large part

‘X-Men ’97’: Rogue and Wolverine voice actors on returning for Season 2

When the cast members and creators of the 1990s “X-Men: The Animated Series” reunited at the 2019 Hill Country Comicon in New Braunfels, Texas, they went out for dinner and collectively yearned to one day work together again.

“We said, ‘Let’s put it to the universe: Universe, why don’t you manifest that somebody buys the rights to the show and decides to reboot it and bring us all back.’ We toasted the universe and here we are,” recalls Canadian actor Lenore Zann, the voice of the irresistibly tough Rogue, during a recent video call while visiting Los Angeles.

The result of that metaphysical request is Marvel’s “X-Men ’97,” which debuted in 2024 on Disney+, not as a reboot but as a continuation of the original 1992 classic animated show.

The first season of this new era for the X-Men received an Emmy nomination for animated program. Now, the long-awaited second season has arrived, with the fourth episode streaming this week. Even after the controversial firing of showrunner Beau DeMayo, “X-Men ’97” has already been renewed through Season 4 and the voice cast has started recording their lines for Season 3, Zann says.

The show’s success with both fans and critics is in large part due to its commitment to honor the original ‘90s show, about a group of mutants fighting for themselves and for humanity, not only by preserving its hand-drawn animation style and mature themes but also the voices and personalities of the characters.

“When I pitched the show to Kevin [Feige], he got it immediately and his first question was, ‘Are you going to get the original cast back?’ And I was like, ‘Yes, we are,’” says Brad Winderbaum, head of Marvel Television, Animation, Comics and Franchise at Marvel Studios.

A cartoon rendering of six mutant superheroes standing together in a group in a workshop.

Several voice actors from the original “X-Men” animated series returned for “X-Men ‘97,” which has returned for Season 2. From left, Beast (George Buza), Bishop (Isaac Robinson-Smith), Rogue (Lenore Zann), Professor X (Ross Marquand), Magneto (Matthew Waterson) and Nightcrawler (Adrian Hough).

(Marvel)

Not everyone was still around to return — Norm Spencer, voice of Cyclops, died in 2020 — but in addition to Zann, actors George Buza (Beast), Alison Sealy-Smith (Storm), and Cal Dodd, the voice of the lovable clawed grouch Wolverine, have reprised their roles in “X-Men ’97.” Their emblematic voice performances, Winderbaum says, are baked into his psyche.

“Any time Lenore says the word ‘sugah,’ it just makes me melt into a puddle on the floor,” Winderbaum says, laughing. “She is Rogue and, when she turns it on, she becomes an icon.”

Busy with her political career as part of Canada’s parliament, Zann stepped away from the entertainment business for over a decade. Zann was back home in Truro, Nova Scotia, figuring out her next chapter when she received an email from a friend who said producers at Disney were looking to have her audition for a show. She was skeptical.

Zann eventually got a call from casting director Meredith Layne and a screenplay with lines that were instantly familiar from her time voicing Rogue, the spunky heroine whose touch can be deadly, in the ‘90s.

”I thought, ‘I guess they’re looking for Rogue, so I’ll just give them Rogue,’” she recalls, laughing. “And I did my Rogue voice, which is basically just my own, but with a bit of a Southern accent thrown on,” she adds with a slight twang.

The producers then asked her if she would reprise her superhero for a new generation of kids.

Doing her Rogue voice, Zann recalls: “I said, ‘You had me at hello, sugah.’”

She revels in the similarities between her and Rogue. “We’re both social justice warriors. We really fight for people to be accepted as who they are.”

In 2024, Zann published “A Rogue’s Tale: A Memoir,” a tome recounting her storied life, titled after a memorable episode in the ‘90s series that revealed her beloved mutant’s backstory.

A cartoon image of Wolverine wearing a blue and yellow uniform with his claws displayed and arm pulled back.

Wolverine in a scene from Season 2 of “X-Men ’97.”

(Marvel)

For Dodd, leaving behind Wolverine after five seasons of the original show felt like losing a part of himself. “X-Men ’97” offered him a chance to feel complete once again.

“I was so happy because when I first created the voice of Wolverine in ‘92, he became very quickly like my brother or my right arm,” Dodd says during a recent video call. “I got my arm back, and my brother.”

After all these years, Dodd was also pleased to see how the most important character of his career looked in the new series. “Out walks Wolverine and I just went, ‘Holy crap, you look great, bub,’” he recalls, laughing about his first time recording lines for “X-Men ‘97.”

When he first auditioned for the role in the ‘90s, Dodd had no idea who Wolverine or the X-Men were. At the time, he was making a living as a singer for commercials and jingles in Toronto.

Dodd remembers the lines he was asked to deliver were directed at the villainous mutant Sabretooth. He had never seen an image of Wolverine or any of the characters. “At one point, I said to them, ‘Is this an animal cartoon?’ They just thought I was a complete imbecile,” he recalls with a chuckle.

In that initial scene, where Sabretooth attacked Jubilee, a member of the X-Men who Wolverine sees as a daughter, his line was: “All right, you egg-sucking piece of gutter trash. You always like pushing around people shorter than you. Well, I’m shorter. Try pushing me.” Dodd recites it from memory in Wolverine’s voice with a growl.

“The lines I was reading, I’d heard them before in the small town that I grew up in Canada; it’s a fisherman’s town, a tough little town,” says Dodd about his reference for Wolverine’s voice. “I knew guys that were exactly like him, and I knew the way they sounded.”

Even without any notion of the X-Men, he nailed it.

“The next morning, they called me and said, ‘We would love to have you as our Wolverine for the very first X-Men animated series,’” Dodd recalls. “And I said, ‘I would love to be your Wolverine, whoever, and whatever he is.’”

1

A man in a black leather jacket and black T-shirt.

2

A blond woman in a denim jacket and pink scarf.

1. Cal Dodd, voice actor for Wolverine in “X-Men ’97.” 2. Lenore Zann, who voices Rogue. (Pauline Aguirre)

When Rogue came into Zann’s life, she already had a notable career as a screen and stage actor. Zann had starred as Marilyn Monroe in a rock opera about the actor’s life, for which she received much praise. “My agent called me and she said, ‘Lenore, they’re doing this animated series, and they’re looking for “a woman with a deep husky, sexy voice who can do a Southern accent,”’” Zann recalls, laughing. “And she said, ‘That’s you!’”

Back then, Zann wasn’t interested in doing voice work, so she missed the first auditions. But about a month later, she says, her agent called again. They still hadn’t found the right voice, so she pushed Zann to audition. She walked in and looked at a drawing of Rogue that Larry Houston, the storyboard artist and director of the show, had drawn.

“She had a very sassy attitude, and she had her hand on her hip and her head back with the hair flowing. I was like, ‘Yeah, I can do that.’ And then I went into the studio, put the headphones on, and opened up my mouth, did the first line: ‘I remember I had a boyfriend, when I kissed him, poor boy went into a coma for three days,’” she says in Rogue’s voice. That was enough for her to land the life-changing part.

At the end of the first season of “X-Men ’97,” both Rogue and Wolverine find themselves in difficult times. Wolverine’s clash with Magneto, the perennial antihero, left him severely injured, physically and mentally.

“He’s as tough as nails and he is more pissed off than anything that he was the only one that stood up to Magneto. He’s disappointed,” says Dodd. “And it’s a struggle for him in Season 2 for a lot of it. And then you see what happens. He’s in a funky place, but he’ll handle it.”

Part of that healing process will involve leaning into the humor tat Dodd imbues in his delivery. “What I think is surprising when you go back and watch that original animated series is how funny Cal is,” says Winderbaum. “Wolverine has amazing one-liners throughout that original series.”

As for Rogue, she is grieving the loss of Gambit, a.k.a. Remy LeBeau, who died in the first season. To voice Rogue’s sorrow, Zann leaned into her own grief over the passing of her 17-year-old niece from cancer. In Season 2, Rogue is trying to move forward.

“She’s still basically on a hero’s journey wanting to get justice for what happened to Remy and for the genocide that she witnessed and that she is a survivor of,” Zann says. “She still got survivor’s guilt, and she’s still trying to find her place within the X-Men now that the one that she loves is gone.”

At comic conventions, Zann and Dodd often meet fans of the original show, who are now adults, and their children, who have also come to love the characters. The emotions that people share with them are at times overwhelming.

“Many times, they tell us that this show saved their lives. They were either LGBTQ+ or they were bullied, or they just felt othered,” Zann explains. “A lot of folks who are Latino tell me that when they were little kids, their parents were agricultural workers, and they learned how to speak English from watching our show. We made them feel it’s OK to be different.”

“I see grown men in tears. They’re in their 40s and they’re crying,” Dodd says about meeting lifelong fans. “I can tell you that Wolverine can cry as well.”

Zann believes the X-Men are like modern-day mythological heroes. Through their fantastical ordeals, the X-Men illustrate qualities that inspire viewers, young and old.

“They are a group of misfits who band together to learn how to control the things that make them different and learn to accept and love themselves,” she says. “It’s an honor to be part of this incredible group of people and these characters that can really touch lives and help change them for the better.”

Source link

Steyer vs. Becerra? It’s possible

With just days left to campaign and polls putting him in an unexpectedly strong third place — maybe even second — Tom Steyer is down-not-out. But Riverside’s favorite MAGA sheriff and Republican contender Chad Bianco is almost definitely shoulders-to-the-mat done.

That means there’s no chance of a Republican sweep in this blue state, and suddenly, what has up until now been a pretty dry governor’s primary race has turned into one that has a slim-but-genuine chance at a surprise ending — two Democrats on the November ticket.

“It’s a low probability,” political data guru Paul Mitchell told me, “But there’s always a chance.”

He puts it somewhere under 10%. But stranger things have happened. Spencer Pratt, for instance.

Those of you who have hung on to your ballots like winning lottery tickets, and those who plan on voting in person, will largely decide what happens next: An Xavier Becerra-Steve Hilton top two is a virtual election for Becerra since there just aren’t enough Republican voters in the state to carry a general election. A Becerra-Steyer face-off would force both candidates to define a vision of California beyond generic liberal ideas.

Personally, I wouldn’t mind seeing California have that Dem-on-Dem showdown so that voters of all parties (or none) have the chance to pin these would-be leaders down on the details of their policies. So far, this election has been light on the specifics, but the state faces real problems — from a failing healthcare system to gas prices that literally mystify even lawmakers.

Everything changes when a candidate becomes a winner, so maybe it would be good for democracy to have an old-fashioned war of ideas in this moment when the future of California holds so many unknowns.

Is Steyer just a billionaire dilettante trying to buy an office? Is Becerra beholden to the many corporate interests who have funded his campaign? Those are just the top-line questions many voters still have.

“There’s lots of shades of blue,” pointed out Chad Peace of the Independent Voter Project, on a press call to support open primaries. “When we only look at things as, ‘Oh, there’s red and there’s blue,’ we forget that.”

But voters remain nervous, and the ballot is still packed — along with the top three, former Rep. Katie Porter and San José Mayor Matt Mahan are still campaigning, though with falling support.

Voters, Mitchell said, “are really thinking about the implications” of their vote, and perhaps don’t want to throw it away on a candidate they perceive as having no chance. That’s why the new polls showing Steyer as a contender have the potential of stirring up momentum, especially for voters who originally saw themselves filling in the bubble for one of those candidates on the decline.

Recent polls have put Steyer in a near-dead-heat with Republican front-runner Hilton, both hovering slightly above or below 20%. Becerra, the former California attorney general and a former Biden Cabinet secretary, leads them both by a few points, especially among Latino voters. As my colleague Gustavo Arellano has pointed out, Becerra would be the state’s second Latino governor, after Romualdo Pacheco, who held the office for 10 months in 1875.

“A Dem-Dem race, maybe we’ll get more people involved, because it’s going to be a harder fight, you know?” Diane McClure told me. She’s a board member of the California Nurses Assn., which endorsed Steyer early — in large part because he supports a plan for single-payer health insurance, which that union has long fought for.

McClure, of course, would love to see Steyer take the top spot in that easy-win scenario against Hilton, though that seems doubtful. But a Steyer-Becerra race?

“Maybe it’s a good thing, maybe it’ll wake some people up,” she said.

For his part, Steyer is staying the course. At a Sacramento stop Friday, he bounded around chatting with about four dozen mostly union supporters, wearing trademark Nikes, this time a vintage pair with a tartan plaid swoop.

“Four days,” Steyer said when he finally took the microphone. “I really need you to stand with me. But let me say this: you stand with me, I stand with you.”

Unlike his debate performances, Steyer is passionate, and, though it seems unlikely based on his television appearances, has an amiable charisma dotted with a fair amount of light profanity.

“Make a decent living, buy a house, have a great education for your kids, and retire,” he said. “That’s what we’re trying to build here. We can easily do that. When people say that’s not possible, bull—, that’s bull—.”

It was enough to sway Ricky Carter, one of the few non-union members in the room, who was invited because his wife, Barbara, was on a prayer chain with another invitee. An older Black man originally from South Los Angeles, Carter represents a demographic where Steyer has growing popularity.

“I believe him. He got it right in here,” he said, pounding a fist over his heart. “It ain’t about no color, creed and race. … It’s about the people.”

Indeed, elections are about the people, though it doesn’t always feel like it. But suddenly, this one does.

Source link