launch

POPULAR young rapper Luci4 has died, according to his grandparents.

The young musician – best known for his viral hit “BodyPartz” – was just 23 years old.

His grandparents revealed to TMZ that he had died; however, his cause of death remains unknown.

Police have since launched a probe into his sudden death.

The rising star – whose real name was James Dear – passed away at a friend’s home in Los Angeles on February 22.

The Los Angeles County Medical Examiner has since confirmed his death.

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His grandparents told TMZ they felt suspicious about their grandson’s death.

They have alleged his wallet was completely emptied, saying they had recently warned him about the people he was surrounding himself with as his fame grew.

The circumstances around his death remain unclear.

The rapper’s grandparents said they are now waiting for the results of the police investigation.

In a statement, the Los Angeles fire department said it had responded to a medical call at the house around 11.40am.

Sadly, he was already dead when help arrived, so the police were called.

It remains unclear if investigators suspect foul play.

Previously known by other stage names including Axxturel, 4jay, and Plasdu, Luci4 showed an interest in music and digital production at a young age.

His career began with music production, where he created beats and tracks that became popular online.

More recently, he had achieved viral fame through social media platforms including TikTok.

Pioneering the microgenre known online as sigilkore, he shot to fame with hit song “BodyPartz” in 2021.

The song was later recognised as a Gold hit by the Recording Industry Association of America (RIAA).

He also penned other popular tracks including All Eyez on Me and Kurxxed Emeraldz.

His success led to him signing with Atlantic Records.

His signing was considered a significant milestone for emerging internet-based artists.

It demonstrated the increasing influence of social media in discovering and promoting new talent.

Luci4 founded the collective Jewelxxet – a primary hub for sigilkore.

The genre is defined by dark, lo-fi atmospheres and bitcrushed vocals coupled with occult imagery.

He was popular largely among the underground music community; however, the new wave of experimental rappers including OsamaSon and Che have credited him as one of their influences.

The young rapper still frequently engaged with his fans and the online music community, staying connected with his roots as an online artist.

His death has sent shock waves through the music community, as fans share their grief online in an outpouring of tributes to social media.

“His 2020/21 run will never b forgotten he changed tiktok,” one person said.

Another posted, “That’s insane wtf.”

“Damn. I’ve been actively listening to him since 2021 casually. Was never a super fan but I have six solid songs that get played weekly. It’s always who u least expect. It makes me so sad listening to songs frm dead artists, never thought I would ever get that sentiment w his,” posted a third.

Another mourner said: “RIP TO A KING.”

“He was definitely one of my favorite artists to listen to during covid era,” said another.

Others have said he “really influenced a whole wave of music”, with some even listening to his songs as early as today.

“I was bumping his music so loud earlier today lil did I know he was gon die the same day,” a fan posted.

Artemis 2 is a precursor to the US space agency’s planned astronaut moon landing with Artemis III scheduled for 2028.

NASA chief Jared Isaacman says Artemis 2 – the first crewed flyby mission to the moon in more than 50 years – will not launch next month because of technical problems.

Workers detected an issue with helium flow to the massive Space Launch System (SLS) rocket that will “take the March launch window out of consideration”, Issacman said in a post on social media Saturday.

Solid helium flow is essential for purging the rocket’s engines and pressurising its fuel tanks.

“I understand people are disappointed by this development. That disappointment is felt most by the team at NASA who have been working tirelessly to prepare for this great endeavor,” Isaacman said.

NASA’s next opportunity for the launch would be at the beginning or end of April.

The US space agency hopes to put humans back on the moon as China forges ahead with a rival effort that is targeting 2030 at the latest for its first crewed mission.

China’s uncrewed Chang’e 7 mission is expected to be launched in 2026 for an exploration of the moon’s south pole, and testing of its crewed spacecraft Mengzhou is also set to go ahead this year.

Multiple postponements

NASA surprised many late last year when it said Artemis 2 could happen as soon as February – an acceleration explained by the administration of US President Donald Trump’s wish to beat China to the punch.

But the programme has been plagued by delays. The uncrewed Artemis 1 mission took place in November 2022 after multiple postponements and two failed launch attempts.

Then, technical problems in early February – which included a liquid hydrogen leak – cut short a so-called wet dress rehearsal for the Artemis 2 launch. That was finally completed earlier this week.

The wet dress rehearsal was conducted under real conditions – with full rocket tanks and technical checks – at Cape Canaveral in Florida, with engineers practising the manoeuvres needed to carry out an actual launch.

The space agency revealed the latest technical problem just one day after targeting March 6 for the launch of the Artemis 2 mission.

The towering SLS rocket and Orion spacecraft will be rolled back into the Vehicle Assembly Building at the Kennedy Space Center in Florida to investigate the technical issues and make any necessary repairs, Isaacman said. He said a bad filter, valve, or connection plate could be to blame for the stalled helium flow.

Isaacman added that a complete briefing will follow in the coming days.

The goal of the Artemis 2 mission, a 10-day flight around the moon and back, is to “explore the Moon for scientific discovery, economic benefits, and to build the foundation for the first crewed missions to Mars”, according to NASA.

The planned Artemis 2 crew includes three US astronauts – Reid Wiseman, Victor Glover, and Christina Koch – and Canadian astronaut Jeremy Hansen. The mission is poised to be the farthest human flight into space ever, and the first crewed moon mission since the US Apollo programme more than half a century ago.

Artemis 2 is a precursor to NASA’s planned astronaut moon landing with Artemis 3, which is scheduled for 2028.

A HUGE new family campsite is opening at a historic UK holiday park this summer.

Billing Aquadrome in Northampton is one of the oldest holiday parks in the UK dating back to 1945 when it opened shortly after World War II.

Sitting on 235 acres the resort has everything from a caravan site and funfair to a marina.

And now it is reintroducing its family camping offering for the 2026 season, after undergoing a massive revamp.

In the refreshed family camping area, guests will find 150 electric pitches as well as an amenities block and a play area.

Nikki Rathie, holidays director at Billing Aquadrome, said: “The return of camping for 2026 is something we know many families have been eagerly awaiting.

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“By reintroducing a premium family camping experience, we’re able to offer a much-loved family holiday experience at Billing Aquadrome which complements the other holiday styles on offer.

“This launch marks an exciting new chapter for the park following a year of major investment and regeneration.”

The park is also undergoing a massive £17million regeneration.

This includes new restaurants, the waterside Lake Club, Willow Lakes Aquapark, a BMX pump track, a Himalayan Adventure Golf Course and Adventure Island.

There is a newly opened Zen Den too, for families needing to escape the noise.

By the end of this year, a new indoor entertainment venue will also open.

Campers will also get access to all of Billing Aquadrome’s attractions such as the indoor swimming pool, which has a toddlers’ splash zone and a flume slide.

And guests can also enjoy a programme of activities and live performances including drive-in movie nights, Tough Mudder, an aqua assault course and paddleboard hire.

Guests won’t be charged extra for bringing a dog, having a gazebo or pup tent or any extra equipment.

There is a premium camping experience available as well with 150 electric pitches measuring eight metres by 10 metres.

Bookings for the new family campsite launch on March 26.

However, from February 17, families can sign up to be the first to know when bookings go live.

As part of the launch, 26 families from this sign-up list will each win a three-night break.

When it comes to the cost per night, prices will vary but current pitches available to book on Billing Aquadrome’s website cost from £25 a night during the summer holidays.

If you don’t fancy camping, Billing Aquadrome also has an array of other accommodation types including glamping.

For example, you could stay in one of their static caravans for two nights (midweek) for £129.

And for convenience when staying, there is an on-site shop, hair and beauty salon and a laundrette.

In other holiday park news, UK holiday park with its own shopping village, theatre and golf course plunges into administration.

Plus, the nine most popular Hols From £9.50 holiday parks of last year – as bookings open for 2026.

General Atomics’ air-launched LongShort drone has made new progress toward its first flight with the completion of various tests on the ground, including a demonstration of its weapons release capabilities. LongShot, now also designated the X-68A, is set to be carried aloft first by an F-15 fighter. The goal of the program has been to explore how an uncrewed aircraft capable of firing air-to-air missiles could extend the reach and reduce the vulnerability of the launch platform, among other benefits.

The U.S. military’s Defense Advanced Research Projects Agency (DARPA) released new details about the LongShot program, which it is leading, today. A “multitude of U.S. government stakeholders” have also been involved, including elements of the U.S. Air Force, U.S. Navy, U.S. Army, and NASA, according to DARPA.

General Atomics, as well as Lockheed Martin and Northrop Grumman, received initial contracts to work on competing concepts for the drone in 2020. DARPA chose General Atomics’ design for continued development in 2023. The original hope had been that the uncewed aircraft would make its maiden flight before the end of that year. The current goal is to begin flight testing before the end of the year.

“DARPA’s LongShot with General Atomics Aeronautical Systems has successfully completed a series of technical milestones, moving its air-launched uninhabited vehicle – recently designated the X-68A – closer to flight testing,” according to DARPA’s release. “Recent achievements, including full-scale wind tunnel tests and successful trials of the vehicle’s parachute recovery and weapons-release systems, demonstrate significant progress in developing this next-generation capability.”

Previously released renderings of LongShot have depicted it as capable of releasing at least one AIM-120 Advanced Medium Range Air-to-Air Missile (AMRAAM) from an internal bay running along the bottom of the fuselage.

The overall LongShot design that has been shown to date is akin to that of a cruise missile, with an elongated fuselage and a chined nose. It has reverse-swept main wings toward the rear of the fuselage and small canards at the front, both of which pop out into their deployed positions after launch. It also has an inverted V-shaped twin-tail configuration and a vertical strake that sticks up just slightly from behind the top-mounted dorsal engine air intake.

The official entry for the X-68A in the U.S. Mission-Design-Series (MDS) designation system says that the drone is powered by a single Williams WJ38-15 turbojet, according to the Designation-Systems.net website. The use of the WJ38-15 may point to a high subsonic top speed for LongShot. This engine is also used on the German-Swedish Taurus KEPD 350 air-launched cruise missile, a 3,000-pound-class design with a stated maximum speed of Mach 0.95.

It is also worth noting that LongShot’s parachute recovery is intended, at least at present, for use in testing and training, rather than any actual combat employment of the drone.

“LongShot is intended for conflict. In combat scenarios, recovery isn’t really practical, and the price point doesn’t make it necessary,” C. Mark Brinkley, a General Atomics spokesperson, told TWZ last year. “However, for test and training, it is recoverable, and we have options for that.”

As mentioned, the first live test launch of a LongShot drone is set to be from an F-15 fighter, an aircraft type particularly well known for its ability to carry outsized payloads. F-15 variants have already been used in the United States, as well as in Japan, as aerial launch platforms for jet-powered drones. For years now, TWZ has been highlighting the particular potential of the Air Force’s new F-15EX Eagle II to carry oversized payloads and act as airborne drone controllers.

DARPA and General Atomics have also talked about the potential to launch X-68As from bombers’ internal bays, as well as from cargo aircraft using the Rapid Dragon palletized munitions system.

As TWZ has previously written:

“LongShot is intended to extend the range at which a launch platform can fire on targets, which, in turn, helps keep them further away from threats. The drones can fly forward into higher-risk areas before launching their own missiles. As designed, LongShots also simply expand the total area in which a launch platform, especially a tactical jet like an F-15, can engage threats.”

“LongShot drones could also leverage targeting data from sources other than their launch platforms. This would rely on, but also take immense advantage of long-range ‘kill web’ architectures in development now. As those kill webs expand in scale and scope, the likelihood of munitions engaging targets outside the range of a launch platform’s organic sensors will only grow. You can read more about these developments here.”

These capabilities could be further magnified by bomber or cargo aircraft carrying larger numbers of LongShot drones. Larger launch platforms could saturate a particular section of the battlespace with air-to-air assets quickly, enabling the rapid deployment of a temporary counter-air screen. The uncrewed aircraft could also provide more localized defense for larger and more vulnerable aircraft, and they would only have to be deployed as necessary in that role. That, in turn, would help reduce strain on escorting assets.

The LongShot program has so far been described in terms of scenarios that center more on direct control for the launch platform. However, control of the drones after launch could similarly be localized or executed across longer distances via beyond-line-of-sight datalink capability and/or signal relays. This could also allow for control to be handed off from one node to another. Higher degrees of autonomy would allow for the performance of tasks after launch with fewer direct human inputs, as well.

“We’ve got a program right now with DARPA that we’re working on. It’s called LongShot. And that effort is really, if you think about, it’s about an air-launched fighter,” Patrick “Mike” Shortsleeve, Vice President of DoD Strategic Development for General Atomics Aeronautical Systems, Inc (GA-ASI), told TWZ‘s Jamie Hunter in an interview at the Air & Space Forces Association’s 2025 Air, Space, and Cyber Conference last September. “So, we’re talking about a smaller UAS [uncrewed aerial system], … but it also will be able to carry air-to-air missiles and be brought into the fight in mass when needed. So LongShot represents sort of another iteration of what we’re doing for disruption, to help the Air Force change or revolutionize the way air dominance is being done.”

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There are still questions about how efficient it would be in real combat to use an expendable drone like LongShot to get missiles closer to potential engagement areas, as well as offer some loitering capability. What the cost equation might be, in particular, compared to using more advanced, reusable drones and/or longer-ranged missiles, is unclear. Still, the Air Force and/or other services could see LongShot as a necessity for meeting certain operational needs that cannot be addressed by any other solution.

As we have highlighted in the past, LongShot could feed into other uncrewed aircraft efforts, especially separate, but intertwined Collaborative Combat Aircraft (CCA) programs now being run by the U.S. Air Force, U.S. Marine Corps, and U.S. Navy. In an interview with Breaking Defense last year, David Alexander, President of General Atomics’ Aeronautical Systems, Inc., division (GA-ASI), said that LongShot could be a “great fit” for Increment 2 of the Air Force’s CCA program. General Atomics and Anduril are already developing separate drone designs, designated the YFQ-42A and YFQ-44A, respectively, under Increment 1 of that program. The Marines are also now set to utilize the YFQ-42A design at least as a surrogate for a future CCA capability.

When it comes to LongShot, DARPA says that “ground and integration testing currently underway” is now steadily building up to “the safe and effective employment of the X-68A from an F-15, confirm the flight worthiness of the LongShot vehicle, and demonstrate its ability to safely eject a captive sub-munition” after years of schedule slips.

Contact the author: joe@twz.com

The ‘truth commission’ will interview victims who say they were abused at the sprawling property south of Santa Fe.

Lawmakers in the US state of New Mexico have approved the first fully-fledged investigation into Zorro Ranch, a sprawling property where the late sex offender Jeffrey Epstein is alleged to have trafficked and sexually assaulted girls and women.

The legislation, which passed New Mexico’s House of Representatives by a unanimous vote on Monday, forms a bipartisan “truth commission”.

Its four members will seek testimony from victims and local residents about the ranch, located about 55km (34 miles) south of the state capital, Santa Fe.

Members are slated to begin work on Tuesday, with an initial update to be delivered in July and a full report by the end of this year.

The move comes in the wake of the release of more than three million previously unpublicised files related to the disgraced financier, who died by suicide in a New York jail cell in 2019 while awaiting trial on federal sex trafficking charges.

State Representative Melanie Stansbury said in a video posted after the vote that the commission will “help to bring forward a full picture of what happened here in New Mexico”.

“The crimes that were reported to federal and state authorities were never fully investigated,” Stansbury said. The probe seeks to “ensure we have safeguards in place not only to hold those individuals accountable, who were complicit, but to ensure that this can never happen again”.

Epstein bought the 7,600-acre (3075-hectare) property, which included a hilltop mansion and private runway, from former New Mexico Democrat Governor Bruce King in 1993.

Victim advocates say Epstein trafficked and sexually abused girls at the so-called “playboy ranch” as early as 1996, including Virginia Giuffre, the prominent victim who accused Epstein and the disgraced British royal Andrew Mountbatten-Windsor of abuse.

Multiple civil lawsuits specify the ranch as a site of abuse. Epstein’s habit of flying “masseuses” to the property – as well as hiring local massage therapists – was also revealed in the Epstein files as part of a ranch manager’s 2007 testimony to the Federal Bureau of Investigation.

Epstein was never charged with crimes related to the site.

“Many of the survivors had experiences in New Mexico, and as we’ve learned, you know, there were local politicians and other people that were aware of what was happening in New Mexico,” said Sigrid McCawley, a lawyer whose law firm has represented hundreds of Epstein survivors.

Yet federal investigators never cast their eye on the property, according to Andrea Romero, a New Mexico state representative who co-sponsored the legislation.

And while New Mexico Attorney General Hector Balderas attempted to kick off a probe in 2019, federal prosecutors asked for it to be put on hold to avoid a “parallel investigation”, he said in a statement.

Epstein “was basically doing anything he wanted in this estate without any accountability whatsoever”, Romero said.

The committee – which will have subpoena power – aims to close that gap by gathering testimony that could be used in future litigation, Romero said. New Mexico’s state attorney general has also allocated a special agent to look into any allegations that arise.

The ranch was sold at a 2023 auction to the family of Don Huffines, a former Republican Texas senator who is now running for Texas state comptroller, the Santa Fe New Mexican media outlet reported. A family spokesperson said they would give investigators “full and complete cooperation”.

A NEW luxury train experience is coming to the UK later this year.

A new carriage will appear on the British Pullman named Celia, after the fictional character created by director Baz Luhrmann and cinematic designer Catherine Martin.

According to the duo, Celia is a West End icon from the 1930s who once played Titania in Shakespeare’s A Midsummer Night’s Dream.

Set in an original 1932 Pullman carriage, Celia will boast a cocktail bar, lounge, dining and entertainment area that feels as if you are heading back to the 1930s.

Up to 12 guests at a time can experience the carriage via private and bespoke events.

The carriage is designed to create a luxury private dining experience, as well as showcase the train carriage’s historical charm.

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During the day, Celia will be a reception carriage and then in the evening it will turn into the “most refined venue”.

When guests reserve Celia for an event, a Guest Experience Curator will plan each detail.

Passengers will also get private luxury transfers within Greater London to and from London Victoria.

And there will even be a personal chef, butler and steward.

On the menu, passengers can create their own brunch, lunch and dinner menus.

Welcome drinks, such as a seasonal cocktail or champagne, will also be provided.

And to elevate the experience even more, there will be bespoke activities available to book.

Baz Luhrmann said that Celia is based on a woman who, after a Sunday matinee of ‘A Midsummer Night’s Dream’, headed off with her friends to escape the crowds and head on the British Pullman.

Baz said: “From the moment someone receives an invitation, or chooses to board Celia, they should be drawn instantly into her world and be swept into the glamorous, mysterious life of the actress for whom the carriage was named.”

He added: “Celia also has the capacity to transform into a performance space; I have no doubt a musical artist could have great fun staging an unplugged session or making an album announcement there.

“And of course, we’ll be fitting out the carriage with a terrific sound system and speakers to support that.”

On the idea behind the carriage, Catherine Martin revealed that once they had Baz’s character of Celia, the interior design of the carriage was based on Celia’s life story.

Baz added: “We’re both devoted lovers of slow travel as there’s an undeniable magic and romance to these kinds of journeys.

“It’s a form of travel that lends itself to being told in the most evocative and cinematic ways.”

The Belmond British Pullman usually travels day and weekend journeys around Britain.

In other rail news, here’s the UK train journey that feels like the Hogwarts Express with stunning views along the way.

Plus, picturesque English town is getting new £27m train line for first time in 60 years – and it will cut journey times by an hour.

FOR the first time ever, Disney Cruise Line’s Disney Wish is coming to the UK.

From summer 2027, Disney fans can head off on a cruise on the Disney Wish from Southampton on three to seven-night European sailings.

Bookings for sailings go live on February 23.

The Disney Wish is the fifth ship in the Disney Cruise Line fleet and is full of storytelling.

As guests board the ship, they will enter through the Grand Hall, with their name even being called out.

Princes and princesses will be there to greet you before you head off to discover the rest of the ship and your room.

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Inside each stateroom, passengers will find spacious wardrobes, sprawling beds and a theme specific to a Disney character.

Mine featured Moana artwork, including a huge piece on Te Fiti – the goddess of life and nature.

Most of the staterooms also feature a split bathroom and an ocean view.

When it comes to food on board the ship, guests won’t be short for choice, with market-style buffet options and immersive dining adventures.

For example, at Arendelle: A Frozen Dining Adventure there is a live performance from the characters of the film, including Olaf.

All the iconic songs are performed, and plenty of opportunities to sing along as you get served your food.

Another dining experience is Worlds of Marvel where you are immersed in a futuristic-style restaurant and accompanied by Ant-Man and Spider-Man.

As a sweet-tooth, I especially loved Inside Out: Joyful Sweets, where you can pick up handmade gelato and ice cream or tuck into a themed macaron, cupcake, or chocolate treat.

Coffee onboard the ship is also an experience – each time I picked up my morning latte from either The Wishing Star Café or The Enchanted Sword Café, I was greeted by a character printed onto the foam.

As for other entertainment, the ship has an endless amount of things to do.

Each night over a voyage, the Walt Disney Theatre puts on a West-End style show.

My personal favourite was Disney Seas the Adventure, where passengers follow Goofy on a journey sailing the ship.

Other shows include Disney The Little Mermaid – an adaptation of the classic tale.

Kids have lots to do outside of the shows as well.

The Disney AquaMouse is a performance and ride in one, with lighting, special effects, and scenes of Mickey and Minnie on different adventures.

And for kids needing to let off steam, there is the Hero Zone, where there are a number of challenges and game-style competitions.

Once they ultimately tire out, the two cinemas are the ideal spots to cosy up with some popcorn while watching the latest Disney releases.

And the ultimate night for the whole family is Pirates’ Night, where Captain Jack Sparrow takes a fateful leap from the ship’s funnel.

If parents do want some time away from the kids, there is an entire deck dedicated to children, including a full-service nursery and separate clubs for kids and teens.

This gives parents the chance to nip off to the adult-only spaces without stressing about their kids, and these were my favourite spaces on the Disney Wish.

The Senses Spa & Salon was the ultimate destination for a pamper session.

With a sauna, steam room and heated loungers, there are plenty of spots for child-free relaxation, though my favourite was the frigidarium, sitting at a chilly 10C.

And who wouldn’t enjoy the outdoor whirlpools as the sun sets and the waves crash against the side of the ship?

Quiet Cove is another top adult-only spot, where you can relax in an infinity pool that looks over the sea.

It is the ideal place to be when the ship’s horn blasts the iconic first seven notes of the ‘When You Wish Upon a Star’ song melody.

In total, the ship can carry up to 4,000 passengers, with an additional 1,555 crew members onboard.

The cheapest sailing is a three-night Belgium cruise from Southampton, sailing to Zeebrugge (Brussels) in Belgium costing from £1,633 for two people.

One of the four-night itineraries costs from £2,252 for an inside stateroom for two people, heading to La Coruña, in Spain.

Or you could head off on a seven-night Northern Europe cruise from Southampton from £3,273 for two people.

You could really splash out with the a seven-night Norwegian Fjords cruise from Southampton, sailing to Kristiansand, Olden, Alesund and Haugesund in Norway from £5,235 for two people.

In other cruise news, here are our pick of the eight best cruises for both hot and cold weather – from Caribbean sailings to Icelandic glacier tours.

Plus, the ‘affordable luxury’ Nordic cruise where temperatures hit 28C.

THEY kept their romance under wraps for weeks, and now Kim Kardashian is about to meet Lewis Hamilton’s mum.

Just one week after The Sun revealed their top- secret relationship, the motor-racing ace and US reality star Kim went public at Sunday’s Super Bowl.

The pair were seen together at the Levi’s Stadium in Santa Clara, California, alongside Kim’s half-sister Kendall.

And now their relationship is public, they are moving at lightning speed, with Lewis telling Kim during the game that he was ready to ­introduce her to his mum Carmen Larbalestier.

The 41-year-old Ferrari-driving F1 star was seen turning to Kim and saying: “I don’t take just any girl to my mum. I mean you’re going to meet some day. She is very excited to see you.”

Bashful Kim, 45, grinned and replied: “OK,” before turning her attention back to the Seattle ­Seahawks, who beat the New England Patriots 29-13.

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Insiders told The Sun the pair’s relationship had been hotting up over the past few days, with Lewis ­spending time with her in LA.

We first reported last week how Kim had flown Lewis back to her home city following a whirlwind three dates in the Cotswolds, London and Paris.

The couple headed to Kim’s £40million Hidden Hills residence, which she shares with children North, 12, Saint, ten, Chicago, eight, and six-year-old Psalm.

A source said: “Kim and Lewis’s relationship is intense but they are both keen to keep moving forwards.

“He wants to spend as much time with her as possible, especially as he’ll be back getting ready for the new F1 season in a couple of weeks.

‘Want to see Kim happy’

“Lewis has been in LA, spending time with Kim and her family.

“They all adore him, especially her mum Kris [Jenner], who has loved having Lewis around.

“They’re all really approving of this relationship. They just want to see Kim happy.”

Of Lewis’s family, they added: “Lewis and his mum are incredibly close. Wanting to introduce Kim to Carmen shows how serious he is.”

Kim and Lewis were seen chatting with Kendall, 30, at the game in a VIP box which also included other celebrities such as Justin and Hailey Bieber, and musicians Tyler The ­Creator and Dave Grohl, as well as Apple boss Tim Cook.

Despite knowing they would be seen, the pair went to some lengths to keep their arrival quiet.

The Sun understands that, having travelled to the stadium in the same car, Kim and Lewis entered it within seconds of one another.

Kim and Lewis’s relationship is intense but they are both keen to keep moving forwards

A source

Over the past few days, Lewis has tried to throw fans off the scent of their fledgling romance.

On Sunday he shared a video on Instagram of him running in London and appeared to try to show it was filmed in real time, captioning it 06.26am.

In fact, he was in the US with Kim.

Lewis’s fans have rounded on his romance and cited the “Kardashian Curse”, which is said to negatively affect men who date the famous ­reality TV sisters.

Following Lewis’s most recent Instagram post, one fan wrote: “Focus on yourself, King. Kim will ruin your season.”

Another added: “Ferrari and ­Kardashian curse is a recipe for disaster.”

Lewis has been in LA, spending time with Kim and her family

A source

A source said: “Kim and Lewis know there is a huge amount of interest in them and he’s aware of the backlash online. His social media accounts have been flooded with comments from his followers about the Kardashian curse and, to be honest, it’s boring him and he’s not interested.

“They had wanted to try to keep things as low-key as possible — and hard-launching at the Super Bowl made sense.

“There, they could be seen together but not be approached.

“Fans who were questioning their relationship before now have it laid out in front of them. Kim and Lewis are very happy and are just navigating this together.”

Although they have never been romantically linked before, Kim and Lewis have been friends for more than a decade.

The Sun understands their friendship started to evolve into romance at the end of last year.

We first revealed the pair were dating on February 2 — with the pair spending a lavish evening together in the Cotswolds on ­January 31.

They stayed at the £1,000-a-night Estelle Manor, where they enjoyed a couple’s massage and dinner in a ­private room.

‘Like military operation’

The following day they travelled to London and holed up in a £7,000-a-night suite in the Rosewood Hotel near Covent Garden.

Insiders said the couple were driven straight into the five-star hotel’s underground car park to avoid being seen by snappers.

Kim was later seen in London at a Selfridges event to promote a collaboration between her brand Skims and Nike, while Lewis stayed at the hotel and waited for her.

From there, on the Monday Kim readied her £100million jet to fly them to Paris where she was ­opening another NikeSkims pop-up at the 10 Rue de Turenne gallery.

Kim absolutely loves spending time in Paris and wanted Lewis to go with her

A source

The couple booked into the five-star Le Bristol hotel — where Kim usually stays in the Paris suite, which costs £21,000 a night.

A source said: “Kim absolutely loves spending time in Paris and wanted Lewis to go with her.

“Her work is so important to her but it’s all things she can slot around spending time with Lewis.

“They are both used to travelling all over the world while working so doing it together means they can spend proper time with each other. They kept things super low-key in Paris and spent most of their time together in their room and ordered food there.”

Those close to Kim and Lewis said they were keen to keep their dates under wraps and had pulled out all the stops to avoid being ­pictured together.

A source added: “Kim and Lewis have been using side entrances at hotels, or are using hotels which have underground car parks. They’ll then use lifts straight to their room.

Lewis is a massive fan of Nineties culture and fashion — and Kim was clearly going all out to impress

A source

“It’s like a military operation moving them from place to place but Kim has her two bodyguards and Lewis has his close protection officer on hand to help things run smoothly.”

Insiders said Kim was keen to impress Lewis, and even channelled his love of the Nineties with her hairstyle at the Super Bowl.

Her long-time hairdresser Chris Appleton shared a photograph of her “Super Bowl bangs” on Instagram ahead of the game.

He previously created the style on her for the 2023 Council of Fashion Designers of America awards and said it was inspired by “Nineties Pammy” — Pamela Anderson.

A second source added: “Lewis is a massive fan of Nineties culture and fashion — and Kim was clearly going all out to impress.”

The Sun understands Lewis will be leaving the US in the coming days as his Ferrari team starts preparations for the F1 season, which gets under way with the Australian Grand Prix in Melbourne on March 8.

Tomorrow, testing begins across all the F1 giants in Bahrain, with Ferrari yet to confirm which of their drivers will be taking part.

WASHINGTON  — The White House’s TrumpRx website went live Thursday with a promise to instantly deliver prescription drugs at “the lowest price anywhere in the world.”

“This launch represents the largest reduction in prescription drug prices in history by many, many times, and it’s not even close,” President Trump said at a news conference announcing the launch of the platform.

Drug policy experts say the jury is still out on whether the platform will provide the significant savings Trump promises, though it will probably help people who need drugs not commonly covered by insurance.

Senate Democrats, meanwhile, called the site a “vanity project” and questioned whether the program presents a possible conflict of interest involving the pharmaceutical industry and the Trump family.

What is TrumpRx, really?

The new platform, trumprx.gov, is designed to help uninsured Americans find discounted prices for high-cost, brand-name prescriptions, including fertility, obesity and diabetes treatments.

The site does not directly sell drugs. Instead, consumers browse a list of discounted medicines, and select one for purchase. From there, they either receive a coupon accepted at certain pharmacies or are routed directly to a drug manufacturer’s website to purchase the prescription.

The White House said the reduced prices are possible after the administration negotiated voluntary “most favored nation” agreements with 16 major drugmakers including Pfizer, Eli Lilly and Novo Nordisk.

Under these deals, manufacturers have agreed to set certain U.S. drug prices no higher than those paid in other wealthy nations in exchange for three-year tariff exemptions. However, the full legal and financial details of the deals have not been made public, leaving lawmakers to speculate how TrumpRx’s pricing model works.

What does it accomplish?

Though the White House has framed TrumpRx as a historic reset for prescription drug costs, economists said the platform offers limited new savings.

But it does move the needle on the issue of drug pricing transparency, away from the hidden mechanisms behind how prescription drugs are priced, rebated and distributed, according to Geoffrey Joyce, director of health policy at the USC Schaeffer Center for Health Policy and Economics.

“This has been a murky world, a terrible, obscure, opaque marketplace where drug prices have been inconsistently priced to different consumers,” Joyce said, “So this is a little step in the right direction, but it’s mostly performative from my perspective, which is kind of Trump in a nutshell.”

Still, for the uninsured or people seeking “lifestyle drugs” — like those for fertility or weight loss that insurers have historically declined to cover — TrumpRx could become a useful option, Joyce said.

“It’s kind of a win for Trump and a win for Pfizer,” Joyce said. “They get to say, ‘Look what we’re doing. We’re lowering prices. We’re keeping Trump happy, but it’s on our low-volume drugs, and drugs that we were discounting big time anyway.’”

Where does it fall short?

Early analyses by drug policy experts suggest many of the discounted medications listed on the TrumpRx site were already on offer through other drug databases before the platform launched.

For example, Pfizer’s Duavee menopause treatment is listed at $30.30 on TrumpRx, but it is also available for the same price at some pharmacies via GoodRx.

Weight management drug Wegovy starts at $199 on TrumpRx. Manufacturers were already selling the same discounted rates through its NovoCare Pharmacy program before the portal’s launch.

“[TrumpRx] uses data from GoodRx, an existing price-search database for prescription drugs,” said Darius N. Lakdawalla, a senior health policy researcher at USC. “It seems to provide prices that are essentially the same as the lowest price GoodRx reports on its website.”

Compared to GoodRx, TrumpRx covers a modest subset of drugs: 43 in all.

“Uninsured consumers, who do not use or know about GoodRx and need one of the specific drugs covered by the site, might benefit from TrumpRx. That seems like a very specific set of people,” Lakdawalla said.

Where do Democrats stand?

Democrats slammed the program this week, saying it would not provide substantial discounts for patients, and called for greater transparency around the administration’s dealings with drugmakers. To date, the administration has not disclosed the terms of the pricing agreements with manufacturers such as Pfizer and AstraZeneca.

In the lead-up to the TrumpRx launch, Democratic members of Congress questioned its usefulness and urged federal health regulators to delay its debut.

“This is just another Donald Trump pet project to rebrand something that already exists, take credit for it, and do nothing to actually lower healthcare prices,” Sen. Alex Padilla (D-Calif.) said Friday. “Democrats will continue fighting to lower healthcare costs and push Republicans to stop giving handouts to billionaires at the expense of working-class Americans.”

Three other Democratic senators — Dick Durbin, Elizabeth Warren and Peter Welch — raised another concern in a Jan. 29 letter to Thomas March Bell, inspector general for the Department of Health and Human Services.

The three senators pointed to potential conflicts of interest between TrumpRx and an online dispensing company, BlinkRx.

One of Trump’s sons, Donald Trump Jr., joined the BlinkRx Board of Directors in February 2025.

Months before, he became a partner at 1789 Capital, a venture capital firm that holds a significant stake in BlinkRx and led the startup’s $140-million funding round in 2024. After his appointment, BlinkRx launched a service to help pharmaceutical companies build direct-to-patient sales platforms quickly.

“The timing of the BlinkRx announcement so closely following the administration’s outreach to the largest drug companies, and the involvement of President Trump’s immediate family, raises questions about potential coordination, influence and self-dealing,” according to an October 2025 statement by Democrats on the House Energy and Commerce Committee.

Both BlinkRx and Donald Trump Jr. have denied any coordination.

What’s next?

The rollout of TrumpRx fits into a suite of White House programs designed to address rising costs, an area of vulnerability for Republicans ahead of the November midterms.

The White House issued a statement Friday urging support for the president’s healthcare initiative, dubbed “the great healthcare plan,” which it said will further reduce drug prices and lower insurance premiums.

For the roughly 8% of Americans without health insurance, TrumpRx’s website promises that more high-cost, brand-name drugs will be discounted on the platform in the future.

“It’s possible the benefits will become broader in the future,” Lakdawalla said. “I would say that the jury remains out on its long-run structure and its long-run pricing effects.”

Feb. 5 (UPI) — The White House is expected to launch its new prescription drug platform, TrumpRx, on Thursday evening, showcasing the president’s new “most favored nation” drug pricing policy.

President Donald Trump initially announced his plan in September with the launch of the TrumpRx website.

The idea is to sell prescription drugs at lower prices via the website, so that people without insurance can pay less. But users have to pay in cash because the site will not accept insurance.

The White House said at the time in a fact sheet, “foreign nations can no longer use price controls to freeride on American innovation by guaranteeing MFN prices on all new innovative medicines Pfizer brings to market.”

At the time, Pfizer was the only company on board. Since then, Eli Lilly, Novo Nordisk, Bristol-Myers Squibb, Merck, Amgen, Gilead, GSK, Sanofi, Roche’s Genentech, Boehringer Ingelheim, AstraZeneca, EMD Serono and Novartis have joined.

White House press secretary Karoline Leavitt announced the event on X.

“TONIGHT AT 7PM: President Trump, Dr. Oz, and National Design Studio Director Joe Gebbia will be officially unveiling TrumpRx — a state of the art website for Americans consumers to purchase low cost prescription drugs. This historic announcement will save millions of Americans money. You won’t want to miss it! Tune in.”

NEW YORK — The Trump administration on Thursday will launch TrumpRx, a website it says will help patients buy prescription drugs directly from manufacturers at a discounted rate at a time when health care and the cost of living are growing concerns for Americans.

The government-hosted website is not expected to be a platform for buying medication but instead set up as a facilitator, pointing Americans to drugmakers’ direct-to-consumer websites where they can make purchases.

The site’s unveiling, set for Thursday evening, was announced by White House press secretary Karoline Leavitt, who in a post on X called it “a state of the art website for Americans consumers to purchase low cost prescription drugs.”

She said President Trump will make the announcement alongside Centers for Medicare and Medicaid Services Administrator Dr. Mehmet Oz and Joe Gebbia, director of Trump’s National Design Studio.

The president first teased TrumpRx in September while announcing the first of his more than 15 deals with pharmaceutical companies to lower drug prices to match the lowest price offered in other developed nations. He said in December the website would provide “massive discounts to all consumers” — though it’s unclear whether the prices available on drugmakers’ websites will routinely be any lower than what many consumers could get through their insurance coverage.

The website’s expected Thursday release comes after it faced multiple delays, for reasons the administration hasn’t publicly shared. Last fall, Oz told Trump the site would share prices for consumers before the end of the year. An expected launch in late January was also pushed back.

The president has spent the past several months seeking to spotlight his efforts to lower drug prices for Americans. He’s done that through deals with major pharmaceutical companies, including some of the biggest drugmakers like Pfizer, Eli Lilly and Merck, which have agreed to lower prices of their Medicaid drugs to so-called “most favored nations” pricing. As part of the deals, many of the companies’ new drugs will also be launched at discounted rates for consumer markets through TrumpRx.

Many of the details of Trump’s deals with manufacturers remain unclear, and drug prices for patients in the U.S. can depend on many factors, including the competition a treatment faces and insurance coverage. Most people have coverage through work, the individual insurance market or government programs like Medicaid and Medicare, which shield them from much of the cost.

Trump’s administration also has negotiated lower prices for several prescription drugs for Medicare enrollees, through a direct negotiation program created by a 2022 law.

Swenson writes for the Associated Press.

LNER has revealed its new fleet of trains in first-look images – and they’ve got perks for every customer.

The upgraded carriages will have water refill stations throughout the trains and in First Class even mood lighting and reclining seats.

LNER, which operates trains across the East Coast Main Line, has revealed what its new fleet of Class 897 trains will look like.

The latest upgrades include “improved seating” across all classes with enhanced seat pads, side bolsters and wider head cushions .

One huge perk for all customers, especially those on a long journey, is that they’ll will be able to stay hydrated for free, thanks to the introduction of five water bottle refill stations throughout the train.

Travellers won’t have to pop to the cafe to buy a bottle of water – instead, just top up as you go.

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The only other train line that offers complimentary water with refill stations is Avanti West Coast on its Pendolino and Evero trains.

Also onboard the new LNER trains will be new digital screens in each carriage so customers can keep an eye on their journey and the upcoming stops.

Each seat will have its own plug socket and USB-C ports too for phone charging.

For Standard Class customers, there will be a new and improved Café Bar.

Here, you can pick up snacks and drinks and can see what’s available in real-time on digital menu screens.

Those sitting in First Class can fully relax in seats that actually recline.

There will also be softer lighting, including mood and table lighting in First Class – so the lights won’t be too bright for those travelling during early mornings and evenings.

Other changes include the redesign of bike storage areas and toilets.

For wheelchair users, tables have been redesigned to make more room with seat legs moved and additional space created for assistance dogs.

The 10-carriage trains called ‘Serenza’, will each have a total of 569 seats across Standard and First Class, alongside wheelchair spaces.

No date for introduction of the Class 897s has been announced yet.

But the new fleet is set to replace LNER’s InterCity 225 fleet, which focuses on services between London King’s Cross and destinations like Leeds, York, Bradford Forster Square, and Skipton.

For more on rail upgrades, UK’s busiest train station faces ‘decade of chaos’ ahead of multi-million pound renovation.

And here’s the UK’s ‘best rural train station’ – next to the seaside-themed town that is MILES from the coast.

Feb. 3 (UPI) — NASA early Tuesday announced it was pushing the launch date of its Artemis II mission to March, after engineers encountered a liquid hydrogen leak during a critical prelaunch test.

“With the conclusion of the wet dress rehearsal today, we are moving off the February launch window and targeting March for the earliest possible launch of Artemis II,” NASA Administrator Jared Isaacman said in a statement.

The announcement followed the completion of a two-day test called a wet dress rehearsal of its planned lunar flyby at Launch Complex 39B at NASA’s Kennedy Space Center in Florida, which involved Mission Control at the Johnson Space Center in Houston.

NASA had initially aimed to launch Artemis II in a Feb. 8-11 window.

Moving the mission’s launch window will give teams time to review data and conduct a second wet dress rehearsal, NASA said in a separate statement.

“Moving off a February launch window also means the Artemis II astronauts will be released from quarantine, which they entered in Houston on Jan. 21,” it said.

NASA began the 49-hour countdown of the wet dress rehearsal at 8:13 p.m. EST Saturday. The test included the loading of cryogenic propellant into the Space Launch System tanks, sending a team out to the launch pad to close out the Orion spacecraft and safely draining the rocket, among other maneuvers.

Officials said that a liquid hydrogen leak occurred during tanking, and that engineers spent several hours troubleshooting the issue.

By allowing the interface to warm up so seals could reseat and by adjusting propellant flow, teams were able to successfully fill all tanks in both the core stage and interim cryogenic propulsion stage, they said.

The countdown reached about T-5 minutes when a spike in the liquid hydrogen leak rate automatically stopped the countdown sequencer.

“With more than three years between SLS launches, we fully anticipated encountering challenges,” Isaacman said. “That is precisely why we conduct a wet dress rehearsal. These tests are designed to surface issues before flight and set up launch day with the highest probability of success.”

“This is just the beginning,” Isaacman added.

The Artemis I mission in 2022 was a successful uncrewed launch of NASA’s new rocket and spacecraft system. The mission flew around the moon.

The Artemis II seeks to do the same mission but with astronauts. It will carry the first crewed lunar flyby in more than 50 years.

Feb. 2 (UPI) — President Donald Trump plans to launch a $12 billion stockpile of rare earth minerals to curb U.S. dependence on China.

The project is called Project Vault and it will be funded by a $10 billion loan from the U.S. Export-Import Bank and about $1.67 billion in private capital.

Trump’s plan seeks to procure and store rare-earth minerals that are critical to the automotive, defense, and tech industries. Minerals would be stored for use by U.S. manufacturers.

Some critical minerals that are of interest to tech companies and electric vehicle manufacturers include cobalt, lithium, titanium, silicon, nickel and graphite.

Rare earth minerals have been a focus of Trump’s during his second term. The White House said the United States was reliant on imports of minerals in 2024. Trump has since used mineral acquisition as a key point of international negotiations.

The president has also eyed Greenland for its mineral deposits. He recently alluded to invading Greenland and raising tariffs but walked back that rhetoric at the World Economic Forum last month.

Some companies that are expected to be involved in the Project Vault stockpile include General Motors, Stellantis, Boeing and Google.

Feb. 1 (UPI) — After adjusting its timeline for the last remaining tests of the Artemis II space launch system and Orion capsule because of freezing cold temperatures in Florida, NASA is now pressing ahead in preparation for its launch to the moon.

NASA had planned to start the fueling phase of the wet dress rehearsal for the rocket’s launch cadence on Saturday night, but a blast of Arctic air reached all the way down to Kennedy Space Center in Florida making it too cold to load propellants into the ship’s fuel tanks.

As a result, the fueling tests were pushed back to Monday — and launch will now happen no earlier than Feb. 8 — as the agency held off on powering up the SLS rocket’s core stage until Sunday morning.

“NASA continues to press ahead through the countdown for the Artemis II wet dress rehearsal,” NASA said in a statement. “Teams monitored all systems throughout the overnight hours [Saturday] during cold temperatures and high winds.”

The wet dress rehearsal is a test of the full launch team and the series of complex steps involved in a space launch, which includes engineers in Florida, at Mission Control at Johnson Space Center in Houston and at other NASA facilities.

The tanking phase of the wet dress rehearsal involves loading more than 700,000 gallons of liquid oxygen and liquid hydrogen, as will happen before the actual launch.

The test involves filling, topping off and replenishing the tanks over a series of loading milestones.

Engineers also will start preparing to charge the Orion space capsule’s flight batteries and the core stage battery, in addition finishing preparations of the umbilical arms and a walk down at the launch pad, NASA said.

Tanking operations require an overall outdoor temperature above 41 degrees, and cannot dip below 40 for more than 30 consecutive minutes, during both the rehearsal and actual launch.

The full wet dress rehearsal is a complete countdown simulation — the wet dress countdown started Sunday at minus-39 hours and 30 minutes — and will end with a simulated launch window on Monday around 9:00 p.m. EST, NASA said.

Artemis II’s launch window is currently set for Feb. 8 to Feb. 11, but NASA has previously said that if the rocket is not ready to launch next week that additional launch windows in March and April have been identified.

STEP into your cowboy boots, grab a Stetson, and immerse yourself in the Wild West.

A new cowboy experience called Phantom Peak is launching this summer in a popular London location.

Phantom Peak will open in Westfield Stratford City in summer 2026.

After a successful run in Canada Water, the western experience is set to close and will later reopen at the Stratford venue.

The experience makes visitors feel like they’re actually in a western town with a mix of live performances, interactive storytelling and games.

To make it even better, you can visit again and again as the stories change every three to four months along with the seasons.

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The new Stratford location will be even bigger than the one at Canada Water as it will go across multiple levels.

It will have three distinct areas, each with its own atmosphere and characters – the first being the Old Town.

It’s the underground industrial mining town at the centre of Phantom Peak.

There’s also The Town Square which is a more modern area with a Town Hall and the in-world bar: the Thirsty Frontier Saloon.

Lakeside is set around an indoor lake and in the middle will be The Watermill with its water wheel.

The venue will be fully accessible too.

It will have upgraded technology so stepping into the Wild West will feel even more real.

There will also be a seven-day-a-week themed bar with speciality cocktails and food.

In the town visitors can explore an area with arcade and carnival games.

For VIPs, guests have their own entry which takes them into the experience on a train carriage.

The Canada Water experience has seen a whopping 16,000 visitors since it opened in August 2022 – and there’s been over 625 performances.

Some reviewers have even called it the “best experience in London”.

With another reviewer branding it “bonkers” and “fun”.

So if you can’t wait until the new experience opens, you can still book at Canada Water before it ends on February 28, 2026

Adult tickets cost £42, and children can enter for £27.

Phantom Peak has been named the best Immersive Experience globally by blooloop and won Tripadvisor Traveller’s Choice award in 2024 & 2025 consecutively.

Tickets for the new Stratford experience go on sale soon at phantompeak.com.

For more on experiences, check out Traitors live which Sun Travel found to be a heart-pounding world of lies.

And find out what one Sun Travel reporter found when she tried out the new Race Across the World The Experience.

This article contains spoilers for Part 1 of Season 4 of “Bridgerton.”

Luke Thompson and Yerin Ha are lounging on a blue velvet couch in a swanky green room inside of Netflix’s offices in New York, bracing for the whirlwind that inevitably envelops every pair of actors who become the central couple in a season of the popular romance drama “Bridgerton.” And they’re still settling into the idea of being romantic leads.

“It doesn’t feel real,” Ha says fresh into their first press day in early December. “Because for a very long time, I didn’t think that it was possible for me — maybe I should have dreamed bigger. To keep saying that I’m the lead of a season feels really bizarre.”

“But maybe that’s a way of coping with it,” Thompson says. “I remember in Season 1, I just finished a Zoom call and I just sat in my living room and it was the first time I really touched into the idea that millions of people are watching this thing. Millions of people. And I never did it again.”

“You just did it for me now,” Ha says with a smidgen of dread that launches the pair into laughter. “That’s not really helping.”

Thompson, though, isn’t feeling the pressure of keeping the romance alive and extremely meme-able as they take up the mantle of the Regency-era fairy tale.

“It’s a show that’s proven time and time again that there’s huge appetite for romance,” he says. “It was a genre that might have been, not looked down on, but not really taken very seriously. To be able to incarnate some projection of romance for people, particularly in January and February, when people are feeling a bit miserable, maybe, it’s lovely to be part of that.”

The duo play Benedict and Sophie, affectionately dubbed #Benophie, a couple whose story gives the classic Cinderella tale a bit of steam and is one that readers of Julia Quinn’s “An Offer From a Gentleman,” which inspired this season, know well. Thompson’s Benedict, whom “Bridgerton” viewers have come to know as the artistic, pansexual second-oldest son of the Bridgerton clan, has long shown disinterest in settling down or adhering to societal norms. But then in Part 1 of Season 4, released Thursday, he meets Sophie Baek, a maid in her abusive stepmother’s home, at a masquerade ball hosted by his mother. Viewers eventually learn Sophie’s servitude is forced after her parentage is revealed — she’s the illegitimate daughter of an earl.

Yerin Ha as Sophie Baek and Luke Thompson as Benedict Bridgerton during their masquerade ball meet-cute in Season 4.

(Liam Daniel / Netflix)

Showrunner Jess Brownell says this season, they were is interested in prodding the wish-fulfillment fantasy many of us were introduced to at a young age.

“We learn about them as children from Disney movies,” she says. “For us, though, in interacting with this trope, it was really important to interrogate it a little bit. I think what our interrogation hopefully reveals is that oftentimes it’s the prince figure or the man of a ‘higher station’ who … needs to do some work on himself, to step out of his fantasy life a little bit and step more into reality to be worthy of the love of a Cinderella-type. It’s not to say that the Sophie character doesn’t have her own journey to go on, I think that she absolutely has to let her walls down and has to allow herself to dream of and believe in the possibility of love.”

Over a video call from that cozy couch inside Netflix’s offices, Thompson and Ha discussed navigating the spotlight as the newest “Bridgerton” couple, this season’s very unromantic declaration of love and trying to capture a swoon-worthy meet-cute behind an oversized mask.

The excitement for this season is already in full effect. How are you feeling about Benophie as the couple name? Am I even pronouncing it right?

Thompson: I don’t know!

Ha: I think that is right. I initially said Ben-off-ee like Banoffee pie, but then I realized it wouldn’t make sense because it’s So-fee. So Ben-o-fee would make more sense.

Thompson: There’s been a couple of fun AI pictures.

Ha: I actually just got one yesterday from my mom about our kids, our future kids. [Thompson laughs.] And I was like, “Mom, why are you on the internet looking at these things?” So it’s really out there, and I’m really being fed it out of my own will, but it’s amazing to see people already so excited about it and wanting to create things and future possibilities. It’s quite amazing. And the fans are actually so lovely.

Thompson: I think that’s one of the best things about social media, actually; that whole aspect of people projecting or imagining themselves or creating stuff sometimes. That’s something that we never used to be able to really get a handle on, but to be able to see the amount of energy and thought that people put into it is kind of amazing.

Ha: Also creative artistry. So many fans are drawing, sketching. It’s incredible. The amount of talent that people just share with us, it’s really beautiful.

1

2

3

4

1. The “Bridgerton” couples over the seasons: Simon Basset (Regé-Jean Page) and Daphne Bridgerton (Phoebe Dynevor) in Season 1. 2. Kate Sharma (Simone Ashley) and Anthony Bridgerton (Jonathan Bailey) in Season 2. 3. Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan) in Season 3. 4. Benedict Bridgerton (Luke Thompson) and Sophie Baek (Yerin Ha) in Season 4. (Liam Daniel / Netflix)

Luke, you’ve had three seasons to observe how others have taken on this mantle. Did Jonathan or Luke impart any words of wisdom as you stepped into lead duties? Did you have any observations in watching them navigate the spotlight and the intensity of this?

They were always very, very open to offering advice — Regé[-Jean Page, who led the first season as Simon Bassett, the Duke of Hastings], as well; all three of them. That’s been really, really helpful to know that it’s there. In terms of observing them, that’s why I’ve had a bit of a lucky ride, really, because I got to watch them. I mean this in a positive way — Regé is very serious. There’s something about the nature of the show that could encourage you to be a bit more light about it, but I think he really took it very seriously. Johnny [Jonathan Bailey, who plays Anthony Bridgerton] has this amazing energy that’s extremely contagious. I watched that and how that affects the atmosphere on set. And then Luke [Newton, who plays Colin Bridgerton] is very sensitive and he’s very careful and clued in terms of how and when he expresses himself. I’m so lucky I got to watch all of them do it and admire them and think about them and think also about how it would work for me.

What about you, Yerin? You’re a newcomer to this fictional world being thrown into the deep end. Did you get any useful feedback from Nicola Coughlan or Simone Ashley?

I didn’t have the years of looking at the other leads actually experience it. But Nicola and Simone, from the get-go when I was cast, they offered to give me advice and be like, “We’re here for you if you need it.” But the thing about it is, everyone is so different and unique with what they actually struggle with and what is going to be their challenge. I didn’t really know what I wanted advice about, but it was just always so nice and supportive to know that they were there if I needed them. But also, Luke, who was my main scene partner, was in “Bridgerton” for years, so I was able to also lean on him and also the other fellow castmates if I felt insecure or if I didn’t really know how to go about things.

Luke Thompson on “Bridgerton”: “It’s a show that’s proven time and time again that there’s huge appetite for romance,” he says. “To be able to incarnate some projection of romance for people, particularly in January and February, when people are feeling a bit miserable, maybe, it’s lovely to be part of that.”

(Tyler Twins / For The Times)

This being “Bridgerton,” the chemistry between Benedict and Sophie is so crucial to the magic of their story and how it develops over time. Tell me about the chemistry read. What do you remember about meeting each other?

Thompson: It was like this.

Ha: You’re third wheeling with us.

Thompson: It was on Zoom.

Ha: I was in Korea. It was 11 p.m. and I was trying to manage my nerves the entire day, which was quite stressful. And then I logged on, you [Thompson] were there. You had a striped shirt on, I remember — quite vividly, actually. I said that he looked quite tired. Maybe it was me projecting, thinking that he was having lots of auditions, reading with lots of people by then.

Thompson: I’m trying to think how many; we hadn’t auditioned that many people because it’s a very particular part. What we were asking or looking for was fairly particular. That’s the other thing I thought: How are we going to be able to do a chemistry read on Zoom? With all the awkwardness of doing it on Zoom — having to pretend that you’re turning your back and there’s a lake and having to sort of mime in front of the camera is so, so cheesy — despite all of that, I just remember reading scenes with you and feeling very relaxed. You know it when you see it. As soon as the Zoom call ended, I told you, Tom Verica [an executive producer and a director of the series] was a bit teary, and we were like, “Well, obviously it’s her.”

Ha: Obviously the stakes are so high on my end, because he’s already in the show, so I was so focused on just trying to be present and not trying to force anything. I think that’s when it gets a little bit weird. I just remember looking at you in the screen, and Luke’s such an open person anyways, and so it was quite easy to do the scene, despite that there was lots of interjections in the audition scene that we had to do, but we just pushed through.

What were the scenes that you had to do together that day? The lake scene —

Thompson: The lake scene and the tea scene. Just two.

In Season 4, viewers know Sophie (Yerin Ha) is the lady whom Benedict (Luke Thompson) meets at the masquerade ball, but he hasn’t connected the dots when they meet again later.

(Liam Daniel / Netflix)

In the world of romance, how two characters meet is often as important as how they get together. And the masquerade ball holds a lot of excitement and expectations for fans of the book. How did you feel tackling that scene? Did the masks help alleviate any nerves?

Ha: For me, it was a bit more pressure in the sense that my mask is so big [Thompson laughs], it’s hard to actually be quite expressive when your cheekbones are hidden under this mask. I just remember sometimes Tom would be like, “You got to express more with your eyes and your lips.”

Thompson: It’s basically like you were wearing a paper bag.

Ha: Yes! So, that was a challenge, but also, in a way, sometimes masks make you feel a little bit invincible … Sophie, especially in that night, the mask makes her brave and courageous; when she takes off the physical mask, that’s when the metaphorical mask actually comes into play.

Thompson: You’re right. The mask thing is integral to how they both meet. They even talk about it when they’re on the gazebo, the terrace; they have that whole scene where it is all about asking questions, not answering questions. To Benedict, [with] Sophie you’re constantly like, “Is she in earnest? Does she actually not know how to dance? Is she joking that she doesn’t know how to dance? Is she playing the role of someone?” There’s so many different questions about it — and I think that’s what’s so romantic about it. It’s so recognizable because that’s always what love at first sight is. It’s not that in that moment, two people completely see each other; there’s a game that starts happening. It’s all about what they allow the other to see or not, and sometimes there’s these really nice bits where they keep missing each other. There’s that amazing bit … when she’s spying through the door, and then just as she leaves, Benedict looks. It’s the pattern of their relationship, it’s how it’s always been — and it starts in this amazing little dream.

I imagine there was there a lot of discussions on what these masks should look like?

Ha: Yes. The costume team are incredible; they had, like, five different versions of it. Some of it was just completely covering my face with material. And then they were like, “Maybe not.” Because obviously Benedict sees her later as Sophie, and so why doesn’t he recognize her? They had to play this really fine line. But they are so creative and quick to change and adapt and bring in new designs. It turned out really beautifully.

Thompson: One of my fears actually reading the book was, “Oh, is it going to seem a little silly [that] Benedict doesn’t recognize her?” But actually, it’s so ornate, the mask is such a thing. When I since watched the episodes, I was like, yeah, I buy that he can see and feel something. He just can’t put it together.

Yerin Ha on becoming a leading lady in “Bridgerton”: “It doesn’t feel real,” she says. “Because for a very long time, I didn’t think that it was possible for me — maybe I should have dreamed bigger.”

(Tyler Twins / For The Times)

Yerin, our first glimpse of you as Sophie was as she’s putting on the mask — she’s a mystery to both Benedict and the viewers in that first episode, but we come to learn her story, which has echoes of Cinderella. What excited you about Sophie?

Ha: The thing for me is Sophie’s character and morals; it’s the fact that despite all the obstacles and the challenges, she’s still able to lead and live the world with a really caring heart. She’s still witty and she still has a bit of humor to her. But to be honest with you, the thing for me that I really connected with Sophie was her journey and discovery into self-love and knowing that she’s also deserving of it. That’s something I, at least, talk about a lot with my friends — and what does self-love look like and feel like and mean to me? I learned a lot through Sophie, as well, and knowing that it’s who you decide to bring into your life. Love is not just in someone, it’s about the people in the community that you created.

Benedict’s sexuality, his fluidity, has been something the writers have explored in building his overall arc. How will that be discussed or addressed as his relationship with Sophie develops?

Thompson: It’s a tricky one, right? Benedict is quite striking as a character — I can understand why people see all sorts of identities and words that would apply to him in a modern context. A lot of particularly male sexuality, generally, can be portrayed in quite a box-y, angsty way — where it’s like, “Oh, you’re either gay or you’re straight, or this or that.” What’s nice about a character is that it’s a unique construction. It’s not a representation of any particular experience. It seems like, for him, his sexuality isn’t necessarily a big determiner of his identity; it is a symptom of him wanting to explore. He’s curious and he’s open. I guess what I’m trying to say is, if you’re truly open, that means you can form a connection with anyone. You could argue that it’s a force that has kept him, so far, at least, in a relentless chase for freedom and dodging the falling in love part, and I think I’m more interested in that.

About that — let’s get into his misguided declaration of love at the end of Part I. You read the books, you knew it was coming. It was the moment we‘ve come to expect from this show — until the last line where he asks her to be his mistress. How did you decide to play that moment?

Thompson: It is contextual, historically. There’s that scene in the Gentleman’s Club where, clearly, he can see that there are people who have that arrangement and do love each other. But I also think that’s a cop-out. That’s maybe trying to soften what is essentially Benedict’s main flaw. He’s been shown to be caring in many ways. But I also think the problem with someone like that is, if you’re charming to everyone, how can you develop something specific with one person? All of his front makes it very difficult for him to fall for someone, and to really engage and really commit to someone. Him saying that thing can be seen as him trying to have his cake and eat it — like, I’m going to splice the sort of fantasy I’ve got and the real world, and just mash it together and that will work.

He’s a bit blind. Season 4 is about his blindness, literally, in terms of recognizing her, but also that he can’t see that that wouldn’t be a perfect solution. He is maybe a bit blind about it and doesn’t necessarily consider how that might feel for Sophie. I would also say that he doesn’t have the information he needs from Sophie at that stage about being the lady in silver, which is an interesting tension. It’s fascinating because it’s a really dumb move from a character that you wouldn’t necessarily think would come from a character like that, but actually, to me, it makes complete sense that it would come from him. Benedict’s dad died very early, so he has an image of a loving relationship as something pretty terrifying, so you can understand why he’d want to avoid that, or want to find his way to escape the real commitment … but also have his cake.

Yerin, how did you feel about it?

Ha: I was so disappointed. I remember when we were doing the scene, I did actually feel genuinely angry. Benedict lives more in the fantasy realm, and Sophie definitely lives in more of the reality realm, but in that moment, it’s almost like she’s getting drunk on his words. She’s almost imagining as if there’s going to be a proposal, even though she knows that back in those days, that wouldn’t even really work. But she’s hoping and dreaming. But the minute he says that, she wakes up and she realizes, “Actually, this can never be”; her walls are back up. It almost takes her back to a place of her childhood and how she feels as a kid … It brings a lot of trauma back for her. I just remember doing that scene and feeling like I wanted to slap Benedict.

Thompson: We should have tried it. One take. I think people would have loved that.

At the end of Part 1, Thompson’s and Ha’s characters share a declaration of love gone wrong: “I remember when we were doing the scene, I did actually feel genuinely angry,” Ha says.

(Tyler Twins / For The Times)

Did you work with an intimacy coordinator for that scene? How was it to film that first moment of intimacy between the characters?

Ha: It was really hot on the set — literally, metaphorically. It was hot. It was the candles, and the air traveled up and it was a tiny, narrow set. But Lizzie, our intimacy coordinator, she is the best, she is incredible. There’s different ways that you can kind of go about it, where it’s paint by numbers or a blueprint, and just find your way to like A, B and C, which is more the vibe that we went through. She’s so amazing in the energy and space that she creates. She guides us and listens to each of us and what we need and how to make it maybe look a little bit nicer or rougher or whatever it is. I really lean on her as an intimacy coordinator, and felt very safe in those scenes because it is quite vulnerable and exposing.

Thompson: It was a security blanket, isn’t it? It’s just nice having someone to monitor it, so you’re not just stuck, just you two, or you and the director, who sometimes, in my previous … experience, directors are often quite embarrassed about those scenes, which drives me mad because I’m like, “You’re not the one that has to do this.” It’s all about trust. It’s very important to have that person there to facilitate and to have an outside eye on it because what feels good doesn’t necessarily look good. You need to have them choreographed because the actors can only really relate from the inside out, so they don’t know what stories being told outside.

This season’s story has hints of “Cinderella” in it. Did you channel any classic romance heroes, heroines or stories as you prepped?

Thompson: The masquerade ball made me think about Romeo and Juliet a lot. It’s Romeo and Juliet-coded, the way they meet and just going off somewhere private. I don’t think consciously, I thought about that, but when we were doing it, it really brought that into my head.

Ha: I guess because it’s the constant “Cinderella” nod, I really relied heavily on “Cinderella.” It does veer off from the “Cinderella” story. And I do want to acknowledge that it’s a starting point, not the actual plot line. She was my favorite princess growing up. I had a full dress with a Cinderella icon on it. I would wear that every second day.

Thompson: That’s so sweet.

Ha: I just wanted to meet my prince.

The first half ends with Benedict and Sophie at a crossroads, an impasse.

Thompson: Benedict and Sophie meet in dream scenarios. They meet in the masquerade ball, which is Sophie’s dream. Then they meet in [Benedict’s] cottage, which is sort of Benedict’s dream place. Then in [Episode] 4, they have to go back to the ton and the real world. It’s a struggle that everyone knows very well, when you fall for someone, and there’s the honeymoon period where you’re spinning this story together. Then it’s like, how do you deal with the real world, and how do you deal with getting bored with each other or getting angry with one another? It’ll be interesting to see how they find each other again.

Ha: Even reading the scripts, I was like, how are they going to make this work, especially acknowledging the class difference as well, nobility and her being a servant. Fans will really want to see how it all plays out. When society tells you can’t be with someone, what are you going to do about it? Are you going to surrender to that or are you going to fight for it? That’s going to be the journey for Part 2.

With any fandom, parasocial relationships form. There’s an attachment and shipping of fictional characters, but it can sometimes extend to the actors outside of the characters. How do you navigate that?

Ha: I think we’re just being us. What’s really lovely about Luke is that I have so much love for him as a human being, but I can’t control what people project and I can’t control what people will think and create a narrative and story. But I know my truth, and I know that I respect Luke as a human, as an actor, as a colleague, as a friend. We’re very professional, but we’re also good friends.

Thompson: That’s right. It’s nice to have stuff projected on you — that’s the joy of being an actor. You want people to look at you, want them to get lost in some idea of you. My point of view is always to absolutely welcome that and also say, but I don’t have to set the record straight for anyone. It’s their show. Even when I meet fans in the street, I don’t really think, “Oh, they’re coming for me.” They’re seeing the show. It’s a slightly overused word, but it is just about getting those boundaries straight in your head. You can’t really enjoy the attention that you get from fans because you think it’s coming for you. But actually, if you’ve got that nice boundary, you get to enjoy the attention from the fans.

FORGET everything you know about holiday parks – as a new age of caravans could change them entirely.

Caravan holidays have been a popular, and low cost, alternative to holidays abroad, for the last 100 years.

Yet new designs could change the design of them, with many having not changed in decades.

Welsh designer Craig Ledwards has revealed his own creations, likening to them a luxury hotel room instead.

He told local media: “Caravans haven’t changed over the past 70 years.

“They’re exactly the same style as they’ve always been – no insulation so there’s always condensation in it, smell damp, and the layout is the same.

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“But this is totally different, it’s open-plan living. It feels like you’re entering a luxury hotel room.”

Like hotels, guests can access them using key cards which are then slotted in for the electricity.

Inside are marble bathrooms and projectors in the ceiling, as well as full glass walls.

Small balconies are also part of the outdoor space, as well as a rooftop window for stargazing while inside.

He has already introduced them to north Wales last year.

He added: “It’s as far away from a static caravan as you can get – the only thing that’s the same is the size, we’ve designed it to be the same size so it can replace an old one without having to change the footprint or service connections.”

Each one, costing around £35,000 to build, is fully insulated so they can be stayed in all year round.

Not only that, but he says they have a lifespan of 50 years – much longer than standard caravans which is between 15 and 20 years.

They have been met with some skepticism, however.

Some have said that the all-glass models may not retain heat during the colder months, even if well insulated.

And a National Caravan Council spokesperson said: “New designs such as ones imported from China may appeal to a niche audience, drawn to contemporary styling and different layouts,” they said.

“But widespread appeal will depend on how well they meet the expectations of the UK holiday park market, the access to spare parts, the availability of reliable and timely after-sales service and those who are responsible for licensing their use.”

Here’s what it’s like inside the world’s most expensive caravan.

And here’s another futuristic caravan with self-driving tech.