EUGENE, Ore. — Perhaps it was James Madison going for it twice on fourth down on its first drive of the game.
Or, maybe it was coach Bob Chesney calling for a wide receiver pass on the Dukes’ second series of the evening. Even 12th-ranked James Madison successfully pulling off a fake punt could have adequately explained what the scoreboard failed to convey.
It was clear that the fifth-ranked Oregon Ducks were in a different class than their visitors in a 51-34 win in a College Football Playoff first round matchup Saturday at Autzen Stadium. Oregon led 48-13 midway through the third quarter before the Dukes added three late touchdowns to make the final score appear closer than the game really was.
“I think the scoreboard itself, every time we got down there we kind of shot ourselves in the foot,” said Chesney, who takes over as UCLA’s head coach after the JMU loss. “If we did not do that, if we did not end with 13 penalties, is this a little bit of a different game? Maybe. But at the same point in time, that’s a tough offense to stop, and I think it’s tough for a lot of teams in the entire country to stop.”
With James Madison’s loss, Group of Five teams fell to 0-4 all-time in CFP games. No. 17 Tulane fell 41-10 to No. 6 Mississippi on Saturday, too, while Penn State beat Boise State 31-14 in last year’s Fiesta Bowl. Alabama topped Cincinnati 27-6 in a 2022 CFP semifinal at the Cotton Bowl.
Following their loss to Ole Miss, Green Wave head coach Jon Sumrall brushed aside any notion of his team not belonging among the last 12 standing.
“We’re our conference champion and the rules are what they were, and I think there should be access for at least one G5 team moving forward,” Sumrall said. “I do. I think you should have given the American champion an opportunity before the ACC champion this year because we beat the ACC champion. So Duke won the ACC Championship; we beat them.”
To Sumrall’s point, Tulane beat a pair of Power Four teams in Northwestern and Duke, but those schools combined to go 14-11 in 2025.
James Madison, meanwhile, lost to its only Power Four opponent this season, with Louisville beating it 28-14 in a game in which the Dukes mustered just 263 yards of total offense. Most of the season, James Madison ran with the ball with ease against its opponents, rushing for over 300 yards in a game five times and over 200 yards in a game nine times.
But on Saturday, the Dukes mostly abandoned the run after quickly falling behind, and instead often turned to Sun Belt player of the year and quarterback Alonza Barnett III, who attempted a career-high 48 passes in the contest. Even so, Barnett was confident his team belonged in the CFP over other Power Four schools.
“I believe people saw that we were meant to be on this level. When you look at the Power Four teams and whatever, the destiny is really — the ball is in your court. You control your own destiny,” Barnett said. “Most of those teams that didn’t make it, they controlled their own destiny, and we handled what we could handle and we didn’t give into outside noise.”
Among Group of Five schools, James Madison did fare the best of any of them on offense in the CFP. The other three programs scored a combined 30 points in their respective playoff games, a total James Madison eclipsed against the nation’s eighth-ranked scoring defense.
But where the Dukes fell flat was slowing down the Ducks’ ninth-ranked scoring offense. Oregon ran the ball with ease, averaging more than 7.7 yards per attempt against James Madison’s run defense that entered the contest allowing the second-fewest yards per game in the country.
As has often been the case in matchups between Power Four and Group of Five teams, the greatest discrepancies existed in the trenches. To a man, James Madison could not adequately match up with Oregon, just as Tulane couldn’t with Ole Miss and many other Group of Five programs before them both failed to do.
“I think there were moments today where I feel like we could play with them,” Chesney said. “ And I think that today, the complimentary football, and us playing in the way we needed to just did not exist.”
A daunting rainfall forecast isn’t expected to stop Californians or the rest of the U.S. from traveling in record numbers over the end-of-year holiday season.
An estimated 122.4 million people — more than a third of the entire national population — will travel at least 50 miles from home between Dec. 20 and Jan. 1, according to the American Automobile Assn.
That would represent a 2.2% increase over last year, when a record 119.7 million travelers hit the road or took to the skies for the holidays.
“Year-end travel is a mix of family road trips, friend getaways and tropical vacations,” Stacey Barber, vice president of AAA Travel, said in a statement.
Holiday festivities are different for everyone, but “a common thread is the desire to travel, whether it’s returning to your hometown or exploring new destinations,” Barber said.
As always, though, winter weather could pour cold water on some of those festive getaways. A Pacific storm is forecast to bring heavy rain to Southern California over the Christmas holiday — potentially snarling travel and increasing the risk of flooding, said Adam Roser, a meteorologist with the National Weather Service’s San Diego office.
“The storm will move through the region from north to south, starting as early as Tuesday,” Roser said.
Roser said he is confident there will be slick roadways and possible aviation disruptions because of heavy rains.
The peak of the storm for Southern California is likely to start Tuesday and continue through Christmas Eve and Christmas Day, according to Bryan Lewis, a meteorologist with the National Weather Service office in Oxnard. In Orange County, the Inland Empire and San Diego County, light showers may start Tuesday, but the heaviest rainfall is expected to be on Christmas Eve.
Meteorologists say light to moderate showers are forecast for Christmas Day and into the weekend.
AAA expects to see across-the-board increases in modes of travel this holiday season. For example, a projected 109.5 million people will travel by car — a 2% increase compared to last year, according to AAA. For Californians commuting with gas-fueled vehicles, the average price of a gallon of gas this week is $4.33, a 2-cent increase compared to last year.
Approximately 8.03 million travelers will take to the skies to reach their holiday destination, a 2.3% increase compared to last year. AAA said this is the first time more than 8 million domestic air travelers are expected over the end-of-year holiday season.
Boarding passes have burned a hole in many holiday budgets, however. AAA said a round-trip domestic flight is 7% more expensive this year, averaging nearly $900 a ticket.
About 4.9 million travelers will use another mode of transport such as a bus, train or cruise.
PinkPantheress broke out in 2021 with a series of charming and inventive singles that placed her high, breathy vocals over skittering beats built around easily recognizable samples. It was as though the English singer and producer were trying to insert herself into pop-music history from behind a laptop in her bedroom — which is pretty much what ended up happening.
In 2023, her song “Boy’s a Liar Pt. 2,” a collaboration with Ice Spice, went to No. 3 on Billboard’s Hot 100; several months later, she landed a song on the hit soundtrack of Greta Gerwig’s “Barbie.” Last year she went on the road as an opening act for Olivia Rodrigo, and now she’s nominated for her first two Grammy Awards: dance/electronic album for this year’s “Fancy That” and dance pop recording for the project’s opening track, “Illegal.”
With nine songs in only 20 minutes, “Fancy That” maintains the TikTok-era economy of PinkPantheress’ early work. It’s also full of samples from the likes of Underworld, Basement Jaxx and Panic! at the Disco — one reason, perhaps, the singer, 24, describes it as a mixtape rather than an album. (An accompanying remix set, “Fancy Some More?,” features appearances by Basement Jaxx, Kylie Minogue, Sugababes, Ravyn Lenae and Groove Armada, among many others.)
Yet “Fancy That” showcases an expanding emotional palette too — it’s by turns funny, wistful, horny, melancholy and unimpressed. She spoke about it over matcha lattes in Los Angeles, where she lives when she’s not back home in London. “If you’re a musician, it’s sold as the place to be,” she says of L.A. “I was trying not to like it, but I really do.”
You’re enjoying the city despite yourself. I think for me, it was just a case of: When I’m comfortable somewhere, I don’t enjoy exploration. What I know to be safe is where I stay.
Why? It’s something with the way my brain works — I don’t think it’s a choice. My brain associates change — different environments and travel — with fear. I don’t go on holiday because of that reason. I find it very difficult because I genuinely don’t feel safe. Doesn’t matter where I am.
What do you do in L.A.? I hang out with my friends. I get food. I do all the regular things. But it’s taken me years. When I first got here, I wasn’t like, Oh my God — the Hollywood sign! It was just like, Lemme find my footing. I think getting my house was when I was OK. I don’t like the stress of going out somewhere and being worried about how I come across to people.
If you’re at a restaurant, it’s hard for you not to think about the fact that someone might know who you are. On occasion, if I’m not disguised well enough.
What are the disguises? I think I’m gonna stop wearing my hair out in public.
So pop stardom — enjoyable or not? It’s as absurd as everyone says. But it is 100% what I’ve always wanted to be. So I can’t complain now.
I mean, you could. But I shan’t.
That would be poor form? I’m a big believer of my words having an effect on everything I do going forward. So if I was to become comfortable complaining about my job — when I worked so hard to get here — then it’s gonna carry with me and it’ll come out in my behavior.
Do you drive? I love driving. That’s another reason I like it here, because I can drive.
You like driving here more than in London? I have a nicer car here. Well, actually, I don’t have a car in London anymore. The police took it.
Why? Don’t know.
You must know. I actually just don’t know. I literally got there and it was gone, and I was like, Fine. It was so cheap — like 2,000 pounds.
What kind of car was it? A Peugeot 208.
In a recent interview with Zane Lowe, you named the people you called your blueprints: M.I.A., Kelela and Tinashe. All are well–regarded trailblazers, but none of them, I would say, is a pop superstar. That made me wonder: Do you want to be top of the pops? I feel like in order to be top of the pops, I’d have to compromise a lot about my artistic choices. However, if the post-“Brat” era has taught us anything about music, it’s that you can actually be as experimental as you want, and if it translates, it will translate. So actually it’s not necessarily a recipe that’s too formulaic, as one would think.
Do I want to be top of the pops? I think that might be too much pressure. I don’t enjoy having to explain myself, and I worry that being big would make me have to explain a lot about myself. However, I do want to be well-regarded. I do want to be influential. And I do want to not have to worry, How well will this do? It’s less about top of the pops and more about having a very loyal fan base, which I prioritize above everything else.
I spoke with Lorde recently, and she told me she aches to be understood even though she wishes she didn’t. You said you don’t like explaining yourself. But do you feel compelled to? I would say I definitely under-explained myself early on. And unfortunately that was a crucial error because — had I been on top of explaining my music and my musical mind from the jump — maybe now I’d be taken more as a producer. But because I didn’t, and because of the way I present myself, I do think people take me as more surface-level pop, and I’m actually not — I’m actually fully an art girl, like all the women I’ve mentioned.
So it’s kind of gone from not explaining myself to explaining too much. I hated that, too, because then it got people asking me more questions. Now I don’t want to explain anything anymore.
You’ve got the Sugababes on your remix album. Great example of an act that’s beloved in England but couldn’t get arrested in the States. Why do you think some U.K. acts cross over and some don’t? If you have someone on your marketing team that prioritizes America, then I’m 99% sure you can always do it. I don’t think American people are put off by Britishness — I don’t think the music is too crazy for them to get it. The reason I did well in America was because I used a platform where the majority of users are American.
You mean TikTok. Did you use TikTok because that was the platform you were good at or because you knew it was the platform with the broadest reach? I had no idea how it worked — I just thought about what has the most reach. I’m a child of the internet. I’ve always been online.
What’s bad about the internet? There was a time when I would have said nothing.
At what age? Sixteen — even older, honestly. The whole push of generated stuff has made it so unbelievably different. Back when I was on the internet, you wouldn’t have to second-guess any post you saw.
Whereas now you have to question whether something is real or AI. Is this propaganda or is this not? That’s bad.
Is TikTok still fun? I don’t really go on social media at all, so I don’t know.
You just make your posts — And dip. Or I interact with people that help me towards my craft. People that make fan edits, I love it, so I’ll interact with them. But I don’t really scroll.
Did someone say to you, “Listen, you need to stop scrolling”? No. I actually have no vices, so I didn’t have a problem with it.
Everyone’s addicted to scrolling. Hell no — I’m not. If I want to stop something, I can stop right now.
Do you drink? Smoke weed? I can’t do any drugs. I get drunk once or twice a month, and that’s my limit. I make sure to count that.
Why no drugs? I’m a hypochondriac.
What are you afraid of happening? Dying. Also, it’s just not enjoyable for me. When I get drunk, that’s the best amount of chaos I can experience in my inner self.
Dying? Too much coke could kill you — cause an arrhythmic heart. And as I’ve said, if I fear something, I’m not gonna step foot towards it.
“I don’t think American people are put off by Britishness,” says PinkPantheress. “I don’t think the music is too crazy for them to get it.”
(Jason Armond / Los Angeles Times)
Who said no to being on the remix album? No one said no. But I don’t ask people that I know are gonna say no — I just refuse to ask them. There was one person that was like, “Oh, I saw this too late” [makes “Yeah, right” face]. And one person didn’t reply. Maybe two people didn’t reply.
Were your feelings hurt? No. Yeah. Maybe. When it comes to features and everything like that, I very much understand — I get how the mind of a singer works. I think people that get hurt are maybe not putting themselves in their shoes.
Surely you’ve said no to people at this point. It’s a horrible feeling. And I try and make it work as much as possible. But sometimes it just doesn’t make sense. The vibes are off.
Have you heard the Lily Allen album? Yes.
Thoughts? Really good. And earnest.
She’s just laying out all her business. She’s a Brit — that’s what we do.
Are Brits essentially earnest? I think there’s something in our music that’s extremely earnest. That’s why you get someone like an Adele or someone like a Raye right now. You can feel them bleed. They’re bleeding out onto the stage — bleeding out onto the pieces of paper.
Beyond what we’ve talked about, I know virtually nothing about your personal life. Exactly.
Whereas now I know a tremendous amount about Lily Allen’s. What do you make of that impulse to dump everything out into the world? What I love about Lily Allen is that she’s always been very honest from Day 1. She’s an open book in interviews — she’s an open book everywhere. It works for her because it makes her very personable and makes her music all that more enjoyable because we feel like we’re actually experiencing her as a human being.
I would love to be that earnest. I simply don’t think I’ve gone through half the amount she’s gone through in her life. Because I fear so much, I end up not being in very exciting or controversial situations, and that could translate as boring. But I wouldn’t say I was a boring person. I relish in the mundaneness of interacting with others and the excitement of being myself. I’m actually obsessed with myself. When I’m with my best friend, we’re just so fun together. Other people, they’re like, “The f—?”
You’re on Coachella next year. You’ve talked about festivals not being your ideal performance venue. I’m definitely better now, for sure. Two years ago, I was pretty s—.
What’d you learn from the tour you just finished? Oh, a lot. I learnt that I’m in control of my body. I learnt that I’m in control of pretty much every element when I’m onstage. One thing I’m realizing as I talk is that the reason I don’t like drugs is because I like full control. When I’m onstage, for some reason, I always imagine that I’m gonna lose control — I’m gonna have to faint or have to run. I don’t know why, but that’s my biggest fear with performing, and hence why I’ve always been quite nervous.
But doing that tour made me realize that I can choose if I want to have a good time right now. And I chose to have a really good time — it was a really fun experience. I’m still learning how to dance. I’m still learning how to look good onstage. I think I’m built in quite a funny way, which makes me look long. And when you’re shaped in a long way and you have long limbs, you look bad at dancing.
You’re taller than I expected. Every single person says that.
Why do we all think you’re going to be shorter? My voice is quite high. I also think I shrink myself — less in physical ways and more in how I portray myself. I’m not like [shouts], “I’m here!” I’m more like [whispers], “I’m here.”
Her brown face, green mantle and forgiving gaze is a mainstay of Southern California: In front yards. As murals. On decals flashing from car windows and bumpers. Sold at swap meets in the form of T-shirts, ponchos, statues, bags and so much more.
Tomorrow, it will be the feast day of Our Lady of Guadalupe, and She couldn’t come soon enough. 2025 will go down as one of the best and worst years ever to be a Catholic in the United States.
Members of my faith are in positions of power in this country like never before. Vice President JD Vance is a convert. A majority of the Supreme Court are practicing Catholics. Names of past Catholic diasporas like Kennedy, Bondi, Loeffler and Rubio dot Trump’s Cabinet. This week, he became the first president to formally recognize the Feast of the Immaculate Conception, a Catholic holy day celebrating Mary, the mother of Jesus.
“For nearly 250 years, Mary has played a distinct role in our great American story,” Trump declared, offering a brief Catholic history of the United States that would’ve made this country’s Puritan forefathers retch. He even shouted out Our Lady of Guadalupe’s feast day, commending the “steadfast devotion to Mary that originated in the heart of Mexico.”
It’s the second year in a row where Trump has wrapped himself in the Empress of the Americas. Last year, he shared Her famous image on social media on Sept. 8, when Catholics celebrate the birth of the Virgin Mary, with the caption “Happy birthday, Mary!”
I wish I could say Guadalupe is changing Trump’s shriveled excuse of a heart. But it’s impossible to reach that conclusion when so many Catholics in the U.S. face unholy persecution because of his deportation deluge.
A study released earlier this year by a coalition of evangelical and Catholic groups found that 61% of immigrants at risk of deportation in this country identify as Catholic, while nearly one-fifth of U.S. Catholics “would be impacted” by someone being deported. The latter figure is nearly three times the rate that evangelicals face and four times the rate of other Christian denominations.
Guadalupanos — people with a special devotion to Guadalupe, the overwhelming majority of whom are Latino — can’t even venerate Her in peace this year because of Trump.
The neighborhood house that I visit every year to pray the novena in honor of Guadalupe with others has seen way fewer people than last year. In Chicago, where immigration agents terrorized residents all fall, officials at the Shrine of Our Lady of Guadalupe in suburban Des Plaines are seeing the same even as they adopt security measures to reassure attendees. Out in the Coachella Valley, a beloved pilgrimage in honor of la guadalupana held for more than 20 years was canceled, with organizers announcing on Facebook in Spanish that the faithful should instead do a “spiritual interior pilgrimage where our mother invites us to keep us united in a secure environment.”
Since July, San Bernardino diocese bishop Alberto Rojas has allowed Catholics to skip Mass because of all the raids in the Inland Empire. He was joined this week by Diocese of Baton Rouge Bishop Michael Duca as lamigra now roams Louisiana. “We should be anticipating the joy of Christmas, surrounded by our family in celebration,” Duca wrote, “instead of the experience of anxiety and fear.”
The late Pope Francis meets with U.S. Vice President JD Vance and delegation during an audience at Casa Santa Marta on April 20 in Vatican City. A day later, Francis died at age 88.
(Vatican Pool / Getty Images)
That’s the sad irony of seeing Catholicism have such a prominent role in Trump’s second term. The main defamers of Catholics in the United States have been Protestants since the days of the founding fathers. They cast successive waves of immigrants — Irish, Italians, Poles, Mexicans, Vietnamese — as evil, stupid immigrants beholden to Rome. They wrongly predicted each group would ruin the American way of life.
Now that Catholics are at the top, they’re the ones pushing policies that persecute the new generation of immigrants, Catholic and not. They mock the exhortations of church leaders to follow the Bible’s many commands to protect the stranger, the meek, the least and the poor by arguing that deporting the undocumented is somehow righteous.
That’s why, as we end a terrible year and Trump vows to escalate his cruel anti-immigrant campaign in the next one, Catholics and non-Catholics alike need to remember who Our Lady of Guadalupe is like never before. She’s more than just an iconic image; this dark-skinned María stands against everything Trump and his brand of Catholicism preaches.
The faithful believe that Guadalupe appeared in 1531 near modern day Mexico City — not before the conquering Spanish priests who were destroying the old ways of the Aztecs and other Indigenous groups, but to the conquered who looked like her. The manuscript that shared her story with the world quoted her as promising to “hear all their cries … and remedy all their miseries, sorrows, and pains.”
Siding with the underdogs against the elites is why Mexicans carried Guadalupe’s banner in the War of Independence and during the Mexican Revolution. Why Cesar Chavez carried her during United Farm Workers marches and why generations of Chicano artists have reimagined la virgencita as everything from a bikini-clad model to a jogger — the more quotidian, the better.
It’s why there are 19 parishes, sanctuaries and missions named after her in the dioceses of Orange, Los Angeles and San Bernardino — by far the most of any saint, sacrament or Marian apparition in the Southland. It’s why the late Pope Francis regularly celebrated mass in honor of Guadalupe’s feast day at the Vatican and admonished those who wished to “gain ideological advantage over the mystery of Guadalupe” last year during a homily at St. Peter’s Basilica. Presiding over the service was Cardinal Robert Prevost, who is now Pope Leo XIV and whose devotion to Guadalupe is such that he was consecrated as a bishop 11 years ago this Dec. 12.
It’s why Guadalupe has emerged as a symbol against Trump’s deportation Leviathan.
Her message of hope for the poor over the privileged stands in contrast to the limousine Catholics who dominate Trumpland. They’re the ones that have successfully spent millions of dollars to move the church in the United States to the right (55% of Catholics chose Trump last year), repeatedly tried to torpedo the reforms of Pope Francis and are already souring on Pope Leo for describing Trump’s raids as “extremely disrespectful” to the dignity of migrants. They’re the ones who have expressed more outrage over the assassination of conservative firebrand Charlie Kirk this fall than the suffering that millions of their fellow Catholics have endured all year under Trump.
Our Lady of Guadalupe, grant us the strength to fight back against the Herod of our time.
ORLANDO, Fla. — The 2026 World Baseball Classic begins in less than three months.
Between now and then, the Dodgers will have to have some “delicate” conversations with their star trio of Japanese pitchers.
As of now, Dodgers front-office officials said at this week’s winter meetings, no final decisions have been made about whether Yoshinobu Yamamoto and Roki Sasaki will participate in the tournament, nor if Shohei Ohtani (who has already confirmed his participation) will pitch in addition to hitting.
“We’re still working through that,” said president of baseball operations Andrew Friedman, who met with Team Japan manager Hirokazu Ibata at the Signia by Hilton Orlando this week.
“We’re very supportive of Samurai Japan and all that they’re trying to accomplish, and they’re very supportive of us,” Friedman added. “It was about just keeping open the lines of communication, the mutual respect and working together to help all sides.”
What would be most helpful to the Dodgers, of course, is if none of their three Japanese stars pitch in next spring’s international tournament.
Each of them could also benefit from extra rest going into the 2026 campaign. Sasaki will be returning to the starting rotation after missing most of last year’s regular season because of a shoulder injury. Ohtani will be embarking on his first full season of two-way duties since 2023. Yamamoto is coming off what was already an unprecedented workload even before last season’s playoffs, having set a new career high (either in MLB or Japan) with 30 starts in the regular season.
Already, it appears several other Dodgers players will, or are likely, to skip the event. While Team Canada general manager Greg Hamilton said Freddie Freeman would like to participate, the first baseman is dealing with some lingering health issues after playing through an ankle injury for much of last season. Teoscar Hernández said in an interview that he will not play for the Dominican Republic in order to focus on next season. Tommy Edman, who previously represented Team Korea, is also not expected to play as he recovers from an offseason ankle surgery.
To this point, the only Dodgers player other than Ohtani to confirm his WBC participation is catcher Will Smith for Team USA.
More could follow, from Mookie Betts (who has yet to announce any WBC decision) to Hyeseong Kim (who told Korean media he has requested permission from the Dodgers to participate) to Alex Vesia (who is under consideration for a Team USA spot, according to American general manager Michael Hill).
In Japan, however, the WBC is held to a higher standard of importance than most other countries around the world (and, to its fans, an even more significant level than the World Series itself). The nation has won the event a record three times, including in the most recent 2023 edition. And having star players sit out, or even be restricted, in the tournament can threaten to become a culturally controversial development.
The Dodgers understand this.
Manager Dave Roberts this week described the dynamic with the Japanese players as “very delicate,” and said neither he nor the organization “want to be dismissive of what it means to them representing their country.”
“You can’t debate the emotion,” he added, “what a player might feel of this potential opportunity.”
That doesn’t mean, however, the Dodgers aren’t concerned about the cost the tournament can incur, especially for starting pitchers given its place on the calendar.
Next year’s event will take place March 5-17, requiring pitchers to be built up for live-game action nearly a month earlier than they would otherwise. Team Japan will also have to travel from Tokyo (where they will play their group stage games) to Miami (where the knockout round will be held) during that two-week window, assuming they advance through the preliminary round as expected.
Because of that, Roberts acknowledged he was hoping Ohtani (who will still be managed carefully as a pitcher next season, potentially with a week or more of rest between outings) would only hit in the event — and seemed to hint that would be the likely outcome for the reigning MVP.
“The pitching side of things is challenging and gives us a little bit of pause,” general manager Brandon Gomes added. “But yeah, we’ll obviously continue to have those conversations and figure it out.”
The Dodgers will also face a decision with Sasaki, whom they can block from participating in the WBC since he missed the majority of last season on the 60-day injured list, though they haven’t given an indication yet on whether they would do so.
“We just need to sit down and talk through it as an organization,” Gomes said generally of the team’s process for WBC players. “Once we get more info on the players, we’ll have those conversations.”
While the Dodgers can’t prevent Yamamoto from participating, Roberts indicated they could lobby for Team Japan to keep him (and Ohtani or Sasaki, if they wind up on the Japanese staff, as well) on a more restricted workload for the tournament.
“I would like to think that it’s going to be a dialogue as far as restrictions and limitations,” Roberts said. “In the sense of just trying to give them the opportunity, but also understand they’ve come off some stuff, some long seasons.”
There should be more clarity in the coming month, with Team Japan hoping to have its roster finalized by the new year. Next week, Friedman said, clubs and national teams will also submit forms to MLB regarding players’ potential participation, which allows for a period of feedback between all parties.
“I do think that the conversations need to be had [and] will be had, as far as what each individual is taking on and whatever role that they might be taking on,” Roberts said. “And what potential costs there might be.”
For now, however, when it comes to one of the more delicate situations the Dodgers will have to navigate this offseason, “there’s no more clarity than we had before,” Roberts added.
Raul Malo, who as frontman of the Mavericks brought a Latin rhythmic flair and a sweeping sense of romance to country music, died on Monday. He was 60.
His death was announced by the band in an Instagram post that didn’t specify the cause or say where Malo died. Last year, the singer told fans that he had been diagnosed with cancer; in September, Malo wrote on Facebook that he had developed leptomeningeal disease — a condition in which cancer metastasizes to the membranes around the brain and spinal cord — and was calling off the group’s upcoming concerts.
This past weekend, bandmates Paul Deakin, Eddie Perez and Jerry Dale McFadden performed with a cast of friends and admirers at Nashville’s Ryman Auditorium to mark the Mavericks’ 35th anniversary. Among the acts who paid tribute were Steve Earle, Rodney Crowell, Patty Griffin and Marty Stuart.
Their sound built around Malo’s muscular baritone, the Mavericks broke out in the 1990s with an expansive style of country music that pulled from big-band pop, ’50s-era rock and the Cuban music Malo heard growing up in Miami as the son of Cuban immigrants. As a singer, Malo was frequently compared to Roy Orbison; in 2001, he told The Times about his love for Tony Bennett.
The Mavericks released their self-titled debut album in 1990 and were quickly signed by MCA Nashville, which put out “From Hell to Paradise” in 1992. (The album’s title track was Malo’s description of his parents’ journey to America.) The band’s next LP, 1994’s “What a Crying Shame,” went platinum and spun off a series of hit country singles including the title track, “O What a Thrill” and “There Goes My Heart.” The next year the band recorded a cover of Rodgers & Hart’s “Blue Moon” for the soundtrack of Ron Howard’s Oscar-winning movie “Apollo 13.”
In 1996, the Mavericks won a Grammy Award for “Here Comes the Rain,” a chiming roots-rock number from their album “Music for All Occasions,” which featured appearances by Trisha Yearwood and the accordionist Flaco Jiménez. The Mavericks were twice named vocal group of the year at the Country Music Assn. Awards, in 1995 and 1996.
For 1998’s “Trampoline,” the band leaned into torch-song balladry and classic R&B but struggled to connect on country radio. The album “threw a lot of people for a loop,” Malo told The Times. “That’s OK. I liked it.” He followed the album with a solo debut, 2001’s “Today,” that further explored his Cuban heritage.
Malo was born in Miami in 1965. He co-founded the Mavericks in 1989 with Robert Reynolds, who had fronted an earlier band in which Malo played bass.
The group broke up after 2003’s “The Mavericks,” then reunited a decade later. The band’s most recent studio album, “Moon & Stars,” came out last year.
In addition to the Mavericks and his solo work, Malo also played with Los Super Seven, a sprawling roots-music supergroup whose other members included Jiménez, Freddy Fender and members of Los Lobos.
Among Malo’s survivors are his mother, Norma; his wife, Betty, and their sons, Dino, Victor and Max; and his sister Carol.
