los angeles times

PHILADELPHIA — Jordan Walker silenced Philadelphia’s boo birds by homering on his last six swings, chasing down Phillies slugger Kyle Schwarber in the final round and becoming the first St. Louis Cardinal to win the MLB All-Star Home Run Derby on Monday night.

Schwarber hit 11 homers during his 15-swing turn in the final round. Philadelphia, fans, who loudly booed everyone but Schwarber and Bryce Harper throughout the night, quietly headed to the exits when Walker’s winning shot soared over the left field wall.

“I was once told you don’t boo nobodies,” Walker said. “So it feels pretty good.”

Schwarber advanced out of the first round and then beat Boston’s Willson Contreras in a head-to-head matchup in the second round to face off against Walker, a 24-year-old who beat Tampa Bay’s Junior Caminero in Round 2.

Schwarber, the major league home run leader, had fans roaring on every swing.

Swinging away with the top button on his Cardinals jersey undone, the 24-year-old Walker seemed nonplussed by the jeers and the massive stage during All-Star festivities.

“He earned it,” Schwarber said.

Walker chewed a big wad of bubble gum and wore his cap backward just like Hall of Famer and derby great Ken Griffey Jr. He celebrated with his family immediately on the field, while his father rejoiced in recalling how Walker started hitting long home runs when he was 6 years old.

He fulfilled this childhood dream in dramatic fashion. Walker hit his seventh homer with two swings remaining and his eighth on the next swing to earn bonus swings. Needing to hit four straight homers to win, the right-handed-hitting Jordan knocked one off the top of the center field fence 401 feet away. He reached 10 homers, and Philadelphia fans booed with all their might, only for Jordan to finish the sensational surge and celebrate as fireworks shot off around him.

“That was impressive,” said Schwarber, a runner-up for the second time.

Walker is a first-time All-Star for the Cardinals having a breakout season. He has a career high 22 homers after struggling with a combined 11 over the previous two years.

Those final six in Philadelphia are now stamped on the derby highlight reel.

Revamped Derby format delivers drama

MLB ditched its timed clock and returned to a swing format, with each hitter continuing to swing if he went deep on his final one.

The extra time between swings gave hitters time to track their home runs — and Philadelphia a smidge more time to unleash those throaty boos at Contreras and Walker.

Each player had 20 swings in the first round and the top four advanced. Hitters were seeded for the second round, where No. 1 faces 4 and 2 meets 3.

Each player got 15 swings in the second round, with batters homering on their final swings continuing until they fell short.

Gelston writes for the Associated Press.

Tom Segura and Christina Pazsitzky have reportedly split.

The comedy power couple are calling it quits after 18 years of marriage, according to TMZ. A source told the outlet that the pair separated a couple of months ago but remain amicable and plan to continue co-hosting their podcast, “Your Mom’s House.”

Reps for Segura and Pazsitzky did not immediately respond to The Times’ request for comment.

Segura, 47, and Pazsitzky, 50, tied the knot in November 2008. Segura told “TigerBelly” podcast in 2018 that he met Pazsitzky while they were both doing open mic nights around Los Angeles. She was in a relationship with someone else (whom she lived with), so Segura and Pazsitzky were just friends. According to Segura, there was no flirtation in the early days, and he treated her with the respect he did any other fellow comic.

“I always thought she was attractive, but she was taken,” he said. “And then I got the call from one of my spies. … They broke up. And I was like, ‘I’m gonna swing in there, see what’s up.’”

According to Segura, he tried to ask Pazsitzky on what he thought was an L.A.-appropriate date — a hike — and she said no. He thought that meant she wasn’t interested in him, when, really, she just wasn’t interested in hiking.

“I called her the next time, and she’s like, ‘Hey, I know this bar you can still smoke at. Do you want to go there?’ And I was like, ‘OK. This is why she doesn’t want to go on a hike.’ So then, yeah, we went on dates and it just continued.”

Both comedians have used their marriage as source material for their comedy routines over the years and discuss their relationship on various podcast appearances, but especially on their own podcast, “Your Mom’s House,” which debuted in 2012.

In 2024, Pazsitzky told The Times that when they launched the podcast “we lived in a crummy two-bedroom apartment, we were newlyweds and we had no money. We got a mixing board, two mics and a computer, and at that point, we slept in one room and used the other room as an office. It bordered this other house where this lady would cook the smelliest food and have aggressive sex.”

“Oh, yeah, she was newly divorced and very performative with orgasms too,” Segura added.

The couple, who have two children, also spoke about their relocation from Los Angeles to Austin, Texas, in search of a slower pace and easier travel while touring. “Our lives are very normal, and we’re grounded family people. At the end of the day, we come home, our kids fart on Tom’s head, and I make dinner.”

COLLEGE PARK, Ga. — Angel Reese had 23 points and 13 rebounds for her WNBA-leading 16th double-double of the season, Allisha Gray added 20 points, and the Atlanta Dream beat the Sparks 101-92 on Monday night.

Gray made Atlanta’s first field goal of the fourth quarter with 4:07 remaining to tie it at 87. Then, Reese got a friendly roll on her third made three-pointer of the season to make it 90-87 and she added two free throws on the next possession for a five-point lead. Jordin Canada capped the 9-0 run for a 94-87 lead.

Canada finished with 16 points and Rhyne Howard added 11 for Atlanta (14-10), which had lost six of its last seven games. Reese, who missed Saturday’s game against Portland, was seven for 11 from the field and made all eight of her free throws in 32 minutes.

Erica Wheeler scored 20 points, Nneka Ogwumike added 19 and Rae Burrell had 18 for the Sparks (10-12). Cameron Brink (left ankle) missed her eighth straight game and Kelsey Plum (lower left leg) missed her sixth straight.

Up next for Sparks: at Minnesota on Wednesday.

LAS VEGAS — The Lakers signed free-agent forward Ziaire Williams to a one-year, $3-million deal on Monday, people not authorized to speak on the matter publicly confirmed to The Times.

Williams, 24, was available after the Brooklyn Nets declined his team option of $6.25 million, making him an unrestricted free agent.

The 6-foot-9 Williams gives the Lakers an athletic wing player. He averaged a career-high 10.2 points last season in 56 games, 13 as a starter.

He shot 42.5% from the field and 34.3% from three-point range.

NBA scouts who requested anonymity to speak candidly on the matter said Williams is athletic but hasn’t figure out his game yet. He’s seen as an inconsistent three-point shooter.

Williams, who attended Sierra Canyon High with Bronny James and Stanford, gives the Lakers a maximum 15 roster players.

Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.

And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”

Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”

Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.

Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.

When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.

Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.

“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.

Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”

(Evelyn Freja / For The Times)

During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.

“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”

“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.

She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.

Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.

“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”

As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”

Like her heroines, no one tells Knoll what to do. Unless she gives the OK.

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

Dodgers swept by Diamondbacks

From Maddie Lee: The Dodgers needed to turn things around Sunday to wrap up the first half on a high note. Manager Dave Roberts said as much the night before.

“When you give teams free bases, extra outs, it’s hard to win a game, regardless of the opponent,” he said. “Emmet [Sheehan] needs to go out there and throw the baseball well tomorrow. We’ve got to find a way to win a game tomorrow to feel somewhat better about going into the break.”

Instead, the Dodgers fell to the Arizona Diamondbacks 5-3, swept for the first time this season. It was Arizona’s first sweep at Dodger Stadium since September 2017.

Perhaps the break is coming at a good time.

“I guess,” Roberts said. “Gives guys a reset. … We’ve got some good teams coming up and we’ve got to play good baseball.”

Sheehan at least did his job, holding the Diamondbacks to three runs in 5⅓ innings. It was clear from the first at-bat that his pitch count could limit how deep he pitched into the game. Sheehan won a 14-pitch battle to strike out Ketel Marte.

The right-hander then struck out the side and was efficient enough to pitch into the sixth. He exited after his pitch count reached 101.

Continue reading here

Dodgers box score

MLB standings

World Cup: Seven reasons the U.S team always loses

From Kevin Baxter: Before this summer’s World Cup, FIFA asked the 48 participating teams to provide a list of songs to be played during warmups and goal celebrations and, if appropriate, after victories. On the U.S. list was John Denver’s “Take Me Home, Country Roads,” which quickly became the anthem of the team’s run through the tournament.

A more appropriate choice would have been the Buzzcocks’ “Sixteen Again,” because once again that’s where the Americans’ World Cup ended.

In the round of 16. Again.

This was supposed to be the year the U.S. broke through. With a roster full of players from major European teams and 13 who were World Cup veterans, a lack of quality and experience no longer were valid excuses.

And that should force U.S. Soccer into a major, systemic evaluation of what went wrong and how it can be fixed.

Continue reading here

How VAR, a system designed to correct errors, became this World Cup’s biggest villain

News Analysis: Mexico wins back fans but is still searching for ways to pass familiar World Cup wall

World Cup semifinals schedule

All times Pacific
All games on Fox and Telemundo

Tuesday
France vs. Spain, noon

Wednesday
England vs. Argentina, noon

Third-place match

Saturday, 2 p.m.

Championship match

Sunday, noon

Sparks fire their general manager

From Iliana Limón Romero and Marisa Ingemi: The Sparks’ ownership made a major shift in direction on Sunday, firing general manager Raegan Pebley amid a lackluster season that has the team just below the WNBA playoff cutoff line and far from the title-contending form Pebley promised.

Assistant general managers Zach Knowlton and Nate Nielsen will split interim GM duties, the team announced.

“We are grateful to Raegan for her leadership and commitment to the Los Angeles Sparks and women’s basketball,” Sparks managing partner and governor Eric Holoman said in a statement. “Her work on the Sparks roster and player experience will have a lasting positive impact on our organization. We sincerely thank her for all she has invested in the Sparks and wish her success in her next chapter.”

The Sparks (10-11) sit in ninth place in the WNBA standings, one removed from the last playoff spot. The team is coming off back-to-back wins over the Chicago Sky and Indiana Fever, which followed a three-game losing streak.

Continue reading here

Dearica Hamby’s relentless effort and loyalty helped her retain key role with Sparks

Angels lose to Rangers

Trevor Larnach homered and drove in two runs, Ryan Jeffers added a two-run double, and the Minnesota Twins beat the Angels 4-2 on Sunday and head into the All-Star break with eight wins in their last nine games.

Larnach’s single in the third inning scored Luke Keaschall, tying the score at 1. Jeffers followed with a double that knocked in Ryan Kreidler and Larnach for a 3-1 lead.

Larnach added a 405-foot homer to right in the eighth inning, his seventh of the season, as the Twins (48-49) won their fifth straight series.

Josh Lowe and Denzer Guzman hit solo home runs for the Angels (38-59), who dropped their fourth straight series. Lowe’s eighth of the season came in the second inning, and Guzman added his fourth in the seventh inning.

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Shaikin: Angels could’ve picked any pitcher in America last year. Their pick Tyler Bremner endures

Angels box score

MLB standings

Jannik Sinner wins Wimbledon men’s title

Jannik Sinner is starting to make a habit of responding to adversity in Paris with titles at Wimbledon.

The top-ranked Sinner beat Alexander Zverev 6-7 (7), 7-6 (2), 6-3, 6-4 Sunday for his second consecutive title at the All England Club after his German opponent appeared bothered by a knee injury following a slip to the grass on a key point in the third set.

Sinner’s fifth Grand Slam title came in his first tournament since a second-round meltdown at the French Open, when he wilted in a Paris heat wave.

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This day in sports history

1881 — William Renshaw sets the record for the shortest men’s championship match by time and games by beating John T. Hartley 6-0, 6-1, 6-1 in 37 minutes at Wimbledon.

1941 — The PGA tournament is won by Vic Ghezzi with a 1-up 38-hole victory over Byron Nelson at Cherry Hills CC Denver

1968 — Gary Player wins the British Open by two strokes over Bob Charles and Jack Nicklaus. It’s the second Open championship for Player and his fifth major title.

1972 — Robert Irsay buys the stock of the Rams for $19 million and swaps the franchise for the Baltimore Colts. The players and coaches are not affected.

1980 — Amy Alcott shoots a record score of 280 to win the U.S. Women’s Open by nine strokes over Hollis Stacy.

1994 — Tonya Harding’s ex-husband Jeff Gillooly is sentenced to two years in prison for attack on American Olympic figure skater Nancy Kerrigan.

1996 — Cigar matches Citation’s modern North American record of 16 consecutive wins, pulling away to take the $1.05 million Arlington Citation Challenge by 3½ lengths.

1997 — Alison Nicholas holds off Nancy Lopez for a one-stroke victory in the U.S. Women’s Open. Nicholas shoots a 72-hole total of 10-under 274, the most under par in the 52-year history of the event.

2003 — Beth Daniel becomes the oldest winner in LPGA Tour history, birdying the final two holes to beat Juli Inkster by a stroke in the Canadian Women’s Open. At 46 years, 8 months and 29 days, Daniel breaks the age record set by JoAnne Carner in 1985.

2011 — Abby Wambach breaks a tense tie with a thunderous header in the 79th minute, and the United States earns its first trip to the Women’s World Cup final since winning it in 1999 with a 3-1 victory over France. Japan upsets Sweden 3-1 in the other semifinal.

2014 — Mo Martin hits the best shot of her life to become a major champion in the Women’s British Open. Martin hit a 3-wood that hit the pin on the par-5 closing hole at Royal Birkdale, settling 6 feet for an eagle. Martin closes with an even-par 72 and finishes at 1-under 287 for a one-shot win over Inbee Park and Shanshan Feng.

2014 — Mario Goetze volleys in the winning goal in extra time to give Germany its fourth World Cup title with a 1-0 victory over Argentina.

2017 — Venus Williams reaches her ninth Wimbledon final and first since 2009, turning in her latest display of gutsy serving to beat Johanna Konta 6-4, 6-2. At 37, Williams becomes the oldest finalist at the All England Club since Martina Navratilova was the 1994 runner-up at that age. She also stops Konta’s bid to become the first woman from Britain in 40 years to win Wimbledon. In the opening semifinal, Garbine Muguruza overwhelms Magdalena Rybarikova of Slovakia 6-1, 6-1 in just over an hour.

2019 — Wimbledon Women’s Tennis: Simona Halep beats Serena Williams 6-2, 6-2 in just 55 minutes; first Romanian to win a Wimbledon singles title.

Compiled by the Associated Press

This day in baseball history

1896 — Philadelphia’s Ed Delahanty hit four home runs in a losing effort, a 9-8 loss to Chicago.

1934 — Babe Ruth hit his 700th home run in a 4-2 victory over Tommy Bridges and the Detroit Tigers. Lou Gehrig left in the first with a severe case of lumbago, the most serious threat to his streak. He returned for one at bat the next day.

1943 — The first night game in All-Star history, at Philadelphia’s Shibe Park, went to the AL, 5-3, despite a single, triple and home run by NL center fielder Vince DiMaggio of the Pittsburgh Pirates. The big blow was a three-run homer by Bobby Doerr of the Boston Red Sox, which gave the AL the lead for good.

1945 — Chicago’s Pat Seerey hit three home runs, a triple and drove in eight runs to lead the White Sox in a 16-4 win over New York at Yankee Stadium.

1954 — Pitcher Dean Stone did not retire a batter but received credit for the AL’s 11-9 All-Star victory at Cleveland’s Municipal Stadium. Red Schoendienst tried to steal a run for the NL after Stone was summoned in the eighth inning, but the pitcher’s throw to the plate nailed the runner for the third out.

1963 — Early Wynn, at 43, registered his 300th and last victory, pitching the first five innings of Cleveland’s 7-4 triumph over the Kansas City A’s.

1965 — The NL took the lead over the AL for the first time since the All-Star series began, winning 6-5 at Metropolitan Stadium in Bloomington, Minn.

1971 — Reggie Jackson’s mammoth home run off the power generator on the right-field roof at Tiger Stadium highlighted a barrage of six homers — three by each team — as the AL beat the NL 6-4 in the All-Star game.

1982 — The NL registered its 11th consecutive All-Star victory over the AL with a 4-1 victory at Montreal’s Olympic Stadium, the first All-Star game played outside the United States. Dave Concepcion’s two-run homer off Dennis Eckersley in the second inning was the deciding hit.

1993 — Minnesota’s Kirby Puckett homered and doubled to win the MVP award in the AL’s 9-3 victory in the All-Star game at Camden Yards in Baltimore.

1999 — Boston’s Pedro Martinez pitched himself into the All-Star game record book, becoming the first to strike out the first four hitters in an All-Star game, fanning Barry Larkin, Larry Walker and Sammy Sosa in the first inning, and Mark McGwire to start the second. Martinez struck out five in the first two innings — tying an American League record — to lead the AL to a 4-1 victory over the National League.

2010 — Brian McCann’s three-run double in the seventh inning provided the NL all the offense it needed to capture its first Midsummer Classic since 1996 with a 3-1 victory.

2013 — Tim Lincecum threw the second no-hitter in 11 days, a gem saved by a spectacular diving catch by right fielder Hunter Pence in the San Francisco Giants’ 9-0 win against the last-place San Diego Padres. Lincecum, a two-time Cy Young Award winner, was the loser when Cincinnati’s Homer Bailey no-hit the Giants on July 2.

2014 — Madison Bumgarner became the first pitcher in 48 years to hit two grand slams in a season, and Buster Posey also hit a slam that boosted San Francisco to an 8-4 win over Arizona.

2021 — The American League wins the 91st All-Star game with a 5-2 win over the National League for their eighth straight win.

2022 — The Blue Jays, who had entered the season with sky-high expectations, fire manager Charlie Montoyo after the team has lost eight of its last ten games and is now barely ahead of the fifth-place Orioles. Bench coach John Schneider takes over as manager on an interim basis, and Casey Candaele is promoted from triple-A Buffalo to step into the breach left by Schneider on the coaching staff.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Dodgers utility player Kiké Hernández confirmed Friday what he posted as a comment on Instagram: he won’t be going to the White House on July 23, when President Trump will honor the team for its 2025 World Series championship.

Instead, Hernández (strained left oblique) is scheduled to be on a minor-league rehab assignment.

“It’s going to be hard to be in two cities at the same time,” Hernández said. “If I was active, I probably wouldn’t have gone anyways.”

Why?

“I’d rather take a day off than do team activities,” he said.

Last year, Hernández expressed his support for immigrants in Los Angeles on social media amid ICE raids authorized by the Trump administration.

The White House visit will be on a day off in the middle of a nine-game East Coast trip.

“I’m sure a lot of guys are going to participate and be there, and this is an individual choice,” Roberts said. “But I do expect a lot of our guys to be there.”

Scheduling conflicts when the Dodgers played the Nationals in Washington on April 3-5 pushed back the trip.

“This took a long time to get both sides together, and, honestly, like I’ve always said, my company line, my personal line is I hope that we get this invitation every year,” Dodgers manager Roberts said. “Because that’s the goal: to win a championship, to get this invitation to the White House. And I’m not a politician, and I’m doing something that teams have done for decades. And so that’s where I stand, really. I’m a baseball coach. That’s what I do.”

Back in 2019, Roberts suggested that he might not accept an invitation to the White House with Trump in office. But he did attend last year when the Dodgers celebrated their 2024 title.

Roberts said the Dodgers found out earlier this week that the White House visit had been scheduled.

“There was a lot of unknown,” Roberts said. “It’s an off day, and then how could we work this out logistically?”

That set off “a lot of phone calls, texts, and communication internally.”

Hernández’s injury rehab has moved along more quickly than Roberts initially expected. He landed on the injury list in late May after playing in just two games following offseason surgery on his left elbow.

“He looks normal,” Roberts said last weekend. “I’m not saying miraculous, but I’m really in disbelief how well he responded, given the injury.”

The Sparks’ ownership made a major shift in direction on Sunday, firing general manager Raegan Pebley amid a lackluster season that has the team just below the WNBA playoff cutoff line and far from the title-contending form Pebley promised.

Assistant general managers Zach Knowlton and Nate Nielsen will split interim GM duties, the team announced.

“We are grateful to Raegan for her leadership and commitment to the Los Angeles Sparks and women’s basketball,” Sparks managing partner and governor Eric Holoman said in a statement. “Her work on the Sparks roster and player experience will have a lasting positive impact on our organization. We sincerely thank her for all she has invested in the Sparks and wish her success in her next chapter.”

The Sparks (10-11) sit in ninth place in the WNBA standings, one removed from the last playoff spot. The team is coming off back-to-back wins over the Chicago Sky and Indiana Fever, which followed a three-game losing streak.

“There is a united vision from ownership to leadership, and then I think it’s discipline,” Pebley told The Times in an interview before Friday’s game. “I think you can make a lot of mistakes if you use recency bias, and if you become really reactionary. We want to respond to the things that we’re seeing that we want to grow in, but we don’t want to just demonstrate a lack of discipline and quickly react that way.”

The Sparks have won three WNBA titles, the most recent in 2016, but the franchise has not made the playoffs since 2020.

Leading scorer Kelsey Plum has missed two long stretches because of injuries, but the biggest headache for the team for much of the season has been its poor defense.

Under Pebley’s direction, the Sparks hired coach Lynne Roberts and acquired Plum and Nneka Ogwumike, a former most valuable player with the team. Roberts, however, had been the coach at the University of Utah and had no WNBA experience. Despite the team’s struggles, Pebley gave Roberts a vote of confidence on Friday.

Sparks general manager Raegan Pebley, left, speaks during a news conference introducing new guard Kelsey Plum, center. They are joined by Sparks coach Lynne Roberts.

(Ringo Chiu/For The Los Angeles Times)

“She has been all we were looking for and more,” Pebley said. “We wanted someone who had that emotional regulation; she stays neutral. I think the days of a tyrant head coach are over.”

The Sparks’ offseason personnel moves included trading popular first-round draft pick Rickea Jackson to make the roster older, one that Pebley said could better position the team for a title run.

“Loved having her here … she’ll be successful wherever she goes,” Pebley said of Jackson shortly after the trade. “But we’re focused on winning a championship and finding that fit and balance and getting all those pieces locked in with each other.”

Pebley’s other moves included trading the No. 2 pick in the 2025 draft, which became Seattle center Dominique Malonga, for Plum, and trading the Sparks’ first-round pick this year, which became third overall selection Awa Fam, for Kia Nurse and the No. 4 pick in 2024, which the Sparks used to select Jackson.

Instead of demonstrating marked improvement, the Sparks have struggled with consistency, at times showing their potential, as in a win at Las Vegas, a dramatic come-from-behind win against New York on the league’s 30th anniversary and a defensive shutdown of Fever guard Caitlin Clark last week.

With the trade deadline less than a month away, Pebley had expressed excitement about the return of Plum and Cameron Brink.

“Knowing those two are going to be added into a group that’s continued to be able to get better in their absence,” she said, “I think we have a right to be optimistic.”

The franchise found itself in the middle of some controversy with reports that the Sparks were among more than half the players in the league who did not complete their All-Star starter ballots. The ballots were emailed to players, but they reportedly did not see them in time to vote. Plum was not named a starter despite leading the WNBA in scoring at the time votes were cast, although it’s unclear whether full player participation would have altered a decision calculated by combining player, fan and media votes.

“That’s something we take responsibility for as an organization, and we’ll have a more robust process going forward,” the Sparks said in a statement.

Soon afterward, the Sparks’ director of communications left the team.

The Sparks hired Pebley in January 2024 to help the former WNBA champions break out of their playoff drought.

A third-round pick by the Utah Starzz in the WNBA’s inaugural 1997 draft, Pebley was the coach at Utah State (2005 to 2012) and Fresno State (2012 to 2014) before a nine-year stint at Texas Christian, where she led the Horned Frogs to four WNIT appearances in her first five years before stepping down in 2023 as TCU finished 8-23. She was a TV analyst for the Dallas Wings from 2016 to 2023.

WASHINGTON — Sen. Lindsey Graham, one of President Trump’s closest allies in Congress who traveled the globe to advocate for a more aggressive U.S. foreign policy, has died after a “brief and sudden illness,” his office said. He was 71.

The statement posted on social media late Saturday did not provide any additional details about the South Carolina Republican, a former Air Force lawyer, and said his family “appreciates prayers at this time and asks for privacy during this incredibly difficult period.”

“Senator Lindsey Graham, one of the greatest people and Senators I have ever known, is dead!” Trump posted on social media early Sunday. “He was always working, and was a true American Patriot. Lindsey will be greatly missed!!! DETAILS AND ARRANGEMENTS TO FOLLOW. So sad!”

Senate Majority Leader John Thune (R-S.D.) said, “My heart is heavy this morning to learn of the passing of my friend and colleague.”

Thune described Graham as “a strong advocate for the United States and a strong ally to freedom-loving countries across the globe. He believed in the might of America to achieve good in the world and dedicated his life to advancing that cause.”

Graham was one of the most influential figures in Washington on foreign policy, and he advised Trump on matters such as Iran and Russia. The senator had just returned from Ukraine and announced an agreement Friday with the Trump administration to move forward on a package of Russia sanctions. He had been scheduled to appear Sunday morning on NBC’s “Meet the Press.”

As chairman of the Senate Budget Committee, Graham had a central role during Trump’s second term as Republicans pushed major legislation on party-line votes while holding a narrow 53-47 majority in the chamber.

Under South Carolina law, Republican Gov. Henry McMaster will appoint a temporary replacement for Graham, who was seeking a fifth term in November.

Graham was close with Trump

Graham, who was elected to the Senate in 2002 after serving in the House, long promoted a policy of robust U.S. military interventionism and strong national defense that in later years would put him at odds with the growing isolationist wing of the Republican Party.

More recently, Graham had become well-known for his close ties with Trump, whom the senator briefly ran against for the party’s presidential nomination in 2016.

Their relationship would begin on a rough note, with Graham calling the New York businessman and TV reality show figure “unfit for office.” Graham also used profanity to describe him after Trump made disparaging comments about Arizona Republican Sen. John McCain, Graham’s best friend in the Senate and a Vietnam War veteran. McCain and Graham, along with Sen. Joe Lieberman, a Democrat turned independent from Connecticut, were known as the “Three Amigos” and frequently traveled together to push their hawkish foreign policy views around the globe.

During a campaign rally in South Carolina, Trump read out Graham’s personal cellphone number and continued to belittle him throughout the 2016 campaign as Graham made it clear he would not support Trump even though he was the GOP nominee.

But Graham shifted significantly once Trump won the White House. He emerged as one of Trump’s top allies — speaking with him frequently and becoming a regular presence on the golf course alongside the president — even as McCain remained a critic and foe of Trump.

In a 2018 interview with the Associated Press, Graham explained his pivot by saying McCain taught him that the country must move forward after elections and that meant “you have an obligation” to help the president. McCain ran twice for the White House.

“And I’ve tried to be helpful where I could because I think he needs all the help he can get,” Graham said of Trump. “You can be a better critic when people understand that you’re trying to help them be successful.”

Graham appeared to break with Trump after the Jan. 6, 2021, attack on the Capitol, saying before the delayed congressional vote to certify Joe Biden’s election victory over Trump, “Count me out. Enough is enough.” But the senator returned to the fold and remained close with the president during his second term.

Foreign policy was a focus

Graham had been in Ukraine to meet with Ukrainian President Volodymyr Zelensky, who said that the senator visited his country 10 times during the years since Russia’s full-scale invasion.

“Lindsey was a true defender of freedom and the values that make our world safer,” Zelensky said.

Graham’s travels made him a familiar face to dozens of world leaders.

Israeli Prime Minister Benjamin Netanyahu mourned Graham’s death, calling him “a great friend of Israel” and “a cherished friend of mine.”

Netanyahu said Graham understood that the security of Israel and the United States was inseparable and devoted his life to defending America, strengthening the U.S.-Israel alliance and standing up for the free world.

“Israel has lost one of its greatest friends. America has lost a great patriot. I have lost a beloved friend,” Netanyahu said.

Chairman of key committees

As chairman of the Senate Budget Committee, Graham oversaw a process called reconciliation, a Senate procedure that allowed Republicans to pass significant policies such as last year’s tax law without the threat of a Democratic filibuster.

He had previously led the Judiciary Committee when Republicans confirmed Amy Coney Barrett to the Supreme Court in late 2020, and was in line to regain that gavel if the party kept control of the Senate after this year’s midterm elections.

“In 2027, I’ll be Chairman of the Senate Judiciary Committee once again,” Graham posted on X on June 30. “And I’ll wake up every single day with one goal: confirming as many conservative judges as possible.”

Graham was a key player in the Senate’s efforts to craft a massive immigration overhaul in 2013 as a member of a bipartisan group that wrote a sweeping measure that would have altered virtually every part of U.S. immigration law. It passed the Senate with 68 votes but was never taken up by the House, so it did not become law.

But Graham’s views on immigration, particularly an endorsement of a path to citizenship for people in the U.S. without legal status, put him at odds with some Republican factions.

He sometimes faced primary challenges in his home state of South Carolina, but he won the nomination outright in June.

The senator addressed the president in his victory speech last month, saying, “I’m going to help you change this world and change this country.”

Special election

Graham won 57% of the GOP vote in the primary and was up against Democrat Annie Andrews, a pediatrician, and several minor party and independent candidates in November.

After McMaster appoints a replacement, South Carolina law requires a special primary for voters to select a new nominee within weeks of a vacancy. The general election winner will take office January, beginning a full six-year term.

McMaster’s office did not immediately return messages seeking comment on who would take Graham’s seat or when the machinations for the primary would begin. State party officials said early Sunday they would release more information when they could.

The sparse statement by Graham’s office, which did not explain his death, comes during a stretch of concern about a lack of transparency about lawmakers’ health.

Rep. Tom Kean Jr. (R-N.J.) was absent without explanation for months before returning to Congress and disclosing that he had been diagnosed with depression.

Kentucky Sen. Mitch McConnell, the former longtime Republican leader, was hospitalized weeks ago for undisclosed health reasons.

McMaster said in a statement that Graham was “irreplaceable.”

“The fiercest of fighters for South Carolina and America — and a loyal and steadfast friend,” McMaster said. He added: “We shall not see his likes again.”

Graham was not married and did not have children. His closest living relative is sister Darline Graham Nordone, whom he helped raise after both their parents died.

Weissert writes for the Associated Press. AP writers Mary Clare Jalonick and Christopher Megerian in Washington, Meg Kinnard in Columbia, S.C., Brian P. D. Hannon in Bangkok and Geir Moulson in Berlin contributed to this report.

LAS VEGAS — The door opened for Arthur Kaluma to show his worth for the Lakers in the NBA Summer League on Saturday night.

He did so in a big way.

Kaluma had 34 points and five rebounds during the Lakers’ 91-70 win over the Dallas Mavericks at the Thomas & Mack Center.

He was 11 for 16 from the field and six for 10 from three-point range.

With Lakers rookie guard Cameron Carr unable to play because of a right thumb contusion, Kaluma took over the scoring role. Carr, the 24th pick in the NBA draft, is averaging 17 points per game.

“Cam doesn’t play tonight, so he gets a little bit more minutes, gets a couple more touches,” said Lakers Summer League coach Ty Abbott about Kaluma. “But he’s done a really good job of making the most of it when he doesn’t have actions run for him. So the way that he’s been able to stay ready, find windows for himself has kept him in a rhythm. So, on a night like tonight, when we can run some actions for him, he knocks them down and just plays out of his mind. It was great.”

Kaluma said he was “a little nervous” but his three-point shooting said otherwise.

“When [teammate] Jon Elmore came down and he pitched it back to me for a three … I just knew when it came off my hand it was cash,” Kaluma said. “So I said, ‘Yeah, I’m hot.’ It went on from there.”

Late in the fourth quarter, Kaluma lined up a three-pointer, setting his feet and scoring from 29 feet out. He flashed three fingers and smiled. His teammates on the bench stood and cheered, as did the fans.

“We have such a great group of guys this year at Summer League and going through this it’s hard to get that camaraderie with a group,” Kaluma said. “But I feel like everybody wants to see everybody succeed and I felt that tonight. I’m not going to lie to you. They tell me to shoot the ball. I passed up a couple of shots and they were mad at me the other day.”

Kaluma played for the South Bay Lakers in the G League last season. He averaged 14.6 points per game, 4.9 rebounds and shot 55% from the field, 37% from three-point range.

“The G can get grimey, you know what I’m saying? It’s a time where everybody is trying to fight for a position and there is a certain hunger that you have to have in order to be successful in the G,” Kaluma said. “And I feel like that drive that I had my first year in it pushed me into this summer to really get better and work on my game and come here and have the opportunity to perform.”

Kaluma wasn’t alone in helping the Lakers improve to 2-0 in Summer League play.

Adou Thiero ran the court, took a lob pass from Chris Mañon and threw down a two-handed dunk. He had another solid outing with 15 points and four rebounds. He shot just four for 12 from the field, but was a plus-15.

But the night belonged to Kaluma.

“I pride myself on the defensive end,” he said. “I know I got hot offensively, but the shot was just falling today, you know what I’m saying? My game is three-and-D. I lock-up on defense and I know I can hit open shots. I just got hot today and I’m not going to try to let it get to my head.”

The Warner Bros. Ranch in Burbank will serve as broadcast headquarters during the Los Angeles Olympics and Paralympic Games in two years.

LA28 and Warner Bros. Discovery on Thursday jointly announced that the 30-acre Hollywood Way campus would play a pivotal role in the Games. Constructing an efficient TV nerve center — the operational hub where feeds from events are produced, then distributed to hundreds of millions of viewers around the world — has long been a crucial component to staging such an ambitious television extravaganza.

Over the last few months, LA28 executives and the Olympic Broadcasting Services team narrowed their search to the Ranch. The facility, which recently underwent a $300 million transformation with new soundstages, has the capacity and technical requirements to support the international broadcast center.

The International Olympics Committee approved the selection at a recent meeting.

“The facilities are near-perfect for them, both in size and in access,” Simon Robinson, Warner Bros. Discovery’s president of global experiences and studio operations, said in an interview with The Times. “As we sat down and talked it through with them, we were able to reach what we think is a great deal for both of us.”

Warner Bros. and LA28 declined to provide financial details of the arrangement, which will span nearly two years.

For Warner Bros., the decision came down to whether the studio needed the space for its own TV and film productions or if it was advantageous to turn over the facility, which boasts 16 soundstages and a five-story creative office building, to LA28.

Work to prepare the campus for the Olympics will begin in January.

LA28 plans to use nearly all of the soundstages, which are equipped with dedicated set lighting power, high-capacity silent air conditioning, high-speed wired and wireless internet, and adjoining production suites. There’s also a mill — a 40,000-square foot workshop space — a cafe, plenty of parking and quick access to area freeways.

“We look forward to welcoming the global broadcast community to Los Angeles in 2028,” Shana Ferguson, LA28’s chief of sport and games delivery officer, said in a statement.

No Warner Bros. production will be displaced, Robinson said. Three shows that currently use the complex — the HBO productions “Rooster” and “I Love LA,” and “I Suck at Girls” for Netflix, will be wrapped by the time LA28 moves in next year.

“Everything fell into place nicely,” Robinson said.

The Ranch outpost is rich in Hollywood history — a go-to site to shoot old westerns. Columbia Pictures owned the lot for years, before bringing in Warner Bros. as a partner in the 1970s.

It was later used for filming such classic TV series as “Bewitched” and “I Dream of Jeannie” and the movie “Lethal Weapon.” Opening credits of Warner Bros.’ 1990s sitcom “Friends,” featured the then 20-something cast members frolicking in a fountain near the center of the lot. (The fountain was moved to the main Warner Bros. lot, where it has become a featured part of the studio tour.)

The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.

The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.

Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.

“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”

The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.

The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.

More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.

The largest single piece of federal housing legislation to come out of Congress in at least a generation is is now law.

It happened in the middle of night early Saturday, without fanfare — or even President Trump’s signature — and it might be a while before many Californians notice its effects.

That’s because the bill, though politically monumental — both chambers approved it overwhelmingly — doesn’t do one big thing. Instead, it does a lot of little things. Individually, none of the bill’s 56 regulatory tweaks, pilot programs and low-cost loans and grants are likely to move the needle on the nation’s housing affordability woes, nor on California’s specifically.

Supporters hope that collectively, they just might.

Even the law’s path to enactment had an under-the-radar quality to it. The White House abruptly canceled a planned signing ceremony late last month, with Trump vowing not to sign the bill until Congress first passed his restrictive national voter ID proposal. That bill has stalled out in the Senate.

Still, Trump did not veto the housing package, so it automatically became law Saturday just after midnight, as per the Constitution.

For all that, supporters say this is still a big deal: a major, bipartisan piece of legislation aimed at boosting housing construction from a hyperpartisan legislative body that doesn’t typically touch the topic.

“We don’t often gather to celebrate federal housing legislation,” Stephen Russell, president of the San Diego Housing Federation, said at a news conference Thursday. “I think the last time Congress passed anything of this magnitude, many of you were not even alive. … It is almost a once-in-a-lifetime event.”

That’s thanks in part to a growing caucus of lawmakers aligned with the “Yes In My Backyard” movement that helped push the bill into law. Many hail from California, a state that has had more experience than most contending with wildly unaffordable housing. But the cause of making housing more affordable, and attributing high housing costs to a lack of sufficient supply, has become a national and bipartisan concern. Case in point: The bill originated as a joint proposal by Sens. Tim Scott (R-S.C.), an ardent conservative, and Elizabeth Warren (D-Mass.), among the most liberal members of the Senate.

While the constituent parts of the bill are relatively narrow and none is specifically focused on California, experts highlight a few provisions that could leave a notable imprint on the state.

Build now (or else)

For high-cost cities that don’t build much housing, as in much of urban California, the federal bill includes a novel carrot and stick.

This portion of the bill would change the Community Development Block Grant, one of the largest sources of federal funding for affordable housing and local economic development. Pricey cities — defined through a variety of data benchmarks like median prices and vacancy rates — with a track record of under-building that continue to see below-average housing construction will have their grant funds cut by 10%. The savings will go to their municipal counterparts that build at a faster clip.

That’s likely to have “real implications for cities like Los Angeles and San Francisco that have traditionally lagged behind” in adding housing supply, said David Garcia, the deputy director of policy at UC Berkeley’s Terner Center for Housing Innovation.

The city of Los Angeles received $48.4 million in its last award from the block grant program in 2024, according to U.S. Department of Housing and Urban Development data. San Francisco received $18.9 million.

Those numbers aren’t enough to make or break the budget of either city.

“I think this will be a small nudge,” said Laura Foote, executive director of YIMBY Action, in an email. “Which taken across the country could still have a good impact! Little nudges add up.”

More dramatic than the number of dollars involved may be the precedent the policy sets. Even in California, where the state government has aggressively incentivized cities to plan for more housing development and penalized those that don’t, lawmakers have never punished municipalities for failing to actually grow — an outcome that may not always be under a city government’s control.

Such an idea would have been “inconceivable in previous congresses,” Garcia said.

Despite that, the provision hasn’t engendered much public opposition from local government groups yet. In an online summary, Michael Wallace, a lobbyist with the National League of Cities, applauded the overall housing bill as an example of the federal government “choosing partnership with local governments over preemptions.” He singled out other provisions of the bill that provide expanded flexibility for Community Development Block Grant spending, new incentive programs for adding supply, and new supports for local urban planning.

Chassis change

Manufactured housing units are often colloquially referred to as mobile homes, but they don’t tend to move around much. Built on assembly lines and shipped to where they’re needed, these naturally affordable houses — the likes of which lawmakers across California and the United States claim we need in droves — are often placed upon permanent foundations where a fewer than 1 in 10 ever move again.

Even so, the federal building code applied to manufactured housing includes a costly, vestigial reference to its mobile origins: a permanent chassis.

A giant steel frame with removable axles and wheels, the chassis ostensibly exists to make it easier to pick up and move a manufactured house by truck. In practice, it serves as a 10- to 12-inch-thick floor beneath the floor. Because it cannot be removed upon delivery, it just serves as “dead space and wasted money,” said Jess Maxcy, president of the California Manufactured Housing Institute, the industry’s trade group. Aside from adding thousands of dollars in added costs per unit, it also makes it harder for manufactured units to be stacked into double story homes or multifamily apartment buildings.

The federal housing bill removes the permanent chassis requirement, something that manufacturers and some housing policy experts have been pushing for since the mid-1980s.

“That relatively minor change will expand access to one of the most affordable forms of home ownership available,” Rep. Scott Peters (D-San Diego) said at the Thursday news conference.
Maxcy said he doesn’t expect the end of the chassis requirement to trigger an overnight building boom in the manufactured home industry. But especially in California, where, due to the high price of land, new single-family homes are more likely to be built stacked on small lots, the regulatory change “provides more opportunities and helps us reduce the price.”

Recovering after disaster

In the months after a natural disaster, long after emergency federal dollars have come and gone, Congress has provided communities with long-term rebuilding grants through the Community Development Block Grant—Disaster Recovery program. Over the last three decades, the program has spent more than $100 billion on the long-term work of recovery, like home construction, infrastructure repair and rental and relocation assistance. That money tends to be reserved for low-income people and communities “who are not going to bounce back without the funds,” said Marion McFadden, who used to run the program under the Biden administration and now works at the disaster preparation and recovery consulting company IEM.

Unfortunately for California, the program only kind of exists. Since the mid-1990s, it’s been stood up and funded on an ad hoc basis, one appropriation bill at a time. That presents a challenge for communities planning in the middle of post-disaster planning. It also means the rules that govern the program — when the money goes out, to whom, under what conditions and for what purposes — are redrafted with each political administration. That’s had the effect of slowing things down considerably. No program funding has gone to Los Angeles in the wake of the 2025 fire storms, according to the Carnegie Endowment for International Peace. Congress has yet to appropriate any.

The new housing bill would officially write the program into law for at least three years.

“It creates the ability for HUD to have money on hand before a disaster and then make a decision within 15 days about whether they’re going to provide funding,” McFadden said.

What the housing bill doesn’t do: provide fresh funding. Disaster-prone communities will need to wait for Congress to take that up later.

A ‘bottleneck’ removed

For the last two decades, public housing authorities in Los Angeles and the Bay Area have been turning to the federal Rental Assistance Demonstration program to help repair and upgrade their aging stock of increasingly dilapidated public housing. The program works by switching up funding sources in a way that gives locals more flexibility to borrow money and attract private investment dollars.

Until the new law took effect this weekend, the federal government was only authorized to permit 455,000 of these conversions. The law raises the cap by an additional 100,000.

“This has been a bottleneck in California for years and that bottleneck just got removed,” said Russell with the San Diego Housing Federation.
Not all affordable housing advocates are cheering the development. The National Low Income Housing Coalition has consistently opposed expansion of the program on the grounds that the change in funding source could weaken existing tenant protections. It’s unclear whether and to what extent that might be true. A study from last year found no evidence that conversions under the program lead to more evictions.

Wall Street out of suburbia

If you’ve heard only one thing about this housing bill, it’s that it bans “large institutional investors” from buying up more single family homes.

Caveats apply in the final version of the law. The bill defines “large” as any of a number of business structures with control over more than 350 single-family homes. It doesn’t apply retrospectively, so current investors with portfolios brimming with houses need not divest. Exemptions exist for new construction, renovations and senior housing. In California specifically, where corporations and other major investors do not play a significant role in the housing market, the effect is likely to be muted.

The measure “takes a hyper-salient issue for lots of people across the country and does a pretty modest intervention to address it,” said Chad Maisel, a fellow at the liberal-leaning Center for American Progress and a former housing policy advisor to President Biden.

Even so, the provision has plenty of bipartisan appeal. Earlier this year, Trump called for an even stricter crackdown on so-called corporate landlords. Gov. Gavin Newsom followed suit the same week.

The anti-investor language was considerably watered down from earlier this year, when a related provision threatened to undermine “build-to-rent” projects: well-financed subdevelopments of single-family homes reserved for renters. That prompted a revolt by many developers and YIMBY activists who had otherwise enthusiastically supported the bill, who argued that such communities are one of the fastest growing sources of the U.S. housing stock and provide some of the few opportunities for renters to live in suburban-style, family-sized housing.

After the build-to-rent provision was left on the cutting room floor of Congress, state Sen. Aisha Wahab, a Fremont Democrat who is now running for Congress, introduced a bill that picked it back up again. SB 880 would have banned the bundled sale of multiple single-family homes, striking at the heart of the build-to-rent business model. That bill died in the Assembly Judiciary committee in late June.

Christopher writes for CalMatters.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

One of the big discoveries for me at this year’s Sundance Film Festival was the erotic thriller “Night Nurse,” which opens in theaters this week. A remarkably confident feature debut from writer-director Georgia Bernstein, the film is hypnotic and entrancing, with a powerfully sustained sense of mood and menace. Brought to life by two assured lead performances, the story is about a young woman (Cemre Paksoy) who takes a job as an attendant at a senior living community and is assigned to help a man (Bruce McKenzie) who quickly ensnares her into an ongoing phone scam in which he swindles other residents.

Taking cues from the likes of Catherine Breillat and David Cronenberg, there are moments where you start to feel turned on and then feel weird about feeling turned on. It’s delightful stuff, full of the unexpected and unnerving, with shifting power dynamics that destabilize everything. See it with someone you maybe aren’t so sure about.

‘Hudson Hawk’ will have its day

Andie MacDowell and Bruce Willis in the 1991 movie “Hudson Hawk.”

(Columbia TriStar / Getty Images)

Its name has become synonymous with box office bomb, with tales of an out-of-control production leading to terrible reviews and rejection by audiences. Yet 1991’s “Hudson Hawk” is one of those movies that over the years has seen its reputation slowly turn around and is now en route to becoming a cult classic in the vein of “Ishtar” or “Showgirls.”

On Monday at Brain Dead Studios there will be a 35th anniversary screening of the film in 35mm with director Michael Lehmann and co-writer Daniel Waters in-person. Presented by Hollywood Entertainment, the evening could be ground zero for the next stage of the misbegotten movie’s revival.

The movie is a playful buddy-comedy / caper-heist hybrid, starring Bruce Willis as the title character, a master thief newly released from prison who reteams with his old partner (Danny Aiello) as they are drawn into a convoluted conspiracy involving the CIA, a villainous ultra-rich couple (played with maniacal, scene-stealing glee by Richard E. Grant and Sandra Bernhard) and ancient designs by Leonardo da Vinci. Upending action movie conventions, “Hudson Hawk” is simply a fun hang.

On a recent video call together, there is a certain gallows humor shared by Lehmann and Waters over the film, which at the time threatened to derail both of their careers. Waters was already working on the script for Tim Burton’s “Batman Returns” by the time the movie came out, while Lehmann admits he spent some time in director jail — “I was in director federal penitentiary and death row for a while,” he says — before going on to direct films such as “Airheads” and “The Truth About Cats and Dogs.”

“You can’t escape a big failure in Hollywood,” he adds. “You have to be good-natured about the fact that you’ve made something that so many people hated when it came out, but that you feel still has some value — quite a bit of value, I think. And that eventually people would start noticing that.”

The project began as an idea between Willis and his friend Robert Kraft that snowballed into having action super-producer Joel Silver attached and a screenplay draft by “Die Hard” writer Steven E. De Souza. Eventually Lehmann became involved to direct and he helped bring on Waters, the two having worked together on the hit black comedy “Heathers.” (Waters had also worked with Silver on “The Adventures of Ford Fairlane.”) The reunited writer-director team set about subverting what began as a more conventional action movie.

“My intention was to turn that kind of movie on its head,” says Lehmann. “I thought people have seen these things so many times, they must be ready to see the truly odd version of it.”

“In the Olympics you can’t just go up and make any dive,” says Waters. “You tell the judges what dive you’re going to do and then they grade you. And ‘Hudson Hawk,’ we never told the judges what dive we were doing. I think people got angry: Wait a minute, you didn’t give us a Bruce Willis action movie.”

Leading up to the film’s release, there were reports of a shoot hijacked by a star whose ego was getting the better of him as he rode the wave of the success of the first two “Die Hard” movies. Lehmann admits the clash of personalities made for a complicated shoot.

“Of course, when you’re hired by Bruce Willis and Joel Silver to do what is essentially a vanity project of Bruce’s, you’re not going to have the kind of control that you have when you make a piece of personal filmmaking,” says Lehmann. “But it was really difficult to deal with somebody who, in theory, was one of my bosses as producer on the film and a big star, which is always a thousand-pound gorilla.”

Author David Hughes recently published “The Unmaking of Hudson Hawk,” a book on the film’s production, reception and afterlife. Calling from England, Hughes thinks the critical reappraisal and resuscitation of the movie has gained a bit of momentum — and is in danger of slipping.

“I feel like any day there’s going to be a headline that says, ‘Nope, despite what you’ve heard, “Hudson Hawk” is still s—.’ The pendulum is about to swing back the other way and people are going to start saying that it’s bad again. And when that happens, I think that will be the most perfect life cycle of the film.”

But for now two of the key people behind making the film in the first place want to enjoy a moment they have rarely been allowed.

“People are finally laughing with the movie, not at the movie,” says Waters.

Celebrating a fallen friend

Harry Dean Stanton, photographed in Los Angeles in 2013.

(Jordan Strauss / Invision / AP)

To celebrate the centennial of the birth of the beloved character actor Harry Dean Stanton, Vidiots will screen the 2013 documentary “Harry Dean Stanton: Partly Fiction” on Tuesday. Director Sophie Huber will be joined in conversation by actor Logan Sparks for an evening hosted by Cherry Jones.

The film is a tender portrait of Stanton, who found relative fame later in life with roles in films such as “Alien,” “Paris, Texas,” “Repo Man” and “Pretty in Pink.”

“He makes it look really easy,” said Stanton’s friend and frequent collaborator David Lynch around the time of Stanton’s death in 2017. “But it’s not that easy to be looking like it’s easy.”

A flaky love story

Gena Rowlands and Seymour Cassel in the 1971 movie “Minnie and Moskowitz.”

(Michael Ochs Archives / Getty Images)

One of my most memorable moviegoing experiences of the last few years was seeing John Cassavetes’ 1971 “Minnie and Moskowitz” for the first time. The movie has a joyful, unpredictable energy thanks to the openhearted, dynamic performances of its two leads, Gena Rowlands and Seymour Cassel, as two mismatched strangers who find temporary solace in each other. Romantic, funny and with lots of great L.A. locations and moments — I often think of a perilous U-turn across La Brea by Cassel — this is a singular gem.

It was just announced that a new restoration of the film will premiere later this year at the Venice Film Festival, but there is no reason to wait. The movie is showing tonight at the Philosophical Research Society as part of its “YesterdayLA” series celebrating the city. On Saturday there will also be a rare theatrical screening of 1972’s “Columbo: Étude In Black,” starring Cassavetes as an L.A. symphony conductor who may have committed the perfect crime until he catches the attention of Peter Falk’s rumpled detective.

On the road again

Maribel Verdú, left, Diego Luna and Gael García Bernal in the movie “Y Tu Mamá También.”

(Criterion Collection)

Playing as part of the American Cinematheque’s “Summer Breakdown” series, which, true to its name, features movies about car trouble, Alfonso Cuarón’s 2001 “Y Tu Mamá También” is showing tonight and tomorrow at the Los Feliz Theater in 35mm.

It stars Gael García Bernal and Diego Luna as two teenage best friends who set off on a road trip with an alluring older woman (Maribel Verdú) they don’t know particularly well. Emotions fly fast and furious among all three of them, as the film seems at times like a horndog teen comedy and at others like a subtle exploration of class and sexual dynamics. Of course, it is all of those things, made with a fresh sense of style.

As Kenneth Turan put it in his 2002 review, “Nominally a simple road movie about two Mexican teenagers taking off to look for a mythical beach in the company of a suddenly available woman of 28, ‘Y Tu Mamá’ manages to be comic, dramatic, erotic, sociological and even political, all without breaking a sweat.”

New this week

• Amy Nicholson calls the new movie “Gail Daughtry and the Celebrity Sex Pass” a “screwball joy … a sex comedy that’s as innocent as a Labrador puppy.”
• Less positively, Amy reviewed the live-action adaptation of “Moana,” noting “Every one of Disney’s remakes and spinoffs of its animated hits has been a naked cash grab.”
• The new “Evil Dead Burn” is brutal and not much else, per our reviewer Joshua Rothkopf: “The gore comes like a tide, shockingly for a mainstream studio wide release.”

The L.A. Zoo’s elephants are now in Tulsa, and the zoo’s longtime nonprofit partner is now in bankruptcy court.

The litany of woes at the L.A. Zoo grew longer last month as the city’s nonprofit partner, the Greater Los Angeles Zoological Association, filed for Chapter 11 bankruptcy, citing “incessant litigation” from the city of Los Angeles as the cause.

The city sued GLAZA — its partner for more than half a century — in 2024 over a $50 million endowment that each side argued was theirs to steward.

The city won a preliminary injunction in Los Angeles Superior Court that barred GLAZA from keeping the money when its contract with the zoo ended last year. Following the split and lawsuit, GLAZA dwindled in size from 42 full-time employees to just four part-time employees.

Now GLAZA says it owes its creditors, including more than $300,000 that it needs to pay a law firm that has represented the nonprofit in its legal battle with the city.

“The City has designated an army of eight attorneys to overwhelm GLAZA with endless discovery, depositions, and court filings all to run up GLAZA’s legal fees,” the nonprofit said in a statement shared with The Times. “As a result, GLAZA has been left with no options other than to seek protection from the bankruptcy court to ensure the survival of GLAZA and the protection of its donors.”

Following its separation from the city, GLAZA executives hope the nonprofit can work in the animal conservation efforts in Southern California.

On July 1, the City Council approved $250,000 in outside lawyers related to the bankruptcy case.

The zoo is facing headwinds as membership has declined precipitously and facilities have deteriorated, according to an Los Angeles County civil grand jury report.

The city attorney’s office didn’t respond to a request for comment on GLAZA’s bankruptcy.

Pratt’s new frontier

Former mayoral candidate Spencer Pratt was far from Los Angeles as he took a meeting with President Trump in Washington, D.C., a few days ago.

Pratt, who came up short of the Nov. 2 runoff by a few percentage points, met with the president in the Oval Office, posting a photo of the rendezvous to social media Tuesday.

“I will never stop fighting for my community,” he wrote.

Pratt paired the visit with an announcement of a new media endeavor he plans to launch called “WAR.” He said the foundation will fight against political corruption, advocate for transparency in government and “restore common sense.”

The website for the foundation doesn’t have additional details, just a link to contribute and a link to a website selling Pratt merch.

The White House didn’t respond to a request for comment.

Pratt also posted a 9-minute video Wednesday calling out California’s election system, claiming that the results of the June 2 primary were skewed by fraud.

Representatives for Pratt’s campaign didn’t respond to a request for comment.

Phoning it in

After the flag salute and brief comments, L.A. City Council meetings kick off with a public comment period, during which crusading citizens often let loose on city officials as the council members quietly listen, leave the room or chat among themselves.

It’s not always L.A.’s finest hour, as certain commenters often resort to slurs and ad hominem attacks about the council members’ race, ethnicity and even physical appearance.

On July 1, public comment expanded as new state law, SB 707, went into effect, requiring the council to take telephonic public comment.

The council also had to verbally state the amendments they make to motions due to the new law, Council President Marqueece Harris-Dawson noted. Historically, the council has affixed amendments to a bulletin board in council chambers.

After frequent speaker Armando Herman used the N-word at the July 1 meeting, Harris-Dawson noted that the state legislature had done nothing about offensive comments at public meetings.

“Our friends in the state legislature made the decision to require us to have telephonic public comment. They did nothing, zero, about what we just heard. Since they want to intervene in our meetings, I’d call on them to do something about what they just heard,” he said.

The council did ban commenters from using the N-word and C-word last year. Speakers who use those words receive a warning and are booted from the meeting if they do it again.

Harris-Dawson said the new state law was “problematic” and noted another issue.

“We can’t verify if calls are bots or foreign agents, which poses a security risk,” he said in a statement to The Times.

State of play

— BOYLE-ING OVER: Mayor Karen Bass, Councilmember Ysabel Jurado and County Supervisor Hilda Solis were roundly booed and heckled by Boyle Heights residents during a town hall Thursday about the Boyle Heights fire. The three officials struggled to speak over the irate audience.

— SOLAR FLARE: Before the Boyle Heights warehouse fire, Lineage representatives lobbied City Hall over the rooftop solar array. The company says it was seeking a safer alternative to rapid shutdown devices.

— FISCAL EDUCATION: The Los Angeles Unified School District is facing “severe” indications it could be insolvent as soon as next year and has 45 days to fix its budget or risk an outside takeover. The Los Angeles County Office of Education has projected a $231 million cash shortfall by 2027.

— HIT THE STREETS: The LAPD is considering shutting down its police academy for part of 2028 to allow hundreds of officers to hit the streets for the Olympics, according to department sources. The move could lead to a drop in police hiring.

— LEGEND GONE: Billy G. Mills, one of the first Black men elected to L.A.’s City Council, died June 27. Mills was a civil rights leader before being elected to the legislative body in 1963, the same year Tom Bradley was elected to be a council member.

— IT TAKES A VILLAGE: Billionaire developer Rick Caruso’s Palisades Village will reopen in August after more than $100 million in renovations following the January 2025 wildfire.

— EVICTION BENEDICTION: Thousands of formerly homeless people whose housing subsidies will expire in December are no longer at risk of eviction, local housing officials announced Thursday. An infusion of new funds approved by Congress this year and a waiver of eligibility procedures have staved off a potential crisis that would have left 4,200 back on the street.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program had no operations this week.
• On the docket next week: The City Council remains on recess until Aug. 4.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

World Cup tourists are coming to L.A. for the soccer, but they’re staying for the $21 smoothies and Double-Doubles.

As the last Los Angeles FIFA World Cup event ended Friday, soccer fans were eating like locals and famous chains from the region were cashing in.

In the weeks that L.A. has hosted the World Cup, international soccer enthusiasts have flocked to big brands from the area, often in large groups wearing their countries’ jerseys.

It is a phenomenon seen at many of the host cities. In Dallas, giant gas station Buc-ee’s is the main attraction. For people visiting New Jersey, deli shops have been a hot ticket. In L.A., the place to be between matches was Erewhon.

Thirsty international sports fans gathered for pictures outside different Erewhons, wandered their aisles smiling, and, of course, picked up pricey smoothies.

While Erewhon would not comment on its business, mobility data company Arity, which uses phone data to track consumers, said Erewhon visits at the outlets around SoFi Stadium were quadruple what they were a week earlier on June 12, the day of the U.S. national soccer team’s opening match there.

Arity looked at what stores people visited within a 10-mile radius of SoFi that day and also found surges in visitors to nearby El Pollo Loco and Trader Joe’s.

Locals have spotted groups of people in Korea jerseys huddled together, trying to decide what to order at In-N-Out.

Some complained on social media that international tourists at Trader Joe’s were buying up all the mini canvas tote bags.

Soon after the Belgium vs. Spain quarterfinal ended Friday, the In-N-Out near SoFi had a long line of soccer fans stretching out the door in bright red and yellow and black jerseys and matching striped hats and scarves.

One of the workers said he had to explain “spread” and “animal style” to foreign football fans.

“I didn’t know this place existed,” a fan from Romania said while waiting in line.

Los Angeles and other cities and states that have hosted the event need the soccer fans to spend money to make the event worth all the time, effort and money it requires.

A rosy 2024 report projected the World Cup could bring more than $800 million to the L.A. region as 180,000 people converge on the area to sleep, eat and spend.

There were early concerns people weren’t turning up for the event because of the high ticket prices and the difficulty of obtaining visas for citizens of some countries.

However, at least for some L.A. hotels, there was a surge of last-minute visitors which pushed up occupancy and room rates.

While sports fans are not in the region to shop, they do make time for it.

World Cup customer spending is also apparent in beer sales. Andrew Heritage, the chief economist at the Beer Institute said beer purchases at entertainment and attractions in L.A. – outside of World Cup spaces – were up around 10% from normal.

“That tells me that fans in the L.A. area have decided to extend their stay and take in all the other things that the area has to offer, rather than just the match itself,” he said.

On social media, the purpose of these shoppers is clear: grab a quick souvenir or local specialty and take a selfie.

The data from Arity suggests that fans are very efficient when they spend at local spots, diving in, getting what they want and getting out as soon as possible, said Jeff Schlitt, a director at the company.

“Normally you’re there for an hour. They’re going to be there for 15, 18 minutes,” he said. “Why is that? Because they were purpose-driven shoppers.”

For some travelers, the more popular American chains aren’t unfamiliar. But some of the native L.A. fare still comes as a surprise.

As one Belgium-Spain matchgoer from the Netherlands stood taking a picture of the In-N-Out sign after the game, he said he’d never had a burger like the one he’d just tried.

“We only have McDonald’s and Burger King,” he said. “It’s way better.”

I am a lifetime resident of Los Angeles and my family has always rooted for the Dodgers. Last year we gave them a pass when they went to visit Trump at the White House. This year after Trump’s attack on our community we cannot accept the Dodgers visiting Trump again. Dave Roberts should know that the first obligation of a patriot is to stand up against tyranny. Shame on him and any other Dodger who goes to the White House this year. I will be canceling my Spectrum service. I’m not playing with the future of our democracy.

Felipe Caceres
Los Angeles

If the Dodgers kowtow to Donald Trump yet again, Angelenos should consider boycotting the team for the rest of the season. Yes, they are an exceptional team and might return to the World Series yet again. However, other great athletes, such as the recent U.S. women’s Olympic hockey team, have displayed their courage and integrity in refusing to bow down to that dangerous tyrant.

By serving, as too many others continue to do, to support and enable the thug, they are enabling him in his inhumane and destructive policies and actions. As well, Trump invaded L.A., and the Dodgers did little to support the city they allegedly represent. If they return, it is more than a slap in the face of every sane and thoughtful Angeleno.

Barry Cutler
Palm Desert

I have always paid for the Dodgers’ games on mlb.tv, but this year when the Dodgers did not decline the White House visit, I did not. I was holding out hope they wouldn’t squeeze a visit in on their road trip after the All-Star Game and I’d get half a season. Instead I’m listening to the games on the radio. I’ve heard the players say things like “you never know when this might happen again” or “it’s tradition.” I don’t get either one of those excuses. Is Mookie Betts going to ask Trump why he posted the picture of the Obamas as monkeys? Or any of the players going to stand up for anything?

How about be like the women’s Olympic hockey team and stand up for what is right? Don’t be a pawn for another photo op for this dysfunctional White House. Please?

Marnie Jernagan
Fresno

Columnist Bill Plaschke wants to impose his political views on us and the Dodgers. Let each player decide if he wants to go to the White House, and if some players don’t want to go, then fine — don’t go. But why should all the players be confined to Plaschke’s view of politics?

David Waldowski
Laguna Woods

I was a huge Dodgers fan until last year when they visited the White House. What a happy crowd they looked, even presenting President Trump with his own jersey, No. 47. That wasn’t enough? They’re off again, with Dave Roberts talking about “respecting the highest office in the land, it doesn’t matter who’s in office” while Clayton Kershaw, who presented the jersey is so “excited to go” again. Roberts had previously talked about it being a tradition. Nothing about this White House or this president is traditional, and not going is not making a “political” stand. It would be a stand for decency and normalcy. While visiting the East Wing maybe they can present Trump with the inaugural Baseball Peace Prize. Shame on the Dodgers!

Jane Peters
Los Angeles

Here’s a terrible-seeming idea: The Rolling Stones should get started on their next album.

Like, now.

After taking nearly two decades to release 2023’s “Hackney Diamonds” — the band’s first set of original material since “A Bigger Bang” in 2005 — the Stones are back this week with a follow-up, “Foreign Tongues,” that took them less than 36 months to get out.

And it’s the better record in every way.

In the old days, of course, two and a half years was all they needed to make “Beggars Banquet,” “Let It Bleed” and “Sticky Fingers.” So let’s not get too carried away by the fact Mick Jagger, Keith Richards and Ronnie Wood are working as fast as they are in their late 70s and early 80s.

Yet to listen to the brisk and sportive “Foreign Tongues” is to hear a band clearly going on instinct rather than overthinking the music à la any number of veteran acts in legacy-maintenance mode. I don’t know if the result is the Stones’ best since 1978’s “Some Girls,” but it’s definitely the funniest, which is actually the more impressive achievement.

“Wake up in the morning and you wanna make me puke,” Jagger sneers in the punky “Hit Me in the Head” — exactly the kind of lyric you’d hope to hear from a band whose only possible reason for still being in the game is to have a gas-gas-gas.

Like “Hackney Diamonds” — and, for that matter, like Paul McCartney’s “The Boys of Dungeon Lane” (to name one recent overthinking-veteran LP) — “Foreign Tongues” was produced by 35-year-old Andrew Watt, who’s made a career of helping boomer icons put a little shine on their late-in-life efforts. And he’s helped the Stones convene an appealingly motley crew of collaborators here, including McCartney (who plays bass on “Covered in You”), the Cure’s Robert Smith (who contributes guitar to “Divine Intervention”), Steve Winwood (who plays piano and organ throughout the album) and Bruno Mars (who’s credited with, uh, cowbell in “Never Wanna Lose You”).

You also get a welcome appearance from the late Charlie Watts in a hard-thwacking performance recorded before his death in 2021. (Steve Jordan otherwise keeps time.)

But none of the stunt casting feels like the point of the album, which instead simply doles out a dozen tunes in the Stones’ various idioms — the bluesy stomp, the country-ish lope, the sleazy disco jam — plus a couple of covers in just over an hour. It’s frisky and lighthearted, even when Jagger is lamenting what he sees as the sorry state of his beloved America in “Ringing Hollow” and when Richards is croaking about love having put him on his knees in “Some of Us.”

And when they go goblin mode, they really lean in: “Mr. Charm” is a demented soul-rock rave-up about how boring money is — OK, Mick — in which Jagger drops a diss of the “mad mogul Mr. Musk” into a verse laying out the delights of staying home and doing anagrams.

In “Divine Intervention,” Jagger offers a colorful travelogue of trips through New York and Los Angeles — “I kept moving on to Silver Lake / To play guitar with a brand new friend of mine” — while Richards and Wood get their guitars slip-sliding all over the place. “Jealous Lover” is gorgeously trashy: a horny little strut that sounds like “Dirty Mind”-era Prince doing “Waiting on a Friend.” (Legitimately loony Mick vocal here.)

For God knows what reason, the Stones offer up a faithful rendition of Amy Winehouse’s “You Know I’m No Good” with Jagger on harmonica. And the album ends with a very ragged take on Chuck Berry’s “Beautiful Delilah,” obviously meant to remind you of how the two lifers at the core of the Stones came together more than half a century ago.

The memory is ancient; the thrill, somehow, is alive.

The Trump administration has signed off on a company’s plan to convert an oil and gas pipeline to pump groundwater from the Mojave Desert to thirsty California cities for the first time, a lucrative venture that critics say threatens natural springs and wildlife.

The federal Bureau of Land Management released documents Thursday saying that Cadiz Inc.’s plan to repurpose 162 miles of the pipeline to transport water “will not significantly affect” the environment.

“We’re excited to achieve this pivotal milestone. After many years of planning and environmental review, the project has now reached the construction stage,” said Susan Kennedy, chair and chief executive of Cadiz.

Environmental advocates and leaders of Native tribes, who have been fighting the project, criticized the decision.

“This groundwater mining proposal would drain the desert and rob the Mojave of its rare springs and wildlife habitat,” said Chance Wilcox, California desert associate director of the National Parks Conservation Assn. “It’s indefensible that the Trump administration would once again try to revive the pointless Cadiz project, by defying decades of scientific warnings and refusing to conduct an environmental review of the groundwater mining.”

The application for the federal authorization was filed by the Fenner Gap Mutual Water Co. The documents say the company plans to build seven pump stations, three of them located on federal land managed by the agency.

The 30-inch steel pipeline runs underground from Cadiz’s desert property, near the town of Amboy, northward to the town of Mojave.

The BLM said in its authorization that repurposing the pipeline for water “would comply with all applicable statutes and regulations.” The agency said it has “reasonably determined that the impacts of groundwater withdrawal associated with Cadiz’s groundwater extraction project are outside the scope of analysis.”

Cadiz’s attempts to export water from its property 200 miles east of Los Angeles have drawn controversy for decades.

In 2019, Gov. Gavin Newsom signed legislation that requires the project to undergo scientific study and gain approval from the State Lands Commission before it can take water from the Mojave and sell it to California cities.

Activists opposing the company’s plans include civil rights leader Dolores Huerta.

“Cadiz spells destruction for water, sacred lands, and the desert economy,” Huerta said in a statement. “It is exactly this type of greed and injustice that I have dedicated my life to oppose.”

Leaders of nearby tribes have also objected to Cadiz’s plans to pump from the desert aquifer near the Mojave Trails National Monument and Mojave National Preserve.

“It is the living heart of the desert,” said Daniel Leivas, chairman of the Chemehuevi Indian Tribe. “To drain it would be to drain the life out of the entire desert. No profit is worth such desecration.”

Chairman Timothy Williams of the Fort Mojave Indian Tribe said the company’s plan “to pump and sell 25 times more groundwater each year than the aquifer can replenish would desecrate our traditional territories.”

“Pumping more groundwater than is sustainably replenished is not only negligent, but dangerous to the American Desert Southwest,” he said in the joint statement with other opponents of the project.

For years, while pursuing its plan to sell water far away, the company has been using wells on its property to irrigate nearly 2,000 acres of farmland growing lemons, grapes and other crops. It has drilled more wells in anticipation of being able to export water once the government approved its pipeline.

The company intends to pipe water to communities in San Bernardino County and says it’s “expected to provide one of the lowest-cost sources of new water in the drought-plagued Southwest.” It says the federal permit “marks a key milestone as we finalize project financing with prospective investors.”

Cadiz bought the 220-mile pipeline from El Paso Natural Gas in 2020. Once construction is completed, the company says the pipeline will be able to transport up to 25,000 acre-feet of water per year — about 5% of what Los Angeles uses each year.

The Los Angeles-based corporation is also seeking to build a new pipeline along a railroad right-of-way to transport water to the south.

Environmental groups have repeatedly filed lawsuits challenging the project.

Ileene Anderson, a senior scientist at the Center for Biological Diversity, called the Trump administration’s decision “a green light for environmental destruction.”

She said six of the proposed pumping stations slated to be built are in the habitat of desert tortoises, a species in decline.

“We’ve successfully fended off this project before and we’ll continue to fight to stop this zombie from coming back,” Anderson said.

In 2021, the Biden administration reversed a Trump administration decision that had cleared the way for Cadiz to pipe water across public land. In 2022, a federal judge scrapped the pipeline permit that the Trump administration had issued.

But during President Trump’s second term, the company has again made headway on its plans. In February, Cadiz announced that the federal Environmental Protection Agency had invited it to submit an application for a $194-million low-interest loan for the northern pipeline project.

The company said in May that it reached an agreement with the federal Bureau of Reclamation to provide funding for a review of its potential role in “augmenting water supplies” along the shrinking Colorado River.

The company has also been lobbying the Trump administration. The group Public Citizen said in a recent report that Cadiz, through its nonprofit Fenner Gap Mutual Water Co., enlisted former Interior Secretary David Bernhardt’s new lobbying firm, the Bernhardt Group, and has spent at least $330,000 on lobbying in 2025 and 2026.

Records show lobbyist Luke Johnson has repeatedly accompanied Kennedy at meetings with Interior Department officials.

“The extensive influence of David Bernhardt’s boutique lobbying firm on the agency he formerly led highlights how insider firms staffed with former Trump officials have grown in recent years,” said Alan Zibel, a research director with Public Citizen. He said Bernhardt and his lobbyists “have learned how to master influence-peddling in the anything-goes era of Trump 2.0.”

Earlier this month, an Arizona water agency announced it signed an initial “memorandum of understanding” agreement to buy up to 10,000 acre-feet of water per year from Cadiz’s Mojave Groundwater Bank. The Central Arizona Irrigation and Drainage District provides water to farmlands in Pinal County, where growers are dealing with water cutbacks.

The company said that for this to happen, it would need to build pipelines and reach deals to exchange water across state lines.

Members of California’s congressional delegation have raised concerns. In a recent letter to Interior Secretary Doug Burgum, California Sens. Adam Schiff and Alex Padilla called for a thorough environmental review, saying that federal agencies and peer-reviewed scientific analyses have “warned of the significant and irreversible impacts that Cadiz’s project could have on federal lands and surrounding communities.”

Rep. Raul Ruiz (D-Indio) said in a letter to Burgum that he is concerned about the company’s long-standing effort to extract and export groundwater.

“The area I represent cannot afford to absorb the long-term costs of a commercially driven groundwater export scheme,” Ruiz said.

I was in New York City with my family on the day Taylor Swift and Travis Kelce tied the knot at Madison Square Garden. Although our hotel was a few short blocks from the venue, which was surrounded by swooning fans, we managed to steer clear. Instead, we headed for the Nederlander Theatre on 41st Street to catch “Schmigadoon.”

The show, which took the Tony Award for best musical last month, was at the top of my must-see list, along with two other recent Tony winners — “Death of a Salesman” and “Giant,” — which I wasn’t sure would be as appealing to my 10-year-old.

There is a certain magic to Broadway despite the crush of commercial horrors a person must wade through in Times Square to get to a show, and “Schmigadoon” did not disappoint. I don’t remember the last time I laughed so hard during a live show. The jokes about a modern couple trapped in a magical town stuck more than 200 years in the past hit the mark with just the right amount of bawdy fun.

SNL alumn Ana Gasteyer is pitch perfect as the town’s vengeful moral crusader Mildred Layton, but the real hero of the show is McKenzie Kurtz, who plays Betsy, a love-hungry young farm girl desperate to catch a man and get married. Kurtz’s comic delivery is so over-the-top that laughter is the only option — and once you start laughing with her you can’t stop.

Like most Broadway musicals , “Schmigadoon” features an ensemble cast that represents the very best of the best when it comes to dancing and singing. It’s clear these actors like one another and know that they have a good thing. There is joy on the stage that transfers effortlessly to the audience. It’s one of those only-in-New-York experiences to be treasured. The show is scheduled to run through Jan. 3.

When we stepped out into the night after the show, we found it had rained. The temperature that day had reached 99 degrees and the city had wilted, but the downpour caused the mercury to plummet a good 10 degrees. The lights of Broadway sparkled in puddles as we made our way down the slick sidewalk, singing the show’s most catchy tune, “It’s not a metaphor, oh no it’s something more, it’s a literal bridge.”

I’m Arts editor Jessica Gelt wishing you a summer vacation that is also a journey. This is your arts and culture news for the week.

Arts anywhere

FRIDAY

John Travolta listens for evidence which he hopes will trap a killer in Brian De Palma’s 1981 suspense drama, “Blow Out.”

(Filmways Pictures)

Blow Out
The Academy Museum’s Summer Thrills series features a 35mm screening of Brian De Palma’s 1981 thriller about a movie sound tech who unwittingly uncovers a political assassination. John Travolta, Nancy Allen, John Lithgow and Dennis Franz star.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

SATURDAY

Defiantly Joni
The artist collective Muse/ique, in partnership with Center Theatre Group, presents a celebration of singer-songwriter Joni Mitchell, featuring Chris Pierce, Effie Passero, the DC6 Singers Collective and the Muse/ique Orchestra led by artistic and music director Rachael Worby.
5 p.m. Saturday and Sunday; 7:30 p.m. Thursday, July 16 and July 17; 2:30 and 7:30 p.m. July 18; and 2:30 p.m. July 19. Mark Taper Forum, 135 N. Grand Ave., downtown L.A. muse-ique.com

Installation view of Alex Hubbard Abstract or Regular? at Regen Projects, Los Angeles July 11–August 15, 2026

(Evan Bedford, courtesy the artist and Regen Projects)

Alex Hubbard
The exhibition “Abstract or Regular?” features video animations projected on wood cutouts by the Los Angeles-based artist, as well as a painting that demonstrates experimentation with the boundary between representational form and abstraction.
Opening, 5-7 p.m. Saturday; exhibition continues through Aug. 15. Regen Projects, 6750 Santa Monica Blvd., L.A. regenprojects.com

The Shoebox Museum: A Private Immersive Experience
A “narrative video game” is brought to life by theatrical and sensory vignettes that enhance the interactive audience’s examination of artifacts and memories of a past relationship.
Shows begin every 30-45 minutes, 1-10 p.m. Saturdays and Sundays, through July 26. Afterhours Theater, 5628 Vineland Ave., North Hollywood. eventbrite.com

Earnestine Phillips, from left, Cynthia Kania, Susan Angelo and Ellen Geer rehearse “Waiting in the Wings.”

(Ian Flanders)

Waiting in the Wings
Noël Coward’s 1960 play about a feud between two female residents in a retirement home for actors joins “Romeo & Juliet,” “A Midsummer Night’s Dream” and “Treasure Island” in the Theatricum Botanicum’s repertory season.
7:30 p.m. Saturday, through Oct. 3 (check schedule for specific days and times). Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com

SUNDAY

Journey Through Cahuenga: Indigenous Storytelling and Dance
Generations of Native narratives are expressed through music, poetry and dance. Scheduled participants include Dennis Garcia (Fernandeño-Tataviam, Chumash, and Tongva), Chad Hamill/ čnaq’ymi (Spokane), Eric Hernandez (Lumbee), and Carolyn M. Dunn, Ph.D. (Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi). Hosted by Tonantzín Carmelo (Tongva). An LA Soundscapes Family Concert featuring a pre-show activity and participatory artmaking. Doors open at 10 a.m.
11:30 a.m. The Ford, 2580 Cahuenga Blvd. E., L.A. theford.com

Mahjong Social With Mahjong Mistress
A full afternoon begins with a screening of the late Taiwanese American filmmaker Edward Yang’s 1996 film “Mahjong” followed by an open mahjong session for all experience levels led by Mahjong Mistress, a collective of four friends united by their love of the game and its use in fostering cultural connection and conversation.
1:30 p.m. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

MONDAY

Hudson Hawk
A 35th-anniversary 35mm screening of the 1991 Bruce Willis heist satire with director Michael Lehmann and co-screenwriter Daniel Waters; introduced by Larry Karaszewski.
7:30 p.m. Brain Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com

TUESDAY

“Apparition, ” circa 1880–1890 by Odilon Redon. Charcoal, powdered charcoal, black chalk, and black and yellow pastel with stumping on brown paper. 20 11/16 × 14 11/16 in.

(Getty Museum)

Odilon Redon: Otherworldly Visions
The exhibition includes charcoal drawings, lithographs and pastels by the French artist from the Getty’s collection, revealing the inspirations and imagination that helped create them.
Through Oct. 18. Getty Center, 1200 Getty Center Drive, L.A. getty.edu

Harry Dean Stanton: Partly Fiction
On what would have been the actor’s 100th birthday, Vidiots welcomes the 2013 documentary’s director Sophie Huber for a screening hosted by Cherry Jones and a conversation with Logan Sparks, writer-producer of Stanton’s final film, “Lucky.”
7:30 p.m. Eagle Theatre, 4884 Eagle Rock Blvd. vidiotsfoundation.org

National Museum of the Aftermath screening series
The final screening in the series pairs Reginald Alan Hudlin’s 1994 sci-fi short “Space Traders: Cosmic Slop” with William Greaves’ 1968 meta-documentary hybrid “Symbiopsychotaxiplasm: Take One.”
8 p.m. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu

Tchaikovsky & Beethoven
Cristian Măcelaru conducts the L.A. Phil for Tchaikovsky’s “Violin Concerto in D major, Op. 35” (with soloist Leonidas Kavakos on violin) and Beethoven’s “Symphony No. 7 in A major, Op. 92.”
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

THURSDAY

The Lord of the Rings: The Fellowship of the Ring in Concert
The Pacific Symphony, soprano Kaitlyn Lusk, voices/LA and Los Angeles Children’s Chorus unite under conductor Ludwig Wicki for the 25th anniversary of Howard Shore’s Academy Award-winning score, performing live as director Peter Jackson’s epic film is projected on a 60-foot screen.
7 p.m. Thursday and Friday; 1 and 7 p.m. Saturday. Peacock Theater, 777 Chick Hearn Court, downtown L.A. peacocktheater.com

Mozart & Brahms
Spanish conductor Roberto González-Monjas leads the L.A. Phil on Korngold’s “Straussiana,” Mozart’s “Piano Concerto No. 19 in F major, K. 459” (with pianist Mao Fujita), and Brahms’ “Symphony No. 4 in E minor, Op. 98.”
8 p.m. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

— Kevin Crust

Dispatch: Remembering a master actor

Trisha Miller, from left, Josey Montana McCoy, Peter Van Norden and Dan Lin in “Misalliance” at A Noise Within.

(Craig Schwartz)

Peter Van Norden, one of Los Angeles’ most accomplished stage actors, died Wednesday at age 75. A graduate of Colgate University, he worked steadily in film and television, wracking up notable credits (“The Accused,” “St. Elsewhere,” “Murder, She Wrote”) over four decades.

But it was in the classical theater where he distinguished himself with his command of language and depth of human understanding.

He didn’t need to be cast as the star to elevate a production. His textual fluency and incisive, unfussy intelligence set a standard for his fellow company members, who might not be able to match him but couldn’t help gaining inspiration from his veteran example.

Cast as pompous Polonious and the mordantly witty gravedigger in the 2022 Antaeus Theatre Company production of “Hamlet,” he made me wish I could have turned back the clock to see him as Hamlet. I felt similarly when I saw him play Alonso at the Shakespeare Theatre Center in the 2023 immersive production of “The Tempest.”

What might his Prospero be like, I wondered longingly? Later that year, he got the chance to show me in a rackety Antaeus Theatre Company revival that unfortunately failed to make the most of his poetic gifts.

He was better served by the graceful 2024 production of “Misalliance” at A Noise Within, where he played the wealthy underwear industrialist John Tarleton in a voluble comedy of ideas that proved Van Norden was as adept in crisp, rational, talky idiom of George Bernard Shaw as he was in the more supple iambic pentameter of Shakespeare.

He was slated to appear as Capt. Shotover in Antaeus’ upcoming production of “Heartbreak House,” Shaw’s masterpiece. It was a role he had long wanted to play, and I can’t imagine the part being better cast.

For his heroic service to Los Angeles theater, Van Norden received the 2024 Michael McCarty Recognition Award, honoring Los Angeles–based Actors’ Equity members who have built their lives in the theater. I remember cheering from my desk the moment the announcement landed in my email inbox. Sometimes the award gods get things right.

Van Norden, who is survived by his wife, Wendy, and his son, Robert, a film producer, inspired that kind of hearty, spontaneous, grateful applause. Whenever I saw his name in a theater program, I breathed more easily, knowing that whatever else might happen that evening I would at the very least have the pleasure and the privilege of another Van Norden master class.

— Charles McNulty

Culture news and the SoCal scene

Nael Nacer, from left, Andrea Martin and Susan Pourfar in “Meet the Cartozians” by Talene Monahon at Second Stage Theater.

(Photo: Julieta Cervantes)

Times theater critic Charles McNulty knows a good show when he sees one — but also when he reads one. And this past week he helpfully compiled a list of eight works that he’s read for award consideration — or seen outside of L.A. — that he believes deserve local productions. I’m not going to spoil it for you by listing them here, so you’ll just have to read the story.

Are you a budding artist, or even a seasoned one looking to step up your game? Times contributor Sarah Fensom put together a handy list of seven L.A. figure drawing events and classes that feature unique concepts including high fashion and nude muscle men. Find your perfect match, here.

The Lucas Museum of Narrative Art in Los Angeles.

(Myung J. Chun / Los Angeles Times)

The Lucas Museum of Narrative Art is set to open on Sept. 22, but it announced some exciting news this week: It is giving free annual passes to its South L.A. neighbors in the 90037 ZIP code. The LM37 passes entitle holders to reserve tickets for themselves along with a guest. Tickets for non-pass holders go on sale July 21 and cost $25 for adults and $21 for seniors. Kids 17 and under are free.

On the heels of its 60th season, East West Players, the largest and longest-running Asian American theater in the country, announced its 2026-27 slate. “This season is the first chapter of East West Players’ next sixty years, a bold invitation to imagine what Asian American theater can become,” said artistic director Lily Tung Crystal in a statement. “By centering new voices, we’re not just honoring our legacy, but shaping the canon for generations to come.” The mainstage season will include the Southern California premiere of Jaclyn Backhaus’ comedy “Wives,” the Los Angeles premiere of the eponymously titled work “Kristina Wong, #Foodbankinfluencer” by the Pulitzer Prize finalist and East West Players’ New Works Festival. The group is also enticing theatergoers with new ticketing options: Pay-What-You-Will for every show and the Emerging Artist Membership, a free program for theatergoers ages 18 to 35, which guarantees $20 orchestra seats for them and a guest.

The Smithsonian Museum of American History on the National Mall in Washington.

(Pablo Martinez Monsivais / Associated Press)

A new White House report calls leadership of the Smithsonian Institution radical activists who “cannot be trusted to tell America’s story honestly and in a way that is inspiring, unifying, and worthy of our great republic.” The report specifically singles out the National Museum of American History, and culture watchers fear it’s paving the way for Trump to install his own team of leaders as he did at the Kennedy Center.

Speaking of the Kennedy Center, Trump appealed a court decision to remove his name from the building’s facade, but this week an appeals court denied his request.

— Jessica Gelt

And last but not least

We can all stop taking our kids to live-action remakes of Disney classics. Seriously. Times film critic Amy Nicholson breaks down why in this crushing review of the new live-action “Moana.”

Fox News declined to broadcast an ad Sunday about the violence that law-enforcement members faced as they tried to stop the Jan. 6 insurrection at the U.S. Capitol, according to the creators of the political commercial.

“We couldn’t have fathomed in our wildest imaginations that even a Fox News would reject an ad that simply condemns the insurrection, and condemns people who support the insurrection,” said Ben Meiselas, one of the co-founders of MeidasTouch, the liberal Political Action Committee that created the 60-second ad. “What Fox has really become is a fascist echo chamber gatekeeper for their base.”

Broadcast and cable networks have discretion in refusing to air ads by political campaigns and advocacy groups. A Fox News spokeswoman did not respond to a request for comment on Saturday.

Meiselas and his two brothers, Brett and Jordan, said they placed the ad buy as they have in the past, but were informed over the phone on Friday that the cable network would not air the ad and were not given a reason. Fox News has never before refused to air one of their ads without offering suggestions for edits, they said.

The commercial features law-enforcement officers testifying in Congress and speaking to the media about their experiences during the insurrection, including getting sprayed with bear mace, engaging in hand-to-hand combat and being called “traitors.”

“It’s been very difficult seeing elected officials and other individuals whitewash the events of that day or downplay what happened,” DC Metropolitan Police Officer Michael Fanone says in a clip from a CNN interview as images of House Minority Leader Kevin McCarthy, Senate Minority Leader Mitch McConnell and other GOP elected officials are shown on screen.

The ad ends with block letters that say” “The GOP Betrayed America. We Will Never Forget.”

The ad has gone viral on social media, racking up more than 1 million views on Twitter.

Fox News is the target of multibillion-dollar defamation lawsuits by voting system and software makers over its coverage of the integrity of the 2020 presidential election. Dominion Voting Systems and Smartmatic accused Fox News of irresponsibly broadcasting falsehoods that their technology and equipment were used to rig the election. The fraud claims are among the factors that led to the insurrection as lawmakers were voting to certify the election results.

Fanone, who suffered a heart attack after rioters beat him with a flagpole and repeatedly stunned with him with his Taser gun on Jan. 6, is among the law-enforcement members who have been vocal critics of Republican lawmakers who blocked the creation of a commission to study what happened that day.

The House of Representatives approved a plan to create a bipartisan commission to investigate the insurrection on a 252-175 vote; but in the Senate, it received 54 votes in late May, six shy of the number required to bring the proposal up for debate.

A spokeswoman for President Biden on Thursday ruled out creating a presidential commission to study the matter, aligning the White House with House Speaker Nancy Pelosi in the belief that such an inquiry needed to be instigated by Congress.

MeidasTouch booked nearly $185,000 of air time to play the ad on Fox News between June 6 and 15, starting with Chris Wallace’s Sunday show and continuing for seven days on “Fox and Friends” as well as two spots on daytime programs and one more on Wallace’s show next weekend.

Brett Meiselas noted that many shows on the network routinely talk about “cancel culture.”

“The fact they want to cancel and censor the voices of law enforcement who bravely guarded the Capitol. It’s the height of hypocrisy, and it’s un-American,” he said.

MeidasTouch is a liberal political action committee formed in 2020 by the three brothers, who have notable ties to Hollywood. Their father is a prominent attorney who represents musicians including Lady Gaga.

Ben Meiselas is a lawyer whose clients include former NFL quarterback Colin Kaepernick. Brett Meiselas was an editor on Ellen DeGeneres’ talk show. Jordan Meiselas, a former marketer, is now working full time on the PAC.

The PAC made anti-Trump videos during the 2020 presidential race and supported Democrats during the special Georgia Senate races earlier this year. The PAC did not receive as much attention as anti-Trump groups such as the Lincoln Project; it spent about $4.2 million last year.

Dodgers should not visit the White House

From Bill Plaschke: Surely they hear the chants. They must hear the wonderful chants.

“Let’s go, Doyers! Let’s go, Doyers!”

Surely they see the faces? They can’t miss the gloriously diverse faces.

All shades, all colors, 4 million faces surrounding them with resounding support and unrequited love.

The Dodgers do know they play in Los Angeles, right?

Then why in the hell do they insist on embracing the person trying to tear this city apart?

This is an old issue, it’s been written before, it’s been debated ad nauseam, but it’s happening again and remains as sickening as ever.

The Dodgers are going to celebrate their 2025 World Series title with President Trump at the White House on July 23, it was confirmed Thursday.

Just like last season.

Seriously.

Continue reading here

Dodgers scheduled to visit White House in late July to celebrate 2025 World Series win

World Cup spurs grass/artificial turf NFL debate

From A.J. Perez: FIFA’s natural grass transformation of SoFi Stadium and six other NFL stadiums with artificial surfaces for this summer’s World Cup reignited the debate over grass versus synthetic turf.

Las Vegas Raiders owner Mark Davis long ago took a side in the fight.

“I just always felt that football should be played on grass,” Davis told The Times. “That’s for safety purposes, No. 1. I want it to look like a game was played even if it’s an indoor field. You see grass stains and everything else. I wasn’t going to a stadium without it being grass once I knew that capability was there. Obviously, it added a lot of cost, but it’s worth it.”

FIFA spent millions to lay new grass atop all 11 NFL stadiums and most of the other five stadiums that hosted World Cup games in Mexico and Canada — and some NFL players see this summer’s temporary changeover as the league’s touch-grass moment.

Continue reading here

The world came for soccer. What it discovered about America in 1994 was something else.

Steve Cherundolo will lead U.S. men’s soccer team that will compete in 2028 Olympics

Thursday’s World Cup results

France 2, Morocco 0

Today’s World Cup TV schedule

All times Pacific
Noon, Belgium vs. Spain, Fox, Telemundo

World Cup quarterfinals schedule, results

All times Pacific
All games on Fox and Telemundo

France 2, Morocco 0

Friday
Belgium vs. Spain, noon

Saturday
Norway vs. England, 2 p.m.
Switzerland vs. Argentina, 6 p.m.

Semifinals schedule

Tuesday
France vs. Belgium or Spain, noon

Wednesday
Norway or England vs. Switzerland or Argentina, noon

Third-place match

Saturday, July 18, 2 p.m.

Championship match

Sunday, July 19, noon

Kawhi Leonard trade is put on hold

From Steve Henson: The Toronto Raptors put the brakes on acquiring Kawhi Leonard from the Clippers, announcing Thursday that the trade is on hold until the NBA investigation into whether the Clippers circumvented salary cap rules is complete.

“The NBA league office informed us that as a result of the ongoing investigation involving the Clippers, we would assume the risk of any potential outcome of the investigation impacting Kawhi,” the Raptors said. “In light of this, we will wait until the league’s investigation is complete.”

The teams last month finalized a trade to send Leonard to Toronto for forward Brandon Ingram, shooting guard Gradey Dick, two first-round draft picks, a pick swap and two second-round picks. Leonard spent the last seven seasons with the Clippers after leading the Raptors to the 2019 NBA championship.

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UCLA lands big name

From Steve Galluzzo: UCLA coach Mick Cronin won a spirited recruiting battle for one of the top European prospects, landing wing player Nikola Kusturica on Thursday.

Kentucky, Michigan and Gonzaga had courted Kusturica, a 6-foot-9 Serbian who is among the top 17-year-old players in Europe. Recruiting websites listed Kusturica as a five-star prospect, and college basketball analysts at Field of 64 and other outlets project Kusturica could be a top-five 2028 NBA draft pick.

UCLA announced it received a signed grant-in-aid agreement from Kusturica, who will join the Bruins for the upcoming season.

Continue reading here

No charges filed against Rams’ Alaric Jackson

From Austin Knoblauch: Rams offensive lineman Alaric Jackson is not facing charges related to his arrest last month on suspicion of domestic violence, the Los Angeles City Attorney’s office confirmed.

“Charges are not filed against the respondent at this time, however, the case stays open throughout the length of the statute of limitations. It can be re-evaluated if there are further developments,” said Ivor Pine, a spokesperson for the Los Angeles City Attorney’s Office.

Pine said the matter has been assigned for a City Attorney hearing, a pre-filing diversion that is an alternative to misdemeanor prosecution.

Continue reading here

Ducks keep Leo Carlsson

The Ducks have matched the Philadelphia Flyers’ offer sheet for center Leo Carlsson, keeping their rising young star at an extraordinary cost.

The Ducks announced their decision Thursday on the 21-year-old Carlsson, who is now the NHL’s highest-paid player under the five-year, $90-million deal extended by the Flyers one week ago.

“It’s going to be a special feeling, having this pressure,” said Carlsson, who wasn’t told the Ducks were matching the offer sheet until shortly before the decision was made public. “I always wanted to be a Duck. It’s my home, too. I’m just super excited to be back.”

Although he didn’t produce points at a rate commensurate with his new salary during his first three seasons, almost everyone believes Carlsson can become one of the best centers in hockey, so his deal might eventually look downright affordable.

He scored 67 points in 70 games last season despite being limited for a lengthy stretch by a leg injury, and he added 11 points in 12 games during his first postseason experience.

Continue reading here

Angels lose to Rangers

Wyatt Langford lined a shot off the wall in left field to bring home Alejandro Osuna in the ninth inning, lifting Texas to a 7-6 victory over the Angels after the Rangers blew a five-run lead Thursday night.

Langford struck out three of his first four times up as the designated hitter after getting activated from the 10-day injured list in his return from a left hamstring strain.

Osuna led off the ninth with a single and went to second on pinch-hitter Nicky Lopez’s sacrifice bunt. Langford lined a 1-and-1 fastball from former Texas closer Kirby Yates (0-4) over Jose Siri’s head for the winning single.

Jo Adell had a tying, pinch-hit single to cap a five-run seventh a night after homering twice in the Angels’ 13-1 victory.

Continue reading here

Angels box score

MLB standings

This day in sports history

1926 — Bobby Jones wins the U.S. Open golf tournament for the second time with a 293 total.

1951 — Britain’s Randy Turpin defeats Sugar Ray Robinson in 15 rounds to win the world middleweight title and give Robinson his second loss in 135 bouts.

1960 — UEFA European Championship Final, Parc des Princes, Paris, France: Viktor Ponedelnik scores in extra time as Soviet Union beats Yugoslavia, 2-1.

1971 — Lee Trevino rebounds from a double-bogey on the next to last hole with a birdie on the final hole to win the 100th British Open by one stroke over Lu Liang-Huan. Trevino, who won the U.S. Open a month earlier, is the fourth golfer to win both championships in the same year, joining Bobby Jones (1926, 1930), Gene Sarazen (1932), and Ben Hogan (1953).

1976 — Johnny Miller shoots a 66 in the final round to beat 19-year-old Spaniard Seve Ballesteros by six strokes to take the British Open. Ballesteros, who starts the final round two strokes ahead of Miller, shoots a 74 and ends tied for second place with Jack Nicklaus.

1992 — The Major Soccer League, the only major nationwide pro soccer competition in the United States, folds after 14 seasons.

1999 — Team USA wins the Women’s World Cup over China in sudden death. The Americans win 5-4 in penalty kicks, with defender Brandi Chastain kicking in the game winner.

2010 — Paula Creamer wins her first major tournament, never giving up the lead during a steady final round of the U.S. Women’s Open. Creamer shoots a final-round 2-under 69 for a 3-under 281 for the tournament.

2010 — Spain wins soccer’s World Cup after an exhausting 1-0 victory in extra time over the Netherlands. In the end, it’s Andres Iniesta breaking free and scoring a right-footed shot from 8 yards just past the outstretched arms of goalkeeper Maarten Stekelenburg.

2011 — The United States advances to the semifinals after one of the most exciting games ever at the Women’s World Cup in Dresden, Germany. The U.S. beat Brazil 5-3 on penalty kicks after a 2-2 tie. Abby Wambach scores a thrilling goal to tie it in the 122nd minute, and goalkeeper Hope Solo denies the Brazilians again.

2016 — Andy Murray wins his second Wimbledon title by beating Milos Raonic 6-4, 7-6 (3), 7-6 (2) on Centre Court.

2016 — Brittany Lang wins her first career major at the U.S. Women’s Open when Anna Nordqvist touches the sand with her club in a bunker for a two-stroke penalty in the three-hole aggregate playoff. The penalty occurs on the second hole of the playoff and is not delivered to the players until they were on the final hole after officials review replays in the latest controversy at a USGA event. Lang seals the win with a short par putt on the final playoff hole, while Nordqvist makes bogey to lose by three shots.

2017 — An independent review of the scoring in Manny Pacquiao’s contentious WBO welterweight world title loss to Jeff Horn confirms the outcome in favor of the Australian. A Philippines government department asked the WBO to review the refereeing and the judging of the so-called “Battle of Brisbane” in Australia on July 2 after Horn, fighting for his first world title, won a unanimous points decision against Pacquiao, an 11-time world champion. The WBO said three of the five independent judges who reviewed the bout awarded it to Horn, one awarded it to Pacquiao and one scored a draw.

2021 — Ashleigh Barty of Australia wins Wimbledon defeating Karolina Pliskova of the Czech Republic 6-3, 6-7, 6-3.

2022 — Wimbledon Men’s Tennis: Novak Đoković wins 4th straight and record equaling 7th Wimbledon singles title with a 4-6, 6-3, 6-4, 7-6 win over Nick Kyrgios of Australia; Đoković now has 21 Grand Slam titles.

Compiled by the Associated Press

This day in baseball history

1917 — Ray Caldwell of New York pitched 9 2-3 innings of no-hit relief as the Yankees beat the Browns 7-5 in 17 innings in St. Louis.

1932 — The Philadelphia A’s defeated Cleveland 18-17 in an 18-inning game in which John Burnett of the Indians had a record nine hits. Jimmie Foxx collected 16 total bases, and Eddie Rommell of the A’s pitched 17 innings in relief for the win, despite giving up 29 hits and 14 runs.

1934 — Carl Hubbell struck out Babe Ruth, Lou Gehrig, Jimmie Foxx, Al Simmons and Joe Cronin in succession, but the AL came back to win the All-Star game 9-7 at the Polo Grounds as Mel Harder gave up one hit in the last five innings.

1936 — Philadelphia’s Chuck Klein hit four home runs in a 9-6 10-inning victory over the Pirates, and it wasn’t in the cozy Baker Bowl. He hit them in Pittsburgh’s spacious Forbes Field, including the game-winning three-run shot in the 10th off Bill Swift. Klein almost homered in the second inning when he sent Pirates outfielder Paul Waner to the wall in right to haul in a long fly ball.

1947 — Don Black of the Cleveland Indians pitched a 3-0 no-hitter over the Philadelphia A’s in the first game of a twin bill.

1951 — The NL hit four homers en route to an 8-3 triumph at Detroit, giving the league consecutive All-Star victories for the first time.

1968 — The American League and National League agreed to split into two divisions in 1969. The twelve teams in each league will be divided and play a best-of-five games League Championship Series to determine the pennant winner.

1982 — Larry Parrish of the Texas Rangers hit his third grand slam in seven days, off Milt Wilcox in the first game of a doubleheader against Detroit. The Rangers beat the Tigers 6-5. Parrish had hit his first on July 4 and his second on July 7.

2001 — Cal Ripken upstaged every big name in the ballpark, hitting a home run and winning the MVP award in his final All-Star appearance to lead the American League over the Nationals 4-1. Derek Jeter and Magglio Ordonez connected for consecutive home runs as the AL won its fifth in a row.

2007 — Seattle’s Ichiro Suzuki went 3-for-3 with an inside-the-park home run to lead the American League to a 5-4 victory over the National League in the All-Star game.

2009 — Jonathan Sanchez pitched the majors’ first no-hitter of the season, recording a career-high 11 strikeouts in San Francisco’s 8-0 win over the San Diego Padres. The only runner the Padres managed came on an error by third baseman Juan Uribe in the eighth.

2012 — San Francisco’s Melky Cabrera and Pablo Sandoval keyed a five-run blitz against Justin Verlander in the first inning that powered the NL to an 8-0 romp over the American League in the All-Star game.

2013 — David Ortiz doubled in his first at-bat to become baseball’s career leader in hits as a designated hitter and hit a two-run homer an inning later, leading Boston Red Sox to an 11-4 victory over Seattle. Ortiz entered the night tied with Harold Baines for the most hits as a DH.

2014 — Derek Jeter, playing his final regular-season game in Cleveland, went 2 for 4 in the 1,000th multi-hit game of his career. Cleveland scored nine runs in its last two innings at bat to rally past New York with a 9-3 win.

2019 — The independent Atlantic League introduces a “robot umpire” to call balls and strikes at its annual all-star game in York, PA.

2022 — In the 8th inning of their game against the White Sox, Tigers outfielder Robbie Grossman drops a routine fly ball hit by Luis Robert and is charged with his first error since June 13, 2018, ending the longest errorless streak by any player at any position in major league history after 440 games. Worse, the error proves costly as Robert later comes around to score in a 4-2 ChiSox win.

2023 — Vladimir Guerrero Jr. wins the annual Home Run Derby, held this year at T-Mobile Park in Seattle, WA, by defeating Randy Arozarena in the final round. His father, Hall of Famer Vladimir Guerrero, had won the event in 2007, and Vladito had finished runner-up in his first participation as a rookie in 2019.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.