Josh

In his first address to the Disney faithful as chief executive, Josh D’Amaro pledged that Walt Disney Co. would create new stories and experiences at the D23 fan event Wednesday night in Anaheim.

D’Amaro was greeted like a rock star during the Burbank media giant’s film and TV presentation as the assembled crowd of more than 12,000 Disney super fans at the Honda Center gave him a rousing round of applause and cheers. He beamed at the audience, while clasping his hands together in front of him.

“I believe that in order to lead this company, you have to understand what it actually feels like to be a fan,” he said onstage. “And, I do. ”

D’Amaro is no stranger to the D23 stage; in his past role as parks chief, he would give updates on the latest news for the experiences division.

But now, as CEO, he said the company would deepen its connection with fans by continuing to develop fresh stories and new experiences.

“We are not here waiting for the future,” he said. “We’re building it … we’re actually building it right now.”

While Disney unveiled several upcoming original stories, including an animated supernatural flick from Pixar called “Ghost Market” set for release in spring 2028 and “Clay,” a Disney Animation film coming later that year about a mentor-mentee relationship, many of its projects are related to existing franchises.

The company unveiled details about Pixar’s “Coco 2” and “Incredibles 3,” both of which got huge applause from the audience, as well as a live-action “Lilo & Stitch 2.” Fans cheered for the return of the Jonas Brothers reprising their original Disney roles in “Camp Rock 3.” Even a teaser from “The Bluey Movie” elicited screams from the largely adult audience.

Earlier in the day, Disney executives revealed additional plans about its streaming strategy during a series of panels.

The company plans to lean more on creators with its new Verts vertical video feed on Disney+, a new feature designed to increase engagement. So far, it has grown in popularity among users, said Erin Teague, executive vice president of product management at Disney Entertainment and ESPN.

“What we’re seeing is as users are engaging with their vertical video experience, they are actually engaging in the overall product experience, double the amount of time,” she said onstage. “That means that we’re meeting users where we are.”

The company also plans to invest more in local international content to help grow the Disney+ service around the world. Disney has seen its local Korean shows perform well in Asia, as well as Brazil, executives said. And shows that do well in one country can often be remade in other regions.

Over the next three years, Disney plans to roughly triple the number of local original series on Disney+.

The Los Angeles Lakers are to be sold for a reported record-breaking $12.5bn, external (£9.3bn) – less than a year after Mark Walter took a majority stake in the NBA franchise.

Josh Kushner, the brother of US President Donald Trump’s son-in-law Jared, and former Disney chief executive Bob Iger are buying the controlling interest in one of the world’s most iconic sports teams.

Walter bought his share, reportedly worth an estimated $10bn (£7.45bn), from the Buss family in a deal that was unanimously approved by the NBA Board of Governors in October 2025.

Kushner and Iger said in a statement: “As lifelong NBA fans, we are deeply honoured for the opportunity to become stewards of the Los Angeles Lakers, one of the most iconic sports franchises in the world.

“We have immense respect for the leadership and vision of Jerry and Jeanie Buss.

“Our long-term commitment is to build on that foundation, compete at the highest level, and serve this extraordinary team, its fans, and the city of Los Angeles.”

More to follow.

The ongoing explosion of revival screenings in Los Angeles is an opportunity not just to revisit accepted classics, but also to give a spotlight to undersung oddball picks deserving of broader attention.

Take for example 1988’s “Tapeheads.” An offbeat comedy about two friends trying to break into the then-emergent world of music videos, the film stars John Cusack and Tim Robbins just as their careers were starting to take off. A snapshot of a specific moment in Los Angeles — some shots of downtown’s skyline at sundown have an unexpected beauty — the film has never been lost exactly, but it is deserving of renewed interest.

The movie will show on Monday as part of the American Cinematheque’s Cinematic Void program at Los Feliz Theatre, screening from a rare 35mm print provided by the UCLA Film & Television Archive. Director and co-writer Bill Fishman will be there along with producer and co-writer Peter McCarthy, producer Eric Barrett and production designer (later turned director) Catherine Hardwicke.

Cusack and Robbins star as Ivan and Josh, friends since childhood now working as nighttime security guards until they figure out their future. Cusack’s Ivan has ambition and drive while Robbins’ Josh is sensitive and creative. Together they launch a music video business and take it upon themselves to revive the careers of their favorite soul singers, the fictional Swanky Modes (played by real-life soul legends Sam Moore and Junior Walker). Josh and Ivan soon find themselves accidentally wrapped up in a blackmail scheme involving a sex tape and a conservative politician, complicating everything.

“It was a hustler and an artist and the merging of the two, trying to get some sort of balance with your creative side and what you needed to do to make a living,” explains Fishman, now 68, during a recent video interview from Venice, Calif. “We came up with the credo ‘You do what you gotta till you can do what you wanna.’ And that was really where it came from.”

Before making his feature debut with “Tapeheads,” the native New Yorker had already found success in his 20s as a music video director himself, creating clips for songs such as Suicidal Tendencies’ “Institutionalized” and the Georgia Satellites’ No. 2 hit “Keep Your Hands to Yourself.” Straddling the music scene and Hollywood, Fishman found that a satire of conservative politics came to him naturally.

“Music videos seemed to be an easy thing for me to do because I knew that world,” he says. “Even though the story was what we thought would be completely ludicrous, it ended up being much more realistic than we believed.”

John Cusack, left, and Tim Robbins in the movie “Tapeheads.”

(American Cinematheque)

James Branscome, who programs the Cinematic Void series for the American Cinematheque, calls the rare chance to show the film a bucket-list experience.

“It was a weird movie that felt lost, especially when it stars John Cusack and Tim Robbins being zany in a way they don’t often get to be,” he says by phone. “It felt like this very organic, perfect movie, like: This checks so many boxes for me.”

Among the producers on the film is Michael Nesmith, a former member of the Monkees, and through him the project fell under the production umbrella of NBC. Fishman remembers being invited to the home of Brandon Tartikoff, president of NBC Entertainment and a green-lighter of titles including “Miami Vice” and “Seinfeld.” What he thought was going to be a relatively brief meeting was instead hours of Tartikoff patiently going through the script page by page.

“I did not know anything,” remembers Fishman, whose most recent credit is the 2024 film “Waltzing With Brando,” starring Billy Zane. “I thought Hollywood was always going to be like this. But I didn’t realize that my best experience was my first and then we were going to have to fight and claw for the rest of it.”

It was young casting director Victoria Thomas (lately of “Once Upon a Time … in Hollywood” and “Michael”) who brought in Cusack and Robbins. Cusack, a Chicagoan, was in Los Angeles to appear onstage with Robbins’ theater group the Actors’ Gang and the two of them came in to audition together.

“They had really prepared,” says Fishman. “And after an hour or more of the interview, which went great, I said, ‘I want you guys to switch roles.’ And that freaked them out. They were like, ‘We can’t do that. We rehearsed. We can’t just throw this together for you.’ I said, ‘I really think you should.’ And they said, ‘OK, give us 15 minutes.’ And they walked out onto the street in Venice and they came back in as the other characters, redid the audition and that’s how they were cast.”

Mary Crosby and John Cusack in the movie “Tapeheads.”

(American Cinematheque)

Fishman made sure to show Cusack the 1957 film “Sweet Smell of Success,” with Tony Curtis’ smarmy press agent an influence on his character. Fishman also says Cusack’s greased-back hair and pencil mustache were partly inspired by Eric Roberts in “Star 80.”

“Tapeheads” captures a specific moment in Los Angeles history, sure to be nostalgic for some, from a desolate downtown to a percolating music scene. Legendary local party band Fishbone provided music for the score and appears briefly as a country-and-western bar combo. Devo rerecorded a version of their song “Baby Doll” in Swedish to stand in for an international boy band’s hit. The film is also full of cameo appearances by real-life music figures, including “Soul Train” host Don Cornelius, MTV’s Martha Quinn, comedian Bobcat Goldthwait, rapper Doug E. Fresh and musicians “Weird Al” Yankovic, Ted Nugent and Stiv Bators. (A then-largely unknown Courtney Love has an uncredited appearance as a dominatrix on a sex tape.)

“The soundtrack and the people we used in the film were reflective of the wide spectrum of what was unifying, I thought, for the counterculture in specifically L.A.,” says Fishman. “It wasn’t a film about punk rock, it wasn’t a film about rhythm and blues or hip-hop. It was a film about young people expressing themselves.

“When you would go out in Los Angeles at that time, you would go to nightclubs and all these bands would be playing in the same club,” he says. “If you were part of the counterculture you could play anything or dress any way and you were sort of accepted. It was a creative scene and that’s what the film was about.”

One highlight of the movie is a commercial Ivan and Josh make for local L.A. eatery Roscoe’s House of Chicken ‘N Waffles (still going strong), featuring a memorable rap by blues singer King Cotton and done with a bold yellow and black look.

“I grew up in New York City and chicken and waffles was not a thing,” says Fishman. “People here would go get it late night in Hollywood and when I was looking for some business that they could do a video for, it just struck me as an absurd combination, which was all about what the film was about: absurd combinations. And it happens to be delicious.”

“That Roscoe’s Chicken and Waffle commercial is incredible,” says programmer Branscome. “Which is the most California thing because outside of L.A. no one knows what a Roscoe’s is unless you’ve been here. It’s full of very niche stuff that is elevated. It works on one level, but if you know exactly what it is, it gives it a different dynamic.”

Tim Robbins in the movie “Tapeheads.”

(American Cinematheque)

When “Tapeheads” was released in October 1988 (after a berth at the film festival that would be later renamed Sundance), it struggled to find theaters. Moore and Walker performed on “Late Night With David Letterman” as the Swanky Modes. According to Fishman, Cusack and Robbins were both reluctant to do press for the film at the time “because they thought it was uncool.”

It was not until it hit the VHS market that the movie truly began to find its audience. That said, it has never been on Blu-ray and is available to stream from only a few scattered sites. Perhaps this sold-out L.A. screening, with the support of some of the key behind-scenes-team, will help spur the film toward a broader renaissance. It deserves to be seen as more than just a cult curio.

“As soon as people saw the film, they said, ‘Oh, this is a cult film’ and I always hated that,” says Fishman. “I was like, ‘No, it’s not a cult film — it’s a pop movie.’ We wrote it to play to everybody.”

At the time, Kerr gave his answer as the bell tolled. In a flash, he made his move, bursting to the outside in pursuit of Myers and Cheruiyot, who made theirs momentarily first.

With 250m to go, Kerr left them behind. Wightman gamely tried to follow but how do you chase down a man this fast? His brave gamble failed and the bronze medallist from the last two Games trailed home in sixth.

By then, Kerr was already celebrating gold, with Myers coming through for silver and Cheruiyot bronze.

“I peeked up at the screen, saw I had a bit of a gap, and I felt great,” added the Edinburgh athlete, who has been racing at Scotstoun since he was a child.

“I was just trying to stay present and enjoy it. I learned how to race on that track – and I’ve had some pretty bad ones out there – so to really enjoy that last 100m was a really important moment.”

It was the moment Glasgow 2026 has been building to. The historic, reinstated, Blue Riband event of these Games got a fittingly elite winner. As a student of the sport’s history, Kerr will appreciate that.

And as a kid who was at the athletics event at Hampden in 2014, he knew how much joy every man, women and child inside this place would derive from every picture he had taken, every word he shared with them, and every scrawl of his name.

“I have to take my time out there because they’ve waited and put their hard-earned money to come out and watch me perform,” he said.

“You’ve got to stay in your lane and realise I’m lucky coming into this championship healthy, ready to go and I’m in the best shape of my life. And to do that in front of a home crowd is very special.”

Luke Littler’s World Matchplay title defence continued with a straightforward 16-7 quarter-final win over Josh Rock in Blackpool.

Rock initially kept pace with the world number one as the players traded breaks to reach 5-5.

But after 19-year-old Littler reeled off five legs in a row, there proved to be no way back for Rock as the defending champion, in dazzling form, cruised into the semi-finals.

After throwing 17 180s with a scoring average of 109.57, Littler said: “At the minute, everything’s going to plan.”

The teenager added: “I feel good. I can afford to miss a few doubles because the scoring’s there.

“Once again another brilliant performance, but fair play to Josh, he put up a good fight.”

Littler will play unseeded Dirk van Duijvenbode of the Netherlands in Saturday’s semi-final.

Earlier on Thursday evening, tournament outsider Van Duijvenbode survived a late surge by Gary Anderson to reach his first Matchplay semi-final.

Anderson, the 2018 World Matchplay champion, threatened to close an eight-leg deficit with a fine late display including a 154 checkout, but Van Duijvenbode held on for a 16-13 win.

Reflecting on his second-round tie-break win over Michael van Gerwen, Van Duijvenbode had said that shaking “like a little child crying for his mum” allowed his compatriot back into match after leading 8-4.

After leading 8-4 again on Thursday, Van Duijvenbode dropped two consecutive legs but then stormed into a 14-6 lead by winning the next six without reply.

However, it would be a further nine legs until Van Duijvenbode won the tie as a resurgent Anderson pushed him hard.

LONDON — British runner Josh Kerr ran the mile in 3 minutes and 42.66 seconds to break the longstanding men’s world record at a Diamond League meet in London on Saturday.

Kerr broke Moroccan Hicham El Guerrouj’s mark of 3 minutes and 43.13 seconds, set in Rome in 1999, and the Edinburgh native then set off on a lap of honor at London Stadium.

Kerr was so dominant on Saturday that he finished more than three seconds clear of American Yared Nuguse in 3:45.69.

The crowd support as he closed in on the record was “just incredible,” Kerr told the BBC.

“It was just me, my shoes and the track,” he said. “I was absolutely deaf in that last 110 meters.

“I didn’t take my foot off the gas,” he continued, “but … I started to glide and I was like ‘oh wow this feels incredible.’ It’s incredible because I’m slowing down. So, I was like ‘I better get to the line.’ So, crossing the finish line, seeing 42-something — anything — was my goal, so it was great.”

The 28-year-old Kerr’s previous best time was 3:45.34 in 2024.

He had targeted the mile race at the Diamond League meet as a main goal in a track season with neither Olympics nor world championships.

The mile is not a championships event yet has iconic status in track history, with the four-minute barrier broken in 1954 by another British runner, Roger Bannister.

Kerr was a silver medalist in the 1,500 meters at the 2024 Paris Olympics.

Josh Kerr says breaking the men’s mile world record is an “an awesome achievement” but hints he could attempt to set a new mark.

Kerr, 28, beat Moroccan Hicham El Guerrouj’s 1999 time, crossing the line in three minutes 42.66 seconds.

The Scot became the seventh British athlete to claim the mile record and first since Steve Cram in 1985. Kerr’s previous best personal best over the mile was a British record of 3:45.34.

“The biggest goal that I had [this year] was going after the world record in the mile,” Kerr told BBC Breakfast. “It was a perfect year for it.

“With the history that the UK have in the mile distance, obviously with Sir Roger Bannister breaking the four-minute mile back in 1954 and then the slew of incredible British athletes that we had for a long time – [Sebastian] Coe, Cram, [Steve] Ovett – it was just time for me to bring that distance and that record back home to the UK.

“To be able to break that record by nearly half a second was an awesome achievement.

“On another day, with maybe a little bit more favourable wind, I could maybe take another little chunk off it. It’s with us now and if we’re in the fitness for it again, we’ll maybe go after it and take a good more chunk off it.”

Great Britain’s Josh Kerr breaks the world record for the fastest mile, held by Moroccan Hicham El Guerrouj since 1999, by half a second in the Diamond League London event at the London Stadium.

FOLLOW LIVE: Diamond League London

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Josh Grisetti, the Broadway actor who charmed audiences with roles in “Something Rotten!” and TV’s “The Marvelous Mrs. Maisel,” has died, a family member confirmed to The Times on Monday. He was 44.

Grisetti died by suicide Friday, his “Something Rotten!” co-star Rob McClure first announced Sunday on Instagram, adding he is heartbroken and “not ready to even attempt to understand.” McClure also expressed his condolences to Grisetti’s wife and family. The Instagram post included photos of Grisetti and McClure over the years, including at Grisetti’s wedding. The actor married Mackenzie Perpich in 2020.

“Communities around the world will never be the same without him. We love you Josh,” McClure wrote in his caption. “Just a cataclysmic loss.”

On Broadway, Grisetti was best known for starring as Bottom brother Nigel alongside McClure’s Nick. The play follows the pair of brothers as they strive for success in the theatrical world amid William Shakespeare’s unstoppable rise. Grisetti portrayed Nigel Bottom from 2017 to 2018 for the show’s national tour. Grisetti also starred in musical comedies “It Shoulda Been You” and “Broadway Bound.” He appeared in award-winning off-Broadway productions including “Rent,” “Peter and the Starcatcher” and “Enter Laughing,” among others.

Grisetti’s regional credits also include “Spamalot” in Las Vegas, “How to Succeed in Business Without Really Trying” at the Reprise Theatre, “Beauty & the Beast” and “Peter Pan Goes Wrong” in La Mirada.

“Thank you, Josh, for sharing your beautiful energy and immense talent with us,” the La Mirada Theatre said on Instagram.

The actor, in what would be his final Instagram post, announced he departed a production of “Legally Blonde” at the Trentino Music Festival for “personal reasons” before the show’s opening.

The festival also mourned Grisetti in an Instagram post Monday: “Josh was a loving and caring person who was deeply dedicated to his friends, his students, and his colleagues. He was beloved by all who knew him, and he will be deeply missed by our students, faculty, and staff.”

Grisetti, born in December 1981 in Roanoke, Va., acted throughout childhood and performed in a variety of productions, including a kindergarten production of “Peter Rabbit” and high school productions of “Anything Goes” and “Flowers for Algernon.” He officially earned his Actors’ Equity card in 2004 for a production of “Where’s Charley?” at the Goodspeed Opera House, he told Playbill in 2009.

He also pursued a career in TV and film, most notably appearing in the Emmy-winning series “The Marvelous Mrs. Maisel.” He appeared as comedy writer Ralph Emerson in the series’ fifth season. He also had roles in shows “The Knights of Prosperity,” “Nurse Jackie” and “The Good Fight.”

He appeared in the film adaptation of Jhumpa Lahiri’s “The Namesake,” “The Immigrant,” “The Revolutionary Road” and “Men in Black 3,” among other movies, according to IMDb.

Grisetti, who also directed various musical productions, notably brought his talent and experience to Cal State Fullerton and Loyola Marymount University, teaching acting, musical theater and business. He also authored “God in My Head” in 2016, an “irreverent spiritual memoir” that details his accidental meeting with God through a “hallucinogenic journey.”

During his time on “Price of Broadway” in 2015, Grisetti reflected on luck and breaking into the industry. “Luck is required to kind of spark some things in this business a lot of the time, but then talent is what keeps you there,” he told Playbill.

“You start making your own luck, you start forging your own connections and making it happen.”

MINNEAPOLIS — Trevor Larnach homered and drove in two runs, Ryan Jeffers added a two-run double, and the Minnesota Twins beat the Angels 4-2 on Sunday and head into the All-Star break with eight wins in their last nine games.

Larnach’s single in the third inning scored Luke Keaschall, tying the score at 1. Jeffers followed with a double that knocked in Ryan Kreidler and Larnach for a 3-1 lead.

Larnach added a 405-foot homer to right in the eighth inning, his seventh of the season, as the Twins (48-49) won their fifth straight series.

Minnesota starter Taj Bradley (9-3) worked seven innings, giving up six hits and two earned runs with six strikeouts and a pair of walks. Andrew Morris struck out two over the last two innings and earned his third save.

Josh Lowe and Denzer Guzman hit solo home runs for the Angels (38-59), who dropped their fourth straight series. Lowe’s eighth of the season came in the second inning, and Guzman added his fourth in the seventh inning.

José Soriano (8-6) gave up five hits, three earned runs and two walks in five innings.

Up next for Angels: Host the Detroit Tigers for a three-game series starting Friday.

Josh Widdicombe and Emma Willis have shown their public support for Johannes Radebe ahead of their debut as Strictly Come Dancing presenters by turning up at his West End show

Josh Widdicombe and Emma Willis have shown their public support for Johannes Radebe ahead of their debut as Strictly Come Dancing presenters. It was announced earlier this year that comedian Josh, 43, along with former Big Brother host Emma, 50, and Strictly pro Johannes, 39, would be the new trio to head up the BBC Saturday night favourite in place of Claudia Winkleman and Tess Daly.

Johannes, who initially joined Strictly in 2018, is playing the leading role of drag queen Lola in the West End musical Kinky Boots, which is based on the 2005 film and follows a struggling shoe factory as turn to making footwear for men who dress as women in a bid to avoid closure.

On Wednesday, Josh revealed that he and Emma had paid a visit to the London Coliseum where the show is running so they could see their co-star in action.

Alongside a picture of them backstage, along with X Factor winner Matt Cardle, who plays Charlie Price, Josh wrote on Instagram: “Incredible evening watching @johannesradebe absolutely smash the west end in Kinky Boots. Emma and I a bit too in love with him in the second pic.”

The trip were previously seen expressing their excitement for their new roles at a photoshoot for the BBC dancing competition, in a behind-the-scenes video posted to Strictly Come Dancing’s Instagram.

The announcement was a long time to come, and fans have waited almost a year to find out just who will step into the roles once held by Tess and Claudia. But following the first public appearance of the trio, several fans were left divided about what is to come, with some predicting that the lineup will change again after just one series.

One fan wrote on X, formerly known as Twitter: “I’m so sorry but even this photo backs up my theory that it’ll just be Emma + Johannes after 1 series. This is just so odd and you can’t keeeeep dancing like this!”

Another said: “I would have put Emma with Rylan, not sure about Josh or Johannes,” and a third, writing on Reddit, said: “producers were thoroughly surprised and impressed with Johannes during the screentest.

“I wouldn’t be surprised they added the 3rd host role specifically for him. If Josh doesn’t work out for them, they can slot Johannes right in that spot upstairs, with a year of experience under his belt. If it does all work out, they have 3 amazing hosts!”

Others had an optimistic outlook, with one viewer writing: “Good luck Josh, Emma and JoJo, looking forward to the new line-up!”

Another said: “Love Emma! Don’t know too much about Josh so will stay open minded before making judgements. I’m sort of gutted we won’t see Jojo with a partner, but I will love to watch him on my screen every week!!”

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JOSH Duggar has been moved to a new federal prison more than 100 miles closer to his wife and family after leaving a medical facility, The U.S. Sun can exclusively reveal.

The disgraced TLC reality star, 38, is currently serving more than 12 years after being convicted of receiving and possessing child sexual abuse material following his arrest in April 2021.

Official records show he has been transferred to the Federal Transfer Center in Oklahoma City after a short stay at the Federal Medical Center in Fort Worth, Texas.

A Bureau of Prisons spokesperson previously said inmates may be transferred for a variety of reasons, including medical concerns, or other measures designed to maintain institutional safety and inmate protection.

Duggar is now about 218 miles from the family’s home in Tontitown, Arkansas — compared to the roughly 350-mile journey to FCI Seagoville in Texas, where he had been incarcerated since 2022.

The new facility serves as a temporary processing hub for federal inmates being moved between prisons, which means Duggar could be transferred again before serving out the remainder of his sentence.

The U.S. Sun has reached out to the bureau and Duggar’s lawyers comment.

He has been incarcerated since his conviction on federal child pornography charges stemming from downloads made at the used car dealership he operated in Springdale, Arkansas.

In December 2021, a federal jury found him guilty of receiving and possessing child sexual abuse material after investigators traced illegal downloads to a password-protected computer at his business.

Prosecutors argued Duggar was the only person with the knowledge and access needed to download the files.

In May 2022, he was sentenced to 151 months — more than 12 years — in federal prison, followed by 20 years of supervised release.

He was also ordered to pay a $10,000 fine.

Ever since, Duggar has unsuccessfully fought to overturn his conviction, arguing that errors were made during his trial and that evidence should not have been admitted.

Federal appeals courts have rejected the arguments, leaving his conviction and sentence intact.

His wife Anna has remained publicly loyal to her husband throughout his imprisonment despite the scandal that ended the Duggar family’s reality TV empire.

She has regularly visited him in prison and attended court hearings during his legal battle, while continuing to raise the couple’s seven children in Arkansas.

They have been married since September 2008 and have seven children together.

The Bureau of Prisons has not disclosed why Duggar was transferred or where he will ultimately be sent next.

Federal inmates are commonly moved because of security classifications, institutional needs, programming opportunities, medical reasons or other administrative decisions.

For now, Duggar remains in Oklahoma City as officials determine his permanent placement.

His projected release date remains October 2, 2032, according to Bureau of Prisons records.

Meanwhile, his racy messages to his wife Anna while he was in custody in Arkansas were revealed in a report by PEOPLE.

“[I] miss you my lover. i miss being in the shower with you scrubbing, i miss watching you try on clothes, I miss watching you being sexy,” Josh wrote.

He also congratulated his wife for “making the scale numbers lower than expected” and suggested she buy herself “something low cut” to wear in the shocking text.

He continued, “[O]r you can try on clothes and send me a pic of you in your bra and panties 😉 or try on ‘go to the private pool for sun’ swimsuit? btw you should order you a 2-piece swimsuit since summer is coming on soon, get something hot and fun.”

Josh then signed off, telling her he would love her forever and calling her “sexy.”

He wrote a similar sign-off in a message sent to Anna, 38, days later, and added, “p.s. – send pics asap as requested, imlied (sic), inferred or otherwise stated lol. nice one(s) with your twos in it! (OvO).”

Josh Lowe‘s first career grand slam was all the offense the Angels needed Sunday in a 4-1 victory over the Athletics at Anaheim Stadium.

Lowe was 10 for 33 with 27 RBIs with the bases loaded during his six-year career, but had managed only two extra-base hits in those situations prior to going deep off starter Aaron Civale in the second inning.

The center fielder fouled off a pair of 1-2 pitches before sending a high cutter 403 feet to the right-field corner for his first homer since May 20.

Angels starter Sam Aldegheri (3-3) allowed one run and five hits in five innings, striking out four. José Fermin threw two scoreless innings and Samy Natera Jr. got four outs for his first major league save.

Joey Meneses drove in Jeff McNeil with a sacrifice fly in the fifth for the A’s, who finished with six hits. They went 0 for 8 with runners in scoring position and left eight on base overall.

The A’s threatened to cut into the lead after two straight walks to open the eighth, but Ryan Zeferjahn struck out the next two batters before giving way to Natera, who retired Nick Kurtz on a fly ball.

Civale (5-5) permitted seven hits in five innings, striking out two. José Suarez tossed two scoreless innings in relief.

Up next: Angels RHP Ryan Johnson (1-2, 8.84 ERA) starts Monday night in Seattle against RHP George Kirby (6-7, 3.94) to begin a three-game set.

For UFC boss Dana White, heavyweight Josh Hokit’s post-fight behavior at UFC Freedom 250 on Sunday crossed a line.

On Monday, the mixed martial arts promotion’s president and chief executive told Time reporter Sean Gregory via text he is “completely against saying nasty and false things about people’s families” in reference to Hokit’s tasteless comment about Michelle Obama. During the White House spectacle in front of President Trump and others, Hokit was interviewed after his technical-knockout victory over Derrick Lewis and propped up a false conspiracy about the former first lady, declaring “Michelle Obama is a man.”

Hokit, who has a history of making tasteless comments after his fights, including the same Obama jab, drew mixed reaction from the UFC Freedom 250 crowd — and also from social media users, with some repeating the false claim in the comments on Hokit’s Instagram page and others chiding it. White, who has panned Hokit’s remarks in the past, did so again.

“Everyone knows my position on free speech but I hate that kind of nonsense,” White’s text added.

Hokit insulted Obama months after Trump faced backlash in February for a racist social media video that depicted President Obama and the former first lady as apes. Amid mounting public criticism, the White House took down the video and blamed an unnamed aide.

Michelle Obama, clearly on Hokit’s mind on Sunday, was busy with other matters over the weekend: preparing with her husband to open their Obama Presidential Center in Chicago. The museum and library hosts its grand opening Thursday and will be open to the public Friday.

Times staff writer Ana Ceballos contributed to this report.

THE SIDEMEN’S Josh Bradley has revealed he’s set to become a dad for the first time as his wife is expecting a baby boy.

The streamer took to Instagram to share a series of sweet snaps and captioned them: “Mum and Dad for real this time.”

In the snaps, Josh and his wife Freya Nightingale brimmed with happiness as they shared their joyous news with their followers.

After smashing a pink and blue gender reveal cake, the delighted couple shared they were having a baby boy.

The happy pair also posted a sweet image of their baby scan to their family and fans.

Fans flocked to comment and one wrote: “Announcement & gender reveal in one. YUPPPPP love you both so muuuuchhhh. Coolest parents.”

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Truth behind KSI’s exit from The Sidemen as ‘blindsided’ crew’s next step revealed

KS-BYE

Why has KSI left The Sidemen? What the YouTube star said about leaving the group

Another said: “Yes!!! Congrats!!!”

A third added: “Amazing news.”

A fourth wrote: “Oh my god!!! Huge congratulations to you both. This is the most amazing news.”

While a fifth said: “KSI left and now Josh and Freya are having a baby, the good news can’t stop coming.”

The Sidemen appeared to take a sideswipe at KSI after he announced he was splitting from the YouTubers last week.

In bombshell news the Britain’s Got Talent judge revealed he had recorded his last video with his mates and was flying solo.

The Sidemen put up a long post on their social media which seemed to criticise the way in which KSI did it.

They wrote: “Ideally, we would have loved the opportunity to give JJ the send off he deserved, a proper farewell video, time for everyone to process it, and a chance to celebrate everything we’ve built together.

“Unfortunately JJ released the news before we had agreed on a mutual way of letting our audience know.”

In the video KSI posted he said: “This is honestly the hardest video I’ve ever had to make in my life.

“I’ve gone back and forth on this decision for a very long time. I’ve spent months trying to figure out what the right thing to do is.

“But after a lot of thought, I’ve decided that I’m no longer be doing sidemen videos. Today, 31st of May, will be my final Sidemen video.”

After Arsenal‘s first league title for more than two decades was confirmed, tens of thousands of supporters rushed to Emirates Stadium to celebrate.

“I knew we were a sleeping giant that we needed to awaken in some way.” Kroenke said.

“We haven’t had a team, a squad like this in the social media age. Social media evolved and the Twittersphere and everything else around it.

“The instantaneous information, the ‘Banter Era’ – I’m aware of all this. I turned 46 last week.

“I’ve grown up around this and I’ve seen it all from my own perspective. I think that’s what I’m so proud to see. There was almost a time when you were a closeted Arsenal fan.”

But this success does not mean the end of the journey for Kroenke and his vision for the club, with the Gunners playing Paris-St Germain in the Champions League final on Saturday.

“I think I can think back and say that our stated goal was winning the Premier League, because if you can put yourself in contention for the Premier League, you’re in contention for everything else.” Kroenke said.

“Should we get a great result on Saturday, it’s not going to change or affect who we are. When you win something, the sun’s still going to come up the next day.

“You’ve got to get back to work and there are many teams trying to gain on you, including some historically great ones around the Premier League.

“So, we’re going to look to strengthen because we know that teams around us are going to get better. If you’re not trying to continually evolve and improve, you’re standing still.”

Green Bay Packers running back Josh Jacobs has been released from a Wisconsin jail a day after being arrested in relation to an alleged incident over the weekend. He still faces the possibility of being charged with several crimes, including some related to domestic abuse, pending further investigation.

“After reviewing the available evidence in this case, the Brown County District Attorney’s Office is not yet prepared to make a formal charging decision,” Dist. Atty. David Lasee said Wednesday in a news release. “Our office has requested additional investigation, as there is reason to believe that additional evidence may exist that would impact whether criminal charges are appropriate, and what charges would be issued.

“Mr. Jacobs will be released from custody at this time, and a final charging decision will be made by our office at a later date.”

Jail records show that Jacobs, 28, was released at 12:20 p.m.

Jacobs’ lawyers — David Chesnoff, Richard Schonfeld, and Clarence Duchac — said in a joint statement Wednesday that they remain confident their client ultimately will not be charged in the matter.

“We are extremely pleased that Josh has been released from custody and that no criminal charges have been filed against him,” they said. “As we previously stated, we encourage everyone to keep an open mind while the matter is fully reviewed. We remain confident that, once all of the evidence is gathered and evaluated, it will confirm that no charges should be brought against Josh in the future.”

According to the Hobart/Lawrence Police Department, officers were dispatched to a complaint involving Jacobs on Saturday at 8:37 a.m. He was arrested Tuesday on allegations that included strangulation and suffocation, battery-domestic abuse, criminal damage to property-domestic abuse, disorderly conduct-domestic abuse and intimidation of a victim.

Jacobs’ lawyers said in a statement Tuesday that he “vehemently denies the allegations.”

A three-time Pro Bowl selection, Jacobs spent the first five years of his NFL career with the Raiders, leading the league with 1,653 rushing yards in 2022, and the previous two seasons with the Packers.

“We are aware of the matter involving Josh Jacobs,” a Packers spokesman said Tuesday. “As it is an ongoing legal situation, we will withhold further comment.”

Speaking to reporters Wednesday at the team’s voluntary workouts, Coach Matt LaFleur said, “I know there’s going to be a lot of questions about Josh. I’m going to stick with the statement that we put out as an organization and just let the process play out.”

NFL spokesman Brian McCarthy said Tuesday that the league is “aware of the report and have been in contact with the club.”

The Associated Press contributed to this report.

NEW Strictly Come Dancing host Josh Widdecombe was forced to halt work at his listed mansion after he began renovations without planning permission.

The comedian has already splashed some of his windfall on renovating his new family home in Devon.

Josh and his producer wife Rose Hanson wasted no time in beginning work on the listed property, only for planning documents to reveal they had failed to get permission.

In a retrospective application, his agent said it was “regrettable” but confirmed work was immediately “paused” upon realising.

On the application form, Rose confirmed work on the building had begun but had not been finished.

Permission was eventually granted this week by council planners under delegated powers after no objections were received.

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The application was in Rose’s name, who previously said on social media she was the boss when it comes to renovations.

She wrote: “He’s good at writing jokes, I’m good with interiors – we stick to our lanes.”

The work includes a range of internal alterations including reopening a historic doorway, adjusting partitions and repositioning architraves.

A supporting statement on behalf of the couple said: “At ground floor level it is proposed to re-open an historic doorway that was blocked with 20th century studwork.”

It added that minor adjustments would be made to the back of the building to incorporate a new door from the garden.

It said: “The enclosed works have no impact on the setting of the building in any way, with the only external change proposed the inclusion of a new door to the garden store.”

They added that internally, none of the proposed works have an adverse impact on the character of the house.

In approving the application, a planning official described the impacts of the proposals as largely “positive” or “neutral”.

The couple moved to the home in Devon after selling their £2.3m London townhouse.

They said at the time they wanted to bring up their two children with more space and be closer to Josh’s childhood home.

Previous pictures of the listed property reveal five ensuite bedrooms and a separate one-bed coach house in the grounds, as well as a huge living room, large kitchen and dining room.

The posh home also comes with two offices, a gym and a wine cellar.

Speaking on the Parenting Hell podcast, Josh had told fellow comic Rob Beckett: “Just to be clear, it isn’t in Crinkley Bottom – it isn’t the house we used to see on Saturday nights on the TV.”

Josh and Rose also owns a £1M holiday home in Cornwall, that they restored and now rent out to holidaymakers.

For a guy who has become known for his monstrous output of clips, comedy specials and content, it’s a wonder Josh Johnson has time to stop to think about what makes his comedy timeless. As a former writer and now one of the hosts of “The Daily Show,” much of Johnson’s humor outside of specials relies on his ability to deliver jokes on the dumpster fire du jour when it comes to pop culture and politics. But for his latest one-hour special, “Symphony,” premiering Friday on HBO, he wanted to orchestrate something different that would still be funny 40 years from now, regardless of what’s fashionable or who is running the country.

Using music as a canvas to paint a funny, layered portrait of the human experience, Johnson creates a set that comes alive with the sound of more than the laughter at the Wiltern, where the special was filmed earlier this year. With stories focused on surviving rowdy family, moments of loneliness, struggles with faith, and navigating our deepest human relationships, Johnson’s abilities as a pensive storyteller are conducted masterfully. The result is an hour that helps showcase his refined comedic voice, surprise the audience and sound the trumpets for his next round of touring.

This interview was edited for length and clarity.

Why was it important for you to veer so strongly into music as a theme of your new special, “Symphony”?

I think music, in a way that nothing else does, brought the central points and themes of the special home. In the beginning [scene] with the title card and the busker who has a [music-related] quote in front of him, that’s sort of the mission statement of the special and everything I’m trying to do. The thing to me is including the music to help bring about these ideas and bring each section home and bring it all the together in a way that obviously I’m also attempting to do through the comedy. I think thematically there’s nothing stronger to make the overall point than music.

What inspired you to shoot it at the Wiltern?

The Wiltern is so beautiful and it also lends itself to that sort of art aspect I’m talking about in the very beginning of the special. Things that have that look of the Wiltern help not just create a spectacle, but give you something really beautiful to look at. You get something really beautiful to listen to in the music, and then the comedy helps decorate the hour that we’re spending together.

“If you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, I think that you create something that really stands the test of time,” Johnson says about his new special, “Symphony,” premiering Friday on HBO.

(Ser Baffo / HBO)

You definitely play around with the format of a typical special in this new hour. As somebody who has mastered the ability to release a crazy amount of comedy in recent years on YouTube and social media, what aspect of a traditional one-hour special do you still find important?

I think that everything that I’ve been doing so far is pretty topical and very of the moment, even when I’m not talking about a specific pop culture or political topic. I think that there’s a time for comedy of the moment, but then I also think there’s an aspect that you want to be timeless, and that’s what the specials are for me. You want the piece to be something that people watch 40 years from now, and I don’t always expect every single set that I put out to have that level of longevity. Because no matter how it feels right now, there’s going to come a time where we look at the people who take up so much of our bandwidth and our thoughts throughout the day as just a sort of passing political fashion or the things that we see as like huge indicators of where society is right now will eventually become forgotten crazes. But I think that if you speak to the human condition, if you speak to a lot of people’s timelessness around family and culture and some of the bigger topics, but without naming names, you create something that really stands the test of time.

There’s a duality between your timely comedy on “The Daily Show” and the timelessness you’re aiming for in specials. Was it important for you to separate the two ways that people might see you as a comedian?

People are going to have their takeaways from whatever you do. I try bringing the same amount of intention to everything, but as far as the way people see me, it’s something that’s kind of out of my control.

Religion comes up a lot in the special, the Bible specifically. I’d read somewhere that you had taken a break from practicing Christianity in recent years. If so, what was your reason for including the topic in your special?

I wouldn’t even necessarily call it a break, I just think that there’s moments you’ll find yourself in, where whether you grew up on a text or a certain few tenants that you live by, there’s always going to come a time where it’s really important to revisit those things… It’s not necessarily that I bring religion up in the special because I stopped practicing. It’s actually because I think that if I’m breaking life down into these sort of pillars that make up a person — I’m not saying religion has to be one of them — but I do find it to be an aspect for a lot of people. So if I’m once again trying to speak to things from a universal perspective as best I can, I think it’s something that that definitely comes up.

Comic Josh Johnson turns his new hour into a concertlike experience, using live music, a busker’s credo and L.A.’s ornate Wiltern Theatre to tie jokes into a single, sweeping theme.

(Ser Baffo / HBO)

Considering how well you use music as a backdrop for the special, how long did it take to come up with a concept for the hour? Did you write the jokes before coming up with the structure or vice versa?

I basically had a structure before I had a set, and I went to the director Jacob Menache about the idea for this thing like three years ago and we were talking about how best to make it work. That was long before I knew what jokes were going to go where, or how many things, how many aspects we were going to add to it, or anything. So I think that it’s been a long time coming, as far as like the actual structure of what you end up seeing.

Watching your special was the first time I paid real attention to who the musical director was in the credits. What was it like working with respected bassist and producer Derrick Hodge on creating the concept for the music in “Symphony”?

I look at Derrick as someone who was doing a lot of interesting things, and so I thought it was going to be a fantastic opportunity to get to work with him. I don’t know that much about music, to be honest. I try to dabble with producing here and there because I have ideas, but it’s the real musicians, the real artists that take the ideas that I might pitch out and create something with it. So I really leaned on Derrick as much as possible to like bring us home. I feel like so much of what I was trying to do was in bringing an overall idea of the structure of a set and asking Derek, “Hey, what do you think about this?” I don’t know if I could have ever thought up a way to create what I was trying to build without him.

Was there something about you that you felt like you wanted to get across in this special that maybe you haven’t gotten to in your previous specials?

It can be tough to show new shades of yourself when you put out a lot of stuff, and you are always kind of coming with stories about your life and your childhood or anything like that when I think of putting a set together, especially something that is attempting to be timeless. Overall, I think every new story is a new story to [the audience]. But I think that if you can express how you used to think versus how you think now, that can be revealing. Towards the beginning [of “Symphony”] I talk about how there are things I didn’t understand until pretty close to the special in theory, things I didn’t understand until like a week ago, or I’ve always held this belief, or something like that, and I think that if you can give people insight to your evolution as a person, I think that’s a really powerful thing.

“I think music, in a way that nothing else does, brought the central points and themes of the special home,” Johnson says.

(Ser Baffo / HBO)

Were there any things that occurred during the rehearsal process that genuinely surprised you?

Watching it come together was a huge surprise, because you know, [the director] Jacob’s out here in L.A., I’m in New York, and so I make the flight down and everything, but the Thursday rehearsal with the musicians [before the taping] was the first time I was seeing everything come together. It was first time I was hearing everything, and so I think watching something finally come to life after such a long period of time is always going to throw you for a loop.

Now that the special will finally be out, what plans do you have next about how to showcase your comedy?

I’m really excited for people to see what’s coming. I start the tour Comedy Band Camp in June. I have some surprises for people there as well, and I’m looking forward to showcasing lots of artists. I’m looking forward to showcasing as much as I can that helps me elevate the level of craft and what I bring to people. And so I’m doing that through even more collaborations. I’m going to be hyping up some people that maybe you’ve heard of, or maybe you haven’t heard of. The special is kind a beautiful kick off for the tour that I’m going to be doing because we are going to be on the road for quite a while, and I chose Comedy Band Camp as a theme, because camp is this thing that people are nostalgic for, it’s a place to go that is safe, where you make friends. Band is about people coming together for a shared goal, it’s about everyone having a singular purpose towards creating art. So I think mixing those two things together will be a unique experience that no one can get anywhere else, and it’ll be a challenge to present it as best as possible. But I have a lot of plans for how I’m going to do that.