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CHRISTMAS is just six weeks away, and with that, many festive events and experiences are opening.

But sometimes meeting Santa or heading to a light trail can set you back quite a bit of money – especially when you add on the inevitable hot chocolate your child screams for when they get cold.

With Christmas already stretching our pockets, finding something to do with the family that doesn’t require you to get out your debit card is hard.

So we’ve rounded up some of the free events across the UK you can head to this Christmas, from pop-up performances to lantern parades.

Santa’s Grottoes and Meet & Greets

In Leeds, at Kirkgate Market, families get the chance to meet Santa for free on December 6, 13, 20, 22 and 23 between 12pm and 3pm.

At the Cadbury House Christmas Fayre on December 3, families can meet Santa in his grotto between 5pm and 7pm.

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The Fayre will also have an array of stalls.

At Willow Brook Centre in Bradley Stoke, near Bristol, families can head to a Christmas Jamboree for free on November 28.

The event will have a Santa meet and greet, as well as a free bouncy castle, Rodeo Rudolf, obstacle course, slide and bungee run.

Visitors will also be able to meet the Grinch, and Glinda and Elphaba from Wicked.

For a slightly different Santa meet and greet, head to Hamleys toy store.

Over the Christmas period, visitors can share hugs and high fives every day at either 1pm or 2:30pm, with Santa Hamley Bear outside the Regent Street store in London.

Light trails

South Bank Winter Light Trail in London features numerous artworks by different artists that glow in the dark night.

The event takes place from November 6 to January 18, 2026.

In Liverpool, you could head to the Royal Albert Dock which features giant light-up figurines and a fairytale carousel.

Over in Sheffield, Light Up Sheffield features three of the city’s most iconic landmarks lit up – Sheffield Cathedral, Sheffield Central Library and Pounds Park.

The event will take place across 10 nights from December 5 to 14.

Light Up Wakefield will take place in Wakefield city centre from November 21 to 23.

On November 21, visitors can head to the Cathedral Precinct to enjoy live music and entertainment before the switch on event at 5:30pm.

Just after Christmas is Christmas Dubs in Clifton Village, near Bristol.

Taking place on December 26, visitors can see a number of Volkswagens light up Clifton Village, as they are decked out in lights.

In Torquay in Devon, visitors can head out on the Bay of Lights illuminated trail from November 28 to January 2, 2026.

Across the event, Torquay waterfront will become illuminated with a light trail stretching 1.5 miles.

In Devon, Lanterns, Lights and Luminations in Brixham will take place from November 21 to 22.

The popular event features a lantern parade, firework display, live music, street entertainment and a market.

Markets

A lot of markets across the UK are free to enter, but once inside you usually do spend money – whether that be on food and drink or attractions.

However, if you take some snacks with you and skip the attractions you can get into the festive spirit without spending a penny.

For example, you could head to one of Liverpool’s most loved buildings, the Bombed Out Church, for their weekend Makers Market.

From 10am to 4pm on various dates throughout November and December, you can wander around stalls selling fresh bakes and pretty creations.

In London, you could head to the Chelsea Winter Village where there is street food, artisan markets, firepits, traditional fairground rides, and an aprés ski bar.

The event is set within the grounds of the Royal Hospital Chelsea, so even if you don’t want to spend any money, it is a pretty market to see and take in the free choir performances.

Festive treasure hunts and other trails

In London, visitors can head off on the Snowman Trail, which is a free outdoor sculpture trail inspired by Raymond Brigg’s The Snowman.

Each sculpture has been decorated by artists and then place close to the city’s landmarks.

There will also be a Snoopy Trail around Fleet Street.

Light switch ons

Up and down the country there are thousands of Christmas light switch-ons taking place in November and December – and most of which are free to attend.

This includes the Christmas Light Switch On in Oldham, just outside Manchester.

Taking place on November 15, the event will feature the turning on of the Christmas lights, a visit from Santa, as well as Bluey and Bingo from the hit TV show and fireworks.

For a slightly different ‘switch on’ event, head to Tavistock in Devon on December 5, for a Victorian Christmas lights switch on, with people in Dickensian costumes and vintage entertainment.

In Richmond, the Christmas lights will be switched on, on November 27 and visitors can expect entertainment with the Wickedly Witches, Candy Cane Stilt Walkers and Giant Nutcracker.

Store events

Ikea stores across the country also offer a number of free events so it is worth checking out the events page for your local store.

For example, at Ikea Greenwich children can write a letter to Santa and post it in a special post box between November 10 and December 23.

At Ikea Southampton, families can even have breakfast with Santa if they are an Ikea family member – which is free to sign up to.

The same goes for Hamleys with events at the Regent Street store including Box of Christmas Mischief, a festive game show (November 6 to December 24) and Twinkle Jingle Town Parade where Hamleys elves dance their way through the store (November 6 to December 5).

If your kids love to read or you want them to explore more stories, Waterstones offers loads of events up and down the country, including regular free storytelling sessions.

Over the festive period, there are even more events such as Epsom Christmas Evening with local authors and illustrators and late night Christmas shopping nights, with free mince pies and mulled wine.

Other events

Inside Sheffield Cathedral, visitors can explore 40 Christmas trees decorated by different local charities.

A similar event will also take place at Selby Abbey – the Christmas Tree Festival, which will take place from November 28 to January 5, 2026, will feature 30 trees decorated by locals.

On November 21, when Wakefield’s Christmas lights are switched on, there will be a lantern parade through the city at 6pm.

At Windmill Hill City Farm, near Bristol – a free family farm attraction with a play area and animals – the cafe will be hosting free screenings of much-loved children’s films every weekday from 3:45pm.

In Devon, Candlelit Dartmouth is from November 28 to 30.

Visitors can see a procession of hundreds of handmade paper lanterns through the town as well as Father Christmas’ boat gliding across the River Dart.

For fans of Charles Dickens, the UK is home to some Victorian and Dickensian-themed events including a Victorian evening in Newton Abbot, Devon on December 3.

The high street will be transformed into a Dickensian Christmas Shopping scene with performers and a chance to meet Santa.

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For more ideas of things to do around the festive season, the UK’s biggest Christmas event is returning with 150 rides and attractions… and new FREE Santa’s grotto.

Plus, the prettiest Christmas markets in Britain – with hotel stays from £37.

The burst of energy was likely triggered when an unusually large star wandered too close to the black hole.

Scientists have documented the most energetic flare ever observed emanating from a supermassive black hole, a cataclysmic event that briefly shone with the light of 10 trillion suns.

The new findings were published on Tuesday in the journal Nature Astronomy, with astronomer Matthew Graham of the California Institute of Technology (Caltech) leading the study.

The phenomenal burst of energy was likely triggered when an unusually large star wandered too close to the black hole and was violently shredded and swallowed.

“However it happened, the star wandered close enough to the supermassive black hole that it was ‘spaghettified’ – that is, stretched out to become long and thin, due to the gravity of the supermassive black hole strengthening as you get very close to it. That material then spiralled around the supermassive black hole as it fell in,” said astronomer and study co-author KE Saavik Ford.

The supermassive black hole was unleashed by a black hole roughly 300 million times the mass of the sun residing inside a faraway galaxy, about 11 billion light years from Earth. A light year is the distance light travels in a year, 5.9 trillion miles (9.5 trillion km).

The star, estimated to be between 30 and 200 times the mass of the sun, was turned into a stream of gas that heated up and shined intensely as it spiralled into oblivion.

Almost every large galaxy, including our Milky Way, has a supermassive black hole at its centre. But scientists still aren’t sure how they form.

First spotted in 2018 by the Palomar Observatory, operated by the Caltech, the flare took about three months to reach its peak brightness, becoming roughly 30 times more luminous than any previously recorded event of its kind. It is still ongoing, but diminishing in luminosity, with the entire process expected to take about 11 years to complete.

Because of how far away the black hole is located, observing the flash gives scientists a rare glimpse into the universe’s early epoch. Studying these immense, distant black holes helps researchers better understand how they form, how they influence their local stellar neighbourhoods, and the fundamental interactions that shaped the cosmos we know today.

A day out at a theme park isn’t just a summer activity. Many parks will be open for Christmas-themed fun, and you’ll find fun, festive activities to suit all ages

Looking for a festive day out for all the family? Many theme parks will be opening their doors for the Christmas season with a range of activities for all the family. In addition to themed days out, some parks will also be offering special short breaks, with extras such as Santa visits and evening entertainment and even the chance to enjoy a festive-themed sleepover at the on-park hotels. Here’s a round-up of some of the most popular theme parks in the UK and what they’ll be offering this November and December.

Alton Towers – Magical Days Out

From £18 per person

In the run up to Christmas and the New Year, Alton Towers offers Magical Days Out starting at just £18 per person. While it’s a cheaper way to visit the park, it’s worth noting that only CBeebies Land and Mutiny Bay are open, plus a couple of the bigger rides, so you don’t expect all the usual thrill rides to be available.

However, the park is set to be decked out in festive decorations, and visitors can enjoy Christmas-themed shows such as Hey Duggee Live: The Christmas Badge!, which is bound to be a hit with the younger members of the family.

Families can also book a Santa Sleepover at one of the park’s on-site hotels, starting at £91 per person. This includes a one-day theme park ticket, a visit to Santa’s grotto, a traditional pantomime, and a festive dinner and entertainment for the whole family. Booking the Santa Sleepover also gives you access to the on-site waterpark and crazy golf.

Find out more on Alton Towers’ official website.

Gulliver’s – Christmas and Land of Lights

From £27 per person

Three of Gulliver’s theme parks will be offering Christmas events: Rotherham, Milton Keynes, and Warrington, with a selection of Christmas rides and attractions open during this time. What’s available over the festive period varies by park, and some of the activities on offer include festive breakfasts, Santa’s grottos, Christmas shows, Elf workshops, and more, with a variety of packages available.

Each park will also have a Land of Lights attraction – a spectacular light trail that opens during the winter. Tickets for this attraction are sold separately and start at £13.75 per person.

For more information and dates visit Gulliver’s website.

Drayton Manor – Christmas Wonderland

From £20 per person

Drayton Manor say they’ve unwrapped their “biggest and most magical Christmas plans ever”. The Midland-based park, which is best-known for being the home of Thomas Land, will open on selected dates from November 22 to December 31 with most of the park’s rides open.

There will also be a range of themed attractions for family days out. Fans of Elf on the Shelf can enjoy Elftoria, with the cheeky creatures taking over the park and adding a mischievous touch to your day. Children can even take part in pranking workshops and enjoy a live elf show.

Kids can visit the Castle Grotto, which will include a story-time experience with Mrs Claus and a visit to the man in red, while Thomas Land will be decked out in seasonal decorations and have festive family shows. In the evening, families can board the Twinkling Express, a gentle journey surrounded by Christmas light trails.

Find out more about Christmas at Drayton Manor here.

Paultons Park – Celebration of Christmas

From £20 per person

Paultons, perhaps most famous for being the home of Peppa Pig World, will be turning their park into a Christmas wonderland. On selected dates through December, visitors can visit Peppa and friends in their festive clothing, enjoy Santa’s Christmas Wish show, or enjoy festive-themed menus in the park’s cafes.

If you prefer thrill rides, the Tornado Springs are will be also be open as well as selected rides in Lost Kingdom and Critter Creek.

Book or find out more about Christmas at Paultons here.

Chessington – Christmas Village

From £32 per person

Chessington’s Christmas village ticket will include a selection of the park’s rides, as well as access to the zoo and SEA LIFE centre. Visitors will be able to enjoy a Christmassy silent disco, wander through a snowy trail, and see the elves making toys in their workshop. Of course, there’s also a visit to Santa to give him your Christmas list.

Visitors can stay for longer by booking the on-site Safari or Azteca Resort Hotel, and there’s even a range of VIP experiences that can be added onto your package to create unique Christmas memories. Book an elf wake up call, with a small pre-Christmas gift for the kids, or take part in a reindeer encounter and see Santa’s helpers up close.

But the fun doesn’t stop once January comes round. Chessington now offer a themed Christmas Room, which will be a permanent fixture in their hotel year-round. No matter when you visit, you’ll be able to enjoy a decorated tree, Christmas crackers, hot chocolate, and even a decorated Christmas parking space. It’s perfect for the Christmas obsessive in your life.

Find out more about Christmas at Chessington and book tickets here.

STOCKTON — Four of California’s gubernatorial candidates tangled over climate change and wildfire preparedness at an economic forum Thursday in Stockton, though they all acknowledged the stark problems facing the state.

Riverside County Sheriff Chad Bianco, a Republican, stood apart from the three other candidates — all Democrats — at the California Economic Summit by challenging whether the spate of devastating wildfires in California is linked to climate change, and labeling some environmental activists “terrorists.”

After a few audience members shouted at Bianco over his “terrorists” comment, the Democratic candidates seized on the moment to reaffirm their own beliefs about the warming planet.

“The impacts of climate change are proven and undeniable,” said Tony Thurmond, a Democrat and California superintendent of public instruction. “You can call them what you want. That’s our new normal.”

The fires “do have a relationship with climate change,” said former Los Angeles Mayor Antonio Villaraigosa.

Besides environmental issues, the hour-and-a-half forum at the business-centric California Forward’s Economic Summit focused primarily on “checkbook” topics as the candidates, which also included former state Controller Betty Yee, offered gloomy statistics about poverty and homelessness in California.

Given the forum’s location in the Central Valley, the agricultural industry and rural issues were front and center.

Bianco harped on the state and the Democratic leaders for California’s handling of water management and gasoline prices. At one point, he told the audience that he felt like he was in the “Twilight Zone” after the Democrats on stage pitched ways to raise revenue.

Other candidates in California‘s 2026 governor’s race, including former Secretary of Health and Human Services Xavier Becerra and former Rep. Katie Porter, were not present at Thursday’s debate. Former Assembly Majority Leader Ian Calderon planned to come, but his flight from Los Angeles was delayed, audience members were told.

All are vying to lead a state facing ongoing budget deficits caused by overspending. A state Legislative Analyst’s Office report released this month cited projected annual operating deficits ranging from roughly $15 billion to $25 billion through 2029. At the same time, federal cutbacks by the Trump administration to programs for needy Californians, including the state’s Medi-Cal healthcare program, will put more pressure on the state’s resources.

All of the candidates had different pitches during the afternoon event. Asked by moderator Jeanne Kuang, a CalMatters reporter, about ways to help rural communities, Thurmond cited his plan to build housing on surplus property owned by the state. He also repeatedly talked about extending tax credits or other subsidies to groups, including day-care providers.

Yee, discussing the wildfires, spoke on hardening homes and creating an industry around fire-proofing the state. Yee received applause when she questioned why there wasn’t more discussion about education in the governor’s race.

Villaraigosa cited his work finding federal funds to build rail and subway lines across Los Angeles and suggested that he would focus on growing the state’s power grid and transportation infrastructure.

Both the former mayor and Yee at points sided with Bianco when they complained about the “over-regulation” by the state, including restrictions on developers, builders and small businesses.

Few voters are probably paying much attention to the contest, with the battle over Proposition 50 dominating headlines and campaign spending.

Voters on Nov. 4 will decide whether to support the proposition, which is a Democratic-led effort to gerrymander California’s congressional districts to try and blunt President Trump’s attempt to rig districts in GOP-led states to retain control of the House of Representatives.

“Frankly, nobody’s focused on the governor’s race right now,” Yee said at an event last week.

UEFA chiefs want to block clubs from playing domestic games abroad.

But they are powerless to prevent La Liga and Serie A chiefs heading out of Europe this season.

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In a measure that could stymy any long-term Prem plans to play matches out of the UK, Uefa President Aleksander Ceferin confirmed his deep personal opposition to the concept.

That is despite giving the green light for Barcelona to play Girona in Miami in December and Milan to face Como in Perth in February.

Uefa explained its ruling executive committee had “reluctantly taken the decision to approve, on an exceptional basis” the requests from Spain and Italy, citing a lack of rules to prevent the games being switched.

But Euro chiefs pledged to work with Fifa to “uphold the integrity of domestic competitions and the close bond between clubs, their supporters and local communities”. 

Ceferin said: “League matches should be played on home soil.

“While it is regrettable to have to let these two games go ahead, this decision is exceptional and shall not be seen as setting a precedent. 

“Our commitment is clear – to protect the integrity of national leagues and ensure that football remains anchored in its home environment.”

Prem chief Richard Masters has emphasised his total opposition to the prospect of English games being played overseas.

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However, that policy could change if 14 of the 20 top flight clubs voted to explore the option.

Fan group Football Supporters Europe said: “We regret the decision to allow the requests but all 55 national associations have committed not to make further requests for domestic matches abroad without first consulting UEFA. 

“The onus is now on FIFA to plug this regulatory gap. We welcome UEFA’s commitment to work with FIFA to ensure that future rules uphold the integrity of domestic competitions.”

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A TEENAGER has been shot and killed in a tragic accident while squirrel hunting.

Carson Ryan, 17, was on a hunting trip when he was shot by a fellow hunter in Iowa on Saturday.

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The Washington teen was “mistaken for a squirrel by a member of his hunting party”, according to the Iowa Department of Natural Resources.

“[He was] struck in the back of the head”, a spokesperson said.

“Carson was transported to UI Health Care Medical Center, where he later died from his injuries,” the spokesperson added.

An investigation into the incident is ongoing.

Carson was in his final year at Washington High School and a player on the varsity football team.

In a tribute Facebook post, the Washington Boy’s Track and Field team said their “hearts are broken”.

“[We] ask you to keep Carson’s mom, family, classmates and teammates in your hearts as we navigate the devastating loss of Carson,” the post read.

A vigil was held for Carson on Saturday evening, hosted by the secondary school to honour their former pupil.

Assistant football coach Nic Williams said: “Carson was a fierce competitor in everything he did”.

“He loved fishing. He loved being with his friends. But more importantly, Carson was a person of incredible faith,” he said.

The heart breaking accident has added fuel to the fire of the ongoing debate surrounding gun laws and young people in the US.

Carson’s shock death comes as the New York Police Department revealed that a 13-year-old boy had been declared brain dead after being shot in the head on his way to school.

Just last week a mass shooting at a church in Michigan also claimed four lives and left eight survivors injured.

The gunman, Thomas Jacob Sanford, 40, ploughed his car into the church before unleashing gunfire on worshippers inside.

A VAST “mini-city” of 5,500 homes, schools and green space is set to rise on the edge of Birmingham.

Council chiefs gave given the go-ahead for the first stage of works.

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The Langley development, near Walmley in Sutton Coldfield, will eventually see around 5,500 homes.

There will also be schools, community facilities and green spaces, built across a huge swathe of land.

Described by developers as an “unparalleled opportunity to establish a new sustainable community”, the scheme promises to transform the area.

Ahead of the latest council planning meeting, permission was sought to begin “strategic infrastructure” works on the site.

These include demolishing Langley Park House, creating open space and play areas, carrying out major earthworks, and building new highway, cycle and pedestrian networks.

But concerns were raised over how future residents will travel.

Conservative councillor Gareth Moore argued that Labour’s transport policy risks being “outdated” and could turn the new neighbourhood into a “heavy car-use area.”

“Despite the best will in the world, the council is not going to change that,” he said.

“I’m really concerned that long-term this is going to build up problems because we’re going to try and discourage people from owning cars.

“We’re going to try and encourage everyone to walk, cycle and get the bus – but they’re not.

“They’re going to own cars and they’ll be parked all over the place. Yes, in 50 years’ time that might be different but the important thing is the here and now.”

A council report defended the plans, pointing to an “extensive network” of new walking and cycling routes across the site.

This is including segregated cycle paths, bus-only connections and a traffic-free bridge linking eastwards over the A38.

It said: “The intention is to not give equal priority to all modes through the road space allocation, instead encouraging sustainable travel which adheres to the objectives of the Birmingham Transport Plan.”

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Officials have previously stressed that prioritising active travel and public transport will help cut road danger, connect communities and tackle the climate emergency.

According to the scheme’s official website, the new development will also bring schools, leisure facilities and large areas of “well-connected green spaces.”

“We are committed to working with the local community to deliver a beautifully designed scheme that puts placemaking at its heart and provides long-term benefits for both new and existing residents,” it said.

With the application now approved, work can begin on laying the groundwork for one of the biggest housing projects Birmingham has ever seen.

This follows after reports of a huge new town with up to 25,000 homes is set to be built in the UK, as part of a government scheme.

The ambitious plans are set to ease Britain’s housing crisis, and the project is expected to create 30,000 jobs.

The Brabazon development, in South Gloucestershire, is set to become a “thriving new town, designed around people, nature and opportunity: the best place in the UK to live, work and play”, according to YTL, the group facilitating its construction.

Proposals for the project include 6,500 homes (which could rise to 25,000), and student accommodation big enough to house 2,000 people.

The new town will also have a 20,000 capacity arena, three new schools and community facilities, and is predicted to add £5 billion to the GVA.

A new train station, Metrobus links, cycle routes and walking paths will ensure the town is well connected to Bristol and over 3.6 million square feet of commercial space will house shops, businesses and offices.

Brabazon will also have an abundance of parks and green spaces, including a 15 acre park and lake, which will be the largest in the South West for 50 years.

The government has thrown its backing behind the development, as part of a £48 billion scheme to build 12 new homes across the nation.

Work has already begun on Brabazon, with 500 homes completed, and £400 million invested by YTL.

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I am sitting in a tent placed inside the parlor of a Victorian-era house. Before me lies a spirit board, a lone tarot card and a black scrying mirror. I am here to commune with the dead.

There is no medium. It is only myself and eight other attendees— our guide has left the tent. Though earlier we could hear tension-rattling music setting a cryptic mood, now there is nothing. Lights? Off. The tent has gone pitch black. At this particular moment, there’s only the sound of our breaths, our thoughts and perhaps some new guests.

Welcome to “Phasmagorica,” what composer-turned-magician-turned-spiritual explorer BC Smith describes as “a séance reimagined as art.” It’s running this month at the Heritage Square Museum, itself a location imbued with history and mystery, the site of the homes of Los Angeles as they existed a century ago.

I’ll get right to the point: I did not have an encounter with the dead. And yet I left “Phasmagorica” deeply curious. That’s because Smith sets up the evening as an exploration of the modern Western history of communing with the deceased, attempting to conjure the feeling of a séance as it occurred in late 1880s America, albeit with a better sound system and all the Death in the Afternoon cocktails you can consume (note: you should not consume very many).

The “experiment” — Smith shirks at the word performance — is designed, he says, for believers and nonbelievers. He himself falls somewhere in the middle.

“I’m a hopeful skeptic,” Smith says. “If I were a 100% believer, ‘Phasmagorica’ would be a church. I just wanted to create a space that started a conversation for people.”

It is relevant to point out that Smith is also a magician, a member of the Magic Castle, home itself to a popular séance. While Smith has not conducted a Magic Castle séance, he has — and will — orchestrate what he refers to as a “theatrical séance,” for which he is present as a storyteller. “Phasmagorica” is different, Smith says, and was born out of those more dramatic performances, in part because he kept encountering the unaccountable.

“It’s highly curated,” Smith says of a core difference between a theatrical séance and “Phasmagorica,” as the former will be tailored specifically to guest needs and requests. “But people were experiencing a lot in those séances that I could not explain,” Smith says. He recites a story that opens “Phasmagorica” of a shadow reaching out and touching someone on a shoulder. Smith says he witnessed this phenomena, and at that point decided to create an event that focused on realism and dispensed with the notion that there could be any illusions or magic.

BC Smith’s “Phasmagorica” is not a theatrical or magic performance. The event aims to recreate the feel of a vintage séance.

(Roger Kisby / For The Times)

I was surprised, for instance, when Smith left the room. At that point, we were with only a television, which narrates a short history of séances in America before instructing us to hold a pendulum over a spirit board. Knowing Smith’s past, I went in expecting more of a show. Instead, we are prodded to examine a tarot card, peer into the scrying mirror and ask questions to our spirit board.

“It becomes more personal,” Smith says. “Even in my theatrical séances, I’ve had people want to cut me off mid-sentence and say, ‘This just happened to me.’ And they want to spend the next five minutes talking about it. At the end of the day, I think what people like is that this is all about them.”

And still, Smith says, audiences are looking for wizardry. But there’s no tricks of the light, no hidden fans. He stresses multiple times in this interview and at the start of “Phasmagorica” that this is “not theater, not a performance, not a show.”

“I’ve had people walk out of the room and swear there was a magnet in the pendulum board,” he says. “Or swear there was some effect that made them see a person standing. People still have an explanation that I had something to do with it. Whatever helps you sleep with the light off.”

While numerous cultures and spiritual movements have throughout history long attempted to commune with the dead, a séance, says Lisa Morton, author of “Calling the Spirits: A History of Séances,” is a relatively recent occurrence. She and Smith trace their popularity to the Fox sisters, Kate and Maggie, who performed to packed crowds in the late 1880s in New York, attempting to demonstrate that spirits could speak via a series of raps on the walls.

BC Smith calls “Phasmagorica” an “experiment,” shirking at the word performance. (Roger Kisby / For The Times)

Prior to the Fox sisters, Morton says, attempts to commune with the beyond, broadly speaking, were a more personal and ritualistic affair. “The Greeks believed that sleeping on a grave might give you dreams in which you communed with a spirit,” she says. Popular myths, too, would portray the practice as borderline arcane. In Homer’s “The Odyssey,” for instance, a bridge to the spirit world is reached only after a complex series of sacrifices and offerings — a potent mix of sweet wine and the blood of a lamb.

“The séance comes along, and not only is it a group activity, but it suggests that anyone can communicate with the spirits of the dead,” Morton says. “You just need a medium — someone who can enter a trance state and open themselves to receiving spirit communications. It was done with a group, and in the comfort of someone’s home. Those were startlingly new ideas.”

Morton has taken part in Smith’s “Phasmagorica.” She, too, appreciated the historical emphasis, specifically the way a musician performs after the séance as guests mingle with one another and share their experience. Music was a big part of early séances, Morton says.

“People would sit around a table and the lights would be lowered and they would sing,” Morton says “Now, singing did have a scammy double purpose, as they allowed the medium to start doing things in the dark unheard. But these evenings were wondrous for people, and I thought that was what BC Smith captured really well.”

“Phasmagorica” has been running on select weekends at Heritage Square since the late summer. Smith intends to continue adding events throughout the fall as his schedule allows, announcing them on Instagram. Though intimate, they do typically sell out. It’s traveling via word of mouth, theorizes Smith, because people today are increasingly searching for “connection and meaning.”

Heritage Square Museum is itself a location imbued with history and mystery, the site of the homes of Los Angeles as they existed a century ago.

(Marcus Ubungen / Los Angeles Times)

“The experience is really up to you,” he says. “I think we’re all searching for something. This is a safe space to explore.”

Late in life, Maggie Fox denounced the spiritualism movement that she and her sister Kate had helped start, demonstrating the ways in which they had fooled their audiences. Smith again stresses that he himself is a “hopeful skeptic,” and purposefully stays out of the experience so that guests aren’t trying to figure out if he’s holding onto any secrets.

And yet he says, “Phasmagorica” has permanently changed him. He notes that his wife is a commercial airline pilot and must travel often.

“When she’s away, I sleep with a night-light,” he says. “Maybe that’s the answer to the question whether I believe or not.”

Magnificent.

The concert version of the National Yiddish Theatre Folksbiene’s celebrated production of “Fiddler on the Roof” in Yiddish had its West Coast premiere at the Soraya last weekend, and anyone who was lucky enough to attend one of the three performances will long cherish the memory of this stunning musical experience.

Performing “Fiddler” in Yiddish returns the characters to the language of Sholem Aleichem’s stories, the fictional world from which they sprung. The musical has been translated but in a way that moves Joseph Stein’s book, Jerry Bock’s music and Sheldon Harnick’s lyrics closer to an authentic Anatevka, the village in which Tevye the milkman lives with his wife, Golde, and five daughters.

The one concern I had about a Yiddish “Fiddler” was the loss of Harnick’s piercingly simple lyrics. Harnick had a way of expressing deep universal truths in the most natural, folksy manner possible. But, fortunately, his words weren’t absent from the production. English supertitles, spotlighting Harnick’s unmatched skill, were projected prominently behind the orchestra.

The language was often comprehensible even for non-Yiddish speakers. The rich man in “If I Were a Rich Man” was translated as a variant of Rothschild, the name of a well-known European Jewish banking dynasty. And even if that reference eluded anyone, Bock’s bouncing, daydreaming, old world melody, practically encoded into our cultural DNA, assured perfect understanding.

Yael Eden Chanukov (Hodl) and Drew Seigla (Pertshik) in “Fiddler on the Roof” in Yiddish at the Soraya.

(Luis Luque/Luque Photography)

Joel Grey, the Oscar and Tony winning Master of Ceremonies of “Cabaret,” directed both the concert and the National Yiddish Theatre Folksbiene’s production, which began in New York in 2018 at the Museum of Jewish Heritage before opening off-Broadway at New World Stages in 2019. In 2022, the show returned for another run at New World Stages, satisfying the demand for one of the most talked about musical revivals of the last few years.

The 93-year-old Grey was in attendance at Saturday’s opening at the majestic Soraya. He was also a presence on screen, providing both the introduction and epilogue of what was an artfully conceived hybrid experience, a concert version of the musical focused on the songs but contextualized sufficiently to bring the audience emotionally into the story.

The orchestra, conducted by National Yiddish Theatre Folksbiene artistic director Zalmen Mlotek, gracefully guided the flow of scenes. The superb company of actors, led by Steven Skybell’s Tevye, performed musical selections arranged around brief narration and dramatic excerpts.

A commanding presence, Skybell isn’t a barnstormer but an Obie-winning actor who illuminates the humanity of whatever role he happens to be playing. His Tevye, a patriarch trying to hold his family together amid the double assault of poverty and pogroms, was especially touching in his appeal to the Almighty to ease up on the litany of suffering.

A violinist (Sara Parkins) shadowed Tevye with the haunting strains of cultural “tradition” — a loaded word. But he is forced to adapt to changing times. It’s 1905, and Anatevka isn’t the shtetl that it once was.

Revolution is in the air, and Tevye’s daughters have their own minds about their marital prospects. How does “the papa,” the upholder of tradition, as the musical’s opening number spells out, maintain his self-respect, if not his authority? The only way he can — by balancing out fits of temper with the sympathetic humor of a father’s loving heart.

“Fiddler” can sometimes occasion a flood of overacting. Not here. The daughters were too wrapped up in the most consequential decision of their lives — their choice of husbands — to chew scenery. Rachel Zatcoff as Tsaytl, Yael Eden Chanukov as Hodl and Rosie Jo Neddy as Khave channeled their ardent emotion into their singing.

Jennifer Babiak (Golde) and Steven Skybell (Tevye) in “Fiddler on the Roof” at the Soraya.

(Luis Luque/Luque Photography)

Zatcoff’s Tsaytl embodied the mature conviction that Kirk Geritano’s Motl, the poor tailor, is the only man for her. Chanukov’s Hodl, more anxious but no less resolved, made clear that her future could only be with Drew Seigla’s Pertshik, a revolutionary student. And Neddy’s Khave revealed that she was prepared to sacrifice everything to be with Griffith Frank’s Fyedka, a Russian Christian, no matter the effect on her family or herself.

What’s remarkable for a concert is how much of the production’s character work came through. In the musical number “Do You Love Me?,” when Tevye asks his wife what turns out to be a not-so-simple question, the history of an arranged marriage that has stood the test of time was laid bare. The way Jennifer Babiak’s no-nonsense Golde refused to spit out an easy answer was as telling as the gentle way Skybell’s Tevye kept prodding her to admit a truth that was perhaps too complex for words.

The humor of “Fiddler” was well accounted for in Lisa Fishman’s Yente, the matchmaker involved in everybody’s business. Samuel Druhora’s Leyzer Volf, the prosperous widower butcher eager to marry Tsaytl, played the heavy but with a soft human touch that allowed him to join in the laughter.

The Hebrew word for Torah was projected across the rear of the stage, summoning part of the original production design. The defined religious and social world, rooted in a cultural specificity, was all the more universal for its vivid particularity.

This version of “Fiddler” in Yiddish elicited in me a poignant longing for an America that once understood itself as a nation of immigrants, bound together by the dream of a better life, regardless of creed or national origin or accent.

“Fiddler on the Roof,” perhaps the most unifying American musical of the 20th century, reminds us of the long, hard road many of our ancestors traveled to arrive at a country founded on (however imperfectly realized) democratic ideals. I’m thinking now of my parents and grandparents, but also of my students, whose families come from different parts of the world but whose paths follow a similar trajectory.

It’s a pity that this concert had such a brief run. But how lucky to experience at this fragile moment the values of generosity and empathy underlying this classic American musical — values that once made it possible to transcend our political differences and find ourselves in each other’s stories.

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The Emmy Awards bring together the best and brightest in television each year, and as such, it’s always a tightly secured event. This year will be no exception.

The security measures for Sunday’s awards ceremony, which will be held at the Peacock Theater at L.A. Live in the heart of downtown, was reviewed with close eyes this week in light of Wednesday’s fatal shooting of political commentator Charlie Kirk in Utah.

With any large event, law enforcement officials and organizers take caution with security measures, but the recent spate recent of political violence targeting elected officials and those in the public eye have brought increased attention to how these large and highly publicized events are secured.

Though LAPD did not offer specifics about the security measures it was taking, an official for the department said they are ready for the event. “For security reasons, the Department does not discuss protective measures for special events or any public gatherings. What I can assure you is that we are appropriately staffed and fully prepared,” said Jennifer Forkish, LAPD communications director.

For several years, the LAPD has had a SWAT team at the scene, and numerous Metro officers and counter snipers have been visibly stationed on rooftops. Law enforcement officials also design a vehicle approach with barriers that prevents car bombings and vehicle attacks.

Since the attacks on 9/11, the 24th anniversary of which were recognized this week, the department has applied an extensive layer of security to the biggest awards ceremonies with large red carpets. The Peacock Theater also has security personnel who use metal-detector screening, visual inspection and bag inspection to keep guests safe.

The Television Academy revisited its security system for the weekend in light of Kirk’s shooting death at a speaking event on a college campus.

“We’re absolutely relooking at all of our security plans, but we always have a very robust security plan in place,” Television Academy president and chief executive Maury McIntyre told Variety on Thursday. “I know that basically once things happened yesterday, our security personnel all gathered together to just recheck things like that. Sitting with the LA Police Department, sitting with our department of transportation, just to make sure that we felt buttoned up. We are confident in the plans we’ve got in place.”

Stand-up comedian Nate Bargatze is hosting the 77th Emmy Awards, which begin at 5 p.m. PDT Sunday and will be broadcast live on CBS and available to stream live and on-demand on Paramount+.

Times staff writer Richard Winton contributed to this report.

ENZO MARESCA has a wealth of talent at his disposal at Stamford Bridge, with three Cobham starlets already working their way towards first-team involvement.

After starring during the international break for England‘s youth teams, 16-year-old Ryan Kavuma-McQueen and 17-year-old Shim Mheuka are two attackers the Italian boss is keen to have available for selection going forward.

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Mheuka, who made his Premier League and European debuts for the senior team last season, scored five goals in three games for the Young Lions, while winger Kavuma-McQueen made headlines with a four-goal haul against Germany‘s under-17s.

With Cole Palmer and Liam Delap both injured, there may be a spot for these youngsters sooner than anticipated, especially when the Blues travel to Lincoln in the Carabao Cup on 24th September, with Marc Guiu cup-tied for that game.

Maresca opened up in his Friday press conference on the impressive pair: “They are both in my plans, for sure. Shimmy was already with us and played some games for us last year. Ryan is more of a winger.

“I was watching when Ryan scored four goals against Germany, so I was very impressed, but I already knew him. One of my staff is always watching the youth team; they told me he was very good.

I’ve always said with young players, you have to be calm because they can change every day. For sure, though, he is one of the players we are looking at.”

Kavuma-McQueen is incredibly highly rated by those involved in the Chelsea youth system, and the Blues are keen for him not to become the next Rio Ngumoha, who joined Liverpool in pursuit of first-team opportunities he has now been granted.

That’s why, after fighting off interest from Liverpool and Barcelona for his signature, they will be thrilled that he is set to sign his first professional contract with the club when he turns 17 on New Year’s Day 2026.

While Maresca was left impressed by the two goal-scoring Brits at his disposal, he admitted he has a favourite when it comes to Blues’ youngsters.

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The Chelsea boss isn’t necessarily known for his enthusiasm in press conferences, but when asked about youngster Reggie Walsh, he was warmth personified with a smile plastered across his face.

Walsh, 16, has been training with the first team and was one of a record-breaking eight youngsters to be given a first team shot last season, it wouldn’t be a surprise to see him get more chances this year with the Blues already facing injuries to some of their key midfielders.

Maresca added: “I like all the academy guys, but Reggie is the one I like more than the rest, he’s my favourite.

“He’s very good, but because they are from the academy, we need to protect them.

“We already have the youngest squad in Premier League history, and last year we gave so many debuts to academy players. But Reggie is doing things that I demand of other players, and does them without me asking him to. That’s why I love Reggie.”

While Brentford may come too soon for the Cobham trio, they are all likely to feature when the Chelsea U21’s take on Ipswich next Saturday at Kingsmeadow.

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NEW YORK — When the court lights flicker on at the U.S. Open, tennis stars shine under illumination designed to cut light pollution.

The wedge-shaped lamps around the USTA Billie Jean King National Tennis Center in Flushing Meadows direct light onto the players without spewing it into the surrounding skies.

The stadium complex is the only professional sports venue certified by a group that’s trying to preserve the night sky around the world. Across North America and Canada, schools and local parks have also swapped out their lights on baseball fields, running tracks and other recreation grounds to preserve their view of the stars and protect local wildlife.

Night lights can disrupt bird migration and confuse nocturnal critters like frogs and fireflies. Lights on sports fields are especially bright and cool, and often cast their glare into neighborhoods.

In renovations over the last decade, the U.S. Tennis Assn. swapped metal halide bulbs for shielded LED lights. The complex’s 17 tournament courts — including Arthur Ashe Stadium — and five practice courts were approved as dark sky-friendly last year.

USTA officials wanted the best lighting possible on their courts, which also happened to be friendly to dark skies. Their lighting company suggested striking a balance that would satisfy crowds and TV crews while cutting down spillover into the surrounding environment.

“This is an international event that has an impact on the community,” said the USTA’s managing director of capital projects and engineering, Chuck Jettmar. “Let’s minimize that and make sure that everybody’s happy with it.”

Designing lights for dark skies

U.S. Open qualifying matches last week were punctuated by players grunting, crickets chirping and audiences cheering. Rows of lights stood like sentries above, adorned with flat visors that guided the glow onto the action.

The lights at Flushing Meadows glow at a quarter of their brightness when the courts are rented for play during the year. They’re approved by DarkSky International, a nonprofit that gives similar designations to cities and national parks. The group widened its focus to include sports arenas in recent years and has certified more than 30 venues since 2019 — including high school football fields and youth soccer fields.

“We live in a world where we need to engage with one another in the nighttime environment, and that’s OK,” said DarkSky spokesperson Drew Reagan. “That’s a beautiful thing and there’s a way to do that responsibly.”

The organization typically approves proposals at sports fields before any light fixtures are installed or replaced. Once construction is complete, a representative measures the glow and glare against a set of guidelines that benefit the night.

Renovating a field with dark skies in mind can cost about 5% to 10% more than traditional sports lighting, according to James Brigagliano, who runs DarkSky’s outdoor sports lighting program. Venues may require a few extra fixtures since the light shining from them is more targeted.

Most arenas make the change during scheduled maintenance and renovation, working with sports lighting company Musco. The company lights more than 3,000 venues a year, including college football stadiums, tennis courts and rail yards.

At Superstition Shadows Park in Apache Junction, Ariz., kids play T-ball and baseball in the evenings, when the darkness offers a brief respite from the summer heat. The city’s parks and recreation department replaced its already-aging lights with shielded, dark sky-friendly fixtures last year with federal and local government funding.

People venture to Apache Junction partly because “they can get out of the city and still see stars,” said the city’s parks and recreation director, Liz Langenbach. The city is at the edge of the Phoenix metro area, bordered by rolling mountains and sweeping deserts.

“The choices we make on lighting, I think, affect all of that,” Langenbach said.

At Université Sainte-Anne in Canada, students run on a new track and soccer field outfitted with lights that DarkSky approved last year. Researchers at the university study native, nocturnal animals like the northern saw-whet owl.

The lights are “good for everyone,” said university spokesperson Rachelle LeBlanc. “For tourism, for our students, for our neighbors, for the animals that we share our campus with.”

How to cut light pollution

Night lights harm the surrounding environment no matter how shielded they are. DarkSky-approved fields still allow a small fraction of their light to be pointed up because it’s necessary to keep track of flying balls.

“You can have the absolute best, most carefully designed stadium lighting in the world, and you’re still creating light pollution,” said Travis Longcore, an urban light pollution expert at UCLA.

The U.S. Open courts are side-by-side with bright lights from Manhattan and Queens — so they can only darken a slice of the sky. But DarkSky says every light fixture makes a difference, and one professional arena can influence others.

“I’m not saying we as humans have to turn all the lights off,” said Longcore. “I think you have to make improvements from where you are.”

Ramakrishnan writes for the Associated Press. The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Department of Science Education and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.

Director Ryan Coogler and artist Mary Corse will be honored at the Los Angeles County Museum of Art’s 14th annual Art+Film Gala, the museum announced Sunday.

The splashy, high-fashion dinner is co-chaired by LACMA trustee Eva Chow and Leonardo DiCaprio, and is scheduled to take place on Nov. 1. It will be the last such event to occur before the museum opens its new Peter Zumthor-designed building next spring.

Los Angeles is uniquely suited for the gala, which seeks to highlight and strengthen the connections between film and visual art by bringing the two communities together in grand style. Last year’s honorees were Baz Luhrmann and Simone Leigh, and per usual, a host of celebrity guests attended the party including Blake Lively, Kim Kardashian, Laura Dern, Viola Davis, Andrew Garfield and Sarah Paulson. Charli XCX closed out the night with a banger.

LACMA Director and Chief Executive Michael Govan called last year’s event, which raised $6.4 million, its most successful ever. Proceeds go toward LACMA’s mission of making film more central to its programming, as well as toward funding exhibitions, acquisitions and educational programming.

Mary Corse will be honored at LACMA’s Art + Film gala.

(Indah Datou)

Other previous honorees include artists Helen Pashgian, Betye Saar, Catherine Opie, Mark Bradford, Robert Irwin, James Turrell, Barbara Kruger, David Hockney, Ed Ruscha and John Baldessari. On the film side there has been Park Chan-wook, Alfonso Cuarón, Guillermo del Toro, George Lucas, Kathryn Bigelow, Alejandro González Iñárritu, Quentin Tarantino, Martin Scorsese, Stanley Kubrick and Clint Eastwood.

Coogler — who directed “Black Panther,” “Creed” and “Fruitvale Station” — is having a stellar year. His gory Southern-vampire horror film “Sinners,” which was released in mid-April, has been a massive hit. The film, which had a budget of $90 million, grossed $48 million in ticket sales in the U.S. and Canada during its opening weekend, and has gone on to gross more than $365 million worldwide.

Topanga-based painter Mary Corse is known for her connection to Southern California’s Light and Space movement, but her career has been defined by her willingness to experiment with form and various materials, including ceramics and acrylic on canvas. Corse devoted much of her life to her “White Light” series, which involves layering tiny glass beads — called microspheres — over white acrylic paint for a constantly shifting, reflective effect.

“Mary Corse has continually expanded the possibilities of painting in her exquisite works, which invite us to think deeply about the nature of perception,” said Govan in a statement. “Ryan Coogler’s films do something equally transformative. Through masterful storytelling and visual innovation, he reframes history, redefines narratives and opens new worlds of possibility.”

There’s no need to scout Palisades’ football team this fall. Everyone knows the passing duo of quarterback Jack Thomas and receiver Demare Dezeurn is going to be electric.

Dezeurn, who ran a 10.32 100 meters as a sophomore last season at Bishop Alemany, made his Palisades debut in a scrimmage Thursday. Several times he was used as a decoy, opening the door for receiver Harrison Carter to show his stuff.

Palisades kept Dezeurn under wraps. “We’re not showing anything today,” Thomas said.

Palisades opens against Washington Prep on Thursday. The team still doesn’t have a campus field because of repairs being made after the Palisades fire. Santa Monica College will be the site for several home games.

Receiver Demare Dezeurn of Palisdes.

(Steve Galluzzo)

Thomas is already predicting the Dolphins will play Birmingham to decide the City Section Open Division championship. Dezeurn still needs to be cleared by the City Section to play next week.

Chaminade faced Santa Margarita in a scrimmage on Thursday, and Eagles coach David Machuca said he was very happy with the play of his team’s offensive line considering that Santa Margarita’s strength could be its defensive line.

Chaminade faces Oaks Christian in an opener next week, with Santa Margarita playing Mission Viejo.

The Sierra Canyon-Corona Centennial scrimmage matched two top 10 teams and exposed issues both teams will need to improve on.

Sierra Canyon still has a competition going at quarterback, and that’s the position likely to decide how far the Trailblazers might advance in the Division 1 playoffs. Their defensive line is one of the best in the Southland. Centennial had trouble running the ball, something that needs to improve since the Huskies have a three-game stretch against Servite, Santa Margarita and Mater Dei in nonleague games.

Birmingham’s powerful soccer program has supplied three kickers to the football program, giving coach Jim Rose options with special teams. Kicking field goals will definitely be an option.

Making adjustments for multi-sport athletes, such as letting them leave early for a club practice, is something coaches must do if they want to attract the best athletes in school.

St. Francis quarterback Shawn Sanders suffered a broken collarbone in a scrimmage on Thursday and will be sidelined for a month or longer.