapons]. But I thought that was resolved, that we had completely ‘obliterated’ it,” Newsom said, using Trump’s claims against him. “Then maybe that wasn’t the case, so now it’s about their missiles, and they can perhaps hit the United States, and then it’s wait, that’s a decade plus away. So that’s BS. Then it’s about their militias, it’s about their proxy. Then it’s no, it’s about their navy. And then no, it’s a response to the likelihood that Israel was going to [go in] so we had to go in ourselves. God help us … this is Keystone Cops.”

Newsom was then asked if the United States should perhaps consider rethinking its military support for Israel, and he said that would be reasonable.

“The issue of Bibi [Israeli Prime Minister Benjamin Netanyahu] is interesting because he’s got his own domestic issues,” Newsom said. “He’s trying to stay out of jail. He’s got an election coming up. I mean, to say this is in America’s interest, at a time when affordability is at crisis levels, where you had an administration who literally got elected saying this is exactly the opposite of what they would ever consider doing. The fact that we are in this now, regional war.…”

He also said Netanyahu was “potentially on the ropes. He’s got folks, the hard line, that want to annex the West Bank.” Newsom suggested that some critics have “appropriately” described Israel as sort of an “apartheid state.” His comments caused a stir Wednesday from pro-Israel advocates who felt Newsom was turning on their interests.

But most of the conversation was about the book, and domestic issues. Newsom has been a fierce critic of Trump and his policies, positioning himself as part of the resistance, one of the few high-profile leaders to hit back with policy (Proposition 50) and a strong media presence with his podcast, “This is Gavin Newsom,” and his Trump-trolling social media accounts.

“Nothing goes to the heart of who [Donald Trump] is than his press conference yesterday, where he was lamenting [that] four Americans had died,” Newsom said. “He mentioned them in passing. And then went on, in great detail, about the drapes and the Imperial Palace in the East Wing [of the White House] that he’s building. He talked about [it] with real passion and conviction. It says everything about Donald Trump, the uncertainty in the world, to the fact that we have allies under threat, UAE, we’ve got proxy war with, once again, with Hezbollah and Lebanon. We’ve got all the anxiety as relates to 20% of the world’s oil flow, issues related to oil prices and stocks.”

Though Newsom was speaking to an auditorium of blue state supporters, his tour kicked off last week in the South, with stops in Georgia, Tennessee and South Carolina. His efforts to relate to his audience were seized upon when, during a conversation with Atlanta Mayor Andre Dickens, he addressed the audience, saying, “I’m like you,” before bringing up his low SAT scores. He was called out for his comment, which was labeled as racist by critics, particularly those from right leaning media outlets.

In Los Angeles on Tuesday, he was asked how he felt about the California Democratic Party chair’s recent suggestion that some party candidates drop out of the governor’s race, to avoid a Republican potentially winning. “I confess. I agree. With all the promise and peril that marks this moment in California, the most un-Trump state in America,” we can’t risk a Republican winning, he said.

The California Highway Patrol and a private security firm deployed officers and agents around the venue for a tight security presence (no bags or purses allowed). On at least three occasions, one or more protesters interrupted the discussion with shouts from the balcony and floor seats, demanding Newsom do something about privatized prisons and the ICE sweeps of immigrants.

After they were removed by security, Newsom said he understood the “escalation of stress” over the last ten years or so, and defended his record, mentioning he signed the first bill banning private prisons and was a “fierce opponent” of what’s happening on American streets.

Attendees of the event applauded Newsom’s record, and just about everything else he said. They were, after all, folks who had paid up to $80 a seat to hear the conversation and receive a copy of his book. He walked into the crowd afterward and spent nearly a half hour chatting with audience members, posing for selfies and signing copies of his memoir. Newsom was not in a hurry.

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Janisse Quiñones, head of the L.A. Department of Water and Power, resigns

The head of the Los Angeles Department of Water and Power stepped down Wednesday as part of a “planned leadership transition,” Mayor Karen Bass’ office announced.

Janisse Quiñones, who took the helm at DWP in 2024, is returning to Puerto Rico, where she is from, to help modernize the island’s electric grid.

In a statement, Bass said that Quiñones brought “steady leadership and engineering expertise to LADWP.”

“During her tenure, LADWP reinforced electric grid and water system reliability, enhanced coordination during wildfire events, and advanced investments to strengthen resilience amid increasing climate pressures,” the statement said.

Quiñones’ hefty salary of $750,000, which drew attention when she was hired, was meant to be competitive with private utility companies. She previously was a senior vice president of electric operations at Pacific Gas & Electric Co.

Quiñones managed the DWP through the Palisades fire, when a key reservoir was empty as firefighters battled the blaze.

Some argued that the reservoir, which had been drained to repair its cover, led to lower water pressure and hampered the firefight.

The DWP has pushed back, saying the repairs were necessary to protect public health and that even if the reservoir had been full, there still would have been water pressure issues, considering the extraordinary demand on the system during the fire.

A state investigation found that even if the reservoir had been full, the flow rate in the pipes “would have been a limiting factor in maintaining pressure and the system would have been quickly overwhelmed.”

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Kahlil Joseph on his first feature, “Blknws: Terms & Conditions”

Los Angeles has a secret magic to which you have to earn access, and the way you earn it is by making it, becoming a contributor to the city’s misapprehended culture of spectacle and soul, diversity and monolithic elitism. It’s a get-in-where-you-fit-in or get-edged-all-the-way-out kind of city, wherein a deceptively laissez-faire game of musical chairs can determine your fate. Kahlil Joseph has a private magic to which you have to earn access, and you earn it by resonating with the untapped nerve centers of Black culture that animate this city, and even then you might be denied.

Joseph is like the city (Los Angeles, not Hollywood), and the city enforces confidentiality, drive, wit, style and devotion often mistaken for diva-ism. The filmmaker and video artist moved to Los Angeles from Seattle for university, and was quickly followed by his brother, the painter Noah Davis, who would found the Underground Museum, a venue and near-speakeasy with West Coast casual gravitas and pan-African rigor and breadth, which became as important to the zeitgeist of Black Los Angeles as both brothers have.

Caption: Funmilayo Akechukwu (Kaneza Schaal) channels a ninety three year old W.E.B Dubois, two hundred years in the past.

Movie still from Kahlil Joseph’s film “Blknws: Terms & Conditions.” Funmilayo Akechukwu (Kaneza Schaal) channels a 93-year-old W.E.B Dubois, 200 years in the past.

(Courtesy Rich Spirit / BLKNWS©)

In somewhat rapid succession, Joseph lost his father, Keven Davis, an accomplished attorney who represented the likes of the Williams sisters and Wynton Marsalis, in 2012, and his brother Noah in 2015. Joseph navigated those years in the wake with unadorned reverence, while starting a family of his own and directing some of the most transcendent music videos of the 2010s. As testament to his resilience and that of the community around him, grief sharpened Joseph’s purpose and became a kind of grace he transmuted into moving images so saturated with feeling, sans easy pathos, they offered new ways of seeing. The stakes were higher and layered with the existential absurdity of abrupt shifts, which he carried with an elegant, slightly seething temperament that has found its expression in the work. It’s relevant that he shares a birthday with Miles Davis — this is Los Angeles, where it’s customary for a person to request your cosmic DNA before asking your name — and it’s relevant that like Miles, Joseph’s vocal tone is whisper-pitched, toward the mode of retreat that begets echo; you lean in and hear him twice. His quiet tone is not shyness or false modesty but circumspection and a sense of boundaries that imply respect and love for real communication. You sense this in his work ethic and what it produces, an intimacy of form that implies an almost ritualistic attentiveness to the world around him on its own terms. In the 2012 Flying Lotus music video “Until the Quiet Comes,” directed by Joseph and set in Los Angeles, death and rebirth are addressed as a duet, companions in the expansion of collective consciousness instead of foils or adversaries, as a fallen child leaves his body and returns more alive than before he was bloodied on screen. And the violent scenes aren’t grotesque or didactic — think of Miles’ muted trumpet sound reconfigured as resurrection visuals, of his ability to play and stage ballads so well that their uptempo momentum moves into territories too macabre to mute. Like Miles, Joseph tests and stretches his range.

With the closure of the family-run Underground Museum, first in 2020 and then officially in 2022, the path uptempo was visited by more obstacles and disappointments, a shift, if temporary, in Joseph’s role in the local community, as he became more private and distant from public elegy. On the phone recently, Joseph and I discussed the trauma economy, how much of a trap it is for Black art and artists, especially in this post-BLM, post-Obama, post-neoliberal dominance, post-nonprofit industrial complex dominance territory we’re all in now, whether we face it or not. As antidote and balm to the market for repackaged abjection, Joseph adapted the sensibility that makes his music video landscapes so lush and transgressive for the art world with “Blknws,” which debuted in 2019 as an imagined syndication or television network, a nonlinear merger of digitized Black archival material pulled from the center to the margins and the radical academic avant-garde — an infinitely looping ensemble wherein Fred Moten enters into conversation with memes of ghetto-fabulous street gymnasts doing backflips into a fried chicken spot, for example, collapsing so-called high and low into an endless woodshed for an impossible concert.

The result was so compelling that the project was commissioned by A24 as a feature film sans script, then purchased from them by Rich Spirit and released last year as “Blknws: Terms & Conditions.” In this longer and more structured form, what began as an intentional scattering of ashes becomes an elegiac letter home mediated by shipwreck. Joseph weaves together an imaginary “Transatlantic Biennial” and W.E.B. Dubois’ “Encyclopedia Africana” — a project that Henry Louis Gates Jr. and Kwame Anthony Appiah transformed into a book, which Joseph’s father had given his brother before they passed. In this way, the film becomes a manifesto for alternate destinies within the Black experience, and a semi-formal goodbye letter to the delusional but politically expedient optimism of the 2010s, wherein the end of the neoliberal order becomes a gateway to renewed self-possession and agency. Since our grief is less of a ready-made commodity lately, we can reorient it around ourselves, a little safer and more sovereign from the gnawing public gaze. And we can be more honest about its paces and paths in that more autonomous landscape. “Blknws” arrives how a successful jazz album does, belligerently inconclusive about the next stylistic leaps the music might make but clearly in the process of launching in that unknown or unspeakable (perhaps secret) direction. The film is agitation made vivid and precise in the dialectic between theorized “Black Study” and practical applications of Black marronage, where we realize that big disembodied ideas are no more sophisticated than what can be danced and gestured at and spoken in our real and virtual conversations. Here, the multiverse becomes one transcendental, transatlantic consciousness where past and present, life and afterlife, blur the way they do in Joseph’s interpretation of “Until The Quiet Comes” to give us a film with a song-like hook and an album’s non-sequitur whimsy.

The underwater study of Funmilayo Akechukwu (Kaneza Schaal) located in the hold of the ship.

Movie still from Kahlil Joseph’s film “Blknws: Terms & Conditions.” The underwater study of Funmilayo Akechukwu (Kaneza Schaal) located in the hold of the ship.

(Courtesy Rich Spirit / BLKNWS©)

Over the last several months, I’ve discussed with Joseph what might become of the momentum propelling “Blknws: Terms & Conditions,” after the film’s run, as speculators enclose searching for clues and stake in his next project. He’s considered its potential evolution into a media company, a real paper, a production house, a series of related films, or a hybrid of all of these endeavors. Alongside his experience on all sides of the art world, he has an acute awareness of the wayward state of print and digital culture, writing and production, the constant closure or downsizing of veteran media outlets, the aftermath of diversity fever in the form of shrinking major magazines often starting with those who cover culture explicitly, the mass turn toward brand-name digital platforms that become extractive monopolies and diminish what can be covered and produced as writers and artists are overworked, understaffed and undervalued. Galleries are also closing and downsizing, and films that don’t oblige the content farm aren’t solicited as readily as influencer-helmed or easily digestible projects that can be played as background noise for scrolling.

After a screening last December of “Blknws: Terms & Conditions” at 2220 Arts + Archives, a space I co-curate, the rapt audience of local cinephiles seemed eager for some magic-bullet insight into Joseph’s path to creative breakthrough and relative creative freedom. Rather than hacks and shortcuts, he shouted out collaborators and inspirations — Wales Bonner, who hand-stitched garments for the film’s Ghana-based scenes; British composer Klein, who helped score the film; Joseph’s time in Brazil, where his father was from and where he went to high school. Sensibility and natural eclecticism, rather than unchecked ambition, is what propels Joseph; he has an innate knack for assembling bands and ensembles, good taste and good timing.

Kahlil Joseph with friends at the screening of “Blknws: Terms & Conditions.”

Kahlil Joseph with friends at the screening of “Blknws: Terms & Conditions.”

Guest at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

Guests at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

Guests at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

Guests at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

Guests at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

The audience at Kahlil Joseph's screening of “Blknws: Terms & Conditions”

“I found the encyclopedia at the Underground,” he explains, of the DuBois work that became central to “Blknws.” “It seemed no one had looked through it, as if my dad and brother left it for me in the future.” And instead of ruminating on the weight of that inheritance, he integrates it into his film, whose refrain-as-question is do you remember the future? As if his father and brother are awake in some scenes, asking him to remember. Another resurrection. “I just want to make films,” Joseph reaffirms as a personal coda when the questions get too meta or abstract, never conflating the material conditions of the craft with the magical thinking that can unfold in scripts and on screen. Most everyone in attendance at 2220 seemed to be there to meet or support one of their favorite artists, one of the devout purists of our time who manages to remain that without getting smug, lazy or feral, all common pitfalls.

Last October, I gave Joseph a copy of Hemingway’s “A Moveable Feast,” which I’d just finished reading myself for the first time. I was impressed to the point of restlessness with the authority of Hemingway’s memory, his recall; it’s one of those books you wanna throw at the wall and absorb word for word at the same time. Hemingway seemed to effortlessly savor and store every detail of his days, while remaining agile and present enough within them to focus on writing one true thing after another, in his daily sessions at the typewriter, as if possessing two coterminal minds and the capacity to access or silence both at will. A juggler too advanced for the circus, language’s great folk hero. Joseph is kind of like this, capable of intense simultaneous focus on both creative and mundane tasks without complaint, and he took to the book as I expected he might, sharing my sense of awe over the writer’s command of time and scene. They are both among the artists who have a polite way of making those around them feel like a team and want to work a little harder and little less aggressively (more communally) at the same time. Editors at his post-production studio have come from all over the country to work with him based on that leadership.

Joseph’s next feature, he suggests, will certainly be more narrative, more of a linear beginning-middle-end story, more Hemingway-esque in its commitments to the blunt daily reality that “Blknws” blurs with Black myth. He and his family have sacrificed unquantifiably in effort to defy stale archetypes and outdated patterns of art practice, and it might be his time or turn to be reciprocated for having endured those risks, time to give his family unequivocal and vivid afterlives on and off screen.

Portrait of filmmaker, Kahlil Joseph

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Cause of death for Martin Short’s daughter Katherine revealed

A cause of death has been determined for Martin Short’s daughter Katherine, who took her own life in February.

She died Feb. 23 from a gunshot wound to the head, according to the Los Angeles County medical examiner’s database, which listed her case under her legal name, Katherine Hartley.

Her death was confirmed by her family in a statement to The Times two days later.

“It is with profound grief that we confirm the passing of Katherine Hartley Short,” the family said. “The Short family is devastated by this loss and asks for privacy at this time. Katherine was beloved by all and will be remembered for the light and joy she brought into the world.”

The 42-year-old was the eldest of three children adopted by the “Only Murders in the Building” star and his wife, actor Nancy Dolman. Dolman died of ovarian cancer in 2010, 30 years after marrying her husband. Martin Short’s sons are Oliver and Henry.

Hartley, whose body was found at her Hollywood Hills home by L.A. County Fire Department paramedics, legally applied for a name change in 2012 because of her famous father’s public persona.

“My father is a public figure. I am a social worker. I am concerned about potential harassment from future patients resulting from my association with my father,” she wrote in her name-change application, which was filed in October 2012 and approved Jan. 25, 2013.

After obtaining a bachelor’s degree in psychology and gender studies from NYU in 2006, she followed up with a master’s in social work from USC in 2010, People reported. In addition to having a private practice, she worked part time at Amae Health, a Los Angeles clinic providing mental health and psychiatric care, the outlet said. Suicide attempts and ideation are among the conditions the clinic says it specializes in treating.

The death certificate for Katherine Elizabeth Hartley, which was obtained by TMZ, includes a field denoting how the injury occurred. It reads, “shot herself.” According to the outlet, a note was found at the scene.

Martin Short has been hit with horrible news multiple times in recent months. In addition to his daughter, Short’s longtime pal Catherine O’Hara died Jan. 30 after battling rectal cancer and friends Rob and Michelle Reiner were killed in December.

Times staff writer Malia Mendez contributed to this report.

Suicide prevention and crisis counseling resources

If you or someone you know is struggling with suicidal thoughts, seek help from a professional and call 9-8-8. The United States’ first nationwide three-digit mental health crisis hotline 988 will connect callers with trained mental health counselors. Text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.

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Lakers are searching for some much-needed consistency

Welcome to the Lakers newsletter, where we dive into the noise surrounding them and how they are trying to ignore it and where we get to see the softer side of LeBron James when it comes to his daughter, Zhuri.

The noise has become deafening amid an uneven stretch of play as the Lakers head toward the final drive of the NBA season.

All things Lakers, all the time.

The noise has only grown as the Lakers search for their consistency and cohesion so late in a season.

Injuries have played a part in their up-and-down play, but so has their subpar play at times.

They are 3-3 since the All-Star break, having lost three consecutive games at one point during this period.

They were ranked 17th in the league in defensive rating (114.2) during this stretch, which is in line with their defensive rating for the season that’s near the bottom at 22 (116.3).

Perhaps the best way to describe these Lakers was provided by Rui Hachimura.

“I think when we play good, like really good, we [are] looking like a championship team, you know,” Hachimura said. “But when we [are] not, like we have a lot of time that we [are] not, then we look like we’re just literally [an] out-of-a-playoff team…At the time we have to kind of have to focus. It’s a long season, you know, it’s just a long season.

“We have a lot of injured guys, in and out, so we have a different rotation, different kind of starting lineup, whatever. But I think we have to focus on that part. We have to play together, playing hard, and those are gonna be really good for us. Staying consistent and we can look like a championship team all the time.”

It’s just that when the Lakers lose games, they lose big, by wide margins, and that has made the noise grow.

In the last few days, coach JJ Redick has used the phrase, “the world is falling for us 19 times,” when they have lost.

Redick is referring to how those 19 losses have been by double digits, the latest a 22-point spanking by the Boston Celtics last week that started the Lakers on a three-game skid. They have lost 24 games on the season.

“We haven’t had the consistent level of effort and execution,” Redick said. “That’s kind of been the thing all season [is] to really establish that identity. But I’m confident we will.”

The Lakers have 22 games left to find it.

They are sixth in the Western Conference and are looking to move up.

“Obviously we didn’t start good [out of the All-Star break], but nothing is over,” Luka Doncic said. “We just got to keep bringing the mindset of trying to win every game.”

Girl’s Dad

NEW YORK, NY - SEPTEMBER 04: Athlete LeBron James, recepient of Icon 360 Award and daughter Zhuri James.

LeBron James with his daughter, Zhuri, eight years ago.

(Steven Vlasic / Getty Images)

He was simply a girl’s dad spending time with his daughter at his place of work, all part of a family outing in the San Francisco area.

When LeBron James finished his pregame routine before the Lakers played the Golden State Warriors on Saturday at Chase Center, his 11-year-old daughter, Zhuri, joined him on the court.

She stood at the free-throw line and tossed up an overhead shot that banked in for a basket. The crowd watching applauded, drawing a smile from dad and daughter.

Zhuri capped her time with dad by throwing a lob pass that James dunked while hanging on the rim. The two did their own handshake.

After the game, James beamed talking about spending time with Zhuri. He talked about taking her to Alcatraz, the Golden Gate Bridge and having dinner Friday night.

“I miss a lot of moments spending time with my kids because of my career. Over the course of my career, any time I got moments with them either individually, two of them, three of them all together, whatever the case may be, it’s always special for me,” James said.

“So, to have my daughter want to come on the road and and be with me [is special]. And spent a lot of time yesterday. We went to Alcatraz. She wanted to go to Alcatraz. We saw Alcatraz, saw the Golden Gate Bridge, we went to dinner last night. So, I spent a lot of time. It was pretty cool. It was awesome.”

Zhuri plays volleyball, but she displayed some deft handles while dribbling the basketball.

But make no mistake, James said, she is a volleyball player through and through. Besides, James said, wife Savannah already has a husband who plays for the Lakers, son, Bronny, who plays for the Lakers and son, Bryce, redshirting on Arizona’s basketball team.

“She’s a volleyball player. Don’t get my wife mad. My wife is done with this basketball….” James said, laughing. “She’s done with it. She’s a volleyball player. But she’s been around the game for a while, so she does got good handles. She got a good form, too. But my wife ain’t playing that. Not another one. She said that’s it. That’s it.”

After they were done during their pregame activities, James and Zhuri walked off the court holding hands.

The girl’s dad beamed.

“It’s special. It’s special. It’s definitely softened me up over the last 11 years,” James said. “I had two boys to begin with, but getting a little girl 11 years ago, man, it’s definitely softened me up. So, it’s special to have her. You know, it’s a different type of love.

“If anybody got girls and boys, it’s a different type of love that you [share]. It’s tough love when it comes to my boys. I yell at them and stuff, whatever. They take it. They know how to approach it. It’s different. It’s a little softness with my daughter. So, it’s pretty cool.”

Besides All-Star games, James said it was the first time Zhuri had gone on a trip with him.

The Lakers beat the Warriors too.

“She’s a good luck charm,” James said.

Austin Reaves was sitting next to James in the locker room listening to James.

“She’s going to Denver,” Reaves said.

The Lakers play at Denver Thursday night.

“Uh don’t say that too loud, because she’ll definitely be like, ‘Dad, can I go to Denver?’” James said, smiling. “She already said, ‘When is the next road trip?’”

Redick has two boys, Knox, 11, and Kai, 9, and he can appreciate having that family time, especially when the Lakers spend so much time traveling and having games that take them away.

So, seeing Zhuri and James together was a moment Redick enjoyed.

“Yeah, Zhuri, she rode on the plane back just last night,” Redick said after the game Saturday night. “That was fun for her…[Lakers assistant coach] Scotty [Brooks] has talked a lot about this with me and a number of coaches have. It’s one of the greatest gifts we get. We get to expose our kids to this beautiful sport and this beautiful league.”

On Tap

Tuesday vs. Pelicans (19-43), 7:30 p.m.

Zion Williamson, who had played in his NBA-best 35 straight games, missed the Clippers game Sunday because of a right ankle injury and is listed as day to day.

Thursday at Denver (37-24), 7 p.m.

The Nuggets and Lakers are neck-and-neck for the fifth and sixth spots, respectively, in the West, with Denver at No. 5. All-Star center Nikola Jokic leads the NBA in triple-doubles with 24, averaging 28.8 points (sixth in the league), 12.6 rebounds (first) and 10.5 assists (first).

Friday vs. Indiana (15-46), 7:30 p.m.

The Pacers have the worst record in the Eastern Conference and are in the midst of a six-game losing streak.

Sunday vs. New York (39-22), 12:30 p.m.

Knicks All-Star guard Jalen Brunson is tied for ninth in the league in scoring (26.7). The Knicks are a very good defensive team, holding teams to 111.1 points per game, the fifth-best mark in the league.

In case you missed it

Luka Doncic and LeBron James power Lakers to another rout against last-place Kings

Luka Doncic and Lakers dominate Curry-less Warriors to halt losing streak

Lakers hire former Virginia coach Tony Bennett as a draft advisor

New Lakers executive Lon Rosen discusses increased ticket prices, Magic Johnson

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

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Paramount-Warner Bros. Discovery deal stirs fears of mass layoffs

Four days after the stunning news that Paramount Skydance would acquire Warner Bros. Discovery, Paramount executives tried to calm fears that the blockbuster deal would result in massive layoffs.

In a call Monday, Paramount Chief Strategy Officer and Chief Operating Officer Andy Gordon told Wall Street analysts that $6 billion in merger “synergies” would come from “non-labor sources” and not a “reduction in production capacity.”

Instead, Gordon said, the company would reduce costs by consolidating its streaming technology and cloud providers, finding marketing efficiencies and “optimizing the combined real estate footprint,” likely an allusion to widely anticipated plans that the new owners will consolidate operations around the Warner Bros. lot in Burbank.

Efficiencies aside, most Hollywood observers — including people who are familiar with Paramount Skydance Chief Executive David Ellison’s plans — predict that Paramount will be forced to make large-scale layoffs in order to offset the enormous costs of the mega-deal, which is valued at more than $111 billion (counting debt).

It’s a reasonable expectation, at least if history is any guide.

Many at Warner dread the kinds of cuts seen after Walt Disney Co. bought most of 21st Century Fox’s assets, resulting in thousands of layoffs as the two companies combined operations and shed redundant jobs.

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In the case of Warner-Paramount, the new company will have two film and TV studios, as well as two streaming businesses, two legal departments, two marketing departments and so on. It’s doubtful these overlapping functions will survive budget cuts.

Already, consolidation plans are underway.

This week Paramount announced it would combine the two streaming services — Paramount+ and HBO Max — to reach a total of more than 200 million subscribers and better compete against the behemoth Netflix, which boasts 325 million subscribers worldwide.

Ellison was full of praise for the HBO team on Monday’s analyst call, saying the premium service was a “crown jewel” and that it will “continue to have the resources and independence to do what it does best.”

He also reiterated that there is “no intention to pull back on production,” and that the company intends to make 30 films a year — 15 apiece from Paramount and Warner Bros.

“We have all the economic incentives to make sure that we grow this business and are going to invest in content to basically achieve those goals,” Ellison said Monday.

But this deal also includes $79 billion in net debt — a staggering load that overshadows even that of the merger that resulted in Warner Bros. Discovery. That amount became an albatross around that company’s neck and led to waves of layoffs.

“What everybody’s hoping is that the noise that’s being made around prioritizing content will hold true,” said Kevin Klowden, a Milken Institute fellow focused on entertainment and technology. “But until they see that happen, it’s really a question.”

Further job losses would be a blow to an industry that has been reeling from a steady drumbeat of job cuts fueled by media consolidation, dwindling streaming profits and the migration of film and TV jobs to cheaper states and countries.

Paramount executives have said the deal is expected to close in the fiscal third quarter of this year, and Ellison said he was “absolutely confident” they will meet that goal, based on conversations with regulators.

Despite support from the Trump administration, the acquisition is not yet final. Already, California Atty. Gen. Rob Bonta said he was in communication with other states’ attorneys general about challenging the merger on antitrust grounds, saying it wasn’t a “done deal.”

And on Monday, Rep. Sam Liccardo (D-San José), Sen. Elizabeth Warren (D-Mass.) and Sen. Richard Blumenthal (D-Conn.) called on Atty. Gen. Pam Bondi and White House Chief of Staff Susie Wiles to provide details of their conversations about the merger with Ellison and Netflix co-Chief Executive Ted Sarandos, highlighting the role of politics in the auction.

Paramount plans to keep the two studios separate for now, though company executives have discussed combining operations at the Warner Bros. Burbank lot at some point, according to sources close to Paramount who were not authorized to speak publicly. That could mean a wind down at the historic Paramount lot on Melrose Avenue — and more job losses.

The anxiety over looming cuts is especially deep inside Warner, where staff are still trying to process the news, according to people I spoke with. They noted that when Netflix was the winning bidder, co-Chief Executives Sarandos and Greg Peters came to the Burbank lot and spoke with several hundred of Warner’s senior leaders and outlined their plans, giving staff more clarity about a future under their ownership. No such conversations have occurred with the Paramount team, they said.

“I think genuinely, everyone’s nervous and a little uneasy,” said one Warner Bros. Discovery employee. “With the Netflix option, people had become a little more hopeful. But this outcome is a little more frightening for the staff.”

Stuff We Wrote

Film shoots

Number of the week

sixty-four point one million dollars

After 30 years, the Ghostface killer has still got it. Paramount Pictures and Spyglass Media Group’s “Scream 7” topped the box office this last weekend with $64.1 million in the U.S. and Canada, marking a franchise-best domestic opening. Globally, the film made $97.2 million.

The film centered on original franchise actors Neve Campbell and Courteney Cox, and featured numerous callbacks to the previous movies.

But the film’s debut did not come without controversy. Pro-Palestinian groups protested outside the “Scream 7” premiere on the Paramount lot last week and called for a boycott of the film after franchise star Melissa Barrera was fired more than two years ago for her comments on the Israel-Hamas war.

What I’m watching

On Sunday, I watched the UCLA women’s basketball team dominate USC in what I think is one of the best college rivalries out there (though I’m probably biased. Go Bruins!)

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Ulysses Jenkins, L.A.-born godfather of video art, dies at 79

Ulysses Jenkins, the pioneering Los Angeles-born video artist whose avant-garde compositions embodied Black experimentalism, has died. He was 79.

Jenkins’ death was confirmed by his alma mater Otis College, where he studied under renowned painter and printmaker Charles White in the late 1970s and returned as an instructor years later. The Los Angeles art and design school shared a statement from the Charles White Archive, which said, “Jenkins had a profound impact on contemporary art and media practices.”

“A trailblazing figure in Black experimental video, he was widely recognized for works that used image, sound, and cultural iconography to examine representation, race, gender, ritual, history, and power,” the statement said.

A self-proclaimed “griot,” Jenkins throughout his decades-spanning career maintained an art practice grounded in the tradition of those West African oral historians who came before him. Through archival documentaries like “The Nomadics” and surrealist murals like “1848: Bandaide,” he leveraged alternative media to challenge Eurocentric representations of Black Americans in popular culture.

He was both an artist and a storyteller who sought to “reassert the history and the culture,” he told The Times in 2022. That year, the Hammer Museum presented Jenkins’ first major retrospective, “Ulysses Jenkins: Without Your Interpretation.”

“Early video art was about the problems with the media that we are still having today: the notions of truth,” Jenkins said. “To that extent, early video art was a construct that was anti-media … a critical analysis of the media that we were viewing every night.”

Born in 1946 to Los Angeles transplants from the South, Jenkins was ambivalent about the city, which offered his parents some refuge from the blatant systemic racism they encountered in their hometowns, but housed an entertainment industry that had long perpetuated anti-Black sentiment.

“What Hollywood represents, especially in my work, is the classic plantation mentality,” Jenkins told The Times in 1986. “Although people aren’t necessarily enslaved by it, people enslave themselves to it because they’re told how fantastic it is to help manifest these illusions for a corporate sponsor.”

Jenkins, who participated in a group of artists committed to spontaneous action called Studio Z, was naturally drawn to video art over Hollywood filmmaking. “I can address any issue and I don’t have to wait for [the studios’] big OK. I thought this was a land of freedom, and video allows me that freedom and opportunity that I can create for myself and at least feel that part of being an American,” he said.

Jenkins went on to deconstruct Hollywood’s vision of the Black diaspora in experimental video compositions including “Mass of Images,” which incorporates clips from D.W. Griffith’s notoriously racist “The Birth of a Nation,” and “Two-Tone Transfer,” which depicts, in Jenkins’ words, a “dreamscape in which the dreamer awakens to a visitation of three minstrels who tell the story of the development of African American stereotypes in the American entertainment industry.”

Jenkins’ legacy is not only artistic but institutional, with the luminary having held teaching appointments at UCSD and UCI, where he co-founded the digital filmmaking minor with fellow Southern California-based artists Bruce Yonemoto and Bryan Jackson.

As artist and educator Suzanne Lacy penned in her social media tribute to Jenkins, which showed him speaking to students at REDCAT in L.A., “he has been an important part of our histories here in Southern California as video and performance artists evolved their practices.”

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