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When major disasters strike, Americans are routinely waiting weeks — or even months — to receive presidential approval for aid. And if they live in a state that didn’t support President Trump, chances are greater that aid will be denied.

Since taking office last year, Trump has approved about 65 requests for major disaster declarations and denied more than two dozen others from states, tribes or territories seeking federal financial assistance following hurricanes, tornadoes, storms, floods and fires.

Trump has taken longer on average to approve disaster requests than any other president, according to an Associated Press analysis of data dating back to 1989, when a federal law setting new parameters for disaster determinations was implemented. And no other president has such a disparity in denials between states that supported him politically and those that did not.

The delays and denials come as Trump’s administration contemplates a makeover of the Federal Emergency Management Agency, which administers disaster aid. Major disaster declarations are intended for events that are beyond the resources of state and local governments.

Trump is saying yes to Republicans more than Democrats

During his second term, Trump has denied a greater percentage of disaster requests than any president dating to 1989. Those denials have not been evenly distributed among states.

Trump has approved 80% of the disaster requests from Republican governors but only about 60% from Democratic governors, according to the AP’s analysis of FEMA data.

The discrepancy is even more apparent when analyzing major disaster declarations based on presidential elections. Trump has approved more than three-fourths of the requests from states that voted for him in the 2024 election but less than half the requests from states that did not. Although there are federal criteria for disaster aid, decisions ultimately are at the president’s discretion.

A batch of denials earlier this month included four Democratic states — Massachusetts, New Jersey, New York and Rhode Island — seeking federal aid for a February snowstorm.

“The President’s denial is part of a pattern of extreme partisanship as he tries to shift a heavier economic burden onto blue states. Disaster aid should be merit-based, not politicized,” Rhode Island’s Democratic U.S. Senate and House members said in a joint statement.

White House spokesperson Abigail Jackson said in a statement that “there is no politicization to the President’s decisions on disaster relief.”

During his first term, Trump actually approved a greater share of requests from states that had opposed him than those that supported him.

Yet no other president had such a wide partisan divide in disaster declarations as currently exists under Trump. Obama approved 87% of the disaster requests from Democratic governors during his second term and 79% from Republican governors, but Obama’s approval rate was identical for states that voted for and against him.

When requests are denied, individuals, insurers and local governments are left to shoulder the costs themselves.

Trump is waiting longer to declare disasters

Since Trump assumed office last year, it’s taken him an average of a month and a half to approve major disaster declarations after receiving a request from the governor or chief executive of a state, territory or tribe, the AP found. Because it can take several weeks after a disaster for officials to inspect the damage and submit a request, the total wait time often has exceeded two months.

By comparison, Trump approved major disaster requests in an average of about three weeks during his first term, a pace similar to President Joe Biden. Their predecessors — Presidents Barack Obama, George W. Bush, Clinton and George H.W. Bush — all had average disaster approval times of less than two weeks.

All presidents have taken longer to approve some requests. But that’s become the norm in Trump’s second term. Of Trump’s approvals, 70% have taken at least a month — up from about one-quarter of requests during Trump’s first term and Biden’s administration, and fewer than 10% under their predecessors.

Jackson said that Trump conducts a more thorough review than any administration before him, “ensuring American tax dollars are used appropriately and efficiently by the states to supplement — not substitute — their obligation to respond to and recover from disasters.”

The longer the approval process takes, the longer people must wait to receive federal aid for daily living expenses, temporary lodging and home repairs. Delays in major disaster declarations also can hamper recovery efforts by local officials uncertain whether they will receive federal reimbursement for cleaning up debris and rebuilding infrastructure.

FEMA nominee is pledging faster decisions

FEMA has had four different temporary leaders since Trump took office in January 2025. One of those, Cameron Hamilton, is awaiting Senate confirmation as the agency’s permanent director.

During a Senate committee hearing last month, Hamilton said he would try to speed up disaster declaration decisions and reimbursements. He also pledged to ensure that FEMA is objective, fair and reasonable in reviewing disaster declaration requests and making recommendations to the president.

Hamilton, a former Navy SEAL, had been fired as FEMA’s acting director in May 2025 after publicly disagreeing with Trump’s idea of dismantling the agency. His reemergence signals that Trump now may support changes to FEMA instead of an outright elimination of the agency.

Panel’s recommendations could lead to more denials

A council appointed by Trump has recommended a series of changes to FEMA that would shift greater responsibility to states, potentially reducing the number of major disaster declarations and the amount of federal money paid out.

The council suggested revised criteria to qualify for presidential declarations, including a prerequisite of annual minimum expenditures by states, territories and tribes.

Another recommendation, which would require congressional approval, would reduce the federal government’s share of the disaster aid from a minimum of 75% to 50% of the costs, leaving state and local governments more to cover. For governments approved for assistance, federal funding could get there quicker — within 30 days of a federal disaster declaration, instead of waiting months or years for reimbursements that are based on proof of expenditures.

For individuals, the council recommended consolidating several different types of aid into one payment targeted for those whose homes are uninhabitable.

Lieb and Wildeman write for the Associated Press.

A rule change could see Brits heading to Turkey being ‘caught out’

British holidaymakers could find themselves affected by a rule change in Turkey. The destination remains enormously popular with tourists, boasting a wealth of resorts, and was visited by millions of UK travellers in 2025 alone.

With industry experts predicting a bumper summer for international travel, it’s anticipated that countless families and holidaymakers are preparing for trips to Turkey over the coming weeks and months. While travelling overseas, many people opt for international eSIMs, but anyone intending to use one in Turkey should take note of a new regulation.

You’ll need to activate the eSIM before you board your flight, as this cannot be done once you touch down in Turkey. Travel expert at Holafly Juan David Soler said: “eSIMs have become the go-to option for Brits wanting affordable mobile data abroad without the hassle of physical SIMs or costly roaming.

“But now, travellers will no longer be able to activate a new eSIM once they arrive in Turkey. To avoid getting caught out, UK travellers should ensure their eSIM is fully downloaded and activated before leaving the UK.

“This means setting up your digital SIM while still on UK networks, and confirming it’s working properly before departure. Otherwise, you could be left without internet access the moment you land, which can be a serious issue if you rely on your phone for maps, transport, or bookings.”

As reported by The Freedom of Expression Association (İFÖD) on Thursday July 10, 2025, the action blocks access in Turkey to the websites and applications of the impacted eSIM providers.

Holafly further clarifies that the eSIM ban is chiefly aimed at Turkish citizens purchasing eSIMs for overseas travel in Turkey. However you will still need to buy and install your eSIM prior to arriving in Turkey, and keep your QR code so you can activate the eSIM once in Turkey. The specialists also suggest downloading a secure VPN.

June 30 (UPI) — This year’s July 4 fireworks display in Washington, D.C.,will be the largest ever held there, organizers said Tuesday.

The pyrotechnics on the National Mall will also start later as the capital marks the nation’s 250th anniversary.

Jeff Carroll, interim chief of the D.C. Metropolitan Police Department, said the holiday will have “the largest display of fireworks our city has ever seen,” CBS News reported.

A representative for Freedom 250, the public-private partnership established by the Trump administration for the anniversary, said the fireworks will not begin until 10:30 p.m. and may start as late as 11 p.m., The Washington Post reported. Usually, the fireworks display starts about 9:30 p.m. However, Trump has said that he’ll speak at 9 p.m., calling the event “a rally.”

While the fireworks are usually about 17 to 25 minutes long, they are expected to be about 40 minutes long Saturday, The Post said. The event is also expected to include hours of military flyovers earlier in the day.

The event also has new rules banning attendees from bringing coolers, chairs, bags and more than one bottle of water. Tara McLeese, special agent in charge of the Secret Service’s Washington field office, said those who plan to watch the fireworks from the Washington Monument grounds should expect “TSA-style” security, CBS News reported.

As of Tuesday, the predicted high for Saturday in Washington, D.C., is 101 degrees, according to The Weather Channel. Record-breaking heat is expected to affect much of the United States this week.

A Freedom 250 representative said there will be four free hydration stations at the event and that organizers were “closely monitoring conditions.”

Stephen Vitale, CEO of Pyrotecnico, the company putting on the 2026 fireworks show, said it plans to set off more than 850,000 fireworks from 10 locations around the area, The Post reported. Vitale said the typical July 4 show over the National Mall has about 20,000 fireworks.

“Size always helps, but it’s about the beauty and the memories that people will have for generations,” Vitale said. “Fireworks are magical to people, and we help people walk away believing that’s the best fireworks display that they have seen or ever will see.”

Officials at Ronald Reagan Washington National Airport said July 17 that it is expected to be closed July 4, with no scheduled flights toor from the airport after noon. They cited the flyovers and other aerial displays.

Strategic ambiguity, the US policy of neither explicitly supporting nor opposing Taiwanese independence, has been considered effective for decades in maintaining stability in the Taiwan Strait. However, the summit between Trump and Xi Jinping on May 14-15, 2026, in Beijing revealed signs that this formula’s effectiveness is beginning to be limited. China pushed the US not merely to “not support” but to actively “oppose” Taiwanese independence. The US responded by displaying an inconsistent position. Taiwan openly asserted its sovereignty. All three responses emerged within less than 24 hours, and no international forum was able to manage the contradictions.

AT His strategic ambiguity is not simply a matter of US foreign policy. It reflects deeper limitations in the global governance system in addressing unresolved sovereignty issues. At the same time, China is actively promoting an alternative world order through its Belt and Road Initiative, non-interventionist principles, and multipolarity agenda, which indirectly influence how the Taiwan issue is positioned on the international stage. Without a concrete framework for joint governance, the potential for miscalculations across the Taiwan Strait will continue to increase.

On May 16, 2026, the day after Trump left Beijing, Taiwan’s Ministry of Foreign Affairs issued an official statement. Taiwan is a sovereign and independent nation. It is not under Chinese rule. This statement was not new rhetoric.

What makes this significant is the context. Trump had just called a $14 billion arms sale to Taiwan a bargaining chip in negotiations with Xi Jinping. China had just successfully pushed the US to soften its tone on Taiwan. In less than 24 hours, three main actors make statements that cannot all be true at the same time. And there is no one international institution that has the authority to decide which is more valid.

This isn’t a sudden diplomatic failure. It’s the result of a policy of strategic ambiguity that has been in place for more than five decades and is now beginning to show its limitations.

Strategic ambiguity was once effective because all parties had an incentive not to test its limits. That situation is changing. China is becoming increasingly assertive. militarily and increasingly actively shaping an alternative global order. Taiwan is becoming more assertive in claiming its political identity. The US under Trump is increasingly unpredictable. In these conditions, the ambiguity that once served as a buffer for stability has now become a source of uncertainty. The global governance system lacks adequate instruments to fill the gaps left by this increasingly outdated formula.

Starting from the background, a US strategic ambiguity towards Taiwan was born of deliberate compromise. In the Shanghai Communique (1972), Washington used the word “recognizes” China’s position that Taiwan is part of China, not “accepts.” The difference in vocabulary was no accident. It opened diplomatic normalization with Beijing without formally abandoning Taipei.

This formula was then codified through the Taiwan Relations Act of 1979 and three joint US-China communiques. During the Cold War era and the two decades that followed, this formula remained relatively stable because China was not yet strong enough to challenge it militarily and Taiwan was not yet confident enough to challenge it politically. As noted by T.Y. Wang in the journal Politics and Policy, strategic ambiguity is designed not only to deter China from attacking Taiwan but also to restrain Taiwan from taking steps that Beijing might deem provocative.

But the conditions that made that formula effective have changed structurally. Taiwan’s democratization since the 1990s has produced a political identity increasingly independent of the “One China” narrative. The PLA’s military modernization has changed the cost calculations of conflict. And Trump’s return to the White House has brought a transactional approach that, as noted by the Global Taiwan Institute, exacerbates existing ambiguities with conflicting signals that are record arms sales accompanied by a striking rhetorical silence on US security commitments to Taiwan.

On the ground, this uncertainty has already resulted in a measured escalation. Military exercises: Justice Mission 2025 In December 2025, a full-scale blockade of Taiwan was simulated, with over 90 aircraft crossing the median line of the Taiwan Strait in a single day. These median line violations were not an anomaly. Since 2022, they have become increasingly routine and have rarely elicited an organized response from the international community.

The most important part to understand next is about the One China Policy. The One China Policy affirms that a single label includes three irreconcilable positions. Beijing maintains that Taiwan is an unreturned province and that reunification is a non-negotiable goal. Taipei maintains that the Republic of China (ROC) is a sovereign state that predates the People’s Republic of China and that the two have never ruled each other. Washington maintains its own version, based on the Taiwan Relations Act, that recognizes Beijing’s position without explicitly endorsing it.

These three positions exist simultaneously because they have never been tested in an international forum that has the authority to decide which is more valid. Brookings Institution; he noted that this policy was originally designed for a period when China was not yet acting like a revisionist power. Now, conditions have changed, and the old formula requires a recalibration that has yet to materialize.

There’s a compelling argument here. Strategic ambiguity has also served as a deterrent to war. It prevents China from attacking because it’s unsure whether the US will intervene. It also prevents Taiwan from declaring formal independence because it’s unsure whether the US would defend it. In this logic, ambiguity is a feature, not a bug.

However, analyst Brandon K. Yoder in the European Journal of International Relations, The effectiveness of deterrence hinges on credibility, which is currently eroding. When Trump called weapons for Taiwan a “negotiating chip,” he indirectly communicated to Beijing that the US commitment was conditional. When commitments are conditional, their deterrent effect is significantly weakened.

What results is not new stability, but rather an increasingly unpredictable gray area. Each party operates based on its own assumptions about the limits that can be tested. Without governance mechanisms that explicitly clarify these limits, the risk of miscalculation continues to grow.

The Taiwan issue cannot be read in isolation from China’s broader agenda of reshaping the global order. Over the past two decades, Beijing has not only protested the existing international system but also actively developed an alternative.

The Belt and Road Initiative, which now encompasses more than 140 countries, is more than just an infrastructure project. As analyzed in China Quarterly of International Strategic Studies, BRI serves as both a governance and economic mechanism, linking infrastructure development with new standards of connectivity and cooperation that reflect the Chinese model of development without political conditions.

Beyond the BRI, China is actively pushing three major initiatives: the Global Development Initiative, the Global Security Initiative, and the Global Governance Initiative. They share a common thread that is strengthening the norm of sovereignty, rejecting intervention based on Western values, and promoting multipolarity as a substitute for single-party hegemony. Bruegel noted that the concept of “Community with a Shared Future for Mankind” popularized by Xi at Davos 2017 has even been included in several UN General Assembly resolutions, demonstrating how far China has succeeded in pushing its global narrative into multilateral institutions.

The relevance to the Taiwan issue is that the more countries accept China’s sovereignty-based, non-interference-based governance framework, the more limited the space for international mechanisms to challenge Beijing’s claims to Taiwan. China’s global governance agenda and its claims to Taiwan are not separate issues. They are part of the same project: redefining who has the right to set the rules of the game in what have traditionally been called “internal affairs.”

This also makes Trump’s and Xi’s bilateral approach a more suitable instrument for China’s interests. When the Taiwan issue is managed through negotiations between the two great powers, broader norms, such as the right to self-determination and representation of sovereign entities, are not discussed. Observer Research Foundation noted that BRI cooperation with the UN from 2015 to 2019 was more about mutual legitimacy than structural integration, and a similar pattern is seen in the way China uses multilateral forums to validate its diplomatic positions without actually committing to the process.

Trump’s and Xi’s meeting in May 2026 shows a pattern that deserves serious attention. That is, the Taiwan issue is now managed almost entirely outside the multilateral framework. There are no regional forums, no UN mechanisms, no activated joint protocols. There are just two leaders, two delegations, and an agenda far broader than just Taiwan.

Observation: Both sides reveal a glaring asymmetry. In China’s version, Taiwan is referred to as the “most important issue,” and Xi warned of potential conflict if handled incorrectly. In the US version, Taiwan is not mentioned at all. CSIS noted that the meeting resulted in a commitment to “strategic stability” without concrete instruments to realize it. The lack of crisis communication protocol. Limited incident management framework. There isn’t any commitment to refrain from provocative military exercises.

This is not simply a shortcoming of the meeting. It reflects a more systemic limitation. namely the limitations There is no sufficiently authoritative multilateral platform to address this issue. The UN Security Council is hampered by Beijing’s veto power. ASEAN adheres to the principle of non-intervention, which actually benefits China’s narrative. The G20 has no mandate to address sovereignty disputes.

The result is what could be called a governance deficit. This doesn’t mean there are no institutions, but rather that the existing ones are insufficiently effective for the situation. And it’s in this deficit that military escalation moves in to fill the space that structured diplomacy should be filling. Modern Diplomacy noted that the US approved an $11.1 billion arms package for Taiwan by 2025 while simultaneously sending ambiguous rhetorical signals, a combination that makes it difficult for both China and Taiwan to read exactly where the real line is.

The following three recommendations are not intended to resolve the Taiwan status question. Their purpose is more limited and more immediate. namely for reducing the risk of miscalculation before a minor incident escalates into an uncontrollable crisis. All three rely on existing political conditions and momentum.

First, the momentum of the Trump-Xi meeting should be used to establish a permanent, dedicated military crisis communication channel for incidents in the Taiwan Strait. The most relevant precedent is the Washington-Moscow hotline, established after the 1962 Cuban Missile Crisis, precisely because the world had nearly come to war due to miscommunication, not intention. CNBC noted the May 2026 meeting resulted in a relatively constructive atmosphere between the two leaders. This is a rare window of opportunity and should be used for something concrete.

Second, Indonesia, as a BRICS member and ASEAN dialogue partner with a relatively balanced working relationship with Washington and Beijing, could propose a regional consultation forum focused on managing incidents in the Taiwan Strait. This would not be a forum to decide Taiwan’s status, but rather a technical mechanism for de-escalation procedures and crisis communication. ASEAN has the foundation for this through the Treaty of Amity and Cooperation, and Indonesia’s current position within BRICS provides added legitimacy in Beijing’s eyes.

Third, the US, China, Japan, and South Korea need to negotiate a joint commitment that no party will change the status quo in the Taiwan Strait through force. This is inspired by the Helsinki Final Act of 1975, which successfully committed European countries not to change their borders by force, despite many of their mutual distrust. The agreement did not resolve existing disputes, but it did raise the costs of escalation measurably. With Xi seeking economic stability before 2027 and Trump seeking to avoid military engagement far from the US mainland, both sides’ calculations are now more open to this type of commitment than in previous periods.

It can be concluded that strategic ambiguity is one of the most ingenious products of Cold War diplomacy. It maintained stability in the Taiwan Strait for decades, not by solving the problem, but by making all parties unsure whether testing its limits was a good idea.

The conditions that make that formula work are changing simultaneously. China is stronger and more assertive. Taiwan is more assertive in its political identity. And the US under Trump is sending signals that are more easily read as conditional than committed. These three changes are not occurring one after the other, but simultaneously, and the global governance system has not yet responded accordingly.

The Trump-Xi meeting in May 2026 is neither a turning point in the war nor a step toward a resolution. It is a reflection of the current situation: three actors with three different interpretations, no referee, and increasingly little room for error.

What’s needed isn’t a final solution on Taiwan’s status, as that won’t come anytime soon. What’s needed are concrete steps that reduce the risk of miscalculation while keeping all options open. Crisis channels, regional consultative forums, and non-escalation commitments are small steps but have clear historical precedent. The question is whether the political will for these small steps can still be found amidst the escalating rivalry.

Since the last international break, no player has scored more Premier League goals than Watkins’ nine.

Manchester City‘s Erling Haaland is second on that list with seven, while Nottingham Forest‘s Morgan Gibbs-White is the next best English player on five.

But, while Watkins may well be arguably England’s most in-form striker heading into the World Cup, realistically the spot everyone is vying for is the number one back-up position to captain Kane.

Ivan Toney has been in prolific form all season for Al-Ahli but playing in the Saudi Pro League means his numbers are difficult to directly compare with the other contenders.

Of the rest, Watkins’ 19 goals in all competitions puts him five ahead of both Dominic Calvert-Lewin, who returned to the England fold after a five-year exile in March, and Danny Welbeck, whose last cap was in 2018.

“He’s got to be on the plane,” former Villa midfielder Lee Hendrie said on Sky Sports when asked about Watkins’ chances of being included this summer. “Since being left out we’ve just seen a massive turning of the corner.

“He’s been relentless in front of goal, he’s shown his capabilities. He’s a totally different player to Harry Kane and gives them something different.”

The 61st Venice Biennale — the world’s most celebrated international exhibition of contemporary art — made headlines Thursday when its awards jury resigned amid a growing controversy over its April 23 decision to exclude countries charged with crimes against humanity by the International Criminal Court.

In the current moment, this specifically meant Israel and Russia, and an uproar ensued — particularly with regard to Israel. The Israel Foreign Ministry blasted the decision on social media, writing in an April 26 post that the boycott “is a contamination of the art world. The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination.”

The jury posted its brief statement of resignation online four days later “in acknowledgment” of its original decree, in which it wrote, “At this edition of the Biennale, we wish to set out our intention — to express our commitment to the defense of human rights,” before explaining it would not consider certain countries for awards.

The Biennale moved swiftly to reverse course after the jury’s resignation, issuing a news release that noted, “All National Participations included in the 61st Exhibition … are eligible … following the principle of inclusion and equal treatment among all participants. This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship. La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”

To that end, the awards ceremony originally scheduled to take place on May 9 has been pushed to November 22 — the last day the exhibition is open to the public. There is precedent for “exceptional circumstances” delays, and the last one took place in 2021 as a result of the COVID-19 pandemic.

Without precedent, however, are the newly established awards, created to replace the coveted Golden Lion awards that the jury traditionally hands out to two winners each year. This year, instead of the Golden Lion for best national participation at the Biennale; and the Golden Lion for best participant in the Biennale’s central exhibition, the Biennale has established two Visitors’ Lions to be awarded in the same categories.

Instead of a jury deciding the winners this year, the honor will be left — as the new award name specifies — to the exhibition visitors.

“Visitors eligible to vote for the Visitors’ Lions are ticket holders who have visited both Exhibition venues,” the release reads.

“Visits to both venues will be verified through the ticketing system’s tracking. Each ticket holder may cast one vote for each of the two awards, in one single session.”

Whether Visitors’ Lions will become a Biennale mainstay remains to be seen — but I can imagine the democratic idea might keep its place when the Golden Lions make their return next year.

I’m Arts editor Jessica Gelt doing my best to tread water in difficult times. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Quentin Lee and Justin Lin on the set of their debut feature, “Shopping for Fangs.”

(Margin Films)

Celebrating 30 Years of Margin Films
Award-winning filmmaker Quentin Lee and his production company mark three decades in the business with a weeklong screening series. Lee’s breakout 1997 debut “Shopping for Fangs,” co-directed by Justin Lin, is the opening film. Also screening: “Ethan Mao,” Saturday; “The People I’ve Slept With,” Sunday; “The Unbidden,” Monday; “Rez Comedy,” Tuesday; “Last Summer of Nathan Lee,” Wednesday; and a sneak peak of three episodes of the Canadian TV series “Comedy InvAsian III,” Thursday. Selected screening includes a Q&A. Lee is also releasing a book, “Cinemasianamerica,” commemorating the occasion.
Each film screens one day, 1:30, 4:30 and 7:30 p.m., through Thursday. Laemmle Royal, 11523 Santa Monica Blvd., West L.A. laemmle.com

Dvořák and Korngold
Conductor Andrés Orozco-Estrada and the Los Angeles Philharmonic pay tribute to Michael Tilson Thomas, who died April 22, with his composition “Agnegram,” and perform Korngold’s “Concerto in D major for Violin and Orchestra” with violinist María Dueñas. The evening concludes with “Symphony No. 7 in D minor” by Dvořák.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in “Warsaw” at International City Theatre.

(Jordan Gohara)

Warsaw
The world premiere of British playwright and “Selma” screenwriter Paul Webb’s drama about the fate of a woman whose life links two monumental historic moments, World War II and Sept. 11.
7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 17. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

SATURDAY

• • The Kronos Quartet, from left: Gabriela Díaz, David Harrington, Ayane Kozasa and Paul Wiancko.

(Danica Taylor)

Kronos Quartet
The West Coast premiere of the group’s latest large-scale multimedia project, “Three Bones,” which combines live performance, video, visual art, recordings and environmental sound to explore the histories of Indigenous, Gullah Geechee and Chinese American communities in the United States.
6 p.m. UC Santa Barbara campus, Campbell Hall. artsandlectures.ucsb.edu

Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the “The Prestige,” screening Saturday at the Aero.

(Francois Duhamel / Touchstone & Warner Bros. Pictures)

The Prestige
Hugh Jackman and Christian Bale square off as rival magicians in a 20th anniversary 35mm screening of Christopher Nolan’s sci-fi thriller.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

The cast of “Carlota: Alhajero de Secretos,” opening Saturday at LATC.

(Teatro Alebrijes)

Carlota: Alhajero de Secretos
Writer-directors Rodrigo García and Ugho Badú reimagine Federico García Lorca’s tragedy “The House of Bernarda Alba.” The co-production between San José-based LGBTQ+ ensemble Teatro Alebrijes and L.A.’s Latino Theater Company is in Spanish with English supertitles.
8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 24. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

SUNDAY

Henri Lubatti in “Exit the King” at A Noise Within.

(Daniel Reichert)

Exit the King
Eugène Ionesco’s classic absurdist comedy about a desperate monarch who refuses to admit his time has come, translated by Donald Watson and directed by Michael Michetti.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and May 8; opening night, 7:30 p.m. May 9; runs through May 31. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.

(Gerald Matzka / Getty Images)

Anna Lapwood
The popular organist performs work from “The Da Vinci Code,” “The Hunchback of Notre Dame,” “The Lord of the Rings,” “Star Wars Episode I – The Phantom Menace,” “Flight” and “Pirates of the Caribbean,” as well as Olivia Belli’s organ solo “Limina Luminis,” in this recital.
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

TUESDAY

Willie Birch, “Uptown Memories (A Day in the Life of the Magnolia Project),” 1995. Painted papier-mâché and mixed media, 82 × 62 × 60 in. New Orleans Museum of Art.

(Roman Alokhin)

Willie Birch: Stories to Tell
This career retrospective details Birch’s exploration of the Black American experience since the 1960s, posing difficult questions along the way in his work as an artist, community organizer and “cultural provocateur.”
10 a.m. to 5 p.m. Tuesdays to Saturdays; 11 a.m. to 5 p.m. Sundays, through Oct. 21. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

Lucía performs Tuesday at the Carpenter Center in Long Beach.

(Shervin Lainez)

Jazz in Long Beach
Two jazz-influenced acts come to the Carpenter Center next week. Lucía brings her signature mix of traditional American jazz and Latin folk in a Spotlight Sessions concert on the Cabaret Stage. She’ll also be performing songs from her forthcoming album. “The Magic of Manhattan Starring Benny Benack III” is a tribute to the Big Apple and the songs and singers most associated with it, including Blossom Dearie, Frank Sinatra and Billy Joel.
Lucía, 8 p.m. Tuesday; Benny Benack III, 7 p.m. Wednesday and Thursday. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Smith, Cabezas & Childs
Molly Turner conducts the LA Phil New Music Group, with multi-instrumentalist and vocalist Gabriella Smith, cellist Gabriel Cabezas and jazz pianist Billy Childs in a program of eco-friendly music curated by Smith, including compositions by Smith, Childs, Michael Gordon, John Cage and Esa-Pekka Salonen.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Andrés Jaramillo: A Journey of Immigrants, Part II
The Colombian American pianist follows up on his January 2025 program with a celebration of the global cultural exchange created by immigrants, placing Latin American composers within the Romantic tradition. Featuring works by Chopin, Calvo, Mejía, Barber, Lecuona, Friedhoff-Calvo and Pinzón-Arroyo. Presented by Piano Spheres.
8 p.m. Wednesday. Thayer Hall at Colburn School, 200 S. Grand Ave., downtown L.A. pianospheres.org

Morgan Freeman, left, and Brad Pitt star in David Fincher’s 1995 film “Seven.”

(Robert Isenberg / New Line Cinema)

Seven
A 4k screening of David Fincher’s 1995 thriller about two cops on the trail of a serial killer. Appearances by production designer Arthur Max and set decorator Clay Griffith.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

THURSDAY

“Dancing with Bob: Rauschenberg, Brown & Cunningham Onstage” at the Wallis, May 7 to 9.

(The Wallis Annenberg Center for the Performing Arts)

Dancing With Bob: Rauschenberg, Brown & Cunningham Onstage
This kinetic retrospective captures the cross-disciplinary collaborations between vanguard artist Robert Rauschenberg and choreographers Trisha Brown (“Set and Reset,” with an electronic score by Laurie Anderson) and Merce Cunningham (“Travelogue,” created with John Cage).
7:30 p.m. Thursday and May 8; 2 p.m. May 9. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The Physicists
Albert Einstein and Isaac Newton are residents of an insane asylum beset by murder, mayhem, espionage and questions about the morality and ethics of science in this 1962 German satire by Friedrich Dürrenmatt. Directed by Brent Hinkley.
8 p.m. Thursdays and Saturdays; 2 p.m. Sundays, through June 20. The Actors’ Gang Theater, 9070 Venice Blvd., Culver City. theactorsgang.com

Arts anywhere

New and recent releases of arts-related media.

The Adding Machine
Currently running at the Theater at St. Clement’s in Hell’s Kitchen, New York City, through May 17, this New Group production with a revised script by Thomas Bradshaw receives a one-time livestream next week. “[Elmer] Rice’s expressionist drama is known for being a tale of man vs. machine in an age of merciless efficiency, but inhumanity in a broader sense is its true core subject,” wrote Laura Collins-Hughes in a recent New York Times review. “The happy news about Scott Elliott’s handsome yet under-realized revival … is what a delight Daphne Rubin-Vega is to watch as Mr. Zero.” The cast also features Sarita Choudhury, Michael Cyril Creighton and Jennifer Tilly. The League of Live Stream Theater: 4 p.m. Tuesday. $40, includes 24-hour replay.

Art Work
Photographer and writer Sally Mann weighs in on the creative process with stories, advice and life lessons, all illustrated with photos, journal entries and letters, making for a compelling, often surprising journey. Abrams Books: 272 pages, $35

“Insomnia & Seven Steps to Grace” by Joy Harjo.

(Smithsonian Folkways Recordings)

Insomnia and Seven Steps to Grace
The new album by Joy Harjo, the first Native American to be named United States Poet Laureate, serving from 2019 to 2022, combines jazz, funk, rock and Native music sounds with her signature “vibration of love” as she boldly confronts injustice and draws inspiration from ancestral memory and the political turmoil of the moment. The double LP’s packaging features original art by Harjo and the poet’s extensive liner notes. Five-time Grammy winner Esperanza Spalding produced as well as contributed vocals and played bass on the project. Smithsonian Folkways: Double vinyl LP ($33), CD ($17), hi-res digital download ($13), digital download ($10).

— Kevin Crust

Culture news and the SoCal scene

Michael Tilson Thomas in 2018.

(Paul Marotta/Getty Images)

Times classical music critic Mark Swed wrote a lovely appreciation of conductor Michael Tilson Thomas, who died last week at the age of 81. Tilson Thomas, Swed wrote, “made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.”

LA Opera music director James Conlon is preparing to step down after a record 20 seasons with the company, and in a recent story, Swed cataloged his impressive numbers: “More than 500 performances of 70 different operas at the Dorothy Chandler Pavilion and occasional neighboring venues, such as the Cathedral of Our Lady of the Angels.” Swed attended a recent farewell gala and noted some highlights, including excerpts from “The Marriage of Figaro.”

Times theater critic Charles McNulty spent a recent trip to New York almost entirely in various Broadway theaters, catching up on what he says is a “strange season by all accounts.” McNulty notes that Broadway is still the place acting powerhouses like Adrien Brody, John Lithgow and Laurie Metcalf go in search of the kind of depthy material increasingly unavailable onscreen. He looks at four such shows — and their epic leading actors — including “Death of a Salesman,” “Giant,” “The Fear of 13” and “Dog Day Afternoon.”

David Henry Hwang (book adapter, “Flower Drum Song”) and Alexandra Silber (book adapter, “Brigadoon”) at the James Irvine Japanese Garden in Little Tokyo.

(Jason Armond/Los Angeles Times)

Malia Mendez wrote a great piece about a trio of classic musicals running concurrently in L.A. She takes a closer look at “Flower Drum Song,” adapted for East West Players by David Henry Hwang; “Brigadoon,” adapted for Pasadena Playhouse by Alexandra Silber; and “The Sound of Music” at the Hollywood Pantages. All three were originally written by two of the 20th century’s most dynamic and celebrated writing duos: Rodgers and Hammerstein (“Flower Drum Song” and “The Sound of Music”) and Lerner and Loewe (“Brigadoon”). And all still resonate in modern times.

Mendez also wrote about a special event taking place this weekend called Night at the Library — held as part of the downtown Central Library’s centennial celebration. “The four-hour extravaganza Saturday will feature more than 200 artists and 25 to 30 activations peppered throughout the library campus, plus DJ sets and local food truck fare. Highlighted performers include Bob Baker Marionette Theater and Los Angeles Master Chorale,” Mendez writes.

Doug Chiang, Podrace Crash, production art for “Star Wars: Episode I – The Phantom Menace,” 1995-99.

(Lucas Museum of Narrative Art)

The Lucas Museum of Narrative Art unveiled its inaugural exhibitions this week — noting that all 20 were curated by George Lucas himself. The $1-billion museum will open to the public on the first day of fall and the exhibits will be shown in more than 30 galleries spread over 100,000 square feet of exhibition space. And, yes, “Star Wars” memorabilia will be part of the “cinema” exhibit with large-scale vehicle installations, production designs, props and costumes.

Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre’s “Cabaret,” at the Old Globe.

(Courtesy of Cliff Roles)

The board of directors of San Diego’s Old Globe named Trish Santini as the theater’s new managing director. Santini joins Artistic Director Barry Edelstein as a co-chief executive, and enters her new role on July 1. Among other arts leadership posts, Santini was the inaugural executive director of Little Island in New York City, and led the launch of the $250-million public park and performance venue.

— Jessica Gelt

And last but not least

The Times Food section calls to me yet again with this headline: “L.A.’s best rotisserie chicken may be at this former gas station in Pasadena.”