longer

Since the last international break, no player has scored more Premier League goals than Watkins’ nine.

Manchester City‘s Erling Haaland is second on that list with seven, while Nottingham Forest‘s Morgan Gibbs-White is the next best English player on five.

But, while Watkins may well be arguably England’s most in-form striker heading into the World Cup, realistically the spot everyone is vying for is the number one back-up position to captain Kane.

Ivan Toney has been in prolific form all season for Al-Ahli but playing in the Saudi Pro League means his numbers are difficult to directly compare with the other contenders.

Of the rest, Watkins’ 19 goals in all competitions puts him five ahead of both Dominic Calvert-Lewin, who returned to the England fold after a five-year exile in March, and Danny Welbeck, whose last cap was in 2018.

“He’s got to be on the plane,” former Villa midfielder Lee Hendrie said on Sky Sports when asked about Watkins’ chances of being included this summer. “Since being left out we’ve just seen a massive turning of the corner.

“He’s been relentless in front of goal, he’s shown his capabilities. He’s a totally different player to Harry Kane and gives them something different.”

The 61st Venice Biennale — the world’s most celebrated international exhibition of contemporary art — made headlines Thursday when its awards jury resigned amid a growing controversy over its April 23 decision to exclude countries charged with crimes against humanity by the International Criminal Court.

In the current moment, this specifically meant Israel and Russia, and an uproar ensued — particularly with regard to Israel. The Israel Foreign Ministry blasted the decision on social media, writing in an April 26 post that the boycott “is a contamination of the art world. The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination.”

The jury posted its brief statement of resignation online four days later “in acknowledgment” of its original decree, in which it wrote, “At this edition of the Biennale, we wish to set out our intention — to express our commitment to the defense of human rights,” before explaining it would not consider certain countries for awards.

The Biennale moved swiftly to reverse course after the jury’s resignation, issuing a news release that noted, “All National Participations included in the 61st Exhibition … are eligible … following the principle of inclusion and equal treatment among all participants. This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship. La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”

To that end, the awards ceremony originally scheduled to take place on May 9 has been pushed to November 22 — the last day the exhibition is open to the public. There is precedent for “exceptional circumstances” delays, and the last one took place in 2021 as a result of the COVID-19 pandemic.

Without precedent, however, are the newly established awards, created to replace the coveted Golden Lion awards that the jury traditionally hands out to two winners each year. This year, instead of the Golden Lion for best national participation at the Biennale; and the Golden Lion for best participant in the Biennale’s central exhibition, the Biennale has established two Visitors’ Lions to be awarded in the same categories.

Instead of a jury deciding the winners this year, the honor will be left — as the new award name specifies — to the exhibition visitors.

“Visitors eligible to vote for the Visitors’ Lions are ticket holders who have visited both Exhibition venues,” the release reads.

“Visits to both venues will be verified through the ticketing system’s tracking. Each ticket holder may cast one vote for each of the two awards, in one single session.”

Whether Visitors’ Lions will become a Biennale mainstay remains to be seen — but I can imagine the democratic idea might keep its place when the Golden Lions make their return next year.

I’m Arts editor Jessica Gelt doing my best to tread water in difficult times. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Quentin Lee and Justin Lin on the set of their debut feature, “Shopping for Fangs.”

(Margin Films)

Celebrating 30 Years of Margin Films
Award-winning filmmaker Quentin Lee and his production company mark three decades in the business with a weeklong screening series. Lee’s breakout 1997 debut “Shopping for Fangs,” co-directed by Justin Lin, is the opening film. Also screening: “Ethan Mao,” Saturday; “The People I’ve Slept With,” Sunday; “The Unbidden,” Monday; “Rez Comedy,” Tuesday; “Last Summer of Nathan Lee,” Wednesday; and a sneak peak of three episodes of the Canadian TV series “Comedy InvAsian III,” Thursday. Selected screening includes a Q&A. Lee is also releasing a book, “Cinemasianamerica,” commemorating the occasion.
Each film screens one day, 1:30, 4:30 and 7:30 p.m., through Thursday. Laemmle Royal, 11523 Santa Monica Blvd., West L.A. laemmle.com

Dvořák and Korngold
Conductor Andrés Orozco-Estrada and the Los Angeles Philharmonic pay tribute to Michael Tilson Thomas, who died April 22, with his composition “Agnegram,” and perform Korngold’s “Concerto in D major for Violin and Orchestra” with violinist María Dueñas. The evening concludes with “Symphony No. 7 in D minor” by Dvořák.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in “Warsaw” at International City Theatre.

(Jordan Gohara)

Warsaw
The world premiere of British playwright and “Selma” screenwriter Paul Webb’s drama about the fate of a woman whose life links two monumental historic moments, World War II and Sept. 11.
7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 17. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

SATURDAY

• • The Kronos Quartet, from left: Gabriela Díaz, David Harrington, Ayane Kozasa and Paul Wiancko.

(Danica Taylor)

Kronos Quartet
The West Coast premiere of the group’s latest large-scale multimedia project, “Three Bones,” which combines live performance, video, visual art, recordings and environmental sound to explore the histories of Indigenous, Gullah Geechee and Chinese American communities in the United States.
6 p.m. UC Santa Barbara campus, Campbell Hall. artsandlectures.ucsb.edu

Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the “The Prestige,” screening Saturday at the Aero.

(Francois Duhamel / Touchstone & Warner Bros. Pictures)

The Prestige
Hugh Jackman and Christian Bale square off as rival magicians in a 20th anniversary 35mm screening of Christopher Nolan’s sci-fi thriller.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

The cast of “Carlota: Alhajero de Secretos,” opening Saturday at LATC.

(Teatro Alebrijes)

Carlota: Alhajero de Secretos
Writer-directors Rodrigo García and Ugho Badú reimagine Federico García Lorca’s tragedy “The House of Bernarda Alba.” The co-production between San José-based LGBTQ+ ensemble Teatro Alebrijes and L.A.’s Latino Theater Company is in Spanish with English supertitles.
8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 24. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

SUNDAY

Henri Lubatti in “Exit the King” at A Noise Within.

(Daniel Reichert)

Exit the King
Eugène Ionesco’s classic absurdist comedy about a desperate monarch who refuses to admit his time has come, translated by Donald Watson and directed by Michael Michetti.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and May 8; opening night, 7:30 p.m. May 9; runs through May 31. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.

(Gerald Matzka / Getty Images)

Anna Lapwood
The popular organist performs work from “The Da Vinci Code,” “The Hunchback of Notre Dame,” “The Lord of the Rings,” “Star Wars Episode I – The Phantom Menace,” “Flight” and “Pirates of the Caribbean,” as well as Olivia Belli’s organ solo “Limina Luminis,” in this recital.
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

TUESDAY

Willie Birch, “Uptown Memories (A Day in the Life of the Magnolia Project),” 1995. Painted papier-mâché and mixed media, 82 × 62 × 60 in. New Orleans Museum of Art.

(Roman Alokhin)

Willie Birch: Stories to Tell
This career retrospective details Birch’s exploration of the Black American experience since the 1960s, posing difficult questions along the way in his work as an artist, community organizer and “cultural provocateur.”
10 a.m. to 5 p.m. Tuesdays to Saturdays; 11 a.m. to 5 p.m. Sundays, through Oct. 21. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

Lucía performs Tuesday at the Carpenter Center in Long Beach.

(Shervin Lainez)

Jazz in Long Beach
Two jazz-influenced acts come to the Carpenter Center next week. Lucía brings her signature mix of traditional American jazz and Latin folk in a Spotlight Sessions concert on the Cabaret Stage. She’ll also be performing songs from her forthcoming album. “The Magic of Manhattan Starring Benny Benack III” is a tribute to the Big Apple and the songs and singers most associated with it, including Blossom Dearie, Frank Sinatra and Billy Joel.
Lucía, 8 p.m. Tuesday; Benny Benack III, 7 p.m. Wednesday and Thursday. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Smith, Cabezas & Childs
Molly Turner conducts the LA Phil New Music Group, with multi-instrumentalist and vocalist Gabriella Smith, cellist Gabriel Cabezas and jazz pianist Billy Childs in a program of eco-friendly music curated by Smith, including compositions by Smith, Childs, Michael Gordon, John Cage and Esa-Pekka Salonen.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Andrés Jaramillo: A Journey of Immigrants, Part II
The Colombian American pianist follows up on his January 2025 program with a celebration of the global cultural exchange created by immigrants, placing Latin American composers within the Romantic tradition. Featuring works by Chopin, Calvo, Mejía, Barber, Lecuona, Friedhoff-Calvo and Pinzón-Arroyo. Presented by Piano Spheres.
8 p.m. Wednesday. Thayer Hall at Colburn School, 200 S. Grand Ave., downtown L.A. pianospheres.org

Morgan Freeman, left, and Brad Pitt star in David Fincher’s 1995 film “Seven.”

(Robert Isenberg / New Line Cinema)

Seven
A 4k screening of David Fincher’s 1995 thriller about two cops on the trail of a serial killer. Appearances by production designer Arthur Max and set decorator Clay Griffith.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

THURSDAY

“Dancing with Bob: Rauschenberg, Brown & Cunningham Onstage” at the Wallis, May 7 to 9.

(The Wallis Annenberg Center for the Performing Arts)

Dancing With Bob: Rauschenberg, Brown & Cunningham Onstage
This kinetic retrospective captures the cross-disciplinary collaborations between vanguard artist Robert Rauschenberg and choreographers Trisha Brown (“Set and Reset,” with an electronic score by Laurie Anderson) and Merce Cunningham (“Travelogue,” created with John Cage).
7:30 p.m. Thursday and May 8; 2 p.m. May 9. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The Physicists
Albert Einstein and Isaac Newton are residents of an insane asylum beset by murder, mayhem, espionage and questions about the morality and ethics of science in this 1962 German satire by Friedrich Dürrenmatt. Directed by Brent Hinkley.
8 p.m. Thursdays and Saturdays; 2 p.m. Sundays, through June 20. The Actors’ Gang Theater, 9070 Venice Blvd., Culver City. theactorsgang.com

Arts anywhere

New and recent releases of arts-related media.

The Adding Machine
Currently running at the Theater at St. Clement’s in Hell’s Kitchen, New York City, through May 17, this New Group production with a revised script by Thomas Bradshaw receives a one-time livestream next week. “[Elmer] Rice’s expressionist drama is known for being a tale of man vs. machine in an age of merciless efficiency, but inhumanity in a broader sense is its true core subject,” wrote Laura Collins-Hughes in a recent New York Times review. “The happy news about Scott Elliott’s handsome yet under-realized revival … is what a delight Daphne Rubin-Vega is to watch as Mr. Zero.” The cast also features Sarita Choudhury, Michael Cyril Creighton and Jennifer Tilly. The League of Live Stream Theater: 4 p.m. Tuesday. $40, includes 24-hour replay.

Art Work
Photographer and writer Sally Mann weighs in on the creative process with stories, advice and life lessons, all illustrated with photos, journal entries and letters, making for a compelling, often surprising journey. Abrams Books: 272 pages, $35

“Insomnia & Seven Steps to Grace” by Joy Harjo.

(Smithsonian Folkways Recordings)

Insomnia and Seven Steps to Grace
The new album by Joy Harjo, the first Native American to be named United States Poet Laureate, serving from 2019 to 2022, combines jazz, funk, rock and Native music sounds with her signature “vibration of love” as she boldly confronts injustice and draws inspiration from ancestral memory and the political turmoil of the moment. The double LP’s packaging features original art by Harjo and the poet’s extensive liner notes. Five-time Grammy winner Esperanza Spalding produced as well as contributed vocals and played bass on the project. Smithsonian Folkways: Double vinyl LP ($33), CD ($17), hi-res digital download ($13), digital download ($10).

— Kevin Crust

Culture news and the SoCal scene

Michael Tilson Thomas in 2018.

(Paul Marotta/Getty Images)

Times classical music critic Mark Swed wrote a lovely appreciation of conductor Michael Tilson Thomas, who died last week at the age of 81. Tilson Thomas, Swed wrote, “made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.”

LA Opera music director James Conlon is preparing to step down after a record 20 seasons with the company, and in a recent story, Swed cataloged his impressive numbers: “More than 500 performances of 70 different operas at the Dorothy Chandler Pavilion and occasional neighboring venues, such as the Cathedral of Our Lady of the Angels.” Swed attended a recent farewell gala and noted some highlights, including excerpts from “The Marriage of Figaro.”

Times theater critic Charles McNulty spent a recent trip to New York almost entirely in various Broadway theaters, catching up on what he says is a “strange season by all accounts.” McNulty notes that Broadway is still the place acting powerhouses like Adrien Brody, John Lithgow and Laurie Metcalf go in search of the kind of depthy material increasingly unavailable onscreen. He looks at four such shows — and their epic leading actors — including “Death of a Salesman,” “Giant,” “The Fear of 13” and “Dog Day Afternoon.”

David Henry Hwang (book adapter, “Flower Drum Song”) and Alexandra Silber (book adapter, “Brigadoon”) at the James Irvine Japanese Garden in Little Tokyo.

(Jason Armond/Los Angeles Times)

Malia Mendez wrote a great piece about a trio of classic musicals running concurrently in L.A. She takes a closer look at “Flower Drum Song,” adapted for East West Players by David Henry Hwang; “Brigadoon,” adapted for Pasadena Playhouse by Alexandra Silber; and “The Sound of Music” at the Hollywood Pantages. All three were originally written by two of the 20th century’s most dynamic and celebrated writing duos: Rodgers and Hammerstein (“Flower Drum Song” and “The Sound of Music”) and Lerner and Loewe (“Brigadoon”). And all still resonate in modern times.

Mendez also wrote about a special event taking place this weekend called Night at the Library — held as part of the downtown Central Library’s centennial celebration. “The four-hour extravaganza Saturday will feature more than 200 artists and 25 to 30 activations peppered throughout the library campus, plus DJ sets and local food truck fare. Highlighted performers include Bob Baker Marionette Theater and Los Angeles Master Chorale,” Mendez writes.

Doug Chiang, Podrace Crash, production art for “Star Wars: Episode I – The Phantom Menace,” 1995-99.

(Lucas Museum of Narrative Art)

The Lucas Museum of Narrative Art unveiled its inaugural exhibitions this week — noting that all 20 were curated by George Lucas himself. The $1-billion museum will open to the public on the first day of fall and the exhibits will be shown in more than 30 galleries spread over 100,000 square feet of exhibition space. And, yes, “Star Wars” memorabilia will be part of the “cinema” exhibit with large-scale vehicle installations, production designs, props and costumes.

Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre’s “Cabaret,” at the Old Globe.

(Courtesy of Cliff Roles)

The board of directors of San Diego’s Old Globe named Trish Santini as the theater’s new managing director. Santini joins Artistic Director Barry Edelstein as a co-chief executive, and enters her new role on July 1. Among other arts leadership posts, Santini was the inaugural executive director of Little Island in New York City, and led the launch of the $250-million public park and performance venue.

— Jessica Gelt

And last but not least

The Times Food section calls to me yet again with this headline: “L.A.’s best rotisserie chicken may be at this former gas station in Pasadena.”

THEY were once ‘like brothers’, touring the world together and dealing with global superstardom after being propelled into the spotlight aged just 16.

But now in their early 30s, Niall Horan and Harry Styles are “worlds apart” and living “vastly different lives”. Here, an insider tells us why the relationship has soured between the pair, and how the rest of One Direction are keeping their distance.

Fans first noticed cracks between the pair last month when Niall, 32, made barbed remarks about the cost of fame on an American podcast just days after Harry, also 32, said he found his superstardom “deeply isolating”.

Speaking on the Zach Sang show earlier this month, Niall cheerfully revealed how delighted he is to be living a “completely normal life” in London, travelling on the tube, walking his dog and going for beers with his mates in local boozers.

When asked if he minds being stopped by fans, the Irish singer remarked: “You cannot have your f***ing cake and eat it”.

Fans were quick to point out that the comment came shortly after Harry spoke about the cost of superstardom – and wondered if it was a dig in his direction.

Speaking to Runners’ World magazine for their May cover, Harry said that he found fame ‘deeply isolating’ and felt the need to withdraw from public life to protect himself.

As part of this, he moved to Italy, because it allows him to ‘live a quiet life’ and ‘reset’.

But the differing attitudes toward fame are part of reason why the pair are no longer close.

A source tells us: “The boys used to be like brothers, they were the best of friends and used to joke about what life would be like when they were old men and still hanging out together.

“Now they are about a million miles from that. They have gone their separate ways and are all living such different lives. 

“Niall is a real homebody; he loves being at their place in London with Mia and the dog, or with his family in Ireland. He’s not a kid anymore; he feels settled now, while Harry still jets all over the world and never seems to stay in one place for long.

“The pair of them hardly have anything in common now, and while Niall would never come straight out and criticise Harry, some things he says definitely make Niall’s eyes roll.”

While the Irish singer songwriter, who is worth £52 million, is completely at ease with being recognised when he’s out and about, scared Styles recently admitted all the unwanted attention left him wanting to become a recluse.

Speaking to US media, Niall claims he can live carefree in London. He says his life with long-term girlfriend Amelia Woolley – known as Mia – is not built around his work schedule and fame.

He added that he’s never minded being mobbed by One Direction’s devoted army of fans: “I don’t ever want it to be like, poor me. That was just the way it was – there were a lot of people around. 

“I just get out and do it, and people are going to come up to you and say hello. And that’s fine. 

“I used to be nearly afraid of that. I love it now. I basically live a completely normal life, really, apart from the fact that if I walk in somewhere, someone’s going to come up and say hello, that’s fine. 

“I walk the dog every day and go on the tube and go into town and go for beers. There’s nothing special.

“It’s a great thing. It’s something that when you were younger, you yearned for.

“We all want that normalcy in effect. You cannot have your f****ing cake and eat it, though, either. 

“I want to be out there doing my thing and getting up on stage. It’s the best f***ing thing in the world.”

This latest spat between the pop legends comes after we revealed Zayn Malik punched Louis Tomlinson in the face during a vicious row, cutting his head and leaving him concussed.

The former pals’ bruising clash came as they filmed a three-part road trip for a nostalgic Netflix documentary about the band, which has since been scrapped.

It emerged that Zayn had made a scathing remark about Louis’ mum, Johannah Deakin, who died of leukaemia in 2016.

Despite the frenzy of worldwide adulation, Niall says that down-to-earth fashion buyer Mia, 28, from Birmingham, keeps his feet firmly planted on the ground.

He went on: “You can sit at home and go like, it’s hard for me to do these things.

“But at times, it being uncomfortable or something can be a reason why you don’t do them. Or you can choose for that to not be a reason and you can do them anyway.

“When you shut out a lot of the things that are assumed can be negative, you also just unconsciously shut out a ton of positive things.

“We live a completely normal life outside of this.

“It’s like someone’s pressed pause on a stopwatch, and then when it clicked back in, I was just this different person. It’s really cool. It happened gradually, but when I think about it in hindsight, it felt like just night and day.

I basically live a completely normal life, if someone’s going to come up and say hello, that’s fine

Niall Horan

“My life just went from being all encompassing to having this good divide.

“I love it. I like having the balance. It’s pretty cool.

“I’ve gotten very good at. When I’m at home, I’m completely at home. I’m not doing anything. I just want to be at home.

“But I like going to work now and then being at home, I like it that way.

“Hopefully, I can keep doing that because it’s a nice little balance I’ve got going on. And it takes time to get to that.

“Amelia’s got her own life. She’s been doing her thing, and everything can’t be just surrounding me.

“It’s already weird enough that she used to fly to Amsterdam to come in on a five o’clock flight on a Friday. It can’t be like that all the time. 

“Bringing her into that is a really cool thing. And she feels that sense of pride and looks at the fans and sees the way they’re thinking and things like that. 

“It’s such a cool thing for her if I play her a song; she’s never had that before. It’s not like people were coming home in the evening from work and going, ‘Hey, I wrote you a song today.’

“That’s a new thing for her, too. The whole thing is a shock to the system, but our life is just not all about that.”

Niall previously dated Hailee Steinfeld and Ellie Goulding – resulting in Ed Sheeran writing the hit track Don’t about an apparent love triangle between the trio.

But Harry, who rented a mansion outside Rome and ran marathons using pseudonyms, feels very differently.

He explained recently: “A large part of the last couple of years has just been about, honestly, learning to like myself away from having so much of my value baked into whether other people are enjoying me or not.

“Learning that fears and feelings aren’t facts, and you can have a feeling about yourself and taking the time to be able to see what that is and see where that comes from.”

Pete Hegseth says the decision is based on the principle of ‘medical autonomy’ and criticises the mandate as ‘overreaching’.

United States Defense Secretary Pete Hegseth has said that the flu vaccine will no longer be obligatory for members of the country’s military, the latest step under President Donald Trump to shift vaccine policy in the federal government.

Hegseth said in a video shared on social media on Tuesday that the decision was based on principles of “medical autonomy” and religious freedom.

“We’re seizing this moment to discard any absurd, overreaching mandates that only weaken our warfighting capabilities. In this case, this includes the universal flu vaccine and the mandate behind it,” said Hegseth.

“The notion that a flu vaccine must be mandatory for every service member, everywhere, in every circumstance at all times is just overly broad and not rational.”

The Trump administration has framed vaccine refusal as a matter of personal moral and religious principle, rolling back some policies meant to safeguard against preventable diseases.

Hegseth’s directive allows various military services to request that the mandate be kept in place, giving them a window of 15 days to do so.

The announcement comes after what health officials described as a particularly severe flu season when infections surged in the US. Public health experts have recommended that everyone aged six months or older get an annual flu vaccine.

The second Trump administration has reflected some of the backlash to public health guidelines and mandates that were implemented during the COVID-19 pandemic.

Hegseth himself has called that period an “era of betrayal” for the country’s armed forces. More than 8,400 members of the military were ejected for failure to abide by a 2021 mandate to take the COVID-19 vaccine.

The Trump administration has also rolled back vaccine recommendations in other areas, announcing earlier this year that it would not recommend flu shots and other forms of vaccines for all children. A lawsuit was filed challenging that effort, and the policy was temporarily blocked by a federal judge as the legal challenge plays out.

President Joseph Aoun promised to work to preserve Lebanon’s sovereignty and freedom.

Lebanese President Joseph Aoun has said that the country would no longer be an “arena for anyone’s wars”, and that the ceasefire with Israel should lead to work on permanent agreements.

In a televised address to the Lebanese public on Friday, he said that Lebanon was no longer “a pawn in anyone’s game, nor an arena for anyone’s wars, and we never will be again”.

His speech comes a day after a 10-day ceasefire was announced between Lebanon and Israel, bringing respite from Israeli attacks that began on March 2, after Hezbollah fired at Israel, and have left more than 2,200 dead and more than a million displaced.

Aoun said that they were entering a phase of “transition from working on a ceasefire to working on permanent agreements that preserve the rights of our people, the unity of our land, and the sovereignty of our nation.”

He expressed gratitude to those who he said helped end the hostilities, naming United States President Donald Trump and “all our Arab brothers, foremost among them the Kingdom of Saudi Arabia”.

Aoun promised that any agreement reached would not infringe on the country’s rights or relinquish any of its land, and that the negotiations were not a weakness or a concession.

The ceasefire was announced days after Lebanon and Israel held their first direct talks in decades in Washington, which prompted criticism from the Lebanese population.

“Our objective is clear and declared: to stop Israeli aggression against our land and our people, to obtain Israeli withdrawal, to extend state authority over all its land by its own forces, to ensure the return of prisoners, and to enable our families to return to their homes and villages, in safety, freedom and dignity,” the president said.

Israel continues to occupy areas of southern Lebanon despite the truce, with Israeli Prime Minister Benjamin Netanyahu saying troops would not withdraw during the ceasefire.

WASHINGTON — The Senate approved a short-term renewal until April 30 of a controversial surveillance program used by U.S. spy agencies, following a chaotic, post-midnight scramble in the House to keep the authority from expiring.

The measure cleared the Senate by voice vote, without a formal roll call, as Congress raced to meet a Monday deadline. It now heads to President Trump, who had pushed for a clean 18-month extension, for his signature.

GOP leaders in the House rushed lawmakers back into session late Thursday with a series of back-to-back votes that collapsed in dramatic failure, before they quickly pushed ahead the stopgap measure as they race to keep the surveillance program running past Monday’s expiration date.

First they unveiled a new plan that would have extended the program for five years, with revisions. Then they tried to salvage a shorter 18-month renewal that Trump had demanded and Speaker Mike Johnson had previously backed. Some 20 Republicans joined most Democrats in blocking its advance.

Shortly after 2 a.m. they quickly agreed to the 10-day extension, which was agreed to on a voice vote without a formal roll call. It next goes to the Senate, which is gaveling for a rare Friday session, as Congress races to keep the surveillance program running.

“We were very close tonight,” said Johnson after the late-night action.

But Democrats blasted the middle-of-the-night voting as amateur hour. “Are you kidding me? Who the hell is running this place?” said Rep. Jim McGovern, D-Mass., during a fiery floor debate.

At the center of the standoff that has stretched throughout the week is Section 702 of the Foreign Intelligence Surveillance Act, which permits the CIA, National Security Agency, FBI and other agencies to collect and analyze vast amounts of overseas communications without a warrant. In doing so, they can incidentally sweep up communications involving Americans who interact with foreign targets.

U.S. officials say the authority is critical to disrupting terrorist plots, cyber intrusions and foreign espionage.

Surveillance program fight is a debate over privacy and security

Its path to passage has teetered all week in a familiar fight, as lawmakers weigh civil liberties concerns against intelligence officials’ warnings about national security risks.

Opponents of the surveillance tool point to past misuses. FBI officials repeatedly violated their own standards when searching intelligence related to the Jan. 6, 2021, attack on the Capitol and racial justice protests in 2020, according to a 2024 court order.

Trump and his allies had lobbied aggressively all week for a clean renewal of the program, without changes.

A group of Republicans traveled to the White House on Tuesday, and on Wednesday CIA Director John Ratcliffe spoke directly with GOP lawmakers. House Majority Leader Steve Scalise said Thursday there had “been negotiations late into the night with the White House and some of our members.”

“I am asking Republicans to UNIFY, and vote together on the test vote to bring a clean Bill to the floor,” Trump wrote on Truth Social this week. “We need to stick together.”

The result of days of negotiations

Thursday’s proceedings came to a standstill as lawmakers retreated behind closed doors and Johnson reached for an agreement to resolve the standoff.

Shortly before midnight GOP leaders announced a new proposal, a five-year extension, with revisions. The changes were designed to win over skeptics of the surveillance program who have demanded greater oversight to protect Americans’ privacy.

Among the changes are new provisions to ensure that only FBI attorneys can authorize queries on U.S. persons, and to require the Office of the Director of National Intelligence to review such cases, said Rep. Austin Scott, R-Ga., during the debate.

But the final product, a 14-page amendment, did not go far enough for some holdouts in either party.

With Johnson controlling a slim majority, he has little room for dissent. As the Republicans fell short on both efforts before the short extension, a handful of Democrats stepped in to try to help them advance the longer extensions, but most Democrats were opposed.

“We just defeated Johnson’s efforts to sneak through a 5-year FISA authorization tonight,” said Democratic Rep, Ro Khanna of California. “Now, they will have to fight in daylight.”

Cappelletti and Mascaro write for the Associated Press.

easyJet issued an ‘important update’ earlier this month

easyJet has issued an alert to passengers travelling to more than 100 destinations with the airline after a major rule change that has come in post-Brexit.

In an “important update” issued earlier this month, easyJet warned queue times may be affected and said: “Airports across Europe may experience longer queues at passport control whilst the new European Entry/Exit System (EES) border checks are being completed. This will mean you may need to have your biometrics taken including your face and fingerprints scanned.”

Passengers are advised to plan travel to and through the airport, factoring in that they may have to queue for longer than previously. Anyone who needs to use Bag Drop should do so as soon as it opens, and travellers should make sure they have all necessary documents to hand.

easyJet is also urging people to go through security as early as possible and to head to the gate or boarding area as soon as it is announced. The travel operator further said there may be additional checks at passport control before your gate and added: “You may experience longer queues in your arrival airport”.

Full list of easyJet destinations under the new EES

• Ajaccio, Corsica (AJA) – France
• Akureyri (AEY) – Iceland
• Alicante (ALC) – Spain
• Almeria (LEI) – Spain
• Amsterdam (AMS) – Netherlands
• Athens (ATH) – Greece
• Barcelona (BCN) – Spain
• Bari (BRI) – Italy
• Basel (BSL) – Switzerland
• Bastia, Corsica (BIA) – France
• Berlin Brandenburg (BER) – Germany
• Biarritz (BIQ) – France
• Bilbao (BIO) – Spain
• Bordeaux (BOD) – France
• Brest Brittany (BES) – France
• Brindisi (BDS) – Italy
• Brussels Intl (BRU) – Belgium
• Budapest (BUD) – Hungary
• Burgas (BOJ) – Bulgaria
• Calvi, Corsica (CLY) – France
• Copenhagen (CPH) – Denmark
• Corfu (CFU) – Greece
• Costiera Amalfitana Salerno, Naples (QSR) – Italy
• Crete Chania (CHQ) – Greece
• Crete Heraklion (HER) – Greece
• Dubrovnik (DBV) – Croatia
• Dusseldorf (DUS) – Germany
• Evenes-Lofoten (EVE) – Norway
• Faro (FAO) – Portugal
• Figari, Corsica (FSC) – France
• Frankfurt International (FRA) – Germany
• Friedrichshafen (FDH) – Germany
• Fuerteventura (FUE) – Spain
• Geneva (GVA) – Switzerland
• Gibraltar (GIB) – Gibraltar
• Gran Canaria (LPA) – Spain
• Grenoble (GNB) – France
• Hamburg (HAM) – Germany
• Ibiza (IBZ) – Spain
• Innsbruck (INN) – Austria
• Kalamata (KLX) – Greece
• Kefalonia (EFL) – Greece
• Kittila (KTT) – Finland
• Kos (KGS) – Greece
• Krakow (KRK) – Poland
• La Coruña (LCG) – Spain
• La Rochelle (LRH) – France
• Lamezia (SUF) – Italy
• Lanzarote (ACE) – Spain
• Lille (LIL) – France
• Lisbon (LIS) – Portugal
• Ljubljana (LJU) – Slovenia
• Luxembourg (LUX) – Luxembourg
• Lyon (LYS) – France
• Madeira Funchal (FNC) – Portugal
• Madrid (MAD) – Spain
• Majorca Palma (PMI) – Spain
• Malaga (AGP) – Spain
• Malta (MLA) – Malta
• Marseille Provence (MRS) – France
• Menorca Mahon (MAH) – Spain
• Milan Linate (LIN) – Italy
• Milan Malpensa (MXP) – Italy
• Montpellier (MPL) – France
• Munich (MUC) – Germany
• Murcia Intl (RMU) – Spain
• Mykonos (JMK) – Greece
• Nantes (NTE) – France
• Naples (NAP) – Italy
• Nice (NCE) – France
• Oslo (OSL) – Norway
• Paris Charles de Gaulle (CDG) – France
• Paris Orly (ORY) – France
• Pisa (Tuscany) (PSA) – Italy
• Porto (OPO) – Portugal
• Porto Santo (PXO) – Portugal
• Prague (PRG) – Czech Republic
• Preveza (PVK) – Greece
• Pula (PUY) – Croatia
• Rennes (RNS) – France
• Reus (REU) – Spain
• Reykjavik Keflavik (KEF) – Iceland
• Rhodes (RHO) – Greece
• Rimini (RMI) – Italy
• Rome Fiumicino (FCO) – Italy
• Rovaniemi (RVN) – Finland
• Salzburg (SZG) – Austria
• Santa Cruz de la Palma (SPC) – Spain
• Santiago de Compostela (SCQ) – Spain
• Santorini (JTR) – Greece
• Sardinia Cagliari (CAG) – Italy
• Sardinia Olbia (OLB) – Italy
• Scandinavian Mountains (SCR) – Sweden
• Seville (SVQ) – Spain
• Sicily Catania (CTA) – Italy
• Sicily Lampedusa (LMP) – Italy
• Sicily Palermo (PMO) – Italy
• Skiathos (JSI) – Greece
• Sofia (SOF) – Bulgaria
• Split (SPU) – Croatia
• Strasbourg (SXB) – France
• Tenerife South (TFS) – Spain
• Thessaloniki (SKG) – Greece
• Toulouse (TLS) – France
• Tromsø (TOS) – Norway
• Turin (TRN) – Italy
• Valencia (VLC) – Spain
• Venice Marco Polo (VCE) – Italy
• Verona (VRN) – Italy
• Vienna (VIE) – Austria
• Zadar (ZAD) – Croatia
• Zante Zakynthos (ZTH) – Greece
• Zurich (ZRH) – Switzerland

The EES applies to 29 countries: Austria, Belgium, Bulgaria, Croatia, Czechia, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, and Switzerland. The above list of airports are the Schengen area destinations you can fly to with easyJet from the UK, as of the airline’s website at the time of publication.