last week

What was the moment from the season finale of “The Pitt” that finally broke you?

Was it the shot of the day-shift staff watching the Fourth of July fireworks from the hospital roof, the sound of “America the Beautiful” playing in the distance? Maybe it was Dr. Al-Hashimi (Sepideh Moafi) crying in her car, realizing she can’t work around the seizure disorder that makes her a liability in the ER. Or perhaps it came when Noah Wyle’s Dr. Robinavitch (a.k.a. Dr. Robby) swaddled Baby Jane Doe, telling her that “everything’s gonna be just fine,” because she has “so many wonderful things to see and so many people to love.”

But what opened the floodgates for me, after the last half-hour of the episode left me completely dazed and dumbfounded, was Drs. Santos (Isa Briones) and King (Taylor Dearden) exorcising the day’s demons by belting out Alanis Morissette’s “You Oughta Know” at a karaoke bar and demonstrating that primal scream therapy is alive and well three decades into the 21st century.

Which is all to say: “The Pitt” is the only television show I’ve watched that gives me the same feeling I have when I read a great, immersive novel. When the end is near, I’m bereft. I’m Al-Hashimi in her car, wanting to pound the dashboard. I do not want to let these characters go. They’ve given me 15 hours and I still crave more. I would devour a series of short films about odd couple Santos and Whitaker (Gerran Howell) sharing an apartment or a summer spinoff showing Dr. Abbot (Shawn Hatosy) working off-hours as a SWAT medic. Anything to fill the long, “Pitt”-less weeks between seasons.

Instead, I’ll just have to content myself with scrolling through social media, watching fan-made videos of Dr. King self-soothing her way through the day, (this one, set to Vince Guaraldi’s score from “A Charlie Brown Christmas,” is the absolute best) and taking in the compilation of the show’s cast asking, “What’s the status on Baby Jane Doe?” in their best Katherine LaNasa Pittsburgh accent.

“The Pitt” won five Emmys from 13 nominations, including best drama series, for its celebrated first season, a 15-episode run that began with Dr. Robby up on the hospital roof talking down Dr. Abbot after an intense shift. The season ended with Dr. Abbot returning the favor after Robby and his staff ground their way through a day that included a mass shooting, a child drowning and a patient assaulting LaNasa’s no-nonsense charge nurse.

How do you follow that?

For a few episodes this new season, it looked like “The Pitt” wasn’t up to the task. We watched the ER staff dealing with a series of bloody, messy (the disimpaction!) medical maladies, an avert-your-eyes spectacle that felt like the writers were trying to one-up themselves and find the worst possible affliction to make viewers double over. Worse, the thrill of discovery that kept us invested throughout the first season, the slow drip of information about the characters, wasn’t quite there. Something was missing, and it wasn’t just Dr. Robby’s motorcycle helmet.

But the luxury of having 15 episodes is that the writers can take their time laying the groundwork for the story they want to tell.

And what a story it was.

Over the course of the season, we watched Dr. Robby disintegrate, his mental health more precarious than ever because he has done nothing to address his apparent PTSD. “You need help,” Dr. Langdon (Patrick Ball) tells Robby, confronting him in the finale. “Be honest with yourself.”

Robby isn’t the only one struggling, as Dr. Abbot puts it, to “dance through the darkness.” Langdon is back, managing his sobriety. Dr. Mohan (Supriya Ganesh) is having panic attacks. Santos is still dealing with self-harm. Dana remains haunted by that Season 1 patient assault and now carries a syringe containing a heavy sedative just in case somebody emerging from that overcrowded waiting room crosses the line again.

“I’ve seen so many people die that I feel like it’s leaching something from my soul,” Robby says. “I’m tired of feeling like I’m drowning every day.”

And there you have it, the subject of Season 2 of “The Pitt.” Medical professionals are gasping for air, and the American healthcare system, with its focus on profit above all else, is failing them and the patients they treat.

Remember Orlando, the patient with severe diabetic ketoacidosis who arrives at the ER after fainting? Orlando had to ration his insulin because he lacked insurance and felt he had to cut corners. He ends up leaving the hospital early, fearing the cost of treatment. Later he returns, having fallen (jumped) from a catwalk at his construction job, fracturing his skull. But good news: He now qualifies for Medicare and Medicaid due to long-term disability.

It’s a tragedy, one of many reasons the season finale shot of the ER staff holding back tears as they watched the Fourth of July fireworks felt like a body blow. “America the Beautiful”? How can that be true when the current administration is seeking $1.5 trillion for defense spending — nearly 50% more than this year — while cutting healthcare and social safety nets? How can that be true when an act known as the “Big, Beautiful Bill” removed funding from an already frayed healthcare system and exacerbated the shortage of care in rural areas of the country?

That one scene, the culmination of hours of careful, patient storytelling, said more about the disconnect between American ideals and America’s reality than anything else I’ve read or watched this year.

Give “The Pitt” all the Emmys. It has more than earned them.

Scott Pelley, a signature on-air talent for “60 Minutes,” was ousted from CBS News a day after he blasted the division’s top management over the firing of the program’s executive producer and two correspondents.

“We have parted ways with Scott Pelley,” the newly installed executive producer Nick Bilton said in a message sent to staff Tuesday.

The network announced Pelley’s departure after a meeting with top CBS News management late Tuesday, where the veteran correspondent continued to ask for answers on why “60 Minutes” executive producer Tanya Simon and correspondents Sharyn Alfonsi and Cecila Vega were let go last week, according to people familiar with the discussions who were not authorized to speak publicly. Editor in Chief Bari Weiss would not address the matter at the meeting.

Pelley’s departure follows a contentious “60 Minutes” staff meeting on Monday where he accused Weiss of “murdering” the country’s most-watched news program.

Pelley also raised doubts over the credentials of Bilton, the former New York Times journalist and documentary filmmaker named last week to run the venerable newsmagazine, citing his lack of experience in TV news.

Bilton was named to replace Simon on Thursday, an unexpected move that also came with the firings of the correspondents. The moves were made by Weiss, who has targeted the prestigious program for changes since she arrived at the network in the fall.

Bilton attempted to defend Weiss, who was not at the meeting, and asserted that CBS News management was committed to guiding “60 Minutes” into the digital future.

“She is murdering ‘60 Minutes,’” Pelley said of Weiss at the meeting held at the program’s Manhattan headquarters. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.”

Pelley’s stunning remarks at the meeting were applauded by his colleagues. But veterans in the division — who were shocked by the confrontation— took it as a sign that he was ready to leave the program.

Pelley is the fourth correspondent to depart “60 Minutes” since Weiss joined CBS News. Anderson Cooper, who also anchors at CNN, chose not to sign a new deal, citing family reasons, although many insiders said he was not comfortable with the direction of CBS News. Alfonsi and Vega were severed last week.

Those vacancies mean “60 Minutes” will have to line up new talent quickly to fill the correspondent roles. Production on segments for the 2026-27 season is already underway.

Pelley, 68, started his career at CBS News in 1989. He covered the Gulf War for the network, traveling in Iraq and Kuwait. He later became chief White House correspondent during Bill Clinton’s turbulent second term.

Pelley became a correspondent for “60 Minutes II,” a midweek edition of the program that ran from 1999 to 2005. After the program was canceled, Pelley moved to the Sunday flagship edition.

The fate of “60 Minutes” — which saw a 9% audience increase and massive spikes in viewing across social media platforms this past season — has been an ongoing saga since President Trump sued the program over the editing of an interview with his 2024 opponent former Vice President Kamala Harris.

The suit was settled just ahead of the Federal Communications Commission clearing the way for the takeover of Paramount by David Ellison’s Skydance Media.

Ellison acquired Weiss’ digital start-up the Free Press, which established itself as a voice critical of so-called woke politics. She was given a mandate to move CBS News to the political center, which created a perception that her role is to placate the Trump White House as Paramount seeks regulatory approval to acquire Warner Bros. Discovery.

Nick Bilton, the new executive producer of “60 Minutes,” received a hostile welcome Monday from the CBS News program’s most respected correspondent Scott Pelley as the staff is still reeling over last week’s firings.

In the first staff meeting since Bilton was named last week, Pelley accused CBS News Editor-in-chief Bari Weiss of “murdering” the country’s most-watched news program, which recently finished the TV season with a 9 percent ratings increase. Recordings of the meeting were circulated to journalists.

“She is murdering ‘60 Minutes,’” Pelley said. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.” Pelley also attacked the credentials of Bilton, a former New York Times tech reporter and documentary filmmaker who like Weiss has no previous experience running a TV news operation.

Bilton was named to replace Tanya Simon on Thursday, an unexpected move that also came with the firing of correspondents Sharyn Alfonsi and Cecilia Vega. The moves were enacted by Weiss, who has targeted the prestigious program for changes since she arrived at the network last fall.

David Ellison, chief executive of CBS News parent Paramount, brought in Weiss — a skeptic of legacy media — with a mandate to move the division more to the political center. But many critics have seen the move as an attempt to placate the Trump administration while Ellison seeks regulatory approval for his deal to acquire Warner Bros. Discovery,

“60 Minutes,” has long been in Trump’s cross hairs. The president sued the program last year over the editing of an interview with his 2024 opponent former Vice President Kamala Harris. The suit was settled just ahead of the Federal Communications Commission clearing the way for Ellison’s Skydance Media takeover of Paramount.

One person close to “60 Minutes” said attendees at the meeting in the Manhattan West Side offices described it as something they had never witnessed in their careers. The confrontation — and the applause Pelley received from his colleagues during the meeting — also demonstrates how CBS News management may have underestimated the staff’s devotion to the program, now closing in on its sixth decade, that has long been considered the most powerful and respected platform in TV journalism.

A representative for CBS News declined comment on the meeting.

Pelley is held in especially high stature at the network due to his work over the years in dangerous war zones. When he was anchor at the “CBS Evening News,” he displayed photos of CBS News journalists who have died in the line of duty for the network going back to George Polk, who was killed during Greece’s civil war in 1948.

People close to CBS News management said both Bilton and Weiss reached out to Pelley last week to discuss the changes and their plans for the program’s future but he did not respond.

One CBS News veteran said the tense meeting “reads like Scott wants to be fired.”

Weiss has maintained she is committed to expanding the “60 Minutes” brand so it generates viewing and revenue outside of its Sunday night broadcast. But she has also clashed with producers and correspondents over the handling of stories such as Alfonsi’s report on the Trump administration’s use of harsh El Salvador prisons to hold undocumented Venezuelan migrants.

Alfonsi’s message to colleagues saying the segment was held for political reasons led to her dismissal from the program.

Vega posted a message last week claiming she had been facing pressure to insert political bias into her stories. “I very much fear what comes next for … the future of the legendary broadcast,” Vega said in a social media post on Thursday, referring to “60 Minutes.”

A CBS News representative said last week that Vega’s claims “are not based in reality.”

Bilton has tried to reassure veterans at the program that he remains committed to the program’s mandate to provide tough, investigative journalism. The words he’s used in several meetings are that next season will not be much different than the successful year the program just completed.

“He’s very much committed to continuing and extending the kind of journalism that ’60 Minutes’ has been known for.” said one person close to Bilton.

Maybe you can use a laugh this morning. Maybe you’re still deep in your feelings, thinking about the “Hacks” series finale and that shot of Hannah Einbinder looking at Jean Smart on the dance floor, grief seeping into her eyes. Maybe you’re lamenting the chaos at our treasured national parks. Hell … maybe you took out a loan to buy a tomato over the weekend.

If you’re feeling down, Gary Oldman would like a word. And that word is: Hufflepuff.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, back in your inbox for the next few weeks as we navigate our way through Emmy season.

Digital cover story: The world according to Gary

(Jennifer McCord / For The Times)

Gary Oldman is a Hufflepuff.

Never mind that the 68-year-old actor, who played the rebellious, impulsive wizard Sirius Black in the Harry Potter film franchise, couldn’t tell you the difference between a Hufflepuff and, say, a Gryffindor.

When journalist Josh Horowitz reads a list of core personality qualities — loyalty, hard work, patience, fairness, dedication — and asks Oldman if that describes him, he nods his head.

You’re a Hufflepuff.

“I’m a Hufflepuff?” Oldman says, trying the word on for size. He likes it. “I’m a Hufflepuff!”

This video clip is a favorite of mine, one I could watch on a loop for the sheer delight Oldman takes in pronouncing the word Hufflepuff.

It’s easy to see why Oldman takes such pleasure in being a granddad these days, one of the things we talked about at length not long ago for an Envelope digital cover story. He can access his silly side with ease.

I asked Oldman about the upcoming HBO “Harry Potter” television series, a decade-spanning endeavor that will spend a season adapting each of J.K. Rowling’s seven fantasy books.

“I’ve seen a trailer for it, and I think it’s a great idea,” Oldman says. “They’re doing the whole book, which I love, because there were a lot of wonderful things, fabric and character detail, we had to lose for the sake of telling the story in two hours.”

Would Oldman be keen to don a distressed velvet overcoat again and participate in the reboot?

“I don’t think they want any of us from the movies contaminating or muddying the waters,” Oldman says, pleasantly. “Besides, I’m too old.”

But with AI, is anyone too old now? Oldman could drop into “Harry Potter and the Prisoner of Azkaban” and look like he hasn’t aged a day since the movie was released 22 years ago.

“I don’t know where we’re going with it because it seems to advance every week,” Oldman says. He ponders the advances made since Martin Scorsese used digital deaging in his 2019 film “The Irishman.”

“I think that was the least successful thing about it,” Oldman says of the technology, “and I’ve been a huge Martin Scorsese fan forever. Ultimately, I don’t know why they wanted to make [Robert] De Niro’s eyes blue.” He pauses, considering the change and why it bothered him. “I guess it’s a blue-eyed Irishman. If I had one negative takeaway, it would be that.”

Oldman prefers directors like Christopher Nolan, whom he worked with on the “Dark Knight” movies and “Oppenheimer,” who think technology should be used sparingly to enhance the storytelling.

“Otherwise it leaves me a bit cold,” he says. “You’re just looking at ones and zeroes.”

“I don’t want to be replaced entirely,” Oldman continues, shaking his head. “I don’t think anyone does.”

Read more coverage of ‘Slow Horses’

Shai Gilgeous-Alexander apparently isn’t amused by a new board game that pokes fun at the Oklahoma City Thunder star’s reputation for garnering foul calls at the hint of contact by an opposing player.

Last week, a lawyer representing the two-time reigning NBA MVP sent a cease-and-desist letter to sports prediction market and fantasy sports company Underdog that includes a demand for the destruction of all copies of the cheeky and extremely limited-edition game Unethical Hoops.

Done in the style of the children’s classic Operation, Unethical Hoops requires players to use tweezers to pull objects from tiny holes, with the slightest touch of a metal border setting off a buzzer indicating failure.

Instead of pretending to be doctors attempting to remove body parts from a patient, however, Unethical Hoops players act as members of an opposing basketball team trying to take the ball from a cartoon character who very much resembles Gilgeous-Alexander.

In this game, the buzzer represents the whistle of a foul-calling referee.

“Shai has made hoops all about foul baiting and now you’re stuck guarding him in Underdog’s new board game,” a description reads on the game’s website. “Don’t get baited. Steal the ball without getting whistled.”

In a letter dated May 22, attorney Eric Fishman of ArentFox Schiff LLP demanded that Underdog “immediately and permanently cease and desist from any and all use of Mr. Gilgeous-Alexander’s NIL in any and all media, including but not limited to your website (including the Unethical Hoops Website)… and any physical goods including but not limited to the board game advertised on the Unethical Hoops Website.”

The notice also calls for Underdog to “immediately destroy all physical goods or advertisements that use Mr. Gilgeous-Alexander’s NIL, including but not limited to the board game advertised on the Unethical Hoops Website,” as well as a promise never to use the star player’s name, image or likeness without his permission.

Fishman did not immediately respond to a request for comment from The Times.

According to the Unethical Hoops website, which remains active more than a week after the date on the cease-and-desist order, only 100 copies of the game were made, to be given away to Underdog users. The giveaway ended as scheduled on Friday.

Underdog declined to comment on the matter other than to point out that the company has pulled comical stunts at the expense of members of the sports world.

“We’ve poked fun at Knicks and Lakers fans, the Red Sox owners, the Mets and more,” a spokesperson said via email. “We like to have some fun with whatever is in the sports fan zeitgeist.”

Gilgeous-Alexander is a four-time All-Star who led the league in scoring last season (2,484 points) and was second in scoring this season (2,117). He led the Thunder to their first NBA title last year and has them back in the Western Conference finals this year (the decisive Game 7 against the San Antonio Spurs is Saturday in Oklahoma City).

While one of the NBA’s biggest stars, Gilgeous-Alexander is often criticized for the number of favorable foul calls he receives — he has ranked second or third in the league for number of free throw attempts per game in each of the last four seasons and is currently second among all players in the 2026 playoffs with 9.8 a game — and the lengths he appears to go to in order to receive them.

After Game 2 against the Spurs, one NBA fan account on X wrote, “Shai flopped on every single shot attempt” and posted a video that showed seven such examples (Gilgeous-Alexander actually attempted 24 shots that night). The post has been viewed 22.7 million times.

Earlier this week, prior to Game 6 of the conference finals, another fan account on X posted a video “ranking all 44 times SGA fell on the floor while shooting during the 2026 playoffs from least to most egregious.” That post has been viewed 1.3 million times.

As the cartoon likeness of Gilgeous-Alexander states in the Unethical Hoops ad, “so much as breathe on me, I’m getting the call.”

The real-life SGA was asked during a TV interview after Game 3 in San Antonio about the “flopper!” chants that rained down on him at Frost Bank Center.

“It’s part of the game,” he said. “It’s nothing. I’ve been dealing with it for a long time. I don’t really hear it. I’m focused on what’s going on on the court.”

WASHINGTON — A federal judge on Friday temporarily blocked President Trump’s administration from paying any claims through a new $1.776 billion settlement fund for the Republican president’s allies who believe they were victims of a weaponized government.

U.S. District Judge Leonie Brinkema in Alexandria, Va., also barred the government from moving forward with the fund’s creation while litigation is pending to challenge it.

The judge, who was nominated to the bench by President Clinton, a Democrat, scheduled a June 12 hearing for arguments on whether to extend the order blocking payouts from an “Anti-Weaponization Fund.” The government created the fund to resolve Trump’s lawsuit against the Internal Revenue Service over the leak of his tax returns.

The White House declined to comment on the judge’s ruling and referred all questions to the Justice Department, which didn’t immediately respond to a request for comment.

The fund has generated a fierce backlash since it was announced last week, with even Republicans pressing acting Atty. Gen. Todd Blanche over the eligibility considerations and the possibility that even violent rioters at the U.S. Capitol on Jan. 6, 2021, would be free to seek compensation.

The Justice Department hasn’t formed the five-member commission that will decide on payout criteria, so there has been no money paid out yet or claims accepted.

Plaintiffs’ attorneys from the legal advocacy group Democracy Forward are seeking a court order halting the fund’s implementation and preventing the Trump administration from disbursing any payouts from it. The federal suit claims there is no legal basis or accountability behind the fund.

The Virginia lawsuit’s plaintiffs include a fired prosecutor and a college professor acquitted of assaulting federal agents at a protest.

“The unlawfulness that has imbued the Anti-Weaponization Fund from its inception requires that it be wholly dismantled,” the suit says.

At least two other lawsuits, both filed separately in Washington, also are challenging the fund’s creation. A lawsuit filed by the advocacy group Citizens for Responsibility and Ethics in Washington refers to the fund as “a jaw-dropping act of presidential corruption.” Two police officers who helped defend the Capitol from a mob of Trump supporters sued last week.

During a congressional hearing, Blanche wouldn’t rule out the possibility that rioters who assaulted police on Jan. 6 could be eligible for fund payouts.

Nearly 1,600 people were charged with Capitol riot-related federal crimes. Over 1,200 were convicted and sentenced before Trump handed out mass pardons, commuted prison sentences and ordered the dismissal of every pending Jan. 6 criminal case last year.

Kunzelman writes for the Associated Press. AP writers Darlene Superville, Alanna Durkin Richer and Eric Tucker contributed to this report.

PLANO, Texas — As it turned out, it would never be enough.

U.S. Sen. John Cornyn tried for more than a year to show President Trump and Texas Republicans that he and the president were on the same team.

Cornyn posted a photo of himself reading Trump’s “The Art of the Deal.” He proposed legislation to rename a stretch of interstate in Trump’s honor. Perhaps most glaringly, the Senate institutionalist who long supported the filibuster reversed his position in a failed effort to advance voting restrictions that are a priority for the president.

None of it worked. On Tuesday, Cornyn became the latest in a line of Republicans who lost their primaries after falling out of favor with a president with little tolerance for dissent and a seemingly insatiable appetite for retribution. The four-term senator lost by double digits to Texas Attorney General Ken Paxton, who Trump endorsed last week as “a true MAGA Warrior.”

Cornyn, on the other hand, “was VERY disloyal to me,” Trump wrote on social media.

Trump’s intervention in the Texas runoff came after weeks of successfully backing primary challengers in Indiana, Louisiana and Kentucky as revenge against incumbents who broke with his agenda.

Cornyn’s attempt to avoid the same fate made even some of his supporters wince.

“You look at the positions he took to please the president and the groveling and whatever,” said former Sen. Jeff Flake of Arizona, a Republican and Trump critic who didn’t seek reelection during the president’s first midterm in 2018. “It was rather painful to watch.”

Trump took an uncommonly equanimous approach to Tuesday’s results the following morning.

“Congratulations to Ken Paxton on such a tremendous win, and to John Cornyn for having run a strong and powerful race but, more importantly, having had a truly great career,” he wrote on social media. “John will remain my friend for a long time to come, as we both watch Ken become a fantastic, common sense Senator, one who is respected by all.”

Cornyn started early with ad touting pro-Trump voting record

Cornyn’s loss wasn’t for a lack of political gymnastics and astronomical campaign spending.

His campaign began running an advertisement last summer — part of an astounding nearly-$100-million air war by the senator and allied groups — with Cornyn looking into the camera and saying, “I voted with President Trump 99% of the time.”

On Cornyn’s campaign homepage, Trump and Cornyn stand side-by-side with thumbs pointed upward in an image aimed at projecting solidarity. Deeper in the website, the category titled “The Trump-Cornyn Record” notes the senator’s role securing votes for Trump’s signature 2017 tax cut bill.

Cornyn has also been championing provisions in Trump’s signature tax-and-spending legislation to finance work on the U.S.-Mexico border wall.

The senator had dismissed the project as “naive” during Trump’s 2016 campaign. But in January, he stood along a section of completed wall in Texas’ Rio Grande Valley touting the measure’s $11 billion for Texas contractors’ work at “the direction of the president of the United States, to whom I am very grateful.”

Cornyn’s 2023 dismissal of Trump’s return glares in background

Cornyn’s praise for his party’s leader and president were not unusual, but they clash with a statement Cornyn made in May 2023, when Trump was mounting his presidential comeback campaign.

“Trump’s time has passed him by,” he told reporters. “I don’t think President Trump understands that when you run in a general election, you have to appeal to voters beyond your base.”

Trump would go on to easily win the nomination and carry every battleground state in the general election.

Cornyn would hew closely to the president for the first 16 months of his second administration, hoping at the outside chance of his endorsement or to keeping him from weighing in at all.

But Trump did not forget the past slights.

“John Cornyn is a good man, and I worked well with him, but he was not supportive of me when times were tough,” he wrote on social media while endorsing Paxton.

Smaller gestures, and one big one

Cornyn has playfully worked to promote Trump fandom, last year posting a picture on social media of himself thoughtfully peering into the pages of Trump’s 1987 memoir and business advice book, “The Art of the Deal.”

In a more obvious gesture, he proposed designating a section of a U.S. highway from the Texas Gulf Coast to Montana as “Interstate 47,” to honor a 47th president with a well-documented love of naming things after himself. In a news release about the proposal, filed just over two weeks before Tuesday’s runoff, Cornyn said it would be known as the “Trump Interstate.”

The more tectonic shift occurred in March, after Trump had teased a possible endorsement of either Cornyn or Paxton in the runoff.

Paxton swiftly said he would consider dropping his candidacy if the Republican-controlled Senate lifted the filibuster and passed the SAVE America Act, a series of voting restrictions that Trump has described as an essential part of his agenda.

The following week, Cornyn wrote an op-ed in the New York Post — Trump’s favorite hometown newspaper — backing away from his previous support of the filibuster. He vowed to “support whatever changes to Senate rules that may prove necessary” to get the bill “through the Senate and on the president’s desk for his signature.”

Flake watched with unease.

“I know John and his long-held positions on the filibuster and the Senate’s institutions,” he said. “No office is worth that.”

Beaumont and Bedayn write for the Associated Press. Bedayn reported from San Antonio. AP writer Mary Clare Jalonick in Washington contributed to this report.

Clara Adams expected to win the 400-meter dash Saturday in the Southern Section Masters Meet at Moorpark High. The Long Beach Wilson junior not only won, she broke the section record, circling the track in 51.98 seconds.

“To be honest, I did not expect a 51 today … that was my end goal and I got it before state,” said Adams, who topped the previous mark [set by Norco’s Shae Anderson in 2017] by one hundredth of a second. “It says a lot about my training and teammates who push me in practice every day. I’m ecstatic.”

Even better than breaking a section record is breaking a state record and Adams was smiling wider several hours later after she and teammates Brooke Blue, Brooklyn Fowler and Saniah Varnado did just that by clocking 3:33.83 in the 4×400 relay to obliterate the time of 3:35.49 set by Moore League rival Long Beach Poly in 2004. Rosary Academy was a distant second in 3:41.33.

“The 400 was our first race of the day, all of us ran it and we all qualified for state and that carries over to the rest of the day,” said Adams, who ran the third leg and widened the Bruins’ lead before handing the baton to Varnado for the anchor leg. “The state record is a bonus. We handled our business and now we have a week to prepare to go for the national record.”

Florida Montverde Academy owns the national record of 3:31.68, achieved at the 2024 New Balance Nationals Outdoor in Philadelphia, but Wilson’s foursome was content with the state record, at least for now.

“We already had a good lead when I got it but everyone was getting loud and I was pushing,” Varnado said. “I was thinking we could run in the high 3:30s. I’m proud of how well we did and hopefully we can do even bigger things at state.”

The CIF state track and field championships are next weekend (prelims Friday and finals Saturday) at Buchanan High in Clovis and as usual the Southern Section will be well-represented as numerous athletes met the qualifying standards.

After three-peating in the 1,600 and 800 one week before at the Southern Section finals, Corona Santiago senior Braelyn Combe won both events again Saturday, winning the 1,600 in 4:43.03, well off her 4:41.36 effort at the section finals but still more than two seconds faster than runner-up Reese Holley of JSerra. She won the 800 Saturday by about the same margin in 2:06.04.

Calabasas dominated at the section finals with four runners breaking the Division 3 record in the 100. They were back at it Saturday as last week’s champion Malia Rainey ran 11.33 to win the first heat. Devyn Sproles equaled Rainey’s 11.41 one week before to win the second heat and take second overall. Marley Scoggins (11.46) was third and Coyotes teammate Olivia Kirk (11.62) was fifth.

Tra’via Flournoy led off Rosary’s 4×100 relay, which won in 44.79 at the Masters Meet on Saturday in Moorpark.

(Steve Galluzzo / For The Times)

Rosary’s 4×100 relay established itself as the favorite at state finals with a 44.79, more than a second faster than runner-up Canyon Country Canyon. The Royals’ foursome of Tra’via Flournoy, Justine Wilson, Pfeiffer Lee and Maliyah Collins is hoping to top the state-record (44.23) it set at Arcadia in April when it heads north for the state meet.

“It wasn’t a [personal record] but it was faster than last week,” said sophomore Collins, who ran the anchor leg. “This was a tuneup. Our handoffs were clean and we got the baton around the track. That was our main focus.”

West Ranch junior Tamea Crear (23.50), Kirk (23.54) and Rosary’s Wilson (23.61) and Collins (23.69) took the top four spots in the 200 meters.

San Jacinto Valley Academy sophomore Kaaliyah Lacy clocked 13.44 to win the 100 hurdles, one hundredth off her state-leading time that earned her the Division 4 section title one week ago. Varnado won the 300 hurdles in 41.53.

Irvine senior and Duke commit Summer Wilson, a three-time Southern Section champion in the 3,200, ran a new-season best (10:14.45) and shaved nearly 10 seconds off her time in the Division 2 sectional race.

Irvine’s Summer Wilson wins the 3200 meters in 10:14.45 at the Masters Meet after placing third last year.

(Steve Galluzzo / For The Times)

After sweeping the all three jumps events at the Division 3 section finals, Jurupa Valley senior AB Hernandez did the same Saturday, winning the long jump in 20 feet, 0.75 inches, the triple jump in 40-7 and the high jump in 5-8.

Los Alamitos senior Cassidy Nguyen cleared 13-2 to win the pole vault while Aliso Niguel was first in the discus (165-10) and shot put (49-0) after winning the Division I section crown in both last week.

Woodbridge junior Aidan Antonio won the 3,200 boys race in 8:55.30 while Sterling White of Oaks Christian became the first freshman in state history to break nine minutes, finishing seventh in 8:59.26 to break the ninth-grade record of 9:01.1 set by Eric Hulst of Laguna Beach in 1973.

Riverside King’s Maximo Zavaleta (4:06.30) and Antonio (4:06.54) battled all the way to the finish line to claim the top two spots in the 1,600.

Having won the Division 3 boys title in 38.39 one week earlier, Servite’s 4×100 relay won Saturday’s race in 40.17, followed by Moorpark (40.60) and Loyola (40.83).

“I like the first leg and coming out of the blocks because I get to see my teammates win,” said Jace Wells, whose exchange to Jorden Wells was smooth. Kamil Pelovello and Benjamin Harris ran the last two legs. The foursome set the state record (39.70) at Arcadia.

Harris won the 100 in a wind-aided 10.17 (one hundredth faster than his time in the Division 3 section finals last week), then won the 200 in 20.80 (31 hundredths slower than his winning time a week ago).

“It’s what I expected — I’m proud of it,” Harris said of his 100 time. “I just wanted to execute, win my race and move on. There’s more work to be done.”

Loyola’s Ejam Yohannes beats Servite’s Jaelen Hunter by 11 hundredths of a second in the 400-meter dash.

(Steve Galluzzo / For the Times)

In the most exciting finish of the day, Loyola senior Ejam Yohannes edged Servite sophomore Jaelen Hunter by 11 hundredths of a second in 46.40 in the 400 meters, one week after Hunter ran 46.36 to set a section Division 3 record. Johannes cut three tenths off his Division I winning time last week.

Upland (3:18.54) won the boys 4×400 and Gardena Serra (3:18.88) was second. Crean Lutheran’s Noah Richardson cleared 15-6 to win the pole vault while Redondo Union’s Bo Ausmus won the discus with a throw of 185-7 and the shot put with a mark of 61-9.

Having won the Southern Section Division 3 high jump crown in a lifetime best and state-leading 7-01 seven days earlier, Sherman Oaks Notre Dame senior JJ Harel still had the best height Saturday at 6-10, tied with Nathaniel Baca but winning on fewer misses. Harel aims to repeat as state champion.

Moorpark’s Davis Benson was first in the long jump Saturday at 22-11.75 (he won the Division 3 section crown with a leap of 23-5 last week), followed by Dane Malloy (22-10.5) and Harel (22-9.25). Paloma Valley senior Arthur Stringer won the triple jump in 47-4.5.

Long Beach Poly’s Lynnox Newton won the 110 high hurdles in 13.69, Etiwanda’s Brandon Andrade (13.85) was second and Benson (13.94) third. Andrade (37.01) was second behind Palm Desert’s Kingston Penny (36.86) in the 300 hurdles.

WASHINGTON — The U.S. Commission of Fine Arts on Thursday approved the design for the triumphal arch that President Trump wants built at an entrance to the nation’s capital.

Commissioners, all of whom were appointed by Trump, approved the design despite overwhelming opposition from the public. Approval is a key step in the project’s process.

The proposed arch is one of several projects the Republican president is pursuing alongside a White House ballroom to leave his imprint on Washington.

He has said some of his other projects, such as adding a blue coating to the interior of the Lincoln Memorial Reflecting Pool, will beautify the city in time for July 4 celebrations of America’s 250th birthday.

The U.S. Commission of Fine Arts approved the concept for the arch at its monthly meeting in April.

As presented to the federal agency, the arch itself would stand 250 feet tall from its base to a torch held aloft by a Lady Liberty-like figure on top of the structure. The statue would be flanked on top by two eagles and guarded at the base by four lions — all gilded. The phrases “One Nation Under God” and “Liberty and Justice for All” would be inscribed in gold lettering atop either side of the monument.

A public observation deck on top would provide 360-degree views of the surroundings.

The commission’s vice chairman, architect James McCrery II, said in April that he preferred the arch without the figures on top. Removing them would significantly reduce the arch’s height by about 80 feet. Critics of the project, including an overwhelming number of people who submitted public comment in April, said the arch would be taller than any other monument in the capital city and dominate the skyline.

At a height of 250 feet, the arch would dwarf the Lincoln Memorial, which is 99 feet tall, and be close to half the height of the Washington Monument, an obelisk that is about 555 feet tall.

McCrery also recommended that the lions on the base be removed because that animal is “not a beast natural to the North American continent.” And he objected to plans for an underground tunnel for pedestrians to get to the arch, which would be built on a traffic circle between the Lincoln Memorial and Arlington National Cemetery in Virginia.

Preliminary surveys and testing of the site began last week.

A group of veterans and a historian have sued the Trump administration in federal court to block construction on grounds that the arch would disrupt the sightline between the Lincoln Memorial and Arlington House at Arlington National Cemetery, among other reasons.

Trump and Interior Secretary Doug Burgum have argued that Washington is the only major Western world capital without such an arch. Burgum’s department includes the National Park Service, which manages the plot where Trump wants to put the arch.

Trump’s rehab of the Lincoln Memorial Reflecting Pool is also the subject of a court challenge brought by the Cultural Landscape Foundation, which said the administration’s moves to repaint the bottom of the Reflecting Pool blue without first undergoing relevant reviews ran afoul of federal preservation laws governing historic sites.

The nonprofit group argued in a lawsuit filed last week that the changes at the Reflecting Pool are part of Trump’s broader effort to push through dramatic renovations in Washington without proper reviews and undermine the tone of the area.

A hearing in the case was scheduled for Thursday afternoon in federal court in Washington.

Superville writes for the Associated Press.

SAN DIEGO — The crack of the bat reverberated throughout Petco Park. The crowd let out a collective, “Oh.” And Shohei Ohtani started his trot around the bases.

Padres center fielder Jackson Merrill made a valiant effort to bring back the home run. But after leaping and stretching his entire torso over the top of the wall, the ball fell just out of his reach.

Ohtani, hitting while pitching for the first time in almost four weeks, had homered on the first pitch of the game.

Manager Dave Roberts has held Ohtani out of the batting order for each of his last three starts on the mound, in what’s become a start-by-start decision. But Wednesday, he handled pitching and hitting duties, with immediate positive feedback.

“Obviously it’s a big series, and with the way he’s swinging the bat, I feel it gives us the best chance to win,” Roberts said before the game. “And last week, giving him a couple days off to reset, I thought that was beneficial. We’re on the heels of an off day [Thursday]. So I think all that in total, it just made sense to have him hit today.”

Roberts has also witnessed a “recharged” Ohtani on this trip, as evident on the basepaths and in the batter’s box.

Roberts and Ohtani differ in how much they credit his offensive turnaround to the two-day break from hitting that Roberts gave the two-way phenom last week, versus the progress he was already showing. But Ohtani entered Wednesday with four doubles and 10 hits total in five games against the Angels and Padres.

“I think he’s getting there,” Roberts said before the game. “I wouldn’t say he’s back; I think he’s getting there.”

A preliminary hearing the murder case against David Anthony Burke, the 21-year-old singer better known as D4vd, will go forward at the end of June, setting a timeline for when more detailed evidence about the gruesome murder and dismemberment of 14-year-old Celeste Rivas Hernandez will become public.

Burke — who prosecutors say sexually abused the teen for a year before stabbing her to death and mutilating her corpse last year — will face the hearing on June 29, attorneys said during a brief hearing Tuesday morning.

After the singer’s arrest in April, his legal team pushed for an immediate preliminary hearing — where a judge determines if prosecutors have enough evidence to bring a case to trial — but they backed off after prosecutors began turning over what they have described as a massive amount of digital evidence linking Burke to the teenager’s brutal slaying. Burke has pleaded not guilty in the case.

The hearing is expected to last at least five days. A status conference hearing will take place on June 17.

Questions about the singer’s connection to Hernandez’s grisly end have circled since last summer, ever since her badly decomposed and dismembered body was found in the trunk of a Tesla linked to Burke. Late last month, prosecutors filed a nine-page brief laying out what they believe to be Hernandez’s final moments and Burke’s alleged horrific actions after her death.

In the filing, prosecutors said Burke stabbed Hernandez to death inside a Hollywood Hills residence after she threatened to go public about the ascendant singer’s continual sexual abuse. After killing her, Burke ordered a chainsaw, a “burn cage,” a shovel and other implements he used to dismember her remains in his garage, prosecutors alleged last week.

The motion also laid out the dramatic steps Burke went to in order to continue his relationship with the teen. In February 2024, Hernandez was reported missing to the Riverside County Sheriff’s Department by her parents, who were concerned about her involvement with Burke, according to the filing. Hernandez went home and had her phone taken away, but Burke allegedly paid a junior high school student $1,000 to give her a new device so they could stay in touch.

Prosecutors also said they found images of Hernandez naked and performing sex acts on Burke’s phone, according to the document. Deputy Dist. Atty. Beth Silverman said in court last month that search warrants turned up “a significant amount of child pornography” on Burke’s devices.

Burke’s lawyers have not commented on their defense strategy.

A look at The Times’ top 25 high school baseball rankings for the Southland after the final week of the regular season:

Rk. School (Rec.); Comment; ranking last week

1. NORCO (24-3); vs. Maranatha in D1 playoffs, Tuesday; 1

2. HARVARD-WESTLAKE (23-5); vs. La Mirada in D1 playoffs, Tuesday; 2

3. ST. JOHN BOSCO (22-5); vs. Cypress in D1 playoffs, Tuesday; 3

4. ORANGE LUTHERAN (23-4); vs. Corona Santiago in D1 playoffs, Tuesday; 4

5. HUNTINGTON BEACH (21-6-1); at Temecula Valley in D1 playoffs, Tuesday; 5

6. CORONA (21-6); vs. Etiwanda in D1 playoffs, Tuesday 6

7. SIERRA CANYON (23-5); vs. Oaks Christian in D1 playoffs, Tuesday; 7

8. SHERMAN OAKS NOTRE DAME (20-8); vs. Ayala in D1 playoffs, Tuesday; 8

9. AYALA (23-3); at Sherman Oaks Notre Dame in D1 playoffs, Tuesday; 9

10. CYPRESS (21-7); at St. John Bosco in D1 playoffs, Tuesday; 10

11. LA MIRADA (22-6); at Harvard-Westlake in D1 playoffs, Tuesday;11

12. OAKS CHRISTIAN (22-6); at Sierra Canyon in D1 playoffs, Tuesday; 12

13 GAHR (17-10-1); vs. El Segundo in D2 playoffs, Thursday; 13

14. NEWPORT HARBOR (19-9); vs. Trabuco Hills in D2 playoffs, Thursday; 14

15. CORONA SANTIAGO (18-10); at Orange Lutheran in D1 playoffs, Tuesday; 15

16. TEMECULA VALLEY (24-4); vs. Huntington Beach in D1 playoffs, Tuesday; 18

17. VILLA PARK (19-8-1); vs. Elsinore in D2 playoffs, Thursday; 22

18. ETIWANDA (20-7); at Corona in Division 1 playoffs, Tuesday; 23

19. ROYAL (23-3-1); vs. El Modeina in D2 playoffs, Thursday; 16

20. AQUINAS (19-9); vs. Dana Hills in D2 playoffs, Thursday; 17

21. SANTA MARGARITA (15-13); at Rancho Christian in D2 playoffs, Thursday; 19

22. BISHOP ALEMANY (17-11); vs. Mission Viejo in D2 playoffs, Thursday; 20

23. MARANATHA (23-5); at Norco in D1 playoffs, Tuesday; NR

24. WESTLAKE (18-8); vs. Alta Loma in D2 playoffs, Thursday 24

25. GANESHA (21-3-1); at Linfield Christian in D2 playoffs, Thursday; 25