We’re nearing the home stretch for kiddie summer movies, moms and dads. Stay hydrated and nourished, because your multiplex chaperone duties aren’t truly over until early August or so, when the fare turns distinctively adult-themed before going full prestige in the child-unfriendly zone of fall awards season.
But with the messy, strained “Smurfs” on offer this weekend, a tired parent may want to bail early and find a last-minute sleepaway camp to shove the little ones off to instead, because this latest big-screen version of the cute-culture behemoth may test your tolerance for all things wee and cerulean. As legacy management goes, it’s more trial than celebration.
Even if you grew up with Belgian artist Peyo’s utopian woodland humanoids (rendered with Hanna-Barbera efficiency for cheap ’80s television), nostalgia isn’t on offer here — just the usual running tap of attention-driven wackiness, creating a fast-growing puddle of gags, colors, songs (including pop icon Rihanna’s contributions) and believe-in-yourself platitudes that feel random, not earned. As deployed by “Shrek” franchise veteran Chris Miller (“Puss in Boots”), animation is less a storied artistic method with which to enchant, so much as a whiz-bang weapon of mass distraction, scalable and noisy.
The Smurfs themselves have come in for something of an origin makeover. No longer simple, communal mushroom-village inhabitants with happy lives centered on personality quirks and avoiding a mean wizard, in this telling (written by Pam Brady) they hail from a line of ancient, cosmic guardians of goodness, a background that feels beholden to the superhero mindset overriding so much popcorn gruel these days. Conversely, the baddies, wizard brothers Gargamel and new antagonist Razamel (both amusingly snarled into existence by voice actor JP Karliak, channeling Harvey Korman), belong to — what else? — an Evil Alliance set on world domination.
Everything about the story, from opening to closing dance party, feels like it was made up on an especially unimaginative playdate by bored kids who’d rather be watching TV. A Smurf called No Name (James Corden) wants to be known for something, like his trait-defined pals Hefty, Vanity, Grouchy, Baker and Clumsy. Close friend Smurfette (Rihanna), the village’s confident, outgoing badass, tries to buck him up, but he sings a boring who-am-I lament anyway.
Papa Smurf (John Goodman) is kidnapped through a portal, the first of many. There’s a missing magical book given the name Jaunty (Amy Sedaris). The Smurf rescue party goes to a disco in Paris. Then the Australian Outback. Outer space too. Natasha Lyonne voices the leader of an underground species of what look like scratchy couch pillows. Razamel hates Gargamel. Papa has a red-bearded brother, Ken (Nick Offerman tiringly doing Nick Offerman), and we learn later, a long-lost sibling named Ron (Kurt Russell). All these brothers, yet I still wouldn’t say family dynamics are a going emotional concern.
Sometimes everyone floats in the air. Mostly, it’ll be your mind. But turn away for one second, and the characters will have likely gone to another dimension. Because, of course, multiverses are really popular now too. Like the kind in which no voice cast member was likely in the same city as any other when they phoned in their lines.
At least the animators looked like they stayed busy. At one point, when dimension-palooza hurtles our tiny blue posse into different animation modes — claymation, pencil drawings, 8-bit video graphics — there’s a whiff of the delightful, meta-zany chaos of classic cartoons. But for the most part, “Smurfs” hews to the textbook silliness of CGI-generated action and attitude humor, only this time so needlessly zigging and zagging it barely has time to convincingly sell its ultimate message of strength in togetherness. An incoherent movie is hardly the vessel for that kind of lesson. When it ends, though, it’ll definitely feel like an example of kindness.
‘Smurfs’
Rated: PG, for action, language and some rude humor
Could the fourth time be the charm for minor league baseball in Long Beach?
On Tuesday, the Long Beach City Council is scheduled to consider whether to order city staff to work toward an agreement with the ownership group for a “new professional baseball team” that would play at Blair Field, the city’s storied ballpark.
The ownership group includes Paul Freedman, one of the co-founders of the Oakland Ballers, a successful independent league team launched last year amid the departure of the Oakland Athletics.
The new team would open play next season and participate as an expansion team in the Pioneer League, the same league in which the Ballers play. The league includes teams in California, Colorado, Idaho, Montana, Utah and Wyoming.
“I got into this industry because of love for baseball and the community, and love for Oakland,” Freedman said. “I see a tremendous amount of parallels between the city of Oakland and the city of Long Beach, and I think the kind of community-oriented baseball that is working in Oakland can work in Long Beach as well.”
In minor leagues affiliated with major league organizations, those organizations sign and pay players, then assign them to a minor league team. In an independent league, the teams sign and pay players, most of whom hope to play well enough to earn a contract from a major league organization.
Independent leagues also serve as labs for the major leagues: The “swing-off” that decided this week’s All-Star Game has been a rule in the Pioneer League since 2021.
Three independent minor league teams have come and gone in Long Beach over the last 30 years: the Barracuda (renamed the Riptide) in 1995-96, the Breakers (2001-02) and the Armada (2005-09).
Freedman said he believed the struggles reflected instability in the various leagues in which the teams played more than an inability of Long Beach to support a team.
“It’s a city with a huge baseball tradition,” Freedman said. “It’s a diverse city on the rise. It’s hosting the Olympics. I think now it’s time to have a team to represent the town.
“I think baseball has worked in Long Beach, and I think Long Beach is in an even better condition now to embrace a new kind of baseball.”
The Long Beach State baseball team, proudly known as the Dirtbags, attracted more fans last season than any of the other nine Big West Conference teams based in California. The Dirtbags are the primary tenant of Blair Field, and the motion before the city council would require city staff to work with Long Beach State on a “collaborative partnership agreement.”
A city spokesman did not return a call seeking comment.
When Eric Bana is not filming, he’s more than likely riding a motorcycle in a remote part of Australia. He’s been doing it since he was a kid, having grown up in a semi-industrial part of the suburbs of Melbourne on the verge of farmland. Now, it’s his solace on days off.
“It’s a vulnerable feeling, it’s an exciting feeling,” he says on a video call. “You have to be self-sufficient. You have to think worst-case scenario. What happens if I get a flat tire when it’s 120 degrees and there’s no water around? It keeps you awake.”
So when, back in 2019, Bana was given the pilot script for the Netflix limited series “Untamed,” he was immediately attracted. He would play the role of Kyle Turner, an agent in the Investigative Services Branch of the National Park Service in Yosemite — essentially a park detective. It’s a murder mystery yet set against the kind of wilderness that Bana loves.
“I just felt a kinship for Kyle immediately,” he remembers. “I don’t know if it was just like the shared love for the outdoors and how that affects our psyche and our well-being, our sense of self, our emotional journey in life — I just immediately felt very strongly for Kyle.”
In “Untamed,” Eric Bana plays Kyle Turner, an agent in the Investigative Services Branch of the National Park Service. The show is set in Yosemite National Park, though it was filmed British Columbia.
(Ricardo Hubbs / Netflix)
Bana stuck with the project through the COVID pandemic and the Hollywood strikes, allowing the series created by Mark L. Smith of “American Primeval” and daughter Elle Smith to finally hit the streaming service on Thursday. The show finds Bana’s character investigating the death of a young woman who plummets off El Capitan and into two rock climbers. The case unexpectedly connects two other traumatic incidents that have happened in the mountainous wilds — at least one of which directly involves the taciturn Kyle, grieving the death of his young son.
“He exudes that kind of sensitivity and strength at the same time,” Elle Smith says. “It allowed him to just really embody Turner. Because he’s been living in this show for so long, so many years and kept it alive and has remained passionate about it, once we got into production, he was Turner.”
“Untamed” also marks the latest in Bana’s unconventional career that has seen him touch nearly every corner of the Hollywood machine, even though he has always chosen to live in Australia when he’s not working. It never made sense for him to move to Los Angeles when many of his shoots were overseas anyway. When we chat, he’s briefly in town for “Untamed” press.
Though he started his career as a comedian in his home country, he was part of the superhero craze before it was a craze, playing the title role in Ang Lee’s “Hulk,” a movie that’s now undergone a critical reassessment. He’s been a “Star Trek” villain and a Steven Spielberg protagonist in the historical drama “Munich.” (Over the past 12 months, more and more people have been bringing up the role of the Mossad agent tasked to respond to the murder of Israeli athletes at the 1972 Summer Olympics: “With the passing of time, you realize how incredible some of the observations were,” he says.)
Though his career has touched nearly every corner of the Hollywood machine, Eric Bana has continued to live in Australia.
(Christina House / Los Angeles Times)
More recently, he ventured into the world of television, playing the sociopathic John Meehan in the first season of the anthology series “Dirty John.” Bana says he tends not to think about specifically playing characters that contradict his previous work, but he understands that coming off that role probably was one of the reasons he gravitated toward Kyle in “Untamed.”
“There was no doubt that the character of John had a level of toxicity to him that was just so high,” he says, adding, “I realized that Kyle was a warmer character for the audience to follow than John.”
Before he actually got to play Kyle, he started a mini-franchise in Australia with producing partner and director Rob Connolly thanks to “The Dry” and its sequel, in which he plays another investigator reeling from a traumatic past.
For creator Mark Smith, Bana was the ideal person to embody Kyle because of his ability to convey a lot with very little dialogue.
“We felt like he was just so expressive in his eyes and his face,” Mark says. “He can do so much without saying anything, and that was crucial to this guy who really doesn’t want to speak — he doesn’t want to talk to people. He just wants to be kind of off on his own, doing his thing in the wilderness.”
Because Bana got on board early, the Smiths could start writing the rest of the scripts with him in mind. One of Bana’s requests: The more he could be on a horse, the better. In the show, Kyle eschews motor vehicles for a trusty steed, which gives him more access to the less traversed areas of the park. Bana ended up loving his horse.
“I desperately wanted to smuggle him on the plane and take him home,” he says.
Eric Bana and Lily Santiago are often seen on horseback in “Untamed.”
(Netflix)
Mark and Elle Smith conceived of the series after being sent articles about the National Park Service’s Investigative Services Branch. They were not familiar with that world but were nonetheless fascinated by this strange profession that is part FBI agent and part park ranger. Bana had visited Yosemite years ago as a solo tourist but didn’t have the chance to go again before the shoot, which took place in British Columbia.
Still, he spoke to rangers and ISB employees to get a sense of “just how crazy” some of their work can be.
“When you mix drugs, when you mix people coming from all kinds of different backgrounds and having different entitlements to the places that they’re in, it’s really interesting,” he says.
Bana understands from personal experience that the attraction to the outdoors is partially based on the fact that danger is almost always lurking around the corner. In Australia, he adds, “there’s always something trying to get you, whether it be two-legged, four-legged, eight-legged or whatever.”
On the set of “Untamed,” he was incredibly eager to see a bear — and was disappointed when it never happened.
“We had a bear guy on set who was responsible for our and the bears’ safety,” he says. “We had very strict rules around food and all that sort of stuff. I was desperate, desperate to have an encounter with a bear of the positive kind, and I never saw one.”
Elle Smith confirms that most everyone else got to see a bear. “He had really bad bear luck,” she adds.
“We felt like he was just so expressive in his eyes and his face,” says “Untamed” creator Mark L. Smith.
(Christina House / Los Angeles Times)
But even with his lack of bear sightings, Bana’s love of being outside was crucial for the entire production. Mark explains he’s not the kind of star who returns to his trailer, instead pulling up a chair to hang out.
“This was a tough landscape that we were shooting in,” Elle Smith adds. “I think it really helps in terms of tone setting if your movie star is willing to get out on the rock and do the climb. It really helps the crew also feel like they’re able to do the climb.”
Bana was intoxicated by his environment — so much so that he wouldn’t want to go back to the sterility of a soundstage.
“Going to work in a studio after doing something like this — the thought of it is just debilitating creatively,” he says. “There’s something about a camera coming out of a box when the sun rises and going back when the sun goes down. There’s an energy, there’s a cadence to that.”
For his follow-up, he went back into the elements for “Apex,” an upcoming film opposite Charlize Theron, where they play a pair of rock climbers. He says he did intense training in the skill or else he would have looked like a “fool.”
And just like how Bana is willing to let the weather dictate his shooting days, he is also patient with his career. It’s one of the reasons he was willing to wait for “Untamed.”
“I’ve been in this business for a period of time now where I realize you really do have to go with the ebbs and flows and you really do have to pace yourself, but at the same time when you find something that you love you just have to try and protect it,” he says.
It’s something you could also say about the natural world, and Bana hopes that “Untamed,” even with all its dark deeds and buried secrets, encourages audiences to go see for themselves.
“I hope people enjoy the feeling of being in that space, and in a perfect world, feel motivated to go and seek them out,” he says.
“I didn’t know how it was going to go,” Freeman said.
This was the kind of setting that could have very easily turned the emotional Freeman into a sobbing mess, and he admitted as much the previous day. He was returning to the market in which he spent the first 12 years of a career to play in the kind of event that is often a source of reflection.
The absence of tears represented how much can change in four years, especially four years as prosperous as the four years Freeman has played for the Dodgers.
“Time,” Freeman said, “heals everything.”
For both sides.
The same fans who watched him transform from a 20-year-old prospect to a future Hall of Famer warmly cheered for him during pregame introductions — just not with the kind of back-of-the-throat screams they once did.
The same fans who used to chant his name chanted his name again — just not as long as they used to, and definitely not as long as the fans at Dodger Stadium now chant his name.
Freeman will never be just another visiting player here. He won an MVP award here. He won a World Series here.
Braves fans appreciate what he did for them. They respect him. But they have moved on to some degree, just as Freeman has.
“You spend 12 years with Atlanta, you pour your heart into it,” Freeman said. “Now I poured my heart into four years with the Dodgers and still got many more hopefully to go.”
Gaining such a perspective required time.
Freeman acknowledged he was wounded by the decision the Braves made after they won the World Series in 2021. They didn’t offer him the six-year contract he wanted and traded for Matt Olson to replace him as their first baseman. Freeman signed a six-year deal with the Dodgers.
“To be honest, I was blindsided,” Freeman said at the time. “I think every emotion came across. I was hurt.”
He carried that hurt with him into his return to Atlanta, which came a couple of months into his first season with the Dodgers. He spent much of the weekend in tears.
Now looking back, Freeman said, “It does feel like a lifetime ago.”
So much so that Freeman said it was “a little weird” to be back this week in the home team’s clubhouse at Truist Park.
“I was sitting with [Braves manager Brian Snitker] in the office and seeing him and talking to him, seeing all the home clubhouse guys and then it kind of just comes all flying back that, like, well, it has been four years,” Freeman said.
Freeman has since returned to Southern California, where he was born and raised. He’s been embraced by an entirely new fan base that supported his family when his now-five-year-old son was temporarily paralyzed last year because of a rare disease. His postseason heroics — particularly his walk-off grand slam in the Game 1 of the World Series last year — has made him one of the most beloved players on a stacked roster.
“Now, everything’s in the past,” he said. “I get to play in front of my family every single day and we won a championship, so everything’s OK.”
His experience in Los Angeles has liberated him from the negative feelings associated with his breakup with the Braves, allowing him to focus on his positive memories with the organization.
Because of that, Freeman was grateful he was offered a chance to speak directly to the fans before the game.
“From the bottom of my heart, thank you,” he told them.
He was also thankful of how Roberts replaced him with Pete Alonso at first base while the American League was batting. The crowd gave Freeman a standing ovation. Freeman saluted the crowd in return.
“I really appreciate the moments,” Freeman said.
Freeman grounded out in his only at-bat, which was preceded by respectful applause and a brief chant of his name. Another NL first baseman elicited louder cheers when he stepped into the batter’s box, however. That player was Olson, his successor in Atlanta. Freeman wasn’t the only one who had moved on.
The Snaefell Mountain Railway on the Isle of Man is the only electric mountain railway in the British Isles and is steeped in history, culture and pure imagination
Come with me and you’ll be in a world of pure imagination(Image: Getty)
The only electric mountain railway in the whole of the British Isles is rich in history, culture and sheer wonder.
The Snaefell Mountain Railway climbs from Laxey to the peak of Snaefell – the highest mountain on the Isle of Man – standing a staggering 2,036ft above sea level, serving as the enchanting gateway to seven mythical kingdoms.
Constructed in 1895, the service typically runs from March to November and takes about 30 minutes for a one-way trip.
Travelling along a five-mile track, it uses electricity from overhead wires at approximately 550 volts to operate, remaining faithful to its original Victorian-era infrastructure, ferrying passengers who come from all corners of the globe to catch a glimpse of this world wonder.
Upon reaching Snafell, or ‘Snow Mountain’ as it’s often called, visitors will make their way into five wooden electric railcars. Each of them are numbered from one to six, though you’ll soon notice that number three is mysteriously absent, reports the Express.
It appears it was destroyed in an incident where the car derailed back in 2016. Whatever remained of it has been gathered and is reportedly due to be rebuilt at some stage, so stay tuned.
The main station on the line is the interchange with the Manx Electric Railway at Laxey. The only stopping place is Bungalow, the halfway point where the line crosses the A18 Mountain Road, notorious for the perilous and deadly Isle of Man TT race.
A stone’s throw away, visitors can find the Manx Museum in Douglas, a treasure trove housed in an ex-hospital with exhibits featuring Viking silver, Celtic crosses and the Tynwald – the world’s oldest continuous parliamentary body.
The museum’s creation aimed to revamp the Isle of Man’s image following tough times in the mid-19th century.
Sir Henry Brougham Loch, the lieutenant governor, played a pivotal role by initially promoting Douglas as a spa destination, triggering a seaside holiday surge.
An impressive 1,500 hotels were established to accommodate roughly 350,000 summer tourists. Yet, Loch recognised most visitors lingered only in the capital, prompting the construction of a railway network that would transport them across the island.
Andrew Scarffe, technical support officer at Manx Heritage Railways, told the BBC about the impact of the railway: “When the railway opened, it was like science fiction. Droves of people came over on the ferry just to see its electric technology and innovation.”
Scarffe shared a little-known fact: “What’s rarely spoken of is we were 130 years ahead of the rest of the world with green travel. We began generating our own power back in the 1890s to run the railway, and the electric tram cars are still doing what they were built to be doing.
“Slow travel by electric train? It all started here.”
In its heyday, the railway service boasted a million passengers annually. However, this grand Isle of Man tradition has seen a decrease in recent years, though an estimated 200,000 people still board the train each year, soaking up the immense historical splendour this small island has to offer.
LAS VEGAS — Even with all the sports dignitaries in attendance and even though they were watching a rivalry game of sorts between the Lakers and Clippers, the fans inside the Thomas & Mack Center still were mostly enamored with Bronny James.
Even with Austin Reaves, Deandre Ayton and Kawhi Leonard looking on, Bronny James was the center of attention yet again.
James had one of his better NBA Summer League games, but it was the Clippers who came out on top in a 67-58 win Monday night at Nevada Las Vegas.
James had 17 points, five rebounds and five assists in 24 minutes and 17 seconds.
He was six for 10 from the field and three for five from three-point range.
And, yes, he was happy to have the support of his family and teammates.
“It definitely gave me a little boost, seeing them cheer for me and my teammates,” James said. “It’s great to get in the gym with them.”
The star of the night was Clippers forward Jordan Miller, his 19 points and seven rebounds a big reason why the Clippers are 3-0 in the summer league.
His three-pointer late in the fourth quarter gave the Clippers a lead they never lost. He scored nine of the Clippers’ last 11 points.
“We got it done,” said Clippers assistant coach Jeremy Castleberry, who is the team’s summer league coach. “We got it done. We did what we needed to do, the second night of a back-to-back. For a lot of those guys, it was the first back-to-back they played in a long time. So, happy we got it done.”
James started strong, shooting a three-pointer to open the scoring. He added a step-back three in the second quarter, those two shots being part of his 12 first-half points on four-for-four shooting.
He made a three-pointer in the fourth quarter that tied the score 51-51.
“Yeah, I can see growth, for sure,” James said. “Honestly, I just feel like my confidence is growing over the last year and a half or so. So, I’m just going to grow on that and keep my mind right.”
The Lakers shot 34.4% just from the field, 30% from three-point range and 38.5% from the free-throw line (five for 13). They also turned the ball over 19 times.
Lakers assistant coach Lindsey Harding said the team showed signs of “fatigue,” which she expected considering it was their sixth summer game (they played three games at the California Classic in San Francisco).
“It just seemed like we didn’t have much pop,” said Harding, the Lakers’ summer league coach.
But not James. He seemed energized the entire game.
“Bronny came ready. He came ready. He had the spark,” Harding said. “You want these guys, especially him in that position and who he’ll be with us with the Lakers, when you get your minutes, go hard. Play until exhaustion, we’ll take you out and then we’ll put you back in. I thought that he did that today.
“He did a great job, even on the offensive end in finding players, making reads on pick-and-rolls. I think they struggled guarding him and he did a great job on the defensive end.”
But James wasn’t the only one who got the fans excited.
