life

The ninth in an occasional series of profiles on Southern California athletes who have flourished in their post-playing careers.

When the Dodgers drafted David Lesch in January 1980, they had visions of his fastball lighting up radar guns at Dodger Stadium.

He never made it that far.

Lesch never climbed above the lowest rung on the minor league ladder, where he pitched just 10 innings and gave up more runs, hits and walks than he got outs. Less than 18 months after he was drafted, Lesch, wracked by a rotator cuff injury, was released, his major league dream over before he was old enough to legally buy a beer.

“I went to Disney World after that,” he said.

But that wasn’t the only decision the Dodgers made that changed Lesch’s life. When he was drafted, the team gave him just a small bonus, but sweetened the deal by offering to pay for college if he ever went back to school. For the team, it seemed a safe bet.

“They probably have this algorithm saying ‘this is the No. 1 draft pick. If he doesn’t make it, he’s not going back to college. He’ll be assistant baseball coach of his high school or something,’” Lesch said.

Oops.

Lesch not only went back to college, but he also wound up getting three degrees, including a master’s and a PhD from Harvard. It was arguably the most important investment in humanity the Dodgers made since signing Jackie Robinson, because Lesch went on to become one of the world’s top experts on the Middle East, writing 18 books and more than 140 other publications while advising four presidents and a cadre of United Nations diplomats.

David Lesch interacts with students in his history class at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

“That was the best deal,” Lesch, 65, said by phone from San Antonio, where he is the Ewing Halsell Distinguished Professor of History at Trinity University.

“Without that I probably could not have said yes to Harvard because of the price. The Dodgers committed to paying.”

And by doing so, the Dodgers may have altered history just a bit.

Lesch’s regular meetings with Syrian president Bashar al-Assad, which ended with Lesch facilitating an important if temporary breakthrough in U.S.-Syrian relations? The diplomatic and conflict-resolution work in Syria and the wider U.N. initiatives on regional issues throughout the Middle East? The thousands of students Lesch inspired to go on to perform important diplomatic and public-service roles of their own?

None of that happens if Lesch’s shoulder had held on or if the Dodgers had reneged on their deal.

“It was very fortunate that he hurt his rotator cuff. Baseball’s loss is academia’s gain,” said Robert Freedman, a scholar and expert on Russian and Middle Eastern politics who taught Lesch at the University of Maryland Baltimore County.

“I’ve been teaching for, I guess, 60 years now and I can tell when a student can see a complex problem and can penetrate right to the heart of the problem very quickly. He was one of those students.”

Still, it took a slightly offhand comment from Freedman, who now teaches at Johns Hopkins, to launch Lesch on his post-baseball career.

“We were having lunch and he was looking for a project and I mentioned to him ‘you know, there hasn’t been a good American scholar doing work on Syria for many, many years,’” he said.

“That struck his interest.”

Playing a child’s game and managing life-and-death Middle East politics share very little in common. But Lesch made the transition seamlessly.

“It is like he’s several different people, or has been,” said journalist and author Catherine Nixon Cooke, whose book “Dodgers to Damascus: David Lesch’s Journey from Baseball to the Middle East” traces those parallel lives.

“I’m wondering if, in a sense, it all worked out the way it was supposed to,” Cooke continued. “Even though his dream was to be a major leaguer, David certainly has reinvented himself to this really remarkable man following a completely different path.

“It was the Dodgers who paid for him to go to Harvard and so it’s kind of a weird thing. Baseball took away his dream because he got hurt, but baseball also gave him his backup plan.”

Lesch was still a teenager when, 20 minutes into his first spring training camp in Vero Beach, Fla., Dodgers manager Tommy Lasorda plucked him off a minor league practice field to pitch batting practice in the main stadium.

Waiting for him were Ron Cey, Bill Russell, Steve Garvey, Davey Lopes and Reggie Smith, the heart of a lineup that would win a World Series a season later.

It was the first time — and nearly the last — that Lesch faced big-league hitters. And it didn’t start well.

Batting practice pitchers throw from behind an L-shaped screen that protects them from comebackers and Lesch had never used one. That, combined with his understandable nervousness, caused him to short-arm his first fastball, which sailed at Cey’s head, sending him sprawling into the dirt.

“He got up and gave me this mean look,” Lesch said. “I remember it so vividly right now. I really thought I was going to be released that day.”

Instead, he gathered himself and finished the session, earning pats on the back from both Garvey and Lasorda. The incident, he said, has colored the rest of his life.

“I’ve met with presidents, prime ministers, been in war zones, all sorts of things,” Lesch said. “Anytime I say ‘well, you know, this should make me nervous,’ I think about that episode and the fact that I made it through and did OK.”

In high school, Lesch had focused on basketball and baseball. Academics? Not so much. So after spending his freshman year of college at Western Maryland College, he transferred to Central Arizona, a junior college, so he would be eligible for the January 1980 draft, allowing him to trade his books in for a baseball.

The so-called secondary draft, which was discontinued six years later, was specifically targeted toward winter high school graduates, junior college players, college dropouts and amateurs who had been previously drafted but did not sign. As a result, the bonuses teams offered winter draft picks were just a fraction of what players taken in the June draft received.

Lesch’s was so low, he can’t even remember what it was.

“I want to say $10,000 to $15,000,” he said. “No more than $20,000.”

When it became clear the Dodgers weren’t going to budge on the money, Lesch’s father, Warren, a family physician in suburban Baltimore, pulled out the Harford County phone book and looked up the number for Baltimore Orioles coach Cal Ripken Sr. Lesch played high school ball against Ripken’s son Cal Jr., who had been a second-round draft pick of the Orioles two years earlier. So his father thought the Ripkens might have some advice on what to ask of the Dodgers.

David Lesch, a former Dodgers draft pick, stands on the baseball diamond at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

“Ripken goes ‘does your son like school and is he smart?’” Lesch’s older brother Bob remembers. “So Ripken suggested if they offer you XYZ bonus money, take less and say ‘I’ll take this amount, but you have to cover education if he doesn’t make it.’”

Neither side thought that clause would ever be triggered; Lesch, a big, intimidating right-hander who threw bullets from behind Coke-bottle eyeglasses, wasn’t headed to a classroom, he was going to Dodger Stadium.

Until he wasn’t.

Lesch missed a couple of weeks with a back injury. By overcompensating for the sore back, he developed paralysis in the ulnar nerve in his right arm, limiting him to five appearances in his first minor league season.

He arrived healthy for his second spring in Vero Beach and threw three no-hit innings in his first outing against double-A and triple-A players, creating such a buzz that Ron Perranoski, the Dodgers’ major league pitching coach, showed up to watch his second game. By then the shoulder and back stiffness that shortened his first season had returned, and Lesch was rocked. Perranoski left early and unimpressed.

Lesch’s delivery had one major flaw: He threw directly overhand, as opposed to three-quarters or even sidearm, which can increase velocity but also places additional strain on the shoulder and elbow. As a result, his fastball could top out in the mid-90s one day, but when the stiffness and pain returned, it left him throwing in the low 80s.

The inconsistency continued to plague Lesch, and eventually the Dodgers decided they’d seen enough and released him. When he got back to Maryland, Lesch’s father sent him to see an orthopedic surgeon, who found the problem wasn’t in his back or elbow but rather the rotator cuff.

“We didn’t live in the era of pitch counts. So he just pitched,” said David Souter, a high school and college teammate who went on to develop big-league pitchers.

“He had the ability if he was developed and stayed healthy. I think he probably overthrew and tore his rotator cuff and nobody knew it.”

If Lesch had come along 10 years later, when rotator cuff surgeries were common, he might have returned to the mound. But in 1981, a rotator cuff injury was a death sentence for a pitcher.

“It’s just a crapshoot based on physiology,” Lesch said. “I probably was destined. Something would have happened.”

If he could do it over again, Lesch said he would change one thing.

“I’d throw sidearm,” he said. “It’s much less stress.”

He threw to big league hitters just one more time. Following the strike that interrupted the 1981 season, Ripken Sr. phoned Lesch back and asked him to throw batting practice at Memorial Stadium to help the Orioles prepare for the resumption of play. As a reward, the Orioles let Lesch hit — he never had batted in the minors — and he drove a pitch over the left-field wall, then dropped the bat and walked away.

He never stepped on a major league field again.

The Dodgers’ investment in Lesch’s education appeared manageable when he enrolled at a satellite campus of the University of Maryland, in part because his brother Bob was the school’s sports information director.

But it was 1981 and the Middle East was at the forefront of geopolitics. Lesch became convinced the Middle East would be central to world affairs for decades to come. Inspired and encouraged by Freedman and another professor, Lou Cantori, he applied to graduate school at Harvard, Georgetown, Johns Hopkins and the University of Chicago, knowing he couldn’t afford any of those schools on his own.

“I probably could not have said yes to Harvard when they accepted me because of the price,” Lesch said. “The Dodgers had committed to paying and whatever it was, it was a lot more collectively — my undergraduate MA and PhD — than I had gotten in the bonus.”

That wasn’t the only time his baseball background worked in his favor. Years after starting at Harvard, Lesch stumbled upon written evaluations of his application and learned that his grade-point average and other factors were similar to those of other applicants, but it was his athletic career that had swung enough votes in his favor to get him accepted.

“Failure is at the core of sports. And so you have to have this resiliency,” Lesch said. “What a lot of the top colleges have found is that these young kids out of high school who somehow get a 4.6 GPA, they come in — and I’ve seen this as a professor — they get their first C and they’re distraught.

“Athletes stick with it. They say ‘how can I turn this around? How can I get better?’ Admissions departments across the board have looked at athletes much differently.”

The struggles Lesch experienced on the diamond did not follow him into academia. Yet becoming an expert on the Middle East definitely was a backup plan.

“His first passion was clearly baseball and basketball,” said Souter, the former teammate. “Every kid dreamed … that.”

If the shoulder injury wasn’t a strong enough sign that that dream was over, the fire that destroyed Lesch’s childhood home a few years later was. The flames, which severely burned both his parents, also erased his baseball career, consuming all the photos and memorabilia he had collected, save for the championship ring from his one minor league season, which he found buried in the embers. It was the only thing to survive the blaze intact.

David Lesch’s championship ring from his one minor league season, the only surviving keepsake of his professional career after a his family’s home was destroyed in a fire.

(Courtesy of David Lesch)

A post-graduate trip to Syria, the first of more than 30 visits he has made to the country, sealed the deal a few years later. The love he once had for baseball he now felt for a strange and mysterious place that was as old as history itself yet as secretive as the classical ciphers.

Soon Lesch was helping arrange high-level meetings between Syrian president Hafez al-Assad and President George H.W. Bush, a baseball fan who seemed as interested in Lesch’s Dodgers days as his Middle Eastern expertise. But his big break came during the first presidential term of Bush’s son George W. Bush, when Bashar al-Assad, who succeeded his father as Syria’s president, welcomed Lesch for the first of many interviews that informed his book, “The New Lion of Damascus: Bashar al-Assad and Modern Syria.”

“His forte is listening,” Cooke, the biographer, said of Lesch, whose polite, unassuming manner reflects an adult life spent mostly in San Antonio. “When he goes in to try to mediate something, he is a big listener. There is a side of David that doesn’t talk much. But he’s listening.”

The book humanized al-Assad and opened, for a time, the possibility of normalized relations between Syria and the West, with Lesch serving as an unofficial liaison between Damascus and Washington, as well as other Western capitals.

“He’s absolutely a critical player in what we would call two-track diplomacy,” Freedman said. “If the government wants to reach out but doesn’t want to take the political consequences, they send somebody to sound out the situation.

“It’s absolutely critical that we have people like that who can speak the language and understand the overall context, which sadly is lacking in the current administration.”

David Lesch teaches students in his history class at Trinity University in San Antonio.

(Lucero Salinas / Trinity University)

But that opening closed as quickly as it opened. Lesch’s close contacts with al-Assad raised suspicions among some in Syria, and Lesch was poisoned twice. His relationship with al-Assad was severed completely shortly afterward when he criticized al-Assad for failing to implement promised reforms and becoming a “bloodthirsty tyrant.” The Syrian civil war took nearly 700,000 lives and displace another 6.7 million people before al-Assad and his family fled into exile in Russia in 2024.

“Many governments think that they can reduce war to a calculation,” Lesch said. “What we cannot measure accurately or fully appreciate is the human element. We cannot assess a people’s sense of grievance, passion, revenge, ideological commitment and historical circumstances that shaped the nature of their response and staying power.

“This is where academics can make a contribution to policy, giving it the depth and insight gleaned from years of study and learning the culture and the people.”

Baseball’s loss wasn’t just academia’s gain. It may prove to be humanity’s as well.

“I don’t really have any regrets,” Lesch said. “My career turned out great. I could not think of doing anything else at this point and, in fact, in a way I’m glad [baseball] didn’t work out.”

Blake Lively and Justin Baldoni have reached an agreement to resolve their legal dispute, bringing an abrupt end to a high-profile and increasingly contentious battle that had been set to go to trial in two weeks.

“The parties in the Blake Lively and Wayfarer Studios litigation have reached an agreement to resolve the matters,” lawyers for both sides said in a joint statement Monday in a case that has drawn outsized attention for more than a year.

“The end product — the movie ‘It Ends With Us’ — is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors — and all survivors — is a goal that we stand behind. We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard. We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

The statement did not disclose the terms of the agreement.

The bitter dispute, which grew out of the production of the 2024 romantic drama “It Ends With Us,” had sprawled over months into a series of lawsuits, countersuits and public claims, with both sides offering sharply different accounts of what took place during and after filming.

Lively sued Baldoni, his production company Wayfarer Studios and others in December 2024, alleging sexual harassment, retaliation and other claims tied to her experience on the film. Baldoni denied the allegations and pushed back in court filings, arguing that the dispute had been mischaracterized.

Last month, U.S. District Judge Lewis Liman dismissed most of Lively’s claims, including her sexual harassment allegations, significantly narrowing the case ahead of a trial that had been scheduled to begin May 18 in New York.

The remaining claims, centered largely on alleged retaliation, had been expected to be the focus of the trial, which was likely to last two to three weeks and risked reputational damage to both parties.

It was not immediately clear whether the court had formally vacated the trial date.

The Channel 4 show’s newest surrogate partner therapist may look familiar to some viewers

Risdon Roberts it the newest addition to Virgin Island’s therapy team, but some fans may recognise her.

She is appearing on the Channel 4 show as a surrogate partner therapist, a professional who can offer two-way touch with the cast and even engage in full sex if deemed appropriate. She is the third so-called ‘sex surrogate’ on the show alongside Kat Slade, 35, and Andre Lazarus, 42.

In tonight’s episode (May 4) fans will get a glimpse at Risdon’s work with 25-year-old accountant Tegan, with the pair trying out directed gazing. This involves staring at different parts of the body in a bid to stir up feelings of desire.

As Risdon gets more screen time, fans may be curious about the star’s background and her path to appearing on the Channel 4 reality series. Here’s everything to know.

How old is Risdon Roberts?

Risdon is 42 years old and was born in Japan. She is same age as fellow surrogate partner therapist, Andre, who she already knew before the show.

She is usually based in Los Angeles where she works as a surrogate partner therapist and an intimacy expert, also advising for events, film and TV. Her specialism is working with people new to intimacy, experiencing sexual dysfunction or who are coming out later in life. She herself identifies as a queer woman.

Explaining she she signed up for Season 2, she shared: “I was very impressed with Kat [Slade] on the show and how the show supported her when the work with one of her clients shifted, as that is something that comes up a lot in Surrogate Partner Therapy.

“Seeing Kat’s incredible work on the first season really inspired me to want to participate. Andre and I have been friends and colleagues for years as well, so his positive experience during the first season was a major reason why I signed on.”

She added: “As a queer woman I also appreciated how there was so much room on the show for the cast to explore their divergent identities, attractions, and sexualities. I also really enjoyed the sex education elements of the show because those are some of my favourite parts of the work.”

Why does Risdon Roberts look familiar?

If fans recognise Risdon already, it’s likely due to her background in acting. She started her career in film and TV and trained as an intimacy coordinator before switching to her current career path.

Her first big acting role was in the online web series, Bite Me, in which she starred as a character called Lauren. The show centred around three gamers who try and survive a zombie outbreak using their gaming skills.

According to her IMDB page, her most recent TV work outside of Virgin Island is a 2017 TV mini series titled This Place Is Weird where she is credited as ‘Risdon’ as well as an appearance as ‘Lulu’ in 2023 comedy short, Surprise!

Virgin Island airs Monday and Tuesday nights at 9pm on Channel 4.

HE’s the man whose been putting a smile on Katie Price’s face in her online videos – but it’s not her new husband Lee Andrews.

Last month, the former glamour model was hit with a six-month driving ban – her seventh one to date – and has had to find other means of getting around.

Thankfully, Katie hasn’t had to look too far from home for help, with cameraman Ben Algar taking on unofficial chauffeur duties of late.

As a result, ‘Big Ben’ – as he’s nicknamed – has found himself on the other side of the lens, making an increased appearance in her unfiltered day-in-the-life videos on her socials – and it’s not escaped fan attention.

“Car pool with Benjamin,” read the caption of one recent karaoke themed video that sees the two crack up as they give a very different rendition of Guns n Roses’ Sweet Child of Mine.

“You like a bit of 80s don’t you,” Ben says clearly knowing Katie intimately.

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“Yeah but what song did you sing at mine during karaoke the other night?” Katie replies, hinting at a late-night jam together.

“New man??” asked one curious fan in the comments, with another concerned follower penning: “have you split with Lee?”

While a third pondered: “I wonder if Lee is jealous of Benjamin and his wife getting all cosy and having banter lol.”

But contrary to speculation, Ben has been a firm fixture in Katie’s life for decades, with their friendship striking up after filming a number of her reality TV shows over the years.

Sources credit Ben as a ‘stable influence’ and the ‘second man’ in the ex-glamour model’s life, in what has been another whirlwind few months for the star, following her driving suspension and surprise Dubai wedding to Lee Andrews in late January.

“The second man in Katie’s life is Ben, who has been by her side for years,” a source tells The Sun. “But he’s really stepped up recently amid her latest drama.

“He is probably the only stable man she’s ever had in her life outside of her family.

“They’re incredibly close friends and Ben has always quietly guided Katie, not only in her career but in her private life

“The whole family love him- he’s a really great friend to Katie and the entire Price gang. They all think he’s a legend.”

The Sun has reached out to representatives for Katie Price.

Ben is such a trusted ally, in fact that he even has a sweet relationship with her children – most notably Harvey, who has been back home with Katie over Easter.

Katie’s eldest even has a cute nickname for Ben, who is a dad-of-five himself, and calls him ‘Bouncy Ben’.

It’s a stark difference to new husband Lee Andrews who is yet to meet his new wife’s brood.

A video shared in late December saw another Ben appearance, with the caption reading: “Our secret camera man showing himself.”

The reality TV star revealed in it how he’s known as ‘Bouncy Ben’ to Harvey and shared the anecdote behind it.

“Harvey calls him Bouncy Ben because when Harvey was smaller, Ben used to lift him up and bounce him like that,” she said on camera, doing an impression of a toddler being thrown into the air.

“But we tried to explain to Harvey that Bouncy Ben can’t do that anymore.

“One, because you’re bigger than Ben now and you weigh a ton and a half,” she added, before Ben cut in: “And two, I’m not that strong.”

Ben’s closeness to Katie and her clan must be something of a blow to Lee, whose distance is claimed to be due to a travel technicality.

There is ongoing speculation that the 43-year-old is unable to leave the United Arab Emirates city after allegedly forging his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan – something he’s strongly denied.

But air miles aside, Katie revealed in an interview on Good Morning Britain that she “wants to get to know him more” before they meet in real life, even if the kids have spoken to Lee over FaceTime.

Lee’s travel ban isn’t the only scandal that’s come out about him, with Katie’s fourth husband having used AI to fake photos with Kim Kardashian and Elon Musk to drum up interest in his business, Aura Group.

The ‘Walter Mitty’ businessman has also been accused of scamming women by his ex-girlfriend Alana Percival, who he popped the question to in a nigh-on identical proposal to Katie’s.

Lee has strongly denied all claims, but the allegations haven’t eased her family’s concerns.

Buddy Ben’s frequent presence therefore couldn’t come at a better time for worried loved ones, who we’re told is quietly monitoring the marriage.

“Ben has definitely been concerned about some of Katie’s relationships and her marriage to Lee is no different,” our source tells us.

“Like Katie’s family who have some very valid worries about Lee, Ben is the same and has been quietly keeping an eye on it.”

The cameraman and confidante has a good relationship with Katie’s sister Sophie, working with the sibling duo on podcast The Katie Price Show.

Just this week, Sophie and Ben playfully teased Katie over a former boyfriend.

“He works with Katie all the time so is aware of what is going on in her life, it means he can keep watch over her,” the source adds.

“Katie is a grafter so work, along with her kids, will always be a priority. It means she’s always in contact with Ben.

“Her family know he looks out for her and are grateful for his input.”

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Quincy Jones, left, Michael Jackson and Lionel Richie in Netflix’s “The Greatest Night in Pop.”

(Netflix/Courtesy of Netflix)

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

Christine Marie in Netflix’s “Trust Me: The False Prophet.”

(Netflix)

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Matthew Rhys and Stephen Root in Apple TV’s “Widow’s Bay,” now streaming.

(Apple)

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

We are living in an era of dissent, but what does that mean in 2026? According to writer Gal Beckerman, to be a dissident is as much a way of being as it is an act of resistance. In his new book “How to Be a Dissident,” Beckerman, a staff writer for the Atlantic, unpacks dissent as a kind of rough art. His book is both an instruction guide and a primer.

In nine short, potent chapters, Beckerman lays out the essential traits of an effective dissident — loyalty, recklessness and watchfulness, among them — to illustrate how communities of resistance are built from the ground up. I recently chatted with Beckerman about playwright and former president of the Czech Republic Václav Havel, President Trump and AI.

✍️ Author Chat

You have written three books that deal with dissent — political, cultural and societal. It’s clearly a big issue with you.

I don’t think of myself as an activist; I don’t approach these topics with an activist’s fervor. I’m genuinely curious about how change happens in society. All four of my grandparents survived the Holocaust, and I think the notion of a society that can change that quickly and turn on you was always very shocking and interesting to me.

In reading your book, it’s really inspiring and extraordinary to read about individuals putting their lives on the line to make change happen.

They genuinely fascinate me as these bizarre human beings who are able to act in ways that I find really mysterious. There’s a mystery as to how people’s minds actually change, and how society can change.

You write about making moral choices, and doing something bold because of some strongly held belief. This is not the same thing as joining the crowd, which can be the path of least resistance.

I had this feeling during the first few months of the current Trump term (and I share this sentiment with a lot of people) that we were just bowled over by the degree to which people in elite places were acquiescing to the exercise of executive power and being willing to bend the knee in ways that felt shocking to me. This prompted me to wonder, what would I do in that situation? Would I say “no” and not succumb to the will of executive power? Would any of us do so? It’s a question we all have to ask ourselves.

You cite Iris Murdoch’s notion of “radical humanism” as a key trait of effective dissent.

Radical humanists are attuned to the messy and wonderful ways that beings just are. They are defending those conditions for human beings to have a normal life, whether that means being able to listen to whatever music you like, or to wear your hair in a certain way, or to take care of a neighbor that is being ill-treated. Václav Havel called it the “pre-political” way of thinking and acting. And we saw this recently in Minnesota, with people standing up to ICE, regardless of what their political affiliations might be. Something pre-political was going on.

Another important factor you cite is civic mindedness, which feels like a difficult goal given how our communities have been dissolved by our screen addictions.

The communication tools that we use are dehumanizing in many ways because they don’t allow us to really see each other. Instead we preconceive each other and just scream a lot. And we know this at a gut level even as we continue to use them. That’s why I do think it takes an almost dissident sort of energy to insist on thinking in a different way and scrambling the assumptions that our modes of communication have foisted upon us.

What about AI? It feels as if there is a lot of resistance to accepting AI into our lives just because technology companies are investing billions of dollars to make it so. You are seeing communities protesting against the construction of data farms in their neighborhoods, for example.

The money behind the ideology pushing AI is about letting us feel that the only way to have an efficient life is through AI. And I feel like the 20th century taught us that there are lots of ideologies that come around to promise this sort of thing. And so we need to learn from that. I think there are a lot of overwhelming powers that try to flatten us. But we have to take that wonderful human element, that radical humanism, to say no, maybe there’s a way to do it better.

📰 The Week(s) in Books

Monica Lewinsky as a saint offering solace to the lovelorn and abandoned? Julia Langbein’s wild conceit works beautifully in her novel “Dear Monica Lewinsky,” according to Julia M. Klein, who calls the book “smart, poignant and involving.”

Among the casualties of the Vietnam War were the Appalachian communities whose male populations were decimated on the frontlines. This is the subject of Pamela Steele’s “taut, lyrical” novel “In the Fields of Fatherless Children,” a book that delves into the “poverty, racism, environmental degradation and despair suffered in the Appalachian ‘holler’ during the Vietnam era,” writes Meredith Maran.

The Times’ Deputy Entertainment and Arts Editor Nate Jackson sat down with the rapper, actor and K-Town native Jonnie Park to discuss his memoir, “Spit: A Life in Battles.”

Finally, Maddie Connors answers the question, “why are novels getting shorter?” Welcome to the age of the Adderall novel.

📖 Bookstore Faves

The inside of Mystery Pier Books

(Mystery Pier Books)

Established in 1998, Mystery Pier Books is L.A.’s prime destination for rare books and signed editions across a wide range of genres and forms, including Shakespeare folios and vintage sci-fi paperbacks. Located right alongside its Sunset Strip neighbor Book Soup, Mystery Pier was established by character actor Harvey Jason and his son Louis, who continue to run the store together. I chatted with Harvey about the treasures to be found in his store.

What is the market like for rare books right now?

Very strong, in fact. We just sold a beautiful edition of J.R.R. Tolkien’s “Lord of the Rings” trilogy to a private collector for $55,000. And that is actually a reasonable price for those books. We have a long list of serious collectors all over the world that contact us for books, customers that have been coming to us for years. We also sold a first edition of “The Adventures of Huckleberry Finn” for $17,500.

Why should one own a rare book?

It’s a good investment. People who collect rare books are book lovers, first and foremost. And they are smart enough to know that the books they love can increase in value year by year. First editions never depreciate. They always become more valuable over time.

I’m interested in journalism books. Do you have any Tom Wolfe or Hunter Thompson in your store?

Hunter Thompson came in here years ago and signed all of his books, so, yes, we have his books signed by him.

Do you see young people looking to get into collecting books?

Yes. A lot of recent college graduates are building collections. It’s very heartening to see that. You can come into our store and find nice editions for $100. The front room of our store contains the first editions but our other rooms will have landmark titles for far less money. This is really a pursuit for everybody, not just wealthy collectors.

TURN back the clock 12 months, and Wynne Evans’ life was falling apart.

Being axed by the BBC from his radio show last May appeared to be the final nail in the Welsh tenor’s career coffin after he was sacked from the Strictly Live Tour over accusations of an inappropriate sexual comment.

Devastated, Wynne, 54, told this newspaper of his anguish and despair at being made a “scapegoat” for yet another BBC scandal – confirming what was pushed as a “vile sexual remark” was actually a joke amongst his one-time friend Jamie Borthwick.

The apology issued at the time for the comment was, Wynne explained, written by the BBC and ultimately ended up being the metaphorical sword he would die on.

Friends furiously rushed to defend Wynne to The Sun, and today still pour scorn on soap actor Jamie for failing to defend Wynne when he knew the truth behind the comment.

Jamie, 31, was later sacked by EastEnders four months after Wynne was given the boot.

“It felt like karma,” one friend tells The Sun.

“Wynne was hung out to dry, and Jamie, who was at the centre of it all, said absolutely nothing. They both ended up losing everything.”

Suicidal, Wynne was kept afloat by his long-time fiancée, Liz Cooke, his two grown-up daughters, and a legion of friends – including Gavin And Stacey star Joanna Page and Strictly’s Aljaz Škorjanec and Janette Manrara – who kept tabs on him at his home in Carmarthen.

Broken but not beaten, friends explain Wynne has quietly rebuilt his life – and is slowly carving out a life away from the constrictions of his old BBC paymasters.

His property business, Wildvine Properties, friends say, is starting to take off – allowing Wynne to return to what he loves: performing.

“Wynne is made for radio, and his daily show, broadcast from a studio he built in his home, is doing really well.

“He started working on Radio Dragon last month, too, and his Sunday morning show has been really successful.

“His devoted following, who loved his BBC Radio Wales show, have all followed him there, and the audience research has shown Wynne is beyond loved.

“Last month, he was invited to sing at Wrexham FC too, and the reception was so warm, it was a massive boost for him.

“Quietly, Wynne has built up a property business, which includes a three-bed house in Llansteffan, which is hugely popular on Airbnb.

Wynne could have allowed the BBC to cancel him, but he refused to be cowed.

Insider

“It’s given him a quiet income so he can focus on rebuilding and moving on with his life.

“Wynne was virtually destroyed by the BBC and hung out to dry. But he is proof that once the chips are down, you can turn things around.”

In a heart-wrenching interview with this newspaper in May last year, Wynne admitted that his jokes on Strictly, made between people he believed at the time were friends, were clumsy.

But there is no question that his actions were nothing more than ill-judged.

Wynne said: I realise now you cannot make jokes like that in the workplace – it’s deeply unprofessional.

“I’d be happy to go on any language and behavioural course that the BBC wants to send me on. I’d be thrilled to go on a course that could save me from situations like this.

“Society’s changing so quickly, and I’d be the first to say perhaps I’ve got it wrong on occasion. Unfortunately, I wasn’t offered a course like that.

“All I want now is to focus on performing and get back to my radio show – I can’t quite believe I’ve ended up here, and I just hope everyone can read this and know I’m not a bad guy.”

‘Wynne is a good man’

As he started to move forward with his life, friends explained that the support from his loyal fans, affectionately known as “Wynners”, is the people Wynne feels most grateful for.

“Wynne is a good man who has been through hell,” a pal says.

“The fans who have always supported him stood by him, and that means the world to him.”

Wynne’s personal company finances certainly show things are not as dark as they were this time last year.

The latest report for the firm shows Wynne is sitting on reserves of just over £670,000.

He has taken his time and slowly rebuilt his life. He was totally broken this time last year.His whole world had imploded, and at times he felt like he had nothing to live for.

Insider

And pals explain Wynne is keen to continue carving out a new position for himself in the public domain – starting next with a series of four live shows.

The performances are billed as a mix of stand-up comedy and opera, and Wynne is looking forward to taking another step back into the limelight.

“Wynne could have allowed the BBC to cancel him, but he refused to be cowed,” a friend explains.

“He has taken his time and slowly rebuilt his life. He was totally broken this time last year.

“His whole world had imploded, and at times he felt like he had nothing to live for.

“Wynne took baby steps and got himself back on his feet. Now things are really moving in a positive direction, and the future is looking bright again.

“What happened last year is something that Wynne will never be able to forget, and really, he is still processing that.

“But he wants to show people that no matter how bad things get, no matter how many times your name is dragged through the mud, no matter how many people you thought were friends turn on you, with the love of your family and your friends, you can make it through.

“Wynne’s story is one of salvation, and he will be telling it with brutal honesty and humour.”

Samuel Monroe Jr., known for ‘90s cult classic films “Menace II Society” and “Tales from the Hood,” is fighting for his life after doctors misdiagnosed a meningitis infection.

Monroe’s wife, Shawna Stewart, confirmed the news with Complex, telling the outlet that the star contracted meningitis 18 months ago while filming in Las Vegas.

“He went to several different hospitals, where his condition was repeatedly misdiagnosed and because of this negligence, the meningitis went untreated for eight months,” Stewart told the outlet.

She said that by the time doctors properly diagnosed the actor, the infection had already spread “not only to his spine but also to his brain.”

According to the Mayo Clinic, meningitis is an infection and swelling of the fluid and membranes around the brain and spinal cord. The inflammation from meningitis typically triggers symptoms such as headache, fever and a stiff neck. While viral infections are the most common cause in the United States, bacteria, parasites and fungi can also cause the condition.

The family launched a GoFundMe on Monday, sharing that the financial strain has been “immense” and that over the last nine months, Monroe has been in multiple hospitals and two rehabilitation centers. According to the fundraiser, the actor will require around-the-clock care if he regains consciousness and is removed from life support.

“As the whole family and friends do not want to think negative in the event that Samuel is taken home by God,” Tayonna Stewart wrote on the GoFundMe. “Any funds raise would be put towards a proper and respectful celebration of life for his family, friends and fans to attend.”

The actor’s mom, Joyce Patton, also shared the news on Facebook and asked for prayers for her son.

“Please pray for Samuel Monroe Jr. my son who is now on life support,” she wrote on Saturday. “God don’t make no mistakes but he is gracious and I am humbly asking for his mercy and grace for Sam. I love you son … to the moon and back 100 times.”

At present, the GoFundMe has raised 7% of its $50,000 goal, with “Big Boy’s Neighborhood” radio host Kurt Alexander contributing $1,000.

Monroe, who has gone by the stage name “Caffeine” and “Caffamilliano,” landed his first acting gig in 1993, opposite Patti LaBelle on the hit TV series “Out All Night.” The same year, he splashed onto the big screen, portraying Ilena’s cousin in “Menace II Society.”

He’s also acted in films “Tales from the Hood,” “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” “What Goes Around Comes Around,” “Set It Off” and “The Players Club.”

Most recently, he acted in 2023 films “Packz” and “Payment Received.”

Gogglebox’s Andrew joined the show last year with husband Alfie and the beloved couple quickly became a hit with fans

Gogglebox star Andrew has become a firm favourite since joining in 2025 – but what do we know about his life?

Andrew made his debut on the show in its 26th series along with husband Alfie. The married couple – who live in the Cotswolds – quickly charmed viewers thanks to their witty remarks and playful jibes at one another.

Away from the programme, Andrew and Alfie keep their loyal legion of combined 50k Instagram fans updated on their everyday lives.

But who is the Hollywood star that Andrew is friends with after meeting on a beach in Mexico? And what were their loved ones’ reaction to their romance? Here’s everything you need to know about Gogglebox’s Andrew.

Andrew and Alfie on family’s reaction to age-gap romance

Andrew and Alfie, who share a 30-year age difference, got married in May 2024. Their wedding was a picturesque affair in Italy, attended by close friends and family.

In a recent Instagram video, the pair took part in a Q&A. When asked what were the reactions to their age gap when we get together, Alfie said: “Well it was slightly different for me and you because you were already openly gay. I was coming out as gay and telling people.”

Andrew then said: “But my mother did turn around to me didn’t she and said that if I went out with somebody or marry someone under 30 she would,” before the video bleeped out what Andrew said next.

Alfie quipped: “Lucikly I just hit that threshold. My mum was very supportive. My father was very shocked and upset and he didn’t speak to me for an entire yeah.” Referring to Andrew, Alfie added: “You were the same age as him.” He then said: “Luckily we moved past that one.”

Andrew’s famous friend ‘he met on the beach’

It turns out Andrew is rather pally with a Major Hollywood star. On Instagram in March, Andrew uploaded a photo of him and Alfie posing alongside actress Rose McGowan.

Rose has appeared in several Hollywood flicks and TV shows including Jawbreaker and horror movie Scream. She also played Paige Matthews in the supernatural drama series Charmed from 2001 to 2006.

In the comments section, both Alfie and Rose explained their friendship. Rose wrote: “Andrew and I met on a beach. Been through joy, tragedy, joy again. Love him and delighted to get to meet Alfie. When I saw him on Gogglebox I was floored. Had to find him again. So happy we’ve reconnected.”

Meanwhile Alfie explained: “They both lived in Mexico for 3/4 years…honestly there is rarely a day I’m surprised by something @andrewdnicolls says.”

Andrew and Alfie’s ‘child’

Fans of Andrew and Alfie will also know that the couple are proud dog parents to a beloved pup called Perkins. The dog has made several appearances on the Channel 4 show too.

What’s more, the pair have also set up their dog’s own Instagram, in which they share updates from the four-legged-friend’s life. In September, they shared a photo of Perkins looking adorable on their “daddies’” sofa.

The post was captioned: “Always loved being on the sofa. Now bringing cuteness to your TV screens every Friday at 9pm on @c4gogglebox with my daddies @andrewdnicolls & @sam.alfie.mulhall.”

Gogglebox airs every Friday at 9pm on Channel 4

Cole Tomas Allen, the suspected gunman who rattled the nation’s top leaders by exchanging gunfire with federal authorities after racing through the secure perimeter of a press gala in Washington late Saturday, had made a long journey from Southern California and written a “manifesto” threatening Trump administration officials before the short-lived attack, officials said.

Allen, a 31-year-old Caltech graduate and high school tutor from Torrance, is believed to have taken a train first to Chicago and then on to D.C. before checking into the Washington Hilton with two guns he had previously purchased, authorities said.

The attacker managed to bypass several layers of security at the White House Correspondents’ Assn. dinner before being taken down by armed agents outside the ballroom where President Trump and an array of other top federal officials were seated.

Allen could not be reached for comment, nor could an attorney for him be identified as of Sunday.

According to Trump, Allen had also authored a “manifesto” prior to the attack, which he had shared with family and which his brother had flagged to local law enforcement in Connecticut. The New York Post reported that Allen described himself in the document as the “Friendly Federal Assassin” and revealed he intended to kill Trump administration officials.

New London (Conn.) Police Deputy Chief John Perry said that around 10:30 p.m. a man came into the lobby of the agency’s headquarters to report that he’d received a troubling email from Allen. The relative initially thought it was spam, but then saw the news of what unfolded in D.C. and felt he needed to report it.

Perry would not say what was in the email, and did not know exactly what time it was sent. But the relative said he only saw and opened it around 10 p.m. “I think he was watching what was going on and kind of put two and two together and said I need to go to my local PD,” Perry said.

Police officials provided the email to the Secret Service and FBI, he said. Trump said the document would be released, but it had not been as of Sunday. Officials said criminal charges against the suspect were pending, with an initial court appearance likely Monday.

Late Saturday, both local and federal law enforcement, including from the FBI, swarmed the Torrance neighborhood where Allen is believed to have lived in a home with his family, with Torrance police clearing the road and putting up police tape along part of the street. A man who responded to a knock on the front door said, “Not right now,” and declined to comment further.

The thwarted attack marked the latest in a string of incidents in which gunmen have gotten dangerously close to Trump, renewing questions about the safety and security of the nation’s commander in chief at a time of intense political division at home and roiling conflicts abroad.

Trump was grazed on the ear by a bullet at one of his presidential campaign events in Butler, Pa., in 2024 — the first of two attempts on his life during that campaign cycle. The other involved a gunman targeting the president as he golfed in Florida, before federal agents intervened. Earlier this year, a gunman was killed at the president’s Mar-a-Lago club, after breaching a security perimeter.

On Sunday, questions swirled as to how such a security lapse could have happened again — and whether large, high-profile events are safe for top officials in a nation where firearms are easy to obtain and ubiquitous.

Acting Atty. Gen. Todd Blanche, in an interview on “Meet the Press” Sunday morning, said federal authorities believe the suspect had set out alone “to target folks that work in the administration, likely including the president,” but that a motive was still being determined and evidence still being gathered — including from devices taken from Allen and in interviews with people who know him.

“As of now, we don’t have any connection to any particular policy directive of President Trump or Iran or anything else that we’re doing in this country, but we are looking into it,” he said.

Blanche also downplayed the threat posed to Trump, other officials in the room such as Vice President JD Vance and First Lady Melania Trump, and the hundreds of other attendees to the annual event — suggesting Allen had essentially been stopped in his tracks shortly after making his break through a checkpoint of metal detectors and federal agents, dramatic video of which Trump posted online.

“Let’s not forget that the suspect didn’t get very far. He barely broke the perimeter,” Blanche said. “And so while this was extraordinarily dangerous and put a lot of lives at risk and there’s no doubt that that’s something that we’re going to have to learn from over the next couple weeks, the system worked. We were safe, President Trump was safe. His Secret Service agents kept him safe. All of us were safe.”

Blanche’s assessment of the attacker’s breach past security — which he said was only “by a few feet” — was disputed by some.

According to other attendees, including Times journalists, event staff were checking tickets, though not very thoroughly, at multiple points prior to escalators that descended to the metal detectors where Allen allegedly dashed past armed security.

The detectors were right outside the event hall and where the bathrooms for the event were located, and the assailant was taken to the ground about 10 to 15 feet beyond them, attendees said. The shots — including two from the gunman, according to Blanche — were heard in the ballroom.

Allen, who graduated from Caltech in 2017 with a degree in mechanical engineering and is registered to vote with no party preference, made a $25 political contribution earmarked for then-Vice President Kamala Harris’ campaign challenging Trump for the presidency in 2024.

While at Caltech, he was a teaching assistant and a member of the school’s Christian fellowship and the Nerf club, according to his LinkedIn profile. He later studied computer science as a post-graduate student at CSU-Dominguez Hills.

Allen was named teacher of the month in December 2024 at C2 Education, which specializes in college test preparation, tutoring and academic advising. A representative for C2 Education was not immediately available for comment.

According to the New York Post, Allen himself had derided the event security in his writings beforehand, describing finding far less security at the hotel than he had expected when he arrived, armed, to check in.

“I expected security cameras at every bend, bugged hotel rooms, armed agents every 10 feet, metal detectors out the wazoo. What I got (who knows, maybe they’re pranking me!) is nothing. No damn security. Not in transport. Not in the hotel. Not in the event,” he wrote, according to the Post. “I walk in with multiple weapons and not a single person there considers the possibility that I could be a threat.”

Authorities did not detail Allen’s alleged travel route to D.C., other than to say it was by train. In response to questions about whether Allen had taken Amtrak to get to Washington and whether his luggage would have undergone any security screening, Amtrak said only that it is cooperating with federal authorities.

Trump also zeroed in on security at the hotel being inadequate, in addition to posting the video of the suspect rushing past security and multiple pictures of him detained on the floor of the hotel.

While praising the federal agents who took the attacker down, Trump suggested that events with top U.S. officials should be held in more secure facilities — such as the giant ballroom he is trying to build on the White House grounds after demolishing the former East Wing.

“What happened last night is exactly the reason that our great Military, Secret Service, Law Enforcement and, for different reasons, every President for the last 150 years, have been DEMANDING that a large, safe, and secure Ballroom be built ON THE GROUNDS OF THE WHITE HOUSE,” Trump wrote on social media Sunday. “This event would never have happened with the Militarily Top Secret Ballroom currently under construction at the White House. It cannot be built fast enough!”

Weijia Jiang, president of the correspondents’ association, said in a statement Sunday that the group’s board “will be meeting to assess what happened and determine how to proceed.” She also thanked the U.S. Secret Service and other law enforcement for keeping people safe, and praised journalists in the room for leaping to work to inform the public of what had occurred.

Times staff writers Richard Winton, Ben Wieder and Justine McDaniel contributed to this report.

Lionsgate’s “Michael” is on track to unseat “Straight Outta Compton” as the king of musical biopics.

Early returns suggest the Antoine Fuqua-directed film will surpass the $60-million opening weekend box office record set by the N.W.A biopic in 2015, with the studio expecting an opening that could reach $70 million.

“Michael Jackson is one of the most influential artists in human history. His impact on music, fashion, dance, film and business has withstood the test of time,” said Adam Fogelson, the chair of the Lionsgate Motion Picture Group.

“All of those things together seem to have created a profound response from audiences of all ages,” he added.

“Michael,” starring the legendary pop star’s nephew Jaafar Jackson, hits 3,900 screens nationwide on Friday.

The film marks the first time the story of Michael Jackson’s life and career are back in movie theaters since 2009’s “This Is It.” That posthumous documentary followed the rehearsals for his London residency, which was canceled after he died, just 18 days before the first of 50 scheduled shows.

That film remains the highest-grossing documentary of all time with nearly $270 million in global ticket sales.

The stakes may be higher for “Michael,” not just because of its roughly $200-million cost, but also its circuitous journey to the big screen.

Early development on the motion picture began in 2019, but frequent changes — both in the storyline and production — forced delays. The original idea was to encapsulate Jackson’s life from childhood fame with the Jackson 5 to his solo commercial peak during the ’80s and end with the child sex abuse allegations he faced in 1993.

That version of the film was well underway when the production was forced to go back to the drawing board due to a legal issue. The Jackson estate, which is in support of the project, reportedly discovered the early draft of “Michael” violated a $15-million settlement with the accuser in that case. Part of the agreement stipulated that the alleged victim would never be pictured or mentioned in a dramatization of Jackson’s life.

Production reconvened for 22 additional days and the Jackson estate took on tens of millions of dollars in additional reshoot costs.

The current version of “Michael,” hitting theaters this weekend, is set between the 1960s and 1988. It closely follows the controlling relationship between Jackson and his father, Joe Jackson, played by Colman Domingo, and tracks the king of pop’s peak stardom. Janet Jackson is notably absent from the storyline.

Depending on how the movie performs, there are plans for a potential sequel. The follow-up would tell the second half of Jackson’s career, where much of the scrapped footage could be used. Lionsgate has done advanced work to ensure that a significant amount of the previously captured footage could be included.

So far, the movie is receiving mixed reviews. As of Friday morning, the critic’s consensus on Rotten Tomatoes was less than favorable, with a score of 40%. But Lionsgate remains confident the film will resonate positively with average moviegoers and Jackson fans, both domestically and globally.

“The audiences that are now starting to watch the movie in early previews have been euphoric,” Fogelson said. “Audiences are speaking loudly and clearly about how much they appreciate the final product.”

Even outside of theaters, Jackson’s story continues to find success. “MJ,” the jukebox musical based on his life, is in its fourth year on Broadway and has had both national and international showings. Michael Jackson’s estate has also collaborated with Cirque du Soleil for several acrobatic productions since 2011. The “Michael Jackson ONE” show, which first premiered in 2013, recently extended its run on the Las Vegas Strip until 2030.

Tiffany Naiman, the director of music industry programs at UCLA, said the sustained interest in the pop icon speaks to his loyal fan base and place in American cultural history.

“He represents not only extraordinary artistic achievement, but also the contradictions of fame at its most amplified,” Naiman said in a statement. “That tension — between brilliance and controversy, innovation and scrutiny — is precisely what continues to draw audiences back, and what will likely shape both the film’s reception and its broader cultural impact.”

The former reality star has traded celebrity life to start a rubbish collection business

One of Towie’s most recognisable faces has turned his back on fame and taken up waste collection.

Kirk Norcross first burst onto our screens on the ITV2 reality show as one of its original cast members. Back then, he was living the high life as a ‘rich party boy’, spotted behind the wheel of luxury motors, jetting off on extravagant holidays and throwing parties at his late father Mick Norcross’ legendary nightclub Sugar Hut.

Despite being a firm favourite with fans, he chose to walk away from the show after just two years, before going on to appear in several other television programmes. Kirk featured on Celebrity Big Brother and the 2015 series of MTV’s Ex On The Beach.

Now, years on, Kirk leads a thoroughly ‘normal’ life having opted to ditch the spotlight entirely – even previously turning down the opportunity to appear in the 10-year TOWIE anniversary reunion show.

The 38-year-old now runs County Clear Waste, a same-day rubbish collection service operating throughout Norfolk and Suffolk. The firm handles household, commercial and industrial waste, while also providing a ‘wait and load service’.

The company appears to have launched in January this year, making it a relatively new venture. Promoting his business, Kirk shared a snap of himself on Instagram, pictured sporting a branded hi-vis jacket.

Alongside the post he wrote: “Hi, I’m Kirk Norcross, proud owner of County Clear Waste.

“I provide reliable, fully insured and licensed rubbish clearance across Norfolk and Suffolk. From garden clearances and house clearances to all types of waste and rubbish removal.

“I’ve got you covered. Professional, trustworthy service you can depend on. Get in touch today.”

However, this isn’t Kirk’s first venture into entrepreneurship. The former reality star previously operated his own jet-washing business based in Essex.

He ran KN Jet Services, a jet-washing and drain-cleaning enterprise, which represented his initial foray into a traditional career path after leaving television. Beyond his professional endeavours, Kirk is a dedicated father to his two children.

Kirk has previously spoken candidly about the devastating impact his television career had on his mental wellbeing.

In 2019, he made the heartbreaking revelation that he attempted to take his own life after his time in the public eye left him struggling with severe anxiety and depression.

His late father Mick tragically died by suicide at his Bulphan home in January 2021. An inquest disclosed how Mick felt ‘unable to cope’ with financial concerns before his death.

TOWIE returns on Sunday, April 26 at 9pm on ITV2 and ITVX and the show will air every Sunday and Monday

Samaritans is there for anyone who wants to talk. You can contact Samaritans 24 hours a day, 365 days a year by calling 116 123 (free from any phone) or the Samaritans Welsh Language Line on 0808 164 0123 (7pm–11pm every day).

Michael Tilson Thomas came onto the scene as a great hope for classical music, American music, Los Angeles music, modern music, multifaceted pop music, maverick music, Russian music, Broadway music and just plain music, whatever it might be and from wherever it might be found. He lived his 81 years as conductor, pianist, composer, educator and media personality promoting that hope, and died Wednesday having shown how hope is done. He looked ahead. He looked back. Yet he lived for the now.

It wasn’t always easy. He wasn’t, to say the least, always easy. But MTT made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.

I first encountered MTT as a kid clarinetist and he, Michael Thomas back then, a student conductor at USC and already, at 19, music director of the Young Musicians Foundation Debut Orchestra. He was soon everywhere. A piano prodigy, he regularly performed (and hobnobbed) with the likes of Stravinsky, Copland, Boulez and Cage at Monday Evening Concerts programs when the Los Angeles County Museum of Art opened in 1965. That summer, he appeared at the Ojai Music Festival, which he would go on to lead as music director seven times.

MTT liked to describe his L.A. youth as driving from Jascha Heifetz’s house in the Hollywood Hills (where he accompanied the famed Russian violinist in classes) to LACMA to rehearse Ives and Renaissance music, to composition and conducting classes at USC. Then it was home to the San Fernando Valley to practice Beethoven.

All the while, he listened to the hip L.A. 1960s pop music stations on his car radio. He was particularly keen on, and became friends with, Chuck Berry. Home was where he would also encounter screen legends. Tilson Thomas’ father worked in films and television as a screenwriter, producer and dialogue coach. Theodor Thomas was, as well, a painter with a visionary sensibility and a pianist, self-taught other than a handful of lessons from Gershwin.

But it was Tilson Thomas’ mother and grandmother who may have had the biggest influence. His mother was a public school teacher. She instilled what became a key trait in her only child, who treated conducting as an exercise in learning both for the musicians and the audience (if not for him, because he basically knew it all). His grandmother, Bessie Thomashefsky and her husband, Boris, were stars of Yiddish theater on New York’s Lower East Side.

Boris died in 1939, five years before MTT was born. But Bessie and young Michael were close. She recognized that, like her, he was born for the stage, and regaled him with stage lore that put the stardust in his eyes. As a young kid, MTT played Beethoven piano sonatas so impressively that he wowed his babysitter, an architecture student at USC named Frank Owen Goldberg, who needed extra cash.

Frank Gehry, as he became, told me that MTT was already an entrancing showman. The two remained lifelong friends.

While MTT did not actually reside in L.A. for most of his life, he never really left it. It prepared him for all that was to follow. In high school, he met Joshua Robison, who became his lifelong partner and ultimately husband. Whether in New York, Miami, London or San Francisco, wherever they lived, they always talked about L.A. His father’s paintings were on the walls, as were Boris’ Yiddish theater posters, one proclaiming “King Lear,” translated and improved.

The Tilson Thomas package that emerged from L.A. was unlike any conductor the world had seen. He doted on the music of Rachmaninoff when Rachmaninoff was unfashionable and on Steve Reich when Reich was found unfathomable. He adopted classical music’s neglected outsiders and especially such key West Coast “mavericks” as Lou Harrison and Henry Cowell. He convinced Meredith Monk to write for orchestra and enticed everyone from Sarah Vaughan to the Mahavishnu Orchestra onto the symphony stage.

Studying at Tanglewood, the Boston Symphony’s summer home, MTT won the Koussevitzky Prize in 1969 and, with the encouragement of Leonard Bernstein, was appointed assistant conductor to music director William Steinberg. Before long, MTT became principal guest conductor, filling in frequently for Steinberg, who was in poor health.

MTT in his early 20s was vibrant, arrogant, fearless, full of ideas, a chance taker. Ever the Angeleno, he tooled around town in a Porsche. He talked to staid symphony musicians and audiences who didn’t want to be talked to and often played music they didn’t want to play or hear. And he dazzled them. He got a contract with the distinguished German record label Deutsche Grammophon and made exciting records with the orchestra of Tchaikovsky, Stravinsky, Ives and modern Americans. They remain a thrill to hear.

By 1974, it was Tchaikovsky one moment and a wonderfully crazy avant-garde opera the next. Stanley Silverman’s “Elephant Steps,” which MTT recorded in 1974, was for pop singers, opera singers, orchestra, rock band, electronic tape, raga group, gypsy ensemble and, of course, elephants. Richard Foreman wrote the libretto. There had been nothing like it then or since. A revival could prove a sensation. The Olympic arts festival, anyone?

At the same time, Tilson Thomas, who proved a born educator, succeeded Bernstein in delivering the New York Philharmonic’s Young People’s Concerts. When Steinberg left, the Boston Symphony Orchestra passed over MTT as too young (24) and not ready (he wasn’t, nor was Boston). He was just right, though, for the Buffalo Philharmonic, which he led from 1971 to 1979. It was a wild ride, with lots of exciting new music and no small amount of controversy — arresting performances of arresting new works (Morton Feldman in particular) and an actual arrest at Kennedy International Airport when small quantities of cocaine, marijuana and amphetamines were found in his luggage.

He may have seemed ready for a homecoming in 1981, but MTT’s appointment as principal guest conductor of the Los Angeles Philharmonic did not prove to be the return of the prodigal son. These were the years of Carlo Maria Giulini’s music directorship, and MTT brought currency — new music, Gershwin, flashy showstoppers. Much of it was a breath of freshest air, but he was also remembered for his brash youth, which was now a brash 30s. He ran afoul of some in the orchestra and of its imperious head, Ernest Fleischmann.

Having been branded the next Bernstein, MTT floundered. What he needed was not L.A., but a far distant remove to find himself. That happened in two parts.

In 1987, the educator in him led to his greatest project, the creation of the New World Symphony in Miami Beach, Florida. The training orchestra guides young musicians with conservatory backgrounds into the world of professional orchestras.

Around the same time, Bernstein talked the London Symphony Orchestra into hiring Tilson Thomas as music director. Far from L.A., Boston and New York, a newly mature MTT found his bearings, no longer the next Leonard Bernstein but the first and only Michael Tilson Thomas.

Miami gave MTT meaning, and he commissioned Frank Gehry to design a revolutionary concert hall and teaching facility. In London, his conducting took on depth without losing its surface glamour. What MTT still lacked, however, was a creative outlook. He had always thought himself a composer and could, at a party, make up a clever song at the piano on the spot. He had drawers full of sketches but little finished work.

It took a return to the West Coast for MTT, having turned 50, to put all of his musical, emotional, personal and spiritual parts together and achieve greatness. For 25 years as music director of the San Francisco Symphony, MTT conducted Mahler and Tchaikovsky with a depth of soul that integrated his Russian roots and Bernsteinian character. He advocated for mavericks in summer festivals. He found his voice as a composer. He and Robison were embraced as a beloved San Francisco couple. He alchemized the San Francisco Symphony into a Bay Area beacon.

In the challenging last chapter of his life, MTT turned tragedy into triumph to became a universal inspiration. The lockdown in June 2020 meant cancellation of his farewell concerts as music director, including a production of Wagner’s “The Flying Dutchman” with a set by Gehry. The following summer, MTT fell on stage while conducting the London Symphony in Santa Barbara. He was diagnosed with late-stage glioblastoma. He likely had less than a year to live.

Remarkably, MTT continued to conduct until last April. His appearances with the L.A. Phil and the San Francisco Symphony were transformative. He guest conducted in New York, London, Prague and elsewhere. In L.A., a dying MTT led a profound performance of Mahler’s death-obsessed Ninth Symphony, not as a farewell but as a shamanistic savoring of every moment of life. He asked not for sympathy but for joy.

For MTT, the music never stopped. In his later years, he advanced the theory that what you took away from hearing a performance mattered as much, if not more, than what you experienced. That may explain why this creature of the theater who was so graceful leading an orchestra and so enjoyed talking to the audience turned stiff and awkward when bowing to acknowledged applause. Was it his reluctance to leave? Insecurity? Attempt to remove his ego from the experience, as if he was now handing the music over to you?

It was probably all of those things. During his illness, when his movement became more difficult, he let go. He was simply happy to be there, happy to share music, happy to be alive, very happy to be loved. His final bows were a celebration of life.

Sadly, Robison died Feb. 22, exactly two months before MTT, who died four days short of a year since his final concert with the San Francisco Symphony. But he lives on through about 150 recordings and his website.

He and Robison worked as tirelessly throughout his illness to archive his life. His website provides a treasure trove of compelling radio and television programs, his copious Thomashefsky Yiddish theater archive, a vast legacy of searching and believing. And hope.

Bailey Zimmerman performed Friday night at Stagecoach, where his set mixed post-grunge country hits like “Religiously” and “Where It Ends” with a cover of Miley Cyrus’ “The Climb” and an appearance by BigXthaPlug on their duet “All the Way.” Before Zimmerman’s set, I met with the 26-year-old singer inside a denim-bedecked pop-up presented by American Eagle, for whom Zimmerman serves as an official spokesbro.

Did you only agree to become an American Eagle ambassador because you thought you might be able to meet Sydney Sweeney?
I would understand why you would think that. But honestly, no — it was a full circle moment in my life. Before my American Eagle deal, I had all the American Eagle underwear. They couldn’t send me new ones — I had ’em all.

Do you get free jeans?
They give me everything for free.

Could you get me some free jeans?
Maybe? I could do one of those things where I’m like, “Oh, it’s for me,” but it’s really for you.

By my count, this is your fourth Stagecoach in a row.
Yep.

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You never miss this, bro.
It’s my favorite time of the year — it’s sick. I come out here the whole weekend. The first year, I brought my best friends, and we’ve done it every year since — all my friends and their fiancees now because we’re getting older and they’re getting married. So it’s just a big party all weekend. It’s something I look forward to.

Speaking of getting married, last year you you told me you were looking for a wife. Any progress?
Well, you know, honestly, I’m still just kind of doing my thing. I’m on God’s timing, truly —I’m just letting it roll.

You’re a Justin Bieber guy.
Beliebe it.

“Swag” or “Swag II”?
I was hesitant to want to listen to “Swag II” because I love “Swag I” so much. But then once you get into “Swag II,” it’s like, Dude, this is so fire, bro. Both albums are so fire — I’ll listen to either one.

Did you watch Bieberchella?
Yes!

What did you think of the YouTube of it all?
I thought it was really cool. I loved it — it was just something way different. I’ve never seen that done like that. Iconic — I would call it iconic. That’ll go down in history.

Bailey Zimmerman on Stagecoach’s main stage.

(Allen J. Schaben / Los Angeles Times)

You have a current radio hit, “Chevy Silverado.” What was your first truck?
A 2005 white Chevy Silverado. That’s what the song’s about.

Yes, of course. But I didn’t know it was true to life — I thought you were using writerly inspiration.
No, true to life, man. My grandpa had a 2005 crew-cab short-bed Chevy Silverado, and I bought it off of him. I had to borrow money from my bank in my hometown, and I bought it of him because times weren’t good at the time. When the used car dealership was going good, maybe he would’ve given it to me, but at that time, it wasn’t going good, so I had to borrow money and have a payment at the bank. Adult things.

You know where that truck is now?
I still have it. Honestly, I didn’t think anybody would resonate with the song — I didn’t think anybody would listen to it just because it was so personal to me. Every single line is a real life story from my life, so to see it resonating with everybody and seeing it do what it’s doing — it’s so cool, man.

Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.