journey

They mentioned “The Odyssey,” they talked about “Lord of the Rings,” they referenced “The Hobbit,” they cited the hero’s journey, they predicted a season filled with mythological tales of triumph.

What they didn’t promise was that their Lakers’ team would contend for a championship.

What they couldn’t mention was what will happen to them if they don’t.

The bard Rob Pelinka? Off with your head!

The soothsayer JJ Redick? Drawn and quartered!

In their annual pre-training camp news conference at their practice facility Thursday, Pelinka and Redick talked about fictional characters perhaps because the reality is too grim for words.

Their jobs are on the line with a rebuilding team that might not be good enough to save them, and no amount of cute Gandalf references can change that.

With new ownership, the Lakers’ braintrust no longer has the protection of the benevolent Buss family or the baseball-centric Mark Walter.

Here’s guessing Bob Iger and Joshua Kushner will want any excuse to put their own people in charge of their $12.5-billion investment. And if this clearly rebuilding Lakers team doesn’t quickly measure up to the brand that Iger and Kushner purchased, they’ll have that excuse.

In his nine full seasons as the Lakers’ basketball boss, Pelinka constructed the 2020 bubble championship team, but destroyed it soon thereafter and hasn’t won since.

In his two seasons as Lakers coach, Redick became the first Lakers coach to win 50-plus games in consecutive seasons since Phil Jackson. But Redick was always LeBron James’ choice, and now that James is gone — thank goodness! — Redick will have to prove himself all over again to the new guys.

He’s already off to an awkward start considering his answer to a question about who would join Luka Doncic, Austin Reaves and Walker Kessler in the starting lineup. He referenced the lame internet criticism that the Lakers couldn’t win because they were now led by too many white guys.

“I’m pretty confident in three of the spots,” he said. “The other two spots will not be two white guys.”

Um, OK.

Redick acknowledged that all those new potential starters — Quentin Grimes, Collin Sexton, Kevon Looney, Matisse Thybulle and others — can band together to turn this season into a mythological masterpiece.

“Part of the Hero’s journey is allies and gods,” he said, referring to stories about ordinary folk who are transformed by triumphant adventures. “And so I think if you look at “Lord of the Rings,” right? All the guys from “The Hobbit,” those guys had to be connected. They had to embrace the fact that they were allies, right? … You’re not gonna get through the journey without that. Or the journey’s gonna be even more tumultuous than it is because the reality is there will be ordeals and trials along the way.”

At this point Pelinka jumped in, saying, “So I’m a big Tolkien guy. Are you Samwise or Frodo?”

Answered Redick, “Uh, I’m simultaneously Samwise and Gandalf.”

Replied Pelinka: “Gandalf. That’s even better.”

Rob Pelinka (left), the Lakers general manager/president of basketball operations, speaks to the media with coach JJ Redick on Thursday at the team’s training facility in El Segundo.

(Allen J. Schaben / Los Angeles Times)

In San Antonio they’re talking about Wemby, in Oklahoma City they’re talking about SGA, and in Los Angeles they’re talking about … Frodo?

Tumultuous indeed. Welcome to life after LeBron, with Pelinka essentially starting the news conference by answering the biggest question of the summer — why did the James and Laker marriage fail?

Except he didn’t answer it.

“I’m so thankful for the partnership that we had that continued up until this summer when a decision was made for him to play for another team,” he said.

A decision was made by whom? James said it was him. It says here it was the Lakers, who needed to move him out if they were going to move ahead.

Pelinka didn’t elaborate, instead focusing on a popular reference that he sort of botched.

“We’ve talked about every season is a little bit like ‘The Odyssey,’ if anyone has seen the movie,” he said before someone corrected him. “Oh, it was actually a poem. Fair enough.”

The poem wasn’t this complicated.

“You launch a season, and there’s things that happen throughout that you can’t predict, but you have to stay together as a group and stay strong,” Pelinka said. “That’s a great theme for us.”

Pelinka will be going through his own Odyssey this season, as evidenced by his defense of his accomplishments.

“If you look at the teams that we’re wanting to go shoulder-to-shoulder with, the Thunder and the Spurs maybe in the West. … They had to lose many seasons to get high picks and we just don’t have the luxury of that here,” he said. “Again, the expectations are every year (to) win, get in the playoffs, make a run, and so we feel like we’ve been able to do that. As I’ve started, since I’ve been here in the leadership position, we’ve been a playoff team and we have to continue to do that.”

Redick was also playing defense, saying, “No one is a championship-level team on September 29. There’s not a team in the league that is a championship-level team. That is an ongoing process throughout the year. Rob talks about his job in that. Well, I have a job in that. Our players have a job in that. I’m confident we’re gonna develop as a team into a championship-level team this year. “

This season will live forever in Lakers folklore if they do.

There could be a medieval bloodbath if they don’t.

Turn on a radio between 1978 and 1987 and you were sure to hear Journey — any of the more than two dozen sumptuous yet muscular rock hits that shaped young America’s ideas about love, inspiration and wanting it the way you need it. Four decades later, the band’s music is still everywhere, including television, social media and streaming platforms like Spotify, where Journey has more monthly listeners than Bruce Springsteen, U2 or Bob Dylan. Yet Saturday night the group will bring what it’s calling its farewell tour to Crypto.com Arena — a capstone (at least if the band is to be believed) to a long career full of twists and turns.

Indeed, domination was hardly a given when guitarist Neal Schon and keyboardist Gregg Rolie — both of whom had played with Carlos Santana — formed Journey as a kind of jazzy proto-jam band in San Francisco in 1973. But with the addition a few years later of singer Steve Perry, the group found its gloriously dramatic sound and began racking up hits one after the next (though critics were rarely kind). Perry eventually quit, which took the wind out of Journey’s sails until Schon discovered an uncanny soundalike from the Philippines, Arnel Pineda, on YouTube; he’s helped the band get back into arenas and the occasional stadium even as Schon and keyboardist Jonathan Cain, who replaced Rolie in 1980, have battled each other in court over financial matters.

Got all that? To try to make sense of Journey’s path, I’ve ranked all 25 of the band’s hits that have charted on Billboard’s Hot 100, starting with the worst and ending with the best. Hold onto that feeling — it goes on and on and on and on.

25. ‘Walks Like a Lady’ (peaked at No. 32 in July 1980)

Some are born to sing the blues, as Perry once observed — just not Perry himself, who chews his way through this corny come-on like an overserved uncle at the Hard Rock Cafe. Nice showcase for Rolie’s organ work, though, on one of the last Journey singles he played on before leaving the band.

24. ‘Just the Same Way’ (peaked at No. 58 in May 1979)

Rolie and Perry tag-teaming lead vocals is not a form of democracy I’d vote for.

23. ‘After the Fall’ (peaked at No. 23 in August 1983)

Safe? Sterile? Soulless? Look, the haters can’t always be wrong.

22. ‘Too Late’ (peaked at No. 70 in January 1980)

“Before your time has run astray / You’ve got to try to get away.”

21. ‘Anytime’ (peaked at No. 83 in July 1978)

After overseeing Queen’s first few albums, producer Roy Thomas Baker turned his attention to Journey (and to the Cars); this midtempo number from the “Infinity” LP offers a credible approximation of Queen’s trademark stacked vocal harmonies.

20. ‘The Party’s Over (Hopelessly in Love)’ (peaked at No. 34 in April 1981)

Three platinum plaques in less than two years — for “Infinity,” “Evolution” and “Departure” — meant that Journey had no choice but to drop a live record, “Captured,” at the top of 1981. (It went platinum by Christmas.) As extra consumer bait, the double album closed with this new studio cut built around a killer Schon lick (and not much else).

19. ‘Good Morning Girl’/‘Stay Awhile’ (peaked at No. 55 in September 1980)

Phantom of the roller rink.

18. ‘Why Can’t This Night Go On Forever’ (peaked at No. 60 in May 1987)

Propelled by the success of his debut solo album — not to mention his appearance on the smash all-star “We Are the World” — Perry assumed greater control of Journey’s sound for 1986’s synthed-up “Raised on Radio,” which spawned no fewer than five singles, ending with this slightly lugubrious ballad. Yet the takeover came with a cost: By the end of 1987, the band had entered a hiatus that would last nearly a decade.

17. ‘Still They Ride’ (peaked at No. 19 in July 1982)

Listen to how nimbly Perry maneuvers some very tricky intervals.

16. ‘When You Love a Woman’ (peaked at No. 12 in December 1996)

Journey reunited for 1996’s “Trial by Fire,” which brought the band its only Grammy nomination (and which might feature the ghastliest album cover in music history). If the members knew that rock had changed dramatically while they were away, they didn’t show it in the LP’s romantic lead single: “When You Love a Woman” — a chart-topper for three weeks on Billboard’s adult contemporary tally — clearly sought to pick up where “Open Arms” and “Faithfully” had left off.

15. ‘Girl Can’t Help It’ (peaked at No. 17 in November 1986)

Wonder what Perry and Huey Lewis talked about between takes on “We Are the World.”

14. ‘Be Good to Yourself’ (peaked at No. 9 in May 1986)

“Karate Kid”-core.

13. ‘Only the Young’ (peaked at No. 9 in March 1985)

More “Karate Kid”-core, in this case released first as a song by Patty Smyth’s band Scandal; Journey’s version later wound up alongside Madonna’s “Crazy for You” on the soundtrack to “Vision Quest.”

12. ‘Wheel in the Sky’ (peaked at No. 57 in May 1978)

Before Perry came aboard in 1977, Journey spent a few months with Robert Fleischman as lead singer — long enough for Fleischman to co-write the group’s first Hot 100 entry, not so long that he got to sing it on the record.

11. ‘Any Way You Want It’ (peaked at No. 23 in April 1980)

Ooh, baby, hold tight.

10. ‘Suzanne’ (peaked at No. 17 in August 1986)

Easily Perry’s most unhinged vocal performance.

9. ‘Send Her My Love’ (peaked at No. 23 in November 1983)

A luscious and melancholy white-soul song that I’d bet Phil Collins admired back in the day — and that Justin Bieber would probably flip for now.

8. ‘Lovin’, Touchin’, Squeezin’’ (peaked at No. 16 in October 1979)

Inducting Journey into the Rock & Roll Hall of Fame in 2017, Train’s Pat Monahan belted the na-na-na outro of the band’s first Top 40 hit as he made his case for the group’s excellence. “They didn’t even need lyrics — that’s how badass this band is,” he pointed out. Still, let’s not gloss over the appealing perversity of starting a song this horny the way Perry does: “You make me weep and want to die.”

7. ‘Lights’ (peaked at No. 68 in September 1978)

Dodgers fans can delight in the fact that Perry originally wrote this paean to San Francisco — an anthem taken up at one time or another by every Bay Area pro sports team, including the Giants — about the lights going down and the sun shining on … Los Angeles. (Swap out “the bay” for “L.A.”) Maybe that’s why “Lights” has always felt to me like a precursor to the Red Hot Chili Peppers’ “Under the Bridge.”

6. ‘Separate Ways (Worlds Apart)’ (peaked at No. 8 in March 1983)

[Listens to “Eye of the Tiger” once.]

5. ‘I’ll Be Alright Without You’ (peaked at No. 14 in February 1987)

Shout out to future “American Idol” judge Randy Jackson, who joined Journey for “Raised on Radio” and proceeded to lay down the slinkiest, sultriest, funkiest bass line the band had ever known.

4. ‘Don’t Stop Believin’’ (peaked at No. 9 in December 1981)

Believin’ in what, exactly? The genius of Journey’s most-streamed track on Spotify (with more than 2.9 billion plays) is its use of concrete images to advance a pretty mysterious narrative. We’ve all stood under a streetlight; we all know the smell of wine and cheap perfume. Yet everybody’s midnight train is going to a different anywhere.

3. ‘Open Arms’ (peaked at No. 2 in February 1982)

Famously — and fortuitously — rejected by a former bandmate of Cain’s as “sentimental rubbish,” “Open Arms” was perhaps just waiting to be embraced by Perry, who sings it with the wounded gusto of a man well acquainted with regret. In a poetic twist, Journey’s highest-charting hit was blocked from No. 1 by the J. Geils Band’s “Centerfold,” in which the heartbroken narrator goes laughing all the way to his bed.

2. ‘Who’s Crying Now’ (peaked at No. 4 in October 1981)

The first of three Top 10 singles from 1981’s 10-times-platinum “Escape,” this immaculate R&B jam imagines an alternate dimension where Perry and Cain hear Earth, Wind & Fire’s “After the Love Has Gone” and decide to form a new group with David Foster. Except Perry remembers the song as a high point for Schon: “You know the guitar outro from ‘Who’s Crying Now’?” he asked a New York Times reporter in 2003. “I fought for that because I knew no DJ would cut that song off with Neal’s guitar wailing at the end of it. It was too brilliant.”

1. ‘Faithfully’ (peaked at No. 12 in June 1983)

It wasn’t the first rock ballad about life on the road — and it definitely wasn’t the last — but “Faithfully” might be the most emotionally generous: “Loving a music man ain’t always what it’s supposed to be,” Perry tells his lady, grounding the song in the experience of those who leave and those left behind; later, he envisions their reunion with such tenderness — “I’ll get the joy of rediscovering you” — that you know he’s already decided to take off again.

Life has never been fond of repetition.

Nature itself seems to resist it. No two leaves are exactly alike, no two fingerprints are identical, and even no two sunsets unfold in precisely the same way, nor does the sky ever paint itself twice in quite the same colors.

The same is true of siblings who grow up beneath the same roof, gather around the same table and receive the same upbringing. They still differ in temperament, in the way they think, in how they respond to the world and even in the dreams they choose to follow. It is as though difference is not an exception to the order of life, but one of its most enduring laws.

And yet, we spend so much of our lives searching for a single formula that will work for everyone: one approach to raising every child, one method for teaching every student, one key to every relationship and one way of leading every team.

We often forget that human beings do not come with instruction manuals. There is no guide explaining how to understand a person, what moves them, what holds them back, or how best to reach them.

A human being has never been an equation whose results can simply be repeated. This may be why dealing with people tests our humility more than almost anything else. It asks us to accept that we will never understand everything; that what pleases one person may unsettle another; that the same words may comfort one heart and wound another; and that silence may feel like respect to one person, yet like neglect for someone else.

Perhaps this is what makes leadership one of the most complex of human experiences. Plans can be revised; processes can be improved; goals can be measured. People, however, cannot be understood through ready-made templates or managed by a single manual.

For all the leadership theories, studies and practices we have accumulated, one truth remains both simple and profound: a human being is always too complex to be reduced to a formula or an equation.

One of the greatest mistakes a leader can make is to use the self as the measure of everyone else: to assume that what motivates us will motivate them, that what convinces us will convince them and that what seems clear to us must surely be clear to everyone around us.

But people rarely work that way.

The leaders who leave the deepest mark are often those who learn to adapt to the differences between people without compromising their principles or lowering their standards. And once we understand this, we begin to understand something else: influence does not begin with changing people. It begins with understanding them.

Perhaps, then, the deeper lesson of leadership is not how to manage others, but how to master ourselves and learn to understand them.

It teaches us patience before judgment, listening before offering solutions, and the humility to set aside our assumptions long enough for another person to reveal who they truly are. Each new personality challenges an old belief. Each encounter reminds us, in a different way, that life was never meant to be navigated by a single formula.

For all the leadership theories, studies and practices we have accumulated, one truth remains both simple and profound: a human being is always too complex to be reduced to a formula or an equation.

That is why leadership, at its core, is an inner journey, one shaped by self-mastery, understanding, and the willingness to accept people as they are.

• Asma Al-Janahi is a UAE national with more than 10 years’ management experience in government excellence and the sports sector. She writes about management and social life.