Linda Cohn, an ESPN veteran who has anchored more episodes of “SportsCenter” than anyone in history, announced her retirement Monday.
A Los Angeles resident since 2018, Cohn, 66, will make her final ESPN appearance Friday.
After starting her career in radio and local TV, Cohn joined ESPN’s “SportsCenter” in 1992 when female hosts on sports programming were still a rarity. In a statement, she acknowledged her trailblazer status.
“What I’m most proud of is that my career lasted long enough for me to see little girls grow up watching ‘SportsCenter,’ enter this business, and succeed in it,” she said. “If my journey helped make that path a little easier for them, then that’s the achievement I’ll cherish most.”
She hit a milestone of anchoring 5,000 “SportsCenter” episodes in February 2016 and appeared on at least 650 more over the 10 years that followed.
Cohn, who played collegiate hockey at Oswego Stage University and competed on the boys team in high school, regularly contributed to ESPN’s NHL coverage. She once did a live “SportsCenter” segment where she tried out for the job of emergency goalie for the Florida Panthers.
Cohn will return to ESPN’s Bristol, Conn., studios on Friday and appear on four editions of “SportsCenter” throughout the day. She will also reconnect with longtime co-host John Buccigross during coverage of the NHL Draft.
“Linda Cohn is a legend and a major part of the history of ESPN,” said Burke Magnus, ESPN president, content. “She has brought enthusiasm, personality and her love of sports to our audience for more than 30 years and her contributions to ESPN both in front of and behind the camera would make a very long list.”
CHICAGO — A spate of shootings in Chicago has led to seven deaths and at least 38 injuries since Friday evening, police say, prompting President Trump to renew his call for a military intervention in the nation’s third-largest city.
It is the latest in a series of threats made and interventions ordered by the Republican president against a Democratic-led city, including Los Angeles.
“Why isn’t Governor Pritzker calling me for help. I could make Chicago a safe City in ONE MONTH, in ONE YEAR, it would be one of the safest!!!” Trump said in a Sunday morning post on social media.
The office of Illinois Gov. JB Pritzker, a potential 2028 Democratic presidential contender who has repeatedly rebuffed Trump’s calls for a military intervention, did not immediately respond to a request for comment.
Under Trump, National Guard troops have been deployed on crime-fighting missions in Democratic-led cities including New Orleans, Washington and Memphis, Tenn.; and Marines and Guardsmen were sent to L.A. last year amid protests over federal immigration raids.
Although Chicago Police Department data show a slight increase in shooting incidents compared with the first half of last year, violent crime rates have generally dropped in the city over the last few years, in parallel with national trends.
Preliminary information shared by Chicago police indicate there have been at least two dozen shooting incidents since 5 p.m. Friday. Those killed by gunfire include a 21-year-old shot in the chest Sunday, an 18-year-old shot in the armpit Saturday evening and a 50-year-old shot in the chest Friday.
At least 12 people in a crowd on a Chicago street suffered gunshot wounds Friday evening after an SUV pulled up and two people inside started shooting, police said.
The eight men and four women in the group ranged in age from 17 to 47. They were being treated at four hospitals. Police said another man suffered unknown injuries and refused medical treatment.
That shooting happened on Juneteenth, a holiday that celebrates the end of slavery in the U.S. Earlier Friday, former President Obama and former First Lady Michelle Obama welcomed the first visitors to his presidential center on the South Side.
“What should have been a night of celebration and community reflection for Juneteenth was shattered by a horrific act of violence,” Mayor Brandon Johnson said in an X post Saturday. “My thoughts and prayers are with the victims and their loved ones.”
“Violence has no place in our city, and those responsible will be held accountable,” he said.
Unlike the movies, where directors get the glory, TV directors sit lower in the hierarchy, below creators, producers and actors. In most series, which might employ several over a season, they are interchangeable — which isn’t to say they aren’t valuable, transforming words on a page into a four-dimensional living thing. But a director hired to helm a pilot, as James Burrows, who died Friday at 85, was again and again — almost as a lucky charm — helps set the tone for the series. Jake Kasdan’s input was crucial to the feel (and philosophy) of “Freaks and Geeks,” as Hiro Murai’s was to “Atlanta” (and most recently “Widow’s Bay”). In some cases a director is a co-creator in all but title and union affiliation. A show might subsequently pass to later hands, but they’ll be honoring its established look and feel.
But Burrows was more than a little well known. If you sat through the opening credits of “Taxi,” whose pilot he directed along with 74 other episodes — and why wouldn’t you, with its pleasing Bob James theme and Checker Cab crossing the Queensboro Bridge — you would have seen his name for weeks on end. You might have noticed it on “Cheers,” which he co-created and for which he directed 236 episodes, or on “Will & Grace” (246 episodes), or “Frasier,” “The Big Bang Theory,” “3rd Rock From the Sun,” “Caroline in the City,” “Two and a Half Men,” “2 Broke Girls,”“The Neighborhood” or, just last year, “Mid-Century Modern” — all series whose pilots he directed. You might have caught it on episodes of “The Mary Tyler Moore Show,” “Phyllis,” “Rhoda” or “Laverne & Shirley,” until you began to think that maybe there was nobody else directing network multi-camera situation comedies, the most human of television formats and a specialty from which he rarely strayed.
And you might have seen him as himself this year in the third season of Lisa Kudrow’s “The Comeback,” as the man she enlists to save a television pilot from hacky AI jokes. “Surprising only comes from a group of writers huddled in a corner, beating themselves up to beat out a better joke,” he says.
“As director, I am there to help create the ensemble, to do everything I can to foster a community among the company, and to train a new set of actors to behave as a group and respect one another,” he wrote in his 2022 memoir, “Directed by James Burrows.” He famously took the cast of “Friends” to Las Vegas before the show premiered in order to foster bonds in a soon-to-be-impossible state of anonymity. “I guess I have a gift for creating families,” he told the New York Times in 2023.
But if “Friends” refers to the characters and the people who play them, it includes the audience too. Burrows’ talent was to midwife a real relationship between the viewer and the viewed, “You want to go where everybody knows your name,” runs the “Cheers” theme, and where you know everyone’s name. The families he excelled at creating were yours as well, and one watched knowing that these things happened in real time in real space, and that you could be in the room, if you made the effort. Tickets were available.
The son of Abe Burrows, who wrote or co-wrote the books for “Guys and Dolls,” “Can-Can” and “How to Succeed in Business Without Really Trying,” and co-created the radio comedy “Duffy’s Tavern” — set, like “Cheers,” in a bar, though the younger Burrows denied any influence — he’d been directing dinner theater when he had the idea to write to Mary Tyler Moore, whom he’d met on the set of a never-opened “Breakfast at Tiffany’s” musical. His stage experience (and his Yale School of Drama degree, presumably) proved eminently transferable to the proscenium reality of multi-camera situation comedy.
What Burrows shows share — the ones we remember, at least, out of many we don’t — is that they’re fundamentally joyful. They lack cynicism. They’re expressive of their times without being showily edgy. They walk a line between freshness and familiarity, which makes one want to return week after week. They may push an envelope — “Friends” was something new, after all — but subtly. We can assume, given his reputation and the fact that he could have retired on “Cheers” alone, that he liked what he did and did what he liked, and regard his choice of projects as a form of personal expression in itself, the basis of a body of work that has and will live on.
Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.
In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.
The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.
Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.
“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.
“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”
Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.
The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.
Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.
“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”
When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).
Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.
However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.
Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.
The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.
In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.
According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.
“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”
NEW YORK — A nationwide network of charitable foundations is encouraging its members to emphasize their positive contributions to American life, a 250th anniversary campaign aimed at quelling what it calls the “greater intensity” of scrutiny felt from the federal government and populist movements.
Popular notions of philanthropy as merely a game for the ultrawealthy to fund partisan projects and commit fraud have left the sector vulnerable to political attacks, as the Council on Foundations sees it, influencing policies that hamper essential community services. The advocacy group, which represents about 1,000 nonprofits, hopes to overcome what CEO Kathleen Enright calls the sector’s “perception gap” with its “Generosity Builds” campaign, launched Monday.
Enright believes most Americans don’t recognize their reliance on the charitable sector. Just about 1 in 20 adults said they or anyone in their immediate family received nonprofit services in the past year, according to a 2023 Indiana University Lilly Family School of Philanthropy report.
“This week, I got an MRI at Georgetown University Hospital, I participated in my church at St. Columba’s, my daughter was inducted into National Junior Honor Society. Four or five nonprofits have been instrumental in my life this week,” she said. “Folks just aren’t putting that tag on it.”
And that tag is growing increasingly important, Enright said. Last year, negotiations over President Trump’s tax and spending bill included proposals to levy new taxes on private foundations that Enright said would have taken resources from communities if they made it into the final law.
The battle over defining what nonprofits actually do has recently been amplified from the highest rungs of the Trump administration, which has upended decades of partnerships built with nonprofits. Trump froze, cut or threatened a sweeping range of social service grants characterized by the White House as “government largesse that’s often riddled with corruption, waste, fraud, and abuse.” More recently, the Department of Justice charged the Southern Poverty Law Center — a civil rights nonprofit accused by Republicans of targeting conservatives in its work tracking extremists — with defrauding donors through payments to informants.
Vice President JD Vance described the Ford Foundation, the Gates Foundation and the Harvard University endowment as “cancers on American society” back as a 2021 U.S. Senate candidate, telling Tucker Carlson that “we are actively subsidizing the people who are destroying this country and they call it a charity.”
“All across our country, we have nonprofits — big foundations — that are effectively social-justice hedge funds,” he said in a talk that year on “woke capital.”
Narratives about nonprofits being “overly politicized” or wasteful are “extreme minority stories” that don’t reflect how philanthropy operates, according to Enright.
Across many surveys, trust in the nonprofit sector has remained higher than most others. But its impact is sometimes difficult to measure and explain. The sector hasn’t faced an environment this challenging in almost six decades, according to Kathryn Thomas, the vice president of communications for the Charles Stewart Mott Foundation in Flint, Michigan.
She cited the congressional effort to increases taxes on foundations’ investment incomes and acknowledged the Trump administration’s federal funding cuts.
“In an era when everything is under partisan attack and there’s so much polarization, we really have to do a better job of emphasizing why we exist,” Thomas said.
Enright said the story of philanthropy is not one where a rich person “saves the day.” She sees growing concerns about billionaires’ influence fueling suspicion about philanthropists’ motivations. Some argue the charitable sector allows moneyed interests to decide how tax dollars are spent rather than elected officials.
The campaign will emphasize that most donors “have just a little bit more than they need and therefore want to give back,” she said, especially at the local level.
“Money does not solve problems. It’s a tool that creative people and institutions inside communities use to solve problems,” she said. “The real heroes of most of these stories are nonprofit leaders, religious leaders, civic leaders who just roll up their sleeves and get something done — but do it with some financial underpinning by charitable foundations.”
That’s the story told by the Gulf Coast Community Foundation in Sarasota, Florida. A 10-apartment affordable housing complex for military veterans opened last year with the foundation’s support.
The area has an “embarrassingly high” number of veterans without housing, according to Jon Thaxton, the foundation’s director of policy and advocacy. Many are priced out in Sarasota, increasingly a luxury destination with high real estate prices.
Local donors had been trying to build a similar project when they approached the foundation in 2020 for help. Thaxton secured land already vested for affordable housing, corralled $2.2 million in donations, got $800,000 from the city and won the backing of their U.S. representatives.
The foundation’s leaders believe their track record made that possible. Phillip Lanham, the president and CEO, noted the project was completed across multiple election cycles and a pandemic, suggesting that community foundations are well situated to “play the long game.”
“Most people think that foundations like us deal with money and donors. We really don’t. We deal with relationships and trust,” Thaxton said. “That’s our commodity. That’s what we earn. That’s what we save. And that’s what we contribute back to the community.”
The Council on Foundations will also elevate examples of early, ordinary philanthropists as part of its case for philanthropy as an integral “part of the American story.” Enright credited a formerly enslaved man with donating land in North Carolina that became an African Methodist Episcopal church that endures as a pillar of the local community.
Lillian Kuri, the president and CEO of the Cleveland Foundation, welcomed the focus on everyday philanthropists. The Cleveland Foundation is considered the first community foundation, established in 1914 by lawyer Frederick Harris Goff as a way to fund durable change in the city.
The foundation aims to find new ways to expand today’s tent of philanthropists dedicated to improving their surrounding areas. It announced new investments this week in a fund dedicated to turn vacant industrial land into job-ready work sites. They’ve also launched a fund that allows donors to invest in major Northeast Ohio companies, supporting local business growth while that money increases into a sizable amount that can be donated to nonprofits.
“Generosity cuts across everybody,” she said, adding that community foundations offer “a way for everyday people — not just the largest, wealthiest people — to participate in the change they want to see in their communities.”
Several studios in Microsoft Corp.’s Xbox gaming division, including Montreal-based Compulsion Games and San Francisco-based Double Fine, are in active negotiations to spin off as they try to thwart closure, according to people familiar with the company’s plans.
Cambridge, England-based Ninja Theory, the maker of Hellblade, is also in conversations with Xbox, as are several other studios across the portfolio that are at risk of being shuttered.
The studios may still have the opportunity to buy themselves back from Xbox and go independent, although many employees will probably lose their jobs as a result, said the people, who asked not to be named because they were not authorized to speak to the press.
Employees at several studios have been informed of the situation and given permission to seek new work but were told that the status of the studios is still in flux.
An Xbox spokesperson declined to comment.
The potential closures are part of a broader reorganization being overseen by Asha Sharma, who took over as Xbox’s new chief executive in February.
Last week, Bloomberg News reported that the gaming division is planning significant layoffs. Sharma sent out a memo to staff lamenting the bleak state of the business, which has seen revenue and margins plummet in recent years. “Going forward, this cannot continue,” she wrote.
Compulsion Games, Double Fine and Ninja Theory all made award-winning games that were not commercial hits. But even some of Xbox’s more commercially successful studios are not yet sure how they will fit into Sharma’s new mandate, which will prioritize the biggest franchises as the company looks to return to growth.
Compulsion Games is the developer behind South of Midnight, which was released last year. Double Fine, best known for the Psychonauts series, released the smaller games Keeper and Kiln over the last year.
Xbox is facing the current challenges despite having made major purchases in recent years, including its acquisition of Activision Blizzard Inc. for $69 billion in a deal that closed in 2023.
Xbox Game Studios head Craig Duncan stepped down last week ahead of the layoffs, said the people familiar with Microsoft’s plans. Gaming newsletter the Game Business previously reported his departure.
“Nothing has changed since the last time I talked about all this,” Rogen said, “and I haven’t worked with him in a really long time and I have no plans to.”
The actors got their start in Hollywood on the cult classic TV show “Freaks and Geeks.” At the time, Rogen was 16 and Franco was 21. As they continued to make their way through the industry, they became known for a string of well-loved early-2000s and 2010s comedies including “This Is the End,” “The Disaster Artist” and “Pineapple Express.”
Franco’s illustrious movie career came to a halt when five women, including several of his acting students, accused him of sexual exploitation. Some of the allegations included removing protective plastic guards covering actresses’ vaginas during the filming of intimate scenes, and Franco getting angry when actresses didn’t want to go topless.
Two of the accusers filed a class action in 2019, claiming sex discrimination, sexual harassment, fraudulent business practices and intimidation. Franco settled the case in 2021 for $2.2 million.
Rogen and Franco’s friendship has been a point of contention for the actor, as Rogen continues to climb the ranks in Hollywood. Just last year, “The Studio,” a show that Rogen created, writes, stars in, directs and produces won 13 Emmys and is currently filming its second season.
Rogen previously said he regretted saying that he could work with Franco again after the allegations surfaced.
“What I can say is that I despise abuse and harassment and I would never cover or conceal the actions of someone doing it, or knowingly put someone in a situation where they were around someone like that,” Rogen said in 2021, in an interview with the U.K.’s Sunday Times. “I also look back to that interview in 2018 where I comment that I would keep working with James, and the truth is that I have not and I do not plan to right now.”
The actor is still hesitant to detail the nuances of his friendship with Franco. He told the New York Times that it’s “a very personal thing.”
“There’s the public-facing side of it, which I’ve spoken about, and I have the same stance publicly that I’ve had, and I think the proof is in the pudding — I have not worked with him in years,” Rogen said. “But the personal side of it is just so nuanced, and it involves people that I don’t know if I should be dragging into this.”
The city witnessed Carl Lewis win four Olympic gold medals, cheered Valerie Brisco-Hooks’ historic golden double and watched Edwin Moses extend his 400-meter hurdles unbeaten streak. L.A. has history with track and field.
Now when Ato Boldon, a UCLA Hall of Famer and four-time Olympic medalist for Trinidad and Tobago, looks to this weekend’s L.A. Grand Prix and the city’s future with the sport, he wonders what it holds.
“I’ve always felt like L.A. needs a signature event,” Boldon said, “and with the Olympics coming up in two years, you look at the quality of this event this weekend, and you’re like, yeah, this is the kind of meet they should have all the time.”
At the halfway mark of the Olympic quadrennium, the USA Track & Field event serves as an important checkpoint for the sport’s hope to break out of the four-year popularity cycle.
The two-day event, which begins Saturday with the women’s hammer throw at the South Bay Athletic Club, features 18 Olympic or world champions competing primarily at USC’s Allyson Felix Field. Sunday’s marquee competition beginning at 1 p.m. will be televised on NBC.
With USA Track & Field building toward a home Olympics, L.A. has been a critical but stubborn market to conquer. Last year’s L.A. Grand Prix, which would have been the third edition of the meet, was canceled in April. The decision, USA Track & Field Chief Executive Max Siegel said, came down to another meet scheduled in the same venue within the same month.
But that competing event, part of Michael Johnson’s upstart Grand Slam Track league, was canceled only weeks before it was set to take place at UCLA’s Drake Stadium, leaving L.A. without a major track competition last summer.
“We knew last year when we canceled the meet that we had every intention leading up to the Olympics to be present in the L.A. market,” Siegel said.
The city knows great track. UCLA boasts legends such as Rafer Johnson, Jackie Joyner-Kersee and Florence Griffith-Joyner. USC, which boasts more Olympians than any other U.S. university, had athletes win nine Olympic medals in track and field at the 2024 Games in Paris, including double gold medals for Rai Benjamin in the 400-meter hurdles and 4×400-meter relay and a 4×100-meter relay championship for TeeTee Terry.
After Terry ran the second leg of the relay, Sha’Carri Richardson’s stare down at the end of her anchor leg became one of the iconic shots of the Paris Games, where 70,000 people packed Stade de France and millions more tuned in for one of the most-watched Olympics.
But the sport is back in the shadows like it always seems to be outside of Olympic years, said Boldon, now NBC Sports’ track and field analyst. There have been several attempts to penetrate the U.S. sports consciousness since the successful Paris Games. Reddit co-founder Alexis Ohanian launched Athlos, a women’s track and field meet that began in New York City in 2024 and added a stop in London to its 2026 schedule. Grand Slam Track, founded by the Olympic legend Johnson and touting major names including Gabby Thomas and Sydney McLaughlin-Levrone, filed for bankruptcy last year, after completing only three of four planned events in its first season, and is only now emerging from it.
This year’s inaugural USATF Tour aims to organize the fragmented sport by streamlining the calendar and working with existing event coordinators to provide resources, including prize money and travel for top athletes, marketing and drug testing. The tour, which was in College Station, Texas, last week for the Lone Star Grand Prix, has 17 events in 10 states.
American Tara Davis-Woodhall after winning the women’s long jump at the 2025 world championships in Tokyo.
(Ashley Landis / Associated Press)
“I feel like LA28 gives the country something to organize around,” said Siegel, who hopes track and field can rise to be among the five most popular sports in the United States. “People are paying more attention to athlete stories in anticipation of what’s going to happen on U.S. soil.”
There is no shortage of stories at the L.A. Grand Prix. Almost everyone who matters in American track and field will be there, Boldon said. Kenny Bednarek, the silver medalist in the 200 meters in Paris, will line up in the 100 meters against Botswana’s Letsile Tebogo, who took gold in the 200 in 2024.
Tara Davis-Woodhall, the reigning Olympic long jump champion, will compete in her signature event and race in the 100-meter hurdles for just the second time in the last five years. Her husband, Hunter Woodhall, will race in the 400 meters on Saturday, when Para athletes will be among those competing in the L.A. Distance Classic at Allyson Felix Field.
Richardson will run her first 100-meter race of the season. The 2024 Olympic silver medalist could be in line to end a three-decade gold medal drought in 2028. No U.S. woman has stood atop an Olympic podium for the 100 since 1996, when Gail Devers won in Atlanta.
Such a stacked field outside of an Olympic year on U.S. soil could be a sign of a changing tide for track and field, Boldon said. The L.A. Grand Prix is a gold-level event on the World Athletics Continental Tour, the second-highest tier of single-day international competition. As athletes vie for world ranking points, the event could be a true Olympic preview two years before the Games begin at the Coliseum.
“This,” Boldon said, “is not a normal week in our sport.”
WASHINGTON — The relationship between President Trump and French President Emmanuel Macron started simply enough, with a handshake, nearly a decade ago.
But even then, there were signs of strain in their relationship — tensions that could be on full display during next week’s G7 summit in France.
Back in 2017, Trump was a brash businessman just elected to America’s most powerful office, and Macron was an upstart politician who had won his race in a landslide. At a NATO summit in Brussels, they clinched hands far longer than most people do when they meet for the first time. Neither seemed to want to be the first to break a grip so tight that it exposed white knuckles.
Nevertheless, a friendship was born. And early on, Macron seemed to be the one European leader with a knack for managing his mercurial, three-decades-older counterpart.
Macron invited the Republican president to join him for Bastille Day celebrations in July 2017, including an Eiffel Tower dinner date with their wives. Trump reciprocated by making Macron the guest of honor the following year at his first White House state dinner, the highest diplomatic honor the United States can extend to an ally.
But by the end of Trump’s first term, the bromance had faded. And in his second term, the leaders now openly trade barbs, disagreeing over tariffs, Ukraine and the Iran war. That dynamic will be scrutinized next week when Trump and the leaders of Britain, Canada, Germany, Italy and Japan join Macron in the French lakeside resort of Evian-les-Bains for the G7 summit.
Trump’s long-simmering frustrations with US allies could be on display
There could be awkward moments between Trump and Macron, as well as among Trump and the other G7 leaders he’s criticized for not joining him in Iran.
“But I also think European leaders are quite professionals when it comes to politics, and in some ways diplomacy at this point, and will maybe see it as an opportunity as well,” Max Bergmann, director of the Europe, Russia, and Eurasia Program at the Center for Strategic and International Studies, said in an interview.
Kurt Volker, a former U.S. ambassador to NATO, said the Trump-Macron relationship has been further complicated by the Iran war and Trump’s complaints “that Europeans weren’t helping, when they hadn’t been consulted, and their interests are very much affected by this.”
“I think that was a negative for Macron,” Volker said.
Trump joined Israel in a war against Iran over its nuclear program back in February without consulting other U.S. allies. He then complained publicly when European countries spurned his requests for their help.
Waning support for Ukraine in its war against Russia from the Trump administration “has really irritated the French,” Volker said. “They feel this is important and we’re not paying attention to it.” Macron invited Ukrainian President Volodymyr Zelenskyy to join the leaders’ discussions on Tuesday.
Macron is the G7 member who has dealt with Trump the longest
In Trump’s first term, Macron appeared confident that he could persuade and influence the U.S. leader, but the relationship increasingly has come to be defined by their disagreements.
Macron now says he is “careful” about Trump’s statements, suggesting he no longer takes them at face value. Their relationship remains cordial as each calls the other “my friend.” But the relationship has also experienced some ups and downs.
As president-elect, Trump attended the reopening of Notre Dame Cathedral in Paris in late 2024 at Macron’s invitation. After Trump began his second term in 2025, Macron was an early Oval Office visitor. The president wrote on social media that he was “delighted” to welcome Macron back to the White House and said the relationship with France has been “very special.”
But at one point during the meeting, the French president publicly corrected Trump after he wrongly suggested that Europe would recover the money it had provided to support Ukraine. With a smile, Macron touched Trump’s forearm and replied, “We provided real money.”
Macron also condemned as “brutal and unfounded” new tariffs that Trump slapped on steel, aluminum and a broader range of European imports in early 2025.
But there have also been some lighter moments mixed with the tensions.
A documentary aired last year on French television showed Macron telling Trump during a phone call that Zelenskyy had agreed to a U.S.-backed ceasefire proposal. Trump replied, “You’re the greatest.”
Macron has often said he can reach Trump directly whenever he needs to — and proved his point during last year’s U.N. General Assembly session in New York. After police officers blocked the French leader from crossing a street because traffic had been halted for Trump’s motorcade, Macron whipped out his cellphone and dialed the U.S. president.
“How are you?” Macron said. “Guess what? I’m waiting in the street because everything is frozen for you!”
‘This is not a show,’ Macron has said about Trump’s NATO ambiguity
Macron has argued that Trump’s “America first” policies bolstered his case for a stronger European defense capability that would lessen reliance on the United States.
In April of this year, as Trump sent mixed signals about Washington’s commitment to NATO after the start of the war in Iran, Macron delivered some of his sharpest criticism of the U.S. president.
“There is too much talk, and it’s going in all directions,” Macron said. “We all need stability, calm and a return to peace. This is not a show.”
“You have to be serious, and when you want to be serious, you don’t say the opposite every day of what you said the day before,” he said.
Trump, while mimicking a French accent, recently has taken to reenacting a conversation he says he had with Macron over drug prices and tariffs. Trump also poked Macron by telling a private luncheon in April that his wife, Brigitte Macron, treats her husband badly. The comments were in a video the White House had posted on its YouTube channel before blocking access.
Macron didn’t see any humor in Trump’s comments. “The remarks I heard were neither elegant nor appropriate,” he said. “They do not deserve a response.”
Still, Macron has tried to accommodate Trump’s schedule to ensure his presence at the summit in Evian-les-Bains, knowing that he has a record of leaving such gatherings early.
Macron originally had set Sunday, which is Trump’s 80th birthday, as the opening day of the summit, but he pushed the start back a day because Trump is celebrating the occasion with a UFC show staged on the White House grounds.
Superville and Corbet write for the Associated Press. Corbet reported from Paris.
New surveillance footage and other evidence from Southern California Edison confirms that a century-old, idle transmission line that the utility failed to remove ignited last year’s deadly Eaton wildfire, lawyers for insurers said in a court filing.
Video obtained from a surveillance camera at Gerrish Swim & Tennis Club in Pasadena shows two bright flashes occurring in the location of the tower holding the idle line at 6:11 p.m. on Jan. 7, 2025.
The flashes correspond to the time that Edison recorded two faults, three seconds apart, on another transmission line more than five miles away, the lawyers said in the filing, citing new data provided by the utility.
Soon after the faults, residents nearby recorded videos of a fire burning at the base of the tower, which is known as M16T1.
“Southern California Edison has spent the last sixteen months attempting to forestall the inevitable legal consequences of razing a large swath of the communities of Altadena and Pasadena to the ground,” the lawyers wrote in the filing.
“The Eaton Fire could not have occurred if SCE had simply disassembled and removed Structure M16T1,” the lawyers added.
The lawyers filing the May 18 motion represent property insurers that paid tens of millions of dollars to residents who lost their homes. Their motion asks the judge to order a judgment in the insurers’ favor that would make Edison liable for the damage under inverse condemnation, a legal doctrine in the state constitution.
Courts have ruled that the doctrine requires private utilities such as Edison to pay for property they destroy, even if they haven’t been found to have acted negligently.
Kathleen Dunleavy, a spokeswoman for Edison, said the company did not learn about the existence of the swim club video until the lawyers submitted it in court with their filing.
“It’s very disappointing and inappropriate that this video was not produced in discovery,” she said. “We hope that video has been turned over to the appropriate authorities.”
Dunleavy said the company believes the lawyers’ motion “is wrong on the facts and the law.”
“We’ll respond more fully in our own court filing,” she said.
Attorneys for the insurers did not respond to requests for comment.
In a February 2025 letter to state regulators, Edison said it had detected a single fault on a line more than five miles away from Altadena about 6:11 p.m. on the night the fire ignited. It said the fault caused a brief surge of electricity on its four live transmission lines in Eaton Canyon.
The company said in the letter that it was looking into whether the power surge could have caused electricity to jump to the idle line that runs parallel to the live wires through a process called induction.
Pedro Pizarro, chief executive of Edison International, later said that a leading theory of the fire’s ignition was that the idle line became energized briefly through induction, sparking the fire.
At the same time, the company has not accepted blame for the fire, saying repeatedly that its own confidential investigation into the cause, as well as a separate inquiry by Los Angeles County and state fire officials, is continuing.
According to the court filing, evidence obtained by the lawyers shows that the company stopped using the transmission line in 1971 and designated it as “out-of-service.”
“The declaration of Out of Service shall only be used when the line … or piece of equipment is expected to remain permanently out of service,” Edison stated in an internal document known as a system operating bulletin, according to the filing.
Edison executives told The Times last year that they left the line in place because they believed it might be needed in the future.
“We have these inactive lines still available because there is a reasonable chance we’re going to use them in the future,” Shinjini Menon, Edison’s senior vice president of system planning and engineering, said then.
Dunleavy said Friday that the idle lines are kept in place for a variety of reasons, including to preserve the right of way Edison had obtained to construct them and to support future needs for more electricity as the state aims to meet its clean energy goals.
Last year, The Times reported that state regulators, knowing old electric lines posed hazards, proposed a rule in 2001 that would have forced Edison and other utilities to remove idle lines unless they could prove they would use them in the future.
Under pressure from Edison and the other companies, the rule was weakened to allow utilities to keep the unused lines in place until executives decided they were “permanently abandoned.”
In their May 18 filing, the lawyers said Edison executives had known about the risk of induction for more than 100 years. They cited a 1923 contract between Edison and Pacific Electric Railway Co. that said that “leakage of electricity or induction from or between” conductors was an inherent risk of operating multiple electrical circuits in proximity.
“That’s why SCE grounds idle lines and inspects them,” Dunleavy said of the risk.
Copies of Edison’s fault records from that night, its operating bulletin and thousands of other documents, including depositions, are sealed from public view under a protective order that Edison and lawyers for the victims asked the judge to approve last year.
The company said last week that it had so far received more than 3,500 claims from about 10,000 people. It said it had extended nearly 1,900 offers to those people, totaling more than $650 million.
The law shields utilities from the damages of fires sparked by their equipment as long as they follow certain requirements, including submitting a plan to state regulators for reducing the risk that their equipment sparks fires. Regulators review the plan and track whether the utilities are making progress in reducing the fire risk.
In the last 10 years, Edison’s rates increased by 101%, according to an April report by the public advocates office at the California Public Utilities Commission.
Despite the spending, Edison’s electric lines sparked more fires in 2024 than in 2019. The company blamed the increase on erratic weather that created more dried vegetation.
NEW YORK — Donald Trump was booed loudly by fans inside Madison Square Garden when he was shown on video screens during the national anthem prior to Game 3 of the NBA Finals on Monday night.
Trump was shown for several seconds giving a military salute. The boos ended when the U.S. flag followed him on the screens, and fans cheered when New York Knicks players were shown. Mentions of the San Antonio Spurs also elicited loud boos.
Trump is watching from Knicks owner James Dolan’s suite, along with granddaughter Kai, personal adviser Boris Epshteyn and Cabinet secretaries Lee Zeldin, Sean Duffy and Doug Burgum. He is the first sitting president to attend an NBA Finals game.
Trump’s Marine One helicopter flew from his home in New Jersey and landed near Wall Street before his motorcade made its way up through Manhattan and to the arena roughly an hour before tipoff. He encountered a handful of people making rude gestures, and outside the area, one group held signs saying “Trump must go.”
He settled into Dolan’s suite shortly afterward.
During the afternoon before Trump’s arrival, the New York Police Department and the U.S. Secret Service set up a large perimeter surrounding Madison Square Garden. Fans lined up to get inside the arena more than four hours before tip-off, in a scene more closely resembling New Year’s Eve in Times Square than the usual leadup to a basketball game.
They were required to provide a ticket or pass to get past various checkpoints, along with going through a Transportation Security Administration-style magnetometer. Secret Service personnel and police were positioned at every corner and in large numbers. Daily commuters, tourists and fans were all confounded at various times as they tried to maneuver the security.
New Yorkers forced to adjust
After traveling from his new home in Florida for the game, Knicks fan Greg Weldon said the main inconvenience he’s faced so far has been the lack of information.
“We’ve asked so many cops, Secret Service, guys with machine guns, what to do, where should we go,” he said. “Nobody knows.”
Knicks coach Mike Brown and Spurs counterpart Mitch Johnson downplayed any concept of being inconvenienced by the closures and enhanced security because of Trump.
“There’s a lot going on, and I’d much rather be a part of it than not,” Johnson said.
With security stepped up, a watch party outside was canceled, and ticket holders were not allowed to bring bags inside the Garden. Fans had gathered near the arena to watch games during this playoff run, during which the Knicks have won 13 games in a row to reach the Final for the first time since 1999 and move two victories from their first NBA title since 1973.
“We are looking forward to bringing back watch parties for Game 4,” Police Commissioner Jessica Tisch said at a news conference Monday. “But I think New Yorkers are used to presidents coming to town, and they understand that that generally means lockdowns of areas and that’s what you’re going to see tonight at the Garden.”
Incidents heighten attention to Trump’s security
This is the latest major sporting event Trump has attended during his time as president, and the security measures have created major hassles for fans.
Thousands of fans missed the start of last year’s U.S. Open men’s singles final between Carlos Alcaraz and Jannik Sinner because of lengthy security lines. Even though the U.S. Tennis Assn. pushed back the start of the match by a half hour, many fans still couldn’t get in because added measures meant that they had to go through screening not only when they arrived at the Billie Jean King National Tennis Center, but again in front of the steps into Arthur Ashe Stadium, where Trump watched from a suite.
Federal law enforcement officials have been reexamining Trump’s security in light of three incidents in the past two years: a shooting at a 2024 rally in Butler, Penn.; the discovery of a man armed with a rifle as Trump played golf in West Palm Beach, Fla., later that year; and the recent shooting at the White House Correspondents’ Assn. dinner.
Asked Sunday his thoughts on Trump attending, Knicks center Mitchell Robinson said: “Cool, I guess. We can still get out there and play [no matter] who’s here and who’s not.”
New York City Mayor Zohran Mamdani and other dignitaries were also at the game.
It was already hard enough for Knicks fans to get inside Madison Square Garden because of astronomical ticket prices. The get-in price for a ticket is higher than the average cost of monthly rent in New York, surging over $5,000. The best seats are tens of thousands of dollars. Mamdani said he bought his ticket, which he said was standing room only, for about $1,000 directly from Madison Square Garden.
The difficulty of seeing the game in person has prompted fans to crowd bars, streets and watch parties all over the city. The watch party near the Garden has become a major event all through the playoffs, but with Trump attending, that event was moved a few blocks away outside the security perimeter, at Bryant Park.
“We improvise,” said Knicks guard Jose Alvarado, who is a New York native. “We’re New Yorkers. We’re going to find a way to watch a game, and that’s what we’re doing.”
There’s no crying in baseball, but Kim Ng works in softball now. And as commissioner of the Athletes Unlimited Softball League, the former Dodgers assistant general manager has been fielding lots of tearful feedback from fans overcome by the fact that softball players finally, finally have a big league of their own.
“I can’t even tell you the number of people that have approached me, just openly sobbing with happiness,” she said. “It’s been incredible, experiencing all of that and understanding how long people have been waiting for something like this.”
It really is like that. Ask Lisa Fernandez, softball pioneer and total boss: “I’ll be watching and get emotional, just looking at how far this game has come.”
With MLB backing the Athletes Unlimited Softball League, or AUSL, for a second season and Ng back to steer it, sustainable professional softball is starting to feel real.
Former UCLA pitcher Rachel Garcia plays for Athletes Unlimited Team McQuillin.
(Grant Halverson / Getty Images)
Fernandez remembers when it was a huge deal to get one softball game on TV, and now ESPN will broadcast 50 AUSL games and ABC will carry the championship. And after last year’s four-team 10-city barnstorming tour, the league will add two teams and anchor itself to locations in North Carolina, Illinois, Oklahoma, Oregon, Texas and Utah.
The ball gets rolling on Tuesday, just days after the conclusion of the Women’s College World Series — which last season averaged a record 1.3 million viewers on ESPN, including pulling 3.9 million for UCLA’s thriller against Tennessee.
Big steps, baby steps. All going the right direction.
“I would hope that we are the major league baseball of softball,” Ng, 57, said in a phone conversation. “That is a good number of teams, spread out across the country, with a huge following, all of our games televised.
“That’s the goal. To be the MLB of softball.”
Ng spent more than 30 years in the MLB, including a decade-long stint with the Dodgers. She was also the first woman to serve as a big-league general manager, leading the Miami Marlins from 2020 through the 2023 season. She declined her option after the team made its first full-season playoff appearance in two decades and then announced plans to introduce a president of baseball operations position that would’ve siphoned away some of her say-so.
Miami Marlins general manger Kim Ng, left, sits in a golf cart and talks with manager Marlins Skip Schumaker during a 2023 spring training workout.
(Lynne Sladky / Associated Press)
“Breaking that glass ceiling, that’s special to me,” Ng said. “But I think in a different way, this [work with the AUSL] is for sure one of the more meaningful things I’ve done.”
She said a former MLB colleague recently asked her about the AUSL: “I said, ‘I’m working for the women now.’”
The former co-worker corrected her: “You were always working for the women.’”
Before that, as a kid, she was a softball infielder in Long Island and then at the University of Chicago. “I was scrappy,” Ng said, “which is definitely how I describe my personality and the way I approach most things in life.”
It’s served her well. And now it’s serving softball, a sport that for decades has been among the most popular for girls in America, even without long-term playing prospects or pro players to strive to emulate.
Compare it with basketball: About three-quarters of the WNBA’s current players have never even lived in a world without an established professional women’s basketball league in America.
UCLA star hitter Megan Grant will play in the Athletes Unlimited softball league after wrapping up her record-setting college career.
(Gina Ferazzi/Los Angeles Times)
The NBA-backed WNBA is celebrating its 30th season this summer with a lucrative new CBA and 15 teams, two of them expansion franchises, including one in Canada, and the Bay Area-based Golden State Valkyries valued at $850 million.
The AUSL is about to embark on Year 2.
There have been attempts to start up professional softball leagues before. Those weren’t just long shots, more like Megan Grant moonshots.
But now we have Bryanna Lopez, a 12-year-old catcher from Alhambra, sitting in the Easton Stadium stands at UCLA, watching her heroes play and telling me, without hesitation: “I want to play professional softball. It’s a really big dream.”
And a really big deal.
For players and a growing audience of folks like Kaitlyn Laabs, the superfan in a chef’s hat at UCLA games, who want to watch the home run queen Grant continue to mash. To see her teammates Jordan Woolery keep flaunting her flashy slash line and Taylor Tinsley sharpening her wicked arsenal of pitches.
UCLA starting pitcher Taylor Tinsley and first baseman Jordan Woolery are poised to start their professional softball careers this week.
(Gina Ferazzi/Los Angeles Times)
“A lot of times, seniors come in their last year thinking it’s the end of their career, and that puts a lot more pressure,” UCLA’s Woolery said earlier this month, before the Bruins advanced to the Women’s College World Series for the third straight season. “So, for me, Megan, Tins, [the AUSL] opens us up a little bit to play free, knowing it’s not the end of the road.”
Ng’s presence, first as an adviser and starting last season as commissioner, is helping legitimize the new league.
“She’s the right person at the right time,” said Fernandez, the UCLA associate head coach, who is also the general manager of the defending champion Utah Talons. “Knowing Kim’s background in baseball, having her know the business of how to run a league, a no-brainer for me.”
Ng’s team-building acumen is helping her coach up first-time general managers. Her experience at MLB’s league office, working to grow the game internationally, ensures she’ll be patient, methodical — which is to say, the AUSL is not rushing to join the Sparks and the National Women’s Soccer League’s Angel City FC in the complicated, competitive L.A. market until it’s good and ready.
“Softball just has had its ups and downs in terms of creating a solid foundation,” Ng said. “Why has it taken so long? It’s hard to say, but obviously the revenue is a huge piece of it. Now, with MLB as a major investor, they’re understanding of the idea that we’re complementary.”
MLB has invested a reported $10 million in the AUSL — in addition to offering its massive promotional platform. So after Grant hit an NCAA record-extending 39th home run, the No. 4 overall pick was interviewed by Harold Reynolds on “MLB Tonight.”
Beside Grant, who is bound for the Portland Cascade, there will be 12 other former Bruins sprinkled among the league’s six rosters. Woolery and Tinsley will team up with a few other former Bruins on the Talons.
“You’d lose a generation of players if the growth is capped,” said Laabs, the softball fan. “But right now, softball is on a rocket ship. Let’s keep on cooking, let’s keep on flying, let’s show that if you build it, they will come.”
The first rule of a primary election is: Don’t make too much of the results.
The intrepid folks who bother to cast a ballot in these first-round races are largely a group of engaged voters, and drawing conclusions from such a narrow minority is a losing game.
So however the final June results tally out, the lessons learned won’t easily translate to the larger electorate that will almost surely show up in November. But if this election doesn’t tell us much about what fall voters will do, it does tell us something about the Democratic Party that dominates this state: It’s chaotic, to put it gently. And no, that’s not entirely the fault of the “jungle” primary.
Traditional rules seem to have broken down (not a bad thing) and new ones haven’t yet emerged. The old guard has lost control, and maybe vision, and the result is more candidates willing to sidestep seniority and a wait-your-turn mentality to try their luck — especially younger progressives.
Sometimes that chutzpah works, sometimes it doesn’t, but it’s a mirror of the national trend of Democratic infighting and a glimpse into just how fragmented the party has become as it tries to figure out who it stands for and who it supports before the 2028 presidential election.
“I feel like I’m definitely running against major institutional forces, but that’s how it is,” state Sen. Scott Wiener told me recently. “At times we see sort of a little bit of a fortress mentality, and other perspectives are not welcome, and younger folks, newer voices are not welcome, and and that’s a dynamic that plays out in a lot of different places.”
Wiener, who could be considered king of the line-jumpers, just took the top spot in the San Francisco-centered race to represent the 11th Congressional District, the seat held by Nancy Pelosi since 1987, when Wiener was 17.
By most accounts, Pelosi and Wiener had a mostly cordial relationship until last year, when he entered the race before she announced her retirement. Though Wiener had been clear for years that he planned such a run when Pelosi stepped down, Pelosi is an icon in the city, beloved by constituents and uncontested as queen of the old guard.
Announcing his campaign before she officially made that decision — or had the chance to choose her successor — sent shock waves through the political firmament. When Pelosi endorsed Supervisor Connie Chan in May, it was seen by many as a sign of her displeasure. Chan, who had struggled to gain traction in the primary, came in second with the Pelosi boost and will face Wiener in November.
Across the state, there were other races with upstart contenders. In Southern California, Jake Levine, a progressive Democrat who served in the Obama White House, took on incumbent Brad Sherman. Sherman, who at 71 has served almost 30 years in Congress, resoundingly beat out Levine by more than 20 points.
In Sacramento, there is Mai Vang, a progressive City Council member, who is challenging Rep. Doris Matsui, another member of the old guard royalty. Vang is in a tie for second place with a Republican contender as remaining votes are counted.
And of course, there is the governor’s race itself, which included a field so determined and uncontrollable even before the fiasco of Eric Swalwell’s sexual misconduct scandal that the state Democratic Party started putting out its own polling in a seeming bid to convince some blue contenders to drop out. It didn’t work. Notably, progressive Katie Porter and moderate San José Mayor Matt Mahan stuck in until the bitter end. But old guard candidate Xavier Becerra came out on top.
If these races have a lesson, it’s that different Democratic voters want different things, but the party hasn’t figured out how to embrace that other than offering up the moderate middle ground.
“This is a big question to this Democratic establishment, about how big of a tent they want to build,” said Irene Kao of Courage California, a progressive advocacy organization.
She said that it “bodes well” that so many strong progressive challengers came out for the primary, because it allows a chance for candidates outside the party power structure to find an audience with voters, even if they are ultimately unsuccessful.
And where voters go, the party will eventually be forced to follow. That doesn’t necessarily mean a more progressive Democratic Party, but it likely means a more inclusive one if they want to lure the kind of low-information and low-propensity voters who make or break a general election.
“People are sick of the games, and sick of people trying to just maneuver things to get their own person in,” Wiener said. “People want to have choices.”
It was a strange year on Broadway, but then it’s been strange everywhere. Our world at times seems downright unrecognizable, with politicians acting like mob bosses, AI transforming not just the internet but potentially the entire economy, the cost of living leaving only the super rich able to keep up, and I won’t even mention the climate crisis, but the forecast calls for more doom and gloom.
Good work, however, won’t be denied, even if Broadway producers have perhaps overlearned the lesson of last year’s sleeper, Cole Escola’s “Oh, Mary!” Parody with a heavy dose of camp has become all the rage in a theatrical season in which the best musical winner, “Schmigadoon!,” is an affectionate sendup of golden age classics by Rodgers and Hammerstein, Lerner and Loewe and their inspired descendants.
If Broadway is changing faster than the old guard can keep pace, the same is true for the culture in general. The economics of producing have scrambled the old playbooks. Unusual risk has occasionally brought unexpected rewards. “Schmigadoon!” fended off the competition to take the night’s top prize along with awards for both its book and score by Cinco Paul.
Michael Arden’s spectacular production of “The Lost Boys” — the staging won awards for Dane Laffrey’s scenic design and Jen Schriever and Arden’s lighting — enriched the 1980s cult film on which the show is based with human substance and high-flying showmanship. Shoshana Bean’s win for her featured performance as a persevering single mom, is a testament to the musical’s capacious heart. Ali Louis Bourzgui’s somewhat unexpected yet eminently worthy triumph for his featured performance as the vampire with front-man magnetism, catalyzed the production’s thrilling virtuosity. But few would describe this year’s ragtag selection of new musicals as robust.
The only overriding lesson may be that there are no overriding lessons. Two-time Oscar winner Adrien Brody made his Broadway debut in “The Fear of 13,” reprising his acclaimed Olivier-nominated London performance. But he didn’t even receive a nomination for his work — a snub that I found unaccountable.
Spoofs like best musical nominee “Titanique,” a zany burlesque of James Cameron’s “Titanic” and all things Celine Dion, found new respectability on Broadway. And “Two Strangers (Carry a Cake Across New York”), the two-person British musical by Jim Barne and Kit Buchan, endeared itself to audiences (if not so much to Tony voters) with its rom-com appeal. But what does it say about a season in which musical revivals upstaged new work?
“Ragtime,” the Lincoln Center Theatre production directed by Lear deBessonet that originated at New York City Center, was not only the most operatic offering of the season but was all the most emotionally stirring and dramatically ambitious. The show, which justly received the Tony for best musical revival contained perhaps the season’s most seismic tour de force. Joshua Henry’s Tony-winning lead performance as Coalhouse Walker Jr., the path-breaking pianist tragically ahead of his time, was astonishing in both its theatrical might and its generosity, which allowed everyone around him to shine, especially Caissie Levy, who picked up a Tony for her lead performance as a white matriarch whose political consciousness courageously awakens.
“Cats: The Jellicle Ball” pulled off the seemingly impossible by making Andrew Lloyd Webber’s megamusical look cool on Broadway. The production’s radical concept brings the queer audacity of Harlem Ballroom culture to these feline proceedings. For their imaginative daring, co-directors Zhailon Levingston and Bill Rauch were justly honored as were costume designer Qween Jean and choreographers Omari Wiles and Arturo Lyons, among the production’s notable awards.
“Chess,” which was strangely overlooked in the best musical revival category (“The Rocky Horror Show” strutted in instead), may not have managed to overcome the challenge of this over-elaborate geopolitical tale, even with a puckish new book. But the production made Nicholas Christopher a likely future Tony winner star.
What was old was new again on Broadway, but let’s hope that producers can still believe that the best is ahead of us.
This time, it was Korda — the 2025 runner-up — who did the heavy lifting.
The world’s No. 1 women’s golfer won for the fourth time in 2026 on Sunday and checked off the biggest item on her to-do list.
“To be hoisting this trophy, to hold it high and at such an iconic venue, is just a dream come true,” said Korda, the first American to win back-to-back majors since Juli Inkster in 1999.
Korda claimed her first U.S. Open title, pulling ahead on the back nine at Riviera Country Club, which was playing host to the major championship for the first time.
It was anything but a wire-to-wire win for Korda, who struggled on the tee and limped through the opening round at two over par. But she shot a pair of 67s on Friday and Saturday, then closed out the victory Sunday with a 69 on a postcard afternoon.
Korda’s scrambling was masterful. No one in the last 20 years won a U.S. Women’s Open hitting fewer greens, yet she got up and down for par 24 times out of 30.
The final putt — two feet, 10 inches — was appropriately dramatic, teetering along the left edge before curling back into the cup. With the victory comes a $2.5-million prize.
Korda gasped, covered her mouth, waved to the crowd and wiped away tears. She made her way to her family on the fringe of the green, was showered by champagne and took a swig.
She was locked in a four-way tie for first — Charley Hull of England, Gaby Lopez of Mexico and In Gee Chun of South Korea also at seven under — and broke free with a long birdie putt on No. 17.
There would be no playoff, not with Korda closing the deal with a par on No. 18. It was her fourth win in eight tournaments this year.
Hull and Lopez tied for second, one shot back.
Nelly Korda holds the Harton S. Semple trophy after winning the 81st U.S. Women’s Open at Riviera Country Club on Sunday.
(Gina Ferazzi / Los Angeles Times)
Korda, 27, is the youngest American player to win four majors since Mickey Wright in 1960.
What’s more, Korda is only the second American in the past 10 years to win the Open, joining former USC standout Allisen Corpuz, who won at Pebble Beach in 2023.
Korda has a championship pedigree. Her older sister, Jessica, was a six-time winner on the LPGA Tour, and brother, Sebastian, is a professional tennis player. Their father, Petr Korda, won the 1998 Australian Open in singles tennis. Their mother, Regina Rajchrtová, is a former professional tennis player who competed for Czechoslovakia in the 1988 Summer Olympics.
When the tournament started, the focus was on Korda’s feet. She was gifted a pair of Nike Victory Pro 4 golf shoes from LeBron James but changed out of them after six holes because they felt too roomy. It was a bad day for her as she was spraying her tee shots.
The focus then shifted to her head. She has worked on her mentality this year after going winless in 2025.
“I’ve tried to have a mindset shift,” she told reporters Saturday. “I’ve tried to have the attitude of instead of saying, `I’m screwed in this position. Oh, here we go again,’ I’m just going to embrace the challenges, and I’m not going to walk off the golf course. I’m just going to figure it out.”
Korda, who had the fewest bogeys of anyone in the field (seven), was typically steady Sunday, saving pars when she needed to despite crosswinds that picked up in the afternoon and made putting trickier.
There were plenty of compelling story lines taking shape as the sun began to dip on the legendary course.
Lopez, who made a great birdie putt on 18 to claim a share of the lead, was looking to become the first Mexican woman to win the Open and the second to win a major behind her mentor, Lorena Ochoa, who won the Chevron in 2008.
After making par on each of the first nine holes, Lopez made her move on the back with four birdies.
“I’ll say that at the beginning of the day I felt way more nervous than at the end,” Lopez said. “At the beginning it’s all the energy, you’re trying to get a run, but the U.S. Open it’s about waiting and waiting and waiting, and once you get your chance you kind of ride the wave.”
Hull, a runner-up in a major for the fifth time, was looking to become the third English woman to win the Open, matching Laura Davies (1987) and Alison Nicholas (1997).
Amazingly, Hull nearly missed the cut after over-par rounds of 73 and 72 on Thursday and Friday. On Saturday, she shot a 65 — the lowest round of anyone in the field on any day — and followed with a 67 on Sunday.
Gaby Lopez sinks a birdie putt on No. 18 to briefly move into a share of the lead during the final round of the U.S. Women’s Open on Sunday.
(Gina Ferazzi / Los Angeles Times)
According to Elias Sports Bureau, Hull matched the U.S. Women’s Open record for the lowest 36-hole score in the final two rounds (132), set by Meg Mallon when she won in 2004.
“It’s frustrating,” Hull said. “Another second place.”
She added: “I love the feel of being under the gun, under pressure. It’s not like a life-and-death situation, but you know that adrenaline that you get…”
Chun had a chance to win her fourth major and bookend Open victories, as she won this tournament in 2015. That would have been the second-biggest gap between Open victories.
WASHINGTON — Several FBI analysts tied to the creation of a 2023 memo warning of a potential threat from Catholic “violent extremists” were fired Friday, according to their lawyer, the latest wave of terminations under Director Kash Patel.
The fired employees included four intelligence analysts and a supervisory analyst. The FBI declined to comment.
“This action is manifestly unjust, completely unsupported by the facts, and subverts standard FBI policy and procedure,” their lawyer, David Laufman, said in a statement. “These individuals deserved far better for the exceptional and faithful public service they rendered to protect our country.”
The January 2023 intelligence product produced by analysts in the FBI’s Richmond, Va., field office emerged as a political focal point after it was issued, with Republicans in Congress citing it as part of their broader claim that the FBI during the Biden administration was targeting conservatives.
Then-FBI Director Chris Wray denied that allegation and the agency has said the document was quickly retracted and an internal review was launched. Merrick Garland, the attorney general under President Biden, has said he was “appalled” by the memo.
Earlier Justice Department investigations into the memo challenged the analytical tradecraft but did not find intentional misconduct by the analysts involved.
The firings are part of a broader personnel purge under Patel, a President Trump loyalist who over the last year has pushed out dozens of employees who either contributed to investigations of the president or who were perceived as not in alignment with the administration’s agenda. The Justice Department has engaged in similarly sweeping firings of prosecutors since Trump took office last year.
In February, for instance, the FBI fired a group of counterintelligence agents who participated in the investigation into Trump over his retention of classified documents at his Mar-a-Lago estate in Palm Beach, Fla.
Critics including former federal officials say the purge has transformed federal law enforcement agencies into politically motivated extensions of the Trump White House. The classified documents investigation resulted in a federal indictment against Trump, but the case was dismissed after his 2024 election.
The Richmond memo, which emerged from a domestic terrorism investigation, sought to examine a potential link between what it called “Radical Traditionalist Catholic” ideology and racially and ethnically motivated extremists. It warned of the potential for violence and also highlighted what the authors described as “new avenues for tripwire and source development.” FBI leadership quickly condemned those findings once the document became public.
An internal FBI review described in a 2023 letter to Congress and based on interviews with 26 people “found that all individuals involved in the creation, review and approval of the product failed to adhere to analytic tradecraft standards and failed to recognize that the product, as drafted, equated the subjects’ interest in their self-described form of religion with racially or ethnically motivated violent extremist (RMVE) ideology without sufficient evidence or articulable support.”
The failure to adhere to standards, including on proper domestic terrorism terminology, “created the appearance that the FBI conducts investigative activity based on religious affiliation,” the letter said. “One of the FBI’s most fundamental principles is that investigative activity may not be based solely on the exercise of rights guaranteed by the First Amendment.”
A Justice Department inspector general report in 2024 summarized the earlier FBI review by saying that though there were departures from proper analytic tradecraft, “no evidence of a malicious intent or an improper purpose” were found.
MS NOW earlier reported the firings.
Tucker and Richer write for the Associated Press and reported from Los Angeles and Washington, respectively.
SAG-AFTRA members overwhelmingly approved a four-year TV and film deal with major studios including Netflix, Disney and Warner Bros. Discovery on Thursday night, increasing minimum wages and addressing concerns about the use of AI performers.
The deal, which was expected to be approved, received the support of 91% of SAG-AFTRA members who voted on the agreement, which starts July 1 and ends June 30, 2030. The union represents 160,000 performers, including actors, stunt performers and influencers.
“This agreement builds on the foundation members fought to establish and carries that work into the next chapter of our industry,” said SAG-AFTRA President Sean Astin in a statement. “It delivers meaningful gains in compensation, strengthens protections around artificial intelligence and digital identity, reinforces the long-term security of members’ benefit plans and recognizes the realities of how performers work today.”
Under the new deal, the length of the agreement between SAG-AFTRA and major studios represented by the Alliance of Motion Picture and Television Producers expands from three years to four years.
It also boosts minimum wage by 3% annually, increases contributions to the health plan by 1% and expands the bonus to the union’s Success Bonus Distribution Fund based on residuals that performers get for popular streaming programs.
The contract also addresses concerns about the growing use of artificial intelligence in TV and film and its impact on actor jobs. Last year, many actors spoke out about Tilly Norwood, a computer-generated “actor” and whether synthetic characters like her could threaten their livelihoods. Some performers have also advocated for getting paid if their likenesses are used to create such characters made through AI systems.
Not all members were in favor of the contract, saying it did not go far enough in protecting performers against AI.
“It normalizes the use of AI replicas and synthetic performers rather than drawing a firm line protecting human performers and their jobs,” said Chuck Slavin, a background actor and performer.
Slavin, a former New England local board member, ran against Astin for SAG-AFTRA president last year.
Producers agreed to “a principle strongly favoring human performances” and that producers would only use a synthetic if it “brings significant additional value to the motion picture.” If a producer decided to use a synthetic in a role that could be done by a human, they would need to notify the union and bargain in good faith.
Additionally, the contract merges the pension plans of the Screen Actors Guild and the American Federation of Television and Radio Artists, which were previously separate but combined in 2012 to form SAG-AFTRA.
Their health plans were consolidated in 2017, but the pensions have remained separate . That was a major sticking point with members, some of whom couldn’t qualify for benefits as their contributions were split between two plans. Studios agreed to boost their overall contributions to the combined plan by 1%.
SAG-AFTRA’s deal comes after the Writers Guild of America members also approved an agreement with the AMPTP in April.
“SAG-AFTRA’s leadership brought a genuine commitment to partnership, and together with the WGA agreement, these deals demonstrate what is possible when the industry works toward practical solutions that support its long-term stability,” AMPTP said in a statement.
The Directors Guild of America began negotiations with AMPTP last month, with its contract expiring on June 30.
Staff writer Cerys Davies contributed to this report.
Peabo Bryson, a Grammy-winning R&B singer known for his duets from Disney classics “Aladdin” and “Beauty and the Beast,” has died. He was 75.
His family confirmed to The Times that he died Tuesday in Marietta, Ga. The cause was complications from a stroke he suffered over the weekend.
“We are tremendously moved by the outpouring of love, prayers and support from fans, friends, and colleagues around the world,” the family shared. “While our hearts are broken, we find comfort in knowing how deeply Peabo was loved and how many lives were touched by his voice and his generous spirit. His legacy and music will live on for generations to come.”
Bryson was a fixture on the R&B scene for decades, scoring with such hits as “Tonight I Celebrate My Love” and “If Ever You’re in My Arms Again.”
Peabo Bryson, pictured performing in Washington, D.C., in 2016, won Grammy Awards in back-to-back years in 1993 and 1994.
(Teresa Kroeger / Getty Images)
In a career peak in 1992, the singer was featured on recordings that topped four separate charts: “A Whole New World,” a duet with Regina Belle from the Disney animated movie “Aladdin,” topped the Pop and Adult Contemporary charts; “The King and I” album, featuring Bryson, was No. 1 on the Classical Crossover charts, and Kenny G’s “Breathless” album, featuring Bryson on “By the Time the Night Is Over,” topped the Contemporary Jazz charts.
He nabbed two Grammy Awards back to back in 1993 and 1994 for his performance of “Beauty and the Beast” with Céline Dion, and his performance of “A Whole New World” with Regina Belle.
“I don’t think there’s anything I can’t do,” Bryson told The Times. “I see myself as a true Renaissance man. I don’t like one-dimensional concepts of myself.”
Robert Peapo Bryson was born on April 13, 1951, in Greenville, S.C. He grew up attending concerts his mother would bring the family to, and by the time he was in high school, he knew he wanted a career in music.
In 1978, he told David Nathan, an editor for Blues & Soul magazine, that his mother wasn’t thrilled about the prospect of him chasing his dreams in the rhythm-and-blues biz and worried he’d get into trouble.
“As far back as I can remember, I’ve always been into music,” Bryson said. “It’s all I ever wanted to really deal with. … I had to make that decision, when I was around 14, as to what I was going to get into, career-wise. Well, I’d thought about being a doctor or something like that, but I really felt that music was my thing.”
He cut his teeth as a backing vocalist in various groups, but none of his bandmates could properly pronounce “Peapo,” his French West Indian name, so he changed up the spelling to make it simpler. The stage name Peabo was born. In the late 1960s, he linked up with “My Elusive Dreams” hitmaker Moses Dillard. “I started out just singing, although I progressed into percussion, guitar and, much later, playing piano — that was basically when I started getting into songwriting,” he told Nathan.
In 1967, he signed his first record deal, with Bang Records, and in 1976, he made his solo debut with the single “Underground Music” and his eponymous album, “Peabo.” The next year, he hit it big time and signed with Capitol Records, where he put out back-to-back gold-selling albums: “Reaching for the Sky” in 1977 and “Crosswinds” in 1978.
Peabo Bryson performs at the Centennial Olympic Park’s Fourth of July Celebration in Atlanta.
(Robb D. Cohen / Invision / Associated Press)
By the ’90s, Bryson was at a career high, collected Grammy nominations and became the definitive voice of Disney duets. But the music scene was changing, and Bryson wasn’t keen on the new direction. He told The Times in 1994 that MTV had stopped considering talent as the criteria to be played on the music channel and that he thought mainstream music had taken a hostile and negative turn.
“I guess I [tick] people off because I don’t go away,” he said with a chuckle. “I’m like a tenacious forest fire — you snuff me out over here, and I’m still burning down the back 40 just when you think it’s over. I have a great faith in God, and because of my great faith in God, I have faith in the self.”
Fortunately for legions of fans of the soulful balladeer, Bryson was right and he wasn’t going anywhere for another couple of decades. The Grammy winner continued to grace stages with his flashy blazers and smooth baritone, and recently performed a concert with Jeffrey Osborne at Trilith Live in Fayetteville, Ga.
The event in early May was a standalone performance, apart from the crooner’s Golden Touch tour, which he announced last year, amid his celebration of 50 years in the music industry.
In recent years, Bryson said he had been hitting the gym and prioritizing his health after a scare seven years ago when the artist suffered a heart attack at his Georgia home. He told the Soul Train Cruise 2020 that he flat-lined for nearly 30 minutes, “long enough to make friends on the other side.”
“It turns out that dying is not that hard,” Bryson said. “Didn’t hurt that much. It’s the living afterwards that’s the really difficult part. I mean, why are you still here? You have to ask yourself those hard questions: Are you a good father? Are you a good husband? Are you a good friend? Are you a good brother? Are you a good human being?”
Bryson said he was able to answer yes.
“Then you have to ask yourself the question that makes the answer null and void — can you be better?”
Bryson is survived by his wife, Tanya Boniface Bryson; son Robert Bryson (who goes by Kit); daughter Linda Bryson; and three grandchildren.
Memorial arrangements will be announced at a later date.
Buoyed by a new Congressional map favoring their party, California Democrats were eyeing Tuesday’s primary elections as a critical first step toward flipping a handful of House seats and taking back power in Washington.
Results from California’s massive and slow-moving election process were not immediately clear late Tuesday, as polls closed and mail ballots continued to be processed and counted. Still, Democrats were bullish about their chances of advancing candidates to November’s general election in all five districts that were redrawn in their favor as a result of last year’s Proposition 50 ballot measure.
“The path to winning back the House starts with voting in the June 2nd primary,” the California Democratic Party posted online Monday.
Meanwhile, California Republican Party Chairwoman Corrin Rankin urged Republican voters to make their own voices heard too.
“Like President Trump said, we need to make it too big to rig,” Rankin said on “The Benny Show.” “We need to swamp the vote.”
One of the most closely watched races was in the redrawn 22nd Congressional District in the Central Valley, where incumbent Rep. David Valadao (R-Hanford) is facing challenges from moderate Assemblymember Jasmeet Kaur Bains (D-Delano) and progressive college professor Randy Villegas.
Another closely watched race was in the redrawn 48th Congressional District in San Diego and Riverside counties, where Rep. Darrell Issa (R-Bonsall) decided to retire rather than run for reelection, and where Republican San Diego County Supervisor Jim Desmond — who is endorsed by Trump — is running against a pack of Democrats.
Prop. 50 — which Californians passed with nearly 65% of the vote a year ago — was California Democrats’ response to Texas Republicans redrawing their state’s Congressional maps in the GOP’s favor, at President Trump’s behest. It was also the only major Democratic counterpunch in the wider mid-decade redistricting brawl that has spread across the country in the last year.
Experts expect the redistricting battle to deliver a net gain of a handful or more House seats to Republicans. But Democrats could gain even more ground given Trump’s lousy approval ratings and the long history of midterm election losses for the president’s party.
Combined, those factors make the battle for control of the House incredibly close, which in turn makes the five seats up for grabs in California pivotal — and potentially decisive.
Tuesday’s primaries won’t determine if any of those five seats will indeed flip parties in November. However, the primaries will define those head-to-head races to come and better inform the odds of Democrats toppling Republican incumbents, experts said.
In addition to flipping the seats currently held by Valadao and Issa, Democrats are hoping to pick up three additional seats.
In the 1st Congressional District — which after Prop. 50 lost rural reaches of northeast California and picked up liberal North Bay communities — various candidates were vying for the seat long held by the late Rep. Doug LaMalfa (R-Richvale), who died in January. They include Democratic state Sen. Mike McGuire and Republican Assemblymember James Gallagher, who is endorsed by Trump.
Voters from the existing district are also voting in a special election Tuesday to fill the remainder of LaMalfa’s term.
In the 3rd Congressional District, which lost an eastern rural stretch along Nevada and now holds more tightly to the Sacramento suburbs, Rep. Ami Bera (D-Elk Grove) — who currently represents a different district — is running to remain in Congress in a new seat.
Meanwhile, the 3rd Congressional District’s incumbent, Rep. Kevin Kiley (I-Rocklin), is seeking to do the opposite. He quit the Republican Party, became an independent and is now running for Bera’s current seat in Congressional District 6, which includes the city of Sacramento and Placer County suburbs.
In the 41st Congressional District, which became more liberal after Prop. 50 by losing voters in Riverside County and gaining them in Los Angeles County, a slate of candidates — including Rep. Linda Sánchez (D-Whittier), who currently represents a different district — are running to replace Rep. Ken Calvert (R-Corona). Calvert, a 17-term incumbent, decided to run in the neighboring 40th Congressional District instead.
In the 40th Congressional District, which covers a swath of inland Orange County and portions of San Bernardino and Riverside counties, incumbent Rep. Young Kim (R-Anaheim Hills) is now going head-to-head with Calvert, while also facing several Democratic challengers.
Other districts that were not part of the Prop. 50 shuffle are also attracting attention.
In the 11th Congressional District in San Francisco, several Democratic candidates are vying to replace Rep. Nancy Pelosi (D-San Francisco), the retiring former House Speaker, including state Sen. Scott Wiener; tech millionaire and Democratic political operative Saikat Chakrabarti; and Connie Chan, a member of the San Francisco board of supervisors who Pelosi endorsed.
R&B singer Peabo Bryson, well known for his duets from beloved Disney classics “Aladdin” and “Beauty and the Beast,” suffered a stroke over the weekend.
A representative for the artist told The Times that the singer is undergoing treatment but provided no details about his condition.
“Two-time Grammy Award-winning singer, songwriter and balladeer, Peabo Bryson — the voice behind the Oscar-winning Disney songs ‘Beauty and the Beast’ and ‘A Whole New World’ — has suffered a stroke and is currently under medical care,” the representative said in an emailed statement. “At this time, the family requests privacy as they navigate this deeply personal moment together. The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated.”
Bryson recently performed a concert with Jeffrey Osborne at Trilith Live in Fayetteville, Ga., in early May. The event was a standalone performance, apart from the crooner’s Golden Touch tour, which he announced last year, amid his celebration of 50 years in the music industry. In April, the Grammy winner turned 75 and posted photos on Instagram from a birthday bash showing him surrounded by friends and family. In early May, he posted a video of his son, Kitt, performing a Michael Jackson dance routine, writing “Super proud Dad moment from last nights Gig in Atlanta.”
Soul and funk band Maze, which was fronted by the late Frankie Beverly, shared some love for Bryson on social media.
“The entire Maze The Music Forever family sends our heartfelt prayers, love, and support to Peabo Bryson during this time of healing,” read the post. “Peabo’s extraordinary voice, timeless artistry, and unwavering contributions to music have touched millions around the world. We pray for God’s healing hand, renewed strength, comfort, and a full recovery.”
Jennifer Cohen has heard her peers this spring lament the precarious state of college football, with the College Football Playoff format in flux, the College Sports Commission under fire and the current model of college athletics hanging by a proverbial thread. As athletic director at USC, Cohen understands the reasons for their doom and gloom.
There’s little clarity about where things stand in college athletics right now, let alone where they’re going. Plus, it has never cost more to run an athletic department — or a football program, with the price tag of rosters exceeding $40 million this season — in part because of name, image and likeness rights.
“There’s no doubt that this last year’s been frustrating, and that’s because we tried to fly a plane and build a plane at the same time,” Cohen told The Times last week. “So it’s certainly not going swimmingly, right?”
Before discussing all that’s wrong with the current college sports landscape, Cohen wants to remind everyone that it hasn’t all been bad.
“It’s important to talk about what are the positives that came from what’s happened,” Cohen said.” And from my perspective, student athletes have benefited now more than ever, you know?”
At USC, Cohen has managed to steer the athletic department through the chaos. As costs have risen exponentially with the advent of revenue sharing, Cohen says department revenue at USC is up almost 60% over a three-year span, sponsorship values have doubled and USC donors have poured money into the Trojan Athletic Fund, which is up 707% since she started.
Jennifer Cohen, left, and university president Carol Folt, right, flash the “V for Victory” hand sign during a news conference in 2023 introducing Cohen as USC’s new athletic director.
(Ringo Chiu / For The Times)
And later this summer, USC will open a $200-million football facility — a rarity in an age when such spending has more often taken a backseat.
None of that is to say USC is immune to the coming financial crunch in college sports.
“We also have to manage expenses, and we’re trying to do that and still support what we think is part of our DNA, which is [keeping all] 23 programs,” Cohen said. “As you look at the financial benefits that football brings to this place, the more you’re gonna take those revenues from football and put it back into football and to football student athletes versus other programs, you’re gonna feel the pinch. And so we’ve tried to mitigate that with new strategies on revenue generation.”
But what about when football rosters costs balloon to $50 million … or $60 million? What about $100 million?
“Hopefully not,” Cohen said. “We’ve gotta match roster spends with revenues and, and, and, and how we run a business.”
“I don’t think there’s one simple answer to this, and I do think that we are at a point where we’ve got to figure out as an industry, how do we do this in a smart way and not just let our competitiveness get the best of us? But that’s hard when football winning is the only way that you pay your bills.”
The Times sat down with Cohen last week to discuss the state of affairs in college football and USC’s athletic department. The following conversation has been edited for length and clarity.
With college football in such an uncertain place, do you feel like there needs to be some form of outside intervention? Or some major governance change that would help solve these problems?
“I think at some point in time we’re gonna have to find something. I mean, obviously we’re a year in. So I think first we all need to look in the mirror — myself included, as a leader — and say, ‘What did we do in this new system that worked? And what have we done in this new system that doesn’t work? And the question becomes, ‘Can you get everybody across the Power Four [conferences] to do that exercise and be honest enough to find some sort of solutions together? Or do you need to start looking at other solutions? I, for one, fully believe in federal support. I understand why it’s needed. I’m somebody that spent a lot of time on that earlier in my career, and, you know, the patchwork situation of laws is not fair from a competitive standpoint. It’s also very confusing to student athletes and to their families and to our coaches. But I am absolutely not holding my breath for that.
Eric Musselman and athletic director Jennifer Cohen hold a jersey with Musselman’s name during his introductory news conference as the Trojans’ basketball coach in 2024.
(Myung J. Chun / Los Angeles Times)
“The most important place where I’m spending my energy is figuring out how we are going to win in whatever environment that we’re dealt. Because I don’t have as much control in my current role to solve for all of those national issues. I am 24/7 thinking about how USC is going to compete in whatever environment we’re in. And I feel really confident that we will. But as somebody that loves college sports, I also think that we are gonna have to find a different alternative than how we’re operating right now to have a sustainable and durable model.”
USC seems to be in a really strong place with NIL, stronger certainly than when you were hired. How would you say that USC has gotten to that point?
“ When we got here, my mantra was if you’re not ahead, you’re gonna get behind. And so there were a lot of areas that we focused on to just try to improve and get ahead, and NIL was one of them. There’s a natural ability here to be really competitive in NIL — especially in the third-party space with brands. You know, we were just looking at some data the other day just in this new CSC-NIL Go model. Our brand deals are valued 2 1/2 times more than the national average, and I think that really speaks to both USC, the city of L.A., and obviously the quality of the student athletes that we have. And I think it’s just been a strategy of embracing the new era, recognizing that it’s really cool to be able to have student athletes benefit in that new era, and it’s important, and that you have to be competitive in that space.
“And so I think it was just a matter of having intentionality in a plan and getting all of our stakeholders aligned around that plan, and it was an urgent matter to keep trying to get ahead in that space. Because if we weren’t, other people were. That’s how we’ve been tackling it, and so we’re really proud of how robust the program is now. But we’re gonna have to keep getting better at it. We’re gonna have to keep evolving.”
The Big Ten has come out in favor of expanding the College Football Playoff to 24 teams. What are your thoughts on that?
“We’re unified as a league around 24, there’s no doubt about that. And obviously that’s gaining traction in some of the other conferences as well. And so where we’re unified, USC’s gonna support that. I think that there’s merits in the 24 model. I also think there’s plenty of fair questions around that. It has to make sense for everybody. So that’s kind of where we stand on it.
USC athletic direct Jennifer Cohen wears a headset with microphone as she’s interviewed before a football game in 2023.
(Icon Sportswire via Getty Images)
“I think personally speaking, I would have absolutely no problem staying at 12. I think we’ve experienced a lot of change in college sports and in college football. I think we need to understand how that change is impacting not just us, but our fans and others. And so if we end up at 12, I’m confident that we’re gonna find our way in that 12 every single year. And again, uh, that’s where my focus is. I mean, I am nonstop thinking about how USC athletics can compete in whatever model that we’re in, and I feel really good about the plans that we are developing and will continue to develop because we’re gonna have to keep changing to, to make sure that we’re competitive.
Being that it’s now Year 5, is it fair to say that the expectation is that Lincoln [Riley] needs to take USC to the Playoff this year?
“The expectation has always been the same. That’s the thing, that’s the reason why I came here, is that the standard is high. We do expect to make the playoff. We do expect to have a championship run. We do expect to be competing for championships every single year. I think that’s what’s awesome about USC, is that that’s what we all expect of it. And I know that I’m not the only one that expects that. I know our fans expect that. I know that he expects that. And so I really like this team. I really like the kids that we brought in. I love the returners. I love the leadership of this team.
“We’ve got some really outstanding older young men in this program that get it, that have been through a lot and really care about this place and this program. The young guys are awesome. They’re really challenging the older guys. So I feel really good about the talent level of this team, and I feel really good about what Lincoln’s done. I think with this staff, I think we have a highly competitive staff. I think we have a really experienced staff. And then you can’t dismiss what Chad’s accomplished. You know? I think that that’s been the benefit of bringing in not just Chad, but an entire front office staff, taking the pressure off of Lincoln, taking the pressure off of the other coaches so that they can be at their best. I mean, he’s been really energized about that and really focused on taking the strengths that he has. So yeah, the expectation, I mean, we haven’t been shy about that. We expect to win, and I, I feel confident that we’re going to.”
CLOVIS, Calif. — There were many impressive performances at the CIF state track and field championships on Saturday, but the most breathtaking of all was one the fans packed inside Buchanan High’s Veterans Memorial Stadium did not see — Jaslene Massey’s throw of 196 feet and four inches in the discus — a mark that not only broke the state record but was the farthest throw ever by a girl in a U.S. high school meet.
The discus competition finished before any of the track events started and was held on an auxiliary field, but the Aliso Niguel senior got a standing ovation on the victory stand half an hour after her third throw thrust her into the record books.
“My goal was to for the gold first, then the mark,” said Massey, who will continue throwing at Oregon and may even compete in hammer and javelin. “I always dreamed of this and I wouldn’t be here without my support system.”
Aliso Niguel senior Jaslene Massey competes in discus at the CIF state track and field championships on Saturday.
(Steve Galluzzo / For The Times)
Massey waited several agonizing minutes while the distance was measured, but when the mark flashed on the scoreboard, she leaped in the air and screamed “Let’s go! Three more!”
After all, she still had three throws left.
“I wanted something big and I got something big,” said Massey, who defended her state title and topped the meet record of 186-9 set by Anna Jelmini of Shafter in 2009. “I had good warmups yesterday and today, and I knew I had it in me.”
To prove her historic hurl was no fluke, she came back with a 192-6 effort on her sixth and last throw. Shelbi Vaughan from Mansfield Legacy High in Texas set the American Junior record of 198-9¼ at the USA junior outdoor championships in 2012.
Massey later defended her shot put title with a throw of 52-9. She is the national leader in both events.
Also making history was Sherman Oaks Notre Dame senior JJ Harel, who repeated as boys high jump champion at 7-2. Harel cleared 6-9 on his third attempt to stay alive but still trailed Jay Woodson of American Canyon on misses until the bar was raised to 6-11. Harel cleared it on his first try while Woodson failed on his three attempts to ensure a second straight state title for Harel, who won with a height of 6-9 last year.
“I backed up on my first two attempts at 6-9 and that messed me up,” Harel said. “My heart was sinking and it went through my mind that I might finish second so when I cleared it that gave me adrenaline and muscle memory kicked in. At 6-11 I had such a great clearance, I knew I could get over at 7 and even at 7-2 I didn’t touch it.”
Sherman Oaks Notre Dame’s JJ Harel competes in the high jump at the CIF state track and field championships on Saturday.
(Steve Galluzzo / For The Times)
Harel cleared 7-2 on his first attempt — a personal best — tying for fourth on the national list this year. The bar was raised to 7-3½, giving Harel a chance to break the state record of 7-3¼ set by Lee Balkin of Glendale in 1979, but he was unsuccessful on three tries.
“I was 17 jumps deep and that took too much out of my legs,” Harel said of his unsuccessful efforts at the last height. “This season was an emotional roller coaster but I know I can get 7-3.”
Rosary won the girls 4×100-meter relay by a full second in 44.87 seconds.
Calabasas junior Malia Rainey won the girls 100 meters in 11.54. Maliyah Collins, who anchored Rosary’s relay, was third in 11.62, followed by Rainey’s teammates Marley Scoggins (11.63) and Olivia Kirk (11.63).
“I love my teammates, but today I had to focus on me — it was all about getting the win,” Rainey said. “Seeing my name up at the top made me so happy.”
Servite won the boys 4×100 in 39.73, shattering Hawthorne’s 38-year-old meet record of 40.24. Jorden Wells ran the first leg and was followed by Benjamin Harris, Kamil Pelovello and Robert Gardner. The Friars have run the seven fastest times in state history.
Servite’s record-setting 4×100-meter relay team (from left): Jorden Wells, Kamil Pelovello, Benjamin Harris and Robert Gardner.
(Steve Galluzzo / For The Times)
Harris won the boys 100 meters in a wind-aided 10.14 (the wind-legal state record remains 10.20 by Rodrick Pleasant of Gardena Serra in 2023) in a showdown against top qualifier Cy Lugo of Elk Grove, who won the 200 in a wind-aided 20.31 to edge Servite twins Jace (20.69) and Jorden Wells (20.79). Harris was fifth in 20.84.
“That’s the most locked in I’ve ever been in my whole career,” Harris said of his 100 triumph. “My mentality was kill or be killed.”
Arkansas-bound Braelyn Combe of Corona Santiago pulled off a distance trifecta, winning the 1,600 in 4:35.59, the 800 in 2:05.13 and anchoring the Sharks’ 4×800 relay, which won with a meet record time of 8:46.16. Afterward, Combe hugged her teammates. She pulled away from Stanford commit Chiara Dailey of La Jolla to repeat as the four-lap champion in the fourth-fastest time in the nation this year.
Long Beach Wilson junior Clara Adams doubled in the 400 (circling the track in 52.28, seven-tenths of a second ahead of teammate Saniah Varnado) and the 200 (clocking 23.40 to beat Amirat Temi Aganju of Pittsburg by 12-hundredths of a second.
Loyola’s Ejam Yohannes, left, celebrates after winning the boys 400 meters at the CIF state championships. Riverside King’s Maximo Zavaleta, right, wins the boys’ 1,600 meters.
(Steve Galluzzo / For The Times)
Varnado won the 300 hurdles in 39.95 and Wilson won the girls 4×400 relay in 3:36.17.
Wilson won its seventh girls team title and fourth in a row, tying the record set by Moore League rival Long Beach Poly from 2008-11.
Dailey won the 3,200 in 10:01.91. Irvine’s Summer Wilson was sixth in 10:16.89.
Transgender athlete AB Hernandez of Jurupa Valley won the girls triple jump in 42-8¾, won the high jump at 5-10 and was third in the triple jump, won by Ellie McCuskey of St. Ignatius with a leap of 20-3½.
Loyola’s Ejam Yohannes (45.73) clipped Servite’s Jaelen Hunter (46.05) at the wire in the boys 400 meters.
Riverside King senior Maximo Zavaleta won the 1,600 in 4:02.78 and the 3,200 in 8:52.47.
Servite closed the meet by winning the 4×400 relay in a state meet record 3:07.62 — the fastest time in the country this year — to repeat as the boys team champion with a state-record 60 points.
