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“LADIES and gentlemen, the Rolling Stones!”

For decades, those six simple words have heralded the arrival on stage of the world’s greatest rock and roll band.

The announcement most likely paves the way for the raw, staccato thrill of Start Me Up, followed by at least two more hours of music mayhem.

It is the moment when all the work put in by the band’s creative director and lighting designer, Patrick Woodroffe, comes to fruition.

Since the 1982 tour supporting the Tattoo You album, Woodroffe and his team have been tasked with shining the spotlight on the Stones — literally.

It has been their job to showcase the swagger of Mick Jagger, the laid-back riffing of Keith Richards, the playful interaction of Ronnie Wood and the effortlessly cool drumming of the late Charlie Watts.

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Things always go wrong on some level!

Woodroffe

We know ever-energetic Jagger struts across cavernous stages in front of vast crowds, but Woodroffe says: “Keith once told me that Mick could perform on a coffee table, and it would still be great. Our job is simply to provide a setting in which he can work.”

Although the Stones’ age-defying shows continue to this day, fans and casual observers alike are being invited to step back in time to 1990 for what the band calls “a bigger, louder and more immersive” experience.

From December 10, the fabled film, Rolling Stones — At The Max, returns to select IMAX and Cineworld venues across the UK.

‘Visual narrative’

First released in 1991 and now remastered, it captures the previous year’s Steel Wheels/Urban Jungle tour in all its raging glory and is also notable for the final performances with the band of bassist Bill Wyman.

The film was shot in three European cities, London (Wembley Stadium), Turin and, less than two months before the reunification of Germany, East Berlin.

Using eight IMAX cameras, it was the first full concert movie to be shown on the giant screens and featured a typically storming set.

Rocking live staples were present and correct — Honky Tonk Women, Sympathy For The Devil, Street Fighting Man, Brown Sugar and the Stones’ favourite finale (I Can’t Get No) Satisfaction.

Jagger gives a vocal masterclass on mid-Sixties classics, Ruby Tuesday and Paint It Black, while Richards takes his customary turn at the mic for a rousing Happy.

There’s room for live rarity 2000 Light Years From Home, which first appeared on the Stones’ psychedelic 1967 outing, Their Satanic Majesties Request.

And for several tracks on newly minted Steel Wheels — Sad Sad Sad, Rock

And A Hard Place, and a wild, experimental sonic adventure called Continental Drift.

So, which songs in the live repertoire make for particularly dramatic visuals?

“Certain numbers are considered production numbers,” says Woodroffe.

“Sympathy For The Devil is a good example as is Gimme Shelter.

I met Mick for the first time that night in a tiny dressing room under the stage just before the show

Woodroffe

“These are powerful songs, typically longer than most, which allow time to build a visual narrative. For Sympathy, we set the stage on fire! Not literally of course, but smoke machines, flame effects and pulsing red lights give a pretty good impression of it.”

To celebrate the 2025 At The Max refresh, I’m speaking to Woodroffe about his association with the Stones, which stretches back to the early Eighties.

He recalls his initial dealings with Jagger and Co: “The first show I ever made for the Rolling Stones was at the Capitol Theatre in Aberdeen in the summer of 1982.

“It was also the first show for our musical director, Chuck Leavell. So he and I share the distinction of being the longest- serving Stones employees, something we are both very proud of.”

Woodroffe remembers a fateful encounter in that north-eastern corner of Scotland: “I met Mick for the first time that night in a tiny dressing room under the stage just before the show.

“His only direction to me then was, ‘Bright for the first numbers and darker for the ballads’. Not bad advice and something I have followed for the last 45 years.”

So, I venture, how involved have the band members been in the process of designing, lighting and staging a show?

He replies: “Mick and Charlie have been the most involved with helping our set designer Mark Fisher to develop designs for tours. But Ronnie and Keith have also been very aware of the stages on which they perform.

“Keith always refers to the stage as ‘The Office’.”

I always watch a Stones show in two very distinct ways

Woodroffe

Next, Woodroffe talks of the strong rapport he has built up over the years: “Much of the success of the relationship I have with the band is simply based on longevity.

“There is a real shorthand and understanding of what we’re all doing to create these shows, so communication is easy.

“But I’m also genuinely enthusiastic about my work and I think that probably has some resonance with the band.

“I’ve always loved their music — and having a job that allows me to be a part of their world is hugely gratifying.”

Over the years, Woodroffe has learned how to highlight the band in different settings.

“I always watch a Stones show in two very distinct ways,” he says.

“The first is to make sure that our part of it is right in terms of the lighting, the staging and the video content.

“The second is to understand the audience who come to watch the band — and that changes every night.

“An audience of 60,000 in a giant stadium in Tokyo is a very different beast from a club show in Paris or a run of shows at Madison Square Garden.

“It is how an audience acts, how they respond to the band emotionally and, more to the point, how the band responds to them.

“That is something that’s unique from show to show.”

This brings us to the challenges of staging the 1990 Steel Wheels/Urban Jungle tours with At The Max in mind.

Woodroffe says: “Stones shows are often filmed for either live broadcast or simply as a record of a tour.

“Each time, lighting and the staging is adjusted to capture the show on film but, for the IMAX project, we were in unknown territory.

“No one had done anything like this before and everything was different, particularly the cameras themselves, which were enormous and took three people to run them.

“The film cartridges also only lasted 12 minutes, at which point another three people had to reload the film canisters.

‘Huge spectacle’

“Unlike a normal video shoot where a TV monitor can show us instant results and can therefore be adjusted on the fly, the IMAX system had no facility for this.

“Instead, we would shoot something one night, the film would then be flown to the States to be processed, then flown back again to Europe where we would have to find an IMAX cinema near wherever we were touring.

A Stones performance is an interesting mix of huge spectacle — sound, light, video and pyrotechnics — with intimate performance where the heart and soul of this extraordinary band is there for all to see

Woodroffe

“Then we’d go to watch the rushes at one o’clock in the morning when the theatre was empty!”

Next, I ask Woodroffe how he and his team went about achieving the right atmosphere for such big screens?

He answers: “A Stones performance is an interesting mix of huge spectacle — sound, light, video and pyrotechnics — with intimate performance where the heart and soul of this extraordinary band is there for all to see.

“Getting that balance right is key to a successful concert and, on the IMAX film, we achieved that with real success.

“With all the talk of immersive experiences, At The Max is as immersive as it gets.

“You really do feel as if you were there and the Rolling Stones are performing just for you!”

Like the rest of us, the Stones and their production team are only human, so I’m keen to find out if things ever go wrong.

“Things always go wrong on some level!” says Woodroffe. “But it’s usually quite easy to hide them. Even something as obvious as a microphone going down can easily just be considered part of the energy of a live performance.

“But, in the 45 years I’ve worked with the band, we’ve never lost a show because of a technical issue.

“After all, that famous mantra ‘the show must go on’ applies to us as much as anyone.”

Woodroffe’s career goes back to 1973 and he has lit and directed shows for many artists who sit at rock and pop’s top table.

Among them are AC/DC, The Police, Bob Dylan, Simon & Garfunkel, Rod Stewart, Elton John, and Lady Gaga — but who are his favourite artists to work with, aside from the Stones, of course?

‘My soundtrack’

Woodroffe tells me: “All an audience ever wants to see from an artist or a performer is authenticity.

“However staged or considered or planned a concert might be, it is that connection between the artist and audience that matters — more than any special effect or fancy costume. And the Stones are nothing but authentic.

“I think Stevie Wonder is probably the one other artist that I felt the most connected to other than the Stones, which is of course ironic as Stevie has never seen my work.

“But his music was the soundtrack of my life and growing up. So, to be a part of interpreting that with light and colour, helping him to share it with an audience, was a privilege.”

Woodroffe reserves his final comment for the Rolling Stones, giving a clue to his strong and enduring relationship with them.

“I consider myself a fan and a friend.”

Like the rest of us, the Stones and their production team are only human, so I’m keen to find out if things ever go wrong.

I consider myself a fan and a friend

Woodroffe

“Things always go wrong on some level!” says Woodroffe. “But it’s usually quite easy to hide them. Even something as obvious as a microphone going down can easily just be considered part of the energy of a live performance.

“But, in the 45 years I’ve worked with the band, we’ve never lost a show because of a technical issue.

“After all, that famous mantra ‘the show must go on’ applies to us as much as anyone.”

Woodroffe’s career goes back to 1973 and he has lit and directed shows for many artists who sit at rock and pop’s top table.

Among them are AC/DC, The Police, Bob Dylan, Simon & Garfunkel, Rod Stewart, Elton John, and Lady Gaga — but who are his favourite artists to work with, aside from the Stones, of course?

‘My soundtrack’

Woodroffe tells me: “All an audience ever wants to see from an artist or a performer is authenticity.

“However staged or considered or planned a concert might be, it is that connection between the artist and audience that matters — more than any special effect or fancy costume. And the Stones are nothing but authentic.

“I think Stevie Wonder is probably the one other artist that I felt the most connected to other than the Stones, which is of course ironic as Stevie has never seen my work.

“But his music was the soundtrack of my life and growing up. So, to be a part of interpreting that with light and colour, helping him to share it with an audience, was a privilege.”

Woodroffe reserves his final comment for the Rolling Stones, giving a clue to his strong and enduring relationship with them.

“I consider myself a fan and a friend.”

IS SHE a crusader or a Rebel without a cause?

That’s the question surrounding Rebel Wilson this week, as she stares down the barrel of yet another legal wrangling — while passionately claiming she’s a “whistleblower” fighting for justice.

This week, in a bombshell TV interview, the 45-year-old broke her silence on the legal battle she is fighting surrounding her feature film directorial debut.

The star, who was born and raised in Sydney, told 60 Minutes Australia she had been the target of “incessant . . . bullying and harassment” by the producers of her comedy musical, The Deb.

The producers are suing her for defamation, breach of contract and sabotage and the lead actress has also launched a lawsuit against her.

It comes just 18 months after Rebel accused Sacha Baron Cohen of inappropriate behaviour on the set of another production — which he denies — and eight years after a landmark defamation battle.

Now, with her star showing signs of waning Down Under, have the endless litigations and allegations destroyed Rebel’s career?

In the latest real-life drama, the producers of The Deb — Amanda Ghost, Gregor Cameron and Vince Holden — launched their legal action after Rebel claimed they had embezzled film funds.

She also accused Amanda of sexually harassing lead actress Charlotte MacInnes on set.

Charlotte, who denies she made claims of sexual harassment, is suing Rebel for defamation after the latter implied she had “changed her story” and was backtracking to save her career.

Rebel says the producers’ complaints against her are “an attempt to sling mud at [her] reputation”, and that all the muck and mess surrounding the project has been her “worst nightmare”.

‘Smear campaign’

She is now countersuing the producers, accusing them of financial misdeeds, misconduct and coercion.

She claims she had been subjected to suppressive measures, saying: “They locked me in a room and forced me to sign documents. I was like, ‘This is like the KGB.’ ”

The producers vehemently deny Rebel’s allegations, which she initially highlighted in an Instagram video in July 2024.

In the original clip, Rebel accused them of “bad behaviour”, “embezzling funds” and of perpetrating “inappropriate behaviour towards the lead actress”.

She subsequently claimed it was Amanda Ghost who had taken things too far with Charlotte. Rebel alleged Amanda had “asked [Charlotte] to have a bath and shower with her and it made her feel uncomfortable”.

In an extra layer to the mudslinging, both Charlotte and the producers have also accused Rebel of being behind several websites allegedly created as a smear campaign, which have since been taken down.

What is very clear is that she is not as loved here in recent years as I think she expected to be

Eleanor Sprawson, a journalist based in Australia, on Rebel Wilson

These websites accused Amanda, who is of Indo–Trinidadian heritage, of being akin to “the Indian Ghislaine Maxwell” and referred to her as a “full pimp” who was “procuring young women for the pleasure of the extremely wealthy”.

Rebel has denied any involvement in a smear campaign or the creation of websites against her legal foes, claiming she was heavily involved in getting them removed.

The cases rumble on and Rebel remains undeterred.

Not only does she stand by her story and appears willing to fight to the end, she is also loudly promoting new projects on Instagram and is looking forward to seeing The Deb finally hit screens in Australia in January.

Rebel’s history suggests she is not someone to be provoked.

In 2016, Rebel — who found global fame in 2011 comedy Bridesmaids, before her scene-stealing turn as Fat Amy in 2012’s Pitch Perfect — set fire to the media landscape in Australia after launching a legal battle against Bauer Media.

In a landmark defamation case, Rebel sued the publisher over a series of articles published in 2015, that accused her of lying about her age, real name, and details of her upbringing, to advance her career.

Rebel said these stories had painted her as a serial liar and fraud, and had caused her to lose major film roles in Hollywood. She added that they had been perfectly timed to harm her as her career peaked post-Pitch Perfect.

Initially, the judge ruled in her favour, granting her $4.5million (£2.3million) — the largest defamation payout in Australian history — which she vowed to donate to charity and film projects.

But a later appeal saw the damages reduced to $600,000 — and Rebel was also ordered to pay 80 per cent of Bauer’s appeal costs.

While the appeal court upheld the initial verdict, it found the actress had not proved she had lost specific Hollywood roles solely because of the articles written about her. Another appeal followed — this time from Rebel — but the courts didn’t budge on the reduced payout.

Standing outside the High Court of Australia in November 2018, the actress told reporters: “To me, it was never about the money, but about standing up to a bully and I have done that successfully.”

Such a stance — pushing back against oppressors — is what Rebel has always argued she is doing. More so, perhaps, than the average celebrity — because, as time has passed, Rebel has continued to set the cat among the pigeons.

Last year, she hit the headlines again, as she released her  autobiography Rebel Rising — taking to Instagram to identify Sacha Baron Cohen as the unnamed “massive a**hole” that a controversial chapter of the book centres on.

The Borat actor had directed and starred opposite Rebel in their 2016 movie Grimsby.

Rebel claimed she had been pressured to perform a “lewd act” that was never in a script.

Reflecting on the filming process, Rebel alleged Sacha made repeated, inappropriate requests to her, like: “Just go naked, it will be funny”.

She said she had felt “bullied, humiliated and compromised”.

‘The boy who cried wolf’

While no legal action was taken by either side, Sacha slammed the claims as “demonstrably false” and argued that all evidence — including film footage, production notes and eyewitness statements — contradicted her account.

The book was published in its entirety in the US, but was partially redacted in the UK and Australia — with any mention of Rebel’s allegations against Sacha blacked out due to the legal risk of defamation.

In March 2024, Rebel railed against her suppressors, writing on social media that she would not be “bullied or silenced by high-priced lawyers or crisis PR managers”.

And now she is doubling down on that promise, thanks to her latest public battle.

So, where does that leave Rebel, who, ten years ago was considered to be one of Hollywood’s funniest women.

Eleanor Sprawson, a journalist based in Australia, where Rebel initially found fame, says the temperature has changed towards the actress in recent years.

“What is very clear is that she is not as loved here in recent years as I think she expected to be,” Eleanor explains.

“She was loved, way back 20 or more years ago when she was in a comedy series called Pizza, and I think people were excited for her when she took off in Hollywood.

“So when she presented a local show called Pooch Perfect, TV executives definitely thought they were on to a huge winner: ‘Local girl turned Hollywood star returning to do humble Australian TV’-type thing.

“But in fact the show bombed — and it bombed literally when people were locked in their houses because of the pandemic, with nothing to do EXCEPT watch TV. I think it proves that Australians have not taken her to their hearts.”

She adds: “She certainly did herself no favours by slagging off that old show Pizza in her memoirs. This show is very fondly remembered about a kind of class of people who don’t get much exposure on Australian TV in general.”

No one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language

PR expert Quincy Dash

Meanwhile, Rebel could be seen as fighting causes that matter. In 2021, she donated $1million to the Australian Theatre for Young People.

She’s certainly combative, but has needed to be. In 2022, she came out as gay by posting an Instagram photo of her and her then girlfriend, now wife, Ramona Agruma.

Rebel revealed she’d had to “rush” her coming out after The Sydney Morning Herald contacted her representatives for comment on the new relationship

The actress also had to face constant scrutiny over her fluctuating weight, which — while she previously said made her the go-to funny girl.

But, as PR expert Quincy Dash tells The Sun, her litigious and provocative behaviour sometimes makes her seem like “the boy who cried wolf”.

He warns that “no one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language.”

As it stands, Rebel is pushing ahead, and will next be seen in the Sky Original festive film Tinsel Town next month.

But as for her once-glistening career, she’s going to have to really ask herself: Does she really have a cause worth fighting for?

Nov. 25 (UPI) — Private companies’ payrolls decreased by an average of 13,500 jobs for each of the four weeks ending Nov. 8, data from payroll processing company ADP indicates Tuesday.

The data was released as part of ADP’s weekly National Employment Report Pulse based on a four-week moving average of employment across the country. ADP releases this report three times a month, on the weeks when it doesn’t publish its monthly report, the last of which was Nov. 5.

The Nov. 5 report showed that private companies added 42,000 jobs in October.

Last week’s NER Pulse report showed a 2,500 average weekly job loss. The jump to 13,500 jobs lost per week is reflective of the growing pace of layoffs.

U.S. companies cut more than 150,000 jobs in October, the highest number of layoffs for that month since 2003.

Economists have had to rely more on ADP’s weekly and monthly reports as the release of federal data continues to be affected by the record 43-day shutdown, which ended Nov. 12, CNBC reported.

On Wednesday, the Bureau of Labor Statistics said its October jobs report won’t be released as planned. Instead, some of the data will come out in the full report for November. BLS officials said the report won’t include the unemployment rate for October because those figures allegedly couldn’t be collected during the shutdown.

TRAIN passengers hoping to travel across Britain as Christmas closes in are facing uncertainty after a trade union announced strike action on four consecutive Saturdays.

Workers at rail operator CrossCountry will stage a slew of strikes in December in a dispute over pay.

Rail, Maritime and Transport union [RMT] members will walk out on December 6, 13, 20 and 27 – sparking chaos for Brits.

The move is likely affect thousands of Brits who are heading home to family and relatives for Christmas and New Year.

Engineering works on the West Coast Main Line on December 27 mean some passengers would have been hoping to use CrossCountry trains as an alternative.

CrossCountry operates a nationwide network centred on Birmingham New Street, running long-distance services that link Scotland, the North East and North West, Yorkshire and the Midlands, Wales, the South West, the South Coast and the East of England – including through-services such as the Cardiff–Edinburgh “Three Nations” route.

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“We are disappointed for our customers that the RMT has announced further industrial action,” Shiona Rolfe, Managing Director at CrossCountry told The Sun.

“We’ve worked hard to make a fair and reasonable offer that addresses the key points raised in this dispute, and we’ve made meaningful progress in negotiations.

“Our priority remains reaching an agreement that avoids disruption for passengers in the busy Christmas period, and we are ready to continue talks at any time.”

CrossCountry has not yet confirmed how the strike will impact services, but it is likely that most will be cancelled and they will only operate a  limited timetable at best.  

Eddie Dempsey, general secretary of the RMT – Britain’s biggest rail workers’ union – said today: “CrossCountry has not dealt with the core issues in this dispute and has come back with a proposal that is worse than what was already on the table.

“Our members are still facing unresolved staffing shortages, unfair pay outcomes and broken commitments. RMT members have been left with no choice but to take strike action.

“The company must return with a serious offer that meets the commitments it has already made and treats our members with the fairness and respect they deserve.”

The Sun Online has reached out to CrossCountry for comment.

It comes as Network Rail warned passengers to expect delays around Christmas and the New Year ahead of major £130 million works.

The disruption is set to last for a total of a month over Christmas, while crucial work is carried out.

Announcing a raft of festive network upgrades, Network Rail boss Helen Hamlin said: “The period between Christmas and New Year is the quietest on the railway and it’s the best time for us to do the major projects that will take longer than a night or a weekend to complete.

“That’s especially the case this year as we have some very big plans for improving the railway that will mean people may have to travel home on different routes after Christmas than the way they travelled out. 

“Thank you to everyone for your patience and understanding and for planning ahead.”

Nov. 20 (UPI) — Verizon said Thursday it will lay off thousands of jobs in a cost reduction measure.

The telecommunications giant said some 13,000 workers will be let go due to “cost structure limits” in order for Verizon to be “faster and more focused,” according to CEO Dan Schulman.

“Changes in technology and in the economy are impacting the workforce across all industries,” he said in a message. “We see it in our families and within our communities.”

The company began 2025 with a roughly 100,000 strong workforce.

Schulman told Verizon employees that “every part” of the company will experience “some level of change” as Verizon focuses on “delighting our customers.”

Last month, Schulman, who arrived from PayPal, took over the Verizon helm hoping to cultivate a “leaner” business operation.

A Verizon spokesperson reiterated that cuts do not target a specific department.

The layoffs will impact roughly 20% of Verizon’s non-union management in a pool of approximately 70,000 employees, Verizon spokesman Kevin Israel told USA Today.

Meanwhile, Verizon announced it unveiled of a $20 million career transition fund for its recently fired personnel for “reskilling.”

United States job growth accelerated in September despite a cooling job market as the unemployment rate rose.

Nonfarm payrolls grew by 119,000 jobs after a downwardly revised 4,000 drop in August, according to the Bureau of Labor Statistics (BLS) report released on Thursday.

The unemployment rate rose to 4.4 percent, up from 4.3 percent in August.

The healthcare sector had the most gains, totalling 43,000 jobs in September. Food and beverage services sectors followed, adding 37,000 jobs, and social assistance employment grew by 14,000.

Other sectors saw little change, including construction, wholesale trade, retail services, as well as professional and business services.

The federal workforce saw a decline of 3,000, marking 97,000 jobs cut from the nation’s largest employer since the beginning of the year. Transportation and warehousing, an industry hit hard by tariffs, also saw declines and shed 25,000 jobs in September.

Average wages grew by 0.2 percent, or 9 cents, to $36.67.

Government shutdown hurdles

The September jobs report was initially slated for release on October 3, but was pushed out because of the US government shutdown. The jobs report typically comes out on the first Friday of each month. Because of the 43-day-long shutdown, the US Labor Department was unable to collect the data needed to calculate the unemployment rate for the month of October.

Nonfarm payrolls for the month of October will be released as part of the November employment report, which is slated to be released on December 16.

Heading into the economic data blackout, the BLS had estimated that about 911,000 fewer jobs were created in the 12 months through March than previously reported. A drop in the number of migrant workers coming into the US in search of work – a trend which started during the final year of former US President Joe Biden’s term and accelerated under President Donald Trump’s administration – has depleted labour supply.

“Today’s delayed report shows troubling signs below the topline number: the underlying labour market remains weak, leaving working Americans with shrinking opportunities and rising insecurity. Month after month, the Trump economy is producing fewer jobs, more instability, and fewer pathways for families trying to get ahead,” Alex Jacquez, chief of policy for the economic think tank the Groundwork Collaborative, said in a statement provided to Al Jazeera.

Economists estimate the economy now only needs to create between 30,000 and 50,000 jobs per month to keep up with growth in the working-age population, down from about 150,000 in 2024.

Behind the stalling growth

The rising popularity of artificial intelligence is also eroding demand for labour, with most of the hits landing on entry-level positions in white collar jobs, and locking recent college graduates out of work. Economists said AI was fueling jobless economic growth.

Others blamed the Trump administration’s trade policy for creating an uncertain economic environment that had hamstrung the ability of businesses, especially small enterprises, to hire.

The US Supreme Court earlier this month heard arguments about the legality of Trump’s import duties, with justices raising doubts about his authority to impose tariffs under the 1977 International Emergency Economic Powers Act.

Despite payrolls remaining positive, some sectors and industries are shedding jobs. Some economists believed the September employment report could still influence the Federal Reserve’s December 9-10 policy meeting on interest rate decisions.

US central bank officials will not have November’s report in hand at that meeting, as the release date has been pushed to December 16 from December 5. Minutes of the Fed’s October 28-29 meeting published on Wednesday showed many policymakers cautioned that lowering borrowing costs further could risk undermining the fight to quell inflation.

Nov. 19 (UPI) — The federal government said Wednesday that October’s full jobs report will not be released following the longest government shutdown in U.S. history.

The Bureau of Labor Statistics said instead it will unveil its October payroll data in addition to a full report for November.

October’s unemployment rate will not be included because, according to BLS officials, those figures “could not be collected” due to the shutdown.

Last week, the Trump administration warned the shutdown by the Republican-controlled congress may likely impact the Consumer Price Index and federal jobs reports slated to be released as expected.

The White House claimed the showdown “permanently damaged the federal statistical system, with October CPI and jobs reports likely never being released.”

But the bureau indicated it will bump its November jobs data release nearly two weeks to Dec. 16.

Some 42,000 jobs were added in October in companies with at least 250 workers following September’s drop of around 29,000, according to Automatic Data Processing Inc.

“Private employers added jobs in October for the first time since July, but hiring was modest relative to what we reported earlier this year,” Nela Richardson, ADP’s chief economist, said earlier this month.

Meanwhile, the lack of data fuels further speculation on Wall Street.

WHEN her best friend and co-star Ariana Grande was ambushed on the red carpet, quick-thinking Cynthia Erivo rushed to the rescue.

A prankster grabbed Ariana at the Singapore premiere of their new film Wicked: For Good on Thursday, but Cynthia, 38, stepped in and strong-armed the invader away.

The British actress admits she feels protective over Ariana, saying: “I love her, she’s a bright spark but you just want to take care of her.  And we really took care of each other.”

Luckily loyal pal Cynthia was already fighting fit thanks to the ­gruelling stunts she had to perform for the eagerly anticipated sequel.

“The flying in harnesses, ­chafing, we had it. Chafing was like a funny word to me until I realised what chafing actually looked like when you had it, repetitively.

“It took months for my hips to heal, scratched palms bleeding, bloody nose, like it was bad.

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“We were willing to do whatever it took to do this, but this one was a big one for us.”

Meanwhile, Cynthia  says she and  Ariana  prefer to go to bed early — like a pair of “grandmothers”.

The star revealed that because of the time difference and their schedules, they often struggle to catch up when she is in London and Ariana is at home in LA.

SHUNNED BY DAD

But while gearing up for the long-awaited sequel of the big-screen musical,  32-year-old Ariana, who plays Glinda, broke routine to make sure they could chat.

Cynthia, who plays Elphaba in the films,  said of one recent late-night text exchange with Ariana: “She’s a sweetheart. I was like, ‘Why are you up so late?’ Because we’re like grandmothers, the two of us.

“We like to sleep early. For some reason I was up at 11 here, which meant she was up at two wherever she was. I said, ‘Why are you up so late?’ She was like, ‘I know, it’s new, isn’t it? I’m never up this late’.

“I said, ‘No you’re not, what’s going on?’. And she said, ‘I’m taking every second I can get right now because you’re usually asleep by now’.”

The  first Wicked movie became the highest-grossing UK release of 2024, taking £59.6million at the box office.

It led to Cynthia being nominated for an Oscar, Bafta, Critics’ Choice, Golden Globe and SAG Award for Best Actress.

The sequel, Wicked: For Good, is expected to be just as big and hits UK cinemas on Friday, continuing the tale of the  witches of Oz.

Adapted from the hit musical, Wicked follows Elphaba, a student sorceress shunned by her own father for her green skin, who becomes the Wicked Witch of the West, while her spoiled roommate Glinda ends up as the Good Witch of the North.

Cynthia tells how she endured ­similar heartache when her own dad walked out of her life for good when she was a teenager.

She and her sister Stephanie were very young when their Nigerian father left their mother Edith, a nurse, to bring up the girls alone.

Edith remarried when Cynthia was five and she continued to see her dad “two or three times a week”.

I think he just was not set up to be a dad. I don’t think it was his bag

Cynhtia

She told The Armchair Expert ­podcast: “My mum was really, I think, kind and gave him the space to come and visit if he wanted to.

“We would go over to him from time to time as well. She really made the space for us if he wanted to build a relationship.

“And he just didn’t. I think he  was just not set up to be a dad. I don’t think it was his bag.”

Recalling how she became estranged from her father,  Cynthia added: “I was 16 when my dad decided not to be a part of my life.”

By then, she had already joined a local youth theatre group and was singing hymns at a Catholic church near her home in Stockwell, South West London.

She went on to start a degree in musical psychology at the University of East London, but quit after securing a place at top acting school Rada.

Her early bid to break into UK telly flopped with an appearance on Channel 4 reality show Trust Me, I’m A Teenager and a small part in ITV period drama Mr Selfridge.  Hopes of a breakthrough  in Simon Cowell and

Harry Hill’s £6million X Factor ­musical, I Can’t Sing, were dashed as the run closed after seven weeks.

But her singing voice impressed casting directors.

She made her West End debut in the stage musical The Umbrellas Of Cherbourg and, in 2013,  won a place in a British stage adaptation of The Color Purple, the 1985 movie that starred Whoopi Goldberg.

Since then, her roles have included Harriet Tubman in the film Harriet and a part in Netflix thriller Luther: The Fallen Sun.

But the one person  she always wanted to impress was her father.

She secretly hoped with her  ­becoming famous, he would change his mind about being in her life. Cynthia said: “I think I was using, for a small amount of time, my career as a conduit to find a way to get him back.

‘Look what you gave up, you’re going to regret leaving this’. Yeah, that kind of thing.”

Cynthia has turned to therapy to help her deal with the trauma.

‘MAKE MISTAKES’

She said: “Until you get your head around it and get some control on what it is that you’re actually looking for, what you’re trying to fix in that, it will keep going.

“Thank goodness for a good therapist — that s**t really helped.”

Now, she has finally let go and learned to forgive.  She told The Cruz Show podcast: “It took me ages to let go of parents. It’s like my father, I had to let that go and it’s taken me a long time to get there . . . to realise that it’s a human being who is also fallible and who will make mistakes.”

Cynthia admits that clinging on to that pain for such a long time held her back.

She said: “When you let go, you have to start living. What I keep doing is trying to find the things that challenge me the most, that force me to learn more, that keep me honest  in my craft, that don’t let me get complacent and lazy.”

Wicked was a challenge. The movies were filmed in the UK in chronological order,  back-to-back,  between Dec- ember 2022 and January 2024, with a break in 2023 due to an actors’ strike.

Cynthia, who is dating Lena Waithe, an American actress, producer, and screenwriter, admits that even today she still gets crippled by anxiety.

She explained: “I think if I lose the nervousness, then I know something’s wrong. Because my nervousness tells me I care. The second that disappears, we’ve got a problem.

“So I relish the moments when my heart’s beating fast and I’m nervous. I always forget the first line. Whenever I’m about to go on, the first line will go out  my head.  That’s nerves.

“But when I stand in front of people, it always comes back. It means I care about being here, I care about the people watching.”

Thank goodness for a good therapist, that s**t really helped

Cynthia

When those jitters hit, she relies  on strict pre-performance rituals. She said: “Breathing for me is always key.

“And I always say a prayer before I go on stage. Also, nervousness can sometimes be the mirror looking at yourself.

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“So what I try to do is turn the performance into something I can give. So I ask to be used like a vessel.

“Let whatever I’m singing be for whoever is out there listening. For whoever needs it.”

A MASSIVE new £37m waterfront park with a skateboard site and tightrope has been unveiled just minutes from a town centre.

Tourists and residents will be able to walk across a 55-metre bridge from the High Street to the revamped riverside, which will also feature a huge amphitheatre for live events.

In Stockton, the local authority is overseeing one of the most ambitious regeneration projects in Europe as it buys up swathes of land in the struggling town centre. 

The amphitheatre – with 402 granite steps – will gaze down on the River Tees, home to the Teesside Princess pleasure boat, the North-east town’s iconic tourist attraction, which hosts everything from Taylor Swift-themed boat parties to birthday celebrations, weddings and wakes.

The huge site – three times larger than London’s Trafalgar Square – will also include 10m watchtowers, an oval lawn and a land bridge.

“That’s going to mean people can mean people can walk from the High Street to the riverside, which is quite exciting,” councillor Paul Rowling, deputy council leader and cabinet member for resources and transport at Stockton Borough Council, told Teesside Live.

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Activities for children will also include a toddler trail, swings, climbing nets, trampolines and “exhilarating” slides connecting the amphitheatre to the riverside.

On its website, Stockton Council says “significant work has also progressed” on changes to Riverside Road, which will pass under the land bridge, reduced to a single carriageway each way.

Stockton Council says it has worked with members of the Stockton Parent Carers Forum to ensure that the park features meet the needs of as many families as possible. 

The final design has been shaped to incorporate their advice and feedback.

The site is set to open in spring 2026.

It includes tactile and sensory experiences, motion, sounds with musical instruments, social interaction and quiet spaces.

Councillor Richard Eglington, cabinet member for regeneration and housing at Stockton Council, said: “We know how popular our play areas are with families and that’s why we’ve ensured Stockton Waterfront will be a unique space like no other in the region for residents and visitors to spend quality time outdoors.

“The park’s feature elements, two huge play towers, will take children to new heights and we are looking forward to welcoming families when it opens.

“The play areas will complement the numerous exciting additions in the urban park, which is set to transform the town centre. 

“It’s part of our commitment to make the borough a great place to live, work and visit, providing an environment where all generations can thrive.”

The waterfront park is the latest regeneration project for Stockton – which straddles two English counties and six separate towns.

Work to refurbish the Globe Theatre in the town began nearly 15 years ago and was completed in 2021 at a cost of nearly £30m.

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With a capacity of 3,000 it is the largest live entertainment venue between Newcastle and Leeds.

Acts to have played the venue recently include Paloma Faith, The Waterboys and Fontaines DC.

A MOVIE star from a hit 80s box office smash looks so different from his hunky role.

At 79 years of age, the actor headed out on a walk in Los Angeles last week while looking unrecognizable from his heyday when he wore his hair in brown curls.

Sporting a full head of white hair – which is a far cry from his curls when he took on his starring role – the acting sensation looked casual as he walked his dog in some laidback attire.

The actor, who starred in Flashdance back in the 1980s, rocked a navy blue fleece with some denim shorts, blue socks and a pair of loafers.

Concealing his identity with a pair of sunglasses, the movie star smiled as he walked his dog around LA.

He starred opposite Jennifer Beals in 1983 before taking on roles in The O.C., Yellowstone, and many more. 

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Have you guessed who he is?

It’s Michael Nouri who played the iconic role of hunky Nick Hurley in Flashdance.

But despite his huge role in the box office smash hit, Michael has revealed his career stalled after his next movie Sea Trial was shelved indefinitely.

Speaking out on the Still Here podcast last year, Michael said: “After Flashdance, that was the time to strike while the iron was hot.”

He went on: “Billy Friedkin got in touch with me and told me he wanted me to be in his new movie with Barbara Hershey.

“It was called Sea Trial, and it was going to be done at 20th Century Fox, and Fox wanted to turn around and that movie was shelved, so the momentum from Flashdance was dissipated.”

After his career stalled, he landed a role in Bay City Blues alongside Basic Instinct star Sharon Stone. 

“But while I was in Tokyo promoting Flashdance I got a call from my agent who said that Steven Bochco was interested in having me be in a series of his called Bay City Blues, and Bay City Blues lasted for 13 episodes,” he explained. 

Michael went on: “It had an unknown, wonderful actors, including an unknown actor named Sharon Stone.

“So my point is that the momentum, the huge momentum, that Flashdance created, just you want to keep the momentum going.

“Hopefully, when you have one big hit, you want to follow it up with something else, something equally good or better, just to keep you out there.

“And that did not happen.

“So I went from Bay City Blues to a succession of TV shows, independent movies, and so on, but nothing of the magnitude of Flashdance.”

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Though he has had little success with finding another huge role like in Flashdance, he has still been successful.

He has starred in The Proposal, The Watcher and NCIS, as well as Kim Kardashian’s recent Hulu hit All’s Fair.

A LONG-LOST rail link could soon return as part of a major rail investment that promises new jobs and better connections across the country.

The service, which runs between Swindon and Birmingham, is expected to be reinstated through the £1.75 billion Midlands Rail Hub project.

The project aims to transform journeys across the Midlands, the South West, and South Wales.

The forgotten train line last operated in the early 2000s, more than 20 years ago.

The town and city, which are located around 80 miles from each other, have been without a direct connection ever since.

Swindon, with a population of over 180,000, is the biggest town in Wiltshire, and is located on the edge of the Cotswolds.

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While Birmingham is an important industrial and cultural centre, and the UK’s second-largest city with a population of around 1.2 million.

The proposed plans are on track to deliver up to 130 extra train services each week, which would provide around two million additional passenger seats a year.

Andy Clark, rail programme lead at Midlands Connect, said: “This would be a real boost for passengers.”

The first phase of the scheme is also expected to create nearly 13,000 jobs nationwide.

Swindon North MP Will Stone welcomed the development, saying it would boost the local economy and reconnect communities that have long relied on slower, indirect services.

Currently, there are no direct services between Swindon and Birmingham, meaning passengers must change at Cheltenham, Gloucester, or Reading stations.

The revived route would re-establish a direct connection between the two cities.

Mr Stone said: “It’s fantastic that Swindon could be benefiting from the Midlands Rail hub expansion.

“We’re a town built on connection via the railways, and so it’s great to see Swindon getting an hourly service between a fellow industrial town like Birmingham.”

Once home to the Great Western Railway works, Swindon has a proud railway heritage that shaped the town’s identity.

The project has secured government backing following Chancellor Rachel Reeves’ spending review and forms part of the government’s 10-year infrastructure strategy.

Mr Stone added: “Innovative projects like the Midlands Rail hub prove that investments in our railways, fully funded by the Chancellor, are transformative for communities, bringing new jobs and skills to areas across the country.”

SITTING in her ex-fiance’s car, Sydney Sweeney looked a far cry from her usual glamourous self as she screamed during a very heated row.

And now we can reveal that the secret meeting with Jonathan Davino sparked a huge row with her new boyfriend Scooter Braun, who was left feeling “furious” and “disrespected” – and the fallout could have grave consequences.

The 28-year-old Hollywood star had been enjoying dinner with friends and her ex in Santa Monica over the weekend when things appeared to turn sour.

She was later seen in Jonathan’s car and, according to reports from TMZ, she could be heard screaming and telling him: “I don’t believe you. Please leave, leave me alone.”

The unlikely scene raised eyebrows, even more so when just days later Sydney headed out for dinner again – this time with Scooter, putting on a united front after the pair held crisis talks.

“He’s made it clear that he wants her 100%, that she needs to compromise on some things, and that seeing her ex like that crossed a line.”

Scooter Braun insider

An insider close to the couple told us how Scooter, 44, made it clear to the actress that she had ‘crossed a line’.

They explained: “Scooter got really mad. He doesn’t like that kind of behaviour at all, especially knowing the history between her and Jonathan.

“He knows they had a serious relationship, were together for a long time, and even got engaged. So, seeing her with him again — and getting caught on camera getting into his car — really set him off.”

Scooter’s upset is said to stem from just how much he loves the Euphoria star, who we previously revealed he is planning to move in with.

The insider continued: “He’s not controlling, but he wants her to know that he truly cares about her and that his feelings are real.

“He’s deeply in love and serious about building a future together. Scooter’s a man with strong values and morals — and for him, it’s not acceptable for his partner to be seen with other men, especially exes.

“He thought what she did with Jonathan was disrespectful and not cool, and he didn’t want to stay silent about it.

“He was hurt and wanted her to know. What he wants is full transparency between them — and for her to be the same way, but also to act like someone who’s in a committed relationship, not single anymore.

“He’s made it clear that he wants her 100%, that she needs to compromise on some things, and that seeing her ex like that crossed a line.”

Scooter is said to be aware that, given their age difference, he could be considered “old fashioned”.

Our insider says he “does a lot” for the star, stating he’s “present, supportive, and fully committed”.

‘Public humiliation’

Sydney was due to marry businessman Jonathan, 41, earlier this year but called off their engagement after mounting speculation over the state of their relationship.

The pair met in 2018 and got engaged in February 2022.

At the time, the actress spoke at length about their wedding and future before things came to an end.

Our insider added: “It has to be a blow for Jonathan that she has moved on so publicly and seems really ready to settle down this time.

“He feels like he was a huge part of her career to start with, really building up her confidence but now she’s flying without him. It’s painful to see.”

At the time it was reported that they split so she could concentrate on her career.

“He thought what she did with Jonathan was disrespectful and not cool, and he didn’t want to stay silent about it.

Scooter Braun insider

She certainly did that – she’s currently promoting Christy – her new biopic about the female boxing trailblazer Christy Martin – and there’s already been some Oscar buzz round her role.

It hasn’t just been work and no play though… over the summer she was first linked to Scooter – the billionaire businessman and record executive who became public enemy number one for Swifties worldwide in 2019 after he bought pop megastar Taylor Swift’s master recordings.

They started dating back in August after being seen spending time together at Jeff Bezos’s wedding in Italy two months before.

In August they were seen together in public for the first time on a date after having dinner at Jon & Vinny’s restaurant in Los Angeles.

The romance has proved to be more than just a summer fling, and Scooter seems to have well and truly fallen for her charms, even after the public humiliation of her arguing with her ex.

Get the look: Expert tips to swoon like Sweeney

Looking to create that doe-eyed look at home? Here, pro make-up artist Sarah-Jane Froom shares her exclusive top tips on how to achieve Sydney’s signature eyes…

TOP TIPS

• Start with a good primer: This ensures the eye shadow stays in place all day and gives a smooth base for blending.
• Define the crease: Use warm, neutral shades such as soft browns or terracotta to add depth to the crease. This helps enhance the natural shape of the eye without it feeling too heavy.
• Smoky eyes: Sydney often favours a smoky eye, typically with dark eyeliner along the lash line. I recommend blending a dark brown or black shadow into the liner to soften it and create that sultry, lived-in look.
• Lashes are essential: To get Sydney’s eye-popping lashes, I always recommend a volumising mascara. For a more dramatic effect, you can add some natural-looking false lashes that provide length and lift, but without being too over-the-top.
• Highlight the inner corners: This little trick instantly brightens the eyes, making them look more awake and larger – perfect for achieving Sydney’s signature bright-eyed gaze.

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THE Love Actually reunion no one saw coming just happened – and it’s still 49 days until Christmas.

My insiders tell me that stars of the seasonal rom-com Martine McCutcheon and Thomas Brodie-Sangster have signed up for Google Pixel’s new festive ad.

They filmed the top-secret project in London yesterday afternoon — 22 years after appearing opposite each other in the 2003 hit film.

A source said: “Nothing says Christmas like Love Actually, and so Google Pixel are bringing a sprinkling of it back to insert some nostalgia into the festive period.

“It’s still such a firm favourite with millions of people, so they tapped up Martine and Thomas for the sweet reunion.

“The ad is going to be packed full of throwbacks — especially because Thomas was only 13 when he was in Love Actually.

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“A whole street in London was transformed into a winter wonderland and Martine and Thomas were in great spirits.

“They’re really happy with how the ad worked out. It’s going to be one people are talking about for a while.”

If you’ve lived under a rock and have never seen Love Actually, it’s one of Richard Curtis’s best films.

Martine plays hapless PA Natalie, swept off her feet by the Prime Minister, played by Hugh Grant.

And Thomas took on the role of sweet, love-stricken Sam, who went all out to impress his teen crush.

Google Pixel isn’t the only brand getting in on the Love Actually nostalgia for their Christmas ad.

Aldi revealed their famous Kevin the Carrot will propose to his sweetheart Katie in their festive offering this year using cue cards — inspired by the scene in the film where Andrew Lincoln’s character Mark professed his love for Juliet, played by Keira Knightley.

Without wanting to be too sentimental, it proves love really is still all around us.

And I’m definitely going to be renting it on Prime Video tonight.

KYLIE MINOGUE used a stocking from the filming of her CBeebies bedtime story last Christmas in the music video for her new festive single Xmas.

The Aussie pop star is celebrating the tenth anniversary of her Christmas album with a new version of the record, Kylie Christmas (Fully Wrapped), which features four new songs.

Speaking to Scott Mills on the BBC Radio 2 Breakfast Show about the video, Kylie said: “Because I was on the road we didn’t get to go so Christmassy.

“I think it was from a CBeebies Christmas story | did and they gave me a Christmas stocking.

“I thought, I have got to take something Christmassy and I think that’s it. That’s the one thing that you may see.

“We didn’t get to do fairy lights. We didn’t get to do paper chains. But in spirit we were very Christmassy.”

JOSH’S TOP DAY WITH SPINAL TAP

JOSH GROBAN was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final Finale.

I exclusively revealed the ­parody band had shot a concert alongside Eric Clapton and Shania Twain at the ­landmark in August, and now US star Josh has told me all about taking part.

He said: “Singing with Spinal Tap at Stonehenge – I don’t care how much you’ve done, that’s an experience for anybody. Eric Clapton felt it, Shania Twain felt it.

“Everybody was going, ‘I can’t believe we’re doing this’. I can’t tell you the song but it was ­ridiculous and amazing.”

Josh is returning to the UK on April 1 next year for a date at London’s O2 Arena, with tickets on sale tomorrow.

And on November 14 he will drop his next record, Hidden Gems.

The album is a collection of fans’ favourite tracks not available on streaming platforms.

Speaking after an intimate show in ­London at Union Chapel, Josh says: “These are all songs from my past.

“They’re B-sides and special-editions. I’ve also been working on new music.”

MUMMY’S THE WORD, BRENDAN

BRENDAN FRASER and Rachel Weiz are teaming up again for The Mummy 4, 17 years after the last film in the franchise.

They both starred in 1999’s The Mummy and 2001’s The Mummy Returns, below, but Rachel skipped 2008’s The Mummy: Tomb Of The Dragon Emperor.

Plans for a fourth film were ditched in 2012 before Tom Cruise tried to reboot the series in 2017 with another movie called The Mummy, but it lost millions at the box office.

The original followed treasure hunter Rick (Brendan), who wakes up an ancient Egyptian priest with special powers.

The latest news comes three years after Brendan’s career comeback in The Whale, which landed him a much-deserved Oscar for Best Actor.

YUNG HIT IN TRANS PIC SHOW

YUNGBLUD has provided the soundtrack for a new photography exhibition that tells the stories of 13 trans people from across the UK.

His song Hello Heaven, Hello will be used on screens at Outernet, right outside Tottenham Court Road Tube Station in central London, for the free exhibition called Trans Is Human from November 17.

Yungblud said: “I’m honoured that Hello Heaven, Hello will be a part of this exhibition.

“Trans Is Human is all about celebrating truth, identity and the beauty of being yourself.

“That’s something I’ve always tried to celebrate in everything I do.”

BABYSHAMBLES have returned with their first song in 12 years, Dandy Hooligan.

The band, fronted by Pete Doherty, dropped the track yesterday ahead of the launch of their comeback tour.

Pete said: “It’s a well turned-out, ­elegantly crafted reggae-ska-pop song . . . with a sweet melody to bowl along to with your sharpened walking cane.”

They were back on stage in Hastings last night for a warm-up gig ahead of their tour later this month.

ED’S PERFECT PITCH MEANS ALL KIDS CAN LEARN MUSIC

ED SHEERAN has once again proved he is a voice for good after a successful ­campaign to give all kids access to ­creative subjects at school.

Back in March, the Shape Of You singer wrote to No10 urging the government to look at the critical state of music education – and, incredibly, they’ve listened.

Keir Starmer yesterday heralded Ed’s letter, which was backed by stars including Harry Styles, Stormzy and Annie Lennox, as “powerful”, and told him: “I wanted you to know that your voice has been heard.”

In a letter to Ed which has been shared with me, the PM said: “The review ­places creative ­subjects firmly at the centre.

“We are revitalising arts ­education, strengthening music and drama, and launching a new National ­Centre for Arts And Music Education to support teachers and raise standards.

“We will make sure every child has access to those experiences – from arts and ­culture to nature and civic engagement – so that creativity isn’t a privilege, but a right.”

It is a huge victory for Ed and the Ed Sheeran Foundation, which has ­campaigned for accessible, meaningful education for all young people.

In a statement, Ed said: “I set up the Ed Sheeran Foundation because every child deserves to have access to a meaningful music education, and the chance to experience the joy and confidence that musical expression can bring.

“Shortly after ­setting up my foundation, I wrote an open letter to the Prime Minister about the critical state of music education in the UK and the fact it was slipping through the cracks.

“With the help of the letter and everyone who signed it, I’m happy to say that some of the key points we raised have been recognised by the government, marking the first change to the music ­curriculum in over ten years.”

All power to you, Ed. This is ­brilliant news.

COAT AND TAYLS

TAYLOR SWIFT has gone quiet since dropping her album The Life Of A Showgirl last month, but she re-emerged in New York for a night out with Gigi Hadid on Monday.

The singer wrapped up in a coat and knee-high boots alongside the model who is a long-time friend.

I’m sure they had plenty to catch up on, with a wedding to plan for Taylor, while Gigi’s romance with Bradley Cooper seems to be going from strength to strength after two years together.

Perhaps wedding bells will be ringing for her, too, before long.

JENNIFER LAWRENCE has let slip that she’s co-producing a movie with Emma Stone based on Miss Piggy, being written by US comedian Cole Escola.

Asked on the Las Culturistas podcast whether the actresses will also star in the film, she said: “I think so, we have to.”

On working with Emma for the first time, she added: “It’s f***ed up. It’s dark that we haven’t done a movie together.”

CYNTHIA’S IN GOOD MOOD FOR PREMIERE

CYNTHIA ERIVO was grinning from ear to ear at the premiere of Wicked: For Good, despite the fact her co-star Ariana Grande missed the big launch.

The British actress, who returns as Elphaba in the second flick, wore this quirky, tummy-baring outfit and was joined at the event in Sao Paulo by co-star Jonathan Bailey ahead of the London premiere on Monday.

Hopefully, Ariana will make it over here after a fault with a plane meant she couldn’t get to Brazil in time for Tuesday’s event.

She apologised on Instagram, but was then subjected to vile abuse.

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Later on, she wrote online: “Please don’t wish danger on us.

“It’s a sad state of affairs when fans are so vicious over something so unimportant.”

Nov. 5 (UPI) — ADP reported Wednesday that jobs growth for October provided better insight after fears of further decline after September’s report.

Some 42,000 jobs were added over the month in companies with at least 250 workers following September’s drop of around 29,000, according to Automatic Data Processing Inc. However, a revision showed 3,000 fewer jobs in September.

“Private employers added jobs in October for the first time since July, but hiring was modest relative to what we reported earlier this year,” said Nela Richardson, ADP’s chief economist.

ADP data showed that small business lost around 34,000 employees.

“Meanwhile, pay growth has been largely flat for more than a year, indicating that shifts in supply and demand are balanced,” Richardson said in a release.

Job categories in utility, transpiration and trade gained 47,000, which offset losses in other job areas. In addition, around 26,000 jobs were added in health and education services with 11,000 in finance.

A decline in some 17,000 roles in the area of information services was seen despite the ongoing boom in the artificial intelligence industry.

But the manufacturing sector continues to struggle in the growing aftermath of tax-like tariffs imposed by U.S. President Donald Trump in his bid to revive American manufacturing jobs.

Small business account for three of every four U.S. jobs, according to ADP.

ADP’s chief economist stated the shift away from growth in small business is noteworthy.

“While big companies make headlines, small companies drive hiring,” Richardson told CNBC.

“So to see that weakness at the small company level is still a concern, and I think that’s one of the reasons why the recovery has been so tepid.”

The payroll processing giant reported an average monthly growth of 60,000 jobs a month for the first half of the year, but that figure showed a decline in the year’s second half.

The historic ongoing shutdown by the Republican-controlled federal government resulted in a suspension in data released by the Bureau of Labor Statistics, which typically is at the forefront of detailed job data. In addition, a temporary stop in SNAP benefits is poised to heighten food insecurity in the United States.

HER sixth album Brat topped the charts and won her five Brit Awards, but Charli XCX feared her label was going to drop her over it because it is so out there.

In a new interview, she explained: “I think when I was making it, I wasn’t thinking about the response at all.

“I actually made this record being like, ‘OK, I’m just going to do this one for me.

“And maybe I’m going to get dropped by my label and that’s fine’.

“That was kind of the headspace that I was in.

“There’s a lot of luck with timing and the way that culture is moving.

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“I think when I released this record, it’s like people were wanting something that felt very real and messy.

“And I think that’s just the way that culture was swinging.”

Charli previously suggested she was going to have a lengthy break from music following the success of the record, released in June last year, but she has now teased that she’s working on “inherently different” tracks.

The Guess singer continued: “I’m really interested to see what comes next in pop culture, especially in the music space, what people are ­craving.

“I really like to work in contrast. I think whatever I do next will just inherently be different to Brat because that’s what feels natural.

“I’m exploring a lot of stuff with strings at the moment, which I’m really enjoying and I haven’t really worked in that space before.”

And with a series of movies on the way — including Faces Of Death and I Want Your Sex, Charli said she is committed to becoming an actress.

Speaking to Gwyneth Paltrow on her Goop podcast, she said: “I’ve been making music since I was 14.

“And don’t get me wrong, I love making music, but I think there was just a point where I was kind of like, OK, I really need to exercise my creativity in a different way.

“I don’t actually really listen to that much music ever. I never really have.

“But what I am doing is I’m always watching films.”

And Charli also reflected on the prospect of starting a family, having mused on her indecision about ­becoming a mother on her song I Think About It All The Time, which was on the Brat album.

The Brit, who wed The 1975 drummer George Daniel in July, said: “There is, I think, still a bit of stigma perhaps around women who don’t really want to have ­children, you know, and I think for me it’s like I’m always swinging between the two.

“Right now, I’m on the side of, like, actually I’m not sure that that is for me, but that could go back.”

BENSON BACK

BENSON BOONE shook off illness and returned to the stage for a killer sold-out show at London’s O2 Arena.

The American singer had to cancel his gig in Birmingham on Saturday after struggling with his voice but he was on song on Monday when he sailed through tracks including Sorry I’m Here For Someone Else, Young American Heart and Mr Electric Blue along with a cover of Coldplay‘s Sparks.

Welcoming out his friend and photographer McLean Long to the stage armed with a T-shirt cannon, Benson said: “Every night I sing one song that is a cover song.

“I love this song very much, so we’re going to have a friend come out and help us figure out which song we’re singing.”

Another poignant moment in the evening came when Benson performed In The Stars, which he wrote as a tribute to his great-grandmother who died aged 96.

Benson said: “I think the loveliest thing about this song is this is a song about me, about my life.

“My experiences, somebody that I know, something I felt, something I went through, but when you listen to it it’s no longer about me, it’s about you.”

RITA’S A PINK LADY

THERE was no missing Rita Ora in this pink dress at the Music Industry Trusts Awards, but it was Jessie J who stole the show with an amazing rendition of Whitney Houston‘s I Have Nothing.

Speaking at the ceremony on Monday night, Jessie referenced her breast cancer diagnosis and said: “This is one of my favourite songs to sing. There is no hiding in this song. It’s very exposing.

“This year has changed my whole world – my perspective, what battles I’m going to pick.

“You know, death comes knocking at your door and you kind of dance and f***ing kick it away.

“It just changes everything.

““I will say this, I don’t care how old you are or how long you have been doing this, enjoy your f***ing life.

“Be kind to each other.”

Ashley Tabor-King, founder of Global Media, whose radio stations include Heart and Capital, was honoured on the night, with video messages from Ed Sheeran and Taylor Swift.

Rita flew in especially from Los Angeles to perform, and Olly Murs was there for a night out after becoming a dad for a second time.

“Albert is nine weeks old now,” Olly said.

“Another one next year? We are happy with two at the moment.

“Who knows, in a few years’ time we will see.

“I have got time next year to spend a bit more time with the family.

“It has been a busy few years.”

KATY HAS A POP AT BLOOM

KATY PERRY is returning with a new single tomorrow and it sounds as though it will hint heavily at her split from Orlando Bloom.

The Roar singer announced the track Bandaids last night, following a tricky year which saw her break-up with the English actor after almost a decade, and start dating ex-Canadian PM Justin Trudeau.

Insiders have claimed she worked on it with top writer and producer Cirkut, who worked on her No1s Part Of Me and Roar, as well as Greg Kurstin, who co-wrote Adele’s heartbreak singles Hello and Easy On Me.

Last night, Katy played the latest show on her Lifetimes tour in Paris, ahead of the end of the 91-show jaunt next month.

I’M imploring the BBC to put cash behind another series of Daisy May Cooper‘s brilliant TV series This Country.

Daisy told Fearne Cotton on her Happy Place podcast: “It’s difficult and we get asked all the time.

“If we got paid enough to do another series, we’d f***ing do it but that’s all it comes down to.”

Tim Davie, sort it out.

OASIS GET ONE OVER TOUTS DOWN UNDER

OASIS have scored another victory over the vile ticket touts – this time in Australia.

Thanks to the Major Events law in Victoria, ­scalpers were shut out of their three sold-out shows there.

The rules in the Australian state means that anyone flogging tickets for more than ten per cent above face value at an event ­protected by the Major Events Act faces a fine of up to £270,000.

In a statement, Noel and Liam Gallagher‘s management team told me: “It’s great to see Victoria’s Major Events declaration doing exactly what it’s meant to – Viagogo can’t list our Melbourne shows – and that’s a huge win for real fans.

“When government and the live industry work together, we can stop large-scale scalping in its tracks.

“We’d love to see other states follow Victoria’s lead so fans everywhere get a fair go.”

The success of the law means that the 180,000 tickets sold for the shows in Victoria went to genuine fans for the right price.

The brothers will play two more shows in Australia this week, with back-to-back sold-out gigs in Sydney on Friday and Saturday, before they take their Oasis Live 25 tour to South America.

COLDPLAY OFF TO CHURCH

IF you missed out on Coldplay tickets earlier this summer then fear not.

The band’s Chris Martin and Jonny Buckland have announced a one-off, intimate show on Wednesday, December 3, in aid of War Child and Crisis.

But it will be even harder to get in than catching one of their ten nights at Wembley, as it will take place at Hackney Church in East London, with a public ballot for 150 pairs of tickets is now open online.

Last year Chris and Jonny’s Hackney Church performance raised £350,000 for charity.

I’m sure kind-hearted fans will dig deep again this year.

ED-ING WHERE IT BEGAN

ED SHEERAN headed back to Dublin for a special ­concert to celebrate his songs which had clocked up more than one billion streams.

And he had plenty to pick from, with the star performing hits including Thinking Out Loud, Castle On The Hill, I See Fire and Galway Girl.

The gig saw the 2,000 fans packed into Industries Hall at the Royal Society Dublin going wild – and I got to join them after my lovely friends at Spotify flew me out on Monday.

Speaking at his Billions Club Live set, Ed said: “The reason I wanted to do it in Dublin is this is the place where I decided I wanted to be a singer- songwriter when I was a kid.

“It’s a special place for me with my family but it’s also a ­special place for me musically.

“I feel like this is where it all began.”

Ed also used his time on stage to remind the crowd that he last headlined Glastonbury back in 2017, which makes me think he’s a sure-fire bet to return to Worthy Farm in 2027 to ­mark ten years.

Watch this space.

FESTIVE FEELS

John Lewis reveals tear-jerker Xmas ad set to nostalgic 90s house track

TRAFFIC CARNAGE

Major motorway shut with TWO-HOUR delays after crash between lorry & van

ARIANA GRANDE was forced to miss the world premiere of Wicked: For Good in Brazil last night after a safety issue with her private jet.

She was on board her plane to fly to Sao Paulo yesterday but had to get off when a fault was found, leaving her “beyond devastated” because there was no other way to make the journey in time.