PHOENIX — There are expectations surrounding new Dodgers right fielder Kyle Tucker — not surprising for someone with a four-year, $240-million contract.
But first things first.
“Last year I got one hit in spring [training], so hopefully I get more than that,” Tucker said, sharing a laugh with reporters after grounding out and walking in two plate appearances in his Cactus League debut on Sunday. “So, that’s the goal. But I mean, [I’m] just feeling comfortable.”
In a clubhouse full of superstar players, the feeling seems mutual with his teammates.
“I’m glad he’s with us,” Dodgers catcher Will Smith said, adding: “Yeah, There might be other superstars on this team, but it’s not really anyone’s focus here. It’s all about getting in every day, working hard, helping us win a ballgame that day and working toward the ultimate goal of winning the World Series.”
It was a tale of two seasons for the 29-year-old Tucker in 2025.
Through the first three months of the year, Tucker had the Chicago Cubs’ offense humming, powering the club to a 53-35 start. Entering July, Tucker was batting .291 with a .395 on-base percentage, .931 OPS, 17 home runs, 52 RBIs and 20 stolen bases. Tucker found himself in the middle of the National League MVP discussion as the Cubs sat in first place in the NL Central.
But from July 1 through the end of the season, he batted just .225, posting a .690 OPS, five home runs and 21 RBI, a far cry from his first half that earned him a start in right field in the All-Star Game.
It was later revealed that Tucker sustained a hairline fracture in June, which he played through. In September, he suffered a calf strain, landing him on the injured list.
He finished the season with a .266 batting average and 22 home runs, career lows for him. That did not deter the Dodgers, and it was an easy sell for Tucker as well.
“Every organization is unique in its own sense,” Tucker said. “But this organization obviously the last couple of years has done pretty well, so I think that’s a huge part of the front office and them doing their part and trying to get a great group together. Just great people and great athletes, and then trying to just put the best product out on the field for the city of Los Angeles and the fans. I think they’ve done a pretty good job of that so far. Hopefully, we can keep winning for them.”
Despite what happened last season with Tucker, Dodgers manager Dave Roberts is confident in the newly-signed star.
“For me and the people that I talked to and how he goes about it, there’s nothing negative for me,” Roberts said last week. “I love guys that just come to work and love playing and competing. So, he just wants to win. He’s not a self-promoter; he’s not going to give [the media] a bunch of great soundbites. He wants to play to win, and I love guys like that. So, I’m excited to have him and get to know him even more.”
Tucker missed just under three weeks in the season’s final month. He would not return to the outfield in 2025, manning the designated-hitter spot for the Cubs, whose season ended at the hands of the Brewers in five games in the NL Division Series. Tucker says he felt good all offseason and is feeling even better in the early days of camp with his new team.
“It was a pretty healthy [offseason],” Tucker said. “At the beginning, I might have still been kind of nursing the calf a little bit. But it was kind of feeling pretty good right at the end. I think if we had moved onto the next series, I probably would have gone to the outfield, so I wish I could have gotten out there for that. Overall, in the offseason, I felt pretty healthy, and [feel pretty healthy] going into camp so far.”
Alex Vesia returns to the mound
Dodgers left-hander Alex Vesia made his Cactus League debut in Monday’s 3-0 win over the Seattle Mariners — the first time he’s pitched in a game of any kind since his newborn daughter died last fall.
Entering Monday’s game in the fifth inning to a loud ovation, Vesia struck out one and retired the side in order. He then received a warm greeting by his teammates in the dugout.
“Being around the guys, it’s really been comforting,” Vesia said. “These guys are my brothers, I truly love all of them. It’s meant a lot.”
Dodgers set starting pitchers for the week
Before Monday’s game, Roberts revealed starting pitchers for this week. Gavin Stone will take the mound Tuesday, Roki Sasaki will start Wednesday before Tyler Glasnow makes his first start of the Cactus League Thursday. Yoshinobu Yamamoto will start for the second time Friday, in what will likely be his final start before joining Team Japan for the World Baseball Classic.
Over the last two offseasons, the Dodgers spent a combined $141 million on relief pitchers Edwin Díaz and Tanner Scott, both of whom are expected to make their first spring training appearances later this week.
“I think Tanner and Edwin are going either Wednesday or Thursday in the Cactus League games,” Roberts said. “Those guys, we’ll start to see them this week.”
Despite the string of storms that have hit the Los Angeles region in recent days, the skies cleared up long enough on Wednesday for thousands of aspiring actors to swarm a beachfront in Marina del Rey and take their shot at landing a role in the upcoming “Baywatch” reboot.
The open casting call brought old Hollywood magic to Los Angeles, as the show intensified its search for raw and local talent, reminiscent of how original “Baywatch” stars were discovered, said Brittainy Roberts, the vice president of casting at Fox.
The soapy drama series, which premiered in 1989 and ran for 11 seasons, followed the lives and relationships of lifeguards who patrolled L.A. County beaches (and later Hawaii). It was not only a hit stateside — internationally it was a success, becoming the most-watched show in the world at the time. A film adaptation starring Dwayne Johnson and Zac Efron was released in 2017, and despite negative reviews, it was considered a commercial success, signaling an appetite for more.
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The casting team has “big bathing suits to fill,” Roberts said. The show famously created a slew of stars, including Pamela Anderson and Carmen Electra, who got their start on the show, and catapulted David Hasselhoff to new heights of fame.
Uncommon in a post-pandemic era of self-tape auditions, the open and in-person auditions attracted actors hungry for their big break and locals hoping to leave with a fun story to tell. Many donned “Baywatch” visors and sweaters while others sported bright red bathing suits, popularized by the original show. It was “an opportunity to really get people in the room in a large-scale way,” and allow “people an opportunity that maybe they aren’t getting in this new landscape of auditioning,” Roberts said.
The casting team saw live auditions from about 2,000 “Baywatch” hopefuls, and about 14,000 applications were submitted, said Joseph McGinty Nichol, known as McG, the reboot’s executive producer who will direct the first episode. His past projects include the “Charlie’s Angels” movie and “The O.C.”
Pat “The Jaguar” Uland, 31, of San Francisco, on the red carpet at the “Baywatch” open casting call.
(Allen J. Schaben / Los Angeles Times)
Beach-ready candidates filed in and out of a Marriott hotel in Marina del Rey for the in-person auditions. The casting call, which ran late into the night, embodied the joy of Hollywood, McG said.
Bri Ana Wagner, a 29-year-old living in Los Angeles, has been pursuing acting for around a decade. The open casting call was a reminder that the Hollywood “dream is alive,” she said.
“It’s like the way it used to be and the way it should be,” McG said. “You can come to a Marriott in Marina del Rey and change your life and blow it wide open.”
Hopefuls try to catch a break
David Chokachi hadn’t acted much before auditioning for “Baywatch” in the 1990s. Douglas Schwartz, one of the show’s original creators, and his wife, Deborah, had seen just about a thousand auditions for the role of Cody Madison. None of the actors matched the couple’s vision for the character, until Chokachi strolled in.
“It’s one of the most surreal things that’s ever happened in my life,” said Chokachi, the only actor from the original series confirmed for the reboot.
David Chokachi, who was on the original “Baywatch,” is reprising his role as Cody Madison.
(Allen J. Schaben / Los Angeles Times)
The aspiring actors who auditioned Wednesday hoped to get their chance at a big break similar to the one Chokachi got decades ago. Casting for the reboot began late last year, Roberts said, and people “have come out of the woodwork” since, with some messaging her directly on social media.
“The fact that we’re shooting in L.A., it’s certainly ignited a flame for a lot of agents and managers in town hoping to get their clients working here,” Roberts said.
The casting executive was hopeful that Wednesday’s auditions would bring together a talented pool of actors that the show can continue to pull from.
Massiel Taveras was among the many in attendance at the casting call: “I belong to this group. I belong to the show. I just feel it.”
(Allen J. Schaben / Los Angeles Times)
Massiel Taveras was crowned Miss Dominican Republic in 2007 and has pursued acting since, finding success in the Latino market. She arrived to the Marriott hotel sporting a bright red sports bra and leggings, paired with a large fur coat to shield her from the beach chill.
“I just love the show so much … It’s iconic. It’s something that everybody loves,” Taveras said. “I belong to this group. I belong to the show. I just feel it.”
Meanwhile, Dominique Lopez, a broadcast student from Monrovia, had never been to an audition before her boyfriend Colin Bolick, an actor, convinced her to attend the casting call together. The experience was “super easygoing” and intimate, she said as she walked out of the audition room.
“It’s making the industry exciting again. It’s putting people in the mind space of … ‘Let me put myself out there,’” said Lopez, 25. “Just for that, I feel like a better person, that I went and did something new.”
Could ‘Baywatch’ could help revive Hollywood?
Marko Dobrasinovic, 24, who made the trek from Chicago to audition, bumped into an old high school classmate, Alyssa Frey, while in line to check in. The pair attended the same high school as Hasselhoff, who played Mitch Buchannon on “Baywatch,” one of the actor’s best-known roles.
The impromptu reunion felt like a full-circle moment, said Frey, who moved to Los Angeles to pursue acting about two years ago. She landed in the city just as the actors’ and writers’ strikes froze Hollywood. Wednesday’s casting call was “one of the few opportunities to get in front of someone,” she said.
It was one that almost slipped away from the city. Showrunners were eyeing Australia as an alternative to filming in L.A., until Gov. Gavin Newsom and state legislators granted the production, along with 16 others, California’s film and TV tax incentive in November. Hollywood has struggled to return to its former status as a production mecca after the COVID-19 pandemic and 2023’s dual strikes. The wildfires early last year, coupled with studio spending cuts, added another blow to L.A.‘s waning film and TV industry.
The open casting call was a rare event in Los Angeles, as the TV and film industry struggles to recover.
(Allen J. Schaben / Los Angeles Times)
Chantal Groves left a stable job in international relations around two years ago, setting her sights set on Los Angeles. The 25-year-old, originally from the Dominican Republic, said acting was always her true passion. The career change has been fulfilling, but navigating such a fraught industry is difficult, she said.
“It’s basic laws of supply and demand,” Groves said. “There’s not a lot out there. There’s not a lot casting, and so just in general, it’s a really hard time to start in the industry.”
The “Baywatch” reboot received a $21-million credit, aimed at revamping the state’s entertainment industry.
“This was about keeping an iconic, world-famous brand right here in L.A.,” said Traci Park, a councilmember for District 11 who helped lead efforts to secure the tax incentive and attended the event. “We have the talent, we have the resources, we have the sets … it is exactly why we are fighting so hard to keep these productions in Los Angeles.”
A love letter to Los Angeles
“Baywatch” showrunner Matt Nix was in the middle of fighting off the wildfire that ravaged his Altadena neighborhood and got dangerously close to his home when he first got the call to lead the reboot. His house survived the fires, and he says a show like “Baywatch” felt like exactly what the city needed after such tragedy.
“This is a show about paradise and the people who keep it that way,” Nix said. “There’s something fundamentally earnest and positive about ‘Baywatch,’ the idea of heroes on the beach taking care of each other and the people that they protect.”
Others can relate to that sentiment. “Baywatch” was “right up my alley,” said Ava Cherlyn, a 19-year-old from Newport Beach. The aspiring actor, who moved to Hollywood six months ago, was a lifeguard growing up and played water polo competitively.
“I’m surprised that I haven’t been nervous,” Cherlyn said as she posed for photos in a red bathing suit.
Aspiring actor Ava Cherlyn, 19, in a red swimsuit made iconic in “Baywatch.”
(Allen J. Schaben / Los Angeles Times)
The original show attracted a worldwide audience because of its focus on “heroic people with complicated and interesting lives” while still feeling like an easygoing “hour-long vacation,” Nix said.
That nostalgic magic won’t be lost in the upcoming season, which Nix said is more of a continuation rather than a reboot. It will follow Hobie Buchannon, Mitch’s son, a character featured in the original series, played by “Arrow” protagonist Stephen Amell.
Hobie’s life will be derailed when he meets Charlie, a 21-year-old daughter he never knew he had who’s eager to continue the family’s legacy by becoming a Baywatch lifeguard. Hobie, now a Baywatch captain, will navigate the familial troubles throughout the season, Nix said.
“I don’t want to imply that ‘Baywatch’ is going to save the world or save America,” Nix said. “But, at the same time, I think it’s a good time for an unapologetically heroic show about people who care about each other and the people that they’re trying to save.”
Outside a hall where Southern California Edison was celebrating Black History Month on Friday, a group of Altadena residents stood on the sidewalk, waving signs and talking of the homes and family members they lost in last year’s Eaton fire.
“They’re in there celebrating Black history and they’ve destroyed a Black town,” said Nicole Vasquez of My Tribe Rise, which helped organize the protest.
The Jan. 7, 2025 fire destroyed thousands of homes, including the majority of homes in west Altadena, a historically Black community. All but one of the 19 people who died were in west Altadena.
“If Edison’s tower did not ignite the fire, Altadena would still be there,” said Trevor Howard Kelley, who lost his 83-year-old mother, Erliene, in the fire.
Kelley, his daughter and two granddaughters had been living with his mother before her home was destroyed, he said.
The Black Altadena residents are part of a larger coalition that is asking Edison to advance each family who lost their home $200,000 in emergency housing assistance. They say that more than a year after the blaze many wildfire survivors are running out of the funds they had received from insurers.
The group protesting Friday also called for transparency from Edison. The company has said it believes it is likely its equipment caused the fire but has continued to deny it did anything wrong.
“We just want the truth,” said Felicia Ford, who lost her house in the fire. “What’s wrong with saying, ‘We got this wrong.’”
Scott Johnson, an Edison spokesperson, said Friday that the company continued to believe its voluntary compensation program was the best way to help victims of the fire. Edison has promised to quickly review each victim’s claim and pay it swiftly if approved.
Families who lost their homes can receive hundreds of thousands of dollars under the program, while those with damaged homes receive lesser amounts.
But many survivors say they don’t believe the offered amounts fully compensate their losses. And to receive the money, victims must agree not to sue — which many are not willing to do.
“We recognize the incredible struggles the community has faced,” Johnson said. “The intent of the program is to reach final settlements to allow the community to rebuild and move on.”
The investigation into the cause of the fire has not yet been released. Edison has said a leading theory is that its century-old transmission line in Eaton Canyon, which had not carried electricity for 50 years, somehow became reenergized and sparked the fire.
Company executives said they did not remove the old line because they believed it would be used in the future.
Tru Williams said he just wants to get his parents back home.
(Myung J. Chun / Los Angeles Times)
In December, state regulators ordered Edison to identify fire risks on its 355 miles of out-of service transmission lines located in areas of high fire risk and tell regulators how executives planned to use the lines in the future.
Stepping into Jr. Market boutique in Highland Park is like entering a 1980s time warp. Built into a refurbished shipping container, it’s filled with everything from tiny Walkman-style portables to colorful, number-flip clock radios and, naturally, boomboxes of all sizes. Few are more imposing than the TV the Searcher, a Sharp boombox from the early ‘80s that features a built-in, 5-inch color television.
“Try lifting it, it’s really heavy,” warns Spencer Richardson, the shop’s owner. Indeed, the machine is at least 15 pounds without the 10 D batteries that power the unit. He adds, “I don’t think you’re taking this to the beach so you could watch TV while you listen to music.”
An affable, hyper-knowledgeable proprietor in his early 30s, Richardson repairs and resells analog music technology from the 1980s or earlier. In bringing these rehabbed players back into circulation, he’s helping others rediscover a musical format once left for dead. While his hobby-turned-side hustle started as “a gateway to discover sounds” that he otherwise would not have heard, it now attracts curious customers willing to drop $100-plus for a vintage Technics RS-M2 or My First Sony Walkman. His customers include older baby boomers and Gen X‑ers nostalgic for the players of their childhood, but most have been millennials like himself, drawn to something tactile and analog in an era when everything else disappears into the digital ether.
A rare Technics RS-M2 stereo radio tape deck. “I’ve worked on a lot of tape players and this one shouts quality inside and out,” Richardson writes on Instagram.
(Spencer Richardson)
Unlike turntables, which have become increasingly high-tech thanks to the “vinyl revival” of the last 20 years, almost all cassette players in current production rely on the same, basic tape mechanism from Taiwan, Richardson explains. Though cassette culture is enjoying its own period of rediscovery — albeit on a far smaller scale — he hasn’t seen a market emerge for newly engineered tape decks. And he’s fine with that.
“I’m not one of those people that’s like, ‘Why don’t they make good new tape players?’” he says. “No one needs to make it better. You’re still better off buying a refurbished one from the time when they made them.”
That’s where he steps in.
Richardson works on a Nakamichi tape deck out of his repair studio in downtown L.A.
(Genaro Molina / Los Angeles Times)
It’s easy to forget that when cassettes debuted in the mid-1960s, the technology was groundbreaking. Not only were the players far more portable than turntables but unlike records, tapes were resilient to being tossed about. Even more profoundly, cassettes democratized access to the act of recording itself since cassette technology required minimal infrastructure and cost.
“I think about how incredible it must have been for people to realize they could just put whatever they wanted onto a tape, dub it, give it to a friend,” says Richardson.
Entire genres of music, especially in the developing world, became far more accessible across borders. In some countries, big records are still released on cassette. “I have a Filipino release of Kanye West’s ‘College Dropout’ on tape,” Richardson says.
The constraints of the technology guided the listening experience. Because skipping songs on a player was a hassle, most people sat with cassette albums as a track-by-track, linear journey, the antithesis to the algorithmic, shuffle-centric playlists ubiquitous on today’s streaming platforms. It’s a pace that Richardson appreciates.
“I want things to be intentional and slow,” he says. “I don’t need them to be optimized.”
He learned how to repair gear by watching YouTube videos, perusing old manuals and through trial and error.
(Genaro Molina / Los Angeles Times)
Born in the early 1990s, Richardson grew up in Santa Monica and the Pacific Palisades, where his mother’s home was lost in the L.A. wildfires last year. He’s just old enough to remember cassettes as a child: “My mom had books on tape like ‘Winnie the Pooh,’ but I wasn’t out buying tapes.” Fast forward to the mid-2010s and he was working at the now-defunct Touch Vinyl in West L.A. “Back in 2014, we started this little in-store tape label,” he explained. “Bands would come to play, and we’d duplicate 10 tapes and give them away or sell them.” Richardson slowly began collecting cassettes but after the store closed a few years later, he realized how hard it was to find people to service his tape players.
Finally, once the pandemic hit in 2020 and everyone was stuck at home, he decided to learn how to repair his gear by watching YouTube.“I was just fascinated by the videos, absorbing soldering techniques and tools you might need,” he said. With no formal engineering background, Richardson began collecting information online, perusing old manuals, learning through trial and error. “You just need to get your hands in there and be like, ‘Oh, OK, I see how this works,’ or maybe I don’t see how this works, and I’m just going to bang my head against the wall, and then a year later, try again.” His first successful repair was for his Teac CX-311, a compact stereo cassette player/recorder that he still owns. “It has some quirks but runs well.”
A few years later, Richardson’s girlfriend, Faith, suggested he start selling his players online via an Instagram account — jrmarket.radio — originally created for a short-lived internet station. Tim Mahoney, his childhood friend and a professional photographer, shot the units against a plain white backdrop, as if for an art catalog. A community of enthusiasts quickly found his account and Richardson began selling pieces online and via pop-ups. In 2024, the owners of vintage clothing store the Bearded Beagle invited him to take over the parking lot space behind their new location on Figueroa St. Opening a brick-and-mortar store hadn’t been his ambition but Richardson accepted the opportunity: “I never envisioned opening my own physical store. It’s hard enough to have a retail space in Los Angeles to sell something that’s very niche.”
Jr. Market operates as a shop Thursday through Saturday in Highland Park.
(Spencer Richardson)
Jr. Market — whose name is inspired by Japanese convenience stores known as “junior markets” — isn’t trying to appeal to audiophiles though Richardson does stock studio-quality recording decks. He primarily looks for players with appealing visual design, most of them made in Japan where Richardson has been traveling to since graduating high school. Through those trips, he’s learned where to source pristinely-kept gear, including his best-selling Corocasse: a bright red plastic cube of a radio/tape player, introduced by National in 1983. He also keeps an eye out for the unique Sanyo MR-QF4 from 1979, an elongated boombox with four speakers, designed to play either horizontally or flipped into a vertical tower.
The store also stocks a small selection of portable record players, including a Viktor PK-2, a whimsical, plastic-bodied three-in-one turntable, tape player and AM radio that looks like something designed by a modernist artist for Fisher-Price. That went to local author and historian Sam Sweet, who visited the store with no intention of buying anything and left with the Viktor, which now sits on his writing desk. “Spencer’s part of a grand tradition of workshop tinkerers and specialty mechanics,” Sweet says. “The refurbished devices he sells are as much a reflection of his ethos and expertise as they are treasures of the past.”
Last year, Imma Almourzaeva, an Echo Park art director, came to the store and purchased a massive 1979 Sony “Zilba’p” boombox, which is nearly 2 feet wide and over a foot tall, with wood veneer panels to boot. Almourzaeva, who grew up in Russia in the ‘90s, wanted a player that offered “the tactile feel of my childhood and bringing it back into my daily routine, something familiar, something warm.” The Zilba’p is the largest boombox Richardson has carried and Almourzaeva said, “It’s aesthetically a showstopper. Maybe I have a Napoleon complex because I’m pretty small too. It’s like ‘go big or go home’ for me.” She shared that she recently bought a Soviet-era boombox from Richardson for her brother for Christmas. “It turned out my mom grew up using the same brand of stereo,” Almourzaeva says. Richardson had told her that Soviet boomboxes are “very DIY, more funky and finicky.”
Refurbishment is one of Richardson’s specialties, including repairing customer units, each of them a puzzle he enjoys solving. No matter if a player is sparse or feature-packed, the simple act of playing a cassette creates a sense of calm and focus for him. “You’re not distracted, because it doesn’t do anything else,” he says. In a time where every “smart” device is marketed with dizzying arrays of features, that simplicity can feel downright revolutionary.
Not only is Betye Saar a living legend, but the prolific L.A. artist continues to add to her impressive oeuvre day by day.
She’s been creating powerful, thought-provoking artwork since the ’60s and her pieces have been shown at the Smithsonian, the Museum of Modern Art, the Art Institute of Chicago and LACMA, as well as museums and galleries around the world.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
As her centennial birthday approaches this July, Saar shows no signs of slowing down. She still routinely creates art and continues to garner headlines and accolades. Last year, she was honored with the distinction of “Icon Artist” at the Art Basel Awards. During the upcoming Frieze Los Angeles art festival, which opens Feb. 26, she will be the subject of the photography installation “Betye Saar Altered Polaroids.” And this May, “Let’s Get It On: The Wearable Art of Betye Saar” will debut at Roberts Projects, the gallery that represents her. The exhibition will feature pieces from her early career as a costume and jewelry designer.
Though she’s skilled at painting and photography, she’s most widely known for assemblage, the art of juxtaposing miscellaneous items to form a single cohesive work. Her dioramas, sculptures and large-scale multimedia installations explore the legacy of American slavery, confront racial injustice and celebrate the strength and resiliency of African American women.
“I work with found objects that had another purpose before they came to my hands,” Saar says while seated at a patio table in her succulent-filled tiered garden. “The hardest part of it is going to a flea market, secondhand stores, an estate sale or even just going behind a store to see what people throw away.”
Over the years, she’s traveled by plane, train and automobile in search of usable materials. Meanwhile, admirers, colleagues and gallery workers have sent her curios from New Mexico, Tennessee, New England and beyond. Her daughters — artists Alison and Lezley, and writer Tracye, their mother’s studio director — also stay on the lookout for objects that might catch her eye.
“I’ve been doing this for a long time, so I have quite a collection,” she says.
Indeed, Saar’s multi-level home studio in Laurel Canyon is bursting with dozens of old empty picture frames, discarded window panes, wooden chests, antique chairs and vintage clocks. But there’s always room for more.
Her idea of a perfect Sunday includes foraging for new items (or old ones, as the case may be) to use in her daily art practice. And she’d return to her roots to do it.
“Pasadena is my hometown and I still have a few relatives that live there,” she says.
While visiting her old stomping grounds, she’d embark on a multi-stop shopping spree and wander through a longtime favorite San Gabriel Valley attraction (where her work just so happens to be on display).
This interview has been lightly edited and condensed for length and clarity.
10 a.m.: Search for hidden treasures
Pasadena Community College Flea Market is something that’s part of “the hunt.” Alison usually drives, sometimes Tracye. Some people are there early to get the deals; we’re not like that anymore. I like to look around and sometimes I find interesting fabrics, scarves to wear and strange-shaped succulents for my garden. I hardly ever find really good antiquing things there, because those are at antique stores and they’re usually pretty pricey. But I bought an old, rusty metal birdcage the seller said was from France. I like rusty stuff for my art. I also found an indigo blue kimono to wear at an art event later this year.
1 p.m.: Replenish with Thai food
I’d go down Fair Oaks Avenue — there’s some secondhand stores. Usually, it’s nothing I can use, but I still can’t say no. I have to go see for myself. Then, lunch at Saladang Garden. I always order chicken sate and the green papaya salad. Last time I went, we tried the Thai corn fritter which was really good and crispy. If food is too spicy, I can’t eat it. But somebody in my party would always have something spicy and I can have a spoonful to add to mine.
2:30 p.m.: More shopping
I am attracted to all the odd things at Gold Bug. Notepads and trinkets, curious vintage-y things with animals or interesting patterns, strange candles. Sometimes I surprise myself by buying something. They have a mixture of things that — whether it’s for the color, or the texture — I feel that I can recycle and fit into an art object that I’m making.
3:30 p.m.: Visit a childhood haunt (with a side of more shopping)
I really like the Huntington’s gardens. I remember the first time I went there was with my mother and a friend of hers, and we walked around. All the paths were dirt, you know, they hadn’t even gotten around to paving it yet. But I just fell in love with it. And I really like their gift shop.
6 p.m.: Head west for a culinary classic
If I go someplace to eat for lunch, I usually have leftovers to warm up. Nothing wrong with leftovers — if you liked it the first time, you’ll like it again! But if I had to go out to dinner, the Apple Pan. I would go there in the ’80s with my daughters. I like their sandwiches, or the hickory burger with cheese, and there’s good French fries.
8 p.m.: Tuck into some wind-down watching
Before bed, I like to watch the news because, otherwise, I don’t know what’s going on. I also like a lot of shows on PBS. “Finding Your Roots,” or dramas like “Sister Boniface Mysteries” and “Call the Midwife,” which has been going on forever!
The Los Angeles County District Attorney is investigating whether Southern California Edison should be criminally prosecuted for its actions in last year’s devastating Eaton wildfire, which killed 19 people and left thousands of families homeless, the company said Wednesday.
Pedro Pizarro, chief executive of Edison International, told Wall Street analysts during an afternoon conference call that the company was cooperating with the District Attorney’s office. He said he didn’t know the magnitude of the investigation.
The company said in its annual 10-K report, which was released Wednesday, that it “could be subject to material fines, penalties, or restitution” if the investigation “determined that it failed to comply with applicable laws and regulations.”
“SCE is not aware of any basis for felony liability with regards to the Eaton Fire,” the report said. “Any fines and penalties incurred in connection with the Eaton Fire will not be recoverable from insurance, from the Wildfire Fund, or through electric rates.”
The District Attorney’s office declined to comment.
The investigation into the fire, which destroyed a wide swath of Altadena, has not yet been released. Pizarro has said that a leading theory of the fire’s cause is that a century-old transmission line in Eaton Canyon, which had not carried power for 50 years, somehow re-energized and sparked the fire.
Edison executives have said they didn’t remove the line because they believed it would be used in the future.
Company executives knew idle transmission lines could spark wildfires. In 2019, investigators traced the Kincade fire in Sonoma County, which destroyed 374 homes and other structures, to a transmission line owned by Pacific Gas & Electric that was no longer in service.
The Times reported in December how Edison fell behind in maintenance of its transmission system before the fire.
Despite the dangerous Santa Ana wind conditions on Jan. 7, 2025, Edison decided not to shut down the transmission lines running through Eaton Canyon. Pizarro has said the winds that night didn’t meet the company’s threshold at the time for turning off the lines.
Pizarro told investors on the call Wednesday that he continued to believe that the company had acted as a “reasonable utility operator” before the deadly fire.
Under state law, if a utility is determined to have acted reasonably it can be reimbursed for all or most of the damages of the fire by a state wildfire fund.
PHOENIX — Dodgers manager Dave Roberts expects a lot from Shohei Ohtani this season. But even with those high expectations, a topic of conversation Friday as pitchers and catchers went through their first official workouts at Camelback Ranch, the superstar two-way player already found a way to exceed them.
“I came into camp at the beginning of February,” Ohtani said through interpreter Will Ireton following a bullpen session. “This is my third bullpen with pretty good intensity. … I’m not really sure how I’ll be able to practice in the WBC setting, so I’m going to try to ramp up as much as I can to a point where I’m throwing a live BP, which should be next week.”
The 2026 season will be Ohtani’s third year with the Dodgers, and his first pitching without restrictions. Fully recovered from his second Tommy John surgery, Ohtani was able to enjoy a regular, albeit short, offseason. With Ohtani in full bloom, Roberts has even higher hopes for the four-time MVP in the coming season.
“I think there’s certainly a lot more in there, and regardless of my expectations for him, his are going to exceed those,” Roberts said Friday. “I think it’s fair to say, he expects to be in the Cy Young conversation, but we just want to be healthy and make starts and all the numbers and statistics will take care of themselves, but man, this guy is such a disciplined worker, and expects the most from himself.”
Ohtani’s highest placement in Cy Young Award voting came in 2022, when, still a member of the Angels, he finished fourth after logging 15 wins, a 2.33 ERA and a 1.012 WHIP across 166 innings pitched. Ohtani suffered a torn ulnar collateral ligament the following season, requiring Tommy John surgery.
“If the end result is getting a Cy Young, that’s great,” Ohtani said. “Getting a Cy Young means being able to throw more innings and pitch throughout the whole season, so if that’s the end result, that’s a good sign for me. I’m just focused on being healthy the whole year.”
Ohtani appeared in 14 games last season, logging 47 innings pitched. Roberts liked what he saw in the small sample size.
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“I think the thing that was most surprising from last year was his command,” Roberts said. “And I’ll say that he still feels his command wasn’t up to par, but given the Tommy John and what typically command looks like the year after, it was above that. So, I think that was impressive. Just his ability to command the couple different breaking balls, to change the shape of his breaking balls was pretty impressive, and everything he does is with a purpose. So, I’m really excited to see with the full offseason and to just prepare and not rehab, what he can do this year.”
Physically, Roberts believes Ohtani is in the right place entering the ninth year of his career.
“I think he just looks strong,” Roberts said. “He looks strong, but there’s not too much mass. Just watching him throw, watching him run, his body’s moving well. I think he’s in a sweet spot. Just watching him, the muscle mass, it just seems that he’s in a sweet spot.”
Ohtani and Roberts said that they don’t yet know when Ohtani and some of his teammates will be departing for the World Baseball Classic, but Ohtani will continue to ramp up in the time leading up to next month’s event. Last month at DodgerFest, Roberts announced Ohtani will not pitch in the WBC in order to focus on pitching in the regular season.
“As much as people think that he’s not human, he’s still a human being who’s had two surgeries,” Roberts said Friday. “He’s got a long career ahead of him.”
Yoshinobu Yamamoto throws live BP
Yoshinobu Yamamoto threw a live batting practice Friday as the World Series MVP took the mound for the first time since he recorded the final out of last year’s Fall Classic. Yamamoto threw 20 pitches to a pair of his teammates, with right-handed hitting catcher Will Smith and left-handed hitting infielder Hyeseong Kim alternated at-bats.
Kim turned on a pair of fastballs from Yamamoto, ripping a pair of base hits into right field.
A little over an hour before Yamamoto pitched, Roberts was asked by reporters about Yamamoto’s durability, coming off a postseason where the 27-year-old totaled 526 pitches, capped off by a Herculean effort in Game 7 that powered the Dodgers to their second straight World Series championship.
“I just believe that he knows his limitations and he’s prepared, so I’m not too concerned about it,” Roberts said.
Yamamoto wasn’t the only pitcher to see some run on the Dodgers’ first day of camp. Among those to throw a bullpen session Friday: veteran Tyler Glasnow, promising sophomore Roki Sasaki, playoff hero Will Klein, newcomer Edwin Díaz, and Ohtani.
Staff writer Anthony Solorzano contributed to this report.
The Trump administration has unveiled a sweeping set of regulatory proposals that would substantially change health plan offerings on the Affordable Care Act marketplace next year, aiming, it says, to provide more choice and lower premiums.
But it also proposes sharply raising some annual out-of-pocket costs — to more than $27,600 for one type of coverage — and could cause up to 2 million people to drop insurance.
The changes come as affordability is a key concern for many Americans, some of whom are struggling to pay their ACA premiums since the Republican-led Congress allowed enhanced subsidies expired at the end of last year. Initial enrollment numbers for this year fell by more than 1 million.
The proposed changes are part of a 577-page rule that addresses a broad swath of standards, including benefit packages, out-of-pocket costs and healthcare provider networks. Insurers refer to these standards when setting premium rates for the coming year.
After a comment period, the rule will be finalized this spring.
It “puts patients, taxpayers, and states first by lowering costs and reinforcing accountability for taxpayer dollars,” Mehmet Oz, the Centers for Medicare & Medicaid Services administrator, said in a news release Monday.
“This proposal reads like the administration has found their next big thing in the catastrophic plans,” said Katie Keith, director of the Health Policy and the Law Initiative at the O’Neill Institute for National and Global Health Law at Georgetown University Law Center.
Such plans have very high annual out-of-pocket costs for the policyholder but often lower premiums than other ACA coverage options. Formerly restricted to those under age 30 or facing certain hardships, the Trump administration allowed older people who lost subsidy eligibility to enroll in them this year. It is not known how many people did so.
The payment rule cements this move by making anyone eligible if their income is below the poverty line ($15,650 for 2026) or if they’re earning more than 2½ times that amount but lost access to an ACA subsidy that lowered their out-of-pocket costs. It also notes that a person meeting these standards would be eligible in any state — an important point because this coverage is now available in only 36 states and the District of Columbia.
In addition, the proposal would require out-of-pocket maximums on such plans to hit $15,600 a year for an individual and $27,600 for a family, Keith wrote this week in Health Affairs. (The current out-of-pocket max for catastrophic plans is $10,600 for an individual plan and $21,200 for family coverage.) Not counting preventive care and three covered primary care doctor visits, that spending target must be met before a policy’s other coverage kicks in.
In the rule, the administration wrote that the proposed changes would help differentiate catastrophic from “bronze” plans, the next level up, and, possibly, spur more enrollment in the former. Currently, the proposal said, there may not be a significant difference if premiums are similar. Raising the out-of-pocket maximum for catastrophic plans to those levels would create that difference, the proposal said.
“When there is such a clear difference, the healthier consumers that are generally eligible and best suited to enroll in catastrophic plans are more motivated to select a catastrophic plan in lieu of a bronze plan,” the proposal noted.
However, ACA subsidies cannot be used toward catastrophic premiums, which could limit shoppers’ interest.
Enrollment in bronze plans, which have an average annual deductible of $7,500, has doubled since 2018 to about 5.4 million last year. This year, that number likely will be higher. Some states’ sign-up data indicate a shift toward bronze as consumers left higher-premium “silver,” “gold” or “platinum” plans following the expiration of more generous subsidies at the end of last year.
The proposal also would allow insurers to offer bronze plans with cost-sharing rates that exceed what the ACA law currently allows, but only if that insurer also sells other bronze plans with lower cost-sharing levels.
In what it calls a “novel” approach, the proposal would allow insurers to offer multiyear catastrophic plans, in which people could stay enrolled for up to 10 years, and their out-of-pocket maximums would vary over that time. Costs might be higher, for example, in the early years, then fall the longer the policy is in place. The proposal specifically asks for comments on how such a plan could be structured and what effect multiyear plans might have on the overall market.
“As we understand it thus far, insurers could offer the policy for one year or for consecutive years, up to 10 years,” said Zach Sherman, managing director for coverage policy and program design at Health Management Associates, a health policy consulting firm that does work for states and insurance plans. “But the details on how that would work, we are still unpacking.”
Matthew Fiedler, senior fellow with the Center on Health Policy at the Brookings Institution, said the proposed rule included a lot of provisions that could “expose enrollees to much higher out-of-pocket costs.”
In addition to the planned changes to bronze and catastrophic plans, he points to another provision that would allow plans to be sold on the ACA exchange that have no set healthcare provider networks. In other words, the insurer has not contracted with specific doctors and hospitals to accept their coverage. Instead, such plans would pay medical providers a set amount toward medical services, possibly a flat fee or a percentage of what Medicare pays, for example.
The rule says insurers would need to ensure “access to a range of providers” willing to accept such amounts as payment in full. Policyholders might be on the hook for unexpected expenses, however, if a clinician or facility doesn’t agree and charges the patient the difference.
Because the rule is so sweeping — with many other parts — it is expected to draw hundreds if not thousands of comments between now and early March.
Pennsylvania insurance broker Joshua Brooker said one change he would like to see is requiring insurers that sell the very high out-of-pocket catastrophic plans to offer other catastrophic plans with lower annual maximums.
Overall, though, a wider range of options might appeal to people on both ends of the income scale, he said.
Some wealthier enrollees, especially those who no longer qualify for any ACA premium subsidies, would prefer a lower premium like those expected in catastrophic plans, and could just pay the bills up to that max, he said.
“They’re more worried about the half-million-dollar heart attack,” Brooker said. It’s tougher for people below the poverty level, who don’t qualify for ACA subsidies and, in 10 states, often don’t qualify for Medicaid. So they’re likely to go uninsured. At least a catastrophic plan, he said, might let them get some preventive care coverage and cap their exposure if they end up in a hospital. From there, they might qualify for charity care at the hospital to cover out-of-pocket costs.
Overall, “putting more options on the market doesn’t hurt, as long as it is disclosed properly and the consumer understands it,” he said.
KFF Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF — the independent source for health policy research, polling, and journalism.
John Shirreffs, the soft-spoken giant who trained Zenyatta, perhaps the best mare of all-time, died in Southern California on Thursday. He was 80. No cause of death was announced.
Shirreffs was one of the top trainers in Southern California with 3,589 starts, 596 of them wins resulting in $58.5 million in purses.
He was a familiar face around local tracks, usually ponying his horses to the track during morning training and then avoiding the spotlight when his horse won by staying on the racing surface and not going to the Winner’s Circle, leaving the punditry to his wife, Dottie Ingordo.
Shirreffs first grabbed national attention when he won the Kentucky Derby with Giacomo at odds of 50-1 in 2005. The horse was partially owned by legendary record producer Jerry Moss, the M along with Herb Alpert in A&M records. Shirreffs remained Moss’ primary trainer until his death in 2023.
Then after Giacomo came Zenyatta, whose personality and skill won the hearts of Southern California race-goers in her 19-race winning streak that included an “un-believe-able” (according to race caller Trevor Denman) last-to-first win against the boys in the Breeders’ Cup Classic at Santa Anita in 2009.
Shirreffs, a Marine veteran, fell into horse racing by accident.
“When I got back from Vietnam, I had no place to go, but I had a friend who knew somebody, so they they said, ‘Come on out West,’” Shirreffs told The Times before last year’s Kentucky Derby.
“So here I’m in New York, I don’t know anything about [horses] except I’ve seen a lot of cowboy movies. So here comes Jim Matthews, pulls up in his trailer, he has his horse set and he it backs his horse out of a trailer.”
Shirreffs admits to not really knowing what he was doing.
“A week or so later, Jim’s just calls me and says, ‘Do you want to come to work for me?’ I said ‘Yeah, that’d be great,” Shirreffs said. “So, I went to work for him and didn’t get paid anything, just room and board. He soon said, ‘I’ll give you this horse and if you sell it, you can make some money.’
“So I’m riding this horse across this field and I get stuck in this mud box. I get the horse out of the mud and Henry Freitas [at Loma Rica Ranch in Central California] asked if I would like to work for him. I said, ‘Well, sure, I get paid here, right? This is great.
“I worked there about 11 years, and one day in he says, ‘John, you wanna take my horse to the fairs?’ I said, ‘Sure, I’d love to do that.’ And that’s how it all started. You know, I never planned it and the opportunity just presented itself each time and when I was fortunate enough, and had some experience with horses, and that’s how it started.”
Shirreffs was asked if Vietnam or training horses was more difficult.
“Well, we don’t want to talk about that,” Shirreffs said.
Santa Anita issued a statement regarding Shirreffs’ death.
“Every horse who races at Santa Anita must first pass by the statue of John’s greatest trainee, the wonderful mare Zenyatta. While John’s victories were plentiful and prestigious, what he accomplished with Zenyatta in the 2009 Breeders’ Cup Classic was a masterpiece and deservedly was voted as the top moment in Santa Anita Park’s 90 years. Our deepest condolences are extended to John’s wife, Dottie, and his family, including those horsemen and women who worked closely with John for so many years. May his memory be a blessing.”
SACRAMENTO — Gov. Gavin Newsom signed a bill on Wednesday to provide $90 million to Planned Parenthood, a move intended to help offset the losses from recent federal cuts targeting abortion providers.
“These cuts were designed to attack and assault Planned Parenthood,” said Newsom, speaking at a news conference near the Capitol. “They were not abortion cuts; they were attacks on wellness and screenings and they were attacks on women’s healthcare.”
The Republican-backed “One Big Beautiful Bill Act,” signed last year by President Trump, blocked federal Medicaid funding from going to Planned Parenthood. More than 80% of the nearly 1.3 million annual patient visits to Planned Parenthood in California were previously reimbursed by Medi-Cal, the state’s version of Medicaid.
Sen. John Laird, who authored the legislation for the funding, Senate Bill 106, said the measure showed that California won’t back down. “This is us standing up to the immediate cut that was in that bill,” said Laird, (D-Santa Cruz). “This is how we are fighting back.”
Jodi Hicks, chief executive officer of Planned Parenthood Affiliates of California, thanked legislators for their support and said the organization could not survive without support from the state. She said Planned Parenthood would always fight against federal attacks but “needed an army” this time to stand beside them.
During the news conference, First Partner Jennifer Siebel Newsom expressed frustration with reporters for asking off-topic questions and said the media should be more concerned about women’s issues.
“All of these questions have really been about other issues,” she said. “This happens over and over and over again — (and we) wonder why we have such a horrific war on women in this country.”
Planned Parenthood offers a range of services, including abortions, birth control, cancer screenings and testings for sexually transmitted diseases. A coalition of states, including California, filed a lawsuit last year against the Trump administration over the cuts to the nonprofit. The states argue in the ongoing lawsuit that the measure violates the spending powers of Congress by singling out Planned Parenthood for negative treatment.
Senate Bill 106 has drawn ire from Republicans, who question why funding is going to Planned Parenthood when many hospitals in the state need more financial support.
“For rural Californians, this conversation is about access to care,” Sen. Megan Dahle (R-Bieber) said in a statement from the Senate Republican Caucus. “Hospitals are cutting services or facing closure, forcing families to drive hours for life-saving treatment. State lawmakers should prioritize stability for these communities.”
SACRAMENTO — Gov. Gavin Newsom is heading to a conference of world leaders in Germany later this week as part of his ongoing effort to use the global stage to urge investment in California’s climate-related initiatives and challenge President Trump’s isolationist policies.
Newsom will appear at the Munich Security Conference to talk about trade and jobs and tell foreign leaders that “California is a stable and reliable partner,” he said Tuesday during an unrelated event.
U.S. Secretary of State Marco Rubio is leading the official U.S. delegation to the conference, while Democratic leaders Michigan Gov. Gretchen Whitmer and Rep. Alexandria Ocasio-Cortez of New York are also expected, according to news reports.
The three-day event focuses on the intersections of trade, economics, security and foreign policy, and is expected to draw business leaders and heads of state.
Vice President JD Vance’s appearance at last year’s gathering caused a stir after he argued that European’s immigration policies are too relaxed and European nations are too reliant on the United States.
Ahead of the gathering, conference organizers released a report Monday that found that the “world has entered a period of wrecking-ball politics. Sweeping destruction — rather than careful reforms and policy corrections — is the order of the day.”
Newsom told reporters that he will appear on several panels, and suggested he will focus in part on staying competitive with China when it comes to new technologies and job growth.
“China is cleaning our clock as it relates to low-carbon green growth. They are cleaning our clock in terms of not just electric vehicles, because it’s not about electric power, it’s about economic power,” he said.
“It’s about exports, manufacturing, jobs — and this country is walking away,” he continued. “We are walking away from science and we are walking away from common sense.”
“Gavin Newscum is traveling to another international conference to whine about climate policies instead of doing his job as the governor of California?” said White House spokesperson Taylor Rogers, using President Trump’s derogatory nickname for the governor. “Nothing new to see here.”
Newsom is in his last year as California governor and is considering running for president in 2028. He last month traveled to the World Economic Forum in Davos, Switzerland, where he criticized world leaders for not challenging Trump’s aggressive posture when it comes to his threats to acquire Greenland, as well as his tariffs.
Newsom also attended the U.N. climate policy summit in Belém, Brazil, in November.
WASHINGTON — Public health experts warned Tuesday that $600 million in cuts to federal public health funding announced by the Trump administration would endanger one of California’s main early-warning systems for HIV outbreaks, leaving communities vulnerable to undetected disease spread.
The grant terminations affect funding for a number of disease control programs in California, Colorado, Illinois and Minnesota, but the vast majority target California, according to congressional Democrats who received the full list of affected programs Monday. The move is the latest in the White House’s campaign against what it called “radical gender ideology” at the Centers for Disease Control and Prevention.
“These cuts will hurt vital efforts to prevent the spread of disease,” said Sen. Adam Schiff (D-Calif.). “It’s dangerous, and it’s deliberate.”
Under Health and Human Services Secretary Robert F. Kennedy Jr., the CDC has increasingly turned away from evidence-backed HIV monitoring and prevention programs, claiming they “undermined core American values.”
The stoppage will derail $1.1 million slated for the Los Angeles County Department of Public Health’s National HIV Behavioral Surveillance Project, according to the president’s budget office.
The program is a “critical” tool used to detect emerging HIV trends, prevent outbreaks before they spread and reduce HIV incidence, said Dr. Paul Simon, an epidemiologist at the UCLA Fielding School and former chief science officer for the county’s public health department.
“Without this program, we’re flying blind. The first step in addressing any public health threat is understanding what’s happening on the ground,” Simon said. “With HIV in particular, people often have no symptoms for years and can unknowingly spread the virus.”
The White House gave little explanation for the move but claimed the programs it targeted “promote DEI and radical gender ideology.”
Simon pushed back on the claim, calling the move “dangerous” and “shortsighted.”
“It’s particularly dangerous to put your head in the sand and pretend there’s not a problem,” Simon said. “The success we’ve had over the past decades comes from finding cases early. … By treating people early, we can prevent transmission.”
Several local front-line service providers were targeted for cuts including the Los Angeles LGBT Center, which is set to lose $383,000 in investments for community HIV prevention programs.
The LGBT Center has not received official notice of the elimination but said the cuts would disproportionately affect LGBTQ+ communities and other underserved populations.
“These decisions are not guided by public health evidence, but by politics — and the consequences are real,” said LGBT Center spokesperson Brian De Los Santos. “Any reduction in funding directly affects our ability to provide care, prevention and lifesaving services to the people who rely on us.”
The Trump administration’s announced cuts are likely to face challenges from states and grant recipients.
The LGBT Center succeeded last year in blocking similar grant cancellations stemming from the president’s executive orders. A federal judge in San Francisco issued a preliminary injunction ruling the administration could not use executive orders to “weaponize Congressionally appropriated funds” to bypass statutory funding obligations.
“We stand ready to bring more litigation against this administration if it is required in order to protect our community,” De Los Santos said.
The White House has repeatedly pushed to halt the flow of billions of dollars to California and other states led by Democrats, a strategy that has sharpened partisan tensions and expanded the scope of California’s legal fight against the administration.
Last year, the administration made broad cuts to federal funding for minority-serving institutions, leaving California colleges scrambling to figure out how to replace or do without the money. Federal officials argued that such programs were racially discriminatory.
In June, California congressional Democrats demanded the release of $19.8 million in frozen HIV prevention grants to the L.A. County Department of Public Health. That freeze forced the county to terminate contracts with 39 community health providers and nearly shut down HIV testing and other services at the Los Angeles LGBT Center.
The administration reversed course after sustained pressure from Rep. Laura Friedman (D-Burbank) and 22 fellow House Democrats.
“These grants save lives,” Friedman said of recent terminations. “They connect homeless people to care, they support front-line organizations fighting HIV, and they build the public health infrastructure that protects my constituents. Just like I did last time the Trump Administration came after our communities, I won’t stop fighting back.”
In a letter to Kennedy last year, Rep. Robert Garcia (D-Long Beach) said that the Cabinet secretary has a history of peddling misinformation about the virus and disease.
Kennedy’s motivations are “grounded not in sound science, but in misinformation and disinformation you have spread previously about HIV and AIDS, including your repeated claim that HIV does not cause AIDS,” Garcia wrote.
Gov. Gavin Newsom called President Trump’s latest threats to public health funding “a familiar pattern,” and shed doubt on their long-term legal viability.
“The President publicly claims he will rip away public health funding from states that voted against him, while offering no details or formal notice,” Newsom said. “If or when the Trump administration takes action, we will respond appropriately. Until then, we will pass on participating in his attempt to chase headlines.”
SACRAMENTO — California lawmakers on Monday approved a one-time infusion of $90 million for Planned Parenthood and other women’s health clinics, a direct respond to the Trump administration’s cuts to reproductive healthcare and access to abortion providers.
“Trump is tearing down healthcare and increasing costs,” Assembly Speaker Robert Rivas (D-Hollister) said in a statement. “Democrats are building it up — investing millions in women’s health and maternal care, because families come first in California.”
The legislation providing the funding, SB 106, carried by Sen. John Laird (D-Santa Cruz), is intended to help offset the losses from federal cuts that targeted abortion providers. The Republican-backed One Big Beautiful Bill Act, signed last year by President Trump, prohibited federal Medicaid funding from going to Planned Parenthood.
The bill now heads to Gov. Gavin Newsom.
California and a coalition of other Democrat-led states filed a lawsuit against the Trump administration last year over the provision. More than 80% of the nearly 1.3 million annual patient visits to Planned Parenthood in California previously were reimbursed by Medi-Cal, the state’s version of Medicaid, which provides healthcare coverage to low-income Americans.
Assemblyman David Tangipa (R-Clovis) voiced opposition to the legislation Monday.
“Why does Planned Parenthood get a $90-million grant when right now over 60 hospitals in the state of California are on the verge of shutting down?” Tangipa asked, speaking on the Assembly floor. “Hospitals across our state that deliver high quality care to women are on the brink of closure.”
Planned Parenthood offers a range of services, including abortions, birth control and cancer screenings.
Get ready for the return of bow ties for Redondo Union basketball coach Reggie Morris Jr. It’s his signature wardrobe item added whenever the playoffs begin, and the Sea Hawks (25-3) are capable of extending their season for more than a month the way they are playing.
“It means time to dress the part, time to win,” Morris said.
Few coaches in the postseason have achieved what Morris has. The son of City Section Hall of Fame coach Reggie Morris Sr., Morris Jr. has won Southern Section titles at Redondo, Leuzinger and St. Bernard along with winning a City Section title at Fairfax. He has one state title at Redondo.
Reggie Morris Jr., in 2013. He has a collection of bow ties he brings out for the playoffs.
(Nick Koza)
The Sea Hawks are seeded No. 3 in the Southern Section Open Division playoffs behind top-seeded Sierra Canyon (22-1). Both teams are similar, relying on pressure defense, athleticism and talent. If they ever get to meet, the game should be a good one.
“They have great personnel, a great coach,” Morris said. “There’s a lot of respect for what they do.”
Morris is familiar with many of the Sierra Canyon players, having coached them in travel ball, from Maxi Adams to Brannon Martinsen. And he knows Sierra Canyon coach Andre Chevalier, who’s a fellow City Sectiongrad.
Last year in the playoffs, Redondo gave Sierra Canyon two of its toughest games, losing in overtime 69-66 during the Southern Section playoffs and losing 74-68 in the regional semifinals.
“Last year’s experience has helped us tremendously,” Morris said. “The level of intensity, the talent, the attention to detail — they’ve applied that all season long. We have a lot of lessons to pull from.”
Redondo’s big three are SJ Madison, Devin Wright and Chace Holley, all seniors. Playing in the Open Division requires extreme focus on taking it one game at a time and never looking ahead because every game can be won or lost by the slimmest of margins. Redondo opens pool play on Wednesday at home against Etiwanda.
“This year I feel anybody can be beaten,” Morris said. “We can beat anyone and they can beat us.”
Even though the Sea Hawks cruised to their Bay League championship with few challenges, they played a competitive nonleague schedule with two wins over Crestview League champion Crean Lutheran, the No. 1 seed in Division 1, and wins over Arizona power Phoenix Sunnyslope, Sherman Oaks Notre Dame, Crespi and Damien.
“We’ve played the most teams in the top 15 in Southern California,” Morris said. “We’re confident we can play with anybody. We’re battled tested. We feel we can make noise.”
Sierra Canyon and Redondo have been considered the top two teams in Southern California for months, but the computer rankings put Santa Margarita as the No. 2 seed.
The real surprise would be if either Redondo or Sierra Canyon fails to reach the Open Division championship game the final weekend in February at the Toyota Arena in Ontario.
Just keep track of Morris wearing bow ties in February for clues as to how the Sea Hawks are doing. He has plenty.
Asked what color of red he wears, Morris said, “Game time decision.”
Sharing with the 1989 Tom Hanks film a title, a vague premise, a little paranoid spirit and a Universal Studios backlot street, “The ‘Burbs,” premiering Sunday on Peacock, stars Keke Palmer and Jack Whitehall as newlywed new parents who have moved into the house he grew up in — his parents are on “a cruise forever” — in Hinkley Hills, the self-proclaimed “safest town in America.”
Well, obviously not. First of all, that’s not a real thing. But more to the point, no one’s going to make an eight-hour streaming series (ending in a cliffhanger) about an actually safe town. Even Sheriff Taylor had the occasion to welcome someone worse than Otis the town drunk into the Mayberry jail. In post-post-war American culture, suburbs and small towns are more often than not a stage for secrets, sorrows, scandals and satire. The stories of John Cheever, the novels of Stephen King, “The Stepford Wives,” “Blue Velvet” and its godchild “Twin Peaks,” “Desperate Housewives” (filmed on the same backlot street as “The ‘Burbs”), “Buffy the Vampire Slayer,” last year’s “Grosse Pointe Garden Society,” which I mention in protest of its cancellation, are set there — it’s a long list.
Samira Fisher (Palmer) is a civil litigation lawyer still on maternity leave, a job reflecting her inquisitive, inquisitorial nature. Husband Rob (Whitehall) is a book editor, a fact referred to only twice in eight hours, but which allows for scenes in which he rides a soundstage commuter train to the big city (presumably New York) with boyhood friend and once-more next-door neighbor Naveen (Kapil Talwalkar), whose wife has just left him for their dentist. Samira, Naveen and Rory (Kyrie McAlpin), an overachieving late tween who has a merit badge in swaddling, a recommendation from Michelle Obama on her mother’s helper resume and a notary public’s license, are the only people of color in town, but racism isn’t really an issue, past a few raised eyebrows and odd comment. (“What a cute little mocha munchkin,” says a shifty librarian of baby Miles.) “It’s a nice area,” says Naveen, “and people like to think of themselves as nice, so they try to act nice until they’re actually nice.”
As we open, the Fishers have been tentatively residing on Ashfield Place (“over by Ashfield Street near Ashfield Crescent”), for some indeterminable short time. Apart from Naveen, neither has met, or as much as spoken to, any of their new neighbors, though Samira — feeling insecure postpartum and going out only at night to push Miles in his stroller — watches them through the window.
That will change, of course, or this will be one of television’s most radically conceived shows. Fascinated by a dilapidated, supposedly uninhabited house across the street — the same backlot where the Munsters mansion rose many years ago, for your drawer of fun facts — she’s drawn out into a mystery: The rumor is that 20 years earlier a teenage girl was killed and buried there by her parents, who subsequently disappeared. Rob says there’s nothing in it, and in a way that tells you maybe there is.
Lynn (Julia Duffy), left, Samira (Keke Palmer), Dana (Paula Pell) and Tod (Mark Proksch) form a crew of sleuthing neighbors.
(Elizabeth Morris / Peacock)
Out in the world, she will find her quirky Scooby Gang: widow Lynn (Julia Duffy), still attached to her late husband; Dana (Paula Pell), a retired Marine whose wife has been deployed to somewhere she can’t reveal; and Tod (Mark Proksch), a taciturn, deadpan “lone wolf” with an assortment of skills and a recumbent tricycle. (Their shared nemeses is Agnes, played by Danielle Kennedy, “our evil overlord,” the stiff-necked president of the homeowner’s association.) They bond over wine (drinking it) and close ranks around Samira after the police roust her on her own front porch. By the end of the first episode, Samira is determined to stay in Hinkley Hills, warmed by new friends, enchanted by the fireflies and in love with the “sweet suburban air.”
Weird goings-on in a creepy old “haunted” house is as basic a trope as exists in the horror-comedy mystery genre (see Martin and Lewis’ “Scared Stiff,” Bob Hope’s “The Ghost Breakers,” Abbott and Costello’s “Hold That Ghost” and assorted Three Stooges shorts). Suddenly there’s a “for sale” sign on this one, and just as suddenly, it’s sold. The new owner is Gary (Justin Kirk), who chases off anyone who comes around. Tod notes that the security system he’s installed is “overkill” for a private residence, necessary only “if you are in danger, you have something to hide — or both.” You are meant to regard him as suspicious; Samira does.
Created by Celeste Hughey, “The ‘Burbs” is pretty good, a good time — not the most elegant description, but probably the words that would come out of my mouth were you to ask me, conversationally, how it was. I suppose most of it adds up even if doesn’t always feel that way while watching it. It hops from tone to tone, and goes on a little long, in the modern manner, which dilutes the suspense. The characters are half-, let’s say three-quarters-formed, which is formed enough; everyone plays their part. The Hardy Boys were not known for psychological depth, and I read a lot of those books. A lot. Indeed, depth would only get in the way of the plot, which is primarily concerned with fooling you and fooling you again. When a character isn’t what they seem, making the false front too emotionally relatable is counterproductive; the viewer, using myself as an example, will feel cheated, annoyed. I won’t say whether that happens here.
That isn’t to say that the actors, every one of them, aren’t as good as can be. I’ll show up for Pell and Duffy anywhere, anytime. Proksch, well known to viewers of Tim Heidecker’s “On Cinema at the Cinema,” is weird in an original way. The British Whitehall, primarily known as a stand-up comedian, panel show guest and presenter, makes a fine romantic lead. Kirk is appealingly standoffish, if such a thing might be imagined. As Samira’s brother, Langston, RJ Cyler has only a small role, but he pops onscreen and, having the advantage of not being tied up in any of the major plotlines, provides something of a relief from them. And Palmer, an old pro at 32 — her career goes back to “Akeelah and the Bee” and Nickelodeon’s “True Jackson” — does all sorts of wonderful small things with her face and her voice. She’s an excellent Nancy Drew, and the world can never have enough of those.
California lawmakers are expressing concern about how the future of Warner Bros. Discovery could affect Hollywood’s workforce.
In an open letter addressed to Netflix Chief Executives Ted Sarandos and Greg Peters and Paramount Skydance Corporation CEO David Ellison, U.S. Sen. Adam Schiff (D-Calif.) and Rep. Laura Friedman (D-Glendale) call for the industry giants to make “concrete commitments to Californian and American workers.”
With all of these moving pieces, there’s a bipartisan fear among the nation’s lawmakers about how the acquisition could affect jobs in the U.S. entertainment industry . As stated in the letter, the industry “supports more than 680,000 jobs and contributes over $115 billion annually to the regional economy.”
Given the slowdown the industry has seen post-COVID and the growing number of international productions, Los Angeles film activity was down 13.2% from July through September 2025 when compared with the same period last year. This downward trend continues to build on the loss of 42,000 jobs in L.A. between 2022 and 2024.
Ellison and Sarandos have made arguments for why they believe their respective companies are best positioned to take over Warner Bros.
But each deal comes with major cuts. Paramount is projected to slash $6 billion in expenses over three years, and Netflix is projecting to cut $2 billion to $3 billion. Some analysts believe these cuts will have a significant effect on the workforce.
Previously, Ellison said, “We believe that what we are offering is better for Hollywood. It’s better for the customers and it’s pro-competitive.”
Sarandos is also quoted in the letter saying: “We think it’s great for consumers. We think it’s a great way to create and protect jobs in the entertainment industry.”
Earlier this week during a Senate subcommittee hearing, Sarandos said Netflix plans to increase its film and television production spending to $26 billion this year, with a majority of that happening in the U.S.
The lawmakers’ letter raises a series of questions surrounding the livelihood of creators, the use of AI and “concrete steps” about preserving jobs in L.A. Schiff and Friedman also offer the CEOs an opportunity to meet with them to discuss their answers.
In an effort to ensure “America continues to lead the world in the creative economy,” the letter said that Congress is currently working on bipartisan legislation that would establish a federal film tax incentive. It will be modeled after state programs in California, Louisiana and Georgia.
“We view this as a tool to not just protect but encourage more domestic filming and sustainable job creation on American soil,” wrote the lawmakers.
When you read about Jason Mantzoukas’ ideal Sunday in Los Angeles, it’s important that you imagine him holding a cup of coffee in basically every location and situation. He knows all the places around the city where he can get caffeinated before he goes on to do anything else.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Fittingly, the actor, comedian and podcaster has brought an excitable, unpredictable and hilarious energy to his roles on shows including “The League,” “Brooklyn Nine-Nine” and “Big Mouth.” Last year, he brought his gleeful sense of mischief to the U.K. competition series “Taskmaster.” And Disney+ recently finished airing the second season of “Percy Jackson and the Olympians,” where Mantzoukas portrays Mr. D (a.k.a. Dionysus), and he’ll soon wrap up a stint on Broadway, where he stars in Simon Rich’s play “All Out: Comedy About Ambition.”
For the continuously busy Mantzoukas, sometimes the perfect Sunday means never leaving the house. “All I want to do is make a whole pot of coffee, get the paper and a big stack of unread comic books, and sit on the porch.” When he does explore the city, he favors the spots where he similarly can just hang out for a while. But before that, how about a refill?
10:30 a.m.: First cup(s) of the day
I’m a night owl, so on a Sunday especially, I’m going to let myself sleep in. Then I’m making coffee. My first three cups of coffee are all from home. I’m making a French press. L.A. beans though, either Counter Culture or Go Get Em Tiger would be my beans of choice. That and the newspaper are the beginning.
Almost immediately upon getting up, I’m going to start playing the radio. My mornings are either LAist or Howard Stern if it’s a weekday. But on Sundays, I’m trying really hard to not do any talk, just music. It’s KJazz, or something like that. I’m also obsessed with a radio station called WYAR that I can’t recommend enough. It’s music from the ’20s, ’30s and ’40s. It’s the teeniest, tiniest radio station out of Yarmouth, Maine.
Noon: Hike bros
I’ve hiked with the same guys for years now. It’s all guys that I’ve done comedy with for 20-plus years. We usually do one of the Griffith Park hikes because it’s convenient for everybody. The conversation topics are: What is wrong with us physically? What doctor recommendations do we need desperately? Then it is gossip — gossip from within our world, gossip from outside of our world. Then it is just earnest conversation, like checking in emotionally. And then quite a bit of dumb bits, like really dumb bits.
We do these hikes a couple of times a week, and it’s so fun and funny that we have started doing an improv show at the Elysian Theater that’s called Hike Bros. It is just us trying to approximate on stage what it is we do on hikes. It’s ridiculous.
1 p.m.: Comic book restock
After the hike, I’m in a good position to go to Secret Headquarters in Atwater Village, which is my home comic book shop. They keep a list of what comics I want them to set aside each week.
There’s a series of graphic novels called “Hobtown Mystery Stories” that are like, what if David Lynch wrote Hardy Boys, Nancy Drew-style teen detective books? I got super into them because I was in Secret Headquarters and one of the people there was like, “Oh, I bet you’d like that book.” On the internet, I miss having those trusted people.
2 p.m.: Recording digging
I want to kill time in a way that is about discovery, exploration, but also, like, “Oh, I want stuff.” That’s record shopping. L.A. has always been Amoeba for me, just in terms of I love wasting hours in a store that has a deep bench for every section of music that I’m interested in. And then if you want to do the extra work, DVDs as well. There’s a lot of great smaller record stores around town that I love, but there’s something about killing two hours at Amoeba.
6 p.m.: Dinner hang
What I want from an L.A. dinner is I just want to hang there. Little Dom’sis a great hang. You can spend hours there. You’re always going to run into people. My hope is that we can all just hang out and that we’re not going to be rushed out because they have another seating.
8 p.m.: Nighttime activities
I’m going to want to do one of three things at night:
I want to go to the movies, and I’m talking Vidiots and the Vista and the New Beverly. We can all go to all the regular theaters and see all the blockbusters, but L.A. has fantastic theaters that are doing incredible programming,
If I’m not going to the movies, I want to see live music as much as I can, but on a much smaller scale than I used to. I’m excited when an artist that I love like Mary Lattimore or Jeff Parker has a residency at Zebulon because I’m like, “Oh, great. That is not a big crowd. That is very easy, very manageable.”
Then I either want to be doing a comedy show or seeing a comedy show. There’s such a vibrant scene now. The Elysian in Frogtown is a great spot. We do Dinosaur Improv at Largo. I think Largo is pound for pound, maybe the best venue in town. Dynasty Typewriter, another great one. UCB, the OG. Over the course of a month, these are all places that I’m doing shows at, but these are also places that are showcasing some of the best comedy in L.A.
11 p.m.: The missing piece
At this point I’m done being social. I don’t want to talk to anybody anymore. My goal when I get home is a jigsaw puzzle — with either a podcast or jazz on in the background — until probably like 2 in the morning.
I do these puzzles from a company called Elms Puzzles and they’re hand cut, so they’re incredibly difficult to do. It’ll take me a month to do one. They are prohibitively expensive, so much so that I don’t buy them. They have a rental program. They send you a puzzle, you do it, you send it back to them, and they send you another puzzle. Which is perfect, I don’t need to do a puzzle more than once.
It is a great way to put myself into a frame of mind to go to bed, especially if I’ve done a show or watched a movie. If I’ve been stimulated, doing a puzzle for a couple of hours is a great way to decompress.
The Rams, who last year were designated the home team for the first NFL game in Australia, will play the NFC West-rival San Francisco 49ers, the league announced Thursday during “The Pat McAfee Show” on ESPN. Australian actor and conservationist Robert Irwin, son of the late Steve Irwin of “Crocodile Hunter” fame made the announcement.
The NFL has not announced a date for the game at the Melbourne Cricket Ground, but it almost certainly will be in the first week because of the 19-hour time difference and the length of travel for both teams.
“As we make history with the NFL and bring the first regular season game to Australia, we are pleased to take our annual matchup against our NFC West rival San Francisco 49ers to the MCG,” said Rams president Kevin Demoff in a statement. “Since we first secured marketing rights to the country in 2021 and more recently since the announcement of this game last year, we have seen tremendous excitement for our team from fans both in Australia and also across the world. We look forward to spending this offseason continuing to deepen our connection with the Melbourne community leading up to the game this fall.”
As part of the process for International Series games, the NFL allows designated home teams to protect two of its scheduled home games from being played abroad.
With the game against the 49ers, which annually draws tens of thousands of 49ers fans, being played in Australia, the Rams’ home opponents at SoFi Stadium next season will be the Arizona Cardinals, Seattle Seahawks, Dallas Cowboys, Green Bay Packers, New York Giants, Kansas City Chiefs, Buffalo Bills and the Chargers.
As part of the NFL’s Global Markets Program, the Rams in the last decade were granted rights in Mexico, China, Australia, New Zealand, Japan, South Korea and the United Arab Emirates.
Since returning to Los Angeles in 2016, the Rams have played four International Series games, all in London, including a victory over the Jacksonville Jaguars last October.
In 2026, in addition to the game in Australia, the NFL has confirmed three games in London and one each in Rio de Janeiro, Munich, Madrid and Paris.
Los Angeles City Councilmember Curren Price was taken to a hospital by paramedics on Wednesday after fainting during a Black History Month event at City Hall.
Price, 75, was taken by ambulance at Los Angeles General Medical Center, where he was in stable condition, Council President Marqueece Harris-Dawson said.
Price is “in stable condition, is in recovery and doing well,” Harris-Dawson told the audience at Wednesday’s council meeting. “But out of abundance of caution, he obviously won’t be with us in council today.”
The incident took place on the third floor bridge linking City Hall and City Hall East, which is currently displaying an exhibit of prominent Black women community leaders, according to Price spokesperson Angelina Valencia-Dumarot. Price spoke at a ceremony celebrating the exhibit, which had scores of attendees, before feeling faint and needing to lean on one of his aides for help, she said.
It was not the first such medical incident to involve Price at a public event. Last year, Price fainted while appearing at a groundbreaking for the upgrade of the Los Angeles Convention Center, which is located in his district.
At the time, a Price staffer said he was suffering from dehydration. He missed a month of council meetings after that event.
On Wednesday, Valencia-Dumarot said her boss was getting “the care that he needs” at the hospital.
“His wife is with him, his family is with him, and we’re all just wishing him well and sending our prayers,” she said.
The medical incident comes a roughly week after a judge ruled that a corruption case against Price can proceed to trial. Price has been charged with embezzlement, perjury and having a conflict of interest, by casting votes on real estate projects whose developers had hired his wife.
Price’s lawyer said there is no evidence that the council member was aware of the conflicts. All of the projects were approved with overwhelming support, and Price’s vote made no difference in the final result, the attorney said.
Altadena has never organized itself around a traditional civic center, like a city hall plaza or downtown square. Instead, this decidedly informal community has relied on an informal constellation of shared spaces — parks and playgrounds tucked into the foothills, popular mid-century libraries, an amphitheater carved into a slope, a handful of living room-like bars and cafés.
After last year’s Eaton Fire tore through town, incinerating community infrastructure and scattering residents across the region, the importance of such places has grown dramatically — not only as centers of gathering, but as sites of refuge, planning and healing. Thanks to a determined commitment from residents and officials, these communal sites are starting to return — in many cases better than before — revealing innovative thinking about the ways we can create and use community spaces.
Earlier this month, L.A.-based aid organization Community Organized Relief Effort, or CORE, founded by Sean Penn and Ann Lee, broke ground on one of the hamlet’s newest local gathering spots: the Altadena Center for Community. Designed by acclaimed Japanese architect Shigeru Ban (who will be receiving the 2026 American Institute of Architects Gold Medal Award later this year), the 1,600-square-foot building, located on a county-owned lot on Lincoln Avenue, adapts a prototype that Ban — who has been designing lightweight structures for disaster victims for more than thirty years — first employed in Onagawa, Japan, following the 2011 Tōhuku earthquake and tsunami.
The vaulted, wood-beamed space, supported on its flanks by shipping containers, is designed to be put up quickly, affordably and with minimal waste, said Ban, who estimates construction will cost about $300,000 and be completed in two to three months once permits are approved.
“Every move we make has to be very cost effective,” noted Ben Albertson, the local project manager for Ban’s firm.
The center can host workspaces, meeting rooms, mental health facilities and community events, but programming is still pending, based on an assessment of community needs, noted CORE co-founder Lee.
An architectural rendering of Shigeru Ban’s design for the 1,600-square-foot Altadena Center for Community, located at 2231 Lincoln Avenue. Construction began in January and is set for completion this summer.
(Shigeru Ban Architects / CORE)
“What are the gaps? What do they want to name it?” said Lee. The center’s open, flexible design, she added, will allow programs to evolve over time — inside and out — with the goal of accommodating markets, religious services, yoga classes and other types of support.
Local officials, particularly L.A. County Parks and Recreation, immediately started to address the dearth of places to congregate after the fires. While parts of Eaton Canyon still burned, parks staff organized sheriff-escorted site visits to assess damage and determine which spaces could safely reopen first, said Chester Kano, deputy director of the planning and development agency at L.A. County Parks.
In May, Loma Alta Park was the first major spot to reemerge with significant upgrades, funded in part by an outpouring of donations from local residents and businesses as well as philanthropic sources like FireAid, the L.A. Clippers Foundation and the L.A. Dodgers Foundation.
“There’s been so much trauma. I think just building back the way things were would be insufficient,” says Kano.
County crews first addressed widespread damage, then installed new play facilities — including Landscape Structures’ towering “Volo Aire” jungle gym, featuring three tunnel slides — as well as two refurbished baseball fields, a new computer lab and a renovated pool and gymnasium. Several local artists, including Victor Ving, Eric Junker and Katie Chrishanthi Sunderalingam, have painted colorful murals.
Four-year-old twins Noah and Luke Stafford, who had to evacuate during the Eaton Fire, play on new equipment at Loma Alta Park in Altadena.
(Allen J. Schaben / Los Angeles Times)
The park addresses the need for communal gathering via a new cluster of colorful outdoor furniture known as the Alta Chat Space.
“People didn’t have anywhere to go,” says Kano. “They were meeting on their driveways, literally on top of ash and debris, bringing folding chairs.”
Perhaps the most significant transformation will be to Charles White Park, located a short drive from CORE’s future facility and named for the famed Altadena artist. Long a community focal point, the five-acre park is set to undergo a redesign thanks to a $5-million donation from the Walt Disney Company, and a $5.5-million outlay from California State Parks.
County Parks and Salt Landscape Architects are set to take the lead on the work. New facilities will include a play area and splash pad designed by Disney Imagineers, a community center (with meeting spaces and interpretive exhibits about White), pathways, bathrooms, a small amphitheater, a bronze of White and public art by White’s son, Ian White.
Ian White said his designs are still being finalized, but could include poetry, sculpture, landscape art, and information and quotes relating to notable Altadena residents, including artists, scientists and indigenous tribes.
“It will be a dramatic shift,” noted White. “I must admit every time we have a meeting about it, I’m excited about the potential.”
White is complimentary of Disney’s willingness to take input from the community, despite a flurry of concerns that arose last fall around the release of an early design sketch of the play area, depicting somewhat cartoonish, pinecone-shaped play structures that some locals felt didn’t reflect local identity.
“Disney’s been doing the work, trying to understand the legacy and history of Altadena,” said White, who recently hosted 17 Imagineers at his house. “I think there’s going to be an evolution of their design,” added Kano.
Challenges remain
Despite early victories, there are more than a few remaining “heavy lifts,” as Kano put it. The county has brought in about $60 million to restore parks damaged in the Eaton and Hughes Fires, but about $190 million is still needed.
Arguably no lift is bigger than Farnsworth Park, the beloved recreation space along Altadena’s northeast side. That facility, now largely overgrown and covered with opaque fencing, still needs electricity after the destruction of its power lines and an on-site utility building. Its centerpiece, the lodge-like Davies Building, was all but obliterated by the fire, and its amphitheater, while still intact, suffered notable damage.
A view of the closed and heavily damaged Farnsworth Park in Altadena, which needs about $69 million in repairs.
(Allen J. Schaben / Los Angeles Times)
Thus far, the park — which needs about $69 million in repairs, said Kano — has only received $5 million from the Santa Monica Mountains Conservancy to build a healing and reflection garden along its west flank; and $3 million from the Rivers and Mountains Conservancy to rebuild a restroom and restore some landscaping and other related work.
Liz MacLean, a principal at Architectural Resources Group, a preservation-focused firm that has been advising L.A. County Parks about repairs to Farnsworth’s amphitheater, lived less than half a mile from the park. She and her family are still undecided on whether they will return to the area, making her memories of the park particularly poignant.
“It was a real destination for the community, tucked up in the hills,” noted MacLean. “They’d have a musical in the summer, and people would picnic outside of the amphitheater on the lawn. And every type of sport you wanted to do, there seemed to be a field for it. My daughters have had a bunch of events for their schools up there. Graduations, performances, meetups. The community would vote there. Boys and Girl Scout troops would have events in the banquet hall.”
Altadena’s two libraries, both spared from destruction, have borne outsized responsibility for picking up the slack from these losses, and have hosted community events and workshops for those hoping to rebuild. But starting Feb. 1, the skylit, greenery-filled Main Library will undergo a long-planned renovation and expansion that will put it out of commission for about the next 18 months, officials said. Updates will include access improvements, new mechanical and electric systems, a seismic retrofit, and space reconfigurations.
“There have been people who have said, ‘Please don’t close. What are we going to do?’” said Nikki Winslow, director of the Altadena Library District. “But this has been a long time coming. Our Main Library really needs a renovation.”
As a result, the smaller, recently renovated Bob Lucas Memorial Library and Literacy Center will host far more activity. The district has also installed a temporary satellite library inside a multipurpose room at Loma Alta Park. Stewart noted that the district is looking for more spaces — including the Altadena Community Center — to host events.
Ian White, standing by the sign for Charles White Park, is the son of the park’s namesake and is working on creating public art for the project.
(Allen J. Schaben / Los Angeles Times)
“We’ve become so dependent on all things virtual, but nothing can really replace the human connection, especially coming out of a disaster,” said Carolina Romo, director of the Construction and Asset Management Division of the Los Angeles County Development Authority, which is coordinating with CORE on its new center. “You can’t really address the psychological toll in a virtual environment.”
CORE’s Lee says that such spaces are particularly important in areas where digital expertise is less common. “There’s just so much bad information out there. You don’t know who to trust. So going to a physical space and seeing people that you know you can talk to can make all the difference.”
Rebuilding will take years, and many decisions remain unresolved. But the community, said Architectural Resources Group’s MacLean, needs something solid sooner: “There are things that were lost that were special to everyone. At the end of the day people just want their community back. They want to gather again.”
Not the sinister kind, who give away state secrets for money or revenge; Buckley is privy to much lower-level intelligence. But that doesn’t mean it’s not just as valuable to the people involved.
Buckley is the Kings’ goaltender coach and his chief pupil is Darcy Kuemper, who will be playing for Team Canada in the Milan Cortina Olympic hockey tournament. Buckley will be in Milan coaching for Team USA. And if the competition goes to form, Canada and the U.S. will meet in the final.
You can see where this is going.
So would Buckley give up the goods on his NHL goalie if it meant helping his national team win a gold medal?
“I probably have a little bit more insight being with him on a day-to-day basis. But at the end of the day, the players still have to execute,” said Buckley, like Kuemper, a first-time Olympian. “So if I tell someone to shoot somewhere at a certain time or a certain spot, they’re going to have to be able to execute that.”
The answer then is maybe.
Still, that’s a dilemma Buckley will probably never face since Jordan Binnington of the St. Louis Blues, who was spectacular in goal in last year’s Four Nations Face-off, will probably start for Canada in Milan. But with the Kings sending four other players (defenseman Drew Doughty, Canada; and forwards Adrian Kempe, Sweden; Kevin Fiala, Switzerland; and Joel Armia, Finland) plus Canadian equipment manager Darren Granger to the Olympics, there’s a good chance guys who have shared a dressing room since September will be competing against one another.
Kings forward Kevin Fiala controls the puck while playing for Team Switzerland at the 2025 world championships.
(Michael Campanella / Getty Images)
The same goes for the Ducks, who are sending four players — goalie Lukas Dostal and defenseman Radko Gudas, Czechia; forward Mikael Granlund, Finland; and defenseman Jackson LaCombe, U.S. — to Milan. Ducks star Leo Carlsson, who was expected to start for Sweden, will miss the Games after undergoing surgery to repair a rare injury in his left thigh last month.
So while the Olympics may bring countries together, it also has the potential to turn teammates against one another — at least temporarily.
In the group stage of the tournament, for example, Armia and Finland will play against Kempe’s Sweden. And Canada, with Kuemper and Doughty, will face Switzerland, which is led by Fiala.
“It’s obviously going to be a little strange,” Gudas said. “It’s only for a few games. For that amount of time, you can put things aside a little bit.”
Those kinds of match-ups were rare in the last two Olympic tournaments since NHL players didn’t take part, sidelined by a dispute over insurance, travel costs and scheduling issues. This year 147 NHL players are on the 12 Olympic rosters, with all 32 NHL clubs represented.
Not all the top NHL players will be in Milan, however. Russia has been banned from the tournament because of the country’s invasion of Ukraine, meaning Alexander Ovechkin, the NHL’s all-time leading goal scorer, won’t play.
Granlund, who won a bronze medal with Finland in 2014, the last time NHL players participated in the Olympics, is glad to be back.
“It was such a cool experience,” he said. “It’s one of the biggest honors I can have as a hockey player, playing for a country in the Olympics. There’s no player in the NHL who wouldn’t go.”
That’s due in large part to the rush that comes with wearing your country’s colors on your chest.
“It’s tough to explain how much it means,” he said. “You grow up in a country like Finland, watching the national team play. As a kid you’re dreaming to play for that team.
“Every single time you put that jersey on, it’s such a pride you feel.”
Doughty, who already has two gold medals, agreed, saying the only time he sings along with the Canadian anthem is at the Olympics.
Kings defenseman Drew Doughty controls the puck while playing for Canada in the Four Nations Face-Off last year.
(Maddie Meyer / Getty Images)
“When we hear it in the NHL, I’m not singing,” he said. “But when you’re wearing a Canadian jersey, that’s one of the biggest moments you can have.”
Not just for the guys on the ice. Granger, the equipment manager, will be making his third trip to the Olympics with Canada. And the journey never gets old.
“It’s not something that you apply for. It’s something that you’re asked to do,” he said. “So I don’t take that lightly. It’s an honor.”
The equipment managers may have the most difficult job in the Olympic hockey tournament since they must prepare and maintain the sticks, skates, gloves and uniforms for 25 players, some of whom they’ve never met. That means checking in with the equipment managers of rival NHL teams to get prepared.
“We have quite a few players that are particular about certain things,” he said. “After a while, you just kind of get used to what those things are. If it’s a player that likes to use three sticks a game, then making sure he has that. If it’s a guy that likes to change gloves every other game, making sure you have enough.”
Yet if Canada wins the tournament, Granger’s reward won’t be a gold medal. Olympic rules say medals only go to the players, leaving the equipment managers, trainers and coaches — even coaches with inside information like Buckley — out in the cold.
“That’s OK,” Buckley said. “I just want the players to get one.”
