last week

A new sales tax that would generate $345 million annually for the Los Angeles Fire Department will go before voters later this year, the City Council decided Tuesday, as a stubborn warehouse blaze burned for a seventh day on the city’s eastern edge.

The council voted 14-0 to put the half-cent sales tax hike on the Nov. 3 ballot, with supporters saying the additional funds would go toward more firefighters, new fire stations and new equipment, such as firetrucks and helicopters.

The vote came nearly 18 months after the outbreak of the Palisades fire, which destroyed thousands of homes in Pacific Palisades, Malibu and other coastal areas, leaving 12 people dead. But it more immediately coincided with the city’s fight to extinguish the blaze at the Boyle Heights cold storage facility, which has spread smoke across the region over the last week.

The campaign for the sales tax hike is being spearheaded by United Firefighters of Los Angeles City Local 112, the union that represents nearly 3,400 firefighters. Appearing before the council, union leaders pointed to the Boyle Heights fire as the latest sign that the city needs more money for emergency response.

“This is our plan to undo decades of under-investment in the department,” said Ryan Quigley, a 23-year firefighter/paramedic who also serves as the union’s secretary.

Mayor Karen Bass, through a spokesperson, said she is grateful to the union for bringing the tax proposal forward.

“[The mayor] has championed this measure from the very beginning,” the spokesperson, Paige Sterling, said in a statement.

The firefighters union began gathering signatures for the tax earlier this year, submitting them to the city clerk last month. Since then, backers have voiced confidence that it would pass, given the growing concern across the city about urban wildfires.

Still, the path to victory could be complicated by recent events.

Last month, Los Angeles County voters narrowly passed a different half-cent sales tax hike that’s expected to raise $1 billion annually to pay for healthcare. That measure, which received just above the 50% needed for passage, pushed the tax rate within the city of Los Angeles to 10.25 cents for every dollar of spending.

If voters approve the fire tax increase as well, the rate will jump to 10.75 cents per dollar.

The firefighters union also will be campaigning in a year when one of its recent leaders, Adam Walker, has been charged with one count each of grand theft and forgery. He has been accused of stealing more than $82,000 from a charity for injured firefighters to pay for his online gambling, his mortgage and other personal expenses.

Union President Doug Coates said Walker left his position two years ago. The union, he said, intends to make clear to voters that “the money is going to the right thing.”

So far, no one has emerged as an opponent of the tax increase. The Central City Assn., a downtown-based business group, is supporting the fire tax.

Susan Shelley, spokesperson for the Howard Jarvis Taxpayers Assn., said her organization has not taken a position on the proposal. Still, she argued that sales taxes in general are “extremely regressive,” hitting the hardest for Angelenos who can afford it the least.

“Our view is that the city budget should be prioritized to fund the fire department from the first dollar, not the last dollar,” Shelley said. “And that there shouldn’t be a need for a tax increase.”

The sales tax hike, if approved by voters, would represent the most significant public investment in the fire department since 2000, when voters passed a $532-million bond measure to pay for new facilities. Backers said the tax increase would help the department speed up emergency response times, while also building new fire stations and repairing existing ones.

The firefighters union began work on the tax proposal more than two years ago, before the inferno that erupted on Jan. 7, 2025, and carved a lethal path through Pacific Palisades and other communities. Still, the push for more funding gained greater attention in the wake of the fire.

While the flames were still raging, then-Fire Chief Kristin Crowley went on local and national television to accuse city leaders of failing to give her department the resources it needed. The media blitz shocked some at City Hall, who believed Crowley should have waited until the emergency was over before publicly assigning blame.

Crowley and the union said city leaders had forced the department to scale back its operations amid a budget crunch. Bass and the city’s policy analysts pointed out that fire department spending grew that year, largely because of pay increases given to firefighters.

Bass ultimately ousted Crowley, saying the chief failed to properly deploy firefighters amid warnings of dangerous Santa Ana winds. Crowley, who was demoted to another position, filed a lawsuit against the city, saying the mayor engaged in a retaliation campaign.

The fire that broke out last week at the Lineage Logistics cold storage facility has helped to rekindle calls for additional fire department funding.

Councilmember Eunisses Hernandez, whose Eastside district has been enveloped in smoke in recent days, told her colleagues Tuesday that climate change and corporate negligence are making such emergencies “more frequent and more severe.”

“Whether it’s the devastating fires that hit Altadena and the Palisades last year, or the Boyle Heights warehouse fire currently affecting air quality and public health across the whole city, every one of our districts is feeling the impacts,” she said, before voting to put the tax on the ballot.

Councilmember Traci Park, who represents the Palisades, said the fires in the Palisades and Boyle Heights have “exposed Los Angeles’ urgent need to modernize LAFD for the realities and demands of a modern century.”

Fire Chief Jaime Moore, in an interview Monday, said he asked Bass to declare a state of emergency last week so that his department could obtain additional resources to fight the Boyle Heights fire, including firefighters, firetrucks, drone pilots and hazardous materials teams.

“I had firefighters work Wednesday afternoon, Thursday, Friday, Saturday. I talked to my incident commander, and he goes, ‘Chief, these guys are getting their butts kicked.’ And that’s when I said, ‘I’m gonna reach out to the mayor, and I’m gonna see what I can do to get the state of emergency declared.’”

Supporters of the sales tax increase contend the department lacks the personnel to serve a city of nearly 4 million people. According to the union, L.A. has nearly 3,400 firefighters, roughly the same number as 50 years ago.

If voters pass the sales tax hike, the city would have the funds to bring the department up to 5,000 firefighters by 2050, union officials said.

Dodgers superstar Shohei Ohtani was away from the team Friday for the birth of his second child.

He was out of the lineup for the series opener against the Orioles, but the Dodgers did not opt to put him on the paternity list, temporarily playing down a player instead. The team said it expects Ohtani back at some point this weekend.

Ohtani pitched Wednesday, so he should be back with the team well before his next turn in the rotation.

With Ohtani out, rookie Ryan Ward served as the designated hitter Friday, batting seventh. And right fielder Kyle Tucker moved up to the leadoff spot that Ohtani usually occupies.

Entering Friday, Ohtani owned the second-highest OPS (.962) in the National League, among qualified hitters. And his 1.47 ERA ranked No. 2 among pitchers who have thrown at least 50 innings, despite giving up seven combined earned runs in his past two starts.

Ohtani has been pitching through a blister on the middle finger of his right hand. And last week he missed a game to address a bout of inflammation in his left knee, which he thinks may have stemmed from mechanical problems in his pitching delivery.

Will Smith to get injection for neck

Catcher Will Smith (stiff neck) will get an injection to address his neck injury, manager Dave Roberts said. Recent imaging came back “fine,” Roberts said, and didn’t reveal anything “really bad.”

Smith said last week, before undergoing imaging, that he was diagnosed with an “inflamed disk.”

Smith — remaining on the injured list past the minimum stint, despite the Dodgers’ initial optimism — will be sidelined through the weekend, and he may not make the trip to Minnesota on Monday, which kicks off a three-city trip.

Edwin Díaz throwing off mound

Dodgers closer Edwin Díaz pitches against the Washington Nationals in April.

(Nick Wass / Associated Press)

Closer Edwin Díaz (elbow surgery) has progressed to throwing off the mound. He threw a 15-pitch bullpen on Friday, all fastballs, at 91-93 mph, Roberts said.

“Really positive day for Edwin,” Roberts said.

When Díaz underwent the procedure to remove loose bodies from his elbow in late April, the Dodgers eyed a post-All-Star break return. And they won’t push for an aggressive build-up, with the long-term in mind.

Short hops

Left fielder Teoscar Hernández (strained left hamstring) is on track to begin a minor-league rehab assignment early next week, Roberts said. … Left-hander Blake Snell (elbow surgery) is progressing in his throwing program after undergoing a NanoNeedle scope procedure to remove loose bodies from his elbow in mid-May. He is close to throwing off a mound, Roberts said.

What is the angriest acting performance you’ve ever seen?

Maybe it’s Joe Pesci in “Goodfellas.” (“Funny how? Do I amuse you?”) Perhaps it’s James Caan kicking the stuffing out of his ne’er-do-well brother-in-law Carlo in “The Godfather.” John Goodman enforcing the rules of bowling in “The Big Lebowski”? It’s in the conversation.

Did Ben Kingsley in “Gandhi” cross your mind? Probably not.

The 82-year-old Oscar winner thinks it should.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Don Logan or Mahatma Gandhi? The answer isn’t as plain as you might think.

Not long ago, I spoke with Kingsley just before an Emmy FYC event for “Wonder Man,” the enjoyable new Marvel TV series that finds him revisiting Trevor Slattery, the washed-up, drug-addled actor he first played in 2013’s “Iron Man 3.”

“Wonder Man” follows struggling actor Simon Williams (Yahya Abdul-Mateen II), trying to land a big break in Hollywood while keeping his superpowers hidden. Trevor befriends Simon. Initially he has ulterior motives, but soon becomes Simon’s mentor, turning the series into a look at the indignities that actors face while pursuing their profession.

Taking notes while watching the show’s eight episodes, I wrote, “Ben Kingsley’s seething anger is everything.”

You may remember Kingsley’s bullying and badgering and swaggering menace playing the underworld sociopath in Jonathan Glazer’s 2000 crime-thriller “Sexy Beast,” still my favorite Kingsley performance, one that earned him a supporting actor Oscar nomination. (He lost to Jim Broadbent in “Iris.”)

Is that kind of boiling rage as fun to play as it is to watch?

“If the expression of rage or indignation is completely dramatically justified and that expression of indignation is of enormous benefit to the tribe, yes,” Kingsley answers.

(Larsen&Talbert / For The Times)

Kingsley says Itzhak Stern, Oskar Schindler’s loyal aide and factory manager in “Schindler’s List,” was, “bless him,” all about “contained rage.”

“And a colleague of mine who saw ‘Gandhi’ said, ‘That’s the angriest performance I’ve ever seen on screen,’” Kingsley continues. “That righteous indignation propelled him, and it can be expressed in many ways. Sometimes the safety valve is efficient enough to allow it to come through language and gesture, and sometimes the safety valve can’t hold it.

“That was Don Logan in ‘Sexy Beast.’ No safety valve.”

Let’s circle back to that thought of how rage can help the “tribe.” In “Wonder Man,” Trevor proclaims that “acting is not a job. It’s a calling, the single most consequential thing anyone could ever do with their life.”

“I would broaden the definition and refine it back to its origins,” Kingsley says when I ask if he shares Trevor’s view on acting. “There are images, thoughts and threads that I find nourishing and sustaining, and I treasure them. The tribal storyteller is a very consequential figure in the tribe, and if the mantle of the tribal storyteller falls upon that person’s shoulders, that is the single most consequential thing that person can do in their lives.”

“Trevor expresses it quite differently, and that’s fine,” Kingsley says. “That’s in the script. I honor the lines. But for me personally, as a rather convoluted answer, the tribal storyteller is the hand I hold and the baton I want passed on to me. Maybe it has. I hope I’m worthy, but it’s …” Kingsley widens his eyes and whispers, “Wow.”

“It is the single most consequential thing I can do with my life.”

Woody, Buzz Lightyear and Jessie will be back at the box office this weekend, delivering what could be the biggest film debut of the year.

Analysts expect the fifth installment of Disney/Pixar’s “Toy Story” franchise will pull in at least $150 million in the U.S. and Canada, with some predicting as much as $175 million — either of which would set a franchise record, topping the nearly $121-million opening of 2019’s “Toy Story 4.”

A strong showing for “Toy Story 5” will further fuel a recovery of the box office this year from the post-pandemic doldrums.

Domestic ticket sales are up over last year, and Roth Capital Partners forecasts the second quarter will climb 6.5% to $2.8 billion — a post-pandemic high.

“Toy Story 5” is the first of several family tentpoles this summer, ahead of Universal and Illumination’s “Minions & Monsters” and Disney’s live-action “Moana.”

“Right now we’re on pace for the best opening of the year,” said Daniel Loria, editorial director at Box Office Co. “This is a performer.”

The timing also is fortuitous for Walt Disney Co. at a moment when its other once-reliable franchises such as “Star Wars” and Marvel have faltered. The recent “Star Wars: The Mandalorian and Grogu” dropped sharply at the domestic box office after its late-May opening, bested by low-budget horror films “Backrooms” and “Obsession.”

“People love these characters from ‘Toy Story,’ ” said Paul Dergarabedian, head of marketplace trends at Comscore. “It’s just as appealing as ever.”

Indeed, across four films and 30 years, “Toy Story” has grossed more than $3 billion worldwide. It is the most-watched franchise on Disney+, with more than 2 billion hours streamed. Woody, Buzz Lightyear and Jessie have spawned 19 theme park rides, four themed lands, two hotels and roughly $1 billion a year in global retail sales.

The production budget for “Toy Story 5” is about $150 million to $200 million. A crew of about 300 people worked on the film at Pixar’s Emeryville, Calif., headquarters.

For Pixar, the reliance on “Toy Story” reflects a shift away from originals that used to be its lifeblood.

February’s “Hoppers” managed a respectable $372 million worldwide, but the surer money now comes from sequels.

“Inside Out 2” grossed nearly $1.7 billion in 2024, and both “Toy Story 4” and “Toy Story 3” crossed $1 billion globally.

Still, the franchise label is no guarantee: The 2022 spin-off “Lightyear” stalled at $226 million worldwide after straying from the formula, recasting Buzz as an actual sci-fi hero — voiced by Chris Evans rather than Tim Allen — and sidelining Woody and the rest of the gang.

“Toy Story 5” stays closer to home but wades into new territory: the explosion of tech in everyday life. The toys must contend with Lilypad, a tablet that captures the attention of their owner, Bonnie — a premise that grew out of a tech-toy character originally written for “Toy Story 4” and scrapped for time. Disney is betting the underlying tension is universal.

“What parent hasn’t had anxiety over tech versus toys with their kids?” said Andrew Cripps, head of theatrical distribution for Walt Disney Studios.

Disney is betting that this universal concern will drive audiences to the film.

The fifth installment also arrives with an unusually high-wattage assist: Taylor Swift wrote and performed an original song, “I Knew It, I Knew You,” and made a surprise appearance at last week’s premiere, performing it after the credits before joining longtime franchise composer Randy Newman for “You’ve Got a Friend in Me.”

“It means the world to me to be a small part of the universe of these films,” Swift told the crowd.

The expected blockbuster opening for “Toy Story 5” would be a full-circle moment for the long-standing franchise; Pixar animators in 1995 hadn’t even considered the possibility of a sequel while working on the first “Toy Story.”

“There was so much learned on that first film, specifically our iterative process,” Pixar Chief Creative Officer Pete Docter said in a phone call last week from Madrid, shortly before the film’s Spain premiere. “A lot of things that we discovered having worked on that film have just continued to inform every movie that we make.”

“Toy Story” revolutionized the movie business as the first computer-animated feature film. But its enduring appeal was in the bonds between the characters, Docter said.

Docter, who supervised animators and helped with character design and writing on the original “Toy Story,” added: “It certainly had some new technology, but it was really up to the story and characters to carry the audience.”

The franchise’s longevity is also due to its ability to capture generations of fans.

“Having parents now that say, ‘I grew up with “Toy Story,” and now I’m showing my kids,’ has been really gratifying,” Docter said.

Brendan Sorsby won’t be playing football for Texas Tech this fall after all.

It’s not because the transfer quarterback has been permanently banned by the NCAA for wagering on college sports — an injunction issued by a Texas judge last week appeared to clear the way for Sorsby to play for the Red Raiders in 2026.

That ruling, however, was being challenged through separate court filings by the NCAA and the Big 12 Conference. Facing that uncertainty over his final season, and with the deadline to enter the NFL supplemental draft quickly approaching, Sorsby opted to leave the Red Raiders without playing a down.

Sorsby’s decision was announced Monday night in an open letter by Cody Campbell, chairman of the Texas Tech board of regents.

“This decision was made with Brendan and his family and is purely an output of practical analysis of the situation,” Campbell wrote. “Brendan and Texas Tech stand on very solid and legitimate legal ground, but he faces a June 22nd deadline to be eligible to enter the NFL’s supplemental draft, and there is no practical way to resolve all the various pending legal disputes and ensure his eligibility prior to this date. This is the only viable and fair path for Brendan and his future, as well as for his teammates, and our university.”

Sorsby posted a statement Monday night on Instagram.

“I am grateful for the support from my family, my Tech coaching staff, teammates, the community, and so many others who have encouraged me to address and learn more about this important issue,” Sorsby wrote. “As my journey continues, I remain fully committed to and focused on being the best I can be, both on and off the field.”

Sorsby transferred to Texas Tech this offseason, after two years each at Indiana and Cincinnati, for a reported multimillion-dollar deal. In late April, he and Texas Tech jointly announced that he had entered a residential treatment program for gambling addiction. Sorsby completed the 35-day program in May.

Court records show that Sorsby has admitted to wagering at least $90,000 during his time as an NCAA student athlete, including 40 bets on Indiana football games he was not participating in while a freshman backup with the Hoosiers in 2022.

“Texas Tech will continue to provide the support and recovery resources Brendan requires on this journey,” Campbell wrote. “Furthermore, Texas Tech will not seek return of any amounts already paid to Brendan through his NIL agreements.”

In May, Sorsby filed a lawsuit in Lubbock County District Court asking to have his eligibility restored because the NCAA “failed to comply with its contractual commitments” to him as a student athlete and therefore “is precluded from enforcing its gambling bylaws against Mr. Sorsby to deny or withhold his reinstatement.”

Last week, judge Ken Curry granted a temporary injunction that would have allowed Sorsby to play for the Red Raiders in 2026. He would have had to miss the first two games of the season as one of the conditions of the ruling.

Without the injunction, Curry wrote in his ruling, Sorsby would “suffer a probable, imminent and irreparable injury” by missing out on the “elite coaching, training resources, camaraderie, and regimen that only being a member of a Division I college football team can provide.”

The final hearing had been scheduled to begin Feb. 8, nearly two weeks after college football’s national championship game.

Following the ruling, several teams and conferences discussed a ban on playing Texas Tech in any sport. After appealing the decision last week, the NCAA filed an emergency motion on Monday to stay the injunction and asked for the case to be resolved before the start of the Red Raiders season.

Also on Monday, the Big 12 filed for a judgment from a U.S. District Court in Dallas protecting the conference’s ability under its bylaws to sanction Texas Tech, a member school, if Sorsby played this season.

“An athlete with an extensive, documented history of wagering on intercollegiate athletic contests — especially his own team’s games — presents a reputational and integrity risk to the conference and its championship competition that the conference has both the right and the responsibility to address,” attorneys for the Big 12 wrote in the filing.

Soon after Campbell announced Sorsby’s decision, Texas Tech president Lawrence Schovanec and athletic director Kirby Hocutt issued a joint statement on the matter.

“When Brendan’s lawsuit resulted in the granting of a temporary injunction, we found ourselves in a difficult situation,” they wrote. “With his health and wellness as our top priority, we supported him in spite of very different perspectives and opinions. Our position was challenged by many but our support for him never changed.

“We will continue to extend all available resources that Brendan had as a student and athlete to ensure his transition is as successful as possible.”

The Associated Press contributed to this report.

Several studios in Microsoft Corp.’s Xbox gaming division, including Montreal-based Compulsion Games and San Francisco-based Double Fine, are in active negotiations to spin off as they try to thwart closure, according to people familiar with the company’s plans.

Cambridge, England-based Ninja Theory, the maker of Hellblade, is also in conversations with Xbox, as are several other studios across the portfolio that are at risk of being shuttered.

The studios may still have the opportunity to buy themselves back from Xbox and go independent, although many employees will probably lose their jobs as a result, said the people, who asked not to be named because they were not authorized to speak to the press.

Employees at several studios have been informed of the situation and given permission to seek new work but were told that the status of the studios is still in flux.

An Xbox spokesperson declined to comment.

The potential closures are part of a broader reorganization being overseen by Asha Sharma, who took over as Xbox’s new chief executive in February.

Last week, Bloomberg News reported that the gaming division is planning significant layoffs. Sharma sent out a memo to staff lamenting the bleak state of the business, which has seen revenue and margins plummet in recent years. “Going forward, this cannot continue,” she wrote.

Compulsion Games, Double Fine and Ninja Theory all made award-winning games that were not commercial hits. But even some of Xbox’s more commercially successful studios are not yet sure how they will fit into Sharma’s new mandate, which will prioritize the biggest franchises as the company looks to return to growth.

Compulsion Games is the developer behind South of Midnight, which was released last year. Double Fine, best known for the Psychonauts series, released the smaller games Keeper and Kiln over the last year.

Xbox is facing the current challenges despite having made major purchases in recent years, including its acquisition of Activision Blizzard Inc. for $69 billion in a deal that closed in 2023.

Xbox Game Studios head Craig Duncan stepped down last week ahead of the layoffs, said the people familiar with Microsoft’s plans. Gaming newsletter the Game Business previously reported his departure.

Schreier writes for Bloomberg.

There are more than 100 Emmy categories, and if you scroll through each and every one of them on the Television Academy’s website, you’re probably one of those people who read the terms and conditions on a document before signing your name.

This hasn’t been the greatest year for television, which has had the converse effect of prompting me to sample more shows than ever in a quest to unearth that one hidden gem that merits a place on my mock Emmy ballot. Truth be told, I’m still looking. I’m sure I’ve missed something. And I’m sure you’ll let me know.

In the meantime, here are my picks for the top 15 categories — five each for comedy, drama and limited series — along with a brief line of reasoning for each. And if it’s predictions you’re after, you can find our full BuzzMeter panel’s choices here. Emmy nominations will be announced July 8.

Comedy series

“Abbott Elementary”
“The Bear”
“The Comeback”
“Hacks”
“The Lowdown”
“Margo’s Got Money Troubles”
“The Fall and Rise of Reggie Dinkins”
“Shrinking”

Sterlin Harjo’s “The Lowdown” feels like it’s on the same trajectory as his last series, “Reservation Dogs,” an under-the-radar charmer that grows in estimation as its audience builds. Noir crime stories don’t come more delightful.

Comedy actress

Quinta Brunson, “Abbott Elementary”
Rose Byrne, “Platonic”
Ayo Edebiri, “The Bear”
Elle Fanning, “Margo’s Got Money Troubles”
Lisa Kudrow, “The Comeback”
Jean Smart, “Hacks”

“Platonic” heightened the chaos and conflict in its second season, affording the gifted Byrne additional room to flex her comic chops. How do you sleep on a show starring a newly minted Oscar nominee?

Comedy actor

Yahya Abdul-Mateen II, “Wonder Man”
Ethan Hawke, “The Lowdown”
Tracy Morgan, “The Fall and Rise of Reggie Dinkins”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
Jeremy Allen White, “The Bear”

Morgan acting oblivious is one of the funniest things ever.

Comedy supporting actress

Hannah Einbinder, “Hacks”
Janelle James, “Abbott Elementary”
Ashley Padilla, “Saturday Night Live”
Michelle Pfeiffer, “Margo’s Got Money Troubles”
Sheryl Lee Ralph, “Abbott Elementary”
Jeanne Tripplehorn, “The Lowdown”
Jessica Williams, “Shrinking”

The Padilla Pause is one reason I’m watching “Saturday Night Live” again.

Comedy supporting actor

Harrison Ford, “Shrinking”
Marcello Hernández, “Saturday Night Live”
Ben Kingsley, “Wonder Man”
Ebon Moss-Bachrach, “The Bear”
Nick Offerman, “Margo’s Got Money Troubles”
Stephen Root, “Widow’s Bay”
Tyler James Williams, “Abbott Elementary”

Hernández’s charisma and physical comedy is another.

Drama series

“Industry”
“A Knight of the Seven Kingdoms”
“The Night Manager”
“Paradise”
“The Pitt”
“Pluribus”
“Slow Horses”
“Task”

How many Emmy voters finally caught up on “Industry,” the fast-paced drama about a group of cutthroat Gen Zers? Four seasons in, it’s more addictive than ever.

Drama actress

Caitriona Balfe, “Outlander”
Myha’la, “Industry”
Chase Infiniti, “The Testaments”
Michelle Pfeiffer, “The Madison”
Rhea Seehorn, “Pluribus”
Zendaya, “Euphoria”

Now that “Outlander” is over, it’s time to pour one out for Balfe. Over the course of eight seasons, she hopscotched through time, enduring and overcoming numerous assaults and kidnappings, dealing with grief and trauma and enjoying lots of emotionally grounded sex. Balfe has earned a final reward.

Drama actor

Sterling K. Brown, “Paradise”
Peter Claffey, “A Knight of the Seven Kingdoms”
Tom Hiddleston, “The Night Manager”
Gary Oldman, “Slow Horses”
Mark Ruffalo, “Task”
Noah Wyle, “The Pitt”

Claffey turned bumbling into art.

Drama supporting actress

Isa Briones, “The Pitt”
Taylor Dearden, “The Pitt”
Fiona Dourif, “The Pitt”
Supriya Ganesh, “The Pitt”
Katherine LaNasa, “The Pitt”
Sepideh Moafi, “The Pitt”
Karolina Wydra, “Pluribus”

LaNasa should have bumped herself up to lead. As Whitaker explains to Langdon in Season 2’s penultimate episode, Robby’s the Professor of the ER and LaNasa’s Dana is the Skipper. And the Skipper should be lead.

Drama supporting actor

Patrick Ball, “The Pitt”
Diego Calva, “The Night Manager”
Shawn Hatosy, “The Pitt”
Gerran Howell, “The Pitt”
Ken Leung, “Industry”
Tom Pelphrey, “Task”
Carlos-Manuel Vesga, “Pluribus”

Pelphrey has called his desperate single dad on “Task” the role of a lifetime. No argument here.

Limited series

“Bait”
“Beef”
“DTF St. Louis”
“Death by Lightning”
“Half Man”

I put off watching the finale of the punishing “Half Man” for weeks. Does that mean the show worked?

Limited series/TV movie actress

Sally Field, “Remarkably Bright Creatures”
Camila Morrone, “Something Very Bad Is Going to Happen”
Carey Mulligan, “Beef”
Sarah Pidgeon, “Love Story”
Robin Wright, “The Girlfriend”

I like her! Right now (and always), I like her!

Limited series/TV movie actor

Riz Ahmed, “Bait”
Charlie Hunnam, “Monster: The Ed Gein Story”
Matthew Macfadyen, “Death by Lightning”
Mitchell Robertson, “Half Man”
Michael Shannon, “Death by Lightning”

The young actors on “Half Man” — Robertson and Stuart Campbell — outshone their well-known counterparts.

Limited series/TV movie supporting actress

Linda Cardellini, “DTF St. Louis”
Grace Gummer, “Love Story”
Laurie Metcalf, “Monster: The Ed Gein Story”
Cailee Spaeny, “Beef”
Joy Sunday, “DTF St. Louis”
Constance Zimmer, “Love Story”

Both Cardellini and Sunday for “DTF St. Louis”? No way, José, you say? Yes way, I say. All the way!

Limited series/TV movie supporting actor

(Larry Horricks / Netflix)

Jason Bateman, “DTF St. Louis”
Stuart Campbell, “Half Man”
Richard Gadd, “Half Man”
David Harbour, “DTF St. Louis”
Charles Melton, “Beef”
Nick Offerman, “Death by Lightning”

The mutton-chopped Chester A. Arthur joins Ron Swanson’s ’stache in television’s facial hair hall of fame.

As soon as enough votes were counted to officially knock Tom Steyer out of the California governor’s race, the anti-billionaire schadenfreude kicked in.

Social media and legacy media, conservative and liberal, all seemed to have a rare melding of the minds, delivering endless variations of, “How dare he try to buy elected office! We showed him.”

“I hope you received the message from California that a power-hungry communist billionaire cannot buy the state!” wrote one detractor on social media. “How much money did you waste spamming Californians? Do you know how many hundreds of millions of dollars you wasted?”

“What a waste,” screamed a New York Times headline, slamming Steyer for not donating that money directly to building houses or funding Planned Parenthood — one-off actions that prop up broken systems instead of changing them.

I get it.

In an age when income inequality is reaching serf-lord levels, hating the rich seems easy and reasonable. You could take several zeros off the $200 million Steyer spent on his campaign and it would still be more than most of us make in a lifetime. That’s a rage-inducing reality for many, if not most of us, for whom pairing a full tank of gas with a restaurant dinner seems like careless luxury these days.

I’m not here to defend the nine-zeroes class. But maybe we should take a beat and make sure our outrage is working for us, not against us. While Steyer has spent the last few months advocating for universal healthcare, better pay and protections for workers, and putting curbs on out-of-control corporations from the energy sector to AI, other billionaires have spent that time actively undermining democracy and our financial system. Heck, some even seem to be undermining humanity. Why aren’t we raging at them?

Take, for example, a certain billionaire who seemingly would prefer to be a trillionaire: Elon Musk.

Last week, his SpaceX held an IPO in which somehow the rules of Wall Street meant to protect small investors and pension plans were set aside to his benefit. Like it or not, if you hold a public pension or a 401(k) in America that uses index funds (which most do) you will likely be an investor in his unproven and possibly risky business. I’m sure that will work out fine.

Or consider the hundreds of millions of dollars right-wing AI and surveillance-company billionaires, some Californians, are dumping into political races across the country right now to ensure that their dangerous and unpredictable technologies are not regulated, or regulated in largely meaningless ways. It’s a situation so dire that one wealthy insider last week warned in his own op-ed that if his former colleagues are successful, “It could concentrate economic power in ways that would make the Gilded Age look quaint.”

Then there’s our president, king of self-enrichment, whose wealth has skyrocketed to more than $6 billion during his time in office. Much of that moola is in opaque cryptocurrency holdings, an industry he has championed as his fortunes in it have increased.

But don’t think Trump is in it only for himself: He’s enriching his family, too.

His daughter Ivanka recently made her own “eat cake” headlines over an alleged $1.5-billion project that would convert an uninhabited Albanian island into a luxury resort. The Albanians are so mad, they’ve been protesting in the streets for nearly two weeks. Meanwhile, her brothers have coat-tailed off their dad’s crypto-ventures to make their own fortunes, as other investors suffered losses.

Those are our individual billionaires, never mind the corporations, who can dump as much money as they want into our politics thanks to the Supreme Court’s 2010 Citizen’s United decision. In 2025, the oil and gas industry in California, led by Chevron and the Western States Petroleum Assn., spent about $34 million on lobbying. Not to be outdone, the Golden State’s water and electricity interests, including PG&E, spent about $35 million to bend politics to their will.

But sure, hate the goofy guy in the vintage Nikes pointing all this out.

“I’m proud of the enemies we made,” Steyer said in his concession. “In this race, those corporations revealed that they see a government that puts working people first as an existential threat — even when proposed by a billionaire. By spending $55 million — the most ever against a single candidate in a California primary — they showed the lengths they would go to in order to protect a status quo that only serves them and their profits.”

I don’t like the amount of money in our political system either, but the truth is, it’s there. And worse, the majority of those who have it seem intent on diminishing the political and economic power of those who don’t.

We are increasingly moving toward a country where the well-being of the majority of people will depend on the largesse of the few — Silicon Valley’s tech industry now talks about a universal basic income as a great boon for the coming mass unemployment they are creating.

But is existence off a charity-pittance really what we want for ourselves and our children? Do we really want these ultra-wealthy overlords to use their money unchecked to make decisions that will shape our future, diminish our rights and ultimately leave us without the power to fight back?

If Steyer wants to use his money to join this battle to keep power by the people and for the people, then the enemy of my enemy is my friend.

Like it or not, us average worker bees need money to fight money. In this age when animus eats discernment like the rich eat caviar, the luxury we really can’t afford is hating the good guys just because it’s easy — even if they’re billionaires.

Glenn Close is not going to be ignored this time around, as the eight-time Oscar nominee will finally receive recognition from the academy this fall.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, working up a healthy World Cup fever even if it’s just an excuse to head to Lucky Baldwin’s for a pint or two and watch Cristiano Ronaldo one last time.

But let’s circle back to American football and my digital cover story with “Beef” stars Cailee Spaeny and Charles Melton, who watched a Super Bowl together, though they were cheering for different teams.

That Super Bowl in question was Super Bowl LIX, pitting the Philadelphia Eagles against the Kansas City Chiefs. Melton hosted a watch party, and since he considers Kansas home and played football for Kansas State University, you might think he’d be rooting for the Chiefs.

Nope.

“When I was living in Germany, I fell in love with Donovan McNabb,” Melton, an army brat, tells me, name-checking the longtime Eagles quarterback.

Spaeny, it turns out, was the only Chiefs fan at the party. To enter Melton’s home, she had to step on a doormat that was fitted with a red-and-white Chiefs jersey. (“It got real dirty,” Melton says with pride.)

Melton and Spaeny enjoy a relaxed and playful give-and-take, borne from the months they spent preparing to play Austin and Ashley, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility in “Beef.”

(Erik Carter / For The Times)

The most memorable episode they shared found the couple in an overcrowded, ninth-circle-of-hell emergency room with Ashley, uninsured, experiencing severe ovarian torsion. Her concerns are dismissed and she begs for someone to save her.

“Unfortunately, it’s an all-too-common experience,” Spaeny says. “I probably have a conversation once a month with female friends who go to the doctor’s office and are gaslit by the system, just being made to feel like what they’re experiencing isn’t really happening or they’re making it up. It’s scary.”

Still, being “Beef,” the episode has its share of mordant humor, like the scene where a nurse asks Ashley to rate her pain, zero being pain-free and 10 being excruciating.

“Oh, I thought it was like Letterboxd,” Ashley replies, referring to the movie review social platform. “Two-and-a-half stars out of five is average.”

“My whole life I’ve been a six or seven,” Melton says, noting his own personal pain scale. “I’ll have a cold and I’ll be like, ‘Six or seven.’”

“That sounds like you,” Spaeny says.

“I can get pretty dramatic,” Melton says. “It’s really like the end of the world when I’m sick.”

Spaeny deleted her Letterboxd account because she gets anxious about anything online containing reviews.

“It takes two buttons to click on a movie that I’ve been in and see what people say about me,” Spaeny says. “So I forgot my password and left it that way.”

Melton is an enthusiastic adopter and says he has twice shared his four favorite films, a feature where actors, usually on the red carpet, list a quartet of beloved movies. (Here’s one at the “May December” premiere where Melton enthuses over “The Matrix,” “In the Mood for Love,” “Brokeback Mountain” and “Persona.”)

“I saw them at another event and they were like, ‘Charles, so good to see you.’ And I was like, ‘Do you want my four favorite films?’ And they said, ‘No, you’ve already done it enough,’” Melton laughs. “What can I say? I love movies!”

California’s slow vote counting process — still underway and causing friction after last week’s primary — may be forced to change before November’s midterm elections, as the U.S. Supreme Court prepares to rule on whether mail ballots must be received by election day to count.

Whether those changes will speed things up — and help tamp down baseless claims from President Trump and others that the slow count is evidence of fraud — will depend on a variety of factors, election experts said, including how the high court rules, how state lawmakers and local elections officials respond, and whether they push any additional steps to quicken the count.

“We’re all on the edge of our seats, waiting to see what the Supreme Court does,” said Kim Alexander, president of the California Voter Foundation.

“We’re certainly planning for a bad Supreme Court decision in this case, but we don’t really know all of our options for how to respond until we see the court’s decision,” said Assemblymember Gail Pellerin (D-Santa Cruz), chair of the Assembly Elections Committee and a former top elections official in Santa Cruz County.

Pellerin said she has been working on contingency plans with other state officials — including some from the offices of Gov. Gavin Newsom, Secretary of State Shirley Weber and Atty. Gen. Rob Bonta — and has requested $35 million in state funds to educate voters on any new midterm deadlines, though that funding has not been appropriated.

Federal law has, since 1872, set “election day” as the first Tuesday following a Monday in November, and gives Congress oversight over elections for the president and members of Congress. However, most authority for running elections falls to the states.

California currently provides a grace period for ballots to be counted as long as they are postmarked by and received within seven days of election day. More than a dozen states have similar laws that allow for counting late-arriving ballots, and most states accept such mail ballots from members of the military who are stationed overseas.

In March, the nation’s high court heard arguments about a five-day grace period in Mississippi, with the court’s conservative majority appearing skeptical. Many observers expect from those arguments that the high court will rule, by the end of this month, that ballots — at least for federal races — must be received by election day to count.

That outcome — in the case Watson vs. Republican National Committee — is considered likely but not assured, and some elections experts believe the high court has little legal precedent to support such a conclusion.

“That is a bogus interpretation of the statute,” said Rick Hasen, an election law expert and director of the Safeguarding Democracy Project at UCLA Law. “It violates what the statute says as a matter of text and history, and just how it’s been understood since the Civil War basically.”

Hasen and others also doubt that such a change would have much impact on the speed of California’s vote counting process, given that huge volumes of mail ballots that are placed in ballot drop boxes or arrive at processing facilities on or just before election day would still count — and would still drag the counting process out for days after the election.

In 2024, California counted more than 406,000 late-arriving mail ballots, but they represented only about 2.5% of the statewide total.

“The main bottleneck is really not ballots that arrive after election day. The bottleneck is ballots arriving before or on election day,” Hasen said. “So I don’t think the Watson case — however it comes out — is going to appreciably change California’s timing on when they’ll get enough ballots counted in a close race for it to be able to be called by news organizations.”

Nonetheless, state and local elections officials are preparing for changes — and looking for other ways to speed up the vote count, which, as of Monday, had resulted in more than 7.7 million ballots counted from last week’s primary, but more than 1.7 million left to process.

State plans unclear

If the Supreme Court were to rule that votes cast in federal elections must be received by election day, California would need to respond quickly.

It would need to craft a messaging campaign to inform millions of voters of the new rules, and determine when to tell voters they must mail their ballots by in order for their votes to count, experts said. That calculation may be shaped in part by efforts by the Trump administration to assert federal control over the mail ballot process through the U.S. Postal Service, which California and other states are fighting in court.

California officials may also need to determine whether they will create a “bifurcated counting process” with different rules for primary and general elections and different rules for federal races and state and local races on the same ballots, Alexander said, as a narrow Supreme Court ruling may not apply to them all equally.

“That’s a big policy decision that lawmakers will need to make, and I’m not sure how that would go,” Alexander said, citing a lack of detailed public plans from state and local elections officials.

Weber — who urged voters to cast ballots early in last week’s election — did not respond to a request for comment.

Brandon Richards, a spokesperson for Newsom, said the governor’s office doesn’t comment on “hypotheticals,” but that Newsom “is planning for all eventualities, including but not limited to attacks on our democracy and disruptions in our elections.”

Bonta’s office said it is “in communication with election officials and actively preparing for the possibility that the U.S. Supreme Court could require changes to California’s election procedures,” but that it could not provide details.

Dean Logan, head of the L.A. County Registrar-Recorder/County Clerk’s office, said he was “not in a position to discuss specific contingency planning details” given the high court has yet to rule, but that his office “is closely monitoring the case and has begun evaluating potential impacts to election administration.”

If changes are required by the court, Logan said his office “is prepared to undertake a comprehensive voter education and outreach effort to ensure voters understand any new requirements, deadlines, or voting options,” which would be “multilingual, multi-channel, and designed to reach voters directly across Los Angeles County, particularly in communities that rely heavily on voting by mail and those that have historically done so.”

Funds needed for faster count

Alexander’s group has backed Pellerin’s request for $35 million for a marketing campaign to encourage voters to send midterm ballots in early, and advocated for another $55 million in state funding to support county efforts to build up their vote processing capabilities.

H.D. Palmer, a spokesperson for the California Department of Finance, said it would be “premature” to comment on those requests, but “discussions have been underway and are continuing.”

Both Alexander and Hasen said California should be investing more in its ballot processing capabilities even if the current process is fair and secure and the claims of fraud are baseless, because those claims have succeeded in diminishing trust.

“On the one hand, this is a manufactured crisis. There is nothing that is intrinsically bad about a slow count for a race,” Hasen said. “On the other hand, we live in an era of profound distrust in institutions and in the integrity of elections, in no small part because of Donald Trump.”

In 2012, slightly over half of all California votes were cast via mail ballots. However, that number has increased dramatically since, thanks in part to an expansion during the COVID-19 pandemic, and nearly 89% of ballots were cast by mail in last year’s special election.

Alexander said that throughout that same period, California lawmakers have passed new laws to expand access to the ballot but have not provided counties with the necessary funding to keep up with the volume — meaning “counties are left holding the bag.”

Alexander said California should fix that by providing consistent state funding for new ballot counting machines, more modern and efficient county processing facilities, and an expansion of a program backed by Pellerin and available in some counties already that allows voters dropping off ballot envelopes in person to essentially convert those ballots into in-person votes on the spot — which Alexander called a “hybrid” option that saves counties a huge amount of processing time.

She said the state spent millions to educate voters on new COVID-related vote-by-mail protocols and deadlines in 2020, and it led to both record turnout and a faster count — proving access and speed are not mutually exclusive.

“We’re being asked to make a false choice,” Alexander said. “It is possible to have accessible, secure, reliable and verified elections, and also an accelerated vote count.”

Times staff writer David G. Savage in Washington contributed to this report.

What was the moment from the season finale of “The Pitt” that finally broke you?

Was it the shot of the day-shift staff watching the Fourth of July fireworks from the hospital roof, the sound of “America the Beautiful” playing in the distance? Maybe it was Dr. Al-Hashimi (Sepideh Moafi) crying in her car, realizing she can’t work around the seizure disorder that makes her a liability in the ER. Or perhaps it came when Noah Wyle’s Dr. Robinavitch (a.k.a. Dr. Robby) swaddled Baby Jane Doe, telling her that “everything’s gonna be just fine,” because she has “so many wonderful things to see and so many people to love.”

But what opened the floodgates for me, after the last half-hour of the episode left me completely dazed and dumbfounded, was Drs. Santos (Isa Briones) and King (Taylor Dearden) exorcising the day’s demons by belting out Alanis Morissette’s “You Oughta Know” at a karaoke bar and demonstrating that primal scream therapy is alive and well three decades into the 21st century.

Which is all to say: “The Pitt” is the only television show I’ve watched that gives me the same feeling I have when I read a great, immersive novel. When the end is near, I’m bereft. I’m Al-Hashimi in her car, wanting to pound the dashboard. I do not want to let these characters go. They’ve given me 15 hours and I still crave more. I would devour a series of short films about odd couple Santos and Whitaker (Gerran Howell) sharing an apartment or a summer spinoff showing Dr. Abbot (Shawn Hatosy) working off-hours as a SWAT medic. Anything to fill the long, “Pitt”-less weeks between seasons.

Instead, I’ll just have to content myself with scrolling through social media, watching fan-made videos of Dr. King self-soothing her way through the day, (this one, set to Vince Guaraldi’s score from “A Charlie Brown Christmas,” is the absolute best) and taking in the compilation of the show’s cast asking, “What’s the status on Baby Jane Doe?” in their best Katherine LaNasa Pittsburgh accent.

“The Pitt” won five Emmys from 13 nominations, including best drama series, for its celebrated first season, a 15-episode run that began with Dr. Robby up on the hospital roof talking down Dr. Abbot after an intense shift. The season ended with Dr. Abbot returning the favor after Robby and his staff ground their way through a day that included a mass shooting, a child drowning and a patient assaulting LaNasa’s no-nonsense charge nurse.

How do you follow that?

For a few episodes this new season, it looked like “The Pitt” wasn’t up to the task. We watched the ER staff dealing with a series of bloody, messy (the disimpaction!) medical maladies, an avert-your-eyes spectacle that felt like the writers were trying to one-up themselves and find the worst possible affliction to make viewers double over. Worse, the thrill of discovery that kept us invested throughout the first season, the slow drip of information about the characters, wasn’t quite there. Something was missing, and it wasn’t just Dr. Robby’s motorcycle helmet.

But the luxury of having 15 episodes is that the writers can take their time laying the groundwork for the story they want to tell.

And what a story it was.

Over the course of the season, we watched Dr. Robby disintegrate, his mental health more precarious than ever because he has done nothing to address his apparent PTSD. “You need help,” Dr. Langdon (Patrick Ball) tells Robby, confronting him in the finale. “Be honest with yourself.”

Robby isn’t the only one struggling, as Dr. Abbot puts it, to “dance through the darkness.” Langdon is back, managing his sobriety. Dr. Mohan (Supriya Ganesh) is having panic attacks. Santos is still dealing with self-harm. Dana remains haunted by that Season 1 patient assault and now carries a syringe containing a heavy sedative just in case somebody emerging from that overcrowded waiting room crosses the line again.

“I’ve seen so many people die that I feel like it’s leaching something from my soul,” Robby says. “I’m tired of feeling like I’m drowning every day.”

And there you have it, the subject of Season 2 of “The Pitt.” Medical professionals are gasping for air, and the American healthcare system, with its focus on profit above all else, is failing them and the patients they treat.

Remember Orlando, the patient with severe diabetic ketoacidosis who arrives at the ER after fainting? Orlando had to ration his insulin because he lacked insurance and felt he had to cut corners. He ends up leaving the hospital early, fearing the cost of treatment. Later he returns, having fallen (jumped) from a catwalk at his construction job, fracturing his skull. But good news: He now qualifies for Medicare and Medicaid due to long-term disability.

It’s a tragedy, one of many reasons the season finale shot of the ER staff holding back tears as they watched the Fourth of July fireworks felt like a body blow. “America the Beautiful”? How can that be true when the current administration is seeking $1.5 trillion for defense spending — nearly 50% more than this year — while cutting healthcare and social safety nets? How can that be true when an act known as the “Big, Beautiful Bill” removed funding from an already frayed healthcare system and exacerbated the shortage of care in rural areas of the country?

That one scene, the culmination of hours of careful, patient storytelling, said more about the disconnect between American ideals and America’s reality than anything else I’ve read or watched this year.

Give “The Pitt” all the Emmys. It has more than earned them.

Scott Pelley, a signature on-air talent for “60 Minutes,” was ousted from CBS News a day after he blasted the division’s top management over the firing of the program’s executive producer and two correspondents.

“We have parted ways with Scott Pelley,” the newly installed executive producer Nick Bilton said in a message sent to staff Tuesday.

The network announced Pelley’s departure after a meeting with top CBS News management late Tuesday, where the veteran correspondent continued to ask for answers on why “60 Minutes” executive producer Tanya Simon and correspondents Sharyn Alfonsi and Cecila Vega were let go last week, according to people familiar with the discussions who were not authorized to speak publicly. Editor in Chief Bari Weiss would not address the matter at the meeting.

Pelley’s departure follows a contentious “60 Minutes” staff meeting on Monday where he accused Weiss of “murdering” the country’s most-watched news program.

Pelley also raised doubts over the credentials of Bilton, the former New York Times journalist and documentary filmmaker named last week to run the venerable newsmagazine, citing his lack of experience in TV news.

Bilton was named to replace Simon on Thursday, an unexpected move that also came with the firings of the correspondents. The moves were made by Weiss, who has targeted the prestigious program for changes since she arrived at the network in the fall.

Bilton attempted to defend Weiss, who was not at the meeting, and asserted that CBS News management was committed to guiding “60 Minutes” into the digital future.

“She is murdering ‘60 Minutes,’” Pelley said of Weiss at the meeting held at the program’s Manhattan headquarters. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.”

Pelley’s stunning remarks at the meeting were applauded by his colleagues. But veterans in the division — who were shocked by the confrontation— took it as a sign that he was ready to leave the program.

Pelley is the fourth correspondent to depart “60 Minutes” since Weiss joined CBS News. Anderson Cooper, who also anchors at CNN, chose not to sign a new deal, citing family reasons, although many insiders said he was not comfortable with the direction of CBS News. Alfonsi and Vega were severed last week.

Those vacancies mean “60 Minutes” will have to line up new talent quickly to fill the correspondent roles. Production on segments for the 2026-27 season is already underway.

Pelley, 68, started his career at CBS News in 1989. He covered the Gulf War for the network, traveling in Iraq and Kuwait. He later became chief White House correspondent during Bill Clinton’s turbulent second term.

Pelley became a correspondent for “60 Minutes II,” a midweek edition of the program that ran from 1999 to 2005. After the program was canceled, Pelley moved to the Sunday flagship edition.

The fate of “60 Minutes” — which saw a 9% audience increase and massive spikes in viewing across social media platforms this past season — has been an ongoing saga since President Trump sued the program over the editing of an interview with his 2024 opponent former Vice President Kamala Harris.

The suit was settled just ahead of the Federal Communications Commission clearing the way for the takeover of Paramount by David Ellison’s Skydance Media.

Ellison acquired Weiss’ digital start-up the Free Press, which established itself as a voice critical of so-called woke politics. She was given a mandate to move CBS News to the political center, which created a perception that her role is to placate the Trump White House as Paramount seeks regulatory approval to acquire Warner Bros. Discovery.

Nick Bilton, the new executive producer of “60 Minutes,” received a hostile welcome Monday from the CBS News program’s most respected correspondent Scott Pelley as the staff is still reeling over last week’s firings.

In the first staff meeting since Bilton was named last week, Pelley accused CBS News Editor-in-chief Bari Weiss of “murdering” the country’s most-watched news program, which recently finished the TV season with a 9 percent ratings increase. Recordings of the meeting were circulated to journalists.

“She is murdering ‘60 Minutes,’” Pelley said. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.” Pelley also attacked the credentials of Bilton, a former New York Times tech reporter and documentary filmmaker who like Weiss has no previous experience running a TV news operation.

Bilton was named to replace Tanya Simon on Thursday, an unexpected move that also came with the firing of correspondents Sharyn Alfonsi and Cecilia Vega. The moves were enacted by Weiss, who has targeted the prestigious program for changes since she arrived at the network last fall.

David Ellison, chief executive of CBS News parent Paramount, brought in Weiss — a skeptic of legacy media — with a mandate to move the division more to the political center. But many critics have seen the move as an attempt to placate the Trump administration while Ellison seeks regulatory approval for his deal to acquire Warner Bros. Discovery,

“60 Minutes,” has long been in Trump’s cross hairs. The president sued the program last year over the editing of an interview with his 2024 opponent former Vice President Kamala Harris. The suit was settled just ahead of the Federal Communications Commission clearing the way for Ellison’s Skydance Media takeover of Paramount.

One person close to “60 Minutes” said attendees at the meeting in the Manhattan West Side offices described it as something they had never witnessed in their careers. The confrontation — and the applause Pelley received from his colleagues during the meeting — also demonstrates how CBS News management may have underestimated the staff’s devotion to the program, now closing in on its sixth decade, that has long been considered the most powerful and respected platform in TV journalism.

A representative for CBS News declined comment on the meeting.

Pelley is held in especially high stature at the network due to his work over the years in dangerous war zones. When he was anchor at the “CBS Evening News,” he displayed photos of CBS News journalists who have died in the line of duty for the network going back to George Polk, who was killed during Greece’s civil war in 1948.

People close to CBS News management said both Bilton and Weiss reached out to Pelley last week to discuss the changes and their plans for the program’s future but he did not respond.

One CBS News veteran said the tense meeting “reads like Scott wants to be fired.”

Weiss has maintained she is committed to expanding the “60 Minutes” brand so it generates viewing and revenue outside of its Sunday night broadcast. But she has also clashed with producers and correspondents over the handling of stories such as Alfonsi’s report on the Trump administration’s use of harsh El Salvador prisons to hold undocumented Venezuelan migrants.

Alfonsi’s message to colleagues saying the segment was held for political reasons led to her dismissal from the program.

Vega posted a message last week claiming she had been facing pressure to insert political bias into her stories. “I very much fear what comes next for … the future of the legendary broadcast,” Vega said in a social media post on Thursday, referring to “60 Minutes.”

A CBS News representative said last week that Vega’s claims “are not based in reality.”

Bilton has tried to reassure veterans at the program that he remains committed to the program’s mandate to provide tough, investigative journalism. The words he’s used in several meetings are that next season will not be much different than the successful year the program just completed.

“He’s very much committed to continuing and extending the kind of journalism that ’60 Minutes’ has been known for.” said one person close to Bilton.

Maybe you can use a laugh this morning. Maybe you’re still deep in your feelings, thinking about the “Hacks” series finale and that shot of Hannah Einbinder looking at Jean Smart on the dance floor, grief seeping into her eyes. Maybe you’re lamenting the chaos at our treasured national parks. Hell … maybe you took out a loan to buy a tomato over the weekend.

If you’re feeling down, Gary Oldman would like a word. And that word is: Hufflepuff.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, back in your inbox for the next few weeks as we navigate our way through Emmy season.

Digital cover story: The world according to Gary

(Jennifer McCord / For The Times)

Gary Oldman is a Hufflepuff.

Never mind that the 68-year-old actor, who played the rebellious, impulsive wizard Sirius Black in the Harry Potter film franchise, couldn’t tell you the difference between a Hufflepuff and, say, a Gryffindor.

When journalist Josh Horowitz reads a list of core personality qualities — loyalty, hard work, patience, fairness, dedication — and asks Oldman if that describes him, he nods his head.

You’re a Hufflepuff.

“I’m a Hufflepuff?” Oldman says, trying the word on for size. He likes it. “I’m a Hufflepuff!”

This video clip is a favorite of mine, one I could watch on a loop for the sheer delight Oldman takes in pronouncing the word Hufflepuff.

It’s easy to see why Oldman takes such pleasure in being a granddad these days, one of the things we talked about at length not long ago for an Envelope digital cover story. He can access his silly side with ease.

I asked Oldman about the upcoming HBO “Harry Potter” television series, a decade-spanning endeavor that will spend a season adapting each of J.K. Rowling’s seven fantasy books.

“I’ve seen a trailer for it, and I think it’s a great idea,” Oldman says. “They’re doing the whole book, which I love, because there were a lot of wonderful things, fabric and character detail, we had to lose for the sake of telling the story in two hours.”

Would Oldman be keen to don a distressed velvet overcoat again and participate in the reboot?

“I don’t think they want any of us from the movies contaminating or muddying the waters,” Oldman says, pleasantly. “Besides, I’m too old.”

But with AI, is anyone too old now? Oldman could drop into “Harry Potter and the Prisoner of Azkaban” and look like he hasn’t aged a day since the movie was released 22 years ago.

“I don’t know where we’re going with it because it seems to advance every week,” Oldman says. He ponders the advances made since Martin Scorsese used digital deaging in his 2019 film “The Irishman.”

“I think that was the least successful thing about it,” Oldman says of the technology, “and I’ve been a huge Martin Scorsese fan forever. Ultimately, I don’t know why they wanted to make [Robert] De Niro’s eyes blue.” He pauses, considering the change and why it bothered him. “I guess it’s a blue-eyed Irishman. If I had one negative takeaway, it would be that.”

Oldman prefers directors like Christopher Nolan, whom he worked with on the “Dark Knight” movies and “Oppenheimer,” who think technology should be used sparingly to enhance the storytelling.

“Otherwise it leaves me a bit cold,” he says. “You’re just looking at ones and zeroes.”

“I don’t want to be replaced entirely,” Oldman continues, shaking his head. “I don’t think anyone does.”

Read more coverage of ‘Slow Horses’

Shai Gilgeous-Alexander apparently isn’t amused by a new board game that pokes fun at the Oklahoma City Thunder star’s reputation for garnering foul calls at the hint of contact by an opposing player.

Last week, a lawyer representing the two-time reigning NBA MVP sent a cease-and-desist letter to sports prediction market and fantasy sports company Underdog that includes a demand for the destruction of all copies of the cheeky and extremely limited-edition game Unethical Hoops.

Done in the style of the children’s classic Operation, Unethical Hoops requires players to use tweezers to pull objects from tiny holes, with the slightest touch of a metal border setting off a buzzer indicating failure.

Instead of pretending to be doctors attempting to remove body parts from a patient, however, Unethical Hoops players act as members of an opposing basketball team trying to take the ball from a cartoon character who very much resembles Gilgeous-Alexander.

In this game, the buzzer represents the whistle of a foul-calling referee.

“Shai has made hoops all about foul baiting and now you’re stuck guarding him in Underdog’s new board game,” a description reads on the game’s website. “Don’t get baited. Steal the ball without getting whistled.”

In a letter dated May 22, attorney Eric Fishman of ArentFox Schiff LLP demanded that Underdog “immediately and permanently cease and desist from any and all use of Mr. Gilgeous-Alexander’s NIL in any and all media, including but not limited to your website (including the Unethical Hoops Website)… and any physical goods including but not limited to the board game advertised on the Unethical Hoops Website.”

The notice also calls for Underdog to “immediately destroy all physical goods or advertisements that use Mr. Gilgeous-Alexander’s NIL, including but not limited to the board game advertised on the Unethical Hoops Website,” as well as a promise never to use the star player’s name, image or likeness without his permission.

Fishman did not immediately respond to a request for comment from The Times.

According to the Unethical Hoops website, which remains active more than a week after the date on the cease-and-desist order, only 100 copies of the game were made, to be given away to Underdog users. The giveaway ended as scheduled on Friday.

Underdog declined to comment on the matter other than to point out that the company has pulled comical stunts at the expense of members of the sports world.

“We’ve poked fun at Knicks and Lakers fans, the Red Sox owners, the Mets and more,” a spokesperson said via email. “We like to have some fun with whatever is in the sports fan zeitgeist.”

Gilgeous-Alexander is a four-time All-Star who led the league in scoring last season (2,484 points) and was second in scoring this season (2,117). He led the Thunder to their first NBA title last year and has them back in the Western Conference finals this year (the decisive Game 7 against the San Antonio Spurs is Saturday in Oklahoma City).

While one of the NBA’s biggest stars, Gilgeous-Alexander is often criticized for the number of favorable foul calls he receives — he has ranked second or third in the league for number of free throw attempts per game in each of the last four seasons and is currently second among all players in the 2026 playoffs with 9.8 a game — and the lengths he appears to go to in order to receive them.

After Game 2 against the Spurs, one NBA fan account on X wrote, “Shai flopped on every single shot attempt” and posted a video that showed seven such examples (Gilgeous-Alexander actually attempted 24 shots that night). The post has been viewed 22.7 million times.

Earlier this week, prior to Game 6 of the conference finals, another fan account on X posted a video “ranking all 44 times SGA fell on the floor while shooting during the 2026 playoffs from least to most egregious.” That post has been viewed 1.3 million times.

As the cartoon likeness of Gilgeous-Alexander states in the Unethical Hoops ad, “so much as breathe on me, I’m getting the call.”

The real-life SGA was asked during a TV interview after Game 3 in San Antonio about the “flopper!” chants that rained down on him at Frost Bank Center.

“It’s part of the game,” he said. “It’s nothing. I’ve been dealing with it for a long time. I don’t really hear it. I’m focused on what’s going on on the court.”

WASHINGTON — A federal judge on Friday temporarily blocked President Trump’s administration from paying any claims through a new $1.776 billion settlement fund for the Republican president’s allies who believe they were victims of a weaponized government.

U.S. District Judge Leonie Brinkema in Alexandria, Va., also barred the government from moving forward with the fund’s creation while litigation is pending to challenge it.

The judge, who was nominated to the bench by President Clinton, a Democrat, scheduled a June 12 hearing for arguments on whether to extend the order blocking payouts from an “Anti-Weaponization Fund.” The government created the fund to resolve Trump’s lawsuit against the Internal Revenue Service over the leak of his tax returns.

The White House declined to comment on the judge’s ruling and referred all questions to the Justice Department, which didn’t immediately respond to a request for comment.

The fund has generated a fierce backlash since it was announced last week, with even Republicans pressing acting Atty. Gen. Todd Blanche over the eligibility considerations and the possibility that even violent rioters at the U.S. Capitol on Jan. 6, 2021, would be free to seek compensation.

The Justice Department hasn’t formed the five-member commission that will decide on payout criteria, so there has been no money paid out yet or claims accepted.

Plaintiffs’ attorneys from the legal advocacy group Democracy Forward are seeking a court order halting the fund’s implementation and preventing the Trump administration from disbursing any payouts from it. The federal suit claims there is no legal basis or accountability behind the fund.

The Virginia lawsuit’s plaintiffs include a fired prosecutor and a college professor acquitted of assaulting federal agents at a protest.

“The unlawfulness that has imbued the Anti-Weaponization Fund from its inception requires that it be wholly dismantled,” the suit says.

At least two other lawsuits, both filed separately in Washington, also are challenging the fund’s creation. A lawsuit filed by the advocacy group Citizens for Responsibility and Ethics in Washington refers to the fund as “a jaw-dropping act of presidential corruption.” Two police officers who helped defend the Capitol from a mob of Trump supporters sued last week.

During a congressional hearing, Blanche wouldn’t rule out the possibility that rioters who assaulted police on Jan. 6 could be eligible for fund payouts.

Nearly 1,600 people were charged with Capitol riot-related federal crimes. Over 1,200 were convicted and sentenced before Trump handed out mass pardons, commuted prison sentences and ordered the dismissal of every pending Jan. 6 criminal case last year.

Kunzelman writes for the Associated Press. AP writers Darlene Superville, Alanna Durkin Richer and Eric Tucker contributed to this report.

PLANO, Texas — As it turned out, it would never be enough.

U.S. Sen. John Cornyn tried for more than a year to show President Trump and Texas Republicans that he and the president were on the same team.

Cornyn posted a photo of himself reading Trump’s “The Art of the Deal.” He proposed legislation to rename a stretch of interstate in Trump’s honor. Perhaps most glaringly, the Senate institutionalist who long supported the filibuster reversed his position in a failed effort to advance voting restrictions that are a priority for the president.

None of it worked. On Tuesday, Cornyn became the latest in a line of Republicans who lost their primaries after falling out of favor with a president with little tolerance for dissent and a seemingly insatiable appetite for retribution. The four-term senator lost by double digits to Texas Attorney General Ken Paxton, who Trump endorsed last week as “a true MAGA Warrior.”

Cornyn, on the other hand, “was VERY disloyal to me,” Trump wrote on social media.

Trump’s intervention in the Texas runoff came after weeks of successfully backing primary challengers in Indiana, Louisiana and Kentucky as revenge against incumbents who broke with his agenda.

Cornyn’s attempt to avoid the same fate made even some of his supporters wince.

“You look at the positions he took to please the president and the groveling and whatever,” said former Sen. Jeff Flake of Arizona, a Republican and Trump critic who didn’t seek reelection during the president’s first midterm in 2018. “It was rather painful to watch.”

Trump took an uncommonly equanimous approach to Tuesday’s results the following morning.

“Congratulations to Ken Paxton on such a tremendous win, and to John Cornyn for having run a strong and powerful race but, more importantly, having had a truly great career,” he wrote on social media. “John will remain my friend for a long time to come, as we both watch Ken become a fantastic, common sense Senator, one who is respected by all.”

Cornyn started early with ad touting pro-Trump voting record

Cornyn’s loss wasn’t for a lack of political gymnastics and astronomical campaign spending.

His campaign began running an advertisement last summer — part of an astounding nearly-$100-million air war by the senator and allied groups — with Cornyn looking into the camera and saying, “I voted with President Trump 99% of the time.”

On Cornyn’s campaign homepage, Trump and Cornyn stand side-by-side with thumbs pointed upward in an image aimed at projecting solidarity. Deeper in the website, the category titled “The Trump-Cornyn Record” notes the senator’s role securing votes for Trump’s signature 2017 tax cut bill.

Cornyn has also been championing provisions in Trump’s signature tax-and-spending legislation to finance work on the U.S.-Mexico border wall.

The senator had dismissed the project as “naive” during Trump’s 2016 campaign. But in January, he stood along a section of completed wall in Texas’ Rio Grande Valley touting the measure’s $11 billion for Texas contractors’ work at “the direction of the president of the United States, to whom I am very grateful.”

Cornyn’s 2023 dismissal of Trump’s return glares in background

Cornyn’s praise for his party’s leader and president were not unusual, but they clash with a statement Cornyn made in May 2023, when Trump was mounting his presidential comeback campaign.

“Trump’s time has passed him by,” he told reporters. “I don’t think President Trump understands that when you run in a general election, you have to appeal to voters beyond your base.”

Trump would go on to easily win the nomination and carry every battleground state in the general election.

Cornyn would hew closely to the president for the first 16 months of his second administration, hoping at the outside chance of his endorsement or to keeping him from weighing in at all.

But Trump did not forget the past slights.

“John Cornyn is a good man, and I worked well with him, but he was not supportive of me when times were tough,” he wrote on social media while endorsing Paxton.

Smaller gestures, and one big one

Cornyn has playfully worked to promote Trump fandom, last year posting a picture on social media of himself thoughtfully peering into the pages of Trump’s 1987 memoir and business advice book, “The Art of the Deal.”

In a more obvious gesture, he proposed designating a section of a U.S. highway from the Texas Gulf Coast to Montana as “Interstate 47,” to honor a 47th president with a well-documented love of naming things after himself. In a news release about the proposal, filed just over two weeks before Tuesday’s runoff, Cornyn said it would be known as the “Trump Interstate.”

The more tectonic shift occurred in March, after Trump had teased a possible endorsement of either Cornyn or Paxton in the runoff.

Paxton swiftly said he would consider dropping his candidacy if the Republican-controlled Senate lifted the filibuster and passed the SAVE America Act, a series of voting restrictions that Trump has described as an essential part of his agenda.

The following week, Cornyn wrote an op-ed in the New York Post — Trump’s favorite hometown newspaper — backing away from his previous support of the filibuster. He vowed to “support whatever changes to Senate rules that may prove necessary” to get the bill “through the Senate and on the president’s desk for his signature.”

Flake watched with unease.

“I know John and his long-held positions on the filibuster and the Senate’s institutions,” he said. “No office is worth that.”

Beaumont and Bedayn write for the Associated Press. Bedayn reported from San Antonio. AP writer Mary Clare Jalonick in Washington contributed to this report.

Clara Adams expected to win the 400-meter dash Saturday in the Southern Section Masters Meet at Moorpark High. The Long Beach Wilson junior not only won, she broke the section record, circling the track in 51.98 seconds.

“To be honest, I did not expect a 51 today … that was my end goal and I got it before state,” said Adams, who topped the previous mark [set by Norco’s Shae Anderson in 2017] by one hundredth of a second. “It says a lot about my training and teammates who push me in practice every day. I’m ecstatic.”

Even better than breaking a section record is breaking a state record and Adams was smiling wider several hours later after she and teammates Brooke Blue, Brooklyn Fowler and Saniah Varnado did just that by clocking 3:33.83 in the 4×400 relay to obliterate the time of 3:35.49 set by Moore League rival Long Beach Poly in 2004. Rosary Academy was a distant second in 3:41.33.

“The 400 was our first race of the day, all of us ran it and we all qualified for state and that carries over to the rest of the day,” said Adams, who ran the third leg and widened the Bruins’ lead before handing the baton to Varnado for the anchor leg. “The state record is a bonus. We handled our business and now we have a week to prepare to go for the national record.”

Florida Montverde Academy owns the national record of 3:31.68, achieved at the 2024 New Balance Nationals Outdoor in Philadelphia, but Wilson’s foursome was content with the state record, at least for now.

“We already had a good lead when I got it but everyone was getting loud and I was pushing,” Varnado said. “I was thinking we could run in the high 3:30s. I’m proud of how well we did and hopefully we can do even bigger things at state.”

The CIF state track and field championships are next weekend (prelims Friday and finals Saturday) at Buchanan High in Clovis and as usual the Southern Section will be well-represented as numerous athletes met the qualifying standards.

After three-peating in the 1,600 and 800 one week before at the Southern Section finals, Corona Santiago senior Braelyn Combe won both events again Saturday, winning the 1,600 in 4:43.03, well off her 4:41.36 effort at the section finals but still more than two seconds faster than runner-up Reese Holley of JSerra. She won the 800 Saturday by about the same margin in 2:06.04.

Calabasas dominated at the section finals with four runners breaking the Division 3 record in the 100. They were back at it Saturday as last week’s champion Malia Rainey ran 11.33 to win the first heat. Devyn Sproles equaled Rainey’s 11.41 one week before to win the second heat and take second overall. Marley Scoggins (11.46) was third and Coyotes teammate Olivia Kirk (11.62) was fifth.

Tra’via Flournoy led off Rosary’s 4×100 relay, which won in 44.79 at the Masters Meet on Saturday in Moorpark.

(Steve Galluzzo / For The Times)

Rosary’s 4×100 relay established itself as the favorite at state finals with a 44.79, more than a second faster than runner-up Canyon Country Canyon. The Royals’ foursome of Tra’via Flournoy, Justine Wilson, Pfeiffer Lee and Maliyah Collins is hoping to top the state-record (44.23) it set at Arcadia in April when it heads north for the state meet.

“It wasn’t a [personal record] but it was faster than last week,” said sophomore Collins, who ran the anchor leg. “This was a tuneup. Our handoffs were clean and we got the baton around the track. That was our main focus.”

West Ranch junior Tamea Crear (23.50), Kirk (23.54) and Rosary’s Wilson (23.61) and Collins (23.69) took the top four spots in the 200 meters.

San Jacinto Valley Academy sophomore Kaaliyah Lacy clocked 13.44 to win the 100 hurdles, one hundredth off her state-leading time that earned her the Division 4 section title one week ago. Varnado won the 300 hurdles in 41.53.

Irvine senior and Duke commit Summer Wilson, a three-time Southern Section champion in the 3,200, ran a new-season best (10:14.45) and shaved nearly 10 seconds off her time in the Division 2 sectional race.

Irvine’s Summer Wilson wins the 3200 meters in 10:14.45 at the Masters Meet after placing third last year.

(Steve Galluzzo / For The Times)

After sweeping the all three jumps events at the Division 3 section finals, Jurupa Valley senior AB Hernandez did the same Saturday, winning the long jump in 20 feet, 0.75 inches, the triple jump in 40-7 and the high jump in 5-8.

Los Alamitos senior Cassidy Nguyen cleared 13-2 to win the pole vault while Aliso Niguel was first in the discus (165-10) and shot put (49-0) after winning the Division I section crown in both last week.

Woodbridge junior Aidan Antonio won the 3,200 boys race in 8:55.30 while Sterling White of Oaks Christian became the first freshman in state history to break nine minutes, finishing seventh in 8:59.26 to break the ninth-grade record of 9:01.1 set by Eric Hulst of Laguna Beach in 1973.

Riverside King’s Maximo Zavaleta (4:06.30) and Antonio (4:06.54) battled all the way to the finish line to claim the top two spots in the 1,600.

Having won the Division 3 boys title in 38.39 one week earlier, Servite’s 4×100 relay won Saturday’s race in 40.17, followed by Moorpark (40.60) and Loyola (40.83).

“I like the first leg and coming out of the blocks because I get to see my teammates win,” said Jace Wells, whose exchange to Jorden Wells was smooth. Kamil Pelovello and Benjamin Harris ran the last two legs. The foursome set the state record (39.70) at Arcadia.

Harris won the 100 in a wind-aided 10.17 (one hundredth faster than his time in the Division 3 section finals last week), then won the 200 in 20.80 (31 hundredths slower than his winning time a week ago).

“It’s what I expected — I’m proud of it,” Harris said of his 100 time. “I just wanted to execute, win my race and move on. There’s more work to be done.”

Loyola’s Ejam Yohannes beats Servite’s Jaelen Hunter by 11 hundredths of a second in the 400-meter dash.

(Steve Galluzzo / For the Times)

In the most exciting finish of the day, Loyola senior Ejam Yohannes edged Servite sophomore Jaelen Hunter by 11 hundredths of a second in 46.40 in the 400 meters, one week after Hunter ran 46.36 to set a section Division 3 record. Johannes cut three tenths off his Division I winning time last week.

Upland (3:18.54) won the boys 4×400 and Gardena Serra (3:18.88) was second. Crean Lutheran’s Noah Richardson cleared 15-6 to win the pole vault while Redondo Union’s Bo Ausmus won the discus with a throw of 185-7 and the shot put with a mark of 61-9.

Having won the Southern Section Division 3 high jump crown in a lifetime best and state-leading 7-01 seven days earlier, Sherman Oaks Notre Dame senior JJ Harel still had the best height Saturday at 6-10, tied with Nathaniel Baca but winning on fewer misses. Harel aims to repeat as state champion.

Moorpark’s Davis Benson was first in the long jump Saturday at 22-11.75 (he won the Division 3 section crown with a leap of 23-5 last week), followed by Dane Malloy (22-10.5) and Harel (22-9.25). Paloma Valley senior Arthur Stringer won the triple jump in 47-4.5.

Long Beach Poly’s Lynnox Newton won the 110 high hurdles in 13.69, Etiwanda’s Brandon Andrade (13.85) was second and Benson (13.94) third. Andrade (37.01) was second behind Palm Desert’s Kingston Penny (36.86) in the 300 hurdles.

WASHINGTON — The U.S. Commission of Fine Arts on Thursday approved the design for the triumphal arch that President Trump wants built at an entrance to the nation’s capital.

Commissioners, all of whom were appointed by Trump, approved the design despite overwhelming opposition from the public. Approval is a key step in the project’s process.

The proposed arch is one of several projects the Republican president is pursuing alongside a White House ballroom to leave his imprint on Washington.

He has said some of his other projects, such as adding a blue coating to the interior of the Lincoln Memorial Reflecting Pool, will beautify the city in time for July 4 celebrations of America’s 250th birthday.

The U.S. Commission of Fine Arts approved the concept for the arch at its monthly meeting in April.

As presented to the federal agency, the arch itself would stand 250 feet tall from its base to a torch held aloft by a Lady Liberty-like figure on top of the structure. The statue would be flanked on top by two eagles and guarded at the base by four lions — all gilded. The phrases “One Nation Under God” and “Liberty and Justice for All” would be inscribed in gold lettering atop either side of the monument.

A public observation deck on top would provide 360-degree views of the surroundings.

The commission’s vice chairman, architect James McCrery II, said in April that he preferred the arch without the figures on top. Removing them would significantly reduce the arch’s height by about 80 feet. Critics of the project, including an overwhelming number of people who submitted public comment in April, said the arch would be taller than any other monument in the capital city and dominate the skyline.

At a height of 250 feet, the arch would dwarf the Lincoln Memorial, which is 99 feet tall, and be close to half the height of the Washington Monument, an obelisk that is about 555 feet tall.

McCrery also recommended that the lions on the base be removed because that animal is “not a beast natural to the North American continent.” And he objected to plans for an underground tunnel for pedestrians to get to the arch, which would be built on a traffic circle between the Lincoln Memorial and Arlington National Cemetery in Virginia.

Preliminary surveys and testing of the site began last week.

A group of veterans and a historian have sued the Trump administration in federal court to block construction on grounds that the arch would disrupt the sightline between the Lincoln Memorial and Arlington House at Arlington National Cemetery, among other reasons.

Trump and Interior Secretary Doug Burgum have argued that Washington is the only major Western world capital without such an arch. Burgum’s department includes the National Park Service, which manages the plot where Trump wants to put the arch.

Trump’s rehab of the Lincoln Memorial Reflecting Pool is also the subject of a court challenge brought by the Cultural Landscape Foundation, which said the administration’s moves to repaint the bottom of the Reflecting Pool blue without first undergoing relevant reviews ran afoul of federal preservation laws governing historic sites.

The nonprofit group argued in a lawsuit filed last week that the changes at the Reflecting Pool are part of Trump’s broader effort to push through dramatic renovations in Washington without proper reviews and undermine the tone of the area.

A hearing in the case was scheduled for Thursday afternoon in federal court in Washington.

Superville writes for the Associated Press.

SAN DIEGO — The crack of the bat reverberated throughout Petco Park. The crowd let out a collective, “Oh.” And Shohei Ohtani started his trot around the bases.

Padres center fielder Jackson Merrill made a valiant effort to bring back the home run. But after leaping and stretching his entire torso over the top of the wall, the ball fell just out of his reach.

Ohtani, hitting while pitching for the first time in almost four weeks, had homered on the first pitch of the game.

Manager Dave Roberts has held Ohtani out of the batting order for each of his last three starts on the mound, in what’s become a start-by-start decision. But Wednesday, he handled pitching and hitting duties, with immediate positive feedback.

“Obviously it’s a big series, and with the way he’s swinging the bat, I feel it gives us the best chance to win,” Roberts said before the game. “And last week, giving him a couple days off to reset, I thought that was beneficial. We’re on the heels of an off day [Thursday]. So I think all that in total, it just made sense to have him hit today.”

Roberts has also witnessed a “recharged” Ohtani on this trip, as evident on the basepaths and in the batter’s box.

Roberts and Ohtani differ in how much they credit his offensive turnaround to the two-day break from hitting that Roberts gave the two-way phenom last week, versus the progress he was already showing. But Ohtani entered Wednesday with four doubles and 10 hits total in five games against the Angels and Padres.

“I think he’s getting there,” Roberts said before the game. “I wouldn’t say he’s back; I think he’s getting there.”

A preliminary hearing the murder case against David Anthony Burke, the 21-year-old singer better known as D4vd, will go forward at the end of June, setting a timeline for when more detailed evidence about the gruesome murder and dismemberment of 14-year-old Celeste Rivas Hernandez will become public.

Burke — who prosecutors say sexually abused the teen for a year before stabbing her to death and mutilating her corpse last year — will face the hearing on June 29, attorneys said during a brief hearing Tuesday morning.

After the singer’s arrest in April, his legal team pushed for an immediate preliminary hearing — where a judge determines if prosecutors have enough evidence to bring a case to trial — but they backed off after prosecutors began turning over what they have described as a massive amount of digital evidence linking Burke to the teenager’s brutal slaying. Burke has pleaded not guilty in the case.

The hearing is expected to last at least five days. A status conference hearing will take place on June 17.

Questions about the singer’s connection to Hernandez’s grisly end have circled since last summer, ever since her badly decomposed and dismembered body was found in the trunk of a Tesla linked to Burke. Late last month, prosecutors filed a nine-page brief laying out what they believe to be Hernandez’s final moments and Burke’s alleged horrific actions after her death.

In the filing, prosecutors said Burke stabbed Hernandez to death inside a Hollywood Hills residence after she threatened to go public about the ascendant singer’s continual sexual abuse. After killing her, Burke ordered a chainsaw, a “burn cage,” a shovel and other implements he used to dismember her remains in his garage, prosecutors alleged last week.

The motion also laid out the dramatic steps Burke went to in order to continue his relationship with the teen. In February 2024, Hernandez was reported missing to the Riverside County Sheriff’s Department by her parents, who were concerned about her involvement with Burke, according to the filing. Hernandez went home and had her phone taken away, but Burke allegedly paid a junior high school student $1,000 to give her a new device so they could stay in touch.

Prosecutors also said they found images of Hernandez naked and performing sex acts on Burke’s phone, according to the document. Deputy Dist. Atty. Beth Silverman said in court last month that search warrants turned up “a significant amount of child pornography” on Burke’s devices.

Burke’s lawyers have not commented on their defense strategy.

A look at The Times’ top 25 high school baseball rankings for the Southland after the final week of the regular season:

Rk. School (Rec.); Comment; ranking last week

1. NORCO (24-3); vs. Maranatha in D1 playoffs, Tuesday; 1

2. HARVARD-WESTLAKE (23-5); vs. La Mirada in D1 playoffs, Tuesday; 2

3. ST. JOHN BOSCO (22-5); vs. Cypress in D1 playoffs, Tuesday; 3

4. ORANGE LUTHERAN (23-4); vs. Corona Santiago in D1 playoffs, Tuesday; 4

5. HUNTINGTON BEACH (21-6-1); at Temecula Valley in D1 playoffs, Tuesday; 5

6. CORONA (21-6); vs. Etiwanda in D1 playoffs, Tuesday 6

7. SIERRA CANYON (23-5); vs. Oaks Christian in D1 playoffs, Tuesday; 7

8. SHERMAN OAKS NOTRE DAME (20-8); vs. Ayala in D1 playoffs, Tuesday; 8

9. AYALA (23-3); at Sherman Oaks Notre Dame in D1 playoffs, Tuesday; 9

10. CYPRESS (21-7); at St. John Bosco in D1 playoffs, Tuesday; 10

11. LA MIRADA (22-6); at Harvard-Westlake in D1 playoffs, Tuesday;11

12. OAKS CHRISTIAN (22-6); at Sierra Canyon in D1 playoffs, Tuesday; 12

13 GAHR (17-10-1); vs. El Segundo in D2 playoffs, Thursday; 13

14. NEWPORT HARBOR (19-9); vs. Trabuco Hills in D2 playoffs, Thursday; 14

15. CORONA SANTIAGO (18-10); at Orange Lutheran in D1 playoffs, Tuesday; 15

16. TEMECULA VALLEY (24-4); vs. Huntington Beach in D1 playoffs, Tuesday; 18

17. VILLA PARK (19-8-1); vs. Elsinore in D2 playoffs, Thursday; 22

18. ETIWANDA (20-7); at Corona in Division 1 playoffs, Tuesday; 23

19. ROYAL (23-3-1); vs. El Modeina in D2 playoffs, Thursday; 16

20. AQUINAS (19-9); vs. Dana Hills in D2 playoffs, Thursday; 17

21. SANTA MARGARITA (15-13); at Rancho Christian in D2 playoffs, Thursday; 19

22. BISHOP ALEMANY (17-11); vs. Mission Viejo in D2 playoffs, Thursday; 20

23. MARANATHA (23-5); at Norco in D1 playoffs, Tuesday; NR

24. WESTLAKE (18-8); vs. Alta Loma in D2 playoffs, Thursday 24

25. GANESHA (21-3-1); at Linfield Christian in D2 playoffs, Thursday; 25