life

“Children of Blood and Bone” director Gina Prince-Bythewood’s son Cassius Bythewood was honored by Miami Police department last week for saving a woman from a near-fatal attack.

Cassius accepted the hero award from the city of Miami Police Department at a ceremony recognizing his bravery on Wednesday.

“It’s surreal to be able to be this proud of my child,” Gina told reporters at the event. “I’ve always been proud of him, but this is such an incredible thing that he did.”

In May, Cassius heard the nearby screams of Miami woman Caitlin Dydzuhn, who was walking her dog near her downtown condominium when she was brutally attacked by a man wielding a homemade shank. Cassius, 25, ran toward the screams and jumped in to stop the assault by kicking and shoving the alleged assailant Raydean Johnson, 49, who was arrested at the scene of the incident shortly after the attack.

Dydzuhn was punched and stabbed, and suffered severe cuts and damage to one of her eyes, according to NBC Miami. Doctors told her she would likely never regain her vision in the wounded eye, but she has since recovered.

Cassius told the outlet that he was raised not to panic in intense situations and to help those in need. He also said his lifelong training in martial arts helped equip him to step in.

“Fight or flight,” he said, per 7 News. “I’m glad that fight kicked in.”

“He saved my life,” Dydzuhn told reporters at the ceremony. “My last memory was screaming for my life, kind of blocking punches, blocking stab wounds, and feeling that no one was coming to save me.”

Dydzuhn continued that Cassius guided her to safety and spoke calmly, telling her, “There’s a man here with a weapon. I need to get you out of here.”

Gina Prince-Bythewood, also known for “The Woman King” and “Love & Basketball,” posted coverage of the ceremony on social media, writing, “Firstborn@CassiusMandela living the incredible example set by his pops,” adding a thank-you to her husband, Reggie Rock Bythewood, for “all that you instilled in our sons.”

Reggie added his own accolades for his son in the comments, writing, “My son. So grateful you’re safe. Grateful Caitlin is recovering well. I’m grateful that Mom was able to be with you. I admire how you were calm and empathetic under extreme pressure. Now you know why I call you CHAMP.”

Shonda Rhimes, Viola Davis and Gabrielle Union all applauded Cassius in the comments, calling him an incredible young man.

Dydzuhn also weighed in, writing that she’s only alive because of the values of courage and integrity instilled in Cassius, calling him her hero.

Filming a broadcast television show can leave even the most seasoned actors feeling like they’ve lost sense of time. But by afternoon on a recent weekday, Josh Charles actually looks like he teleported to the past as he collapses into a seat inside his production trailer in upstate New York.

He’s in the throes of filming Season 2 of “Best Medicine,” the Fox dramedy he headlines that’s set in a small fishing village in Maine, and the reason he’s shed his character’s usual suit and tie for gaitered trousers and a navy coat with red facings eventually reveals itself: Port Wenn, the show’s fictional town, is putting on a Revolutionary War reenactment. And if you’re familiar with Martin Best, the curmudgeonly doctor with an almost permanently furrowed brow portrayed by Charles, the character’s willingness to don such a getup likely took some coaxing.

That’s the fun of it all for Charles.

He’s been a working actor since childhood — making his debut at 15 in John Waters’ cult classic “Hairspray,” followed soon after by his turn as Knox Overstreet in “Dead Poets Society” — and a fixture in TV and film ever since.

While best known for dramatic roles like high-powered lawyer Will Gardner in “The Good Wife,” Charles easily pivots to comedy — like the time he memorably played the triple-collared, snobby camp ringleader in “Wet Hot American Summer: First Day of Camp.” Now, “Best Medicine” lets Charles leans into the push and pull of the comedy and drama within his tightly wound alter ego.

Josh Charles as Martin Best in Fox’s “Best Medicine.”

(Francisco Roman / Fox)

Created by Liz Tuccillo (“How to Be Single,” “Sex and the City”), the series follows a brilliant but cranky heart surgeon who, after developing a crippling blood phobia spurred by a traumatic medical case, abandons his thriving career in Boston to become a general practitioner in the town where he spent summers as a child. Martin Best is a doc whose bedside manner could use some TLC, but he came to town hoping he can still practice medicine — that is, if the townspeople would actually do as he says.

“I have been really wanting to do more comedy lately and looking — especially if I was going to call a place home for a particular period of time, like you do in a television show — for something that was a little more lighter air than I had been networking in of late,” says Charles, whose recent credits include dystopian drama “The Handmaid’s Tale” and spy thriller “The Veil.”

The series is based on the beloved British dramedy “Doc Martin,” which starred Martin Clunes as a doctor with a similar storyline, that aired between 2004 and 2022. Tuccillo says Charles brought an elegance and depth to the fish-out-of-water dynamic his character navigates in the quirky town.

“He never hits a false note,” she says in a separate video call. “I knew the material would be in great hands in that he would always elevate it just by his artistry and being. I knew he was going to be able to play the gruffness, but any time that you’re doing a show, there is a question mark on so many things. To be honest, we were like, ‘But is he going to be super funny? Is he going to want to do pratfalls? Is he going to be game for the comedy part of it?’ When we started working, it was clear he was game for all the shenanigans … he likes to laugh. So I try to devise things that I think will amuse him.”

A special advance preview of the Season 2 premiere aired Sunday, but the show will move into its regular time slot Tuesday. Here are edited excerpts from the conversation with Charles.

Josh Charles poses for photos on the “Best Medicine” set in upstate New York. He says he was drawn to the Fox dramedy because it was “a little more lighter air” than the other work he had done recently.

(Ebru Yildiz / For The Times)

“Best Medicine” hit Netflix after its first season aired. Building an audience outside the traditional linear viewing has become such a key component of television today. How do you feel about it?

One of my dad’s best friends told me, “I’m watching the show on Netflix!” He’s like, “I just can’t watch shows with commercials anymore” — as people are programmed now. That is the new shift. You go into these platforms for periods of time, build your audience in a different way and hopefully keep growing that audience. [Television] keeps evolving and growing in a way that I don’t fully understand, but I do know that it’s a different world right now. Netflix has a great reach, and it’s great that we’re on there and that people are discovering it. And apparently we did very well.

Season 2 opens with Martin on probation and under review by the medical board. What is Martin in for this season?

When it starts off, he’s really in it. Eden [Martin’s ex-girlfriend played by Eliza Coupe] is now back in the picture. She’s coming from Boston every weekend, and she’s rubbed a lot of people in town the wrong way. And the progress that Martin made, we see him maybe take a few steps back in the way that he interacts with people. He’s with her and I think there’s feelings there, but I think their relationship feels very — I don’t know, it’s interesting. It doesn’t have the fire. But she doesn’t make him feel bad about himself. She respects him, and I think those things are important. And he’s around in this town where nobody’s listening to him half the time. People are just always mad at him about something, and she’s not. She puts him a little bit on a pedestal, and I think he really needs that.

All that presents an obstacle for the show’s slow burn: Martin and Louisa (Abigail Spencer). There’s been some discourse about the art of the slow burn and how the pacing has changed in an era of short episode orders and unpredictable renewals. You have experience in this department with “The Good Wife.”

Liz and I have talked about it a little bit. You don’t want to muck bait it and drag it out for the sake of dragging it out. I think they’ve done a good job of putting the obstacles in a way that still feels organic and genuine and not yet a reach. In the British show, things accelerated so much faster. They only made eight [episodes] a year. We want to also have it feel like it’s plausible. It is really fun to have Eliza Coupe here. It’s fun to play scenes with her and [see] the different side that brought out in Martin. That is the challenge because I don’t think we’re as interested in doing it quite that fast [as the British show]. I have faith in them that we’ll land it in a good way.

Ellen Soraya Nikbakht as a peculiar patient and Josh Charles as Martin Best in the Season 2 premiere of “Best Medicine.”

(Danielle Mathias / Fox)

You’ve played in comedy and drama in your career. It’s fun to watch you straddle both sides with this character. How has it been finding the rhythm or tone with him?

A lot of the comedy I’ve done, I’ve done some stuff that’s more silly and kind of over the top. I love playing the fool. What’s really fun [here], to me, are the circumstances they put Martin in where things are blowing up in front of him and he’s just trying to deal. I’ve enjoyed doing a lot of the physical comedy on the show.

I [also] found it really interesting to have a character who doesn’t want to be around people, but he actually does. He just doesn’t really know how to do it, and he’s never really had any kind of practice at it in his life. And he’s gone through a lot of trauma in his life. He’s a really specific kind of workaholic. For him to grow up with what he did, and losing his sister really young in his life — I did research on that and what that does to people and how that can sort of frame your life. I imagine he went to private school, maybe a boarding school, then he goes on the track of going to college and medical school — we know how hard that is, the kind of hours they put in; then to be really successful at it, you put everything you have into your work. There’s this other side of his life that is completely empty. This town kind of just softens off the edges of him a little bit and helps him become a little more authentic version of who he was maybe meant to be. That gives me some place to build off of and to go with the character, other than it feeling kind of just very one-note.

Matthew Goode, left, as Finn Polmar and Josh Charles as Will Gardner in a scene from Season 5 of “The Good Wife.”

(CBS)

This series marks your return to broadcast television after leaving “The Good Wife” in its fifth season. You’ve done TV since then, of course. But a big reason you left broadcast was because of the grind of a 20-plus episode season. With “Best Medicine,” you’re the lead and the second season will have 14 episodes. Does that feel like the sweet spot?

If “The Good Wife” was “The Good Fight,” I would have done that until the wheels come off. I would have never wanted to leave that because I would have had a life. I could have been able to go do a play, travel with my family, see my kids. At the time of “The Good Wife,” I didn’t have kids, but we were about to get married and wanted to have children. I was only going to do 18 [episodes] at most with this show, if they wanted it. And then I asked them this year, “Well, we’re just at 14. What was the decision [there]?” And I’m happy about it. They also agree. This just feels like where the show wants to live creatively. You work really hard for four or five months, and then you get to go explore other projects and travel and live your life.

Your departure from “The Good Wife,” with your character Will Gardner dying, felt like an out–of–body viewing experience as it happened. The fact that it was kept under wraps —

I can’t believe we did it, honestly. There was one journalist who obviously had a source somewhere and did find out. Part of being able to keep that silent until the moment was an agreement that they would come to set and be there as long as it was [kept secret]. I remember like when the episode aired, I was in the editing bay with the editors in L.A. [for an episode I directed]. I’m seeing things come in and I was like, “Oh my God!” I thought it was going to get ruined for people on the West Coast. These days, you know how they make something, how much this cost, how they did this scene … we used to be surprised by things. To be able to truly shock people you know like in an Orson Welles-style “War of the Worlds” way. I felt like in our own sort of network TV way, this was the equivalent of that. We really got to narratively pack a punch. That season was one of the great treats of my career. I just felt the writing on that show that season was at another level.

Sept. 21, 2026 12:58 PM PT

The Queen of Country is being honored with a special day on Californians’ calendars.

Gov. Gavin Newsom signed legislation Sunday that establishes Sept. 25 as Dolly Parton Day. The date’s significance may be obvious to fans of the late country legend: 9-2-5 references Parton’s hit single “9 to 5” from the soundtrack of the 1980 comedy film of the same name that starred Parton, Jane Fonda and Lily Tomlin.

“Dolly Parton was an icon,” Newsom said in a video accompanied by his wife, Jennifer Siebel Newsom, announcing the bill’s passage. “Dolly was larger than life with big hair and a bigger heart. People around the world have been touched by her music, by her philanthropy, and by her humor.”

Parton died Aug. 25 at 80 years old following a battle with cancer. The beloved songwriter, recording artist, actor and businesswoman was an honored musician, earning 10 Grammy Awards and 10 Country Music Assn. Awards, as well as two Academy Award nominations and a Primetime Emmy. She was the recipient of the National Medal of the Arts in 2005 and the Kennedy Center for the Arts Award in 2006. Parton was also inducted into the Country Music Hall of Fame in 1999 and the Rock & Roll Hall of Fame in 2022.

“Her legacy goes well beyond her music,” Sen. John Laird (D-Santa Cruz), who co-authored the bill with Sen. Shannon Grove (R-Bakersfield), said in a statement. “Through the Imagination Library, she put books into the hands of millions of children, and throughout her life she led with kindness, acceptance, and a belief that everyone deserves to be treated with dignity and respect. She was also no stranger to the Central Coast, where she performed for packed crowds and spent time over the years. Now, every 9-2-5, California gets to celebrate Dolly and the remarkable legacy she shared with all of us.”

Tehran, Iran – Amid dire fuel shortages and mounting economic challenges, the Iranian government is seeking cost-saving measures for government workers and other citizens to deal with the crisis.

On Saturday, the government set office attendance hours for 8am to 1pm from September 23 to the end of the current Iranian year (late March 2027), with the remaining contractual hours to be completed remotely.

Agencies must also designate one day a week when employees and managers travel to work by public transport. In recent days, government ministers have released videos showing themselves using the metro to commute to work as part of the campaign.

Metro and bus rapid transit (BRT) systems will also be free of charge until mid-November in a bid to encourage commuters to leave their cars at home. Worn-out government vehicles will also be replaced with electric, gas-powered or hybrid alternatives, although this is expected to take years to implement.

The reopening of universities is expected to be staggered and partial, with some lessons shifted online by authorities.

Government-linked offices are required to switch off heating and turn off lights after working hours, while schools, universities, healthcare facilities and operational services are to follow separate arrangements to be announced later.

President Masoud Pezeshkian signed a directive on September 12 instructing government agencies to facilitate remote work for suitable employees to save on petrol, electricity and natural gas costs for the state.

“We have begun consumption savings with the government,” Pezeshkian said earlier this month. This is seen as effectively framing remote work and other measures for government workers as in line with other energy-saving measures that the government has asked of the rest of the population.

Resource-rich Iran has dealt with energy crises before, rooted in mismanagement and dated infrastructure, when similar cost-saving measures were implemented. But the added pressure of war with the United States and Israel has forced the government to think of creative solutions to energy shortfalls.

In early September, the cash-strapped government raised the price of fuel for the third tier of quotas for a second time in less than a year, meaning that people will pay double for any petrol use beyond 110 litres (29 gallons) per month. Imported vehicles and some other categories of cars are also limited to the most expensive tier of fuel.

For the first five months of the current Iranian year, which ended on August 22, average daily petrol production was 122 million litres while consumption was at 132 milion litres, highlighting a shortfall in supply versus demand. In the first half of the sixth month, the gap between production and consumption was around the same, at a 10 million litre shortfall.

The US naval blockade of Iran’s southern ports in place since July has halted fuel imports that previously helped balance the gap. The blockade has also stopped Iran from exporting its oil via supertankers transiting the Strait of Hormuz, affecting its foreign currency income. Crude stored on open waters beyond the blockade line is still being gradually sold to China.

Oil and gas facilities, petrochemical companies and major fuel depots were also bombed by the US and Israel, impacting production and distribution. Oil Minister Mohsen Paknejad said in early September that “a significant portion of production capacity has now been restored, and the process is continuing”.

As rampant inflation continues to squeeze most Iranians, data released this week by the Statistical Center of Iran also highlighted the damage the war with the US has dealt to the economy.

Iran experienced a massive 10.1 percent year-on-year fall in real gross domestic product (GDP) and a 26.4 percent fall in oil and gas extraction between late March and late June 2026, the centre’s data showed.

Including oil, industries and mining were down 14.7 percent, while construction was down by 6.4 percent, services overall by 4.8 percent, and transport, storage and communications by 17 percent.

The government has not released any information on how many workers are estimated to be affected by the remote work directive, or how it expected efficiency to be impacted.

But after decades of mismanagement, corruption and inefficiency among government-linked organisations, some Iranians believe it highlights a wider issue of state inefficiency.

“My unpopular opinion is that if 85-90 percent of government sector personnel are fired and 70 percent of ministries closed down, absolutely no problem will occur in the country,” a user named Mohsen wrote on X.

Zabihollah Salmani, a deputy head of the Administrative and Employment Organisation of Iran, told reporters during a press conference in August that more than 2.43 million were on its payroll.

If council, fire brigades, social security and non-government organisation workers were included, this would bring the number to more than four million people. The average monthly pay for government personnel at the end of the previous Iranian year in late March 2026 was around 240 million rials ($104 at the current exchange rate).

Asked by reporters how many of these employees could potentially be taken off the payroll without hurting output, Salmani said, “We do not yet have these figures.” He added that agencies were being asked to submit that information.

About 1,075,000 people are on the payroll of the Education Ministry, including teachers and trainee staff, while 600,000 employees work under the Ministry of Health and its affiliated networks, according to official figures.

Amir-Hossein, a young man working at a research centre linked with the government-funded University of Tehran, said that since the start of the month, he had been assigned two days of remote work. Working hours were set for 7am-1pm before, but are to be shifted to 8am-1pm starting from Wednesday, per the government.

His work can be done on his laptop, but might require some coordination on the phone or short commutes to other centres, he said. Overall, the remote work lifestyle has been beneficial.

“Sometimes I get more work done than I would have at the office,” he told Al Jazeera, asking not to use his full name due to security reasons.

As Amir-Hossein regularly uses online ride-hailing services to commute to and from his job, working from home has been financially beneficial for him.

An Iran-based economist who spoke to Al Jazeera on background said the government measures are essentially crisis control at best, and not a long-term solution to the problem.

In Philippe Caland’s semi-autobiographical 2003 film “Hollywood Buddha,” his mother, Huguette Caland, plays herself. Wearing her signature white smock, inscribed with a flurry of painted swirls, circles, letters and cross-stitches, the Lebanese artist makes precise gray-blue lines on a canvas spread across her dining room table as her son laments a fickle movie industry.

Filmed in her Venice home, the scene, her three children agree, was true to life. Caland worked constantly: on stretched canvas, on fabric folded in her lap, on a children’s menu, on the wall of her kitchen, or the sleeve of her smock. Whatever was at hand.

“Of course it could be frustrating,” said her daughter Brigitte, an elegant, soft-spoken scholar of Semitic languages who has managed Caland’s estate since her death in 2019.

Brigitte Caland, right, and Charley Caland — the daughter and granddaughter of the Lebanese-born painter, sculptor and fashion designer Huguette Caland — stand in Caland’s former L.A. home and studio.

(Robert Gauthier / Los Angeles Times)

Sitting in that very home, which Caland had built in 1997, Brigitte recalled the many times her mother invited her over only to continue working as they talked. “I’d go to leave, and she’d put the canvas away, beg me to come back, and as soon as I did, she’d start painting again.” Still, from early on, Brigitte understood the compulsion as evidence of her mother’s resolve. “She had this incredible drive to create.”

“Huguette Caland: A Life in a Few Lines,” opening Sunday at the Hammer Museum, traces that relentless drive across nearly 150 paintings, drawings, sculptures, garments and tapestries. Organized by the Museo Nacional Centro de Arte Reina Sofía in Madrid in collaboration with the Deichtorhallen Hamburg, the show comes to Los Angeles as the largest Caland survey in the country to date. Spanning five decades and installed chronologically, it features work from the 26 years she spent immersed in Venice’s creative community even as her practice was largely ignored.

It was Caland’s generous hospitality and boisterous wit that made her custom château a gathering place for a vibrant Westside art circle. Ed Moses, who lived around the corner, visited several times a week; Larry Bell, Frank Gehry, Robert Wilhite and others joined her for long meals and even longer parties. Her work surrounded them, and her studio, the grandest space in the house, stood open just beyond the living room. Yet her guests remained uninterested. “No one,” Brigitte said, “would walk the 10 steps.”

Huguette Caland in Stone Doorway, France, 1970.

(Huguette Caland Estate)

Curator Hannah Feldman sees that tension as central to Caland’s California years. “Instead of supporting and bolstering her as a creative in their midst, she became their salon host,” she said. The lack of recognition, Feldman argues, reverberates through Caland’s heavily impastoed portraits of Moses and her enigmatic late abstractions such as the rectilinear paintings in the “Silent Letter Series.”

“To draw a line is a way to contain one’s emotion, one’s anger, one’s anguish,” wrote Caland of her challenging relations with fellow artists in “Sketchbook 2” (1990-91). “My lines tell the story of my life, of people encountered along the path, people I loved, and found and even lost.”

Caland is perhaps best known for her cheeky, erotic paintings of fulsome body parts and for a biography too often reduced to cliché: the libertine daughter of Lebanon’s first post-independence president who left her husband and children in Beirut to pursue an art career in a less repressed Paris.

Huguette Caland, “Self-Portrait in Smock,” 1992

(Huguette Caland Estate)

Feldman hopes the exhibition, which spans fine-line drawings of entangled lovers and radiant topographical tapestries, will complicate that familiar account. “There’s joy, and there’s sex,” she said, “but there’s also pathos, vulnerability. The search for autonomy is not an easy one; it comes with conflict, strife.”

Caland’s freedom was no doubt hard-won. She first picked up a brush as a married mother of three in her thirties, and only after her father’s death. In her first painting, alternately titled “Soleil rouge” and “Cancer” (Red Sun/Cancer) (1964), hazy concentric circles gather in a crimson orb at the center of the monochromatic plane. Simultaneously a tumor and a light source, the refulgent motif holds grief and release.

Soon after, Caland enrolled in art classes at the American University of Beirut, relinquished much of her constricting couture wardrobe, and adopted a uniform of loose, flowing kaftans, which she would later turn into works of art in their own right. Archival photographs show a glamorous Caland arriving at an event in a floor-length garment bearing painted breasts, a belly button and a triangle of curly pubic hair.

Huguette Caland, “Bribes de corps,” 1973

(Huguette Caland Estate)

Caland moved to France in 1970, leaving her children (then 15, 13 and 12) in Beirut with their father, a French-Lebanese lawyer named Paul Caland. In paintings from that decade, Caland’s imagery of bodies swell, split, meld and dissolve. In “Enleve ton doigt” (Remove Your Finger) (1971), lipstick-red lips receive a pale finger reaching out from a crush of fantastical profiles; two years later, in “Self-Portrait” (Bribes de corps), Caland dispersed a sensual body across a pale pink field interrupted at the lower edge by a slight, shadowed cleft — either buxom cleavage or buttocks.

The distance from her children produced another kind of line: text. Philippe recalled receiving illustrated letters almost every week, filled with drawings, doodles and notes of affection. Most of these were later destroyed when the family house was bombed during the Lebanese Civil War of 1975. “I always knew my mother loved me,” Philippe said. “The family was not torn apart. She took a break, and in the end made a home for us in Paris, where we all landed when the war was raging.”

After the death of her lover, Romanian sculptor George Apostu, whose rough-hewn wood sculptures still populate the house’s patio, Caland’s children encouraged yet another departure. Her eldest son, Pierre, a businessman and former Olympic swimmer, paid for a stay at a friend’s Venice bed-and-breakfast, all but forcing his grieving mother out of Paris and to sunny L.A. Her initial reluctance gave way to affection. The light, arid climate and mountains sloping into the sea reminded her of Lebanon. “She liked that California land sounded like Caland,” Brigitte said.

Huguette Caland works at her home and studio in Venice, date unknown.

(Huguette Caland Estate)

After making Venice her primary residence, Caland collaborated with architect Neil Kaufman on the design for her enclosed château. Its towering, mostly unbroken face and narrow swimming pool suggested a rampart and a moat, but behind the concrete exterior, Caland eliminated every door save the guest bathroom. Long vertical windows opened onto a courtyard shaded by a sprawling olive tree. Art crowded the steep stairwell; it accumulated on scattered plywood and Formica tables and unraveled across the kitchen in an intricate mural composed of tessellated marks that recall Byzantine mosaics and tatreez, a form of traditional Palestinian embroidery.

“There was no distinction for her,” Brigitte said, between the home and the studio, art and life. Caland once described her “very, very mixed media” as including “every single exchange, a look, a smile, a brief encounter.”

That original interior survives in “Hollywood Buddha” and archival photographs. Philippe now lives in the house with his family, and although the concrete exterior remains intact, the rooms and the courtyard have been remodeled around their own aesthetics and routines. Along with the technicolor mural, Caland’s singular sensibility persists in scattered drawings, a bouquet of her preferred 30-inch paintbrushes and a pair of stiff-backed pews. Her presence, too, is felt in the people who now inhabit the space, like her granddaughter Charley, 25, whose easy warmth recalls qualities long ascribed to the matriarch.

The former Venice home and studio of the Lebanese-born painter, sculptor and fashion designer Huguette Caland. The home is still occupied by Caland’s family and no longer looks how it did when she was alive, but her spirit lives on in small details.

(Robert Gauthier / Los Angeles Times)

When the Hammer selected Caland for “Made in L.A. 2016,” the honor brought some measure of the local attention that had long eluded her. “If you had to pick one critical turning point for her career,” Pierre said, “it was the inclusion of her work in that show.” For the family, the coming survey fulfills one of her long-held ambitions.

“She told me, ‘Live your life day by day and plan it on a thousand years,’” Philippe said. Only later did he understand that the advice described her own life. “Today, her work is here,” he added. “She continues with it.”

Huguette Caland, “Le grand bleu,” 2012.

(Huguette Caland Estate)

The final painting in the exhibition, an oceanic large-format canvas titled “Le Grand Bleu” (The Great Blue) (2012), once hung high above the central hearth in the Venice house. Surrounded by undulating circles, spots and stripes, red-roofed Lebanese abodes and white-masted schooners traverse an unsettled horizon line. From the dining table below, where a young Charley often helped her grandmother fill blank planes with delicate dots, Caland could look up and see how far her line had taken her.

Frankie Muniz had a vulnerable moment on social media Friday, revealing he’s hit rock bottom following the announcement of his split from wife Paige Price.

The “Malcolm in the Middle” star announced he and Price were calling it quits after seven years of marriage in July, and now the actor is revealing he’s experienced some painful introspection in recent weeks.

“The last 6 weeks of my life have been a nightmare I’m praying to wake up from,” he wrote on Instagram. “Everything felt heavy, unclear, and like it was falling apart at the same time. I wouldn’t wish this season on anyone.”

He continued that despite the painful experience, “the unexpected gift in the middle of it is that I’ve had nowhere to hide.”

The actor-turned-race car driver said he’s spent the last several weeks reflecting and can now see the areas of his life where he thinks he can improve.

“I want to become a better version of me. Not the polished version I show the world … the actual one,” he wrote.

“I read that sometimes hitting rock bottom is the thing that wakes you up. It forces the changes you needed to make all along so you can live the best life possible. That idea has been sitting with me. In five years I believe I’ll look back at this exact low point and feel grateful for it, because the high I’ll be standing on then only exists because I went through this.”

He told his followers that this period isn’t the end of the story, but the catalyst for change.

“It’s the part where I start doing the work … the uncomfortable, unglamorous, necessary work. I’m choosing to treat this season as the foundation, not the finish line.”

Shortly after Muniz’s post, Price posted an Instagram story with a message that some followers speculated may be a response to the actor’s admission.

“Life is all about perspective. If you ask the grass, the zebra is the monster and the lion is the protector,” Price wrote.

Muniz is best known for his titular starring role in the beloved Fox sitcom “Malcolm in the Middle,” which ran for seven seasons in the early aughts. In April, the series returned for a four-episode reunion arc on Hulu starring returning fan favorites Bryan Cranston as Hal, Jane Kaczmarek as Lois and a couple of Malcolm’s TV siblings.

In 2006, when “Malcolm in the Middle” wrapped, Muniz transitioned away from acting and pursued race car driving.

Sanjeev Bhaskar joins Nicola Walker’s The Split spin-off The Split Up but could he reunite with his former Unforgotten co-star?

Sanjeev Bhaskar is heading up BBC’s next big legal drama tonight with fans keen to know all there is about his personal life.

The Split Up debuts tonight, Sunday, September 20, at 9pm, on BBC One, delving into the Kishan family’s life as Manchester’s elite law firm.

Founder of Kishan Law is father-of-three Dhruv Kishan who is having doubts about leaving his business in his daughter’s hands following the death of her mother.

With The Split fans gearing up to tune into its BBC spin-off, here’s everything there is to know about leading man Sanjeev Bhaskar.

Inside The Split Up star Sanjeev Bhaskar’s life

Early life

Actor Sanjeev Bhaskar was born in Ealing in 1963 after his parents fled their home during the 1947 partition of India and moved to the UK.

He studied business with marketing at Hatfield Polytechnic and worked in marketing before getting into the entertainment industry in his early 30s.

Sanjeev got his breakthrough with the musical comedy double act Secret Asians with Nitin Sawhney which led to the BBC sketch show Goodness Gracious Me.

Sanjeev Bhaskar’s famous wife

The Split Up star Sanjeev Bhaskar is married to actress and comedian Dame Meera Syal who he met on Goodness Gracious Me which she co-created

They once again starred opposite each other in the sitcom The Kumars at No 42 where she played the grandmother of Sanjeev’s character, despite being younger than him.

The pair got married in 2005 and Sanjeev became the step-father to Meera’s daughter Milli from another relationship before welcoming son Shaan later that year.

In 2023, Meera received the BAFTA Fellowship award for her outstanding contributions to TV and film and was made a Dame last year for her services to drama, literature and charity.

In an interview with The Times, Sanjeev shared that he was “super proud” of his wife’s achievements.

Unforgotten season 7 update

Sanjeev will reprise his role as DI Sunny Khan in the seventh season of ITV ’s Unforgotten, now starring alongside Sinead Keenan as DCI Jess James.

Filming for the latest series began in January 2026 and recent reports have suggested that shooting is now complete, although an official return date hasn’t been confirmed.

Sanjeev is starring in BBC The Split Up, the spin-off of The Split which starred his former Unforgotten co-star Nicola Walker.

Speaking of his hopes that there could one day be an onscreen reunion to Radio Times, Sanjeev said: “Emotionally, it would be like some sort of cosmic miracle. I wouldn’t mind it at all.”

Sanjeev Bhaskar net worth

It has been widely reported that Sanjeev Bhaskar has a net worth of around £2 million.

This brings into consideration his almost 30-year career in the entertainment industry as an actor, writer and comedian.

He continues to be a major star in the ITV hit drama Unforgotten and has a star-studded comedy film on the way called The Entertainment System Is Down.

The feature is expected to star major names including Keanu Reeves, Samantha Morton, Kirsten Dunst, Tobias Menzies and Connor Swindells.

The Split Up debuts tonight, Sunday, September 20, at 9pm, on BBC One and BBC iPlayer.

Born into an African American family with a grim history of enslavement, Marian Anderson was determined from an early age to master the art of singing for the concert hall. A contralto of great range and warmth, Anderson’s abundant gifts as a performer of spirituals, arias and German Leider brought her global fame even as she endured the indignities of racial discrimination at home. Her Easter Sunday performance at the Lincoln Memorial in 1939 in front of 75,000 spectators remains a touchstone of defiance in an age of racial violence.

Anthony Tommasini’s excellent biography of Anderson, “Voice of A Century,” reclaims the singer as a great artist who only embraced her power as a symbol of racial equality much later in life. I spoke with Tommasini about Anderson, Franz Schubert and Albert Einstein.

✍️ Author Chat

Anthony Tommasini’s biography reclaims Anderson as a great artist who embraced her power as a symbol of racial equality later in life.

(Ahna Tessler Photography)

I feel like people know Marian Anderson in the abstract, but they regard her as a symbol rather than an artist. And among the virtues of your book is that you reestablish Anderson’s legacy as a great singer and performer.

She was a contralto, which is the lowest female vocal register. But that register had such resonance, and she had complete control over it. She also had enormous range; the uncanny, beautiful thing about Anderson’s voice is that when she started ascending even into the soprano sphere, she held those notes so beautifully. They were emanating from below, grounded in that low voice. It made for a mesmerizing sound. I’ve made a playlist to accompany the book.

She embodied this kind of fierce dignity and grace in the face of racial discrimination. But as you point out, she was reluctant to make herself a symbol of the civil rights movement, preferring to let audiences focus on her artistry.

In 1939, she was banned from performing in Washington’s Constitution Hall because of her race, and her manager, with help from Eleanor Roosevelt, arranged a performance in front of the Lincoln Memorial on Easter Sunday. Yet, the night before the performance, she was trying to get out of it. She felt the whole affair had turned into a civil rights demonstration. When it came time to write her memoirs in 1956, she wanted to excise the event from the book. She felt that what she could do is be an example of excellence and possibility for aspiring black artists.

She did play to segregated audiences, even long after she had become a national star.

[This type of segregated performance featured what] was called vertical seating. But she refused to forsake her career, which she had worked so hard to attain, and so she played these segregated shows. Eventually, there was a performance in Virginia which was boycotted, and that sort of broke the trend. She then performed in front of an integrated audience in Florida.

There is an encounter with Albert Einstein, of all people, who counsels her to take a stand against these racist booking policies.

In 1937, she showed up for a concert in Princeton, New Jersey, only to discover she was being refused a room at the Nassau Inn. As it turns out, she had a friend in Princeton who had seen her at Carnegie Hall and had meekly gone backstage to meet her. This was Albert Einstein, who was teaching at Princeton University at the time, and who offered to put Anderson up for the night at his house. He really pressed her on being more outspoken on racial equality.

Anderson played Europe multiple times in the 1930s, right before the rise of Hitler and the Third Reich. As you write, German audiences were blown away by Anderson’s mastery of their music, specifically Franz Schubert’s Lieder, or art songs, which were among Anderson’s most beloved repertoire.

So extraordinary, right? She also made two tours of the Soviet Union during that time. They went crazy for her in the Scandinavian countries, as well. But for the German audiences who are so nationalistic about their Leider, it was confusing. They couldn’t imagine how a Black American woman could sing their music so beautifully.

Anderson was the first Black soloist to perform at the Metropolitan Opera in New York, in Verdi’s opera Un ballo in maschera.

That was really a huge risk and a huge leap for her. She wasn’t a trained opera singer, and she had to dig deep into that material. She was already 58 by that time. There is a radio recording of the performance. There’s this dignity, like she’s calling upon this power. It’s exhausting and it’s draining, but it’s also exhilarating.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Book jacket for “Body Language” by Meg Howrey

(Los Angeles Times illustration; jacket from Doubleday)

Marlon James has published his highly anticipated new novel “The Disappearers,” a sprawling story about gay culture in ’80s Jamaica, and Mark Athitakis is quite taken with it. “James is … determined to unwind the cliches of gay fiction: the tragic victim, the heartwarming gestures of solidarity, the blunt porniness,” he writes. “Mere survival will have to be enough for most of these characters; the sense of fear is pervasive, but so is a determination to work through it.”

What’s it like to be the primary dissenting liberal voice on Fox News? Stephen Battaglio found out when he talked to Jesssica Tarlov about her hybrid memoir and self-help book “I Disagree.” “I have a good amount of shyness to me,” she tells Battaglio. “I have a lot of imposter syndrome. I’m constantly in wonder that I ended up getting to do this and that hopefully, am the right person to do it.”

Meg Howrey’s fifth novel, “Body Language,” a twisted family saga, is “smart, sardonic and powerful,” according to Meredith Maran.

Finally, Emily Wilson, the classicist who has been a lightning rod of controversy over her disparaging remarks in regard to the film version of “The Odyssey,” is going to translate Homer’s epic for a second time, reports Emily St. Martin.

📖 Bookstore Faves

The Hammer Museum’s gift shop is one of the best art book shops in L.A.

(Eric Petschek)

Sure, the Hammer Museum’s gift shop stocks the requisite art-themed mugs, tea towels and tchotchkes, but it’s also one of the best art book shops in L.A. Inside the sleekly designed Hammer Store is a vast inventory of monographs, children’s books and critical texts about modern and contemporary art. In an email exchange, store managers Sara Beattie and Brooke Berlin tell us what museumgoers are buying right now.

Hammer’s store is really the best museum bookshop in L.A. How do you decide what to put on the shelves?

We’re an eclectic bunch of book nerds and love the written word. We start by looking at upcoming programming, exhibitions and the season, and we buy accordingly. And we have a great team that gives us suggestions. We’ve learned to trust our instincts. The Hammer is an experimental institution, and we approach our buying in that spirit.

Do you have patrons that are not necessarily there to check out museum exhibits?

Of course! We’re not only a museum, but a cultural center, which means there’s always something happening — like mindful meditation on Thursdays, or family programming on weekends, or people coming in just to enjoy a meal at Lulu.

What kinds of books tend to do well for you?

Art monographs, especially on contemporary or Los Angeles artists; books about living more conscientiously; and everyone loves a children’s book (even if it’s just to heal your inner child). We love finding unique books that can’t be found elsewhere. Whenever we can, we work with small presses and book distributors. They often make books that can only fully be enjoyed or understood by seeing them in person.

Is there any particular title that is presently selling well?

“Mindfulness in the Garden: Zen Tools for Digging in the Dirt” by Zachiah Murray; Sanzu Wada’s “Vol. 1 Dictionary for Color Combinations”; “The Hippest Trip in America: By Land, Air and Sea” by Alake Shilling.

Why do we still enjoy art books, when we can look at millions of paintings and sculptures on the internet?

Why go outside if you can look through a window? There is a lot of talk of people returning to the analog or physical media, and that includes renewed interest in physical books. BookTok is huge. People love talking about books and showing off their special deluxe book editions on TikTok. Art books by their very nature are deluxe, image filled and thoughtfully designed. A well-produced book is an art object in itself. Nothing beats the experience of paging through a beautiful book. That experience can’t be replicated on a screen.

The Hammer Museum store is located at 10899 Wilshire Blvd., Los Angeles.

PROPER pubs have propped up British life for centuries – safe, soothing sanctuaries from the hustle and bustle of modern life.

Some call them ‘spit and sawdust’ boozers, others call them ‘Old Man’ pubs.

But you get the idea – no fuss. No frills.

They don’t complicate or change things. Just a quiet well-kept pint, a vacant stare into the middle distance, a nice chat and that comforting feeling that everything will probably be alright.

In a proper pub there’s no piped ‘muzak’, no Sky Sports swooshing at you, no cutlery or cloths on the tables, and absolutely no QR codes.

There might be a dog. There should be a piano. If there’s a dog playing a piano, that’s even better.

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And once you’re in, there should be no real reason to ever leave.

I make up half of Thinking Drinkers, and we have searched high and low for the best boozers around, so here are my top 10 Proper Pubs that every passionate pub-goer should visit:

The Oxford Bar, Edinburgh

Edinburgh is packed with decent locals. But few do proper, no-nonsense pub quite like The Oxford, a favourite of crime writer Ian Rankin and his hard-boiled detective Inspector Rebus.

There’s none of the tartan tat or tourist rubbish here. Just a solid mix of locals, writers and drinkers, all rubbing along nicely.

Grab a stool, order a beer or a whisky, and settle in. It’s exactly what a pub should be.

A pint here is likely to set you back between £4.50 and £6, and there’s plenty of things to do nearby including the National Galleries of Scotland and Edinburgh Castle.

Southampton Arms, North London

A sign outside proudly declares “Ale. Cider. Meat” – and that’s exactly what you get at this cracking Kentish Town boozer.

The 16 taps pour only beer and cider from genuinely independent producers – but don’t panic, this is not a Gen Z hipster hangout or a pub for beer bores who won’t stop talking to you about hops.

Inside you’ll find tables, chairs, a piano and plates of meat (and cheese). There’s no Wi-Fi and no bookings.

A pint here costs from £4.97, which is definitely a welcome price in London – and nearby, make sure to visitHampsteadd Heath for a nice autumnal walk.

The Dyffryn Arms, Wales

Perched on the edge of the Preseli Hills, this place is absurdly old-fashioned and basic.

Known simply as ‘Bessie’s’, after its legendary landlady, it’s less a pub and more a tiny front room.

Ring the bell, the hatch opens, and you’re served one beer and one beer only — Bass.

Inside there are a few chairs, a couple of tables and a portrait of a youthful Queen Elizabeth.

Outside, just a bench. The locals chat in Welsh. There’s no toilet. Yet somehow, it’s perfect.

A pint here will set you back between £4 and £5.50, and in the surrounding are, a head off on a riverside walk or take a short drive to the coastal town of Fishguard.

Birch Hall Inn, North Yorkshire

Tiny but brilliant, this white-washed North York Moors pub is officially the smallest in Yorkshire — and yet huge in character.

The boozer is split into two very basic rooms with a proper old-school sweet shop between them.

Hikers and holidaymakers rub elbows here over a range of well-kept ales, pork pies, pickles, stotties and the pub’s famous “beer cake”.

A pint here will cost you between £4 and £5.50, and in the surrounding area, take a walk to Beck Hole – a pretty village with woodland walks to small ponds and waterfalls.

Wenlock Arms, East London

While all the streets around it were getting levelled by the Luftwaffe during the Second World War, The Wenlock Arms wasn’t having any of it – the bombs didn’t dare touch it.

And, from the looks of things, neither has anyone else.

Built in 1836, this unwaveringly traditional East End institution has a reassuringly retro feel with some of the best beer the British isles has to offer.

A pint at this watering hole usually costs between £4.50 and £5.80, and if you are looking for something else to do in the area, head for a wander along the Regent’s Canal Towpath.

The Evening Star, Brighton

Just a one-minute walk from Brighton train station, this cosy city centre local is a theme pub…

The theme is sitting down and drinking really nice beer.

Dating back to 1854, there’s not much here beyond some chairs, some tables and a small bar serving a range of really good independent ales, ciders and lagers.

The cheapest pint here will cost you £4.80 (Burning Sky – Plateau), and nearby there’s the Brighton Toy and Model Museum or you can walk to the beach.

Peveril Of the Peak, Manchester

Peveril of the Peak was once used as a brothel by American soldiers during the Second World War.

It sits defiantly wedged amid modern office blocks and new-fangled flats, with a classic green-tiled exterior.

As for the inside, the historic triangular tavern is perhaps the most beautiful looking boozer in Manchester complete with darts, pool and a jukebox.

A pint at this watering hole will set you back between £5.50 and £6.80, and Manchester Art Gallery is nearby if you are looking for something else to do in the area.

The Bell Inn, Aldworth

Low- beamed with a massive oak fireplace and a flagstone floor worn by generations of thirsty walkers, this cracking 16t-centuryy country pub is a terrific time-warp of a place.

The beer garden bursts into a perfectly English oasis of calm in the summer, but in the winter, the boozer oozes with cosy charm.

The beers are served spot-on and the food is simple yet superb – warm crusty rolls stuffed with ham, ox tongue, cheddar, stilton or crab, with little pots of mustard and chutney on the side.

You can get a pint and a roll for less than £15.

Fat Cat, Sheffield

Once you’ve sat down here, you’ll struggle to leave this delightful, unpretentious ‘drinker’.

It is just one of several superb pubs to be discovered in the Steel City.

Cosy and carpeted, it’s like stepping into someone’s living room – albeit a living room that serves a great range of real ales from a handsome looking wooden bar.

A pint at the Fat Cat costs from around £4.20, and for somewhere to head after, just across the road is the Kelham Island Museu, m which showcases the steelmaking history of the city.

Free Trade Inn, Newcastle

Boasting beautiful views over Newcastle and across the River Tyne, perched halfway up a hill, this quirky yet canny, frills-free boozer oozes charisma.

It has friendly folk behind the bar, a free jukebox and quality ‘craft’ ales.

You can grab pizza at the boozer too for around a tenner.

A pint here will cost you from £4.50, and nearby, make sure to head on the Victoria Tunnels Tour – this underground 19th-century wagonway has had several lives as a route for coal wagons and then laterana air-raid shelter during World War II.

LONDON — Ireland will boycott the Eurovision Song Contest for a second year over Israel’s participation, the country’s national broadcaster said Thursday.

RTÉ said it will not send an act to the 2027 competition in Bulgaria and will not broadcast the show because of the “appalling and ongoing loss of lives in Gaza and the humanitarian crisis there which continues to put the lives of so many civilians at risk.”

Ireland was one of five countries — along with the Netherlands, Iceland, Slovenia and Spain — to skip Eurovision this year to protest Israel’s inclusion in the pan-continental music contest.

Eurovision Director Martin Green said organizers regretted RTÉ’s decision but “fully respect” it.

“All broadcasters decide on an annual basis to participate in the following year’s contest. We will remain in dialogue with RTÉ and hope to welcome them back to the contest in the future,” Green said.

Dutch broadcaster AVROTROS announced last month it will also boycott next year, calling Eurovision a “platform for division.”

“AVROTROS will not participate in the Eurovision Song Contest in 2027 because the event can no longer be considered neutral, with a participating country still involved in a large-scale military conflict,” it said.

Next year’s competition is due to take place in Bulgaria’s Black Sea resort of Burgas in May, after Bulgarian singer Dara won the 2026 event with her infectious party anthem “Bangaranga.”

The contest was founded in 1956, in part to help unite a shattered continent after World War II. It pits acts from dozens of countries against one another for the continent’s musical crown.

Israel has taken part in Eurovision since 1973, one of a few non-European countries to compete. But calls for Israel to be kicked out have swelled over the conduct of Prime Minister Benjamin Netanyahu’s government in the Hamas-Israel war in Gaza.

The 2024 Eurovision contest in Malmo, Sweden, the 2025 in Basel, Switzerland and this year’s contest in Vienna saw pro-Palestinian protests and heightened security.

JODIE Marsh has leaked an intimate email allegedly from her ex-boyfriend praising their ‘crazy’ sex life following their split.

The former glamour girl, 47, recently announced her heartache at splitting from property developer Lukas Sheen just weeks after going public with the romance.

This morning, she shared the lengthy email on social media platform X in which Lukas revealed the moment he fell in love with her.

He also shared his regret at a fallout the pair had during which they stopped speaking, before musing that it might have led to the relationship they went on to have.

There is a sweet reference to Jodie’s snoring and a declaration they would be together forever.

He went on to describe how they were well-matched in the bedroom and enjoyed a passionate love life.

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Days ago, Jodie, who now runs the animal sanctuary Fripps Farm, said she ended the relationship when a mystery woman allegedly repeatedly called Lukas’ phone.

She said he had been unable to give her an explanation and it had left her embarrassed and “mugged off”.

Addressing the split, she said: “I loved him with all my heart. I’d never felt a love so deep. I’d have taken a bullet for him.

“There have been many red flags recently between us and I kept choosing to ignore them. Last night I reached the end of my tolerance.”

She added: “I don’t care what happened or is happening between them. I feel like I need peace of mind for my own sanity. I know that’s probably mad but my brain can’t cope with the lies.”

A new burger joint in La Castellana, an affluent neighborhood in eastern Caracas. Photo: Santiago Bernal.

Any Venezuelan can tell you how unpredictable our country is. This uncertainty, almost idiosyncratic to Venezuela’s national identity, can be felt before you even arrive. You never really know what awaits you when visiting from abroad, no matter how many times you have made the trip before.

This trip, my first since Maduro was captured by US forces in January and less than two months after the deadly earthquakes that devastated parts of the country in June, was certainly unusual from the beginning.

I arrived in Valencia, a city with a small airport poorly equipped to handle the hundreds of passengers diverted from Maiquetía International Airport, the country’s largest. To reach my hometown of Mérida, I had to take a flight departing from another city, Maracay, because Valencia’s airport was too crowded with international flights to accommodate additional domestic routes. The flight departed not from a conventional commercial terminal, but from a small facility inside Venezuela’s largest Air Force base, surrounded by some of the Russian anti-aircraft equipment and fighter jets that had spectacularly failed to prevent Maduro’s extraction. The check-in process had to be done in a mall in the city, a few kilometers away from the base, to which we were transported in a small shuttle bus. The process was surprisingly efficient.

The road between El Vigía’s airport, which serves Mérida, and the city was in better condition than I expected, although the scars of decades of underinvestment remained clearly visible. In some places, sections of road that had collapsed in landslides more than two years ago were still buried under rubble.

I arrived in Caracas after a drive in a taxi equipped with a Starlink antenna, a gadget that until not too long ago could land you in prison.

As we approached Mérida, I spotted a car-carrying truck filled with brand-new Toyota models.

I could not remember the last time I had seen one of those while living in Venezuela. Maybe 15 years ago? In any case, what would be an unremarkable sight in most countries had become extremely rare in Mérida, a state whose economy depends heavily on its university and small-scale tourism, two sectors devastated by Venezuela’s decade-long economic crisis.

After arriving in Mérida, I realized that the car carrier was serving one of several car dealerships that seemed to have resurfaced across the city, all filled with new vehicles. They were also visible on the streets: hundreds of new Chinese models, alongside smaller numbers of Japanese, Korean, and American cars, were driving around Mérida for the first time I could recall in years.

This may sound banal or superficial, but Venezuela’s aging car fleet had long served as a stark reminder of the country’s economic demise. Between 2014 and 2018, car sales collapsed, reaching a historic low of just 2,000 vehicles sold nationwide in 2018. Seeing a model manufactured after the early 2010s outside Caracas had become highly unusual.

The situation has changed since 2025, when more than 38,000 cars were reportedly sold across the country. That remains a fraction of the more than 300,000 vehicles sold in pre-crisis 2007, at the height of Hugo Chávez’s oil boom, but it is enough to make a noticeable difference.

The return of (limited) consumerism

Mérida’s urban landscape has also been transformed by the hundreds of new stores that have opened across a city where economic stagnation and widespread power outages forced countless businesses to close over the past decade. The same phenomenon was evident in Caracas, where I arrived after yet another tour through Maracay’s Air Force base, and after a drive in a taxi equipped with a Starlink antenna, a gadget that until not too long ago could land you in prison and can now be purchased online through different national authorized distributors.

Beyond new cars, large sections of the city, including old Chacao in Caracas’s affluent east, appear to be undergoing an incipient but rapid process of gentrification, reminiscent in some ways of iconic European neighborhoods such as Gràcia in Barcelona, Ruzafa in Valencia (the Spanish one), or Shoreditch in London.

Chacao’s Bolívar Square is marked by a striking contrast. Its 18th-century church still bears large cracks caused by the earthquakes, while the surrounding streets are now filled with lively atmospheric restaurants and cafés that would not look out of place in Lisbon or Barcelona, and fitted with contactless payment systems charging prices that match those of many large European cities.

These businesses serve a small but very real segment of the Venezuelan population that can afford them. That group is not necessarily limited to enchufados.

This raises an obvious question: how can these businesses be profitable in a country where typical salaries remain around $220–280 a month, less than a tenth of the already meager average European salary, and where living what might be considered a relatively normal life has been estimated to cost around at least $800–1,000 a month per person?

The answer is that these businesses serve a small but very real segment of the Venezuelan population that can afford them. That group is not necessarily limited to enchufados, people who have enriched themselves through their connections to government corruption. Exact figures are difficult to establish, but managers in private companies can reportedly earn around $1,200 a month, while senior professionals in some sectors, including medicine, can make several thousand dollars a month in private practice, depending on their specialization.

The widespread adoption of Cashea, a fintech company offering consumers interest-free microcredit for everyday purchases, has also increased the purchasing power of a broader segment of the population. Cashea’s success is visible not only in Wall Street, but also in its extraordinary penetration of everyday commerce. Its recognizable yellow logo now signals that the service is accepted in businesses ranging from large clothing stores in shopping malls to small kiosks, and funerary homes.

You can even use Cashea to pay for a ride with Yummy, Venezuela’s equivalent of Uber.

These businesses still operate within a heavily dysfunctional financial system, distorted by an artificially low exchange rate and an economy constrained by high inflation and low productivity. Yet they serve a segment of the population that is slowly turning into a small, resurgent middle class. That group is helping drive growth in specific sectors, most notably real estate, which has reportedly expanded by around 30 percent in 2026.

This modest revitalization has coincided with an important reduction in street violence. Today, around 60 percent of Venezuelans report feeling safe walking at night, according to Gallup, something difficult to imagine only a few years ago. This is one factor helping explain the revival of nightlife in places such as Chacao, Caracas’ historical center and, to a lesser extent, parts of Mérida.

A similar transformation was evident in Margarita Island, a place I had not visited in almost two decades.

Most of these changes began before the US intervention in Venezuela. But they appear to have accelerated and spread in the months following Maduro’s capture.

Known as the “Pearl of the Caribbean,” Margarita’s tropical beaches, tax-free stores and fascinating history attracted large numbers of European and Latin American as well as Venezuelan tourists during the 1990s and early 2000s. Some of my own fondest childhood memories are, in fact, on the island.

That changed dramatically after 2014, as Venezuela’s political, economic, and public-service crises deepened, leaving the island in a state of abandonment.

Today, Margarita is experiencing a modest but noticeable revival in domestic and international tourism compared with the previous decade. This has been partly fueled by significant investment from domestic and international hotel chains, which now offer a wide range of accommodation, from relatively affordable all-inclusive packages to high-end luxury experiences.

After several years in which the island received mostly Russian and Polish tourists, Margarita is once again welcoming growing numbers of international visitors, particularly from Colombia, and Brazil. Many tourism operators are already looking forward to the possible return of American visitors in the short to medium term.

Less than 15 minutes from the mall in Pampatar, I also visited a community that has gone more than six months without running water.

People I spoke to said Margarita feels more alive and prosperous than it did between 2016 and 2019, the worst years of Venezuela’s crisis, even if the situation remains vastly different from the island’s golden age thirty years ago.

Cities such as Pampatar and Porlamar are experiencing a revival similar to what I saw in Mérida and Caracas, with new restaurants and stores filled with customers. In Pampatar, I visited what was probably one of the largest and most modern shopping malls I have ever seen, comparable to those in Miami or Madrid, filled with stores selling American and European brands whose prices I often found prohibitive even by European standards.

Most of these changes began before the US intervention in Venezuela. But they appear to have accelerated and spread in the months following Maduro’s capture, as the idea that something resembling a normal life might again be possible seems to be taking hold in some.

There is, however, a large elephant in the room. Improvements remain largely cosmetic and circumscribed to a small part of the population.

Far from fixed

On the other side of the Avila, the mountain that separates Caracas’ gentrified neighborhoods from the Caribbean sea, over 12,000 people who lost their homes in the earthquakes wait for solutions in dozens of temporary camps erected among the ruins of their apartments.

But the limitations of this apparent resurgence are perhaps most obvious in the dismal state of public services. Hours-long power outages were common in Mérida and Caracas throughout my stay. Less than 15 minutes from the mall in Pampatar, I also visited a community that has gone more than six months without running water. Its residents make a living largely by collecting and selling salt from the island’s salt flats, with virtually no gear, or protection from the region’s unrelenting weather. 

Businesses, hotels, and even many households have adapted to what are, in practice, nonexistent public services. Solar panels, batteries, and water tanks allow those who can afford them to maintain a large degree of independence from the State-provided services.

For most Venezuelans, however, these solutions remain unaffordable.

The same is true for healthcare and education. Both systems remain crippled by chronic underinvestment and neglect. The Venezuelan public health system remains severely understaffed and unable to provide adequate services to most of the population, while out-of-pocket health costs represent a large proportion of total health expenditure and less than 10% of the population can afford private insurance. In terms of education, despite a recent increase in school enrollment, the number of students has fallen by almost 2.8 million compared with figures reported in January 2024, as large numbers of high-school students continue to leave their studies to work.

Venezuela is far from fixed, and it will never truly be as long as chavismo remains in power. But it is certainly not the same country I left in 2019, nor the same country it was before January 3.

Many of the people I spoke to still want to leave, especially now that expectations of a quick transition to democracy have been tampered by the warm relationship of the Trump administration with Delcy Rodriguez. Others have decided that a somewhat normal life in Venezuela is once again possible and that, despite its uncertainties, it may be preferable to the immense challenge of migration in an increasingly hostile world.

Yes, these improvements are fragile, uncertain, and profoundly unequal. They exclude most of the country. But they are also an opportunity: Not only for some to live a relatively normal, easier life. But also a chance to build on whatever progress has been made and keep pushing towards the deep institutional and political reforms that only a democratically elected government can implement.

The Country Music Assn. will put on a two-hour live TV special honoring Dolly Parton, who died last month at the age of 80.

The association said Wednesday that the television tribute — titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton” — will be recorded live at the Fisher Center for the Performing Arts, on the campus of Belmont University in Nashville.

The tribute will air Oct. 21 at 6 p.m. Pacific on ABC and Disney+, and will stream on Hulu a day later.

In a news release, CMA described the special as a “joyful, emotional celebration” dedicated to Parton, the rhinestone-studded singer whose life began humbly, in a one-room cabin at the foothills of the Great Smoky Mountains.

Robert Deaton, veteran executive producer of the Country Music Awards and Billboard Music Awards, will fill that role on the Parton project.

“Dolly gave Country Music its heart, and giving some of that heart back to her is an incredible honor,” said Deaton in a news release Wednesday. “My hope is simply that we do right by her story, her music and the people who love her, so that this evening feels like the tribute my friend deserves.”

Sarah Trahern, CMA chief executive, added that the tribute is the association’s “responsibility”: “This special is our way of saying thank you, on behalf of every artist, industry member and fan who found a piece of themselves in her music.”

The tribute is in partnership with Belmont University, which hosted the 2025 world premiere of “Dolly: A True Original Musical,” a biographical production about the “9 to 5” singer that is scheduled for its Broadway debut on Jan. 19, what would have been the Parton’s 81st birthday.

The university also previously launched “Dolly U,” an immersive educational partnership designed to connect students with hands-on opportunities in entertainment, media and creative industries.

Greg Jones, president of Belmont University, welcomed the special with a statement of his own: “It is a privilege to welcome artists, friends and fans from around the world to celebrate her extraordinary life and legacy from this stage in Nashville, honoring a woman whose love for Tennessee was woven into everything she did.”

Both the CMA and Belmont University will make a donation from the proceeds to Parton’s Imagination Library, which was launched by the Dollywood Foundation in 1995 to address childhood literacy by giving millions of children the gift of a free book each month. Disney will also support the program.

News of the television tribute follows an announcement last month by Parton’s estate that revealed plans for Dollyfest, a two-day celebration in Nashville and London next year across two consecutive weekends to honor her legacy.

Additional details for the CMA special, including performers and tickets, will be announced at a later date.

A federal film and television tax credit could boost U.S. production spending by $125 billion and add more than 143,000 jobs by 2035, according to a new study commissioned by the Motion Picture Assn.

The analysis, released Tuesday morning, is expected to bolster Hollywood’s push for a federal production incentive, which the industry says is necessary to compete with the generous credits offered abroad. Sixty-five nations now offer them, the study said.

The effort has been quietly building for more than a year. It got a major boost last month when President Trump posted on Truth Social backing a proposed credit.

Details are still being worked out,, but the study assumed a transferable credit with a minimum rate of 20% on qualified spending for U.S. resident labor — broadly what industry groups have supported. It also assumed add-ons of 5% for independent production companies and 5% for labor costs in areas the Federal Emergency Management Agency has declared disasters.

If the incentive took effect Jan. 1, 2027, U.S. production spending would reach $277.5 billion through 2035, the study said, compared with $152.2 billion without it.

A coalition that includes the Motion Picture Assn., industry unions, producers’ groups and small production businesses, along with Democratic and Republican lawmakers, is expected to press the case at a virtual news conference Tuesday.

“A federal incentive would be a gamechanger for our industry,” Charles Rivkin, chairman and chief executive of the Motion Picture Assn., said in a statement. “This study tells us that we can bring more opportunities to life for people in all 50 states who bring great stories to life.”

I did my first solo hike during a sunny September, seven years ago. After a summer of feeding and ferrying four noisy teenagers (and their friends) around, I was exhausted. But despite being bone tired, I had barely moved. I yearned, above all, for time on my own, for the chance to walk without interruption (and at the pace I chose), and for the silence of some empty wilderness.

But I was nervous. Not of being on my own, but of what might happen to me with no one around to help (breaking a bone, encountering a psychopath, being chased by a bull, getting fatally lost). I could have found a companion or joined a group, but my need for silence and solitude outweighed my fears.

It seems that many women feel the same: in the UK, the proportion of women solo hiking surged by 27% between 2020 and 2022. In America, 41 % of female hikers report regularly walking alone. And yet many women, although keen to do something similar, feel intimidated. According to researchers at the Munich University of Applied Sciences who are studying solo female walkers, 30% of women interviewed said they would like to hike solo but are hesitant.

In truth, women have long enjoyed a tradition of solo walking. From religious pilgrims to goat herders to 19th-century adventurers, there have always been women wandering, radically alone, through wild landscapes. But for those new to it, I’d say the best way to overcome your fear is to do it – and I’ve learned some simple ways to make the experience fun, not daunting.

That first solo hike followed a French canal. It was beautiful but sometimes felt a little too abandoned. It was also bereft of facilities, and frequently involved a long, complicated walk to my accommodation. So here are some of the things I now look for in a route: no discomfort-inducing stretches of urban wasteland; wide open landscapes (ridgeways, cliffs and hilltops are favourites); excellently waymarked, well-maintained paths (like national trails); navigation-lite routes that follow rivers, (lively) canals or coastlines; and countries/regions with a tradition of hiking.

I do my research with care, and I’ve always returned home exhilarated, revitalised and high on my own bravado. I’ve learned to avoid the trails where I might feel uncomfortable. I know now which landscapes calm me, and which trails are (almost) impossible to lose my way on.

For the last seven years, I’ve walked solo every autumn. Indeed, autumn is the perfect time for a liberating, empowering and restorative (solo) hike. Falling leaves improve visibility, temperatures are pleasant, and the days are still long enough to ensure I can reach my destination before dark. Importantly, there are lots of other walkers around – but without summer’s hordes – and the landscape is autumnally crisp and colourful.

If you’re new to solo walking, start with a single day. If you want to try walking for multiple days, consider paying for your luggage to be transported (or use a specialist tour operator who will plot your route, arrange accommodation and move bags). Otherwise pack as lightly as possible. Take a non-digital map and a stick/walking poles, and let someone know your arrival time. Study every aspect of your route – including transport options and the weather – before you set off.

FOUR GREAT ROUTES FOR SOLO HIKERS

The Bernese Oberland, Switzerland

The Swiss Alps are one of my favourite places to walk alone. Swiss women are keen solo hikers (so no one bats an eyelid at yet another single woman), the waymarking is superb and the scenery is jaw-dropping. Because this is a nation of farmers and hikers, there are always people (and a phone signal) around. And yet – because of the mountainous terrain – there’s often a genuine sense of wilderness and solitude. The Bernese Oberland is overrun with tourists in summer, but come to this Unesco world heritage site in autumn and you’ll be walking, calmly, in the footsteps of dozens of 19th-century women who once came here specifically to hike alone. Base yourself in the car-free villages of Wengen or Mürren, and expect to find farm-cafes with homemade cakes and honesty boxes in the remotest of spots.

The South Downs Way

From Eastbourne
To Kingston, near Lewes
Time 2 days
Distance 19 miles

The UK has plenty of well-kept trails, but top of my list is the (expansive, clearly signposted) South Downs Way. In summer the Eastbourne to Alfriston clifftop stretch heaves with tourists, but in autumn you’ll share the panoramic views – dazzling sea, dramatic chalk cliffs – with a handful of dogwalkers. Just a few steps off the trail are cultural hotspots like the pretty village of Alfriston, Charleston Farmhouse (museum home of the Bloomsbury set), and Rodmell, where you can visit Virginia Woolf’s house. So you’ll never feel completely disconnected.

The Cleveland Way

From Saltburn
To Filey
Time 4 days
Distance 52 miles

The Cleveland Way was the UK’s second official national trail, meaning the route is well maintained, the signage is excellent and the scenery is glorious, covering coastline and windblown moors. The moors can feel bleakly exposed in the wrong weather, so opt for the four-day coastal section, Saltburn to Filey, with its quirky towns and villages. This is Yorkshire so expect plenty of conversation with passing walkers and the chance to feel romantically windswept – an intoxicating blend for the solo hiker who wants to feel alone in nature, but not too alone.

The Fishermen’s Trail, southern Portugal

From Praia da Luz
To Sagres
Time 3 days
Distance 27 miles

The Fishermen’s Trail is far too hot in summer, but when I went (November) the temperature was just right, the sea was warm enough to swim in, and there were enough solo female hikers to feel pleasantly companioned. With some rocky scrambling to make one feel suitably youthful, and sufficient sandy coves to squeeze in a siesta, this route (a chain of old fishing villages) also has abundant, inexpensive accommodation and fresh seafood galore. Like other sea-hugging routes it’s (mostly) impossible to get lost – just follow the coastline.

I’ll leave the last word to writer Mathilde Blind, who (aged 19) walked alone through the Bernese Oberland in 1860 (no phone, no GPS, no bra, no waterproof trousers): “For once I felt truly free.”

Annabel Abbs is the author of The Walking Cure and Windswept: Why Women Walk. She was a guest of InnTravel on its Coastal Algarve and Fishermen’s Trail route, and of MACS Adventures on its Highlights of the Bernese Oberland route.

For Orville Peck, the best Sundays are basically all the same. And they are pretty similar to every other day of the week too. The masked country singer (and now actor) got sober three years ago and has figured out a routine that helps him stay clear-minded and present with the people in his life whom he cares about.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“If I don’t keep up that routine, especially on a day like a Sunday, it quickly falls into no day feeling fun,” he says. “[The routine], which to some people is like, ‘Oh God, that looks like hell,’ is fun for me because it is fun for me to show up for myself.”

Peck’s latest album, “Mule,” which details his sobriety journey, is out Friday. That same day, he’s headlining the Hollywood Bowl, one of his favorite venues in the city.

Peck currently lives in the Hollywood Hills and has been in Los Angeles, on and off, for 18 years. “It’s definitely home to me,” he says. “I met my partner there. I’ve had some of the most important moments of my life in Los Angeles. I will always love this city.”

It’s also particularly conducive to his new lifestyle. “There’s a ton of other crazy people going to the gym and swimming and going to [12-step] meetings every single day,” Peck says. “So I’m in appropriately obsessive company for sure.”

This interview has been lightly edited and condensed for length and clarity.

5 a.m.: Early to rise

I wake up painfully early. I’ve been doing that since I was a toddler. I used to hold my mother’s eyelids open in the morning to get her to wake up.

When I wake up, the first thing I will do is meditation. I do transcendental meditation. I find every other form of meditation impossible. I’ll do TM for 20 minutes. My partner started doing it and I saw how much he was benefiting from it, so I decided to go and take the course and just loved it.

And then I’m an avid journaler, so I usually journal for probably about half an hour in the morning.

7 a.m.: Caffeination and hydration

I will make a very large iced coffee. I’m not snobbish about coffee, I’ll drink whatever.

I also fill up a massively obnoxious water bottle that has times on it that I carry everywhere. It looks like performative hydration, but it’s literally because if I don’t challenge myself to drink water, I just won’t drink water at all. It’s basically to shame myself into drinking water.

8 a.m.: Pool time, Part 1

I get to a public pool and I do laps. I grew up in South Africa and you’re forced to play every sport known to mankind. I always excelled at swimming, so it’s the one thing I still love to do. I just started up [again] within the last year.

I work out a lot, but when I’m at the gym, I don’t do any cardio. I’m never going to be on a treadmill or anything like that. Swimming feels like a fun way to keep me engaged.

10 a.m.: Meal prep

Then I go meet back up at home with my partner. We’ll go take our dog for a walk or we’ll go to a farmers market to get some produce for the week.

Then we’ll go grocery shopping because I love to cook. I will go to whatever is easiest. I’ll frequent a Gelson’s or a Ralphs or a Whole Foods. If I’m going to Whole Foods, I’m not doing regular grocery shopping. I want brands. I like a Coca-Cola.

I’d say I’m cooking usually about five or six nights a week. I’m very organized — I’m a Capricorn, if you can’t tell. I usually have a whole menu of what I’m going to do for the week, so I’ll get everything I need for that.

I will read a recipe or see a recipe I like, and then I will just freestyle it. I used to work in restaurants, so I feel pretty confident about it. But in terms of the style [of cooking], I’m best at recipes that take a long time, so anything that requires lengthy flavor building, like stews or curries.

Noon: Pool time, Part 2

Back at the house, we’ll have some lunch, something easy by the pool. So more swimming.

2 p.m.: Gym time

I’ll work out either at the house or go out to the gym. I’ve been sticking with a weight training routine for a couple of years now, but I try to evolve the exercises all the time because I get bored really easily.

Sometimes I work with a trainer. I filmed “Street Fighter” last year in Australia, so I did a ton of different training and martial arts training for months. It opened up my horizons to a lot of different forms of working out that I just didn’t know before. I’ve got a pretty big encyclopedia to pull from at this point.

4 p.m.: Recovery

I’ll usually head to a 12-step meeting, I’ll either catch one online or try to find one in person because there’s a lot around L.A.

6 p.m.: Not cooking tonight

On the weekend is where we will typically order in or eat out, maybe with some friends. Some places I love to order in from are the Sisters Cafe, which is Vietnamese, and Jon and Vinny’s.

9 p.m.: Early to bed

Both my partner and I are 80 years old at heart. We always have grand plans about watching a movie or whatever, and then we’re both inevitably snoring by 10 p.m. at the latest.

I used to live my life like a psycho maniac doing everything unhealthy. It definitely didn’t involve going to 12-step meetings and swimming laps at seven in the morning. It was whatever the opposite of that is.

When I went through the first two years of my sobriety, I went through a lot of trial and error in terms of overdoing it with things like therapy and mindfulness, and then also underdoing it as well. It took me a couple of years to really find what are the things that make me feel good about myself, make me feel grounded, make me feel accountable, and still feel like I’m living a happy life and not just white-knuckling 12 hours of, essentially, therapy every day. So I’ve found the things that really work for me.

There’s days where I will totally not do every one of those things. There’s days where I’m too lazy to go swimming and there are days where I’m like, “I don’t want to go to the gym.” I’m not militant about it. The other thing I’ve learned is to be easy with myself.

If you’re looking to add more magic to your life after watching Practical Magic 2, one woman has praised a village which feels like the real deal – and it’s in the UK

The highly anticipated sequel to the cult classic film Practical Magic recently premiered in cinemas. But while it’s always magical to return to the universe of your favourite film, what if you could visit a real life Practical Magic village?

In the book and the film, the Massachusetts small town where the Owens family lives appears to be the idyllic small town. And with the added element of having witches living there, many fans dream of visiting. But one village in the UK also has a unique connection to witches, making it the perfect alternative.

One holidaymaker named Emma decided to share snippets of her visit to the Hampshire village, naming it a ‘real life Practical Magic village’.

“POV: You found a real life Practical Magic village in England,” she wrote in the overlay text of the TikTok video, showing the various witchcraft and magic-inspired shops, as well as the wild horses that are known to explore the village of Burley.

Burley is a small village in Hampshire, located in the heart of the New Forest. It’s famous for its associations with witchcraft, as it had a self-proclaimed witch living there in the 1950s. However, there is plenty of other things to do there with an opportunity for walking, cycling, and horse-riding trails, plus horse-drawn carriage rides through the forest.

Emma added in the caption of the post: “Today, the village is filled with cosy cafes, witchy boutiques, and wild horses roaming down the streets.”

The village still maintains the ancient New Forest tradition of “commoning,” meaning ponies, cattle, and donkeys wander freely through the streets.

“It genuinely feels like stepping straight into the Owens family hometown,” she said. “Gather your coven and save this for your next UK day trip.”

Why is Burley considered a ‘witchy’ village?

Burley is associated with witches primarily because it was home to a woman named Sybil Leek. The famous self-proclaimed “white witch” lived in the Hampshire village during the 1950s.

She became a media sensation by openly practicing witchcraft shortly after the UK repealed the final Witchcraft Act in 1951. She regularly walked through the village wearing a long black cloak with her pet jackdaw, Mr. Hotfoot Jackson, perched on her shoulder.

But as locals were upset by her presence, Sybil decided to move to America where she continued to study and write about the occult and astrology.

Burley has since embraced its witchy history, as there are several shops specialising in magic, including A Coven of Witches, which was not only named by Sybil but you can also find a portrait of her hanging above the fireplace.

War in the Middle East. The hottest summer on record in the U.S. AI getting as scary as “Terminator 2: Judgment Day.” An eroding coastline. A president who spends more time posting pathetic memes than improving the lives of everyday Americans.

It sure seems like we’re living in the End Times, right?

Why, we haven’t even reached the most frightening part of 2026: Election Day, when false prophets will besmirch ballots as the Great Deceiver, also known as Donald J. Trump, does everything possible to maintain his reign.

While people should research candidates and ballot initiatives before deciding how to vote, I also suggest that they read up on some of the thousands of saints recognized by the Catholic Church. You don’t have to belong to the faith to find wisdom in the lives of people who dealt with trials and tribulations far harder than ours and are now considered worthy of emulation.

This campaign season contains all sorts of scenarios screaming for holy intervention. We should pray extra hard to these saints for the next two months:

St. Homobonus: The Catholic Church recognizes no patron saint for the wealthy, since Jesus preached that it was easier for a camel to go through the eye of a needle than for a rich man to enter heaven. Captains of industry instead venerate this 12th century Italian nepo baby, who ran a successful clothing business yet gave most of his earnings to the poor. If tech bros followed St. Homobonus’ example, that would be a far more convincing argument against Prop. 40, the California ballot initiative that would impose a (supposed) onetime tax on billionaires, than what they’re doing: whining about socialism, threatening to leave California and spending tens of millions of dollars on ads that voters are already tuning out or tossing in the trash.

Archangel Gabriel: His role in telling the Virgin Mary she would become the mother of Jesus makes my brother’s namesake the patron saint of mail carriers. With Trump doing everything possible to ban mail-in voting — and a compliant Postal Service leadership eager to do his bidding — here’s to hoping Archangel Gabriel calls up his winged homeboys Michael and Raphael, fights off all electoral Satans and ensures a fair election.

St. Benedict: Patron saint of exorcisms. Someone place his prayer card at all the city halls in southeast L.A. County to rid the area of civic corruption once and for all!

St. Peter Claver: Chapters of the Knights of Peter Claver — the oldest Black Catholic fraternal organization in the U.S. — exist in parishes across South L.A. Some in the area are fretting because, for the first time in 63 years, not all of its three City Council seats will be held by Black representatives. With Curren Price terming out, a Latino immigrant — either Jose Ugarte or Estuardo Mazariegos — will capture the District 9 seat. May the winner follow the example of Claver, who spent his life advocating for Black people in Colombia despite the fact he was a white Spaniard, and ensure that Black Angelenos — now only 8% of the city’s population — continue to have strong representation at City Hall.

St. Augustine: The founder of the Augustinian order to which Pope Leo belongs, he’s the patron saint of converts and preached against the haughty. “They uplift themselves,” Augustine wrote, “as though they were righteous or important but, as Paul writes, ‘Like smoke they will not last because their insanity will soon become obvious to everyone.’” Are your ears burning yet, JD Vance? Do you feel a tingle on your neck, Gavin Newsom?

Xavier Becerra, left, and Steve Hilton during a California gubernatorial candidate debate Feb. 3 in San Francisco.

(Laure Andrillon / Associated Press)

St. Stephen and St. Francis Xavier: They share names and attributes with Steve Hilton and Xavier Becerra, who are running against each other to become California’s next governor. Becerra has spent his decades-long political career serving as missionary for California liberalism, just like Francis Xavier helped make the Jesuits a worldwide institution. Of the two St. Stephens, one was a former king who’s the patron saint of Hungary, birthplace of Hilton’s parents. Far more relevant is the St. Stephen who was the first Christian martyr. The way Hilton is sacrificing his political life in the name of Trump, he’d better ask that Stephen to tell God not to make his likely electoral demise too painful.

Our Lady of Refuge: Although St. Junípero Serra was the Apostle of California, this Marian apparition has been the patroness of the Golden State since the days when we were part of Mexico. Sinners ask her to beg God for forgiveness on their behalf — and isn’t that what we all will do when our chosen candidate inevitably messes up?

St. Thomas: He’s the patron saint of India, where Los Angeles city councilmember and mayoral candidate Nithya Raman was born. He’s also the patron saint of architects, too many of whom have sat around with their hands tied up in red tape while waiting to rebuild Pacific Palisades after last year’s inferno, a stasis that many residents will forever blame on Mayor Karen Bass. But history better remember the Apostle as Doubting Thomas, who refused to believe that Jesus had risen from the dead until feeling the holes in His crucified hands. Let’s hope Angelenos are as skeptical about the claims of both Bass and Raman that they, and only they, can revive L.A.

St. Clare of Assisi: She died in the 13th century, but the Italian nun was named the patron saint of television in 1958 because she could see a Mass held far away, despite being bedridden. May St. Clare convince God to short-circuit networks and streaming services every time another annoying political ad interrupts me while I’m watching the latest episode of “Project Runway.”

St. Thomas More: The patron saint of politicians famously stood up to England’s King Henry VIII and his philandering, unethical ways. May St. Thomas More’s witness inspire someone in Trump’s cabinet to do the same.

Eh, who am I kidding? Some things are beyond even God.

When Strictly foxtrots back on to our screens later this month, it will be the first time in 14 years without longest serving female pro dancer Karen Hauer, who shimmied her way through more than 100 numbers on the show. But she’s not ready to kick off her dancing shoes just yet – revealing her ambition to cha-cha her way into the role of fiery Puerto Rican, Anita, in West Side Story. She says: “My dream role would be Anita in West Side Story. The world is my oyster.”

When Strictly’s new season launches on Saturday 19 September, it will also be the first time Karen has watched it live. She says: “I’ve never watched it live – I was always in it.”

And Karen – who announced her departure in a statement on social media in March – is not the only high profile departure. Longtime hosts Claudia Winkleman and Tess Daly have also left, as have pro dancers Gorka Márquez, Nadiya Bychkova, Luba Mushtuk and Michelle Tsiakkas. Karen says: “Things have to evolve. Whether people like it or not.”

But Karen will be rooting for the new hosts, Emma Willis, Josh Widdicombe and Johannes Rabede. She says: “The new series is so exciting. I’ll definitely be watching my friends and I’m really looking forward to seeing Johannes, Emma and especially Josh. I danced with him on the Christmas Special dressed as penguins.”

Karen, who was in the show from 2012 to 2025, has already started her new chapter – playing teacher Mavis in Devonshire Park Theatre’s production of the Richard Harris comedy, Stepping Out in Eastbourne until the end of April, before taking it on tour until the end of September. She will then be playing the Wicked Queen in Snow White at The Princess Theatre, Torquay, in December and January.

She says: “I’d been preparing myself mentally for a long time to leave [Strictly]. I’m doing great, I’m really happy. I’m going to miss Strictly, but I’m definitely enjoying my new chapter.”

But the dancer was shocked by the outpouring of love she felt from fans when she announced her departure. She says: “I’ve never felt so much love. I made such an impact without even actually knowing. I was shocked. I was like, ‘how come you guys didn’t vote for me to win?’ Goddamn it.”

Giving no dramatic reason for going, she simply says it was “the right time” to go, adding: “There’s a time when you just have to go, ‘okay, well, that’s a wrap.’ Now I have free time. I don’t know what’s going to happen in five years. So, I’m literally living the best life that I can right now, and not overthinking about the future.”

The first to admit to being a romantic, Karen has had three husbands. She was married to dancer Matthew Hauer from 2000 to 2009, to fellow Strictly pro dancer Kevin Clifton from 2015 to 2018 and then to fitness professional Jordan Wyn-Jones from 2022 to 2023.

But she now shares her rural home near Preston, Greater Manchester, with her boyfriend of three years, rugby player Simon Davidson and four rescue dogs, Betty, Phoebe, Marley and Joe. After her hectic Strictly schedule, she says of Simon: “It’s probably really weird for him to have me home.”

Positive she has now found ‘The One,’ she continues: “I love love. I think love is incredible, and I found it in Simon. I love being in a partnership, and in a partnership that’s healthy. “Knowing what a healthy relationship looks like and being in it … I think that’s what I love is, and that’s what I’ve been searching for. Joy for me is being at home with Simon and the dogs.”

Honouring her love of dogs, in November, Karen is hosting the The Burns Bravery Awards, in which the pet nutrition brand is calling on people to nominate Britain’s Bravest Dogs. Research from Burns Pet Nutrition reveals that three-quarters of owners say they turn to their dog when they’ve had a bad day.

And Karen can see why, saying: “My rescue dogs are the best thing to ever happen to me. Mentally, physically, my dogs get me out of bed, they get me out for a walk. My dogs have been through all my ups and downs. I think my dogs need therapy now.”

The dancer also turns to her mum Mirian when she needs comfort or inspiration. She says: “She inspires me every day. ‘It’s not going to be easy, kid, but you got this’ – that’s what I’ve always known since I was a kid. I’ve always fought and I’ve seen my mum struggle. I’ve seen what it takes to make it – not just as a person on television, but to make it in life.

“My mum raised three kids in New York City, in the Bronx, on her own. She always says, ‘don’t let your head get to the clouds.’ And that’s why I’ve always been very grounded, no matter what kind of job or who I’ve met. We’re all the same. On Strictly, I was never the flashy one, I was always grateful that first of all I had a job – and one that I loved and which entertained the entire nation.”

Karen made it to the Strictly final twice, with partners Jamie Laing and Mark Wright, but never lifted the glitterball. She says: “I was winning every year just being there. It’s great getting a 10, it’s fantastic, but it’s the moments that bring a smile to people’s faces and make them go, ‘That was really funny’, that I’ll remember the most.”

One such moment was when Anton Du Beke and Ann Widdecombe danced together at the Blackpool Tower Ballroom in 2010. This hilarious moment was how she likes to remember the long serving former Conservative MP, who died on July 9, aged 78, and whose death is now the subject of a murder inquiry.

Speaking fondly of Ann and Anton, Karen says: “He took her by the hand and the foot and was just swinging her around in a yellow dress. I was on the floor, peeing myself. It’s those moments, that’s what Strictly’s about.” Meanwhile, Karen gave her many famous Strictly partners – who included Westlife’s Nicky Byrne, actor Greg Wise and comedian Jayde Adams – the same advice.

She says: “I told all of my celebrities, ‘you have to enjoy it. We’re going to work hard, but I want to have a laugh. If you’re not having a laugh, then this is not going to work.’ A lot of people find it really hard to enjoy it, because there’s so much panic.”

Another of Karen’s favourite moments came in 2019, during Halloween week, when her wig came clean off her head on live TV.

“It was hilarious,” says Karen. “But so what if your wig comes off? People are going to remember that you made them smile. That’s what I’ll remember when I’m 85 … or dancing with Jeremy Vine coming out of a bath, or with the late Dave Myers, who I absolutely adored. Wow, I was living the dream, wasn’t I?”

*Following a public voting period, winners will be announced at the Burns Bravery Awards in November. For more information, and to nominate your dog, enter at burnspet.co.uk/pages/burns-bravery-awards

SACRAMENTO — Democrat Xavier Becerra defended the death penalty while serving as California’s attorney general, a punishment his office actively sought in the case of a gunman convicted of an Orange County mass shooting, but as the front-running candidate for governor he has vowed to block executions if elected in November.

Becerra said he will extend the blanket reprieve for all death row inmates that Gov. Gavin Newsom enacted by executive order in 2019, saying he supported “moving our state away from a costly, flawed system that disproportionately impacts Black and brown communities and too often gets it wrong.”

Those comments have reassured anti-death penalty advocates wary of Becerra, who has stated throughout his career that capital punishment should be an option for victims seeking justice. He reiterated that stance just a decade ago during his confirmation hearing for attorney general, though he also expressed concerns about the unjust application of the punishment.

“I support the death penalty, but I hate the way it’s being executed,” Becerra told state lawmakers in 2017.

“If you commit some heinous crime where you have taken the life of someone else, and you knew that there was a death penalty in place in that place where you committed that crime, then you should face the punishment for what you’ve done,” he explained. “It doesn’t give me pleasure to say that, but I simply do believe there’s a simple justice in that.”

Becerra’s challenger in the Nov. 3 election, former Fox News commentator Steve Hilton, opposes the death penalty but said he would rescind Newsom’s moratorium because it defies the will of voters.

Becerra has said he is concerned by how death sentences historically have been applied, including a highly disproportionate number of condemned inmates who are Black or Latino men and cases in which they later have been exonerated of crimes.

He repeated similar positions last year during a gubernatorial forum in Los Angeles.

“I do not believe every Californian has gotten a fair verdict in these fights,” he said in response to a question about extending Newsom’s moratorium. “But here is what I will tell you: We have to be aggressive in going after crime, especially the most heinous crime. … I will make sure that we have a judiciary system and a prosecution system that takes into account that we must show fairness.”

Though California has not performed an execution since 2006, prosecutors in some areas of the state continue to seek and win death sentences. As of early August, there were 565 condemned inmates in California prisons, according to the state Department of Corrections and Rehabilitation.

Newsom’s moratorium stops the state from carrying out those sentences.

In California, county district attorneys are responsible for prosecuting the vast majority of accused murderers when they go to trial and also deciding whether to seek the death penalty. The office of the state attorney general is responsible for defending death penalty convictions on appeal.

Becerra sought the death penalty in a murder case his office prosecuted early in his tenure, though unsuccessfully. Scott Dekraai, who was convicted of killing his ex-wife and seven others in a shooting at a Seal Beach beauty salon, was sentenced to life in prison without the possibility of parole after a prosecution scandal involving his case.

Some death penalty opponents criticized Becerra for fighting to uphold the death sentence of Robert Lewis Jr., who was deemed by the California Supreme Court in 2018 to have an intellectual disability that made him ineligible for execution.

“I find that reprehensible,” said Mike Farrell, president of Death Penalty Focus, an advocacy group. A longtime anti-death penalty activist, Farrell is better-known for starring as B.J. Hunnicutt in the TV show “M*A*S*H.”

“It may not have been his idea, but he was part of that process,” he said of Becerra.

Others said Becerra cannot be blamed for doing his job. Former Vice President Kamala Harris faced the same dilemma when she served as state attorney general, as does Rob Bonta, who currently holds the office.

“The AG is in a different position because it’s just inherent in their role to defend convictions and sentences,” said Natasha Minsker of the California Anti-Death Penalty Coalition. “For example, Kamala Harris is very strongly personally opposed to the death penalty and still, while she was AG, the office defended hundreds of death sentences. Same with Rob Bonta. He’s very clearly personally against the death penalty, and his office continues to defend death sentences.”

Becerra’s campaign declined an interview on the subject and referred to his statement in support of extending Newsom’s freeze on executions.

Hilton, his Republican opponent in the race, holds starkly different views.

“If you’re arguing that taking a life is such a serious crime, then I don’t think responding by taking a life actually makes that argument,” he said in an interview last month.

But he said California voters spoke clearly by voting twice — in 2012 and 2016 — against ballot measures that would have repealed the death penalty. “I don’t think it’s OK for a governor to just substitute their personal opinion on an issue where the voters had an explicit and direct say,” he said.

“I strongly believe in holding people accountable for what they do,” Hilton said. “But my sort of fundamental belief is that if we’re saying it’s wrong to kill someone, then the state shouldn’t be doing it, either.”

Hilton also would roll back Democratic-led reforms that have shortened many inmates’ prison sentences by allowing them to seek parole sooner.

End or extend? It’s not that simple

Even if a governor rescinds the moratorium, resuming executions would be a long and complicated process because the state has no approved protocol or facilities to carry out death sentences.

Newsom ordered the dismantling of San Quentin’s death row and execution chamber. Even before he took office, the state’s use of lethal injection drugs was part of a long-running and now-dormant legal battle. And a dwindling number of attorneys who specialize in death penalty cases meant 70% of condemned inmates did not have a lawyer at the end of last year, according to a state report.

California’s death penalty also faces a new legal challenge from groups arguing that capital punishment cases have been administered in a way that is racially discriminatory. In May, the California Supreme Court ordered the attorney general’s office to respond to the arguments and assigned the case to a superior court.

The shifts in California’s criminal justice system are reflected in legal battles waged by the pro-death penalty Criminal Justice Legal Foundation, a nonprofit that supports victims of crime and their families in court.

“We used to do a lot of work in the capital punishment area because that was the area where justice and the sentences were under the greatest attack,” said Kent Scheidegger, the group’s legal director.

But as California’s Democratic-controlled Legislature, governor and, at times, voters adopted measures aimed at reducing the prison population, Scheidegger said the foundation’s efforts increasingly are focused on preserving “the finality of sentences.”

Many capital cases were negotiated as “plea bargains to life without parole on the express promise that this will provide the finality that the victims need most,” he said. “Life without possibility of parole, until recently, meant life without possibility of parole. And now we’ve got one action after another coming out of the government to break down that finality and give people sentenced to life without parole opportunities to get out.”

The group has challenged attempts to expand early release for violent offenders under 2016’s Proposition 57 and new regulations that would allow people sentenced to life without the possibility of parole to seek release.

Twenty-seven states allow the death penalty, but governors in four of them — California, Ohio, Oregon and Pennsylvania — have paused executions.

Slow shifts in public opinion

Attitudes about capital punishment have shifted over time. A 2025 Gallup poll showed 52% of Americans favor the death penalty for people convicted of murder, down from its peak of 80% in 1994.

In a 2023 survey by the Public Policy Institute of California, 62% of adults in the state said they “strongly favor” or “somewhat favor” the death penalty in murder cases. When asked which punishment they prefer for a first-degree murder case, 55% said life without parole and 43% chose the death penalty. More than three-quarters believe there “is some risk that an innocent person will be put to death.”

Despite the changing opinions, Minsker, of the California Anti-Death Penalty Coalition, said there’s little appetite for another repeal attempt because of how expensive ballot measure campaigns have become.

“I am personally one of the strongest proponents of ending the death penalty, and I am not sure I would spend $30 million on that right now, given all the other needs that California has,” said Minsker, a former attorney for the American Civil Liberties Union who ran the unsuccessful 2012 death penalty repeal measure.

Putting an anti-death penalty measure on the statewide ballot also could have put Newsom in an precarious political position. If it failed, Californians would be sending a stinging rebuke to the Democratic governor’s executive decision to grant a blanket reprieve to all condemned inmates.

Minsker is leading a group of criminal justice advocates, faith organizations, prosecutors, murder victim family members and others urging Newsom to commute every death sentence in California before he leaves office.

But advocates are unsure whether Newsom, who is considering a run for president in 2028, would risk the backlash a mass commutation would probably bring. The California Supreme Court also must review executive clemency actions for inmates with more than one felony charge.

Commuting all death sentences to life in prison “would be the coup de grâce,” Farrell said. “However, politically, I’m sure those who are advising him are urging him to have caution in that regard.”

Known for being ‘The GC’ on screen and larger than life, viewers will see a different side to Gemma Collins in her new Sky documentary series.

Gemma Collins admits she has had “the worst year of her life” which corresponded with a time she had cameras following her every move.

The former TOWIE star, also known by her celebrity persona ‘GC’, and was due to get married to partner Rami and start a family during filming for Sky documentary series called ‘Gemma Collins: Everything. All At Once’. The series was originally called Four Weddings and a Baby, but as Gemma admits “things didn’t go to plan”.

Her relationship with Rami has had issues, the pair have also been sadly unable to conceive, and worst of all Gemma’s beloved mum Joan died at the end of July after several years of health issues. Admitting her life and TV series hasn’t been going to plan, 45-year-old Gemma said: “Mum’s been unwell for sixteen years and I’ve been dealing with that on the side, but her health started going downhill during filming and she passed away last month[actually July 2026].

“My fiancé Rami has also been struggling with his mental health and using alcohol to cope, and on top of that we had fertility issues. It was like drowning. It was the worst year of my life. I couldn’t keep hiding it.

“Being The GC was escapism. I could put the make-up on, get the hair big, and forget what was going on in the real world. But there’s been a real turn in media where people want to see the real me again. They’re sick of the bluff. I’m not afraid and I know I don’t need to deal with all this on my own.”

In the eight part series viewers will see Gemma embark on her fertility journey, and she questions whether she has left things too late, putting her career before having a family. On trying for a baby Gemma says: “Rami and I went to the Portland, and I started thinking maybe there could be a miracle. We could get an egg donor and make it work. But, as you’ll see on the show, it got increasingly difficult.

“I still have Tristan, and my nephews. I’ve known Tristan since he was three: I did his nappies, I gave him his bottles. I love that boy. With my mum gone, I’m going to be the mum of the family now, the matriarch, and I’m really happy and excited for that. If it’s meant to happen, my mum will send it to me, and a miracle will happen. If it doesn’t, I’m at peace with that.”

Gemma admitted she found filming on some days very hard but insisted she had to continue. The other deeply personal issue in the series is the loss of her mum Joan, and Gemma allows the cameras into moments like when she deals like this and when the bravado she usually uses on screen drops.

She said: “The camera crews are at your house and you’re thinking, ‘This is my life, it’s so s**t. How can I let people see it?’. But unless you go through hard times, I don’t think you grow as a person. This was the hardest thing I’ve ever done, but it’s also the thing I’m most proud of.”

On her mum Gemma added: “My mum passed away peacefully, and we were all in the room. She’s come back to me in so many ways already, which gives me great comfort. She comes back to me in spiritual ways and sends me signs. There was this butterfly in the house towards the last few days of my mum living, and it wouldn’t go away. When she passed, Tristan went to me, ‘There’s Nanny’. He went, ‘Nanny, if that’s you, flap your wings ten times,’ and it did.”

* Gemma Collins: Everything. All At Once launches 15 September on Sky and streaming service NOW.

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As a young sportswriter studying journalism at the University of Missouri, Seth Wickersham looked to Los Angeles for inspiration. At the campus bookstore, Wickersham bought his first sportswriting anthology, “The Last of the Best,” a collection of columns from the Los Angeles Times’ Jim Murray, one of four sportswriters ever to win a Pulitzer Prize.

Collections of work from Murray, Rick Reilly, Frank Deford and others offered Wickersham a road map for the career he wanted to build — and he has, with 26 years’ worth of work at ESPN meriting an anthology of his own. “Be on That Hill: Stories From the Summits of Sport,” which will hit bookshelves Sept. 22, is Wickersham’s third book. He said assembling an anthology is both “the coolest thing you could ever imagine happening” and “this weird mind warp.”

“When you’re just on a treadmill like I’ve been, the years just go,” says Wickersham, who’s been covering sports since he was hired by ESPN The Magazine straight out of college. “You don’t realize it, but then you take stock of it, and you’re like, ‘Holy cow, I’ve been doing this 26 years …’ It’s surreal to go back and look at it.”

A premier investigative and feature reporter primarily covering the NFL, Wickersham has also written “It’s Better To Be Feared: The New England Patriots and the Pursuit of Greatness,” and “American Kings: A Biography of the Quarterback.” Both books combine new, headline-generating reporting with intel Wickersham has gathered over decades covering football. With “Be on That Hill,” Wickersham selected stories that he hopes, taken together, “tell a bigger story not only about the games that we love, but the ways we consume them, and even about the country.”

Football has always been Wickersham’s first love — he weaved his journey as a high school quarterback into “American Kings” — but his latest book features stories about a college basketball coach on the job hunt and an NHL enforcer’s attempts to avoid head injuries.

“I’m trying to write about people who have a certain level of inner turmoil,” Wickersham says, “whether it’s Sean McVay after he wins the Super Bowl, or Jerry Jones when he’s threatening to sue the NFL to stop Roger Goodell from signing a contract extension.”

The sports media industry has changed dramatically since Wickersham’s career began. ESPN The Magazine no longer exists. Access to coaches and players is increasingly hard to secure. But Wickersham’s journalistic goals are the same today as they were when he bought Murray’s anthology.

“I want to be a link on a chain,” he says. “It’s hopefully an installment of a body of work that one day might help me be a link on a chain of the best who did this.”

This Q&A was edited for length and clarity.

✍️ Author Recommendations

In addition to Jim Murray’s anthology, here are some other sports books that have inspired Wickersham.

• “The Breaks of the Game” by David Halberstam: This is the Pulitzer-winning Halberstam’s first sports book, following the 1979-1980 Portland Trail Blazers. “When it comes to trying to decode a team, that’s the standard,” Wickersham says.
• “Joe Namath and the Other Guys” by Rick Telander: Namath, the Hall of Fame New York Jets quarterback, serves as an example of quarterbacks’ rising celebrity profile in “American Kings,” and Telander is one of Wickersham’s favorite sportswriters. “The portrait he gave of Joe Namath in his twilight was just so rare,” Wickersham says. “I don’t think a book like that has ever been done.”
• “When Nothing Else Matters” by Michael Leahy: Another book about an athlete in his twilight. This one documents Michael Jordan’s time with the Washington Wizards. “He worked his tail off as a reporter and really gave a brutally honest glimpse into what it was like to live and play with Michael Jordan the last few years of his career,” Wickersham says.
• “The Franchise” by Michael MacCambridge: Wickersham read this history of Sports Illustrated in college. “It really not only gave a glimpse into how so many of these great stories by my heroes … were done,” he says, “but also how those guys got hired at Sports Illustrated. It was like a job road map.”

📰 The Week(s) in Books

Our fall book recommendations answer your call for learning and discovery this season.

(Kissi Ussuki / For The Times)

Our Fall Preview includes 29 books to keep on your radar this fall, as well as television and movies we’re excited about.

Mark Athitakis reviews Marlon James’ “The Disappearers,” a Booker Prize longlisted novel that follows gay men in Jamaica across seven decades.

Can’t get enough of “The Odyssey”? Acclaimed classicist Emily Wilson, who eviscerated Christopher Nolan’s cinematic take on the epic, is translating the Greek poem for a second time.

📖 Bookstore Faves

Sons and Daughters is a new bookstore on Melrose.

(Photo from Sons and Daughters)

This week, we caught up with Raine De Leon, owner of Sons and Daughters Books, a formerly online bookstore that opened a brick-and-mortar location earlier this year. Here’s what they had to say about their IRL location, the local bookshops that inspired them and more.

This interview was edited for brevity and clarity.

Your bookstore began as an online store in 2024. What motivated you to open an online store? How did it grow from there?

A brick-and-mortar was always the end goal, since I wanted a physical space for writers, readers and other artists to come together for events and community building. Originally, the online store was actually an online poetry journal, where I published poets from around the world, wrote reviews, and held virtual readings. I wanted to translate that into an in-person experience.

What other bookstores, in Los Angeles or elsewhere, served as inspiration for the type of bookstore you wanted to open?

Skylight Books in Los Feliz and Village Well Books and Coffee in Culver City really inspired how I wanted the store to feel: warm, inviting and dynamic enough to serve both a neighborhood and a larger L.A. audience. I took inspiration from the Painted Porch in Texas in regard to curating the selection of books in the store. City Lights in San Francisco was also a huge inspiration for not only my store, but my life in general. The place it holds in the history of its community, the history of publishing and the history of poetry are profound, and I am trying to emulate that legacy as best I can.

What inspired the name Sons and Daughters Books?

The poet Charles Olson wrote a landmark essay, “Projective Verse,” in 1950. In it, he talks about poetic lineage and influence, and he says something to the effect of “We are the sons of the poets who came before us,” and that really spoke to me. I expanded it out to “Sons and Daughters,” with that same sentiment, to be a little more inclusive.

What type of selection can people expect at Sons and Daughters Books?

Our selection is almost all new books with focus on fiction, poetry, social sciences and more. We also have a cart of used books out on the floor every day, and on Sundays I bring out two more carts of used books.

For the new books, I selected each book in the store myself. I may not have read every book on these shelves, but I went line by line in our inventory sheets to select books that I wanted people to be aware of. Even though I am the only staff member, our “Staff Rec” table features reviews and picks from those closest to me. I wanted our selection to be extremely specific to me, my loved ones and the community the store is now in.

In the time you’ve been open, what events have been the most popular? Any particular upcoming events you’re excited about?

Our two most popular events are definitely our weekly stand-up comedy open mic night and our thriller book club.

September is our fullest month yet in regard to events, and I’m very excited for a few. We have two book launch events. The one on Sept. 26 is for “Valley Girl Manifesto” by Noelle Cope, a collection of both poetry and prose. The other, on Sept. 19, is for “Anger Is a Gift,” a new poetry anthology from FlowerSong Press. Both celebrate poetry, locality and connection.

Our full events calendar, which continues to grow, also features community workshops, silent reading clubs and more.

Sons & Daughters is located at 7817 Melrose Ave., Los Angeles.