L.A.s

I’m going to start this story on a quiet tree-lined street in Mar Vista, where a couple I met with on Thursday — the day after the L.A. mayoral debate — have a problem.

It’s not an unusual matter, as things go in Los Angeles. On both sides of the street, the sidewalk rises and falls, uprooted and cracked by shallow roots because over many decades, the trees were not properly maintained.

John Coanda, 61, who grew up in Los Angeles, was never bothered by torn-up sidewalks as a kid.

“In fact,” he said when he first emailed me about his predicament, “my friends and I sometimes used the ramping pavement as jumps for our bicycles.”

But his wife, Barbara, was diagnosed in 2024 with ALS, and she uses a wheelchair. When John pushes her, they can’t use the sidewalk if they want to go to the store or meet with friends, or just enjoy a nice pass through the neighborhood without getting into a vehicle.

So John pushes Barbara’s wheelchair in the street, which creates an obvious safety problem. And despite John’s best efforts to get City Hall to fix the sidewalks, he’s not expecting help anytime soon.

I’ll circle back to this story in a bit, but first, about that debate.

I recruited a half-dozen L.A. residents to watch and send me their thoughts about how the candidates tackled the important issues. And then I felt guilty for having done so, because the candidates didn’t do much tackling at all.

Candidate Spencer Pratt is shown on a television while journalists work during the 2026 Los Angeles mayoral debate at Skirball Cultural Center.

(Jason Armond / Los Angeles Times)

They hit their talking points, for sure, and Mayor Karen Bass, Councilmember Nithya Raman and TV personality Spencer Pratt each had their moments. But by the end of the debate, and two straight nights of gubernatorial debates as well, I came away thinking there were no clear winners, but there was a definite loser.

Voters.

This is the fault of the format more than of the candidates themselves. The deck is stacked against meaningful, substantive discussions, especially when moderators ask — as they did several times — for one-word answers.

“Moderator questions are so meaningless … and they make it easy for candidates to take potshots at each other,” said longtime political sage Darry Sragow. “The format is guaranteed to elicit nothing that matters.”

It’d be better to have single-issue debates, and to have candidates pressed for details by journalists who cover those issues and can push back against unrealistic promises and expose a lack of depth.

My debate watchers did some of that themselves. CSUN librarian Yi Ding had praise and criticism for each candidate, but was looking for concrete plans and didn’t get many.

Ding was also disappointed that two other mayoral candidates — Ray Huang and Adam Miller — were not invited to the debate, and I agree with her. Both have been polling low, but with so many undecided voters, and such high unfavorability ratings for Bass, they should have been in the mix.

Mike Washington, a retired pharmacist and West Adams resident, said Bass has done better than previous mayors on homelessness and he didn’t think Raman or Pratt came off as worthy of bumping her out of City Hall.

“The public would have benefited from more questions related to the challenges young people are facing,” said Juan Solorio Jr., president of the San Fernando Valley Young Democrats club. His colleague David Ramirez agreed, saying he was hoping for “more discussion about the cost of living for young adults,” but he and Solorio are both backing Bass.

West L.A. software developer Mike Eveloff asked the million-dollar question in one of his many observations during the debate:

“Why is LA spending record amounts on homelessness, fire, police, and infrastructure while results deteriorate? Streets and sidewalks crumble. Even the city emblem right in front of City Hall is deteriorated. With the World Cup and Olympics approaching, voters need to know: Do these leaders have the financial discipline and operational competence to manage a fourteen billion dollar city?”

Venice resident Dennis Hathaway, author of “An Octogenarian’s Journal,” said he thinks “these kinds of debates are pretty non-edifying.” And, as someone I wrote about two years ago regarding busted sidewalks in his neighborhood, he shared this lament about Thursday’s debate:

“No mention of broken sidewalks, potholed streets, other deteriorated infrastructure. To me, that’s a much more important subject than non-citizens voting in city elections.”

(Bass did say during the debate that there was a new infrastucture plan in place, and that’s a step in the right direction. But there was no discussion, and when you read the details, 2028 Olympics projects will be prioritized, and it’ll take years to figure out how to fund thousands of additional much-needed fixes.)

The Coandas live not far from Hathaway, and their lives have been upended first by Barbara’s diagnosis and then by John getting laid off in February from his job as a data analyst. Barbara still teaches French via Zoom, and John is tending to her needs. They started a Gofundme campaign to help pay their bills.

With Barbara in a wheelchair, John contacted the city’s Safe Sidewalks L.A. program last fall, and I think it’s fair to say that name is somewhere between a misnomer and a bad joke.

The “program” responded by email on Halloween, appropriately enough, informing him that under the City Council-approved “Sidewalk Repair Program Prioritization and Scoring System,” his request for help merits only 15 points out of a possible 45.

“Currently,” he was informed, “the estimated wait time for completion of an Access Request with a score of 15 is in excess of 10 years.”

Happy Halloween.

Over the years, responsibility for sidewalk repairs has shifted between the city and homeowners. There’s a rebate program available to people who repair their own sidewalks, but it’s capped at an amount that doesn’t always cover the costs. And ruptured pavement is keeping lots of lawyers busy with trip-and-fall lawsuits that cost the city millions each year.

Barbara Durieux Coanda, who has ALS, and her husband, John Coanda, make their way down the ramp in front of their home in Mar Vista.

(Genaro Molina / Los Angeles Times)

Coanda told me he doesn’t have the funds at the moment to pay for repairs, and even if he did, there are several more sidewalk disaster zones on both sides of his street, so he’d still have to push his wife’s wheelchair in the street even if he fixed the cracks in front of his own house.

Barbara graciously said she thinks the city has other, higher priorities, but in November her husband contacted the office of Councilmember Traci Park, saying he was told that he would have to wait 10 years for repairs.

“Sadly,” he wrote, “I don’t think my wife will live that long.”

A Park staffer wrote back, saying, “The turnaround time does sound realistic given the budgetary crisis the city finds itself in.” But, the staffer added, maybe the council member’s office could “help move the needle on this request.”

Coanda said he’s been too busy with his wife’s issues to follow up. But Pete Brown, Park’s communications director, told me Friday afternoon that the office is exploring ways to pay for fixes that don’t take 10 years, including the use of discretionary funds.

I don’t know how that might play out, but I do know that L.A. doesn’t need another debate like the last one.

We need a mayor and council members who refuse to accept that it takes 10 years to create safe passage for a wheelchair.

In the national capital of broken sidewalks, we need concrete plans.

steve.lopez@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

We’ve got a month left before the June 2 primary election, with mail-in ballots already heading to voters’ mailboxes.

As if on cue, the big campaign money is pouring in from an array of well-funded interests: business groups, labor unions, hotels, taxicab companies and even one candidate’s mother.

To get around the city’s strict fundraising limits, those donors are putting much larger sums into “independent expenditure” campaigns that operate separately from their favored candidates.

Let’s take a look at some of the outsized spending to emerge in recent weeks.

Police union targets Raman

Things had been pretty sleepy in the L.A. mayor’s race, even with Mayor Karen Bass facing challenges from Councilmember Nithya Raman, reality TV personality Spencer Pratt and 11 other opponents.

That all changed after the Los Angeles Police Protective League, the union representing rank-and-file officers, dropped more than $400,000 on ads targeting Raman, who was elected to the council twice with support from Democratic Socialists of America, which isn’t endorsing in the mayoral primary.

Bass has been aligned with the union on a number of issues, supporting the hiring of more cops, signing off on higher police salaries and vetoing a ballot proposal to let Police Chief Jim McDonnell fire officers.

Raman, on the other hand, has been campaigning on her opposition to a package of police pay increases, saying the decision by Bass and the council to approve them was “politically motivated.”

Bass and others said the increases were needed to keep police from leaving a department that has lost 14% of its officers since 2020.

The league tried and failed to unseat Raman two years ago. This time around, the union is texting voters a campaign video highlighting her opposition to a city law barring homeless people from setting up encampments within 500 feet of a school.

The ad, which appears on YouTube, Hulu and other platforms, cites Raman’s recent vote against a new “no-camping” zone in Venice, in an area plagued by assaults and other crimes.

“Raman has voted over 75 times to allow homeless camps next to schools, daycares, parks and other sensitive locations, undermining public safety,” the ad’s narrator says.

Raman responded with her own campaign video saying Bass gave the union “more money than the city could even afford,” forcing city leaders to cut other services “to the bone.”

“This is what happens when a city governs for powerful interests rather than working people,” she said.

The league is planning to spend more than $1 million opposing Raman, and it’s already gotten some help. For example, office building owner Kilroy Realty Group has given $100,000 to the anti-Raman campaign.

A mother of a campaign

Real estate executive Zach Sokoloff has a not-so-secret weapon as he seeks to unseat City Controller Kenneth Mejia: his mom.

Sheryl Sokoloff is the spouse of Jonathan Sokoloff, managing partner of the Los Angeles-based private equity investment firm Leonard Green & Partners. She recently dropped $2.5 million into a committee promoting her son, which has produced digital ads accusing Mejia of performing too few audits.

“Zach Sokoloff will actually do the job as controller,” the ad’s narrator says in one 30-second spot.

Mejia, in an email, called the attacks “baseless” and accused Sokoloff’s family of “using their extraordinary wealth to try to buy the Controller’s position.”

“Unlike my opponent, I do not have any millionaire family members who can bankroll my campaign,” he said. “Just like last time we ran, we’re relying on small dollar donations from LA residents who are inspired by our record of providing unprecedented transparency and accountability on their tax dollars.”

Spending surge in the 11th

We already knew the race for the 11th District, which covers L.A.’s coastal neighborhoods, had gotten outrageously expensive.

Last week, Councilmember Traci Park reported raising nearly $1.3 million. Human rights attorney Faizah Malik, Park’s lone challenger, took in her own impressive haul of $454,000.

Turns out the independent expenditure campaigns in the race are nearly as costly.

Two city employee unions — the Police Protective League and United Firefighters of Los Angeles City Local 112 — have spent nearly $900,000 on efforts to get Park reelected. And they’re getting help.

The firefighters, a Park ally since her 2022 campaign, collected $150,000 for their pro-Park effort from Western States Regional Council of Carpenters, a construction trade union. The police union picked up $150,000 from restaurateur Jerry Greenberg and $200,000 from real estate company Douglas Emmett Properties, which gained notoriety for its push to evict tenants from West L.A.’s Barrington Plaza.

Malik, backed by Democratic Socialists of America, accused Park of doing the bidding of her donors at the expense of “everyday working Angelenos,” by supporting police raises and fighting stronger renter protections.

Hotel workers take aim at Park

Meanwhile, a different union is doing its own sizable spend.

Unite Here Local 11, which represents hotel workers, has put nearly $340,000 so far on efforts to promote Malik and tear down Park. The union’s leadership has been furious with Park, who voted against a hike in the minimum wage for tourism workers to $30 per hour.

Park said the wage hike would harm the city’s hospitality industry, costing hotel workers their jobs.

Like the police and the firefighters, Unite Here is not going it alone. The union picked up $50,000 from United Teachers Los Angeles and another $50,000 from Smart Justice California, a group focused on less punitive public safety strategies.

Unite Here has attempted to portray Park, a Democrat, as a Trump sympathizer, highlighting remarks she made to the president when he visited Pacific Palisades in the wake of the Palisades fire. The union also pointed out that she voted against making L.A. a sanctuary city for undocumented immigrants.

Park told news radio station KNX in 2024 that the state already has a sanctuary law, and that she considered the ordinance to be an act of “symbolic resistance” — one that would jeopardize federal funding.

On Thursday, Park accused Unite Here of using a picture of her with personnel from the Army Corps of Engineers to falsely imply that she was standing alongside ICE. The Army Corps removed debris from thousands of burned-out properties in the Palisades.

Park, in a statement, called the mail pieces “dishonest and disgusting.”

Unite Here didn’t directly address Park’s allegation, but told The Times that “Local 11 believes that our local elected officials should not collaborate with the Trump administration in any way.”

Speaking of the hotel wage

Unite Here isn’t the only player in the hotel wage fight to leap into this year’s council races.

Two L.A.-based hotels, working with the California Hotel and Lodging Assn., have put a combined $300,000 into a political action committee supporting Maria Lou Calanche, who is seeking to unseat Councilmember Eunisses Hernandez; political aide Jose Ugarte, who is running to replace Councilmember Curren Price; and Park in the 11th.

The group, which goes by the name Fix Los Angles PAC, doesn’t seem to be sweating all the details. Its phone script to voters, which was filed recently with the Ethics Commission, got Calanche’s name wrong, referring to her as Mary instead of Maria.

State of play

— EXPANDING THE VOTE: L.A. voters could be asked in November to take the first step toward giving noncitizens the right to vote in city and school board elections. City Councilmember Hugo Soto-Martínez, now running for reelection, wants voters to give the council the authority to let noncitizens vote in elections for mayor, council and other city offices, as well as the school board.

— HOME SHARING HOLDOUTS: Bass is looking to relax the city’s rules on home-sharing, by letting residents rent their second homes on a short-term basis through Airbnb and other platforms. Some council members were cool to the idea, saying this week that they fear such a move would shrink the city’s housing supply.

— EYE IN THE SKY: The LAPD deployed drones more than 3,000 times last year, using them mostly for emergency calls or officers’ requests for help, according to a report submitted to the Police Commission. The 3-foot-wide surveillance devices are being used by a department already known for its sizable fleet of helicopters.

— SEIZING CONTROL: Bass and Councilmembers Tim McOsker and Ysabel Jurado want the city of L.A. to obtain majority control over the embattled Los Angeles Homeless Services Authority, a city-county agency that delivers services to the region’s unhoused population. That proposal comes a year after the county’s Board of Supervisors voted to pull more than $300 million out of LAHSA.

— A GLOOMY OUTLOOK: L.A. voters lack confidence in the ability of city, county and state officials to make housing more affordable, according to a survey conducted by the Los Angeles Business Council.

— READY FOR OUR CLOSE-UP: L.A. plans to install 125 speed cameras by the end of July, in the hope of catching misbehaving drivers. But there are already some takeaways from San Francisco, where the technology is being credited with getting drivers to slow down.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness returned to South Los Angeles, sending outreach workers to areas around 23rd and Broadway, Adams Boulevard at Main Street, and Washington Boulevard at Main Street.
• On the docket next week: The major candidates for mayor are set to square off Wednesday at a forum sponsored by NBC4 and Telemundo 52, in partnership with Loyola Marymount University and the Skirball Cultural Center.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Michael Tilson Thomas came onto the scene as a great hope for classical music, American music, Los Angeles music, modern music, multifaceted pop music, maverick music, Russian music, Broadway music and just plain music, whatever it might be and from wherever it might be found. He lived his 81 years as conductor, pianist, composer, educator and media personality promoting that hope, and died Wednesday having shown how hope is done. He looked ahead. He looked back. Yet he lived for the now.

It wasn’t always easy. He wasn’t, to say the least, always easy. But MTT made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.

I first encountered MTT as a kid clarinetist and he, Michael Thomas back then, a student conductor at USC and already, at 19, music director of the Young Musicians Foundation Debut Orchestra. He was soon everywhere. A piano prodigy, he regularly performed (and hobnobbed) with the likes of Stravinsky, Copland, Boulez and Cage at Monday Evening Concerts programs when the Los Angeles County Museum of Art opened in 1965. That summer, he appeared at the Ojai Music Festival, which he would go on to lead as music director seven times.

MTT liked to describe his L.A. youth as driving from Jascha Heifetz’s house in the Hollywood Hills (where he accompanied the famed Russian violinist in classes) to LACMA to rehearse Ives and Renaissance music, to composition and conducting classes at USC. Then it was home to the San Fernando Valley to practice Beethoven.

All the while, he listened to the hip L.A. 1960s pop music stations on his car radio. He was particularly keen on, and became friends with, Chuck Berry. Home was where he would also encounter screen legends. Tilson Thomas’ father worked in films and television as a screenwriter, producer and dialogue coach. Theodor Thomas was, as well, a painter with a visionary sensibility and a pianist, self-taught other than a handful of lessons from Gershwin.

But it was Tilson Thomas’ mother and grandmother who may have had the biggest influence. His mother was a public school teacher. She instilled what became a key trait in her only child, who treated conducting as an exercise in learning both for the musicians and the audience (if not for him, because he basically knew it all). His grandmother, Bessie Thomashefsky and her husband, Boris, were stars of Yiddish theater on New York’s Lower East Side.

Boris died in 1939, five years before MTT was born. But Bessie and young Michael were close. She recognized that, like her, he was born for the stage, and regaled him with stage lore that put the stardust in his eyes. As a young kid, MTT played Beethoven piano sonatas so impressively that he wowed his babysitter, an architecture student at USC named Frank Owen Goldberg, who needed extra cash.

Frank Gehry, as he became, told me that MTT was already an entrancing showman. The two remained lifelong friends.

While MTT did not actually reside in L.A. for most of his life, he never really left it. It prepared him for all that was to follow. In high school, he met Joshua Robison, who became his lifelong partner and ultimately husband. Whether in New York, Miami, London or San Francisco, wherever they lived, they always talked about L.A. His father’s paintings were on the walls, as were Boris’ Yiddish theater posters, one proclaiming “King Lear,” translated and improved.

The Tilson Thomas package that emerged from L.A. was unlike any conductor the world had seen. He doted on the music of Rachmaninoff when Rachmaninoff was unfashionable and on Steve Reich when Reich was found unfathomable. He adopted classical music’s neglected outsiders and especially such key West Coast “mavericks” as Lou Harrison and Henry Cowell. He convinced Meredith Monk to write for orchestra and enticed everyone from Sarah Vaughan to the Mahavishnu Orchestra onto the symphony stage.

Studying at Tanglewood, the Boston Symphony’s summer home, MTT won the Koussevitzky Prize in 1969 and, with the encouragement of Leonard Bernstein, was appointed assistant conductor to music director William Steinberg. Before long, MTT became principal guest conductor, filling in frequently for Steinberg, who was in poor health.

MTT in his early 20s was vibrant, arrogant, fearless, full of ideas, a chance taker. Ever the Angeleno, he tooled around town in a Porsche. He talked to staid symphony musicians and audiences who didn’t want to be talked to and often played music they didn’t want to play or hear. And he dazzled them. He got a contract with the distinguished German record label Deutsche Grammophon and made exciting records with the orchestra of Tchaikovsky, Stravinsky, Ives and modern Americans. They remain a thrill to hear.

By 1974, it was Tchaikovsky one moment and a wonderfully crazy avant-garde opera the next. Stanley Silverman’s “Elephant Steps,” which MTT recorded in 1974, was for pop singers, opera singers, orchestra, rock band, electronic tape, raga group, gypsy ensemble and, of course, elephants. Richard Foreman wrote the libretto. There had been nothing like it then or since. A revival could prove a sensation. The Olympic arts festival, anyone?

At the same time, Tilson Thomas, who proved a born educator, succeeded Bernstein in delivering the New York Philharmonic’s Young People’s Concerts. When Steinberg left, the Boston Symphony Orchestra passed over MTT as too young (24) and not ready (he wasn’t, nor was Boston). He was just right, though, for the Buffalo Philharmonic, which he led from 1971 to 1979. It was a wild ride, with lots of exciting new music and no small amount of controversy — arresting performances of arresting new works (Morton Feldman in particular) and an actual arrest at Kennedy International Airport when small quantities of cocaine, marijuana and amphetamines were found in his luggage.

He may have seemed ready for a homecoming in 1981, but MTT’s appointment as principal guest conductor of the Los Angeles Philharmonic did not prove to be the return of the prodigal son. These were the years of Carlo Maria Giulini’s music directorship, and MTT brought currency — new music, Gershwin, flashy showstoppers. Much of it was a breath of freshest air, but he was also remembered for his brash youth, which was now a brash 30s. He ran afoul of some in the orchestra and of its imperious head, Ernest Fleischmann.

Having been branded the next Bernstein, MTT floundered. What he needed was not L.A., but a far distant remove to find himself. That happened in two parts.

In 1987, the educator in him led to his greatest project, the creation of the New World Symphony in Miami Beach, Florida. The training orchestra guides young musicians with conservatory backgrounds into the world of professional orchestras.

Around the same time, Bernstein talked the London Symphony Orchestra into hiring Tilson Thomas as music director. Far from L.A., Boston and New York, a newly mature MTT found his bearings, no longer the next Leonard Bernstein but the first and only Michael Tilson Thomas.

Miami gave MTT meaning, and he commissioned Frank Gehry to design a revolutionary concert hall and teaching facility. In London, his conducting took on depth without losing its surface glamour. What MTT still lacked, however, was a creative outlook. He had always thought himself a composer and could, at a party, make up a clever song at the piano on the spot. He had drawers full of sketches but little finished work.

It took a return to the West Coast for MTT, having turned 50, to put all of his musical, emotional, personal and spiritual parts together and achieve greatness. For 25 years as music director of the San Francisco Symphony, MTT conducted Mahler and Tchaikovsky with a depth of soul that integrated his Russian roots and Bernsteinian character. He advocated for mavericks in summer festivals. He found his voice as a composer. He and Robison were embraced as a beloved San Francisco couple. He alchemized the San Francisco Symphony into a Bay Area beacon.

In the challenging last chapter of his life, MTT turned tragedy into triumph to became a universal inspiration. The lockdown in June 2020 meant cancellation of his farewell concerts as music director, including a production of Wagner’s “The Flying Dutchman” with a set by Gehry. The following summer, MTT fell on stage while conducting the London Symphony in Santa Barbara. He was diagnosed with late-stage glioblastoma. He likely had less than a year to live.

Remarkably, MTT continued to conduct until last April. His appearances with the L.A. Phil and the San Francisco Symphony were transformative. He guest conducted in New York, London, Prague and elsewhere. In L.A., a dying MTT led a profound performance of Mahler’s death-obsessed Ninth Symphony, not as a farewell but as a shamanistic savoring of every moment of life. He asked not for sympathy but for joy.

For MTT, the music never stopped. In his later years, he advanced the theory that what you took away from hearing a performance mattered as much, if not more, than what you experienced. That may explain why this creature of the theater who was so graceful leading an orchestra and so enjoyed talking to the audience turned stiff and awkward when bowing to acknowledged applause. Was it his reluctance to leave? Insecurity? Attempt to remove his ego from the experience, as if he was now handing the music over to you?

It was probably all of those things. During his illness, when his movement became more difficult, he let go. He was simply happy to be there, happy to share music, happy to be alive, very happy to be loved. His final bows were a celebration of life.

Sadly, Robison died Feb. 22, exactly two months before MTT, who died four days short of a year since his final concert with the San Francisco Symphony. But he lives on through about 150 recordings and his website.

He and Robison worked as tirelessly throughout his illness to archive his life. His website provides a treasure trove of compelling radio and television programs, his copious Thomashefsky Yiddish theater archive, a vast legacy of searching and believing. And hope.

Los Angeles City Council member Traci Park has raised more than $1.2 million for her reelection campaign in the city’s June 2 primary, more than double the amount collected by challenger Faizah Malik, according to finance reports filed this week.

Malik, a civil rights attorney, reported raising roughly $454,000 in her bid for the District 11 seat that skirts along the Westside, including Mar Vista, Pacific Palisades, Venice and Westchester, the reports show.

At nearly $1.7 million, the money raised in the race is the highest for the eight council seats, out of 15 total, on the ballot in the June 2 primary. Any candidate who wins a majority in the election will win the seat outright, otherwise the top two vote-getters will compete in the Nov. 3 general election.

Two of the eight races are open seats to replace termed-out incumbents, and in five other races, incumbents Eunisses Hernandez, Park, Hugo Soto-Martínez, Tim McOsker and Katy Yaroslavsky posted large fundraising leads against their challengers. One incumbent, Councilmember Monica Rodriguez, is running unopposed.

In the west San Fernando Valley’s 3rd District, three candidates are seeking to replace termed-out Councilmember Bob Blumenfield.

Insurance company founder Tim Gaspar was leading the pack in fundraising, reporting nearly $430,000. Barri Worth Girvan, an aide to Los Angeles County Supervisor Lindsay Horvath, has raised about $235,000. Tech entrepreneur Christopher Robert “CR” Celona was far behind with about $12,300.

In Council District 1, which includes Highland Park and Pico-Union, incumbent Hernandez topped the field with about $319,000 in contributions. Challenger Maria Lou Calanche, a former Los Angeles police commissioner, reported raising about $182,000.

Among other challengers in the race, Sylvia Robledo, a small-business owner and longtime City Council aide, reported about $75,000 in contributions. Raul Claros, founder of a nonprofit called California Rising, listed $70,500 in contributions and entrepreneur Nelson Grande reported raising about $55,000.

There are six candidates vying to replace incumbent Curren Price in the 9th District, which includes USC and communities along the Harbor Freeway corridor.

Jose Ugarte, a former deputy chief of staff for Price, led the field in reported financial contributions, amassing $477,000.

Estuardo Mazariegos, head of the Alliance of Californians for Community Empowerment Los Angeles, reported roughly $200,000 in contributions and Elmer Roldan, director of a nonprofit, has raised about $114,000.

Entrepreneur Jorge Nuño and therapist Martha Sanchez trailed with about $25,000 and $13,000, respectively. Educator Jorge Hernandez Rosas did not report any contributions.

In the other races:

• Yaroslavsky reported raising about $431,000 for her 5th District seat, which includes Westwood, Palms and Hancock Park. None of her opponents, Henry Mantel and Morgan Oyler, reported raising more than $35,000.
• McOsker reported raising 242,000 for his 15th District seat in San Pedro. Challenger Jordan Rivers, a community organizer, told The Times he did not raise any funds.
• Soto-Martínez reported raising more than $170,000. The three challengers in the race — Colter Carlisle, Dylan Kendall and Rich Sarian — reported a combined $152,000.

The outcome of the Park-Malik contest in District 11 will be determined in the June 2 primary because there are only two candidates in the race.

In a statement, Councilmember Park credited her fundraising lead to her efforts to clear homeless encampments.

“I raised an historic number of donations from local Westside residents because I’ve been on the ground since Day One solving our number one priority: getting people off the streets into housing and treatment and removing dangerous encampments from our neighborhoods,” Park said. “Residents, workers and visitors all see the difference.”

Kendall Mayhew, communications director for Malik’s campaign, said in a statement that Park and her supporters are spending unprecedented money because “we are winning and they simply don’t know what else to do.”

“What our campaign has demonstrated so far, and what we will demonstrate at the ballot box in just a few weeks, is that corporate money cannot defeat an honest, people-powered campaign,” Mayhew said.

The fundraising totals reported this week represent money given by individual donors, who are limited to contributions of no more than $1,000 in this election cycle. While the reports offer a glance at fundraising, money is also coming in through independent expenditures, which have no limit on how much can be given.

For example, in District 1, the L.A. County Federation of Labor has reportedly spent more than $226,000 in support of Hernandez. Calanche is also receiving supporting funds: the Fix Los Angeles PAC Supporting Calanche, Ugarte and Park for City Council 2026 has spent about $46,000 on her campaign to unseat Hernandez.

Don’t you ever wish you could explore one of L.A.’s most vibrant boulevards without a car? When the first phase of Metro’s extension to its D Line opens May 8, L.A.’s transit system will add what has long been a missing puzzle piece. A busy, traffic-snarled section of Wilshire Boulevard, home to world-class museums, restaurants and galleries, will at long last be significantly more accessible.

Ride and walk, for instance, to the newly reimagined Los Angeles County Museum of Art, and then stroll to the Original Farmers Market or the acclaimed République. Or take transit to a concert at the El Rey Theatre, then grab a pint at Tom Bergin’s. And do it all without stressing about valet or parking in a part of town where the latter is at a premium.

Though this initial phase of the D Line extension is only three stops, for residents and business owners in the community, it feels monumental.

“I’m so excited for Metro to open and for lots of people to hopefully come and peruse these streets,” says Christina Mullin, owner of Miracle Mile Toys & Gifts. Mullin, who also lives in the neighborhood, has seen the area disrupted by construction for the better part of a decade, and is hopeful the subway stops will bring in an influx of shoppers.

“It’s such a nice, walkable area,” Mullin says. “You can walk all of La Brea and all the way to the Sycamore Kitchen. This will be very good for the city.”

And it seems to be generating much excitement, at least if Metro’s own marketing is any indication. A line of innuendo-filled “Ride the D” shirts went viral and then almost instantaneously sold out. (Those looking for the shirts are likely out of luck, as a Metro spokesperson says the item was intended only as a limited-edition run.)

Here are some highlights of destinations along the new stations, which are located at Wilshire/La Brea, Wilshire/Fairfax, Wilshire/La Cienega and will collectively serve Koreatown, Miracle Mile, Hancock Park, Carthay Circle, the Fairfax District and Beverly Hills. All should be within about a 20- or 25 minute walk.

The second section of the D Line will continue west through Beverly Hills and Century City, and the third will extend to Westwood and UCLA. The full rail line, according to Metro, is expected to be open by the end of 2027.

Across the country, President Trump has installed handpicked loyalists as top federal prosecutors. Several have been pushed out after legal battles because they lack Senate confirmation to serve as U.S. attorneys.

But in Los Angeles, Bill Essayli wields the power of a top prosecutor under a lesser title: “first assistant.”

Essayli clocked his first full year in office this week. He has survived the kinds of challenges that sunk Trump picks in other states through a combination of legal gamesmanship by the U.S. Department of Justice and a lack of action by judges in the Central District of California.

Essayli has used his position to act as one of Trump’s fiercest legal foot soldiers. He has pursued criminal charges against protesters, activists and immigrants while dropping cases involving administration allies and supporting lawsuits over transgender and environmental policies in California.

After Trump’s firing Thursday of U.S. Atty. Gen. Pam Bondi, it’s unclear how her replacement will handle continuing battles over the legality of Trump’s appointees. Essayli is popular with high-level administration officials, and received a congratulatory post on X from Vice President JD Vance over the filing of fraud cases earlier this week.

A conservative former state Assembly member from Riverside County, Essayli, 40, was sworn in as interim U.S. attorney last April. Around the time he hit that role’s 120-day limit, Bondi made him a “special attorney” and designated him “first assistant.” A federal judge later disqualified Essayli as acting U.S. attorney, finding he was “not lawfully serving” in the top role. But the judge said he had no authority to undo Essayli’s designation as first assistant. With no one above him in the office, that title leaves Essayli as the de facto U.S. attorney.

In other jurisdictions, members of the federal bench have exercised their authority to appoint an interim U.S. attorney. Chief U.S. District Judge Dolly M. Gee’s chambers did not respond to a request for comment about why no similar action has been taken in L.A.

A court spokesman declined to comment. Essayli did not respond to a request for comment. The White House referred questions to the Justice Department.

A Justice Department spokesperson issued a statement that praised Essayli for prosecuting “drug cartels and transnational criminal organizations, sex traffickers, violent street gangs, leftist rioters and domestic terrorists, fraudsters, and child predators.”

“It is a disservice to our prosecutors and the American people when judges prevent the President and the Attorney General from installing qualified and capable prosecutors who will aggressively enforce our laws and make America safe again,” the Justice Department spokesperson said.

The lack of action by Gee, a President Obama appointee, has surprised some legal observers, especially given the swiftness with which judges in other districts have acted. It also has frustrated some former federal prosecutors that fled the office under Essayli’s chaotic tenure.

One former assistant U.S. attorney, who left the office under Essayli and requested anonymity to discuss sitting judges who will likely preside over future cases of theirs in the district, accused Gee and others of “shirking their responsibilities” by not appointing someone to the vacant U.S. attorney post.

Another former Central District prosecutor who left the office before Essayli’s appointment said Gee was being practical, taking a “protective” stance to “keep the court away from the ire and invectives coming out of the White House.”

It is “unfair to say the court is abdicating its authority,” said the ex-prosecutor, who also requested anonymity to speak candidly about the district’s judges.

Under long-standing Senate tradition, individual senators can block a U.S. attorney nominee in their home state by withholding their “blue slip,” which clears a nominee’s path to a confirmation hearing.

Trump has tried to skirt the Senate confirmation process to appoint top federal prosecutors in multiple states, including New Jersey and Virginia, where two of the president’s personal lawyers were named U.S. attorney — who immediately moved to zealously advance the president’s agenda and, in some cases, prosecute his rivals.

In Virginia, Trump replaced U.S. Atty. Erik Siebert, a nominee who was under Senate consideration, with one of his former personal attorneys, Lindsey Halligan. Siebert had refused to prosecute some of Trump’s political enemies and resigned. In her first ever criminal case, Halligan swiftly moved to indict former FBI Director James B. Comey. The prosecution was later thrown out and Halligan’s appointment deemed illegal.

In New York’s Northern District, when judges moved to oust the president’s former campaign attorney — who received the same “first assistant” designation as Essayli — Justice Department officials promptly fired his replacement.

Erwin Chemerinsky, dean of the UC Berkeley School of Law, said Trump’s attempts to bypass the normal confirmation processes are unconstitutional.

“This is very troubling because it circumvents the constitutional procedure of having the president nominate and the Senate confirm. That’s crucial to checks and balances,” he said. “This allows the president to appoint whoever he wants.”

Though Essayli has more law enforcement experience than many of Trump’s chosen prosecutors, he’s still struggled to achieve courtroom victories. His prosecutors have lost nearly all the cases they’ve brought to trial against anti-Trump protesters and abandoned others after grand juries refused to return indictments.

Meghan Blanco, a former federal prosecutor and veteran defense attorney, suggested Gee’s inaction with Essayli might be a clever act of resistance. Rather than picking a fight with the White House, Blanco said, the judges are letting the top prosecutor fall on his face.

“If you’re a judge and displeased with what DOJ is doing and the shenanigans they’re pulling … you let the Essayli appointment play out,” Blanco said. “No one has seen a U.S. attorney’s office lose the way this office is losing now.”

Sen. Adam Schiff (D-Calif.) told The Times this week that he is working with Sen. Cory Booker (D-N.J.) to craft legislation to clarify the procedures required to appoint U.S. attorneys and prevent Trump and future presidents from circumventing the Senate.

The legislation, which Schiff did not describe in detail, faces an uphill battle even if Democrats retake the Senate in the upcoming midterms. But the California senator said he is committed to challenging Trump’s maneuvering.

Schiff said Essayli “could not be confirmed and for a reason: He lacks the judgment, temperament and integrity required of a U.S. attorney.”

Laurie Levenson, a Loyola Law School professor and former federal prosecutor, said local federal judges may believe it would be “more disruptive to try and put somebody in when the administration will just fire them.”

But their inaction, she said, has effectively confirmed Essayli as U.S. attorney — and highlights “a real weakness in the system” that demands a legislative fix.

“The bottom line is you have an administration that just doesn’t want to follow the rules,” she said. “There has to be some political will to have Congress do its duty.”

You know the political silly season is upon us when campaigns start to make fools of themselves trying to court Latino voters.

In the Los Angeles mayoral race, that moment kicked off last week.

On Friday, a social media account called Latinos Por Pratt released an AI-animated music video praising the mayoral candidate and former reality television star Spencer Pratt. It starts with a fit, sunglasses-wearing Pratt rolling a trash bin brimming with detritus and Mayor Karen Bass past a crowd of cheering Angelenos. The Hollywood sign looms in the background as the title “Spencer, Saca La Bassura” flashes on the screen — Spencer, Take Out Trashy Karen, with “Bassura” a play on the mayor’s last name and the Spanish word for “trash.”

Cut to scenes of Bass playing tourist on her infamous trip to Ghana while the Palisades burn. Splice in Pratt dancing with his wife, Heidi Montag, onstage at a street party where onlookers wave a Mexican and a U.S. flag. And because L.A.’s Latino majority is overwhelmingly of Mexican descent, the thing was anchored by a peppy accordion, dramatic guitar plucks and a bold tuba, right? Right?

Uh, no.

Lyrics such as “Latinos for Pratt we’re singing / Because we’re tired of this dirty beat” play over brassy salsa rhythms that are more Miami and Cuban than L.A., where Latinos are mostly of Mexican and Central American heritage and the soundtrack of the city — corridos tumbados, cumbias, Latin rock and pop — reflect that.

That didn’t stop clueless, mostly non-Latino Pratt fanboys and fangirls from going gaga over it online. Nor did it stop Bass from joining in the we-need-Latino-voters fiesta.

Soon after the video was released, a group called Latinos Con Bass brought out big-name speakers to Plaza de la Raza in Lincoln Heights — state Sen. Maria Elena Durazo (D-Los Angeles), Coalition for Humane Immigrant Rights head Angélica Salas, Service Employees International Union California President David Huerta — so they could pledge support for the incumbent with all the dutifulness of doctors reminding people to take their flu shot. Bass greeted the crowd with a peppy “¡Sí se puede!” — the standard Latino politico rallying cry for decades but one that’s not so kosher right now given its association with César Chávez, the legendary labor leader whom a New York Times investigation recently revealed to have sexually assaulted teenage girls.

Latinos Con Bass came off as a bunch of establishment types sticking up for one of their own instead of anything organic. But at least we know the track record of those involved. Latinos Por Pratt seems to be just one guy: Adrian E. Alvarez, a Cuban American whose online profile says he splits his time between the Miami area and L.A. If the lawyer by trade — who didn’t respond to numerous requests for comment — was really serious about winning Latino votes for his guy, he would’ve commissioned a corrido instead of a salsa tune. The Mexican ballad form has been trotted out by Angelenos for decades for everything from the tragic deaths of Robert F. Kennedy and Kobe Bryant and his daughter to the capture of sundry narco lords.

Those songwriters got it. Alvarez’s diss track doesn’t. And his use of Cuban Spanish on social media to promote it — carajo, fajame, mi gente — in place of Mexican Spanish equivalents such as güey, éntrale and raza sounds like a guy who doesn’t know South L.A. from South Beach.

But to dismiss “Spencer, Saca La Bassura” as an inauthentic joke is to miss what it says about this political moment. In a year when Latinos nationwide will make or break the Democrats’ effort to win back Congress, they’ll play an even more crucial role in L.A.’s mayoral race.

And it’s the Bass campaign that needs Latinos more than any of her opponents — because there’s no guarantee she’ll get them.

Then-L.A. mayoral candidate Karen Bass, center, is flanked by pioneering farm labor leader Dolores Huerta, left, and former Mayor Antonio Villaraigosa, right, during a 2022 campaign event in Mariachi Plaza.

(Luis Sinco / Los Angeles Times)

A UC Berkeley Institute of Governmental Studies poll released last month and co-sponsored by The Times revealed that 56% of likely voters view the mayor unfavorably, the only candidate to have a majority of those surveyed look negatively on her. She’s the top choice among Latinos — 29%, compared with Pratt’s 16%. But 27% of Latinos remain undecided about whom they want as mayor, the highest percentage of any ethnic group.

Pratt has some name recognition among Latinos as a C-list celebrity, but he’s also a registered Republican who thinks L.A. should coordinate with the Trump administration’s deportation leviathan, a position that’s as popular among Angelenos as rooting for the San Diego Padres. That obviously presents an opportunity for Councilwoman Nithya Raman, who’s running for mayor to the left of Bass — if she can smartly seize it. But Raman represents a district with one of the lowest Latino populations in the city and has yet to make a name for herself across town — no wonder the Berkeley poll found just 9% of Latinos favored her, trailing even Presbyterian pastor Rae Huang.

Those shortcomings should give Bass — whose children are Mexican American and who has worked alongside Latino L.A.’s political establishment for nearly her entire political career — an advantage among Latinos. But all that star wattage didn’t win her the Latino vote four years ago against Rick Caruso. And L.A.’s biggest problems during the mayor’s first term — homelessness, beat-up streets, busted streetlights, President Trump’s immigration deluge — unduly affected the Latino areas of L.A. Even the inferno that engulfed the Palisades led to the loss of thousands of jobs for the nannies, house cleaners and gardeners that kept the neighborhood as pristine as it was.

Bass’ campaign will trumpet all of her supposed accomplishments and trot out endorsements as it did at the Plaza de la Raza event, but she lost the narrative of a healthy L.A. a long time ago.

Pratt — who doesn’t seem to know Los Angeles besides the Westside and television studios — will have to do far more than Bass and Raman to attract Latinos. But by repeatedly referring to the mayor as “Karen Bassura” — a juvenile, obvious insult that nevertheless sticks once you hear it — he’s at least making Spanish a far more constant part of his campaign than his rivals. And Alvarez’s music video, as silly and un-L.A. as it is, speaks to an enthusiasm among at least one Latino Pratt supporter that will most likely remain catchier and more inspired than anything the Bass and Raman campaigns come up with.

That reality seems to have already made Bass blink. She responded to “Spencer, Saca La Bassura” on social media a few days later with a photo of people at her Plaza de la Raza rally holding “Latinos Con Bass” signs with the caption “Latinos Con Bass > Ai Latinos.” It was meant as a political flex but came off as insecure posturing. Meanwhile, Latinos Por Pratt just released a teaser for another video, this time featuring Pratt as Batman carting out a clown-faced Bass and Raman as the villainous Two-Face.

Playing, again, to salsa. That’s weak sauce. Can someone try to really get Latino L.A.?

I promise: Sí se puede.

On March 29, Taix as we know it closes forever. The iconic French restaurant originally opened downtown in 1927 and relocated to its current chalet on Sunset Boulevard in 1962. It’s a grim reminder of L.A.’s insatiable appetite to destroy its own heritage and especially devastating to a certain milieu of writers and artists, myself very much included. Since it announced its closure, I’ve been visiting as often as I can to say farewell, not only to the charmingly shabby faux-1920s interiors, but to the many lives I’ve lived at its tables. First as a young guitarist when a bandmate worked the bar’s soundboard, next with the Chinatown artist scene, then with Semiotext(e)’s avant-garde lit circle, later through firecracker romances and heartbreaks during the art party Social Club, recently floating through the louche carnival of Gay Guy Night and now with the circus of beatniks from my reading series Casual Encountersz.

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It’s difficult to explain why this cavernous and windowless restaurant means so much, so I’ve tried to list everything I love about Taix.

I love that they don’t play music. I love the 1960s bathrooms. I love the bottomless tureens of soup. I love the complimentary crudité from the pre-pandemic era. I love the cold pats of butter. I love that you can always get a table, no matter how many people roll in. I love the free refills on Diet Cokes. I love the 80-year-old couples on dates. I love how the dim lighting makes everyone seem chic. I love the frayed carpeting. I love the fake votive candles. I love the icy martinis. I love the corner booth beside the fireplace. I love the smoked mirrors and tin-plate ceilings in the elegant back dining rooms. I love the small fortune I’ve spent there picking up the check for many strippers, poets and bohemians. I love its rundown glamour, which miraculously evokes Old Hollywood, Belle Époque and trashy Americana all at once. I unironically love the food, which isn’t spectacular, but is very comforting. I love how a waitress once ran off with a friend of mine and slept on my couch for a week. I love how my wife generally hates eating at restaurants but loves eating at Taix. I love how every L.A. artist I know has their own singular version of this list.

The only thing I don’t love about Taix is that its owners are tearing it down to erect soulless condos. I know the city needs housing, but not like this. I hope we’ll all find a new place to call home again soon.

Taix shaped me as a writer and artist, along with so many others, which is why before the new owners demolish this cultural institution, I asked other creatives what the Echo Park landmark means to them.

Chris Kraus.

(Ariana Drehsler / For The Times)

Chris Kraus, writer, artist and co-editor of the independent press Semiotext(e): When I moved to L.A. in 1995, Taix was the go-to place, with its deep banquettes, cuisine bonne-femme and its nightly prix-fixe specials. Mostly it was police officers and their wives who went there. Sylvère Lotringer and I went often, for him it was a little reprieve from the non-Frenchness of L.A. He could order in French and exchange pleasantries with an elderly French waiter who seemed to live there. Years later, when Sylvère moved to Ensenada and was less active with Semiotext(e), Taix was the site of our “Annual General Meetings” — Hedi El Kholti, Sylvère and I would have dinner together and Hedi would catch Sylvère up on all the forthcoming publications and projects. Taix was a place to run into people unexpectedly. About a decade ago, when the bar was refreshed, it changed again and I kind of lost track of it.

Rachel Kushner, novelist: I dined at Taix probably once per week for 23 years. It hurts so much that it is closing. I simply stopped going, so that I could begin to grieve, and also to avoid every last random tourist standing by the host station, on their phone, and the glum possibility of being seated in the second dining room, a.k.a “the Morgue” as my friend Benjamin Weissman put it. I want to protect my memories of the special occasions I enjoyed in this perennial special occasion establishment … I want to remember Bernard, a cheerful Basque from Biarritz who worked there 60 years, got progressively trashed over the course of his shift, went to Bakersfield on Sundays to party with his sheep-herding countrymen, came back Wednesdays sunburned and happy. The old valets who were let go during the pandemic. I used to give them a Christmas bonus every year, as a thanks for letting me park my classic out front. Look, I was born in Taix. I mean, in a way. I nursed my newborn in Taix. He grew up there. People who criticize the food are losers, and will never understand. The steak frites are great. The panna cotta, discontinued after the pandemic, was my favorite. The Louis Martini Cabernet was reliable. (Bernard told me the wine cellar downstairs took up the entire footprint of the main restaurant. Don’t know if that’s true.) Meanwhile, I can’t put my arm around a memory. All the smart girls know why. It doesn’t mean I didn’t try.

Cord Jefferson, writer and director: When I started going to Taix, in 2004, you could still gamble at the bar. They sold keno slips and lottery tickets, and whenever Powerball got over $100 million, I’d buy a ticket with my pint. Where else can you do all that while simultaneously watching a game and eating a tourte de volaille? Taix was where I watched the heroic Zinedine Zidane headbutt the gutless Marco Materazzi in the saddest World Cup final ever. When France lost that afternoon, my favorite server, Phillipe, cried. Phillipe’s teeth were often as wine-stained as his customers’. He’d bum me cigarettes in the parking lot and speak abusively about the ways the neighborhood was changing. I’m happy Phillipe is not around to see the digital renderings of what they plan to erect once they demolish the Taix chateau: another condo building with all the charm of a college dorm. It’s a damn shame what’s happening to Taix. I wish I had more money so I could buy it and keep it around, but I never won the Powerball.

John Tottenham, novelist and poet: It’s a shame that Taix is closing, not only because other plans will now have to be made for my funeral reception, but because it was the last civilized watering hole in the neighborhood. There isn’t anywhere else that one can walk into and immediately satisfy the social instinct among a convivial and refreshingly diverse clientele in what is becoming an increasingly homogenized locality. It has been the nexus of my social life for over 20 years, and is simply irreplaceable.

Jade Chang.

(Ariana Drehsler / For The Times)

Jade Chang, novelist: I’d only known Taix as a raucous bardo of a French restaurant, then there was a memorial service for Alex Maslansky, my beloved friend Max’s brother, owner of Echo Park’s best bookstore, Stories. Alex was a beautiful and beleaguered soul, born worried, born romantic, difficult and hopeful and apparently a shockingly good poker player. The room was packed with music people and book people, sober friends and poker friends, packed with the gorgeous girls who’d always loved him, our collective sorrow potent and sweet enough to pull the walls in around us tight as we said goodbye and goodbye.

Alexis Okeowo, New Yorker staff writer: I was a late discoverer of Taix, stumbling upon it when I moved to a bungalow just above Sunset during the pandemic from New York. I seemed to only see writer friends there. I met up with a journalist for drinks and then ran into a new writer friend at the bar. I later had a big, spontaneous dinner with TV writer friends and then a birthday celebration in the dining rooms that ended in two friends escorting me home, sick and happy off a mostly-martini meal and the selfies I took in the bathroom with the iconic pink and gold wallpaper. Every time, there was talk about ideas and gossip and so, so much laughter.

Alberto Cuadros, writer/curator and co-founder of the Social Club: About 10 years ago, Max Martin and I started Social Club as a weekly social salon at Taix. We thought of it as a kind of Beuysian social sculpture, it was a weekly ritual, and over time it became something of an institution in the L.A. art world. Everyone knew where to go in L.A. on a Wednesday if they wanted to meet interesting people or find friends. I even met my wife there who was visiting from Montreal.

Siena Foster-Soltis, playwright: Taix felt like one of the few remnants of the L.A. I grew up in and love so dearly.

Ruby Zuckerman.

(Ariana Drehsler/For The Times)

Ruby Zuckerman, writer and co-founder of the reading series This Friday: Taix is the only restaurant in L.A. that doesn’t lose its mind if new friends drop in halfway through dinner or if you stay at your table for hours after you stopped ordering. That kind of flexibility leads to spontaneous nights where what started off as an intimate hang expands into an all-out party. As a writer, that flexibility has allowed me to meet editors, collaborators and readers, drawn together by pure fun rather than networking. One of my favorite nights involved getting in a physical altercation with novelist John Tottenham after he stole my phone to send prank texts to my boyfriend. I’ll miss taking selfies in the bathroom.

Blaine O’Neill, DJ and events organizer: I always say Taix is the “People’s Country Club.” It is exceptional because of the staff who understand the importance of hospitality, and the scale of the space is humane. You’re able to evade feeling pinched by the noose of transactional cosmopolitanism.

Tif Sigfrids, gallerist and publisher Umm…: Taix was a cultural nexus. A space with broad range. It went from being the dark bar I read books and day-drank at in my 20s to the place where I rented a private room to host my son’s first birthday party. It’s where I watched Barack Obama get elected twice, the Lakers win back-to-back championships, and where I indulged in countless night caps and an unreasonable amount of all-you-can-eat split pea soup. You never knew what kind of hot jock, wasted poet or other type of intrigue you might run into there. You can’t make a place like Taix up. It’s a place that just miraculously happens.

Kate Wolf, writer and editor: Though I have been going to Taix for nearly 20 years, embarrassingly, it was only in the last year that I realized the building wasn’t from the 1920s. Those smoke-stained mirrors, that tin ceiling, the drapery and light fixtures are in fact set-dressed — ersatz! Which of course only makes me love the place more. Taix’s history, and its spot in the city’s cultural firmament, cannot be denied. But what really makes it so special are the people who work there and the clientele, not its past. This point is perhaps my only hope in losing what is my favorite restaurant in Los Angeles. That by some divine grace, we will all find each other again in another spot, designed to a different decade than the horror-filled present, and fill it with the same warmth, the same bottomless soup bowl, the same cheer.

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Hedi El Kholti, the co-editor of Semiotext(e).   (Ariana Drehsler/For The Times)

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Writers Lily Lady and Siena Soltis-Foster.  (Ariana Drehsler/For The Times)

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Poet Meat Stevens (Steven Lesser).   (Ariana Drehsler/For The Times)

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Sammy Loren, writer and curator of Casual Encountersz.  (Ariana Drehsler/For The Times)

Hedi El Kholti, artist and co-editor Semiotext(e): Taix is where we would end up after every reading since 2004 when I started working at Semiotext(e). I have memories of being there with Kevin Killian, Dodie Bellamy, Gary Indiana, Michael Silverblatt, Colm Tóibín, Rachel Kushner and Constance Debré among others … Taix has that particular anachronistic vibe that made L.A. so charming when I moved here in 1992, one of these places that time forgot. It was odd when it became really hip in the last 10 years. It made me think of what Warhol wrote about Schrafft’s restaurant when it had been redesigned to keep up with the fashion of the moment and had consequently lost its appeal. “If they could have kept their same look and style, and held on through the lean years when they weren’t in style, today they’d be the best thing around.”

Loren is the founding editor of the art and literary conceptual “tabloid” On the Rag and curator of the reading series Casual Encountersz.

Replacing Griffith Park’s historic but idle swimming pool is likely to take at least three years and cost $40 million while delivering a competition pool, a neighboring recreational pool and a rehabilitated pool house with a gender-neutral bathhouse facility, city officials and designers told Los Feliz residents at an open house meeting Thursday night.

“The pool is being completely replaced. It leaks like a sieve,” said Stephanie Kingsnorth, principal of the architecture firm Perkins Eastman, addressing about 50 community members in a room next to the park’s visitor center.

Perkins Eastman, which is leading the design of the pool site, also worked on the renovation and expansion of Griffith Observatory from 2002 to 2006, when the firm was known as Pfeiffer Partners.

While neighbors look on, an artist’s rendition shows the proposed replacement of the Griffith Park Pool and rehabilitation of the pool house. The meeting was held at the Griffith Park Visitor Center Auditorium.

(Gina Ferazzi / Los Angeles Times)

The pool and pool house at Riverside Drive and Los Feliz Boulevard date to 1927, long before Interstate 5 was routed just east of the site in 1964. After decades as a popular spot for children’s swim lessons and recreational lap swimmers, the pool was shut down amid COVID-19 pandemic measures in early 2020. When the city tried to refill the pool, workers found that it no longer held water.

At one point early in planning to replace it, the city Bureau of Engineering forecast construction costs of $28 million. City officials say the project is complicated because of the nearness of the freeway and the Los Angeles River.

Kingsnorth said the project is nearing the end of its design development stage, with many details still under discussion.

In place of the existing seasonal pool, schematic drawings now show a new year-round competition pool, 50 meters long, 25 yards wide and from 3-foot, 6-inches to 12-foot, 9-inches deep.

Next to it, drawings show a training pool 25 yards long and 50 feet wide, with an ADA-compliant gentle slope down to about 4 feet deep.

The two-story pool house’s red tile roof, wooden trellises and Spanish Colonial Revival features will look roughly the same on the outside, Kingsnorth said, and the rehabilitation will comply with federal standards for historic structures.

But some formerly open-air areas will now be covered. An elevator and second set of stairs will be added inside, along with features to boost energy sustainability and meet modern accessibility laws. The site’s open-air showers will be rinse-only.

On the ground floor, the building’s open-air male and female changing rooms will merge into one larger indoor gender-neutral area with private changing rooms and toilet stalls, Kingsnorth said.

“Every single toilet room and dressing room is an individual room,” Kingsnorth said.

Kingsnorth said the gender-neutral dressing room design was not mandated by state or federal restrictions but was a priority for the city’s Recreation and Parks Department. On projects like this, Kingsnorth said, “this is something that’s more common for equity and inclusion.”

Questions from the community focused on features of the pool, public access, cost and effects of the construction work.

“We’re very anxious to have the school come back, so that the kids can learn to swim,” said Marian Dodge, a longtime area resident and past president of the Los Feliz Improvement Assn.

The Griffith Park Pool, seen here in 2023, has been closed since 2020, when city workers found major leakage problems.

(Dania Maxwell / Los Angeles Times)

The pool site is within City Council District 4, represented by Nithya Raman, who was not present. Her staffers organized the meeting and urged residents to send questions and comments to griffithparkpool@lacity.org.

The next steps, a handout from the city and design firm read, include creation of construction documents (estimated at six months), obtaining city permits (five months), selecting a construction contractor (five months), construction (18 months), and “project close-out” (six months). If that schedule is met, completion would come in a little over 40 months, around July 2029.

“This is ambitious, but we’re confident that we can get there,” Kingsnorth said.

In an hourlong presentation, followed by about a dozen questions and answers, Kingsnorth was joined by city officials, including Ohaji Abdallah, assistant division head of the Bureau of Engineering’s architectural division, and
Maha Yateem, the Recreation and Parks Department’s principal recreation supervisor for citywide aquatics.

The plan calls for three rows of shaded concrete bleachers for spectators alongside the competition pool. Yateem said the competition pool will include a diving board, adding that “we’re working on a location for that now.”

Because the project means removing tons of existing pool materials and bringing in new ones, “the construction here is going to be quite intense,” Abdallah said. He and Kingsnorth said the “haul route” of construction trucks has not been decided, and Abdallah said he and other officials are discussing the plan’s possible impact on Los Feliz Nursery School, which stands near the pool.

When considering construction costs and “soft costs” like design and environmental review, “I expect this to be about $40 million,” Abdallah said, adding that the project will be vying with other city priorities for dollars from the general fund. He also noted that current estimates were made “before the war started” in Iran and gas prices surged.

After the meeting, Kingsnorth said, “We’re ready to pause if we need to because of the outlying state of the world.”

In 1936, Irish Bostonian entertainment lawyer Tom Bergin founded L.A.’s first Irish pub, the Old Horseshoe Tavern, on Wilshire Boulevard. The bar was later renamed in his honor and relocated to its current Tudor Revival-style building off Fairfax Avenue in 1949.

The tavern claims to have introduced Irish coffee to the U.S. — though some argue that San Francisco’s Buena Vista Cafe holds that title. Either way, Tom Bergin’s is one of the oldest bars in continuous operation in L.A. and boasts the second-oldest liquor license in the city. And its Irish coffee is still one of the best you’ll find.

Today, L.A.’s Irish pub tradition extends to Santa Monica, Long Beach and Woodland Hills, with many founded by Irish immigrants seeking to bring a bit of their homeland to the West Coast in the form of Guinness pints, corned beef and cabbage and traditional Irish folk music.

Whether you’re celebrating St. Patrick’s Day or just looking for somewhere to split the G, here are 13 Irish pubs to check out in L.A. — Danielle Dorsey