last year

“Sinners” entered the night with the record for the most Oscar nominations for a single film, with 16.

It leaves with four awards, won by Ryan Coogler for original screenplay, Michael B. Jordan for lead actor, Autumn Durald Arkapaw for cinematography and Ludwig Göransson for score. Arkapaw became the first woman to ever win in her category.

It seemed every time the film’s title came up during the broadcast there would be cheers and a swell of emotion from the audience. The live performance of the nominated song “I Lied to You” re-created the fantastical moment from the film in which generations of musicians collide, weaving together past, present and future.

Since its release in April of last year, the film has been a cultural touchstone and point of extended conversation on its way to some $370 million in worldwide box office. Among this year’s best picture nominees, only “F1” earned more, with $631 million. When Oscars host Conan O’Brien mentioned the name of the film in his opening monologue, it generated a huge ovation from the room.

Directed and written by Coogler, the film tells the story of twin brothers, Smoke and Stack, both played by Jordan. On the opening night of their juke joint in 1930s Mississippi, they are beset by a small band of vampires, intent on turning everyone inside into bloodsuckers.

In accepting his lead actor award, Jordan thanked Warner Bros. executives Mike De Luca and Pam Abdy “for believing in this dream, this vision of Ryan Coogler and betting on the culture and betting on original ideas and original artistry.” (Including its Oscars for “One Battle After Another” and “Weapons,” Warners Bros. ended the night with an 11-Oscar tally, tying the record for most wins by a single studio.)

Across what seemed an extremely long awards season — a run that was even longer for “Sinners” due to its spring release date — the film had many ups and downs. But its momentum seemed to be peaking at just the right time, as seen with the crucial wins for Jordan and the cast at the Actor Awards on March 1.

Regardless of how one feels about its final tally at the Academy Awards, the movie has already firmly established its continued relevance. As The Times’ Greg Braxton recently wrote, “‘Sinners’ is now being increasingly hailed in Hollywood as a groundbreaking symbol of Black artistic excellence, as well as a timely pushback to the divisive political climate that has reached fever-pitch proportions.”

Despite morale-sapping staff layoffs, bizarre executive orders and a 43-day federal government shutdown last fall, the grandeur and serenity of national parks in California remain irresistible to outdoors lovers looking to unwind.

The nine national parks in the Golden State — including Yosemite, Death Valley and Joshua Tree — attracted nearly 12 million recreational visits in 2025, according to statistics from the National Park Service.

That’s up more than 800,000 visits from 2024 and up more than 300,000 from the previous record set in 2019, according to the data, which stretches back to 1979.

Nationally, visits were high, at 323 million, but down a couple of percentage points from the record set in 2024, according to a park service press release.

“America’s national parks continue to be places where people come to experience our country’s history, landscapes and shared heritage,” said Jessica Bowron, acting director of the NPS.

“We are committed to keeping parks open, accessible and well-managed so visitors can safely enjoy these extraordinary places today and for generations to come,” Bowron added.

President Trump’s critics beg to differ.

Since Trump resumed office in January 2025, his administration has slashed the NPS workforce by nearly a quarter, buying out or laying off hundreds of rangers, maintenance workers, scientists and administrative staff across the country.

And last year, as part of his war on “woke,” Trump instructed the park service to scrub all signs and presentations of language he would deem negative, unpatriotic or smacking of “improper partisan ideology.”

He also ordered administrators to remove any content that “inappropriately disparages Americans” living or dead, and replace it with language that celebrates the nation’s greatness.

That gets tricky at places such as Manzanar National Historic Site in the high desert of eastern California — one of 10 camps where the U.S. government imprisoned more than 120,000 Japanese American civilians during World War II.

It’s also hard to dance around disparaging details at Fort Sumter National Monument, where Confederates fired the first shots of the Civil War; Ford’s Theater National Historic Site in Washington, D.C., where Abraham Lincoln was assassinated; and Martin Luther King Jr. National Historic Park, which commemorates the assassination of the country’s best known civil rights leader.

“This administration is actively erasing the history, science and culture that our national parks protect,” said Emily Douce, deputy vice president for government affairs for the nonprofit National Parks Conservation Assn.

Douce argued that morale among staff at the parks — a string of 63 federally protected natural wonders often described as “America’s best idea” — has never been lower.

But the fact that employees still showed up, including without pay during last year’s federal government shutdown, demonstrates their commitment to keeping the beloved parks flourishing.

“The enduring popularity of America’s national parks is not surprising,” Douce added. “What’s shocking is this administration’s relentless attacks on these places and their caretakers, which threatens their future.”

The White House did not immediately respond to a request for comment.

The National Park Service is routinely ranked among the most admired branches of the large and sprawling federal government. Even Americans who have never watched a minute of C-SPAN, or get a little lost in the alphabet soup of other agencies, will probably never forget standing in Yosemite Valley and admiring a towering waterfall.

There were 4.3 million visits to Yosemite in 2025, 2.9 million to Joshua Tree and 1.3 million to Death Valley, according to the data.

The 323 million visits to America’s national parks in 2025 are more than twice the attendance — 135 million — at professional football, baseball, basketball and hockey games combined.

Of course, it’s a lot cheaper to get into a park. U.S. residents pay between $20 and $35 per vehicle for a day pass, or $80 for an annual pass. The Trump administration recently raised the annual fee to $250 for foreign visitors.

National Park Service officials did not respond to emails requesting comment on California’s 2025 attendance.

Universal Pictures will now keep its new films in theaters for at least five weekends, a reversal from the studio’s previous policy of at least 17 days that was set during the pandemic.

The change takes place immediately, the studio said Thursday. That means it will apply to its newest film, the Colleen Hoover romance “Reminders of Him,” which is out in theaters this weekend. Other upcoming films include Christopher Nolan’s “The Odyssey,” which will be released in July.

“Our windowing strategy has always been designed to evolve with the marketplace, but we firmly believe in the primacy of theatrical exclusivity and working closely with our exhibition partners to support a healthy, sustainable theatrical ecosystem,” Donna Langley, chair of NBCUniversal Entertainment, said in an email to the New York Times, which first reported the news.

Focus Features, Universal Pictures’ specialty film arm, will keep its existing theatrical exclusivity policies, which vary on a case-by-case basis. Chloé Zhao’s “Hamnet,” for instance, was in theaters for 99 days, while 2024’s “Nosferatu” played for 58 days. The minimum is 17 days.

The amount of time films are available exclusively in theaters — known as “windowing” in industry jargon — has become a contentious topic of conversation in Hollywood.

That debate ramped up during the pandemic, when some studios shortened theatrical exclusivity periods in order to move films to release for video on demand or streaming.

Prior to the pandemic, those windows could be as long as 90 days. Now, the average is around 30 days.

Theater owners have argued that shorter windows cut into box office profits and train audiences to wait to watch a movie at home. Distributors have countered that a one-size-fits-all approach doesn’t necessarily work for smaller or mid-budget films, which may find a bigger audience via at-home viewing.

At last year’s CinemaCon trade conference, top theater lobbyist Michael O’Leary called on distributors to establish a minimum 45-day window, arguing there needed to be a “clear, consistent starting point” to set moviegoers’ expectations and affirm commitment to theatrical exclusivity.

The debate has become even more fierce as box office profits still have not recovered from the pandemic. Last year, theatrical revenue in the U.S. and Canada totaled about $8.87 billion, just 1.5% above 2024’s disappointing $8.74-billion tally.

Long security lines snaked into baggage claim areas and parking garages at some U.S. airports over the weekend, a possible indicator of more widespread travel problems as the latest government shutdown drags on.

That kind of disruption, while not yet widespread, is not a concern that typically surfaces at San Francisco International Airport, the largest of nearly two dozen U.S. airports where screening checkpoints are staffed by private contractors under a little-used federal program that allows airports to outsource security screenings while maintaining TSA oversight.

Because contractors’ pay comes from a federal contract, it often continues even when the government shuts down.

“The money’s already been allocated, the payments have already been made, and that continues without interruption,” SFO spokesperson Doug Yakel told the Associated Press. “That is a very nice place to be.”

The contrast draws attention to a long-running debate in the aviation industry: Can private contractors operating under TSA oversight provide a stopgap — and shield airport security operations from the political impasses that can disrupt U.S. air travel?

Some aviation experts see the TSA screening program as a potential model for keeping security lines moving with fewer disruptions during shutdowns. At SFO, that system helped maintain screening operations during last year’s record 43-day shutdown, Yakel said.

But critics caution that privatization is not a silver bullet and could introduce new risks. The union representing federal screeners argues that moving operations to private companies could erode job protections and reduce pay and benefits for workers already facing high turnover amid demanding conditions.

How the program works

Established in 2004, TSA’s screening partnership program allows airports to use private security companies chosen by the federal government to run checkpoints while TSA retains authority over procedures and oversight. The agency says private screeners receive the same security background checks as their federal counterparts.

The program “provides needed relief to staffing shortages brought on by a government shutdown,” TSA said in a statement to AP.

In addition to SFO, other participating airports include Kansas City International Airport, Atlantic City International Airport and Orlando Sanford International Airport.

The vast majority of the nation’s roughly 400 commercial airports, meanwhile, rely on federal screening officers employed directly by TSA. During shutdowns, those workers must continue reporting for duty even though they stop getting paid — a dynamic that has historically led to higher absenteeism and slower-moving checkpoints the longer a shutdown lasts.

The current partial shutdown affects only the Department of Homeland Security, which includes TSA. Democrats in Congress refused to fund the department over objections to its immigration enforcement tactics. The lapse marks the third shutdown in less than a year to leave TSA workers temporarily without pay — and once the government reopens, to have to wait for backpay.

Those disruptions can ripple through the travel system, cascading problems across already crowded flight schedules. The strain is especially acute this time of year as airlines and airports brace for what they expect will be one of the busiest spring break travel seasons on record.

San Francisco’s airport is a ‘litmus test’

Aviation security expert Sheldon Jacobson, whose research contributed to the design of TSA PreCheck, said the program’s success at SFO, a large international airport, shows that privatization “is something that needs to be explored.”

SFO is among the top 15 busiest airports in the U.S. when measured by passenger traffic. A major hub for international travel, it is the second-busiest airport in California behind Los Angeles International Airport.

“It’s operated just as well as any other airport,” Jacobson said, adding that SFO’s multiple concourses and status as a hub for United Airlines demonstrate that even large-scale operations can be managed effectively under this model. “If SFO is the litmus test for delivering this privatized product, then many other airports can do it, too.”

Jacobson noted that most airports currently using the program are smaller, but “the scale issue should not be a limiting factor,” and he called for a broader conversation on how such options could deliver government services efficiently and benefit travelers.

“Of course TSA would have oversight. It’s not like they’re freewheeling on their own,” he said of privately contracted screeners. “We might as well use a government shutdown that affects air travel as an opportunity to begin that discussion.”

Why TSA’s union opposes the private model

The American Federation of Government Employees, which represents TSA officers, has long opposed privatization.

“We will never advocate for any privatization of any federal employees. We don’t believe that’ll work,” Johnny Jones, secretary-treasurer of the TSA union’s bargaining unit, said in a brief phone call this week.

In a blog post on its website, the union argues it could weaken accountability for aviation security — one of the reasons Congress chose to federalize airport screening after the Sept. 11 attacks.

The union also warned that private companies could face pressure to cut costs in ways that affect training, staffing levels and employee benefits. Relying on contractors, the union says, could create inconsistencies between airports if different companies operate checkpoints across the country, potentially complicating oversight of a system designed to maintain uniform national security standards.

“We have to remember the TSA was created in the wake of 9/11 when there were no security standards or very minimal security standards,” said airline industry analyst Henry Harteveldt, president of Atmosphere Research Group. “The TSA came around, they established very stringent airport screening security requirements, which exist to this day.”

Others say there are simpler ways to address the shutdown problem.

Industry groups — including the U.S. Travel Assn., Airlines for America and the American Assn. of Airport Executives — are urging Congress to pass legislation that would ensure aviation workers are paid regardless of the government’s funding status.

“Every time Washington fails to fund the government, these essential workers pay the price. So do travelers. So does the economy,” Geoff Freeman, U.S. Travel Assn.’s president, said in a statement. “That is why America’s travel industry has come together, because this workforce is too important, and the stakes are too high, for this to keep happening.”

An unintended benefit of outsourcing screeners

Republican lawmakers have pushed in recent years to dismantle the agency entirely. Last year, two GOP senators introduced the “Abolish TSA Act,” which would phase out the agency and transfer oversight to a new office charged with aviation security. Supporters of the long-shot legislation say privatized screening could be more efficient and less vulnerable to shutdowns.

TSA leadership has signaled an openness to discussion. Speaking at a House Appropriations subcommittee hearing last year, Ha Nguyen McNeill, a senior official performing the duties of TSA administrator, said “nothing is off the table” regarding potential privatization.

“If a new privatization scheme makes sense, then we’re happy to have that discussion to see what we can come up with,” McNeill said. “It’s not an all-or-nothing game.”

At SFO, officials say its screening model was adopted more than 20 years ago for reasons unrelated to government shutdowns. But with shutdowns in recent years growing longer and more disruptive, the airport says its arrangement has revealed an unintended benefit: fewer staffing disruptions at checkpoints.

“The benefits, I think, are compelling,” Harteveldt said. “The real issue is making sure that any vendor, any partner to the TSA, upholds the strict standards that TSA has established and works with TSA to ensure that screening remains efficient and finds ways to make it even better.”

Yamat writes for the Associated Press. AP video journalist Haven Daley contributed to this report from San Francisco.

The big question surrounding last year’s Academy Awards was whether the show would address the L.A. wildfires, which had rattled the city mere months prior.

This year, the elephant in the room is the ongoing Iran war, which like last year’s wildfires, puts a celebration like the Oscars in sharp relief. But for Conan O’Brien, balancing gravity and levity is part of his job description as host.

“My job is to always try and hit this very, very thin line between entertaining people and also acknowledging some of the realities,” O’Brien said during a Wednesday news conference with the Oscars creative team.

“It’s a dance that goes on up until the show begins,” the former talk show host said, adding that he and his team of writers are still revising material ahead of the show to ensure their content is as relevant as possible.

“Between us,” he said, referencing Oscars telecast executive producers Katy Mullan and Raj Kapoor, “we will find the right tone.”

O’Brien also during the news conference recalled Johnny Carson’s turn hosting the Oscars during the Iran hostage crisis, when 52 Americans, including diplomats and other personnel, were held hostage at the U.S. embassy in Tehran from 1979 to 1981. The comedian remembered the television host parodying ABC’s “Nightline” with his joke, “It’s day 444 of the Oscars.”

“It was such a funny, topical joke that touched on something everyone was thinking about, and at the same time, got a big laugh and was unifying,” O’Brien said. “That was meaningful to me.”

Kapoor said during the news conference that the production team is putting systems in place to alleviate attendees’ safety concerns amid the tense global situation and reported threats to California.

“Every year, we monitor what’s going on in the world,” the showrunner said, adding that the ceremony has the support of the FBI and LAPD. “This show has to run like clockwork.”

He added, “Everybody that is coming to this show, that is witnessing this show, that is even a fan of the show when they’re standing outside the barricades — we want everybody to feel safe and protected and welcome.”

As for the telecast’s creative direction, the team cited “human touch” as a unifying theme — a not-so-subtle slight to AI.

“We’re celebrating human touch, human connection and what I like to call actual intelligence, as opposed to artificial,” said music director Michael Bearden. “We want to get back to the communal … and so the music will reflect that.”

That spirit of celebration will be especially tangible in the “KPop Demon Hunters” performance, Kapoor said. That performance will be complemented by a “Sinners” moment featuring Miles Caton and Raphael Saadiq as well as guests Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith.

“We have this lovely story celebrating Korean culture with authentic Korean drummers and singers and even choreography,” the producer said. “So again, we’ve expanded our reach, and we’re telling these global stories, celebrating international films that have had a global impact and doing things in a really different way.”

Mullan and Kapoor closed the news conference by teasing a pair of reunions featuring cast members from “Bridesmaids” and the Marvel Cinematic Universe. “Bridesmaids” alum Rose Byrne is nominated for a lead actress Oscar for her role in “If I Had Legs I’d Kick You,” which marked O’Brien’s dramatic acting debut. (If Byrne wins, he said, “half that Oscar’s mine.”)

“We’re gonna have superstars, superheroes, and there is also going to be an extraterrestrial on the stage, so you can figure that one out,” Mullan said.

The 2026 Oscars will air live Sunday on ABC, with streaming available on Hulu, YouTube TV, AT&T TV and FuboTV.

When a freshman is wondering whether to play sports or focus on academics because of the immense time commitment, it’s usually the parents who have to give a nudge toward one or the other. Except this time, the decision was left to 15-year-old Javier Zarate, and he chose to give up club soccer to try for straight A’s last year at Garfield High.

Last spring, Garfield soccer coach Pablo Serrano, knowing he had a highly regarded goalie on his campus, began a lobbying campaign with emails and text messages inviting him to try out for the Bulldogs’ soccer team.

“He told me if I wanted to give it a shot, I could try out,” Zarate said. “They were very welcoming and nice.”

The rest is going to be part of Garfield sports lore, because Zarate saved three penalty kicks when Garfield won the City Section Division II championship game against Canoga Park and delivered more saves last week in helping the Bulldogs beat Bakersfield Taft 1-0 in the Southern California Division V regional final.

Incredibly, Garfield is headed to Sacramento this week to play in the first CIF state soccer championships, against Branford on Saturday at 10 a.m. at Natomas High.

“I’m super pumped up,” Zarate said.

Who knows how many alumni from Garfield are living in Sacramento or nearby, but they have been known to travel around the country to support their Bulldogs, especially if rival Roosevelt is the opponent. Something tells me there’s going to be a caravan from Boyle Heights headed to Sacramento to provide support.

“I know some will make the drive,” Serrano said.

It’s been a strange season in City Section soccer, with six schools removed from the playoffs for using ineligible players, most of whom played for club teams while also playing tor their high school team, in violation of CIF bylaw 600.

Serrano said there’s always a reminder making sure his players know the rule.

“There’s a lot of soccer going on in this community,” he said. “It’s always a challenge because kids play outside with club. It’s something I do from the beginning of tryouts. We talk to the kids that if they play in a club outside of school, they are not allowed to play high school or vice versa. There’s no excuse,”

In the case of the 5-foot-6 Zarate, he didn’t play any soccer last year while focusing on academics and being part of the school’s ROTC program. His weighted grade-point average is at 4.4. He wants to study to become a firefighter.

“My family motivated me to be academically focused and I found a balance to do both,” he said of his return to soccer.

Goalies are usually much taller than Zarate, but he received lots of lessons on how to overcome the size disadvantage.

“I get that a lot that I’m very short for a goalie,” he said. “As a kid I, got training by a good trainer. He told me, ‘You’re pretty short for a goalie. As long as you can master being able to dive and jump high, you should be as good as them.’”

Garfield finished fourth in the Eastern League behind City Section soccer powers South East and Marquez, both of whom were eliminated after making the semifinals because of ineligible players.

Given the opportunity to get hot in the playoffs, the Bulldogs have done just that. Junior Noe Marmolejo has been the leading goal scorer.

The team is scheduled to take a bus to Sacramento on Friday, stay at a hotel Friday night, rise early for its game on Saturday, then immediately return home. Considering how loyal the Boyle Heights community is, look for lots of fans supporting the team in Sacramento and when that bus returns home.

“It’s an honor,” Serrano said of being the first City team to play for a state soccer title.

Back in the early 2010s, the music industry was at a low point.

Piracy was rampant. Compact disc sales were on a steady decline. And the then-new audio streaming services, like Spotify, were taking hits from creators for paying low royalty rates.

Today, Spotify has grown into the world’s most popular audio streaming subscription service and the highest-paying retailer globally — paying the music industry over $11 billion last year. The Swedish company said in a recent post that the payouts aren’t strictly going to ultra-popular artists, but that “roughly half of royalties were generated by independent artists and labels.”

“A decade ago, a lot of the questions were really fair. Spotify had to be able to prove out if it could scale as an economic engine. People didn’t know if streaming would scale as a model,” said Sam Duboff, Spotify’s global head of marketing and policy of music business.

Duboff said Spotify’s payouts aren’t “plateauing — we’re still growing that royalty pool on Spotify more than 10% per year.” He credits the streaming platform’s growth to “incentivizing people to be willing to pay for music again” by providing personalized experiences and global accessibility.

The company, founded in 2006, serves more than 751 million users, including 290 million subscribers, in 184 markets.

“The average Spotify premium subscriber listens to 200 artists every month, and nearly half of those artists are discovered for the first time,” Duboff said. “When you build an experience where people can explore and fall in love with music, it inspires them to upgrade to premium and keep paying.”

The platform offers a wide variety of playlists, curated by editors like the up-and-comer-driven Fresh Finds or rap’s latest, RapCaviar. There are also personal playlists generated for users, such as the weekly round-up Discover Weekly and the daily mix of tunes called the “daylist.”

The streamer considers itself the first step toward “an enduring career” for today’s indie artists. Last year, more than a third of artists making $10,000 on the platform in royalties started by self-releasing their music through independent distributors.

“Streaming, fundamentally, is about opportunity and access. It’s artists from all over the world releasing music the way they want to and reaching a global audience from Day One,” Duboff said. He adds that when fans have a choice, they will discover new genres and music cultures that may have otherwise languished in obscurity.

In 2025, nearly 14,000 artists earned $100,000 from Spotify alone. The streamer’s data also show that last year the 100,000th highest-earning artist made $7,300 in Spotify royalties, whereas in 2015, an artist in that same spot earned around $350.

The company, with a large presence in L.A.’s Arts District, emphasizes that the roster of artists on its platform who earn significantly more money — well into the millions — is no longer limited to the few. A decade ago, Spotify’s top artist made around $10 million in royalties. Today, the platform’s top 80 artists generate over $10 million annually. Some of 2025’s top artists globally were Bad Bunny, Taylor Swift and the Weeknd.

Spotify claims those who aren’t household names can earn six figures, with more than 1,500 artists earning $1 million last year.

For some musicians, the outlook is not as clear

Damon Krukowski, a musician and the legislative director for United Musicians & Allied Workers, argues that Spotify’s money isn’t necessarily going to artists — it’s going to their labels.

Those without labels usually upload music through distributors such as DistroKid and CD Baby. These platforms charge a small fee or commission. For example, DistroKid’s lowest-level subscription is $24.99 a year, and the site states users “keep 100% of all your earnings.”

”There are zero payments going directly to recording artists from Spotify,” Krukowski asserts. “Recording artists deserve direct payment from the streaming platforms for use of our work.”

The advocacy group, which has mobilized more than 70,000 musicians and music workers, recently helped draft the Living Wage for Musicians Act to address the streaming industry. The bill, introduced to the U.S. House of Representatives last fall, calls for a new streaming royalty that would directly pay artists a minimum of one penny per stream.

In the Q&A section of Spotify’s Loud and Clear website, the streamer confirms that it “doesn’t pay artists or songwriters directly. We pay rights holders selected by the artist or songwriter, whether that’s a record label, publisher, independent distributor, performance rights organization, or collecting society.”

Instead of following a penny-per-stream model, Spotify pays based on the artist’s share of total streams, called a “streamshare.”

“Streaming doesn’t work like buying songs. Fans pay for unlimited access, not per track they listen to,” wrote the company online. “So a ‘per stream’ rate isn’t actually how anyone gets paid — not on Spotify, or on any major streaming service.”

WASHINGTON — President Trump promised that 2026 would be a bumper year for economic growth, but instead it has kicked off with job losses, rising gasoline prices and more uncertainty about America’s future.

In his State of the Union address less than two weeks ago, the Republican president confidently told the country: “The roaring economy is roaring like never before.” The latest batch of data on jobs, pump prices and the stock market suggests that Trump’s roar has started to sound far more like a whimper.

There is a gap between the boom that Trump has predicted and the volatile results he has produced — one that could set the tone in this year’s midterm elections as he tries to defend his party’s majorities in the House and Senate. With Trump’s tariffs uncertainty ongoing, the war in Iran has suddenly created inflationary concerns regarding oil and natural gas.

The White House says it is still early in the year and stronger growth is coming.

No signs of a jobs boom

“WOW! The Golden Age of America is upon us!!!” Trump posted on social media Feb. 11 after the monthly jobs report showed gains of 130,000 jobs in January.

Since then, the job market has evaporated in worrisome ways.

Friday’s employment report showed job losses of 92,000 in February. The January and December figures were revised downward, with December swinging to a loss of 17,000 jobs. Monthly data can be rocky, but a trend has emerged that shows an enduring weakness. Without the healthcare sector, the economy would have shed roughly 202,000 jobs since Trump became president in January 2025. His administration notes construction job gains outside of the housing sector, which it says point to future hiring growth.

Trump often claims that jobs are going to people born in the United States, rather than to immigrants. But the latest report punctured some of that argument.

The unemployment rate for people born in the U.S. has climbed over the last 12 months to 4.7% from 4.4%. This means a greater share of the people who Trump said would get jobs because of his immigration crackdown are, in fact, searching for work.

Prices at the pump are going up

“Slashing energy costs is among the most important actions we can take to bring down prices for American consumers,” Trump said in a February speech in Texas just before the U.S. and Israel attacked Iran. “Because when you cut the cost of energy, you really cut — you just cut the cost of everything.”

The president has repeatedly told Americans that keeping gas costs low would be key to defeating inflation. He has talked up the decline, citing figures that were far below the national average to persuade the public that driving was getting cheaper.

But the strikes against Iran that began Feb. 28 have, for the moment, crushed that narrative. Prices at the pump have jumped 19% over the last month to a national average of $3.45, according to AAA. The investment bank Goldman Sachs warned in an analyst note that, if higher oil prices persist, inflation could rise from its 2.4% reading in January to 3% by the end of the year.

The administration is banking on plans to contain any energy price increases, essentially betting that either the conflict will end shortly or the administration can succeed in getting more tankers through the Strait of Hormuz. Trump advisors on Sunday sought to assure anxious Americans that surging fuel prices are a short-term problem.

“We never know exactly the timeframe of this,” Energy Secretary Chris Wright said on CNN’s “State of the Union. “But in the worst case, this is a weeks, this is not a months thing.”

Stocks are off their highs

“You know, we set the all-time record in history with the Dow going to 50,000,” Trump said Thursday at the White House.

This frequently repeated talking point has grown stale. The Dow Jones industrial average, one of Trump’s preferred measures of success, has dropped 5% over the last month. Stocks are up during his presidency, just as they were when Democrat Joe Biden was president. The recent decline could be reversed if the war with Iran ends and companies see solid profits over the next year and beyond. The recent dip, however, should be a warning sign as the administration has stressed the importance of more people investing in the stock market through vehicles such as “Trump accounts” for children.

The stock market has become a barometer of how people feel about the economy, with stock investors tending to have more confidence and those without money in the markets being more pessimistic.

Joanna Hsu, the director of the University of Michigan’s surveys of consumers, noted that in February a “sizable” increase in sentiment among people owning stocks “was fully offset by a decline among consumers without stock holdings.”

Productivity is up, but workers aren’t benefiting

Trump can point to a win in that the economy has become more productive — generating more value for each hour of work. That is a positive sign for long-term growth in the U.S. and a reflection of its strong tech sector.

Business sector labor productivity climbed 2.8% in the fourth quarter of last year, the Labor Department reported Thursday. But the challenge is that the gains might not be spread to workers in the form of higher pay as labor’s share of income last year fell to the lowest level on record, noted Mike Konczal, senior director of policy and research at the Economic Security Project, a nonprofit aligned with liberal economic issues.

Economy grew at a faster pace under Biden

“Under the Biden administration, America was plagued by the nightmare of stagflation, meaning low growth and high inflation — a recipe for misery, failure and decline,” Trump said at the World Economic Forum in Davos, Switzerland, in January.

The scoreboard tells a far different story, one that makes Biden’s track record in 2024 look better than Trump’s performance last year. The U.S. economy grew at a 2.8% pace during Biden’s last year, compared with 2.2% under Trump in 2025.

As for inflation, the primary measure used by the Federal Reserve is the personal consumption expenditures price index. It was 2.6% in both 2024 and 2025.

Trump has staked his economic argument on doing better than Biden. But while he has avoided the inflation spikes that haunted Biden’s presidency — amid the height of the COVID-19 pandemic — Trump has not delivered stronger growth or more hiring.

Boak writes for the Associated Press.

Yanic Konan Niederhauser tore a ligament in his right foot, putting an early end to his rookie season with the Clippers.

The 7-foot Swiss center was injured Wednesday night in a 130-107 win against the Indiana Pacers. Niederhauser was diagnosed with a Lisfranc injury in his right foot and will require surgery, the team said. The injury involves damage to the ligaments or bones in the middle of the foot.

Niederhauser averaged 4.3 points and 2.9 rebounds in 41 games. After being selected 30th in last year’s NBA draft, he began the season in the G League, but after the Clippers traded Ivica Zubac last month, he was earning more minutes.

In his last five games, Niederhauser was shooting 52% from the field and averaging 8.2 points and 6.2 rebounds while playing 18 minutes a game.

Four hours before Sienna Spiro is due to launch her first U.S. headlining tour, the 20-year-old singer and songwriter from London sits upstairs in the Troubadour’s empty balcony, peering down as several crew members wheel a grand piano onstage.

“The fact that I’m 11-and-a-half hours from home and that this room is gonna be filled with people that have never met me and that I’ve never seen before — that’s just crazy,” she says. “I’m kind of scared.”

The song that brought Spiro to West Hollywood this past Tuesday is “Die on This Hill,” a showstopping pop-soul ballad about staying in a toxic relationship — “I’ll take my pride, stand here for you,” she sings, “I’m not blind, just seeing it through” — that’s been streamed more than 300 million times on YouTube and Spotify since it came out in October. Built around tolling piano chords and Spiro’s titanic vocal, the song hit No. 9 in the U.K. and broke into the Top 20 of Billboard’s Hot 100; last month, Spiro — whose famous admirers include SZA, Mark Ronson and Alex Warren — was nominated for the Critics’ Choice prize at England’s annual BRIT Awards.

With its unabashed emotion and its throwback feel, “Die on This Hill” can be heard as the latest in a long line of melodramatic ballads by young Brits such as Amy Winehouse, Duffy, Lewis Capaldi and Olivia Dean, the last of whom was just named best new artist at the Grammys. Yet Spiro’s voice stands out: Rich and pulpy, with a crack she knows how to deploy for maximum heartbreak, it might be the most impressive instrument to come out of England since Adele emerged nearly two decades ago.

“Sienna is a true artist with the voice of a generation,” says Sam Smith, one more English singer (and former best new artist winner) with a flair for ugly-cry theatrics. Late last year, Smith, who identifies as nonbinary, invited Spiro to join them onstage in New York for a performance of Smith’s song “Lay Me Down.” Spiro, Smith recalls, “blew the room away” — one reason they brought her out again Wednesday night at San Francisco’s Castro Theatre, this time to sing “Die on This Hill” together.

Says Smith of the younger artist: “The world is at her feet.”

At the Troubadour, where she’ll follow Tuesday’s sold-out concert with an encore appearance Friday night, Spiro describes singing as a life calling. “I’ve known what I wanted to do since — honestly, since I’ve been a conscious human being,” she says. Dressed in a black-and-white-striped turtleneck, she has her legs folded beneath her on a wooden bench; her dark hair hangs loose around her face, yet to be styled into the ’60s-inspired do she’ll wear come showtime.

“I always felt a bit invisible,” she adds, whether at school with friends or at home as a middle child. “Not in a victimized way. But I always struggled with that existentialism. Music is the only thing that’s made me feel real.”

Are we to believe that one of pop’s bright new stars was once … kind of a bummer?

“In my own way, yeah,” she says with a laugh. “It’s OK. It happened. Character building.”

Spiro grew up privileged in London, one of four children of Glenn Spiro, a prominent jeweler who counts Jay-Z as a client and pal. Her dad turned her onto Frank Sinatra and Nina Simone and the Italian film “Profumo di donna” when she was little; by age 10 she’d written her first song (“Lady in the Mirror,” it was called) and played her first gig (at a pub not far from Heathrow Airport).

At 16 she enrolled at East London Arts and Music, a performing arts academy she describes as “the up-and-coming version” of London’s prestigious BRIT School, whose alumni include Adele and Winehouse. Her academic career didn’t last long, though: On her first day of classes she posted a TikTok of herself covering Finneas’ song “Break My Heart Again” that triggered a wave of interest from various record-industry types; soon she dropped out and began regularly traveling to Los Angeles to work on music.

Today Spiro says she has a “love-hate relationship” with the town where she estimates she spends half her time. “I’m very English, and I think something about English people is our honesty — you don’t really have to guess what people are saying. What was shocking to me when I came here was that people didn’t say what they meant.

“I was very, very lonely, and it was hard to make music when you feel that,” she adds. “I make sad music, but it’s hard to be a teenager and be away from your family and your friends and be in a place where you kind of have to play pretend being an adult.”

Did suffering among the two-faced liars of L.A. ever lead her to question her commitment to music?

“No. It just made me question how I was doing it. And not everyone’s a two-faced liar. There are some good ones out there.”

Was she ever at risk of becoming a two-faced liar herself?

“Oh, I’m too English for that,” she says. “If I did that, I’d get a slap.”

Sienna Spiro performs this week at the Troubadour in West Hollywood.

(Ariana Drehsler / For The Times)

Spiro started releasing singles in 2024 and quickly signed a deal with Capitol Records; last year she opened for Teddy Swims on the road and turned heads with “You Stole the Show,” a luxuriously gloomy slow jam with echoes of Adele’s “Skyfall.”

For “Die on This Hill,” which she wrote with Michael Pollack and Omer Fedi (both of whom went on to produce the song with Blake Slatkin), Spiro wanted to capture the feeling of “when you go above and beyond just to feel something reciprocated back from someone,” she says. But if the writing came quickly, the recording didn’t: Spiro jokes that she cut “900 different versions” of the song, including one she says sounded like Silk Sonic and another that sounded like Lauryn Hill.

“I was desperate for something up-tempo,” she says, given that virtually everything she’d dropped so far had been a ballad. Yet Fedi pushed her to cut the tune live with just her on vocals and Pollack on piano. They did four takes, according to the producer, one of which forms the basis of the record that eventually came out.

“Very old-school, very human,” Fedi says of the process. “Maybe I’m corny but with Sienna, less is really more. Her voice is so special, so big and upfront, that you just want to put a giant flashlight on it and let it shine.”

In early January, Spiro gave a bravura performance of “Die on This Hill” on Jimmy Fallon’s late-night show; one clip on TikTok has been viewed more than 70 million times. For that appearance, she wore a retro mini dress printed with an old photo of Johnny Carson behind his desk; for a recent performance in the BBC’s Live Lounge, she wore a different dress showing the faces of the four Beatles.

On stage at the Troubadour, her dress features images of the Chateau Marmont and the Capitol Records tower — a bit of setup, she says, for her next single, “The Visitor,” which is due March 13. Spiro has been slowly assembling her debut album for the past two years, but with headlining concerts to play, she’s reaching back for some of her oldies from 2024.

Some, not all.

“To be real with you, some of my early stuff wasn’t the most authentic,” she says as her drummer starts thwacking a snare during sound check . “I was trying to be someone else because I really wasn’t comfortable with myself.”

Can she point to an example?

“‘Back to Blonde,’” she says, referring to a vaguely Lana Del Rey-ish number about a woman who dyes her hair after killing a no-good lover. “I put it out for all the wrong reasons. It was a mistake — an inauthentic move that I regret making.”

What were the wrong reasons?

“It’s a long story, and it’s not very interesting. I didn’t do it because I loved the song — that’s what I’ll say. But at the end of the day it’s my name and I have to stand by it.”

Which is why she’s taking her time on the LP. Some artists her age don’t care much about the album format but Spiro is a true believer. Among her faves: Sinatra’s “In the Wee Small Hours,” Stevie Wonder’s “Songs in the Key of Life,” Adele’s “21” — “a perfect album,” she says — and Billie Eilish’s “Hit Me Hard and Soft.”

“I love an album where you don’t ever question why a song’s on there,” she says. “Where everything feels intentional.”

She doesn’t want to divulge too much about the work in progress. “The problem with me is I have a huge mouth and I give everything away,” she says, which — hey, great.

“No, I know it is for you,” she adds with a laugh. “But not for me, because then when I actually want to do the big reveal, I’ve got nothing because I’ve said it all.”

She will allow one detail: “It won’t be 12 ballads, I’ll tell you that.” She looks toward the ceiling, jiggling her head slightly, as though she’s doing some mental math regarding the track list.

“I mean, there’s a lot of ballads,” she says. “I just love a ballad — I can’t help it.”

SACRAMENTO — Gov. Gavin Newsom plans to spend $19 million promoting California and dispelling “myths driven by misinformation and political rhetoric” in a marketing campaign that would run through the final months of his administration as he weighs a potential run for president.

The new contract, which is in the bidding process, comes as Newsom’s political future and national standing are closely tied to how voters view California’s economy, crime and quality of life — issues that have become central to attacks from President Trump and conservative media outlets.

The Governor’s Office of Business and Economic Development is seeking a contractor to design a statewide taxpayer-funded “California Brand Campaign,” with two-thirds of spending under the proposal to be used for paid advertising and media placements. Bidding on the contract opened Feb. 24 and is expected to end March 13.

The solicitation frames the campaign as an effort to push back on what Newsom has often described as misleading narratives about California. The campaign would launch during a period of financial uncertainty for the state, with Newsom’s January budget projecting a $3-billion deficit next fiscal year.

“California and its business climate have been falsely and maliciously maligned for years, and the state has a right to tell the true story — California is a great place to do live, work, invest and visit,” said Newsom spokesperson Tara Gallegos. “Setting the record straight will benefit every business, worker and resident of this state.”

Newsom is contemplating a run for president in 2028 and says he remains undecided about whether he will pursue the Oval Office.

State Sen. Roger Niello (R-Fair Oaks), who is vice chair of the Senate budget committee, said the language of the proposal request is concerning. He said it would make it easier to stifle criticisms of policies that he says make it difficult to do business in California.

“This is clearly part of the Gavin Newsom for President campaign, but what is most troubling to me is that this is a program to be developed by some private-sector contractor to define what is acceptable speech in the state of California,” Niello said. “That scares the stuffing out of me.”

The negative image of California — homeless encampments lining the streets, smash-and-grab robberies at malls and an exodus of residents and businesses fleeing high taxes and nanny-state governance — could be a liability for Newsom if he runs for president.

Newsom has seen his popularity surge in the last year after his fight-fire-with-fire approach to countering Trump’s rhetoric. The two-term governor has used his expanding platform, including a podcast and nationwide book tour for his recently released memoir, to repeatedly push back on Trump’s criticisms of California. He argues that California remains one of the world’s largest and most dynamic economies and the envy of other states.

The tone of the marketing campaign bid request itself echoes that message, with its introductory paragraph pulled directly from Newsom’s State of the State speech in January.

“California has never been about perfection,” it reads. “It’s about persistence. The courage of our convictions and the strength to embody them. That’s the California Way.”

Mike Madrid, a Republican strategist who runs the research nonprofit Latino Working Class Project, said scrutiny of the campaign will depend on whether the ads veer into politics or overtly promote Newsom in the way federal border security ads showcased the now ousted Homeland Security Secretary Kristi Noem.

“You have to ask why now?” Madrid said of Newsom’s timing for the California ad campaign. “He’s in the eighth inning of a nine-inning baseball game. Timing and tone are everything when considering the appropriateness.”

The use of taxpayer dollars to combat negative publicity about the state and the governor isn’t new under the Newsom administration.

Newsom tapped an employee in his communications office to serve as his “deputy director of rapid response” in 2024. Staff member Brandon Richards, who made $136,000 last year, is tasked with quickly dispatching responses to information the governor’s team deems inaccurate or misleading that is spread on social media and in the media.

When right-wing accounts claimed in February that Newsom allows dogs to vote in California, Richards responded with a CBS News article reporting that a woman was charged with five felonies for registering her canine. Richards and the governor’s office pushed back on false assertions that Newsom and his wife, First Partner Jennifer Siebel Newsom, were stealing money from the state through her office that same day.

Newsom’s frustration reached a boiling point over claims about the state’s response to the Los Angeles wildfires last year. President Trump publicly blamed Newsom and “his Los Angeles crew” for the disaster, though the Republican’s claims that a lack of water in Southern California led to a shortage for firefighters were widely debunked.

Newsom’s political team launched a website in January 2025 to fight misinformation about the L.A. fires, which he said at the time would “ensure the public has access to fact-based data.” The site, www.californiafirefacts.com, no longer appears to exist.

At one point, however, it redirected viewers to the redistricting campaign website for Proposition 50, according to internet archives. Newsom championed the successful redistricting ballot measure to add more Democrats to California’s congressional delegation, a direct response to Trump urging Texas and other Republican states to reconfigure their congressional boundaries to elect more Republicans to Congress.

Newsom adopted an even more aggressive social media strategy last summer after Trump deployed the National Guard and U.S. Marines to California during federal immigration sweeps. The governor directed his team to match the brash communication tactics emanating from the White House. His aides continue to shoot down criticism and launch their own snarky assaults on Trump and his allies.

The new ad campaign appears to be an extension of his work to refute the anti-California narrative.

The request for bids says “some look at this state and try to tear down our progress. They attack our values and caricature our culture. They distort the data to diminish our accomplishments.”

WASHINGTON — A year into the Trump administration’s ratcheted-up mass deportation effort, approval rates for asylum seekers have plummeted as immigrants are too afraid to show up for court hearings.

Fewer than 3% of asylum cases decided in January were approved — a record low, according to Mobile Pathways, a San Francisco nonprofit that analyzes federal immigration data. That’s compared with an 18% approval rate in January 2025.

Nationally, 20% of immigrants seeking asylum missed their hearings in January, compared with half that rate a year earlier. Asylum seekers with pending applications are in the country legally, but under federal law, failing to appear for a hearing can result in a deportation order.

In Los Angeles County immigration courts — among the largest in the country — the trend is substantially starker: no-shows made up 56% of the asylum hearings in January, compared with 14% a year earlier.

“That’s not fluctuation,” said Bartlomiej Skorupa, chief operating officer of Mobile Pathways. “That’s collapse.”

A Justice Department spokesperson said the Trump administration is restoring integrity to immigration courts.

As of December, nearly 3.4 million cases were pending in immigration courts, with more than 2.3 million of them asylum cases, according to TRAC, a data research organization.

The rise in the number of people avoiding asylum hearings helps explain another trend in the immigration court system. Over the last year, the number of asylum cases marked “abandoned” has doubled.

Immigration attorneys say cases can be classified as abandoned for various reasons: An applicant missed a deadline, filled out a form incorrectly, or just decided to leave the U.S.

But the Executive Office for Immigration Review, the agency that administers immigration courts, can label a case abandoned if the applicant fails to show up for a hearing. Nationwide, the number of cases considered abandoned doubled over the last year to make up about 41% of those decided in January.

It takes an average of four years for immigrants to receive an asylum hearing, though a final decision can take longer with appeals, according to the Migration Policy Institute, a nonpartisan think tank.

During the Biden administration, most asylum claims were not issued decisions by an immigration judge; instead, many were administratively closed, or paused and taken off judges’ dockets. While the case is inactive, the person can remain in the U.S., work legally and pursue other avenues of relief.

But such a policy is vulnerable to being reversed by a subsequent administration, Migration Policy Institute experts wrote in a November report.

Lindsay Toczylowski, co-founder of the Immigrant Defenders Law Center in Los Angeles, said the increase in no-shows is in part because the Trump administration began reopening asylum cases that had been administratively closed for many years.

Many of those people are no longer in contact with their attorney, if they had one, and would be difficult to notify of a new hearing.

A decade ago, a significant portion of asylum seekers came from El Salvador, Guatemala or Honduras, many of whom settled in Southern California.

Since President Trump returned to the White House, Los Angeles was one of the earliest cities where federal agents began arresting immigrants at courthouses. Immigrants have become afraid to engage with any law enforcement authorities, Toczylowski said.

The government’s goal, she said, “is not due process or pursuing justice for people in immigration courts — it’s deportation orders. If people don’t show up in court, that’s a way for them to meet their metrics.”

Immigration courts are housed within the Department of Justice and judges have long complained that they lack full independence from executive branch overreach. The department disputes that, saying judges are independent adjudicators who decide cases individually.

More than 100 immigration judges have been fired since Trump took office and about the same number have resigned or retired, according to the union representing immigration judges. That’s down from 735 judges in last fiscal year.

Last summer, the Pentagon authorized up to 600 military lawyers to work for the Department of Justice after removing the requirement for temporary immigration judges to have immigration law experience.

Jeremiah Johnson, a former immigration judge who was fired last year from the San Francisco Immigration Court, said the 3% asylum grant rate in January is shockingly low.

Johnson, who was vice president of the National Assn. of Immigration Judges, said decisions by the Board of Immigration Appeals throughout the last several months have limited asylum law. Immigration judges must abide by the precedent set in those cases.

One such case, for example, reverses prior interpretations to now limit gender-based asylum, finding that persecution claims based solely on gender, or gender combined with nationality, don’t generally don’t meet the definition of a “particular social group” — one of the five categories under U.S. asylum law.

Another factor contributing to lowered asylum approvals, he said, is that the federal government has started seeking to dismiss asylum cases by forcing migrants to start over in a “safe third country.”

These requests stem from the increasing number of so-called asylum cooperative agreements, which allow federal officials to send certain migrants to other countries — including less stable places such as Honduras, Uganda and Ecuador — instead of continuing to seek asylum in the U.S.

“It has really been a restriction in the availability for asylum and other related protection,” he said.

Kathleen Bush-Joseph, one of the authors of the Migration Policy Institute report, pointed to a post last month on X by White House Deputy Chief of Staff Stephen Miller, who said that asylum “is limited to individuals fleeing extremely narrow categories of state persecution.”

“None of the groups illegally crossing the border fit that criteria,” Miller wrote. “No one in Mexico or Ecuador or Honduras etc live in nations where there is any state persecution of any protected class.”

But Bush-Joseph cautioned that it’s not yet clear whether the Trump administration’s asylum changes are legal.

“Even though there are executive actions in place that are restricting access to asylum, those are being challenged in court and I don’t think that we know how all of this will turn out,” she said. “A lot of people are being deported in the meantime and they may not get the chance to come back.”

This story contains spoilers for the pilot of “Marshals.”

When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.

The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.

“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”

Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.

The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.

Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.

(Sonja Flemming / CBS )

In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.

During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.

“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”

Those doubts eventually ebbed away.

“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”

But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.

“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”

He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”

“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.

(Jay L. Clendenin / For The Times)

Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”

But he stressed that although Monica is physically gone, her presence will be heavily felt this season.

“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”

As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”

Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.

“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.

Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”

“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”

Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”

“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.

“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”

The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”

“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.

(Jay L. Clendenin/For The Times)

Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.

Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”

He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”

Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”

In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.

“Luke’s creative fingerprints are all over the pilot,” Hudnut said.

Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.

“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”

MEDLEY, Fla. — Rhyne Howard scored 30 points to lead Vinyl past Laces and into the Unrivaled semifinals on Saturday, while Paige Bueckers’ 29 points led Breeze past Rose to secure its semifinal berth.

The Sparks’ Dearica Hamby hit the game-winning shot against No. 3 Laces in Game 1 of the first round of Unrivaled’s playoffs. Once they secured the 82-69 win, players from the sixth-ranked Vinyl club — the last Unrivaled team to clinch a spot in the playoffs — jumped into Hamby’s arms in celebration.

Dominique Malonga had 17 rebounds and the game-winning free throw to help Breeze rout Rose, last year’s Unrivaled champion, 69-50 and advance to the next round, which will be played at Barclays Center in Brooklyn on Monday night.

Top-seeded Phantom and No. 2 seed Mist earned automatic berths to Monday’s semifinals.

The title game will be March 4 at Unrivaled’s home arena in Miami, with a prize pool of $600,000 to be split among players from the championship-winning club.

Unrivaled announces end-of-season award winners

Phantom forward Aliyah Boston, who is entering her fourth season with the WNBA’s Indiana Fever, was named Unrivaled’s defensive player of the year on Saturday after emerging as one of the league’s biggest defensive standouts.

Boston, who was also named to the league’s second-team All-Unrivaled list, led the league with 29 blocks in 14 regular season games and finished second in total defensive rebounds (111). She also led Phantom in rebounds (136) and points off turnovers (39). She averaged 18.9 points, 9.7 rebounds and 2.1 blocked shots per game — a significant leap from her first Unrivaled season, when she averaged 5.9 points, 5.4 rebounds and 0.4 blocks.

Boston’s Phantom teammate Kelsey Plum, of the Sparks, was named first-team All-Unrivaled along with Bueckers and Rose guard Chelsea Gray.

Bueckers led her Breeze club in points (22.1) and assists (5.5) per game and shot 38% from three-point range this season. Gray, who won Unrivaled’s one-on-one tournament earlier this month, had four game-winning baskets and became the first Unrivaled player to surpass 600 points, 200 field goals, and 100 assists.

Phantom’s Roneeka Hodges was named coach of the year after leading her team to a league-best 11-3 record in her first season at Unrivaled.

Up next

Phantom will face Vinyl Monday in the first of two semifinal games in Brooklyn. Mist will go against Breeze in the second matchup.

PHOENIX — By Game 7 of last year’s World Series, the Dodgers’ faulty bullpen issues were apparent even in the midst of dramatic triumph.

Not only did the Dodgers use all four starters in their postseason rotation — Shohei Ohtani, Blake Snell, Tyler Glasnow and Yoshinobu Yamamoto — they also tapped Justin Wrobleski and Emmet Sheehan, who combined to start 14 games in the regular season, to navigate the 5-4, 11-inning win that secured the team’s second consecutive championship.

The Dodgers shored up the bullpen over the winter, signing three-time all-star Edwin Díaz to a three-year, $69-million contract. With the closer role firmly defined for the first time since Kenley Jansen was on the team in 2021, how the rest of the bullpen falls into place remains a work in progress during spring training.

“Obviously, adding Díaz to the back end is huge for us and getting Alex Vesia [back] is going to be good, and also Blake [Treinen],” Dodgers manager Dave Roberts said. “Blake wasn’t right last year, clearly. He’s throwing the baseball really well. Having guys that you trust is everything for the pen. … You’ve got to count on those veteran guys for sure.”

Now included in that veteran group is left-hander Tanner Scott, who joined the Dodgers before last season on a four-year, $72-million deal. Scott struggled to find his footing, primarily as a closer, before a left elbow injury placed him on injured list in mid-July, causing him to miss a month of action. He returned the final week of August, and never looked quite right. Scott posted a 4.74 ERA across 61 appearances and 57.0 IP in his first year with the Dodgers.

On Saturday against the Chicago Cubs in a split-squad game at Camelback Ranch, Scott made his Cactus League debut and pitched a scoreless inning, recording a strikeout and giving up one hit on 17 pitches. With the ninth inning spoken for, Roberts believes this will allow for Scott to bounce back this season.

“I think being able to use Tanner in any inning of leverage, is going to be good for him,” Roberts said. “And it’s going to be good for us.”

Díaz, for his part, has settled in, making his second appearance of the spring on Saturday. He worked around two walks to pitch a scoreless inning, striking out one. Vesia, who missed the World Series due to the death of his newborn daughter, has pitched two scoreless innings while Treinen pitched a perfect inning on Thursday against the Chicago White Sox in his first Cactus League outing.

The 37-year-old Treinen, who’s been on all three of the Dodgers’ recent World Series teams and was a stalwart in the 2024 postseason, struggled last season, going 1-5 with a 9.64 ERA in September.

“You never know what the body throttles back,” Treinen said earlier in camp. “I had a UCL injury, so I don’t know if that’s part of the problem, but something was different. I mean, velocity was there, movements were there, execution wasn’t, and when pitches were in the zone, it was a harder-hit rate. So, that tells me something was different, how to handle hitters. So, just trying to go back and cleaning things up to where the ball does more of what it has done most of my career.”

On the flip side, right-hander Brusdar Graterol — who has not pitched since the 2024 World Series — remains in a holding pattern during spring training as he works his way back from right labrum surgery. And right-hander Evan Phillips is not expected back for several months after Tommy John surgery ended his season last June. But for the most part, the relievers who are healthy have shown glimpses of what it could look like this season.

“I don’t think that there’s one way to manage a pen,” Roberts said. “But when you have a guy like Edwin Díaz as your closer, I do think it frees up other guys. … I think that’s freeing for me and allows for getting the matchups we need in the prior innings.”

WASHINGTON — The Department of Justice appears to have withheld from disclosure files on disgraced financier Jeffrey Epstein related to a claim that President Trump sexually abused a minor, a top Democratic lawmaker said Tuesday.

“Oversight Democrats can confirm that the DOJ appears to have illegally withheld FBI interviews with this survivor who accused President Trump of heinous crimes.” U.S. Rep. Robert Garcia of Long Beach said in a statement. “Oversight Democrats will open a parallel investigation into this.”

Garcia is the top-ranking Democrat on the House committee probing Epstein and how federal law enforcement handled its investigation into sex trafficking accusations against the financier.

Trump has repeatedly said he cut ties with Epstein two decades ago and was not aware of the late financier’s activities. The president has also said he didn’t engage in wrongdoing. Last year, Trump strenuously opposed releasing the Epstein files but then signed legislation forcing their release after it was passed by Congress.

A Justice Department spokeswoman said the file that listed all FBI interviews with the victim was temporarily removed in order to do redactions and put back online on Thursday. The spokeswoman said the department has not deleted any of the files and all documents responsive to the law have been produced unless they fall within a category that justifies being withheld.

The White House pointed to a Justice Department social media post saying “ALL responsive documents have been produced” unless there is a legitimate legal reason for withholding them. Democrats on the House Oversight Committee “should stop misleading the public while manufacturing outrage from their radical anti-Trump base,” the statement added.

A White House spokesperson previously cited the release of documents as evidence of its transparency and support for helping Epstein’s victims.

Sara Guerrero, a spokesperson for Garcia, said the department “has yet to respond as to why these documents are missing, despite the active subpoena from the Oversight Committee that does not allow for withholding these documents. They are not addressing the missing files about the survivor and her allegations.”

Legislation Congress passed last year to force disclosure of the Epstein files permits limited redactions for reasons such as to protect victims or classified information and to avoid jeopardizing ongoing criminal investigations.

“Under the Oversight Committee’s subpoena and the Epstein Files Transparency Act, these records must immediately be shared with Congress and the American public,” Garcia said. “Covering up direct evidence of a potential assault by the President of the United States is the most serious possible crime in this White House cover up.”

Tarabay and Strohm write for Bloomberg News. Steven T. Dennis and Hadriana Lowenkron of Bloomberg contributed to this report.

President Trump headed into Tuesday night’s State of the Union speech projecting confidence in his personal power to “Make America Great Again,” despite the woes he says he’s been saddled with by his Democratic predecessors.

He also stood in a uniquely precarious position — facing some of his lowest approval ratings ever, plummeting support on his signature issue of immigration, unrelenting pressure from the slow rollout of the Epstein files, a sluggish economy, mounting international tensions and looming midterm elections in which Democrats appear poised to make gains, possibly even retaking control in Congress.

Trump remains popular among his base and remarkably infallible in the eyes of his loyalist administration and still commands extraordinary deference from many leaders in his party. Many of his supporters share his confidence and suggest polls showing slipping support are bogus.

“This is what ‘America first’ looks like,” said Paul Dans, former head of the conservative Project 2025 playbook, which Trump has largely adopted. “The last year has been phenomenal. He has done more in one year than most presidents would accomplish in a whole term.”

Nonetheless, political observers see a landscape of vulnerabilities for the second-term president heading into the 2026 elections.

“He stands at a moment of rapidly declining political capital,” said Rob Stutzman, a Republican consultant in California. “From a historical perspective, a president in year six, heading into what looks like a rough midterm, is probably not going to rise any higher again, in terms of their political equity — so he’s probably past his peak of power.”

Trump is in “about as weak a position” as any president heading into a State of the Union address in recent memory, agreed Bob Shrum, a longtime Democratic strategist and director of the Dornsife Center for the Political Future at USC. “I don’t think the country sees Trump as the solution to anything at this point.”

At the same time, however, Trump is not acting like other weakened presidents, Shrum noted.

Instead of taking stock and turning away from unpopular policies, including on immigration and the economy, he is signaling that he simply won’t accept major midterm losses for his party — which leaves the nation in “completely uncharted waters,” Shrum said.

“We have a president who by all traditional standards has been weakened seriously, but who acts as though he had maximum strength,” he said. “We have a president who is deeply unpopular, who by every measure should see his party do very poorly in the midterms, but who seems determined to interfere in the midterm elections in any possible way that he can.”

In the polls

A Washington Post-ABC News-Ipsos poll released Sunday showed 60% of Americans disapprove of Trump’s job performance, with 39% saying they approve. The last time Trump fared so poorly in that poll was shortly after the Jan. 6, 2021, attack on the U.S. Capitol.

A CNN poll by SSRS released Monday found that Trump’s job approval rating stood at 36%, with a 19-point drop in approval among Latinos in the last year, an 18-point drop among Americans younger than 45, and a 15-point drop to just 26% approval among political independents — the lowest it has ever been during either of his terms.

Shrum said such sharp declines in support among Latino and independent voters do not bode well for Trump or for other Republicans on the ballot in November — especially given that the president, who often dismisses polling not in his favor, does not appear inclined to alter his policies.

Dans, who is running for Senate in South Carolina against Republican incumbent Sen. Lindsey Graham, dismissed Trump’s slumping polling numbers as “fake or engineered,” and said if anything, the president should “go full Trump” — doubling down on his agenda.

On immigration

Trump has polled well on immigration in the past. But his heavy-handed crackdown — with Immigration and Customs Enforcement and other federal agents arresting people without criminal records, detaining U.S. citizens and legal immigrants and killing U.S. citizens in Minneapolis — has shifted that. The Washington Post-ABC News-Ipsos poll found 58% of adults disapprove of his handling of immigration.

Stutzman said Trump and his team obviously realize their approach has rubbed voters the wrong way, which is why they recently shuffled the leadership team in Minneapolis. But the broader policy has remained in place and “the numbers are still cratering on them,” he said.

Shrum said that if Trump “were intent on improving his situation, he would change the way ICE behaves, and might put some different faces on the effort that he’s making, and might focus on people who are actually convicted criminals,” but instead, he and other administration officials “seem determined to plow ahead.”

Dans said Trump received “a clear mandate in 2024 with respect to the mass migration, and it was to reverse and end that flow,” and that’s what he’s doing. “Everyone is going back home.”

On Epstein

Trump has repeatedly denied any wrongdoing involving the late disgraced financier and convicted sexual abuser Jeffrey Epstein, a onetime acquaintance. However, questions about Epstein’s ties to Trump and other powerful men have persisted as evidence from multiple investigations into Epstein’s abuses continue to be released.

Republicans in Congress broke with the president and joined Democrats to pass a bill requiring the records’ release last year. Justice Department officials have slow-walked the release by redacting and withholding records, further dragging it out.

The records contained unproven accusations of wrongdoing by Trump, which he has denied. Democrats and Republicans alike have argued more records need to be released.

On the economy

Trump was dealt a blow last week when the U.S. Supreme Court blocked a sweeping set of tariffs he’d imposed on international trading partners.

Trump has said his administration will use other legal authorities to impose similar or even stiffer tariffs, despite polls showing his tariffs are unpopular.

The Washington Post-ABC News-Ipsos poll, which was taken before the court ruling, found that 57% of respondents disapproved of Trump’s managing of the economy, and 64% disapproved of his handling of tariffs.

Dans said that Trump has already tempered inflation and that “the economy is ready to take off like a rocket ship,” especially if Congress gives the president the space to continue rolling out policies aimed at returning jobs to the U.S. that long ago went overseas.

“We’re really focused on reindustrialization,” Dans said. “This isn’t going to happen overnight, but all the building blocks are being put in place.”

Looking ahead

Stutzman said there is already evidence that Trump “doesn’t quite have a grip on Congress” like he used to, given recent votes on the Epstein files and tariffs, and that the conservative-leaning Supreme Court is still willing to rule against him, as it did on his tariffs.

If Democrats win back control in the midterms, Trump will see his influence wane even further as “the next two years turn into a quagmire,” with Democrats stymieing his agenda and launching one investigation after another, Stutzman said.

Dans said people standing in Trump’s way, including in Congress, need to clear out, because they’re “flouting” the will of the electorate. “It’s always about what the people want, and that’s what he’s going to deliver.”

Shrum said Trump trying to avoid losing power by interfering with the vote, including through the handling of mail-in ballots, is a major concern, as is Trump entering the U.S. into an armed conflict overseas in a “Wag the Dog” move — a reference to a 1997 movie of the same name in which an unpopular president uses a foreign war to salvage an election.

However, Shrum said he doesn’t think the latter would actually benefit Trump — “I don’t think that at this point another foreign incursion would make any president more popular” — and that, interference or not, a Republican drubbing in November is likely.

Trump, then, “will just try to govern by executive order,” will get sued and will have his agenda mired in court battles straight through the end of his presidency, Shrum said — a product, in part, of his confident despite all indications, “my way or the highway” approach to governing.

WASHINGTON — To defend an increasingly unpopular immigration crackdown during his State of the Union speech, President Trump highlighted the victims of crimes perpetuated by undocumented immigrants.

But as Democrats pointed out, the president’s lengthy speech made no reference to the U.S. citizens, including Renee Good and Alex Pretti in Minneapolis, who were killed by immigration agents.

Recent polls show public approval of Trump’s immigration policies has fallen to record lows level since he returned to the White House. One poll, released Feb. 17 by Reuters and the market research firm Ipsos, showed just 38% of respondents felt Trump was doing a good job on immigration.

Another poll, published last month by Fox News, showed 59% of voters say U.S. Immigration and Customs Enforcement is “too aggressive.”

“As President Trump brags about his immigration enforcement at tonight’s State of the Union, I can think only of Renee Nicole Good, Alex Pretti and the three dozen people who have died in ICE custody since Trump took office,” Rep. Mark DeSaulnier (D-Concord) wrote on X.

Within the first few minutes of his address on Tuesday night, Trump highlighted “the strongest and most secure border in American history, by far.” He also offered — at least momentarily — a softer tone, adding that “We will always allow people to come in legally, people that will love our country and will work hard to maintain our country.”

In reality, the administration has restricted legal immigration. It has revoked humanitarian benefits for hundreds of thousands of people, and an indefinite pause on all asylum applications filed with U.S. Citizenship and Immigration Services.

Guests invited by various lawmakers to attend Trump’s speech offered dueling visions of the administration’s mass deportation effort.

Rep. Randy Feenstra (R-Iowa) said he would bring the father and brother of Sarah Root, who was killed in 2016 after a drunk driver, who was in the U.S. illegally, crashed into her vehicle. Trump held an event Monday for “angel families,” those with a relative who was killed by an undocumented immigrant, and signed a proclamation honoring such victims of crimes.

Democrats, meanwhile, invited immigrants, family members of those detained or deported, and U.S. citizens who were violently arrested by immigration agents.

Rep. Mike Levin (D-San Juan Capistrano), for example, said he was bringing the daughter of a Laguna Niguel couple deported last year to Colombia after their arrest during a routine check-in with ICE. And Rep. Jesus Garcia (D-Ill.) invited Marimar Martinez, a Chicago woman shot five times by Border Patrol Agent Charles Exum.

On X, the Department of Homeland Security shot back at Democrats with immigrant guests, saying the lawmakers are “once again prioritizing illegal aliens above the safety of American citizens.”

On Tuesday morning, Rep. Maria Elvira Salazar (R-Fla.) held a news conference on “the state of immigration,” flanked by Christian pastors, in which she touted her Dignity Act, which would provide permanent legal status to immigrants who meet certain benchmarks.

“Throughout the Scripture, there are two kinds of leaders: those who persecute faith communities and those who protect them,” she said.

California Sen. Adam Schiff was among the Democrats to boycott Trump’s speech, and he cited immigration enforcement as one reason for his absence.

“I have not missed the State of the Union in the 25 years I’ve been in Congress, but we have never had a president violate the Constitution, the laws every day with seeming impunity,” Schiff told Meidas Touch outside the Capitol. “We’ve never had masked armed, poorly trained agents, victimizing our cities, demanding to see people’s papers.”

Trump repeated claims about immigration that have been debunked, such as his assertion that President Biden’s immigration polices allowed millions of people to pour into the U.S. from prisons and mental institutions.

Trump also highlighted a figure he has often turned to — that Democrats let in “11,888 murderers.” That number, an inaccurate description of federal data, refers to immigrants who, over the course of decades (including the first Trump administration) were convicted of homicide, usually after their arrival in the U.S. Those immigrants are listed on ICE’s “non-detained docket” typically because they are currently serving their prison sentences.

Turning to Minnesota, Trump said Somalis have defrauded $19 billion from American taxpayers and referred to them derogatorily as “Somali pirates.”

Trump went beyond Somalis to disparage many immigrants, saying “there are large parts of the world where bribery, corruptions and lawlessness are the norm, not the exception.”

“Importing these cultures through unrestricted immigration and open borders brings those problems right here to the USA, and it is the American people who pay the price,” he said.

Trump also highlighted the case of Dalilah Coleman, 6, of Bakersfield who was left with a traumatic brain injury after a 2024 car crash in California.

He called on Congress to pass the Dalilah Law, which would bar states from granting commercial drivers licenses to immigrants without lawful status. He said, without proof, that “most illegal aliens do not speak English and cannot read even the most basic road signs.”

A year after Dalilah’s accident her family met with Partap Singh, the detained Indian immigrant responsible for the crash, at the Mesa Verde ICE Processing Center in Bakersfield. Marcus Coleman, her father, told Fox26 News that the focus shouldn’t be on Singh’s legal status because similar accidents happen every day.

Also present Tuesday night were the parents of Sarah Beckstrom, the West Virginia National Guard member shot and killed in Washington, D.C. by an Afghan immigrant, as well as Andrew Wolfe, who was also shot and survived.

Trump awarded Wolfe and Beckstrom the Purple Heart. He called Rahmanullah Lakanwal, the man charged in the shooting, a “terrorist monster.” Lakanwal legally entered the U.S. from Afghanistan through a Biden administration program in 2021 and his asylum application was approved under the Trump administration last April.

Turning his attention the fall’s midterm elections, Trump warned his supporters that if allowed back into power, Democrats would reopen the borders “to some of the worst criminals anywhere in the world.”

Trump then invited legislators to stand if they agreed with him that “the first duty of the American government is to protect American citizens, not illegal aliens.”

Republicans stood, offering one of the longest standing ovations of the night. Democrats remained seated.

Trump told Democrats they should be ashamed for not standing up.

“You have killed Americans!” Rep. Ilhan Omar (D-Minn.) yelled from the audience. “You should be ashamed.”

PHOENIX — There are expectations surrounding new Dodgers right fielder Kyle Tucker — not surprising for someone with a four-year, $240-million contract.

But first things first.

“Last year I got one hit in spring [training], so hopefully I get more than that,” Tucker said, sharing a laugh with reporters after grounding out and walking in two plate appearances in his Cactus League debut on Sunday. “So, that’s the goal. But I mean, [I’m] just feeling comfortable.”

In a clubhouse full of superstar players, the feeling seems mutual with his teammates.

“I’m glad he’s with us,” Dodgers catcher Will Smith said, adding: “Yeah, There might be other superstars on this team, but it’s not really anyone’s focus here. It’s all about getting in every day, working hard, helping us win a ballgame that day and working toward the ultimate goal of winning the World Series.”

It was a tale of two seasons for the 29-year-old Tucker in 2025.

Through the first three months of the year, Tucker had the Chicago Cubs’ offense humming, powering the club to a 53-35 start. Entering July, Tucker was batting .291 with a .395 on-base percentage, .931 OPS, 17 home runs, 52 RBIs and 20 stolen bases. Tucker found himself in the middle of the National League MVP discussion as the Cubs sat in first place in the NL Central.

But from July 1 through the end of the season, he batted just .225, posting a .690 OPS, five home runs and 21 RBI, a far cry from his first half that earned him a start in right field in the All-Star Game.

It was later revealed that Tucker sustained a hairline fracture in June, which he played through. In September, he suffered a calf strain, landing him on the injured list.

He finished the season with a .266 batting average and 22 home runs, career lows for him. That did not deter the Dodgers, and it was an easy sell for Tucker as well.

“Every organization is unique in its own sense,” Tucker said. “But this organization obviously the last couple of years has done pretty well, so I think that’s a huge part of the front office and them doing their part and trying to get a great group together. Just great people and great athletes, and then trying to just put the best product out on the field for the city of Los Angeles and the fans. I think they’ve done a pretty good job of that so far. Hopefully, we can keep winning for them.”

Despite what happened last season with Tucker, Dodgers manager Dave Roberts is confident in the newly-signed star.

“For me and the people that I talked to and how he goes about it, there’s nothing negative for me,” Roberts said last week. “I love guys that just come to work and love playing and competing. So, he just wants to win. He’s not a self-promoter; he’s not going to give [the media] a bunch of great soundbites. He wants to play to win, and I love guys like that. So, I’m excited to have him and get to know him even more.”

Tucker missed just under three weeks in the season’s final month. He would not return to the outfield in 2025, manning the designated-hitter spot for the Cubs, whose season ended at the hands of the Brewers in five games in the NL Division Series. Tucker says he felt good all offseason and is feeling even better in the early days of camp with his new team.

“It was a pretty healthy [offseason],” Tucker said. “At the beginning, I might have still been kind of nursing the calf a little bit. But it was kind of feeling pretty good right at the end. I think if we had moved onto the next series, I probably would have gone to the outfield, so I wish I could have gotten out there for that. Overall, in the offseason, I felt pretty healthy, and [feel pretty healthy] going into camp so far.”

Alex Vesia returns to the mound

Dodgers left-hander Alex Vesia made his Cactus League debut in Monday’s 3-0 win over the Seattle Mariners — the first time he’s pitched in a game of any kind since his newborn daughter died last fall.

Entering Monday’s game in the fifth inning to a loud ovation, Vesia struck out one and retired the side in order. He then received a warm greeting by his teammates in the dugout.

“Being around the guys, it’s really been comforting,” Vesia said. “These guys are my brothers, I truly love all of them. It’s meant a lot.”

Dodgers set starting pitchers for the week

Before Monday’s game, Roberts revealed starting pitchers for this week. Gavin Stone will take the mound Tuesday, Roki Sasaki will start Wednesday before Tyler Glasnow makes his first start of the Cactus League Thursday. Yoshinobu Yamamoto will start for the second time Friday, in what will likely be his final start before joining Team Japan for the World Baseball Classic.

Over the last two offseasons, the Dodgers spent a combined $141 million on relief pitchers Edwin Díaz and Tanner Scott, both of whom are expected to make their first spring training appearances later this week.

“I think Tanner and Edwin are going either Wednesday or Thursday in the Cactus League games,” Roberts said. “Those guys, we’ll start to see them this week.”

Despite the string of storms that have hit the Los Angeles region in recent days, the skies cleared up long enough on Wednesday for thousands of aspiring actors to swarm a beachfront in Marina del Rey and take their shot at landing a role in the upcoming “Baywatch” reboot.

The open casting call brought old Hollywood magic to Los Angeles, as the show intensified its search for raw and local talent, reminiscent of how original “Baywatch” stars were discovered, said Brittainy Roberts, the vice president of casting at Fox.

The soapy drama series, which premiered in 1989 and ran for 11 seasons, followed the lives and relationships of lifeguards who patrolled L.A. County beaches (and later Hawaii). It was not only a hit stateside — internationally it was a success, becoming the most-watched show in the world at the time. A film adaptation starring Dwayne Johnson and Zac Efron was released in 2017, and despite negative reviews, it was considered a commercial success, signaling an appetite for more.

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The casting team has “big bathing suits to fill,” Roberts said. The show famously created a slew of stars, including Pamela Anderson and Carmen Electra, who got their start on the show, and catapulted David Hasselhoff to new heights of fame.

Uncommon in a post-pandemic era of self-tape auditions, the open and in-person auditions attracted actors hungry for their big break and locals hoping to leave with a fun story to tell. Many donned “Baywatch” visors and sweaters while others sported bright red bathing suits, popularized by the original show. It was “an opportunity to really get people in the room in a large-scale way,” and allow “people an opportunity that maybe they aren’t getting in this new landscape of auditioning,” Roberts said.

The casting team saw live auditions from about 2,000 “Baywatch” hopefuls, and about 14,000 applications were submitted, said Joseph McGinty Nichol, known as McG, the reboot’s executive producer who will direct the first episode. His past projects include the “Charlie’s Angels” movie and “The O.C.”

Pat “The Jaguar” Uland, 31, of San Francisco, on the red carpet at the “Baywatch” open casting call.

(Allen J. Schaben / Los Angeles Times)

Beach-ready candidates filed in and out of a Marriott hotel in Marina del Rey for the in-person auditions. The casting call, which ran late into the night, embodied the joy of Hollywood, McG said.

Bri Ana Wagner, a 29-year-old living in Los Angeles, has been pursuing acting for around a decade. The open casting call was a reminder that the Hollywood “dream is alive,” she said.

“It’s like the way it used to be and the way it should be,” McG said. “You can come to a Marriott in Marina del Rey and change your life and blow it wide open.”

Hopefuls try to catch a break

David Chokachi hadn’t acted much before auditioning for “Baywatch” in the 1990s. Douglas Schwartz, one of the show’s original creators, and his wife, Deborah, had seen just about a thousand auditions for the role of Cody Madison. None of the actors matched the couple’s vision for the character, until Chokachi strolled in.

“It’s one of the most surreal things that’s ever happened in my life,” said Chokachi, the only actor from the original series confirmed for the reboot.

David Chokachi, who was on the original “Baywatch,” is reprising his role as Cody Madison.

(Allen J. Schaben / Los Angeles Times)

The aspiring actors who auditioned Wednesday hoped to get their chance at a big break similar to the one Chokachi got decades ago. Casting for the reboot began late last year, Roberts said, and people “have come out of the woodwork” since, with some messaging her directly on social media.

“The fact that we’re shooting in L.A., it’s certainly ignited a flame for a lot of agents and managers in town hoping to get their clients working here,” Roberts said.

The casting executive was hopeful that Wednesday’s auditions would bring together a talented pool of actors that the show can continue to pull from.

Massiel Taveras was among the many in attendance at the casting call: “I belong to this group. I belong to the show. I just feel it.”

(Allen J. Schaben / Los Angeles Times)

Massiel Taveras was crowned Miss Dominican Republic in 2007 and has pursued acting since, finding success in the Latino market. She arrived to the Marriott hotel sporting a bright red sports bra and leggings, paired with a large fur coat to shield her from the beach chill.

“I just love the show so much … It’s iconic. It’s something that everybody loves,” Taveras said. “I belong to this group. I belong to the show. I just feel it.”

Meanwhile, Dominique Lopez, a broadcast student from Monrovia, had never been to an audition before her boyfriend Colin Bolick, an actor, convinced her to attend the casting call together. The experience was “super easygoing” and intimate, she said as she walked out of the audition room.

“It’s making the industry exciting again. It’s putting people in the mind space of … ‘Let me put myself out there,’” said Lopez, 25. “Just for that, I feel like a better person, that I went and did something new.”

Could ‘Baywatch’ could help revive Hollywood?

Marko Dobrasinovic, 24, who made the trek from Chicago to audition, bumped into an old high school classmate, Alyssa Frey, while in line to check in. The pair attended the same high school as Hasselhoff, who played Mitch Buchannon on “Baywatch,” one of the actor’s best-known roles.

The impromptu reunion felt like a full-circle moment, said Frey, who moved to Los Angeles to pursue acting about two years ago. She landed in the city just as the actors’ and writers’ strikes froze Hollywood. Wednesday’s casting call was “one of the few opportunities to get in front of someone,” she said.

It was one that almost slipped away from the city. Showrunners were eyeing Australia as an alternative to filming in L.A., until Gov. Gavin Newsom and state legislators granted the production, along with 16 others, California’s film and TV tax incentive in November. Hollywood has struggled to return to its former status as a production mecca after the COVID-19 pandemic and 2023’s dual strikes. The wildfires early last year, coupled with studio spending cuts, added another blow to L.A.‘s waning film and TV industry.

The open casting call was a rare event in Los Angeles, as the TV and film industry struggles to recover.

(Allen J. Schaben / Los Angeles Times)

Chantal Groves left a stable job in international relations around two years ago, setting her sights set on Los Angeles. The 25-year-old, originally from the Dominican Republic, said acting was always her true passion. The career change has been fulfilling, but navigating such a fraught industry is difficult, she said.

“It’s basic laws of supply and demand,” Groves said. “There’s not a lot out there. There’s not a lot casting, and so just in general, it’s a really hard time to start in the industry.”

The “Baywatch” reboot received a $21-million credit, aimed at revamping the state’s entertainment industry.

“This was about keeping an iconic, world-famous brand right here in L.A.,” said Traci Park, a councilmember for District 11 who helped lead efforts to secure the tax incentive and attended the event. “We have the talent, we have the resources, we have the sets … it is exactly why we are fighting so hard to keep these productions in Los Angeles.”

A love letter to Los Angeles

“Baywatch” showrunner Matt Nix was in the middle of fighting off the wildfire that ravaged his Altadena neighborhood and got dangerously close to his home when he first got the call to lead the reboot. His house survived the fires, and he says a show like “Baywatch” felt like exactly what the city needed after such tragedy.

“This is a show about paradise and the people who keep it that way,” Nix said. “There’s something fundamentally earnest and positive about ‘Baywatch,’ the idea of heroes on the beach taking care of each other and the people that they protect.”

Others can relate to that sentiment. “Baywatch” was “right up my alley,” said Ava Cherlyn, a 19-year-old from Newport Beach. The aspiring actor, who moved to Hollywood six months ago, was a lifeguard growing up and played water polo competitively.

“I’m surprised that I haven’t been nervous,” Cherlyn said as she posed for photos in a red bathing suit.

Aspiring actor Ava Cherlyn, 19, in a red swimsuit made iconic in “Baywatch.”

(Allen J. Schaben / Los Angeles Times)

The original show attracted a worldwide audience because of its focus on “heroic people with complicated and interesting lives” while still feeling like an easygoing “hour-long vacation,” Nix said.

That nostalgic magic won’t be lost in the upcoming season, which Nix said is more of a continuation rather than a reboot. It will follow Hobie Buchannon, Mitch’s son, a character featured in the original series, played by “Arrow” protagonist Stephen Amell.

Hobie’s life will be derailed when he meets Charlie, a 21-year-old daughter he never knew he had who’s eager to continue the family’s legacy by becoming a Baywatch lifeguard. Hobie, now a Baywatch captain, will navigate the familial troubles throughout the season, Nix said.

“I don’t want to imply that ‘Baywatch’ is going to save the world or save America,” Nix said. “But, at the same time, I think it’s a good time for an unapologetically heroic show about people who care about each other and the people that they’re trying to save.”

Outside a hall where Southern California Edison was celebrating Black History Month on Friday, a group of Altadena residents stood on the sidewalk, waving signs and talking of the homes and family members they lost in last year’s Eaton fire.

“They’re in there celebrating Black history and they’ve destroyed a Black town,” said Nicole Vasquez of My Tribe Rise, which helped organize the protest.

The Jan. 7, 2025 fire destroyed thousands of homes, including the majority of homes in west Altadena, a historically Black community. All but one of the 19 people who died were in west Altadena.

“If Edison’s tower did not ignite the fire, Altadena would still be there,” said Trevor Howard Kelley, who lost his 83-year-old mother, Erliene, in the fire.

Kelley, his daughter and two granddaughters had been living with his mother before her home was destroyed, he said.

The Black Altadena residents are part of a larger coalition that is asking Edison to advance each family who lost their home $200,000 in emergency housing assistance. They say that more than a year after the blaze many wildfire survivors are running out of the funds they had received from insurers.

The group protesting Friday also called for transparency from Edison. The company has said it believes it is likely its equipment caused the fire but has continued to deny it did anything wrong.

“We just want the truth,” said Felicia Ford, who lost her house in the fire. “What’s wrong with saying, ‘We got this wrong.’”

Scott Johnson, an Edison spokesperson, said Friday that the company continued to believe its voluntary compensation program was the best way to help victims of the fire. Edison has promised to quickly review each victim’s claim and pay it swiftly if approved.

Families who lost their homes can receive hundreds of thousands of dollars under the program, while those with damaged homes receive lesser amounts.

But many survivors say they don’t believe the offered amounts fully compensate their losses. And to receive the money, victims must agree not to sue — which many are not willing to do.

“We recognize the incredible struggles the community has faced,” Johnson said. “The intent of the program is to reach final settlements to allow the community to rebuild and move on.”

The investigation into the cause of the fire has not yet been released. Edison has said a leading theory is that its century-old transmission line in Eaton Canyon, which had not carried electricity for 50 years, somehow became reenergized and sparked the fire.

Company executives said they did not remove the old line because they believed it would be used in the future.

Tru Williams said he just wants to get his parents back home.

(Myung J. Chun / Los Angeles Times)

In December, state regulators ordered Edison to identify fire risks on its 355 miles of out-of service transmission lines located in areas of high fire risk and tell regulators how executives planned to use the lines in the future.

This week, Edison disclosed that the Los Angeles County district attorney was investigating whether Edison should be criminally prosecuted for its actions in the fire.

West Altadena became one of L.A.’s first middle-class Black neighborhoods in the 1960s, partly because discriminatory redlining practices for years kept Black homebuyers from settling east of Lake Avenue.

Heavenly Hughes, co-founder of My Tribe Rise, told the crowd she had lived in Altadena for 50 years.

“I was raised in a thriving working-class community and they have destroyed that community,” Hughes said, referring to Edison.

Added Ford, “The people making these decisions aren’t suffering at all. They’re still getting their paychecks, bonuses and stock options.”

Here are the preseason softball rankings for the Southland from CalHISports.com.

Rk. Schhol, Rec. last year

1. Norco, 29-3

2. Orange Lutheran, 22-6

3. JSerra, 19-14

4. Temescal Canyon, 21-6

5. Los Alamitos, 21-12

6. Sherman Oaks Notre Dame, 25-6

7. Oaks Christian, 21-5

8. Fullerton, 21-8

9. La Mirada, 25-5

10. El Modena, 23-10

11. Marina, 19-13

12. RIo Mesa,16-10

13. Garden Grove Pacifica, 15-12

14. La Habra, 22-8

15. Palos Verdes, 21-8

16. Valley View, 24-5

17. Long Beach Poly, 20-7

18. Granada Hills, 28-3

19. Etiwanda, 23-4

20. Huntington Beach, 22-8