L.A.s

The race for the 34th Congressional District in the core of Los Angeles was supposed to be a battle for the soul of the Democratic Party. The two dozen hopefuls vying for a spot in the top-two primary were full of self-proclaimed fighters ready to oppose President Trump and establishment Democrats.

Instead, it’s shaping up to be a contest between the powerful group of Latinos who make up a majority of the district’s voters and the small but politically potent Korean American community, as Assemblyman Jimmy Gomez and former city planning Commissioner Robert Lee Ahn grabbed the runoff spots that will determine L.A.’s next member of Congress.

“This is really ethnic politics 101,” said Matt Barreto, a UCLA professor of political science who helps run the polling firm Latino Decisions.

Ahn, an attorney and a relative unknown in the crowded primary field, surprised many with a victory that vaulted him ahead of multiple Latino candidates in a district where more than half the voters are Latino. If elected in the June 6 runoff, he would be the only Korean American member of Congress and the first in nearly 20 years.

But it wasn’t surprising to anyone who studies the intricacies of identity politics in Los Angeles, or to those who had been paying attention to Ahn’s aggressive focus on Korean American voters.

Ahn’s campaign staff spent dozens of hours registering voters at malls and outside restaurants in Koreatown, signing up hundreds of new voters. Ahn made his pitch at multiple Korean churches in the district, and a large portion of his donor base was from the Korean American community, which helped him raise more money than Gomez in the latter part of the campaign despite a deluge of cash Gomez received from political committees.

And when Virginia state legislator Mark Keam, also a Korean American, flew to Los Angeles to endorse Ahn, a bank of TV cameras from Korean American news stations was there.

Robert Lee Ahn raised the most money by far in latest campaign finance reports »

Daniel Hong, a 38-year-old who works in the film industry, voted for the first time Tuesday even though he’s been a citizen for about 20 years. Hong, who is Korean American, said he read numerous articles about Ahn and received multiple phone calls from his campaign.

“That was the first time anybody has ever reached out to me for my vote,” said Hong as he stood outside a polling place set up in a Korean Presbyterian church.

Deborah Choi, 62, said she voted for Ahn so “he can speak for Korean Americans here.” The first wave of Koreans immigrated to the U.S. “so many years ago,” Choi said, but their representation in the highest elected offices remains low. She hopes her 36-year-old son will one day run for office too.

Though county election officials have yet to process more than 13,000 ballots, the 41-year-old Ahn remains thousands of votes ahead of the third-place candidate, fellow former planning Commissioner Maria Cabildo.

With turnout expected to hover around 15% of registered voters, preliminary returns show Ahn’s strategy paid off big. The biggest strongholds of votes for Ahn centered on Koreatown, Westlake and Chinatown, while the 42-year-old Gomez was ahead in neighborhoods throughout the northeast part of the district.

In early absentee ballot returns headed into primary election day, Korean Americans made up nearly a quarter of votes even though they comprise just 6% of registered voters.

Few Korean Americans have come this close to winning a seat in Congress since 1998, when Republican Jay Kim of Diamond Bar lost to a primary challenger after three terms in office. (David Min, a UC Irvine professor, announced a challenge to GOP Rep. Mimi Walters of Orange County this week.)

“Korean Americans in Southern California have been hungry for political representation for a very long time,” said Taeku Lee, a professor of politics and law at UC Berkeley. Lee said the recent campaign that helped propel David Ryu, the first Korean American elected to the L.A. City Council, may have also helped the community learn on-the-ground skills that mobilized voters in the congressional race.

The symbolism of Ahn’s win was not lost on his supporters Tuesday night.

“It’s very significant,” said Jinha Park, a radiologist who attended Ahn’s election night party at a Mexican restaurant in Westlake. “The Korean American community has always felt voiceless at the federal level.”

The question now, as the two Democrats ready for what could be a costly runoff, is whether Ahn, the son of Korean immigrants, can broaden his appeal beyond the Korean American voters who are motivated to send him to Washington.

He faces a fierce challenge: While progressive candidates to his left spoke passionately about fighting for “sanctuary cities” that protect undocumented immigrants and single-payer healthcare, Ahn emphasized the “business sensibility” he would bring to the office and argued there was room to negotiate with Republicans on certain issues, an idea that could prove unpopular in a district where just 9% of voters are Republican, and where Bernie Sanders beat Hillary Clinton in last year’s presidential primary.

Ahn will also have to make a case to Latino voters, who make up more than half of registered voters in the district, why they should choose him over Gomez. The three-term assemblyman is the son of Mexican immigrants, has amassed dozens of establishment endorsements from Democratic elected officials, labor unions and environmental groups, and touted his progressive record in the Legislature.

Among his backers is Xavier Becerra, who rose to become the highest-ranking Latino U.S. congressman and vacated the seat to become California’s attorney general.

Votes that went to the remaining Latino candidates in the primary made up more than 38% of voters at last count, and the district has sent a Latino to Congress for more than half a century.

“When [Ahn is] running against a guy named Gomez, as good as his outreach might be in the Latino community, Latinos’ gut and heart is going to be more with Gomez,” said UCLA professor Barreto.

Ahn dismissed the idea. “The notion that Latinos will only vote for a Latino … I think we’re really going to transcend that with our campaign,” Ahn said in an interview Wednesday. He appears to be positioning himself as an outsider, which would be similar to the campaign Ryu ran when he made his successful council run in 2015. Ahn called Gomez a “professional politician that is powered by special interests.”

Gomez’s camp shot back, saying voters will see through Ahn’s formidable fundraising and realize his credentials don’t match with the district.

“More than anything, he’s ideologically out of step with the district,” said Parke Skelton, a campaign consultant for Gomez. Skelton said Ahn, who changed his registration from Republican to Democrat in 2012, “has taken positions that really put him out of the mainstream Democratic base in this district.”

christine.maiduc@latimes.com

For more on California politics, follow @cmaiduc.

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On a Thursday night in West Hollywood, a sleek, multi-level townhome is filled with stylish guests holding fragrance vials the way partygoers cling to cocktails. They raise scents to their noses as they mingle and float through the space.

In one nook, two well-known faces in the fragrance community, Tishni Weerasinghe (@thatbrownperfumegirl) and Chase Chapman (@thescentchase), host stations with their favorite home scents — pre-bedtime spritzes to everyday comforts for working from home — as a small group leans in, asking questions and noting which scents resonate. Inhaling the blend of white musk, floral notes and amber of Rouat Al Musk by Lattafa, a $16 fragrance from Weerasinghe’s collection, attendees oooh and nod in enthusiastic approval.

In another corner, guests try fragrance pairings, scents expertly paired with drinks, letting the aroma and flavors mingle through their senses. Outside on the rooftop, the crowd spills into smaller conversations over refreshments and city views.

This is the Smellers Club. To an outsider, it might seem like a gathering centered around a niche fixation, but within this world, fragrance is much more expansive. Here, it’s a bridge between people, a tool for self-expression, a way to understand your own taste and increasingly, a reason to connect. The night’s gathering is taking place in the home of Daniel Scott and Ronn Richardson, the duo behind the fine home fragrance line Space.

Some guests are simply scent-curious, while others have deep roots in the world of fragrance. One attendee, Jess Blaise, the co-founder of Haitian Spotlight LA, credits her Haitian heritage and the fragrance rituals modeled by her mother for her connection to scent. She recently purchased a bottle of Carnal Flower by Frederic Malle for her personal collection, a luxe tuberose known for its white floral profile and appeal among niche collectors. Of her culture, she explains, “Part of your presentation — of dressing up — is your scent.”

Across Los Angeles, fragrance clubs are transforming what was once a solo ritual into something communal. From rooftop gatherings in West Hollywood to casual park meetups further east, these hangouts tap into a growing desire for laid-back, low-stimulation ways to spend time together, offering an alternative to the usual rotation of restaurants, bars and crowded nights out.

Reverie of Scent turns a small nook of Elysian Park into a mini fragrance lounge on Saturday mornings once a month. Founded in November 2025 by Marian Botrous, with support from her husband, Errol, and her sister, Marlene, the club started with just four members at the first meetup. By their sixth gathering this past April, attendance had quintupled, with a mix of regulars and newcomers at every session.

“It’s a huge world,” Botrous says of perfume. “Exploring it together makes it more interesting.”

At her picnic-like gatherings, attendees show up with blankets, snacks and scents to swap or discuss. With 2-milliliter samples running up to $12, “collecting new scents gets expensive fast,” Bostrous says. “Our meetups make it accessible and fun.”

There’s a mix of casual socializing and structured discussion — conversations have explored the motivations behind wearing fragrance, from seduction to personal comfort, as well as the cultural impact of certain perfumes, like Chanel No. 5 and its connection to Marilyn Monroe and old-school luxury glamour. At one meetup, a member brought in a fragrance called Scentless Apprentice, inspired by the novel “Perfume: The Story of a Murderer” by Patrick Süskind (which Kurt Cobain loved so much that he wrote the Nirvana song “Scentless Apprentice”).

Artist Megan Lindeman, who founded Silverlake Scent Club in August 2025, is also bringing people together to explore scent as a shared social experience. Lindeman says she was inspired by Los Angeles’ broader scent culture and a curiosity about what it would feel like to center smell in a communal setting. The group meets monthly in her Silver Lake backyard, where attendees explore fragrance as both material and memory.

Black Girl Perfume Club was founded in 2023 by Taylyn Washington-Harmon, launching online before expanding into in-person meetups. Across Substack, Instagram and IRL gatherings, it brings together fragrance lovers and newcomers eager to deepen their understanding in an interactive way. “I started the club back when fragrance’s popularity was still pretty niche, and now seeing it move into the mainstream is really exciting,” says Washington-Harmon. As interest grows, she hopes more people will also explore the range of artistry produced by Black-owned fragrance lines.

Back at the house in West Hollywood, people continue to vibe at the event led by Sarah Bowens and Jon Kidd, Los Angeles natives and the duo behind the Smellers Club, launched in January. They’re siblings-in-law who grew up together in the church and are quick to note that their respective partners, Zana and Zion, are unofficial team members and rock-star supporters.

Between the both of them, Kidd brings the “fraghead” energy — a name for fragrance devotees who bring a passion and certain fluency of fragrance culture. Bowens, who comes from an events background, heads curation and considers herself more in the beginning stages of her fragrance journey.

When they first started hosting these events, Bowens wasn’t sure how captivating they’d be. “I was like, can people really sit here for hours and talk about fragrance?” she says. She got her answer quickly, watching guests chat, laugh and dive into lively conversations for hours.

Kidd points to wine and book clubs as “event muses” for the Smellers Club. “At a certain point, it stops being about the books or the wine — and for us, even the fragrances,” he says. “It becomes about the people.”

As people navigate adulthood and personal growth cycles, challenging habits and shedding old identities, there are a few underlying questions: Who am I, really? What do I actually like? And what feels good and in alignment with being at ease? Fragrance communities can be a surprisingly grounding place to explore these existential meditations. Bowens, for example, was recently drawn to strawberry-forward Fruits of Love by Dossier, which surprised her since she considered herself someone who didn’t like fruity scents. Such realizations are familiar in the community: You can miss out on something satisfying simply because it doesn’t match your predefined tastes.

Farah Elawamry, a fragrance-focused content creator known as Farah’s Thoughts, has examined fragrance marketing and its ties to rigid gender norms, explaining that “the iris note is always given to women’s fragrances and orris is always given to the masculine fragrance genre, and they’re literally the same note — one is the root, one is the flower.” Once you start diving into the history and psychology of fragrances, she says “you begin to question what you actually like versus what marketing people are telling you to enjoy.”

Compared with the typical nightlife scene in Los Angeles, attendee Shaunt Kludjian says gatherings like these feel more intentional. “This turned out to be better than the clubs in L.A.” he says. “Everyone’s just vibing and connecting over scent.” Kludjian is founder of the Los Angeles candle company Whiff and came to the event to network. Frustrated by traditional candle formats, he launched a line of portable candles packaged in small, tuna-like tins designed to make “home follow you wherever you go.”

As Kidd looks around and watches strangers become friends over a sniff of musk or jasmine, he reflects on part of the magic of the Smellers Club and other fragrance communities.

“Fragrance is a portal to your memory,” he says. “So by coming to something curated that’s a wonderful night, you’re ingraining a memory.”

What started as a question of what smells good has become something else — small moments of recognition between many people who, just hours earlier, had been total strangers. Maybe that’s the point. The bottles will get put away. Everyone will return to their separate corners of the city. But the feeling of being seen, of finding your people — even briefly — sticks with you long after the scents dissipate.

Tucked inside the downtown skyline, four floors and 50 feet above Olive Street, the Rooftop Cinema Club is hosting daily summer showings of cult classics, blockbusters and an occasional art-house piece. Each ticket holder is provided a pair of wireless headphones, and sunglasses are recommended for earlier showtimes.

Cost: $21 to $27 for patio chairs. $32 to $36 for cushioned loveseat. Parking rates below the building range from $10 to $12.

Next film: “Saved!” on May 14, 8:15 p.m.

Other films: “Twilight,” “Josie and the Pussycats,” “Past Lives,” “10 Things I Hate About You.”

Food options: Outside food and drinks are not allowed. Concession stands carry popcorn, nachos, pretzels and other snacks. Full bar with cocktails, beer and wine.

Dog-friendly? Pets not allowed.

Things to note: Bring-your-own-blanket policy for cold nights. Age requirements vary; most showings are 16+, but select films are 18+ and 21+. If weather conditions become too extreme, showings may be canceled.

After watching his mother perform in a production of “A Raisin in the Sun” at Compton Community College when he was 9 years old, Anthony Anderson knew appearing on stage would be his life’s work. Over the next handful of years, he enrolled in programs across Los Angeles to achieve that dream. Then, one morning after finishing a class at the Southern California Regional Occupational Center in Torrance, Anderson saw a Post-It note on a bulletin board that caught his attention. The note informed aspiring artists about a newly formed arts school. To be admitted, they had to submit an audition tape.

“I ripped it off the board, and I brought it home to my mother, and I said, ‘Mom, if I can get into this school, can I go here?’” Anderson says. “She said, ‘If you can get into that, yes.’”

Months later, Anderson received a letter informing him that he had been accepted into the inaugural class at the Los Angeles County High School for the Arts.

Founded in 1984 and opening its doors to students in 1985, Los Angeles County High School for the Arts is located on the campus of Cal State L.A. It was established to provide students (currently 550) with conservatory-level arts training and college-prep academics within the public education system. LACHSA isn’t associated with LAUSD; instead, it partners with the Los Angeles County Office of Education, which provides funding to support it.

“I felt it to be very important that I was in an environment where other students had the same passion as I did for the arts, in particular, theater,” Anderson says. “Being around other students who had the same passion and drive that I had as an artist was very influential.”

Over the years, LACHSA has featured a who’s who of alumni across various disciplines, including musicians Phoebe Bridgers and Haim, actors Jenna Elfman and Belissa Escobedo, and visual artists Robert Vargas, Tomashi Jackson and Kehinde Wiley. For the past seven years, the school has been ranked as the top public high school for the arts.

While the school’s accolades focus on the arts, LACHSA also aims to give its students experiences that extend beyond the program. Days are structured so that students take academic classes in the morning and arts in the afternoon. With this format, they meet and get to know classmates from other disciplines.

Former “SNL” cast member Taran Killam points out that this also promotes the school’s social and economic diversity, acting as a mini-college experience.

“It’s such a melting pot, but you have this beautiful, focused bonding,” he says. “It’s a rare thing for kids to know, but LACHSA students are ambitious. It’s very unifying when your background is so disparate and so diverse. It’s what makes it special, and you can’t get this experience in a traditional school.”

Lara Raj attended several arts-focused high schools as she moved during her childhood. With that in mind, the member of the girl group Katseye cites LACHSA as having a major influence on her artistic development. During her time at LACHSA, Raj took music, fashion and acting classes, and says its music tech class was her favorite. There, she learned how to create beats and write songs.

“I developed my songwriting and fell in love with it through those classes,” Raj says. “I was excited to go to school every day. And I hate school.”

Before attending LACHSA, singer-actor Josh Groban didn’t know a school specializing in the arts was an option. After bouncing around schools and realizing he needed a different education to express himself equally academically and artistically, he ended up at LACHSA. There, he found like-minded, artistically inclined outsiders.

“I was a kid who didn’t quite know how to fit in,” Groban says. “Then at [LACHSA], I was surrounded by other students who, I think, didn’t know how to fit in either. We were there for the same reasons, which is that we felt like we needed the nourishment of the arts and being able to express ourselves on a daily basis.”

Half of LACHSA’s funding is provided by the state, with the rest provided by the LACHSA Foundation, a registered 501(c) (3). According to its executive director, Trena Pitchford, the foundation has invested $1 million each school year.

“People always ask me when I tell them I went to LaGuardia and to LACHSA if they were private schools,” Raj says. “I tell them it was created by people who are passionate about the arts and want to inspire kids.”

“There’s a part of LACHSA that I think is a discovery point for a lot of Los Angeles County, and even the nation,” Pitchford says. “There’s so much opportunity for the school, and they’re doing it on a limited budget. What would happen if they were fully funded? What would happen if the foundation had a $40 million endowment? That would fully sustain what they’re doing right now.”

LACHSAPalooza, the culmination of the foundation’s two-year fundraising campaign to celebrate the first 40 years of LACHSA, will take place at the Greek Theatre on May 30. There, student artists will perform alongside Ozomatli, Jon B., April Showers and more. From a fundraising standpoint, the foundation has high hopes of raising $2.5 million.

“We have both annual goals in terms of investment as well as sort of big visions, big dreams of where we think LACHSA could go for the next 40 years,” Pitchford says. “We also hope to put LACHSA on the national stage.’

The honorees for the night are the late Pat Bass, LACHSA’s gospel choir director, retiring LACHSA theater department chair Lois Hunter, and Jerry Freedman, a longtime social studies teacher at the school.

For Anderson, who is serving as the night’s host, seeing Freedman recognized is very meaningful.

“He was there from the school’s beginning,” Anderson says. “He was there when I started, and he’s still there and is still beloved by the students 40-plus years later. I’m looking forward to honoring him.”

As an arts-based school in the long-standing entertainment capital of the U.S., LACHSA can educate and enable the next generation of artists to discover their voices in the backyards of production companies, studios and record labels.

“The freedom that a LACHSA student gets on the campus to discover who they are is exciting,” Pritchard says. “It’s very innovative, very creative, and it’s forward thinking, future forward. It’s an exciting and thrilling place to be.”

Alumni agree. Without LACHSA and, in turn, a focused public arts education, pursuing a career in the arts would have been more difficult and more costly.

“It helps develop souls to be fully fledged human beings who feel like they can go off into the world and be the best versions of themselves,” Groban says. “We all felt like we were free to be who we wanted to be.”

“Specialty-focused high schools like LACHSA, be it arts or any other topic deserving of protection, because it is a gathering place for exceptionally talented, ambitious, driven kids,” Killam says. “And aren’t those the kind of people we want to be cultivating in society?”

I’m going to start this story on a quiet tree-lined street in Mar Vista, where a couple I met with on Thursday — the day after the L.A. mayoral debate — have a problem.

It’s not an unusual matter, as things go in Los Angeles. On both sides of the street, the sidewalk rises and falls, uprooted and cracked by shallow roots because over many decades, the trees were not properly maintained.

John Coanda, 61, who grew up in Los Angeles, was never bothered by torn-up sidewalks as a kid.

“In fact,” he said when he first emailed me about his predicament, “my friends and I sometimes used the ramping pavement as jumps for our bicycles.”

But his wife, Barbara, was diagnosed in 2024 with ALS, and she uses a wheelchair. When John pushes her, they can’t use the sidewalk if they want to go to the store or meet with friends, or just enjoy a nice pass through the neighborhood without getting into a vehicle.

So John pushes Barbara’s wheelchair in the street, which creates an obvious safety problem. And despite John’s best efforts to get City Hall to fix the sidewalks, he’s not expecting help anytime soon.

I’ll circle back to this story in a bit, but first, about that debate.

I recruited a half-dozen L.A. residents to watch and send me their thoughts about how the candidates tackled the important issues. And then I felt guilty for having done so, because the candidates didn’t do much tackling at all.

They hit their talking points, for sure, and Mayor Karen Bass, Councilmember Nithya Raman and TV personality Spencer Pratt each had their moments. But by the end of the debate, and two straight nights of gubernatorial debates as well, I came away thinking there were no clear winners, but there was a definite loser.

Voters.

This is the fault of the format more than of the candidates themselves. The deck is stacked against meaningful, substantive discussions, especially when moderators ask — as they did several times — for one-word answers.

“Moderator questions are so meaningless … and they make it easy for candidates to take potshots at each other,” said longtime political sage Darry Sragow. “The format is guaranteed to elicit nothing that matters.”

It’d be better to have single-issue debates, and to have candidates pressed for details by journalists who cover those issues and can push back against unrealistic promises and expose a lack of depth.

My debate watchers did some of that themselves. CSUN librarian Yi Ding had praise and criticism for each candidate, but was looking for concrete plans and didn’t get many.

Ding was also disappointed that two other mayoral candidates — Ray Huang and Adam Miller — were not invited to the debate, and I agree with her. Both have been polling low, but with so many undecided voters, and such high unfavorability ratings for Bass, they should have been in the mix.

Mike Washington, a retired pharmacist and West Adams resident, said Bass has done better than previous mayors on homelessness and he didn’t think Raman or Pratt came off as worthy of bumping her out of City Hall.

“The public would have benefited from more questions related to the challenges young people are facing,” said Juan Solorio Jr., president of the San Fernando Valley Young Democrats club. His colleague David Ramirez agreed, saying he was hoping for “more discussion about the cost of living for young adults,” but he and Solorio are both backing Bass.

West L.A. software developer Mike Eveloff asked the million-dollar question in one of his many observations during the debate:

“Why is LA spending record amounts on homelessness, fire, police, and infrastructure while results deteriorate? Streets and sidewalks crumble. Even the city emblem right in front of City Hall is deteriorated. With the World Cup and Olympics approaching, voters need to know: Do these leaders have the financial discipline and operational competence to manage a fourteen billion dollar city?”

Venice resident Dennis Hathaway, author of “An Octogenarian’s Journal,” said he thinks “these kinds of debates are pretty non-edifying.” And, as someone I wrote about two years ago regarding busted sidewalks in his neighborhood, he shared this lament about Thursday’s debate:

“No mention of broken sidewalks, potholed streets, other deteriorated infrastructure. To me, that’s a much more important subject than non-citizens voting in city elections.”

(Bass did say during the debate that there was a new infrastucture plan in place, and that’s a step in the right direction. But there was no discussion, and when you read the details, 2028 Olympics projects will be prioritized, and it’ll take years to figure out how to fund thousands of additional much-needed fixes.)

The Coandas live not far from Hathaway, and their lives have been upended first by Barbara’s diagnosis and then by John getting laid off in February from his job as a data analyst. Barbara still teaches French via Zoom, and John is tending to her needs. They started a Gofundme campaign to help pay their bills.

With Barbara in a wheelchair, John contacted the city’s Safe Sidewalks L.A. program last fall, and I think it’s fair to say that name is somewhere between a misnomer and a bad joke.

The “program” responded by email on Halloween, appropriately enough, informing him that under the City Council-approved “Sidewalk Repair Program Prioritization and Scoring System,” his request for help merits only 15 points out of a possible 45.

“Currently,” he was informed, “the estimated wait time for completion of an Access Request with a score of 15 is in excess of 10 years.”

Happy Halloween.

Over the years, responsibility for sidewalk repairs has shifted between the city and homeowners. There’s a rebate program available to people who repair their own sidewalks, but it’s capped at an amount that doesn’t always cover the costs. And ruptured pavement is keeping lots of lawyers busy with trip-and-fall lawsuits that cost the city millions each year.

Coanda told me he doesn’t have the funds at the moment to pay for repairs, and even if he did, there are several more sidewalk disaster zones on both sides of his street, so he’d still have to push his wife’s wheelchair in the street even if he fixed the cracks in front of his own house.

Barbara graciously said she thinks the city has other, higher priorities, but in November her husband contacted the office of Councilmember Traci Park, saying he was told that he would have to wait 10 years for repairs.

“Sadly,” he wrote, “I don’t think my wife will live that long.”

A Park staffer wrote back, saying, “The turnaround time does sound realistic given the budgetary crisis the city finds itself in.” But, the staffer added, maybe the council member’s office could “help move the needle on this request.”

Coanda said he’s been too busy with his wife’s issues to follow up. But Pete Brown, Park’s communications director, told me Friday afternoon that the office is exploring ways to pay for fixes that don’t take 10 years, including the use of discretionary funds.

I don’t know how that might play out, but I do know that L.A. doesn’t need another debate like the last one.

We need a mayor and council members who refuse to accept that it takes 10 years to create safe passage for a wheelchair.

In the national capital of broken sidewalks, we need concrete plans.

steve.lopez@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

We’ve got a month left before the June 2 primary election, with mail-in ballots already heading to voters’ mailboxes.

As if on cue, the big campaign money is pouring in from an array of well-funded interests: business groups, labor unions, hotels, taxicab companies and even one candidate’s mother.

To get around the city’s strict fundraising limits, those donors are putting much larger sums into “independent expenditure” campaigns that operate separately from their favored candidates.

Let’s take a look at some of the outsized spending to emerge in recent weeks.

Police union targets Raman

Things had been pretty sleepy in the L.A. mayor’s race, even with Mayor Karen Bass facing challenges from Councilmember Nithya Raman, reality TV personality Spencer Pratt and 11 other opponents.

That all changed after the Los Angeles Police Protective League, the union representing rank-and-file officers, dropped more than $400,000 on ads targeting Raman, who was elected to the council twice with support from Democratic Socialists of America, which isn’t endorsing in the mayoral primary.

Bass has been aligned with the union on a number of issues, supporting the hiring of more cops, signing off on higher police salaries and vetoing a ballot proposal to let Police Chief Jim McDonnell fire officers.

Raman, on the other hand, has been campaigning on her opposition to a package of police pay increases, saying the decision by Bass and the council to approve them was “politically motivated.”

Bass and others said the increases were needed to keep police from leaving a department that has lost 14% of its officers since 2020.

The league tried and failed to unseat Raman two years ago. This time around, the union is texting voters a campaign video highlighting her opposition to a city law barring homeless people from setting up encampments within 500 feet of a school.

The ad, which appears on YouTube, Hulu and other platforms, cites Raman’s recent vote against a new “no-camping” zone in Venice, in an area plagued by assaults and other crimes.

“Raman has voted over 75 times to allow homeless camps next to schools, daycares, parks and other sensitive locations, undermining public safety,” the ad’s narrator says.

Raman responded with her own campaign video saying Bass gave the union “more money than the city could even afford,” forcing city leaders to cut other services “to the bone.”

“This is what happens when a city governs for powerful interests rather than working people,” she said.

The league is planning to spend more than $1 million opposing Raman, and it’s already gotten some help. For example, office building owner Kilroy Realty Group has given $100,000 to the anti-Raman campaign.

A mother of a campaign

Real estate executive Zach Sokoloff has a not-so-secret weapon as he seeks to unseat City Controller Kenneth Mejia: his mom.

Sheryl Sokoloff is the spouse of Jonathan Sokoloff, managing partner of the Los Angeles-based private equity investment firm Leonard Green & Partners. She recently dropped $2.5 million into a committee promoting her son, which has produced digital ads accusing Mejia of performing too few audits.

“Zach Sokoloff will actually do the job as controller,” the ad’s narrator says in one 30-second spot.

Mejia, in an email, called the attacks “baseless” and accused Sokoloff’s family of “using their extraordinary wealth to try to buy the Controller’s position.”

“Unlike my opponent, I do not have any millionaire family members who can bankroll my campaign,” he said. “Just like last time we ran, we’re relying on small dollar donations from LA residents who are inspired by our record of providing unprecedented transparency and accountability on their tax dollars.”

Spending surge in the 11th

We already knew the race for the 11th District, which covers L.A.’s coastal neighborhoods, had gotten outrageously expensive.

Last week, Councilmember Traci Park reported raising nearly $1.3 million. Human rights attorney Faizah Malik, Park’s lone challenger, took in her own impressive haul of $454,000.

Turns out the independent expenditure campaigns in the race are nearly as costly.

Two city employee unions — the Police Protective League and United Firefighters of Los Angeles City Local 112 — have spent nearly $900,000 on efforts to get Park reelected. And they’re getting help.

The firefighters, a Park ally since her 2022 campaign, collected $150,000 for their pro-Park effort from Western States Regional Council of Carpenters, a construction trade union. The police union picked up $150,000 from restaurateur Jerry Greenberg and $200,000 from real estate company Douglas Emmett Properties, which gained notoriety for its push to evict tenants from West L.A.’s Barrington Plaza.

Malik, backed by Democratic Socialists of America, accused Park of doing the bidding of her donors at the expense of “everyday working Angelenos,” by supporting police raises and fighting stronger renter protections.

Hotel workers take aim at Park

Meanwhile, a different union is doing its own sizable spend.

Unite Here Local 11, which represents hotel workers, has put nearly $340,000 so far on efforts to promote Malik and tear down Park. The union’s leadership has been furious with Park, who voted against a hike in the minimum wage for tourism workers to $30 per hour.

Park said the wage hike would harm the city’s hospitality industry, costing hotel workers their jobs.

Like the police and the firefighters, Unite Here is not going it alone. The union picked up $50,000 from United Teachers Los Angeles and another $50,000 from Smart Justice California, a group focused on less punitive public safety strategies.

Unite Here has attempted to portray Park, a Democrat, as a Trump sympathizer, highlighting remarks she made to the president when he visited Pacific Palisades in the wake of the Palisades fire. The union also pointed out that she voted against making L.A. a sanctuary city for undocumented immigrants.

Park told news radio station KNX in 2024 that the state already has a sanctuary law, and that she considered the ordinance to be an act of “symbolic resistance” — one that would jeopardize federal funding.

On Thursday, Park accused Unite Here of using a picture of her with personnel from the Army Corps of Engineers to falsely imply that she was standing alongside ICE. The Army Corps removed debris from thousands of burned-out properties in the Palisades.

Park, in a statement, called the mail pieces “dishonest and disgusting.”

Unite Here didn’t directly address Park’s allegation, but told The Times that “Local 11 believes that our local elected officials should not collaborate with the Trump administration in any way.”

Speaking of the hotel wage

Unite Here isn’t the only player in the hotel wage fight to leap into this year’s council races.

Two L.A.-based hotels, working with the California Hotel and Lodging Assn., have put a combined $300,000 into a political action committee supporting Maria Lou Calanche, who is seeking to unseat Councilmember Eunisses Hernandez; political aide Jose Ugarte, who is running to replace Councilmember Curren Price; and Park in the 11th.

The group, which goes by the name Fix Los Angles PAC, doesn’t seem to be sweating all the details. Its phone script to voters, which was filed recently with the Ethics Commission, got Calanche’s name wrong, referring to her as Mary instead of Maria.

State of play

— EXPANDING THE VOTE: L.A. voters could be asked in November to take the first step toward giving noncitizens the right to vote in city and school board elections. City Councilmember Hugo Soto-Martínez, now running for reelection, wants voters to give the council the authority to let noncitizens vote in elections for mayor, council and other city offices, as well as the school board.

— HOME SHARING HOLDOUTS: Bass is looking to relax the city’s rules on home-sharing, by letting residents rent their second homes on a short-term basis through Airbnb and other platforms. Some council members were cool to the idea, saying this week that they fear such a move would shrink the city’s housing supply.

— EYE IN THE SKY: The LAPD deployed drones more than 3,000 times last year, using them mostly for emergency calls or officers’ requests for help, according to a report submitted to the Police Commission. The 3-foot-wide surveillance devices are being used by a department already known for its sizable fleet of helicopters.

— SEIZING CONTROL: Bass and Councilmembers Tim McOsker and Ysabel Jurado want the city of L.A. to obtain majority control over the embattled Los Angeles Homeless Services Authority, a city-county agency that delivers services to the region’s unhoused population. That proposal comes a year after the county’s Board of Supervisors voted to pull more than $300 million out of LAHSA.

— A GLOOMY OUTLOOK: L.A. voters lack confidence in the ability of city, county and state officials to make housing more affordable, according to a survey conducted by the Los Angeles Business Council.

— READY FOR OUR CLOSE-UP: L.A. plans to install 125 speed cameras by the end of July, in the hope of catching misbehaving drivers. But there are already some takeaways from San Francisco, where the technology is being credited with getting drivers to slow down.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness returned to South Los Angeles, sending outreach workers to areas around 23rd and Broadway, Adams Boulevard at Main Street, and Washington Boulevard at Main Street.
• On the docket next week: The major candidates for mayor are set to square off Wednesday at a forum sponsored by NBC4 and Telemundo 52, in partnership with Loyola Marymount University and the Skirball Cultural Center.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Michael Tilson Thomas came onto the scene as a great hope for classical music, American music, Los Angeles music, modern music, multifaceted pop music, maverick music, Russian music, Broadway music and just plain music, whatever it might be and from wherever it might be found. He lived his 81 years as conductor, pianist, composer, educator and media personality promoting that hope, and died Wednesday having shown how hope is done. He looked ahead. He looked back. Yet he lived for the now.

It wasn’t always easy. He wasn’t, to say the least, always easy. But MTT made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.

I first encountered MTT as a kid clarinetist and he, Michael Thomas back then, a student conductor at USC and already, at 19, music director of the Young Musicians Foundation Debut Orchestra. He was soon everywhere. A piano prodigy, he regularly performed (and hobnobbed) with the likes of Stravinsky, Copland, Boulez and Cage at Monday Evening Concerts programs when the Los Angeles County Museum of Art opened in 1965. That summer, he appeared at the Ojai Music Festival, which he would go on to lead as music director seven times.

MTT liked to describe his L.A. youth as driving from Jascha Heifetz’s house in the Hollywood Hills (where he accompanied the famed Russian violinist in classes) to LACMA to rehearse Ives and Renaissance music, to composition and conducting classes at USC. Then it was home to the San Fernando Valley to practice Beethoven.

All the while, he listened to the hip L.A. 1960s pop music stations on his car radio. He was particularly keen on, and became friends with, Chuck Berry. Home was where he would also encounter screen legends. Tilson Thomas’ father worked in films and television as a screenwriter, producer and dialogue coach. Theodor Thomas was, as well, a painter with a visionary sensibility and a pianist, self-taught other than a handful of lessons from Gershwin.

But it was Tilson Thomas’ mother and grandmother who may have had the biggest influence. His mother was a public school teacher. She instilled what became a key trait in her only child, who treated conducting as an exercise in learning both for the musicians and the audience (if not for him, because he basically knew it all). His grandmother, Bessie Thomashefsky and her husband, Boris, were stars of Yiddish theater on New York’s Lower East Side.

Boris died in 1939, five years before MTT was born. But Bessie and young Michael were close. She recognized that, like her, he was born for the stage, and regaled him with stage lore that put the stardust in his eyes. As a young kid, MTT played Beethoven piano sonatas so impressively that he wowed his babysitter, an architecture student at USC named Frank Owen Goldberg, who needed extra cash.

Frank Gehry, as he became, told me that MTT was already an entrancing showman. The two remained lifelong friends.

While MTT did not actually reside in L.A. for most of his life, he never really left it. It prepared him for all that was to follow. In high school, he met Joshua Robison, who became his lifelong partner and ultimately husband. Whether in New York, Miami, London or San Francisco, wherever they lived, they always talked about L.A. His father’s paintings were on the walls, as were Boris’ Yiddish theater posters, one proclaiming “King Lear,” translated and improved.

The Tilson Thomas package that emerged from L.A. was unlike any conductor the world had seen. He doted on the music of Rachmaninoff when Rachmaninoff was unfashionable and on Steve Reich when Reich was found unfathomable. He adopted classical music’s neglected outsiders and especially such key West Coast “mavericks” as Lou Harrison and Henry Cowell. He convinced Meredith Monk to write for orchestra and enticed everyone from Sarah Vaughan to the Mahavishnu Orchestra onto the symphony stage.

Studying at Tanglewood, the Boston Symphony’s summer home, MTT won the Koussevitzky Prize in 1969 and, with the encouragement of Leonard Bernstein, was appointed assistant conductor to music director William Steinberg. Before long, MTT became principal guest conductor, filling in frequently for Steinberg, who was in poor health.

MTT in his early 20s was vibrant, arrogant, fearless, full of ideas, a chance taker. Ever the Angeleno, he tooled around town in a Porsche. He talked to staid symphony musicians and audiences who didn’t want to be talked to and often played music they didn’t want to play or hear. And he dazzled them. He got a contract with the distinguished German record label Deutsche Grammophon and made exciting records with the orchestra of Tchaikovsky, Stravinsky, Ives and modern Americans. They remain a thrill to hear.

By 1974, it was Tchaikovsky one moment and a wonderfully crazy avant-garde opera the next. Stanley Silverman’s “Elephant Steps,” which MTT recorded in 1974, was for pop singers, opera singers, orchestra, rock band, electronic tape, raga group, gypsy ensemble and, of course, elephants. Richard Foreman wrote the libretto. There had been nothing like it then or since. A revival could prove a sensation. The Olympic arts festival, anyone?

At the same time, Tilson Thomas, who proved a born educator, succeeded Bernstein in delivering the New York Philharmonic’s Young People’s Concerts. When Steinberg left, the Boston Symphony Orchestra passed over MTT as too young (24) and not ready (he wasn’t, nor was Boston). He was just right, though, for the Buffalo Philharmonic, which he led from 1971 to 1979. It was a wild ride, with lots of exciting new music and no small amount of controversy — arresting performances of arresting new works (Morton Feldman in particular) and an actual arrest at Kennedy International Airport when small quantities of cocaine, marijuana and amphetamines were found in his luggage.

He may have seemed ready for a homecoming in 1981, but MTT’s appointment as principal guest conductor of the Los Angeles Philharmonic did not prove to be the return of the prodigal son. These were the years of Carlo Maria Giulini’s music directorship, and MTT brought currency — new music, Gershwin, flashy showstoppers. Much of it was a breath of freshest air, but he was also remembered for his brash youth, which was now a brash 30s. He ran afoul of some in the orchestra and of its imperious head, Ernest Fleischmann.

Having been branded the next Bernstein, MTT floundered. What he needed was not L.A., but a far distant remove to find himself. That happened in two parts.

In 1987, the educator in him led to his greatest project, the creation of the New World Symphony in Miami Beach, Florida. The training orchestra guides young musicians with conservatory backgrounds into the world of professional orchestras.

Around the same time, Bernstein talked the London Symphony Orchestra into hiring Tilson Thomas as music director. Far from L.A., Boston and New York, a newly mature MTT found his bearings, no longer the next Leonard Bernstein but the first and only Michael Tilson Thomas.

Miami gave MTT meaning, and he commissioned Frank Gehry to design a revolutionary concert hall and teaching facility. In London, his conducting took on depth without losing its surface glamour. What MTT still lacked, however, was a creative outlook. He had always thought himself a composer and could, at a party, make up a clever song at the piano on the spot. He had drawers full of sketches but little finished work.

It took a return to the West Coast for MTT, having turned 50, to put all of his musical, emotional, personal and spiritual parts together and achieve greatness. For 25 years as music director of the San Francisco Symphony, MTT conducted Mahler and Tchaikovsky with a depth of soul that integrated his Russian roots and Bernsteinian character. He advocated for mavericks in summer festivals. He found his voice as a composer. He and Robison were embraced as a beloved San Francisco couple. He alchemized the San Francisco Symphony into a Bay Area beacon.

In the challenging last chapter of his life, MTT turned tragedy into triumph to became a universal inspiration. The lockdown in June 2020 meant cancellation of his farewell concerts as music director, including a production of Wagner’s “The Flying Dutchman” with a set by Gehry. The following summer, MTT fell on stage while conducting the London Symphony in Santa Barbara. He was diagnosed with late-stage glioblastoma. He likely had less than a year to live.

Remarkably, MTT continued to conduct until last April. His appearances with the L.A. Phil and the San Francisco Symphony were transformative. He guest conducted in New York, London, Prague and elsewhere. In L.A., a dying MTT led a profound performance of Mahler’s death-obsessed Ninth Symphony, not as a farewell but as a shamanistic savoring of every moment of life. He asked not for sympathy but for joy.

For MTT, the music never stopped. In his later years, he advanced the theory that what you took away from hearing a performance mattered as much, if not more, than what you experienced. That may explain why this creature of the theater who was so graceful leading an orchestra and so enjoyed talking to the audience turned stiff and awkward when bowing to acknowledged applause. Was it his reluctance to leave? Insecurity? Attempt to remove his ego from the experience, as if he was now handing the music over to you?

It was probably all of those things. During his illness, when his movement became more difficult, he let go. He was simply happy to be there, happy to share music, happy to be alive, very happy to be loved. His final bows were a celebration of life.

Sadly, Robison died Feb. 22, exactly two months before MTT, who died four days short of a year since his final concert with the San Francisco Symphony. But he lives on through about 150 recordings and his website.

He and Robison worked as tirelessly throughout his illness to archive his life. His website provides a treasure trove of compelling radio and television programs, his copious Thomashefsky Yiddish theater archive, a vast legacy of searching and believing. And hope.

Los Angeles City Council member Traci Park has raised more than $1.2 million for her reelection campaign in the city’s June 2 primary, more than double the amount collected by challenger Faizah Malik, according to finance reports filed this week.

Malik, a civil rights attorney, reported raising roughly $454,000 in her bid for the District 11 seat that skirts along the Westside, including Mar Vista, Pacific Palisades, Venice and Westchester, the reports show.

At nearly $1.7 million, the money raised in the race is the highest for the eight council seats, out of 15 total, on the ballot in the June 2 primary. Any candidate who wins a majority in the election will win the seat outright, otherwise the top two vote-getters will compete in the Nov. 3 general election.

Two of the eight races are open seats to replace termed-out incumbents, and in five other races, incumbents Eunisses Hernandez, Park, Hugo Soto-Martínez, Tim McOsker and Katy Yaroslavsky posted large fundraising leads against their challengers. One incumbent, Councilmember Monica Rodriguez, is running unopposed.

In the west San Fernando Valley’s 3rd District, three candidates are seeking to replace termed-out Councilmember Bob Blumenfield.

Insurance company founder Tim Gaspar was leading the pack in fundraising, reporting nearly $430,000. Barri Worth Girvan, an aide to Los Angeles County Supervisor Lindsay Horvath, has raised about $235,000. Tech entrepreneur Christopher Robert “CR” Celona was far behind with about $12,300.

In Council District 1, which includes Highland Park and Pico-Union, incumbent Hernandez topped the field with about $319,000 in contributions. Challenger Maria Lou Calanche, a former Los Angeles police commissioner, reported raising about $182,000.

Among other challengers in the race, Sylvia Robledo, a small-business owner and longtime City Council aide, reported about $75,000 in contributions. Raul Claros, founder of a nonprofit called California Rising, listed $70,500 in contributions and entrepreneur Nelson Grande reported raising about $55,000.

There are six candidates vying to replace incumbent Curren Price in the 9th District, which includes USC and communities along the Harbor Freeway corridor.

Jose Ugarte, a former deputy chief of staff for Price, led the field in reported financial contributions, amassing $477,000.

Estuardo Mazariegos, head of the Alliance of Californians for Community Empowerment Los Angeles, reported roughly $200,000 in contributions and Elmer Roldan, director of a nonprofit, has raised about $114,000.

Entrepreneur Jorge Nuño and therapist Martha Sanchez trailed with about $25,000 and $13,000, respectively. Educator Jorge Hernandez Rosas did not report any contributions.

In the other races:

• Yaroslavsky reported raising about $431,000 for her 5th District seat, which includes Westwood, Palms and Hancock Park. None of her opponents, Henry Mantel and Morgan Oyler, reported raising more than $35,000.
• McOsker reported raising 242,000 for his 15th District seat in San Pedro. Challenger Jordan Rivers, a community organizer, told The Times he did not raise any funds.
• Soto-Martínez reported raising more than $170,000. The three challengers in the race — Colter Carlisle, Dylan Kendall and Rich Sarian — reported a combined $152,000.

The outcome of the Park-Malik contest in District 11 will be determined in the June 2 primary because there are only two candidates in the race.

In a statement, Councilmember Park credited her fundraising lead to her efforts to clear homeless encampments.

“I raised an historic number of donations from local Westside residents because I’ve been on the ground since Day One solving our number one priority: getting people off the streets into housing and treatment and removing dangerous encampments from our neighborhoods,” Park said. “Residents, workers and visitors all see the difference.”

Kendall Mayhew, communications director for Malik’s campaign, said in a statement that Park and her supporters are spending unprecedented money because “we are winning and they simply don’t know what else to do.”

“What our campaign has demonstrated so far, and what we will demonstrate at the ballot box in just a few weeks, is that corporate money cannot defeat an honest, people-powered campaign,” Mayhew said.

The fundraising totals reported this week represent money given by individual donors, who are limited to contributions of no more than $1,000 in this election cycle. While the reports offer a glance at fundraising, money is also coming in through independent expenditures, which have no limit on how much can be given.

For example, in District 1, the L.A. County Federation of Labor has reportedly spent more than $226,000 in support of Hernandez. Calanche is also receiving supporting funds: the Fix Los Angeles PAC Supporting Calanche, Ugarte and Park for City Council 2026 has spent about $46,000 on her campaign to unseat Hernandez.

Don’t you ever wish you could explore one of L.A.’s most vibrant boulevards without a car? When the first phase of Metro’s extension to its D Line opens May 8, L.A.’s transit system will add what has long been a missing puzzle piece. A busy, traffic-snarled section of Wilshire Boulevard, home to world-class museums, restaurants and galleries, will at long last be significantly more accessible.

Ride and walk, for instance, to the newly reimagined Los Angeles County Museum of Art, and then stroll to the Original Farmers Market or the acclaimed République. Or take transit to a concert at the El Rey Theatre, then grab a pint at Tom Bergin’s. And do it all without stressing about valet or parking in a part of town where the latter is at a premium.

Though this initial phase of the D Line extension is only three stops, for residents and business owners in the community, it feels monumental.

“I’m so excited for Metro to open and for lots of people to hopefully come and peruse these streets,” says Christina Mullin, owner of Miracle Mile Toys & Gifts. Mullin, who also lives in the neighborhood, has seen the area disrupted by construction for the better part of a decade, and is hopeful the subway stops will bring in an influx of shoppers.

“It’s such a nice, walkable area,” Mullin says. “You can walk all of La Brea and all the way to the Sycamore Kitchen. This will be very good for the city.”

And it seems to be generating much excitement, at least if Metro’s own marketing is any indication. A line of innuendo-filled “Ride the D” shirts went viral and then almost instantaneously sold out. (Those looking for the shirts are likely out of luck, as a Metro spokesperson says the item was intended only as a limited-edition run.)

Here are some highlights of destinations along the new stations, which are located at Wilshire/La Brea, Wilshire/Fairfax, Wilshire/La Cienega and will collectively serve Koreatown, Miracle Mile, Hancock Park, Carthay Circle, the Fairfax District and Beverly Hills. All should be within about a 20- or 25 minute walk.

The second section of the D Line will continue west through Beverly Hills and Century City, and the third will extend to Westwood and UCLA. The full rail line, according to Metro, is expected to be open by the end of 2027.