interview

Contributor: Some Trumpists object to MAGA’s white power element. Why now?

The uproar over Tucker Carlson’s interview with white nationalist and Holocaust denier Nick Fuentes has sparked yet another round of MAGA civil war talk.

Full disclosure: I previously worked for Carlson at the Daily Caller, so I’ve had a front-row seat for this ongoing battle for a long time now.

In case you missed the latest: Carlson invited Fuentes onto his podcast. What followed wasn’t an interview so much as a warm bubble bath of mutual validation — the kind of “conversation” that helps launder extremist ideas.

Enter Kevin Roberts, president of the Heritage Foundation — once the intellectual vanguard of conservatism, now something closer to an emotional support group for people who think President Reagan was too soft. Responding to whispers that Heritage might distance itself from Carlson, Roberts rushed out a video to reassure the faithful: Heritage will have no enemies to its right.

Roberts disagreed with Fuentes (good for him) but insisted Heritage didn’t become the top conservative think tank by “canceling our own people or policing the consciences of Christians.” He also called Carlson’s critics a “venomous coalition” who “serve someone else’s agenda” — which echoes one of the oldest antisemitic tropes in the book.

And then something surprising happened: People inside Heritage actually pushed back (a brave move, given Heritage’s Orwellian “one voice” policy). Some even resigned.

The broader right-wing commentariat weighed in, too. Ben Shapiro called Carlson an “intellectual coward.” Ted Cruz made some noise. The Wall Street Journal editorial board huffed. And talk radio host Mark Levin criticized Fuentes and Carlson during a speech to the Republican Jewish Coalition. For a brief moment, it looked like accountability was actually trending.

But … why this moment? Why now?

Keep in mind: Then-former President Trump dined with Fuentes in 2022 and wrongly claimed immigrants were eating pets in 2024. As president, he told the Proud Boys to “stand back and stand by” in 2020. And of course he launched his political career by questioning President Obama’s birth certificate. I could go on.

Despite all of this, Trump’s grip on the conservative movement only grew firmer.

Meanwhile, right-wing antisemitism has metastasized on Trump’s watch — despite his support for Israel.

Charlottesville, anyone?

The “alt-right” has shed its “alt.” They’re just “right” now.

This is especially observable when it comes to young conservatives who came of age during the Trump era. Indeed, one Heritage staffer told the New York Post that “a growing number” of Heritage interns “actually agree” with Fuentes.

And here’s the irony: The same conservative media figures now sounding the alarm helped build the machine.

Take Levin. Fuentes recently admitted that it was Levin’s radio show that first radicalized him. “He planted the seed, at least,” Fuentes told Carlson.

Likewise, aside from endorsing Trump in 2024, Shapiro made conspiracy theorist Candace Owens famous when his Daily Wire hired her to host a podcast on its platform after she became buddies with Kanye West and after she suggested the only problem with Adolf Hitler was that “he had dreams outside of Germany.”

So if these more mainstream Trumpers are horrified now, it’s probably because they helped create monsters — and those monsters are now coming to devour their creators, as monsters always do.

Rest assured, though, this rot is not limited solely to antisemitism. In recent months, MAGA figures such as Vivek Ramaswamy, FBI Director Kash Patel and even Vice President JD Vance (who is married to an Indian American woman) have all been targets of racist abuse online.

It’s important to note that none of these folks are considered “Never Trump” or Reagan conservatives. They are Trump allies. The revolution devours itself. (First they came for the Never Trumpers.…)

Again, this is far from the first skirmish in the MAGA civil war. But all of these internecine fights obscure the root cause of the problem: Trump. And yet, the orange emperor himself? Off-limits.

The fever won’t break while Trump’s still around, serving as a magnet for the worst people and cultivating the toxic ecosystem that made all of this right-wing racism possible, if not inevitable.

So by all means, conservatives: Condemn Carlson, denounce Fuentes and scold Heritage for failing to police the right and only punching left.

But as long as you avert your eyes from Trumpism, your righteous outrage is just theater — the political equivalent of aggressively mopping the floor while the pipes keep bursting.

Matt K. Lewis is the author of “Filthy Rich Politicians” and “Too Dumb to Fail.”

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Ideas expressed in the piece

The author details concerns about Tucker Carlson’s podcast interview with white nationalist Nick Fuentes as an example of extremism being laundered into mainstream conservatism, arguing this represents a troubling normalization of radical ideology within the MAGA movement[1]. According to the author, Heritage Foundation president Kevin Roberts’s response was inadequate because Roberts defended Carlson while using rhetoric that echoes antisemitic tropes by suggesting critics pursue a hidden agenda, though the author notes that some Heritage staffers bravely pushed back against this position[1]. The author highlights that prominent conservative figures including Ben Shapiro, Ted Cruz, Mark Levin, and the Wall Street Journal editorial board appropriately condemned both Carlson and Fuentes, demonstrating that meaningful accountability briefly emerged[1]. The author contends that these condemning voices bear some responsibility for the extremist ecosystem they now critique, noting that Mark Levin’s radio show reportedly radicalized Fuentes himself and that figures like Shapiro previously amplified conspiracy theorist Candace Owens through their media platforms[1]. Most significantly, the author argues that Trump himself represents the root cause of this problem, citing his 2022 dinner with Fuentes, his 2020 comments to the Proud Boys, and his role in mainstream birther conspiracy theories as evidence of enabling extremism[1]. The author emphasizes that right-wing antisemitism has metastasized during Trump’s political dominance, with the “alt-right” shedding its “alt” prefix and becoming normalized, particularly among young conservatives who came of age during the Trump era[1]. The author concludes that condemnation of Carlson and Fuentes remains ineffective unless conservatives address Trump’s enabling role in cultivating the toxic ecosystem that made this extremism possible.

Different views on the topic

Conservative figures operating within the “America First” camp, including Representative Marjorie Taylor Greene, argue that the debate over Israel policy represents legitimate political disagreement rather than antisemitism or extremism, contending that no other country’s interests should supersede American interests[1]. According to this perspective, questioning U.S. funding to Israel reflects patriotic concern rather than bigotry, with Greene arguing that fellow Republicans mischaracterize policy criticism as hate speech to silence dissenting voices[1]. Former Trump adviser Steve Bannon articulated this opposing view by criticizing Israel’s territorial expansion and arguing that the United States never committed to supporting such policies, positioning this as a question of national interest rather than antisemitism[1]. Heritage Foundation president Kevin Roberts defended Carlson by emphasizing that conservatives should not “cancel our own people or police the consciences of Christians,” framing concerns about extremism as an attempt to purge dissenting voices from the movement rather than as legitimate accountability[1]. This opposing perspective views the controversy as driven by what Roberts characterized as a “venomous coalition” attempting to impose ideological conformity and silence alternative viewpoints on U.S. foreign policy, particularly regarding Israel and America First priorities[1].

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Key takeaways from Trump’s 60 Minutes interview | Donald Trump News

US President Donald Trump has appeared on the CBS News programme 60 Minutes just months after he won a $16m settlement from the broadcaster for alleged “deceptive editing”.

In the interview with CBS host Norah O’Donnell, which was filmed last Friday at his Mar-a-Lago residence and aired on Sunday, Trump touched on several topics, including the ongoing government shutdown, his administration’s unprecedented crackdowns on undocumented migrants, the US’s decision to restart nuclear testing, and the trade war with China.

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Trump, who regularly appears on Fox News, a right-wing media outlet, has an uneasy relationship with CBS, which is considered centrist.

In October 2020, the president walked out of a 60 Minutes interview in the lead-up to the 2020 election he lost, claiming that the host, Lesley Stahl, was “biased”.

Here are some key takeaways from the interview:

The interview took place one year to the day after Trump sued CBS

The president’s lawyers sued CBS owner Paramount in October 2024 for “mental anguish” over a pre-election interview with rival candidate Kamala Harris that Trump claimed had been deceptively edited to favour Democrats and thus affected his campaign.

CBS had aired two different versions of an answer Harris gave to a question on Israel’s war on Gaza, posed by host Bill Whitaker. One version aired on 60 Minutes while the other appeared on the programme Face the Nation.

Asked whether Israel’s prime minister, Benjamin Netanyahu, listened to US advice, Harris answered: “We are not going to stop pursuing what is necessary for the United States – to be clear about where we stand on the need for this war to end.”

In an alternative edit, featured in earlier pre-broadcast promotions, Harris had given a longer, more rambling response that did not sound as concise.

The network argued the answer was edited differently for the two shows due to time restrictions, but Trump’s team claimed CBS “distorted” its broadcasts and “helped” Harris, thereby affecting his campaign. Trump asked for an initial $10bn in damages before upping it to $20bn in February 2025.

Paramount, in July 2025, chose to settle with Trump’s team to the tune of $16m in the form of a donation to a planned Trump presidential library. That move angered journalist unions and rights groups, which argued it set a bad precedent for press freedom.

Paramount executives said the company would not apologise for the editing of its programmes, but had decided to settle to put the matter to rest.

The company was at the time trying to secure federal approval from Trump’s government for a proposed merger with Skydance, owned by Trump ally Larry Ellison. The Federal Communications Commission has since approved the merger that gives Ellison’s Skydance controlling rights.

On October 19, Trump’s son-in-law, Jared Kushner, and Steve Witkoff, US special envoy to the Middle East, were interviewed on 60 Minutes regarding the Israel-Gaza war.

US President Donald Trump, left, and Chinese President Xi Jinping, right, shake hands before their meeting at Gimhae International Airport in Busan, South Korea on October 30, 2025.
President Donald Trump, left, and Chinese President Xi Jinping, right, shake hands before their meeting at Gimhae International Airport in Busan, South Korea, October 30, 2025 [Mark Schiefelbein/AP]

He solved rare-earth metals issue with China

After meeting with Chinese President Xi Jinping in South Korea last Thursday, Trump praised his counterpart as a “strong man, a very powerful leader” and said their relationship was on an even keel despite the trade war. However, he blamed China for “ripping off” the US through its dominance of crucial rare earth materials.

Trump told 60 Minutes he had cut a favourable trade agreement with China and that “we got – no rare-earth threat. That’s gone, completely gone”, referring to Chinese export restrictions on critical rare-earth metals needed to manufacture a wide range of items including defence equipment, smartphones and electric vehicles.

However, Beijing actually only said it would delay introducing export controls for five rare-earth metals it announced in October, and did not mention restrictions on a further seven it announced in April this year. Those restrictions remain in place.

Xi ‘knows what will happen’ if China attacks Taiwan

Trump said President Xi did not say anything about whether Beijing planned to attack autonomous Taiwan.

However, he referred to past assurances from Xi, saying: “He [Xi] has openly said, and his people have openly said at meetings, ‘We would never do anything while President Trump is president’, because they know the consequences.”

Asked whether he would order US forces to action if China moved militarily on Taiwan, Trump demurred, saying: “You’ll find out if it happens, and he understands the answer to that … I can’t give away my secrets. The other side knows.”

There are mounting fears in the US that China could attack Taiwan. Washington’s stance of “strategic ambiguity” has always kept observers speculating about whether the US would defend Taiwan against Beijing. Ahead of the last elections, Trump said Taiwan should “pay” for protection.

He doesn’t know who the crypto boss he pardoned is

When asked why he pardoned cryptocurrency multibillionaire and Binance founder Changpeng Zhao last month, Trump said: “I don’t know who he is.”

The president said he had never met Zhao, but had been told he was the victim of a “witch hunt” by the administration of former US President Joe Biden.

Zhao pleaded guilty to enabling money laundering in connection with child sex abuse and “terrorism” on his crypto platform in 2023. He served four months in prison until September 2024, and stepped down as chief executive of Binance.

Binance has been linked to the Trump family’s cryptocurrency company World Liberty Financial, and many have questioned if the case is a conflict of interest.

In March 2025, World Liberty Financial launched its own dollar-pegged cryptocoin, USD1, on Binance’s blockchain and the company promoted it to its 275 million users. The coin was also supported by an investment fund in the United Arab Emirates, MGX Fund Management Limited, which used $2bn worth of the World Liberty stablecoin to buy a stake in Binance.

This part of the interview appeared in a full transcript of the 90-minute interview, but does not appear in either the 28-minute televised version or the 73-minute extended online video version. CBS said in a note on the YouTube version that it was “condensed for clarity”.

Other countries ‘are testing nuclear weapons’

Trump justified last week’s decision by his government to resume nuclear testing for the first time in 33 years, saying that other countries – besides North Korea – are already doing it.

“Russia’s testing, and China’s testing, but they don’t talk about it,” Trump said, also mentioning Pakistan. “You know, we’re an open society. We’re different. We talk about it. We have to talk about it, because otherwise you people are gonna report – they don’t have reporters that gonna be writing about it. We do.”

Russia, China, and Pakistan have not openly conducted tests in recent years. Analyst Georgia Cole of UK think tank Chatham House told Al Jazeera that “there is no indication” the three countries have resumed testing.

He’s not worried about Hamas disarming

The president claimed the US-negotiated ceasefire and peace plan between Israel and Hamas was “very solid” despite Israeli strikes killing 236 Gazans since the ceasefire went into effect. It is also unclear whether or when the Palestinian armed group, Hamas, has agreed it will disarm.

However, Trump said he was not worried about Hamas disarming as the US would force the armed group to do so. “Hamas could be taken out immediately if they don’t behave,” he said.

Venezuela’s Maduro’s ‘days are numbered’

Trump denied the US was going to war with Venezuela despite a US military build-up off the country’s coast and deadly air strikes targeting alleged drug-trafficking ships in the country’s waters. The United Nations has said the strikes are a violation of international law.

Responding to a question about whether the strikes were really about unseating Venezuela’s President Nicolas Maduro, Trump said they weren’t. However, when asked if Maduro’s days in office were numbered, the president answered: “I would say, yeah.”

A closed sign is displayed outside the National Gallery of Art in Washington DC, USA
A closed sign is displayed outside the National Gallery of Art nearly a week into a partial government shutdown in Washington, DC, the US, October 7, 2025 [Annabelle Gordon/Reuters]

US government shutdown is all the Democrats’ fault

Trump, a member of the Republican Party, blamed Democrats for what is now close to the longest government shutdown in US history, which has been ongoing since October 1.

Senators from the Democratic Party have refused to approve a new budget unless it extends expiring tax credits that make health insurance cheaper for millions of Americans and unless Trump reverses healthcare cuts made in his tax-and-spending bill, passed earlier this year.

The US president made it clear that he would not negotiate with Democrats, and did not give clear plans for ending the shutdown affecting 1.4 million governent employees.

US will become ‘third-world nation’ if tariffs disallowed

Referring to a US Supreme Court hearing brought by businesses arguing that the Trump government’s tariff war on other countries is illegal and has caused domestic inflation, Trump said the US “would go to hell” and be a “third world nation” if the court ordered tariffs to be removed.

He said the tariffs are necessary for “national security” and that they have increased respect from other countries for the US.

ICE raids ‘don’t go far enough’

Trump defended his government’s unprecedented Immigration and Customs Enforcement (ICE) raids and surveillance on people perceived to be undocumented migrants.

When asked if the raids had gone too far, he responded: “No. I think they haven’t gone far enough because we’ve been held back by the judges, by the liberal judges that were put in by [former US Presidents Joe] Biden and [Barack] Obama.”

Zohran Mamdani is a ‘communist’

Regarding the New York City mayoral race scheduled for November 4, Trump said he would not back democratic socialist Zohran Mamdani, and called him a “communist”. He said if Mamdani wins, it will be hard for him to “give a lot of money to New York”.

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Kim Kardashian says moon landing was fake: ‘Go on Tiktok’

Kim, you’re not doing amazing, sweetie.

Kim Kardashian, long at the center of a few conspiracy theories herself, has cosigned one that’s a fan favorite — and also thoroughly debunked.

During the most recent episode of Hulu’s “The Kardashians,” the fashion and beauty mogul professed her belief that the 1969 moon landing, a watershed moment of great American pride, never really happened. She also tried to get her “All’s Fair” co-star Sarah Paulson to drink the Kool-Aid.

“I’m sending you, like, so far a million interviews with both Buzz Aldrin and the other one [Neil Armstrong],” Kardashian told Paulson on the show.

“Yes, do it,” Paulson told the Skims founder, promising to go on her own “massive deep dive.”

Kardashian then went on to cite an interview that’s made the rounds on TikTok wherein she alleged that Buzz Aldrin — who completed the Apollo 11 mission alongside Armstrong and capsule communicator Michael Collins — gave the hoax away. (The going theory, of course, is that famous footage of the mission was actually filmed on a sound stage.)

“So I think it didn’t happen,” Kardashian concluded, adding that Aldrin, 95, has “gotten old and now he, like, slurs.”

Hours after the episode dropped, NASA Acting Administrator Sean Duffy fact-checked the socialite.

“Yes, @KimKardashian, we’ve been to the Moon before… 6 times!” Duffy wrote Thursday on X. “And even better: @NASAArtemis is going back under the leadership of @POTUS.”

“We won the last space race and we will win this one too,” Duffy wrote.

As for Aldrin’s takes on the matter, a 2022 Reuters article debunked one of the most popular clips used to implicate the former astronaut, which was was taken out of very critical context.

In a shortened version of the clip, Conan O’Brien recounts to Aldrin a childhood memory of his family watching the astronauts walk on the moon.

“No, you didn’t,” Aldrin responds, seemingly contradicting O’Brien’s account. Later in the interview, however, Aldrin clarified that the moon landing itself was authentic, but the animated footage broadcast by TV stations at the time was not.

The National Air and Space Museum has explained that there was a $2.3-million camera on board to capture the real-life images that were sent back to Earth.

Nonetheless, Kardashian doubled down on her opinion when a producer on “The Kardashians” probed further.

“For the record, you think that we didn’t walk on the moon?” the producer asked.

“I don’t think we did. I think it was fake,” Kardashian said, adding that she’s seen several videos of Aldrin allegedly disputing the event.

“Why does Buzz Aldrin say it didn’t happen?” she said. “There’s no gravity on the moon. Why is the flag blowing? The shoes that they have in the museum that they wore on the moon is a different print in the photos. Why are there no stars?”

For what it’s worth, there is gravity on the moon, albeit about a sixth of what it is on Earth, give or take. Hence the footage of astronauts bouncing across the lunar surface but not flying off into space. As far as there being no breeze, NASA planned for the lack of one — a rod can be seen holding up the top of flag, because scientists knew the stars and stripes wouldn’t fly without one. And did we mention that Aldrin did not say it didn’t happen? Yes, we did. We did mention that.

To her credit, Kardashian was self-aware enough to add that people were “gonna say I’m crazy no matter what.”

She also encouraged viewers to look for themselves on Tiktok. Keep in mind, though, the accounts that regularly promote the moon-landing conspiracy theory are also fond of other mistaken notions, like saying the Earth is flat and aliens built the pyramids.



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From Margins to Missions: How the Elsie Initiative Fund Is Redefining Peacekeeping

In the world of international peacekeeping, a quiet revolution is underway—one that moves beyond counting women to fundamentally transforming how security institutions operate. At the heart of this change is the Elsie Initiative Fund (EIF) at UN Women, whose holistic approach addresses not just recruitment numbers but the very systems that have historically prevented women from thriving in peacekeeping roles.

In an exclusive interview with Modern Diplomacy, Deborah Warren Smith, Manager of the Elsie Initiative Fund, explained why this shift is critical. “If you just focus on numbers alone, you are treating the symptoms and not the cause,” she noted. “We look at systems, the laws, institutional policies, leadership cultures, social expectations, all of which can either enable or prevent women from deploying and becoming valued members of security institutions.”

The Root Cause: Why Culture Trumps Quotas

The most entrenched challenge, according to Ms. Smith, is institutional culture. Military and police organizations often operate within masculine norms that value toughness and maintain informal gatekeeping by senior leadership. Women who challenge these norms by questioning or leading may face resistance, isolation, or harassment.

To address this, the EIF employs a scientific, evidence-based methodology called the Measuring Opportunities for Women in Peace Operations (MOIP). This diagnostic tool assesses barriers across ten key areas, interviewing both women and men within security institutions to build a comprehensive picture of the challenges. Countries like Liberia have used these insights to design targeted interventions, such as physical training support for women, resulting in increased recruitment and retention.

This focus on systemic barriers represents a fundamental departure from traditional approaches. Where many initiatives see the lack of women as a recruitment problem to be solved, the Elsie Initiative identifies it as a symptom of institutional failure. By shifting the focus from individual women to the structures that hold them back, the EIF is not just asking for a seat at the table, it is helping to rebuild the table itself, creating a foundation where women can not only enter but truly lead and thrive.

The process is deliberately collaborative, not prescriptive. After a Barrier Assessment is complete, the EIF works with nations to co-design interventions—from reforming parental leave policies in armed forces to ensuring women have access to specialized training and equipment. This ensures that solutions are not imposed from the outside but are owned and sustained by the institutions themselves, turning policy into lasting practice and political will into operational reality.

The Ripple Effect: Creating Institutional Change

The EIF’s “Gender Strong Unit” concept offers a powerful example of their approach in action. These are units where the percentage of women is at least five points above UN parity targets, with women in leadership and technical roles. Senegal, for instance, has deployed a Gender Strong Unit commanded by a woman for the first time, not once, but three times.

The impact is tangible. “The men in those units have reported that the culture is less competitive and more collaborative,” Smith shared. “It enables them to work better together during patrols and engage more effectively with local communities.”

This institutional rewiring creates a virtuous cycle. As more women deploy into leadership roles, they become visible proof of change, directly challenging entrenched stereotypes and inspiring the next generation. This shifts the internal culture from within, making security institutions more attractive and accessible to women not as an exception, but as the norm. The result is a self-reinforcing system where policy, representation, and culture evolve together to create a more professional and effective force.

Beyond culture, the EIF helps countries institutionalize change. In Zambia, the police service is developing and implementing an anti-sexual harassment and abuse policy, moving beyond creating documents to ensuring real accountability and safety.

A Campaign for the Future: “When Women Lead”

This tangible progress sets the stage for the most human element of the Elsie Initiative’s work: spotlighting the leaders who are living this change. Coinciding with the 25th anniversary of UN Security Council Resolution 1325, the EIF will launch When Women Lead—a digital campaign featuring a mini-series of interviews with groundbreaking uniformed women from around the world.

Launching in November, the series will include:

  • Lieutenant General Cheryl Pearce, Acting UN Military Adviser
  • Commissioner Binetou Guisse, Senegal National Police
  • Major General Anita Asmah, Ghana Armed Forces

These stories represent the culmination of the EIF’s work, proof that when women lead, peacekeeping becomes more effective, responsive, and grounded in the communities it serves.

The New Peacekeeping: Where Inclusion Means Effectiveness

As we look toward the future of global security, the Elsie Initiative Fund offers more than just a blueprint for gender equality, it presents a compelling case for why inclusive peacekeeping is smarter peacekeeping. The work transcends quotas and tick-box exercises, aiming instead for a fundamental rewiring of how security institutions operate.

“What we would really like to see in five to ten years,” Smith concluded, “is countries embedding women, peace and security into their operational frameworks. The conversation would shift from ‘how many women’ to ‘how effective is our force because it is inclusive.’”

This vision where diverse teams create more collaborative environments, where different perspectives lead to better community engagement, where institutional cultures foster rather than hinder potential, represents the ultimate goal. It’s not about women succeeding in a man’s world, but about building a better, more effective peacekeeping environment for everyone.

As the EIF continues to partner with nations and showcase stories of women leaders, it becomes increasingly clear: the future of global peacekeeping isn’t just about having more women in the room—it’s about ensuring everyone in that room can lead, contribute, and transform what peacekeeping can achieve.

To follow these inspiring stories and learn more about the Elsie Initiative Fund’s work, follow their “When Women Lead” campaign launching this November on their website and social media channels.

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The Normalization Trap: A Former Minister’s Warning on Taliban Diplomacy

For decades, Afghanistan has been dubbed the “graveyard of empires,” but a more enduring and painful truth is its role as a chessboard for regional rivalries. Today, a dangerous new chapter is unfolding: a tense disconnect between escalating violence on the ground and a quiet diplomatic normalization in foreign capitals. As powers like India recalibrate their stance toward the Taliban, a critical question emerges: is engagement building a pathway to peace, or merely rewarding impunity? In an exclusive Q&A, Mr. Masoud Andarabi, Afghanistan’s former Minister of Interior and Acting Director of the National Directorate of Security (NDS), issues a stark warning from the front lines of this crisis: without verifiable conditions, this new diplomatic track risks cementing Afghanistan’s status as a proxy battlefield and an incubator for global terrorism, all while its people endure a silent crisis of “generational trauma.”

The Dangerous Illusion of Normalization

Q: In your article for Cipher Brief, you describe a “dangerous two-track dynamic” of kinetic escalation on the ground and diplomatic normalization in capitals. Given that India’s engagement with the Taliban seems to grant them legitimacy without verifiable commitments, what specific, verifiable actions should a power like India demand from the Taliban before such high-level visits to avoid fueling this dynamic?

A: India should set clear, verifiable conditions before any high-level engagement with the Taliban. At a minimum, New Delhi should insist on three measurable actions:

  1. Restoration of women’s rights – including the right to education and employment.
  2. Concrete counterterrorism steps – such as dismantling safe havens and arresting members of al-Qaeda, the Islamic Movement of Uzbekistan (IMU), Tehrik-e-Taliban Pakistan (TTP), and the East Turkistan Islamic Movement (ETIM).
  3. Protection of former Afghan security personnel – many of whom fought terrorism with Indian support and are now being detained, tortured, or executed by the Taliban.

The Taliban continues to persecute minorities, suppress free media, and rule through coercion, not consent. India, as the world’s largest democracy, should not normalize relations with an authoritarian movement that denies fundamental rights and harbors transnational militants. Engagement without conditions only reinforces the Taliban’s impunity and erodes regional security.

Q: You characterize the actions of both Delhi and Islamabad not as malice but as “strategic realism.” Does this mean that for Afghanistan to achieve stability, it must fundamentally accept that its neighbors will always act in their own competitive interests, and simply try to manage it?

A: Yes. Based on my own experience in Afghanistan, stability requires accepting a difficult reality: our neighbors will always act through the lens of their own national interests. The task for any Afghan government is not to escape this rivalry, but to manage it with discipline and balance.

During the Republic, India maintained four consulates in Afghanistan—two of them near the Pakistani border. That decision deeply alarmed Islamabad and fueled Pakistan’s perception that Afghan territory was being used to encircle it. Such steps may have had diplomatic value, but they carried strategic costs that were never fully weighed.

Going forward, Afghanistan must adopt a policy of strict neutrality—restricting both Indian and Pakistani use of its soil for competitive ends, while focusing on national interests above regional alignments. Stability will come not from choosing sides, but from ensuring that no side can use Afghanistan as a platform for its rivalry.

Q: Regarding your proposal for “conditional engagement,” what is a single, achievable benchmark on counter-terrorism that the international community could universally demand from Kabul, and how could it be verified in a way that is convincing to both the West and regional powers?

A: A single, achievable benchmark on counterterrorism should be the verifiable dismantling of terrorist training and recruitment networks inside Afghanistan, including those linked to the Tehrik-e-Taliban Pakistan (TTP), al-Qaeda, and the Islamic Movement of Uzbekistan (IMU).

Verification must not rely on Taliban assurances. It should involve independent monitoring through UNAMA, supported by satellite imagery, shared intelligence from regional and Western partners, and credible field reporting. Only external verification can make any Taliban commitment meaningful.

Current backchannel intelligence contacts between the Taliban and Western agencies may offer short-term tactical benefits, but they carry long-term risks. The Taliban’s continued expansion of radical madrasas, its protection of foreign militants, and its repression of women’s education all point to a future threat environment in the making.

Without verifiable counterterrorism action, engagement risks legitimizing Afghanistan’s return as a sanctuary for global terrorism. Conditional engagement must therefore combine immediate, measurable security steps with sustained political pressure for broader governance and, ultimately, elections that allow Afghans to determine their own future.

The Regional Quagmire: A Shared Threat to All

Q: Pakistan’s deep leverage inside Afghanistan is well-documented, but it has also resulted in significant blowback, including attacks from groups like the TTP. From your perspective, is Pakistan’s current policy a net strategic gain or loss for its own national security?

A: Pakistan’s policy toward Afghanistan has been a net strategic loss for its own national security. For decades, Islamabad has pursued the illusion that supporting proxy groups could secure influence in Kabul. This approach began in the 1990s under Interior Minister Nasrullah Babar, when Pakistan helped create and arm the Taliban, a policy that ultimately contributed to the conditions leading to 9/11. After 2008, Pakistan repeated the same mistake, backing the Taliban’s resurgence. The result today is a regime that harbors transnational militants and allows the Tehrik-e-Taliban Pakistan (TTP) to operate freely, threatening Pakistan itself.

Islamabad’s strategy has produced instability, international isolation, and the empowerment of extremist actors beyond its control. For Afghanistan’s de facto authorities, the lesson is clear: do not be drawn into the India–Pakistan rivalry. Kabul must restrict the use of Afghan soil against any neighbor, monitor foreign influence carefully, and assure both Delhi and Islamabad that Afghanistan will not serve as a platform for proxy competition. True stability will come only when Afghanistan acts as a neutral, sovereign state, neither a client nor a battlefield for others. And I believe a true democracy in Afghanistan can assure that.

Q: You propose a U.S.-led regional security initiative with monitoring mechanisms. Given the profound distrust between India and Pakistan, what would be a truly impartial body capable of monitoring such a pact? The UN? A coalition of neutral states?

A: Given the level of distrust between India and Pakistan and the nuclear dimension of their rivalry, a hybrid mechanism combining the United Nations with select neutral states would offer the most realistic path forward. The UN provides legitimacy and an existing framework for conflict monitoring, while a coalition of neutral states like Japan, could bring technical credibility and political distance from regional rivalries.

The United States should play a catalytic and convening role, even if its direct influence is limited. Washington’s engagement, alongside China and key UN partners, could help establish minimal confidence-building measures: verified incident reporting along the border, humanitarian coordination, and early-warning systems for escalation.

The June clashes underscored how quickly border violence between two nuclear-armed neighbors can spiral. It’s time for the U.S., China, and the UN to take a more active role in preventing South Asia’s oldest rivalry from becoming its most dangerous flashpoint.

Q: Your analysis focuses on India and Pakistan. How does China’s growing engagement with both Kabul and Islamabad—and its own security concerns about Uyghur militancy—complicate or perhaps even offer a solution to this entrenched India-Pakistan rivalry on Afghan soil?

A: China’s engagement with both Kabul and Islamabad is narrow and security-driven, not transformative. Beijing’s primary concern is the East Turkistan Islamic Movement (ETIM) and the risk of Uyghur militancy spilling into Xinjiang. Through close coordination with Pakistan and calculative engagement with the Taliban, China seeks to ensure ETIM remains contained, rather than to address Afghanistan’s broader instability.

While Chinese investments and economic outreach may give the appearance of regional engagement, Beijing’s strategy remains transactional and defensive, focused on countering specific threats, not building regional order. This limited approach neither resolves nor balances the India–Pakistan rivalry. If anything, China’s alignment with Pakistan reinforces the asymmetry in South Asia and risks deepening rather than mitigating the competition on Afghan soil.

The Path to Sovereignty: Neutrality and Legitimacy

Q: You’ve argued compellingly that external competition “saps Afghan agency.” In your view, what is the single most important step the Taliban’s de facto authorities could take right now to assert genuine sovereignty and reduce their vulnerability to being used as a proxy battlefield?

A: The single most important step the Taliban could take to assert genuine sovereignty is to return power to the Afghan people through free and inclusive elections. No state can claim true sovereignty while denying its citizens the right to choose their leaders. The Taliban’s current authoritarian model has isolated Afghanistan, empowered foreign interference, and turned the country into a proxy arena for regional powers.

By restoring democratic participation, allowing political diversity, women’s involvement, and media freedom, the Taliban would move from ruling by force to governing by legitimacy. Only then could Afghanistan reclaim genuine sovereignty and begin to shape its own future, independent of external manipulation.

Q: Finally, looking beyond crisis management, what is the first, most critical step in shifting Afghanistan’s trajectory from being a “chessboard for others’ strategies” back toward a truly sovereign state that determines its own future?

A: The first and most critical step is for Afghanistan to restore genuine neutrality—to stay out of the India–Pakistan rivalry and manage both relationships with strategic balance. Past governments, particularly during the Republic, had opportunities to do so but failed, despite strong international support. Instead, foreign competition seeped into Afghan politics, eroding sovereignty from within.

Moving forward, Afghanistan must rebuild legitimacy through democracy, not repression. Some argue that democracy cannot work in Afghanistan, but that view ignores the will of the Afghan people. Afghans risked their lives to vote—even losing fingers to prove their commitment. The Republic did not fail because Afghans rejected democracy; it failed because of poor leadership and mismanagement, both domestically and in foreign policy.

True sovereignty will come only when Afghans are again allowed to choose their leaders freely and when their government serves national interests rather than foreign agendas. Neutrality in regional politics and legitimacy at home are the twin pillars of a stable, independent Afghanistan.

Q: You state that the human cost is the “clearest metric of failure.” Beyond displacement and livelihoods, what is one less-discussed, tangible impact of this proxy war on the daily lives of ordinary Afghans that the world is missing?

A: When we talk about failure in Afghanistan, the clearest metric isn’t just economic collapse , it’s generational trauma.

Beyond displacement and loss of livelihood, the most enduring cost of this proxy war is the generational loss of normalcy. In nearly every Afghan village, there is a family that has lost someone—a father, a son, a husband—to four decades of conflict. Few countries have endured such continuous trauma. The wars of the mujahideen era, the Taliban’s rise, the Republic’s fall, and now renewed regional rivalries have left almost no Afghan household untouched.

Education and healthcare systems have collapsed, women and children bear the greatest suffering, and an entire generation has grown up knowing only conflict. This is not just a humanitarian tragedy—it is a strategic one. A population stripped of opportunity becomes vulnerable to radicalization and manipulation. If the current India–Pakistan tensions spill further into Afghanistan, they risk igniting yet another cycle of destruction that Afghans can no longer afford to endure.

This sobering assessment leaves no room for ambiguity: the current path of unconditional engagement rewards impunity and fuels regional insecurity. The alternative is a dual mandate. Externally, powers like India and Pakistan must anchor diplomacy to verifiable acts—on women’s rights, counter-terrorism, and protection of allies. Internally, the only exit from this cycle is for the Taliban to exchange coercion for consent. True sovereignty will not be gifted by neighbors nor won through proxy battles; it will be earned only when Afghans are once again allowed to choose their own leaders. The nation’s future hinges on this shift from being a chessboard for others to becoming a sovereign state for its people.

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Prunella Scales’ heartbreaking admission to actor husband in final ever interview

Timothy West died last November and now his wife Prunella Scales has tragically passed away. The pair spoke fondly of one another in their final ever interview

Prunella Scales and Timothy West spoke of their deep love for another in their final interview together. The EastEnders actor revealed that he had spotted a potential sign of his wife Prunella’s dementia years before her diagnosis was confirmed.

In November, it was confirmed that Timothy – known for his roles in shows like EastEnders – had died at the age of 90. Prunella’s death was announced today, just months after her husband’s sad passing.

In what is believed to be one of his last interviews, conducted in 2023, Timothy opened up about his wife Prunella’s battle with dementia. The couple appeared on BBC Breakfast for an interview together, in what would be their last appearance on TV.

Prunella, who is most recognised for her role as Sybil Fawlty in the classic sitcom Fawlty Towers, received her dementia diagnosis in 2014. However, Timothy suggested that he first noticed signs of the condition as early as 2001.

Reflecting on the moment he first observed his wife’s decline, he shared: “I came to see a play that Pru was doing in Greenwich. I went to see the first night and it was good, much enjoyed by the audience, and then I went to see it again a bit later on and I thought ‘Pru’s not … it’s strange. She’s not totally with it.'”

Despite these early signs, her official dementia diagnosis didn’t come until over a decade later. Timothy recalled: “We went to see a specialist who just said ‘I’m sorry this is just something that happens to you when you get older’. It’s not going to get any easier but you can cope with it. We manage.”

Despite the tough landscape they found themselves in, Prunella said: “I have got to know him better and better and better.”

Timothy added: “I know that things are going to change a little bit, but it has been a long time and we have managed pretty well really. I don’t think we ever think ‘oh no.'”

Prunella then shared: “I have been asked to live the rest of my life with somebody I respect very much and agree with a lot of things and argue with about a lot of things quite happily.”

During a chat with the BBC, which was conducted prior to the launch of Timothy’s book, he was questioned about his wife Prunella’s vascular dementia diagnosis. He said that “somehow” they have “coped” over the years.

“Pru doesn’t really think about it,” he added. Timothy and Pru have been husband and wife since 1963. The couple have two sons together, actors Samuel West and Joseph West. Their family also includes Timothy’s daughter Juliet West from a previous marriage.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.



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‘West End Girl’ explained: Lily Allen’s new album amid breakup with David Harbour

For the first time in seven years, Lily Allen is back with a new album. It’s intimate, raw and autofictional.

Last week, the “Smile” singer shared a 14-track breakup record, “West End Girl.” Amid her split with “Stranger Things” actor David Harbour, Allen provides an in-depth look into a broken relationship where the line between being open and being unfaithful is thin, where dating apps are on the table and where heartbreak seems inevitable.

The album, which was written in 10 days last December, begins with Allen’s move to New York. The singer relocated to the East Coast in 2020 with her two daughters and then-husband, following the couple’s whirlwind wedding in Las Vegas. When Allen started dating Harbour in 2019, she had just finalized her divorce from Sam Cooper, with whom she shares her children.

On “West End Girl’s” opening track, she sings about receiving an offer to be in a West End production in London. In 2021, Allen made her debut in the supernatural play “2:22 — A Ghost Story.” From that moment on, tensions and distance only continued to build between the pair. Toward the end of the title track, Allen includes her end of a call where her partner is seemingly asking to open up the marriage.

As the pop melodies continue to ebb and flow, Allen reveals accusations of infidelity, the complications of being in an open marriage and mentions a pseudonym for a mistress on a track named “Madeline.” She doesn’t stray away from details, especially when it comes to finding boxes of sex toys, love letters from other women and calling her partner a “sex addict” on “P— Palace.”

By the end of the record, she makes it clear that the relationship is irreparable. The pair announced their separation last February after four years of marriage. Since the project’s release last Friday, critics have been quick to fawn over Allen’s return to music and Allen has been sure to let the press know the album is not fully based in fact.

In an interview with The Times, the U.K.’s oldest national daily newspaper, she says, “I don’t think I could say it’s all true — I have artistic license. … But yes, there are definitely things I experienced within my relationship that have ended up on this album.”

She similarly told Perfect Magazine that the work can be considered “autofiction” and that an “alter ego” is singing. When sitting down with British Vogue, she clarified that the album is inspired by what went on in the relationship between, but “that’s not to say that it’s all gospel,”

Harbour has yet to directly speak out about their relationship and has strayed away from the public eye, disabling comments on his Instagram page.

In an interview with GQ in April, he said, “There’s no use in that form of engaging [with tabloid news] because it’s all based on hysterical hyperbole.”

The highly anticipated final season of Netflix’s “Stranger Things,” where Harbour plays the role of police chief Jim Hopper, will be released Nov. 27.

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‘CBS Evening News’ co-anchor John Dickerson will leave the network later this year

John Dickerson, co-anchor of “CBS Evening News,” said Monday he will exit the network at the end of the year.

Dickerson will be the first major talent departure since the arrival of Bari Weiss as editor-in-chief of CBS News last month.

The veteran political journalist who joined CBS News in 2009 gave no reason for leaving in an Instagram post announcing his decision.

“I am extremely grateful for all that CBS News gave me – the work, the audience’s attention and the honor of being a part of the network’s history – and I am grateful for my dear colleagues who’ve made me a better journalist and a better human being and I will miss you,” Dickerson wrote.

Dickerson became co-anchor of “CBS Evening News” in January alongside Maurice DuBois, succeeding Norah O’Donnell. The duo were part of a revamp of the program, which put an emphasis on more in-depth stories.

The format change failed to attract new viewers as it remains in third place behind “ABC World News Tonight with David Muir” and “NBC Nightly News with Tom Llamas.”

There had been talk of significant changes coming to the newscast before Weiss signed on for a senior role at the division.

Weiss has reportedly expressed interest in bringing Fox News anchor Bret Baier to CBS, but his current employer has him under contract through 2028. Baier anchors “Special Report,” a nightly newscast that like many Fox News programs is closely followed by President Trump.

Anderson Cooper, whose contract will soon be up at CNN, has also been mentioned internally as an evening news anchor candidate.

"CBS Evening News" co-anchors Maurice DuBois and John Dickerson.

“CBS Evening News” co-anchors Maurice DuBois and John Dickerson.

(Gail Schulman/CBS News)

The changes to “CBS Evening News” were initiated by former “60 Minutes” executive producer Bill Owens, who was pushed out of the company amid the controversy over a 2024 interview with former vice president Kamala Harris.

Trump sued the network over the interview which he said was deceptively edited to help her presidential campaign. Although the case labeled as frivolous by 1st Amendment experts, Paramount settled the suit for $16 million to clear the regulatory path for its merger with Skydance Media.

A former writer for Time magazine, Dickerson came to CBS News as a contributor before taking on a variety of roles in the division. He was anchor of the Washington-based public affairs program “Face the Nation.” He moved to New York to join “CBS This Morning” after the network fired Charlie Rose over sexual harassment allegations in 2017.

Dickerson anchored a nightly prime time newscast on CBS News Streaming before being tapped for “CBS Evening News.” He could not be immediately reached for comment.

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Newsom, Harris both considering runs for president in 2028

In a sign of California’s rising status as a major hub of Democratic politics, Gov. Gavin Newsom said Sunday he’s considering a run for president in 2028 — just a day after former U.S. Vice President Kamala Harris made the same pronouncement.

Newsom, a Democrat who has won national prominence this year pitching himself a leader of the resistance to President Trump, admitted for the first time publicly that he is seriously weighing a 2028 presidential run.

In an interview with “CBS News Sunday Morning,” Newsom was asked whether he would give “serious thought” after the 2026 midterms to a White House bid.

“Yeah, I’d be lying otherwise,” Newsom replied. “I’d just be lying. And I’m not — I can’t do that.”

Harris said this weekend in an interview with the BBC that she expects a woman will be president in the coming year. “Possibly,” she said, it could be her.

“I am not done,” she said. “I have lived my entire career as a life of service and it’s in my bones.”

It’s still more than three years until the November 2028 election, and entirely possible only one or neither of the two California politicians could throw their hat in the race.

But the early willingness of Newsom and Harris to publicly consider a White House bid shows that the Golden State is still a major hub of Democratic politics. It also sets up a potential 2028 political showdown between two of California’s weightiest political figureheads.

For years, Newsom has denied presidential ambitions. But since Trump defeated Harris in the November 2024 election, the California governor has emerged as a vocal critic of the Trump administration’s agenda.

Under Newsom’s leadership, California has filed dozens of lawsuits against Trump — most noticeably against the Trump administration’ deployment of National Guard and Marines to Los Angeles. The governor has also become more aggressive on social media, taking to X to taunt and troll Trump.

Still, Newsom, whose term ends in January 2027 and who cannot run again for governor because of term limits, cautioned that he is not rushing into a 2028 presidential campaign.

“I have no idea,” Newsom said Sunday of whether he will actually decide to run.

After Trump defeated Harris in November, Harris was viewed as a possible candidate for California governor. But in July she announced that, after “serious thought” she would not run for the top California office.

“For now, my leadership — and public service — will not be in elected office,” Harris said in a statement. “I look forward to getting back out and listening to the American people, helping elect Democrats across the nation who will fight fearlessly, and sharing more details in the months ahead about my own plans.”

Newsom’s interest in the White House raises the stakes for passing Proposition 50, a California ballot measure he has pushed — in response to a similar initiative in Texas — that would allow state Democrats to temporarily change the boundaries of U.S. House maps so that they are more favorable to Democrats. California voters will vote on Prop 50 in a special election next week.

Newsom has cast his effort as a response to Trump’s push to redraw maps in Republican-controlled states to make them more favorable to the GOP.

“I think it’s about our democracy,” Newsom said in the CBS interview. “It’s about the future of this republic. I think it’s about, you know, what the founding fathers lived and died for, this notion of the rule of law, and not the rule of Don.”

If Newsom is successful and Proposition 50 passes, the move could potentially help future Democratic candidates for the White House.

But either way, both Newsom and Harris would face high hurdles in battleground states if they ran for president.

Just being a Californian is a liability, some argue, at a time when Republicans depict the state as a bastion of woke ideas, high taxes and crime.

While California boasts the world’s fifth-largest economy and is home to the massive tech powerhouse of Silicon Valley and the cultural epicenter of Hollywood, it has struggled in recent years with high housing costs and massive income inequality. In September, a study found California tied with Louisiana for the nation’s highest poverty rate.

Newsom, 58, a former San Francisco mayor who was born to a wealthy and well-connected San Francisco family, suggested in the CBS interview that he had already surmounted significant obstacles. Early on, Newsom struggled in school and suffered from dyslexia.

“The idea that a guy who got 960 on his SAT, that still struggles to read scripts, that was always in the back of the classroom, the idea that you would even throw that out is, in and of itself, extraordinary,” Newsom said. “Who the hell knows? I’m looking forward to who presents themselves in 2028 and who meets that moment. And that’s the question for the American people.”

Harris, 61, who served as a U.S. senator and California attorney general before she became vice president in 2020 and then the Democratic Party’s nominee in the 2024 presidential election, received criticism last year after losing to Trump by more than 2.3 million votes, about 1.5% of the popular vote. Some Democrats accused her of being an elite, out of touch candidate who failed to connect with voters in battleground states who have struggled economically in recent years.

But speaking in Los Angeles last month as she promoted her new memoir, “107 Days,” Harris appeared to take little responsibility for her 2024 loss.

“I wrote the book for many reasons, but primarily to remind us how unprecedented that election was,” Harris said.

“Think about it. A sitting president of the United States is running for reelection and three and a half months before the election decides not to run, and then a sitting vice president takes up the mantle to run against a former president of the United States who has been running for 10 years, with 107 days to go.”

Newsom has already raised eyebrows this year by traveling to critical battleground election states.

In July, Newsom traveled more than 2,000 miles to South Carolina, a state that traditionally hosts the South’s first presidential primary. He said he was working to help the party win back the U.S. House of Representatives in 2026. But at the time there were a dozen competitive House districts in California. South Carolina, a staunchly conservative state, did not have a single competitive race.

After Newsom spoke in South Carolina, Rep. James Clyburn, the highest-ranking Black member of Congress and renowned Democratic kingmaker who rescued former President Biden’s 2020 campaign, told The Times that Newsom would be “a hell of a candidate.”

“He’s demonstrated that over and over again,” Clyburn said, stopping short of endorsing him. “I feel good about his chances.”

But other leading South Carolina Democrats voiced doubts that Newsom could win over working class and swing voters in battleground states.

Richard Harpootlian, a South Carolina attorney, former state senator and former chairman of the state Democratic Party, called Newsom “a handsome man with great hair.”

“But the party is searching for a left-of-moderate candidate who can articulate blue-collar hopes and desires,” Harpootlian told The Times.

“If he had a track record of solving huge problems like homelessness, or the social safety net, he’d be a more palatable candidate,” he added. “I just think he’s going to have a tough time explaining why there’s so many failures in California.”

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Hollywood’s romance with micro dramas is heating up. Will it last?

A young woman is desperate to raise $50,000 for her mom’s life-saving medical treatment. She will get the money, but only if she agrees to her stepsister’s unusual proposal: to marry her wayward fiance, who comes from a wealthy family but also has a rap sheet.

That’s the plot line for an episode of “The Double Life of My Billionaire Husband.”

That may sound like a telenovela. In fact, it’s a popular series that appears on ReelShort, an app where audiences can view on their smartphones over-the-top, dramatic tales reminiscent of soap operas called micro dramas.

Unlike a regular TV show, this drama unfolds over 60 episodes, each lasting one to three minutes. After six episodes, viewers hit the paywall, where they could continue watching ad-free with a $20 weekly subscription, watch ads or pay as they go.

Already, the series has garnered more than 494 million views since it launched in 2022 and ReelShort says it has made more than $4 million from the show.

With titles like “The Billionaire Sex Addict and His Therapist,” “How to Tame a Silver Fox” and “Pregnant by My Ex’s Dad,” micro dramas lean heavily into sensationalism and light on budgets, which are typically less than $300,000 per series. And many of them are filmed in Los Angeles.

A person looks at dual vertical monitors during a scene of a film

Director and co-writer Cate Fogarty watches actor Diego Escobar on dual vertical monitors. The film, by platform DramaShorts, is shot vertically to be adapted for viewing on a phone screen.

(Juliana Yamada/Los Angeles Times)

Short serialized dramas first took off in China, where they are hugely popular and generated revenues of $6.9 billion last year, even surpassing domestic box office sales, according to DataEye, a Shenzhen-based digital research firm.

Now, Hollywood is starting to take note of the bite-sized format.

In August, the venture arm for Lloyd Braun — the former ABC executive and chairman of talent agency WME — and L.A.-based entertainment studio Cineverse formed a joint venture called MicroCo to build a platform for micro dramas.

“Traditional Hollywood moved away from a whole genre and storytelling that fans love, and I think micro dramas really took advantage of that and really leaned into that fandom,” said Susan Rovner, chief content officer of MicroCo.

Studio interest

Major studios are investing in micro dramas in an attempt to replicate China’s success and find new ways to appeal to younger audiences that are accustomed to watching short-form videos on TikTok, YouTube, Instagram and other platforms while on the go.

Fox Entertainment recently announced an equity stake in Ukraine-based Holywater, a producer of micro dramas. Under the deal, Fox Entertainment Studios (a division of Fox Entertainment) will produce more than 200 vertical video titles over the next two years for Holywater.

And Walt Disney Co.’s accelerator program, which invests in startups, recently named micro drama business DramaBox, whose parent company is based in Singapore, as part of its 2025 class.

David Min, Walt Disney Co.’s vice president of innovation, said he believes micro dramas will continue to do well, especially with younger audiences accustomed to watching entertainment on their phones.

“We have to be where everyone is consuming their content, so that’s an opportunity for us,” Min said in an interview. “…This is just another new platform to experiment with and explore and see if it’s right for the company.”

two people work on a film set near lighting

First assistant director Chakameh Marandi, left, and actress Leah Eckardt wait during filming at Heritage Props last month in Burbank.

(Juliana Yamada/Los Angeles Times)

This year, ReelShort, which is based in Sunnyvale, Calif., says it will produce more than 400 shows, up from 150 last year.

All of the productions are filmed in the U.S. and mostly in Los Angeles, said ReelShort CEO Joey Jia in an interview. The company plans to build a studio in Culver City that will adapt its most popular micro dramas into films.

“We offer a lot of opportunity,” Jia said.

Warsaw-based DramaShorts said in 2026 it aims to shoot 120 micro drama projects in the U.S., up from 45 to 50 this year. About 25% of those will be in the L.A. area.

DramaShorts co-founder Leo Ovdiienko in a portrait from the  chest up.

DramaShorts co-founder Leo Ovdiienko says, “People are so used to consume content through social media, through TikTok, through Instagram, through Facebook and to share information.” .

(Juliana Yamada/Los Angeles Times)

“People are so used to consume content through social media, through TikTok, through Instagram, through Facebook and to share information,” said DramaShorts co-founder and Chief Operating Officer Leo Ovdiienko, 29, in an interview. “I believe it’s only a matter of time before the big players will also come to this stage.”

The company works with production partners in L.A. who employ actors, writers and crew members who work on the quick-turn projects, a bright spot in a struggling job market.

“The plus side of filming in L.A. is it is the epicenter of Hollywood,” said executive producer, writer and director Chrissie De Guzman, who has worked on DramaShorts projects. “We know how the state of our industry is doing right now, so a lot of talent have moved into the vertical space.”

Though vertical dramas are the length of a movie, they are spliced up into small chapters and produced quickly. A 100-page script might be shot in just one week as opposed to a month for a feature film.

Each chapter usually features a cliffhanger or dramatic moment — whether that’s a slap or a character in danger.

“It just hits every little emotional point,” said Caroline Ingeborn, chief operating officer at Palo Alto-based Luma AI, which provides micro drama companies with AI tools. “It hooks you in like this and because it’s so easy to press [Play]. You just need to see the next episode.”

The crew of vertical drama "Sleeping Princess" break between scenes

The crew of vertical film “Sleeping Princess” break between scenes.

(Juliana Yamada/Los Angeles Times)

Labor tensions

With ultra-low budgets, many of the productions are non-union, prompting some writers and actors to work under pseudonyms to avoid facing sanctions from their unions, said several people who work on the shows.

In an effort to address the issue, performers union SAG-AFTRA recently announced it has created agreements that cover low-budget vertical dramas.

Writers Guild of America West President Michele Mulroney said in an interview the union is aware that “there are companies that are trying to do this work non-union, so the guild wants to help our members … in ways that they can work on verticals and make sure they get that work covered.”

Micro drama producers said they welcome talking with the unions, but questioned whether their business models could support union contracts.

“We’re not anti-union at all,” said Erik Heintz, executive producer at Snow Story Productions, which makes vertical dramas for platforms including DramaShorts.

Despite labor tensions, these short-form dramas have provided a key source of employment for Hollywood workers who’ve struggled to find jobs as production has moved out of California.

Corey Gibbons, 44, a director of photography, said vertical dramas kept him in the business when other work dried up.

“I have a feeling that we’re on the brink of something that’s really going to change,” Gibbons said. “I’m just excited to be a part of it.”

So was 27-year-old actor Sam Nejad, a former contestant on “The Bachelorette” who started acting in vertical dramas in January. He said he’s landed one or two lead roles a month since then and can earn $10,000 a week.

“It’s a new art,” Nejad said. “The new Tarantinos, the new Scorseses are all coming through this.”

ReelShort’s office in Sunnyvale looks more like a typical Silicon Valley startup than a Hollywood studio.

Jia, the chief executive, sits at a desk in an open floor seating area with his staff. Along the office walls are framed posters with titles like “Prince With Benefits,” “Never Divorce a Secret Billionaire Heiress” and “All the Wrong Reasons.” Jia proudly points out why each program was notable on a recent tour of the space.

“I don’t have money to hire celebrities,” Jia said. “I have 100% rely on story.”

The 46-year-old entrepreneur, who has an electrical engineering background, launched his business in 2022. At the time, there wasn’t much interest from Hollywood studios.

The skepticism followed the high-profile collapse of Quibi, the startup led by studio mogul Jeffrey Katzenberg and tech executive Meg Whitman, that worked with A-list movie stars on series that would appear on an app in short chapters. Quibi raised $1.75 billion, only to shut down roughly six months after launching.

Jia took a different approach. Rather than signing expensive deals with celebrities, he hired students or recent graduates from colleges like USC to work at his company.

Jia approves all of the micro drama stories at ReelShort, which he says is expected to generate $1 billion in revenue this year.

A ReelShort representative declined to disclose the company’s earnings but said the business is profitable.

Jia said ReelShort has 70 million monthly active users, with 10% of them paid users.

The churn — the rate at which customers drop weekly subscriptions — can be more than 50% at ReelShort, Jia said. That makes it paramount for the company to have a steady stream of content that entices customers to keep paying. Currently it has more than 400 in-house titles and roughly 1,000 licensed titles.

Like others in the genre, ReelShort and DramaShorts rely heavily on data metrics like customer retention and paid subscribers to make their content decisions.

“A lot of directors are thinking, when I shoot the film, ‘I don’t care how people think, this is my creation, it’s my story,’” Jia said. “No, it’s not your story. Your success… should be determined by the people.”

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Kamala Harris leaves door open for 2028 presidential run

Kamala Harris isn’t ruling out another run for the White House.

In an interview with the BBC posted Saturday, Harris said she expects a woman will be president in the coming years, and it could “possibly” be her.

“I am not done,” she said.

The former vice president said she hasn’t decided whether to mount a 2028 presidential campaign. But she dismissed the suggestion that she’d face long odds.

“I have lived my entire career a life of service, and it’s in my bones. And there are many ways to serve,” she said. “I’ve never listened to polls.”

Harris has recently given a series of interviews accompanying the September release of her book “107 Days.” It looks back on her experience replacing then-President Biden as the 2024 Democratic presidential nominee after he dropped out of the race, in an election she lost to Republican Donald Trump.

In an interview with the Associated Press this month, Harris, 60, also made clear that running again in 2028 is still on the table. She said she sees herself as a leader of the party, including in countering Trump and preparing for the 2026 midterms.

Meanwhile, political jockeying among Democrats for the 2028 presidential contest appears to be playing out even earlier than usual.

Several potential candidates are already taking steps to get to know voters in key states, including California Gov. Gavin Newsom, Rep. Ro Khanna (D-Fremont) and Kentucky Gov. Andy Beshear. Potentially 30 high-profile Democrats could ultimately enter the primary.

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Shakira supports a Bad Bunny Super Bowl halftime show

Shakira is all in for the Bad Bunny Super Bowl halftime performance, despite ongoing public efforts to replace the Puerto Rican singer with another artist.

In an interview with Variety, the Colombian superstar voiced support for Bad Bunny, who is set to perform on Feb. 8 at Levi’s Stadium in Santa Clara, Calif.

“It’s about time!” she said.

In 2020, Bad Bunny joined Shakira and Jennifer Lopez on stage during their halftime performance, which marked the first all-Latine show in Super Bowl history — J Balvin was also featured.

“I remember when we did ours that even having part of our set in Spanish was a bold move… Acceptance of Spanish-language music as part of the mainstream has come so far from when I started,” said Shakira, who during the interview reflected on the recent anniversaries of her critically-acclaimed Spanish album “Pies Descalzos” (released in 1995) as well as “Oral Fixation (Vol 1 and 2)” (both released in 2005).

“I hope and like to think that all the times my music was met with resistance or puzzlement from the English-speaking world before it was embraced helped forge the path to where we are now,” Shakira added.

The news that Bad Bunny would headline the major American sporting event has been met with some pushback from conservative figures, including President Trump, who labeled the decision as “crazy” and “absolutely ridiculous” in an interview with Newsmax earlier this month.

One floating petition on Change.org, which has acquired over 54,000 signatures, called for Bad Bunny to be replaced by Texas singer George Strait as a way to “honor American culture.”

The late Charlie Kirk’s Turning Point USA also announced an alternative halftime show titled, “The All American Halftime Show,” though the conservative organization has not yet announced artists.

Claims that Bad Bunny is not an American artist are factually incorrect: Puerto Rico is an unincorporated U.S. territory and Puerto Ricans are therefore American citizens. Past Super Bowl halftime shows have also featured non-American acts, including the Rolling Stones, U2, Rihanna, Shania Twain and Coldplay, to name a few.

Despite the anti-Bad Bunny buzz, Shakira doubled down on her support of the singer.

“And I’m so proud that Bad Bunny, who represents not only Latin culture but also how important Spanish-language music has become on a global scale and how universal it has become, is getting to perform on the biggest stage in the world,” she said.

“It’s the perfect moment for a performance like this. I can’t wait to watch it.”

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Netflix ‘Juan Gabriel’ docuseries tells his story in his own words

For those who know of the spectacle that is Juan Gabriel there is no explanation necessary, for those who don’t, no explanation will suffice.

A new Netflix docuseries attempts to capture the magic of the frequently bedazzled genre- and gender-defying showmanship of “El Divo de Juárez,” who died at 66 of natural causes in 2016, while also investigating the internality of the man behind Gabriel — Alberto Aguilera Valadez.

Juan Gabriel was known for his epic stage performances, where he was often accompanied by an orchestra, dancers and dozens of mariachis dressed in tight jackets and sombreros, while belting out such hits as “Hasta Que Te Conocí,” “El Noa Noa” and “Amor Eterno.”

His colorful outfits and flamboyant dance moves drew speculation about his sexuality, but he famously preferred to remain coy on the issue and to this day remains a queer icon throughout the Latin American world.

“Juan Gabriel: I Must, I Can, I Will,” which premieres Oct. 30, utilizes a goldmine of hundreds of thousands of personal and never-before-seen voice recordings, photos and videos of one of Mexico’s most revered singer-songwriters, giving audiences a holistic look at the pain, joy, contradictions, artistry and genius that informed Gabriel’s worldview and perception of himself.

The project is director María José Cuevas’ second production with the streaming giant — her 2023 documentary feature “The Lady of Silence: The Mataviejitas Murders” recounted the story of famous Mexican serial killer Juana Barraza, who was sentenced to 759 years in prison for killing 16 elderly women and the suspected killing of dozens more.

Cuevas’ implementation of the juxtaposed duality of Juan Gabriel and Alberto Aguilera Valadez was inspired by his insistence that the two entities were distinct yet symbiotic, as was shown in a 2014 filmed self-interview the singer conducted.

“In order to understand the greatness of Juan Gabriel, I had to know Alberto. He always played with that duality,” she said. “From a very young age he would say in interviews that he invented Juan Gabriel to shield Alberto, he invented an idol in order to protect his private identity.”

In an interview with The Times, Cuevas spoke about her personal connection to the famed singer, the overwhelming archives she had access to and the ways in which Juan Gabriel united and continues to unite people to this day.

This interview was translated and edited for length.

What was your relationship to Juan Gabriel before taking on the task of directing this documentary?

I remember clearly turning on the TV [when I was young] and seeing video clips of Juan Gabriel with his red sweater and white jeans. I later had the opportunity to go to his first performance at the Palacios de Bellas Artes in 1990 with my parents. One is accustomed to going to Bellas Artes for opera, ballet, classical music and the concert began with that formal tone, but there reached a moment where audience members couldn’t keep up the facade of elegance and everyone let their hair down.

For me that moment was incredibly revelatory, I finally noticed that he was a whirlwind in every sense of the word. I didn’t realize at the time that I was present at a such an important cultural milestone. When I watched it in retrospect, from all the camera angles we were privy to for this documentary, I got goosebumps and I wish I could go back to being 18 years old and experience it with the intensity that I have for his music now.

I think that Juan Gabriel always transports us to something personal, but also to something collective. In Mexico, Juan Gabriel’s death was a very collective experience. You would go out into the street and you would hear his music in cars, the corner store, coming out of neighbors’ houses.

How did you gain access to the vast collection of archived materials that are present in the documentary?

That’s really the treasure of the project. Juan Gabriel’s story has already been told, but what makes this project unique is that it’s a story told by [the recordings and photos] he left behind. One of the first things he did after reaching success wasn’t just to buy his mom a house, but also to buy himself a Super 8 camera. From then on he picked up the habit of recording his everyday activities as Alberto Aguilera and later on he always had a camera following around as Juan Gabriel.

From our first meetings with Netflix, I figured we should ask Gabriel’s family if they had anything to share with us. I thought maybe it would be a photo album that was laying around, maybe a box of memorabilia or a few cassettes. So it was to our great surprises when they sent us over a photo of a warehouse with shelves full of every different kind of film. It was crazy. And that’s when I remembered that Juan Gabriel’s close friend and actor Isela Vega was helping him catalog all of his videography.

I never imagined that within those videos that we’d find the public persona of Juan Gabriel and the private persona of Alberto Aguilera. Another elucidating moment was that Juan Gabriel reached a moment where he became conscious of the level of his celebrity and that it wasn’t a coincidence that he recorded most of his life. And there reached a moment where I realized he saved all these recordings so that one day people could revisit all his saved materials and they could reconstruct his personal story through what he left behind.

There’s a moment in the documentary where we’re at one of his concerts and there are men of all orientations in the crowd that are asking JuanGa to marry them. That seemed particularly powerful to me because in that moment the veil of machismo seemed to fall.

Yeah, I think an important part of making this portrait of Juan Gabriel was understanding the context of Mexico in the ‘80s. It was very conservative, very machista and then all of a sudden this guy drops in with all this talent and charisma and he says, “Here I come, get out of the way because I’m gonna conquer everyone.” And that wasn’t so simple at that time. He showed his greatness at any and every stage he was put on. He was able to win over people in every social class in a very elitist Mexico. He won over everyone from the most macho man to women.

Even greater than the achievement that was his performance at Bellas Artes were his performances in palenques when he was young. Palenques being these circular stages where you can’t hide because you’re standing right in the middle of everything. And he would take the stage late at night when everyone was already drunk and they were audiences that were, in general, very machista.

Suddenly a very young Juan Gabriel would appear to perform rancheras. I always say he was a provocateur, but also a seducer because of his ability to win over a crowd. There were audiences that would yell derogatory things at him and that’s when he’d really play with the audience.

It feels almost impossible not to be moved by the music as you watch your documentary.

He’s really magnificent. I remember throughout the whole process of making the doc and I was watching the intimate home videos of Alberto Aguilera and it really reminded me that Juan Gabriel was a human like everyone else [not just this grand entertainer]. I’d put any concert of his and I was bowing at the altar of a star. It’s amazing what a powerful character he was up on that stage.

And how have you seen JuanGa’s legacy represent something very specific in the U.S.?

For Latinos in the U.S. he’s such an important figure because his work pulls people back to their roots. One of his greatest accomplishments as a performer was when he filled the Rose Bowl in 1993. In that moment he showed his influence and strength within the Latino world. He’s absolutely one of the key figures in Latin music.

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Victoria’s Secret: Angel Reese, Suni Lee make history

Victoria’s Secret called game.

WNBA player Angel Reese and Olympic gymnast Suni Lee walked the 2025 edition of the Victoria’s Secret Fashion Show on Wednesday, becoming the first major athletes to hit the runway at the lingerie and loungewear brand’s signature event.

Reese, a forward for the Chicago Sky, was part of the high-profile “Wings Reveal” lineup, with the two-time All-Star debuting two looks at the event. The first was a pink floral lingerie set paired with a feathered stole, while the second featured the brand’s iconic angel wings. She is the first professional athlete to walk the show.

“It was destined for me,” Reese reportedly said in an interview before the show kicked off. “This is already for me. I’m so happy to be sitting in this room with so many amazing models and women. The team that put this all together has been amazing. I’m so excited.”

a woman walking a runway in pink lingerie and wings

Angel Reese debuted two looks at the 2025 Victoria’s Secret Fashion Show.

(Evan Agostini / Invision / Associated Press)

The 2025 Victoria Secret’s Fashion Show may have marked her professional modeling debut, but Reese has long been a fashion icon. She’s known for her sharp arrival looks as much as her rebounding prowess among women’s basketball fans and she even served as a member of the 2025 Met Gala’s host committee. Reese capped off her standout college career, which included an NCAA championship title with Louisiana State University in 2023, by declaring for the WNBA draft in a 2024 Vogue interview and has since graced that magazine’s cover.

Two-time Olympian Lee, meanwhile, made her fashion show debut as part of the segment dedicated to VS’ Pink line, sporting short shorts and a pink hoodie adorned with miniature wings. She hit the runway while four members of the K-pop group Twice were performing live.

Suni Lee walks the runway in navy boy shorts, a sports bra and a a pink hoodie

Suni Lee makes her Victoria’s Secret Fashion Show debut.

(Dimitrios Kambouris / Getty Images for Victoria’s Secret)

“Stepping into something like the Victoria’s Secret Fashion Show felt like a dream outside of my comfort zone … But that’s exactly why I said yes,” Lee told Marie Claire in an interview before the show where she described her runway look as “sporty meets glam in the best way.”

Lee, of course, was part of the “Golden Girls” squad alongside Simone Biles that brought home the team gold at the 2024 Paris Olympics. Among her six Olympic medals is also the all-around gold from the 2020 Games in Tokyo, which were held in 2021 due to pandemic restrictions. The Minnesota native also competed as part of Auburn University’s gymnastics team.



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Obama talks of issues affecting California on Maron’s final podcast

Former President Obama, speaking on stand-up comedian Marc Maron’s final podcast on Monday, said the Trump administration’s policies are a “test” of whether universities, businesses, law firms and voters — including Republicans — will take a stand for the nation’s founding principles and values.

“If you decide not to vote, that’s a consequence. If you are a Hispanic man and you’re frustrated about inflation, and so you decided, ah, you know what, all that rhetoric about Trump doesn’t matter. ‘I’m just mad about inflation,’” Obama said. “And now your sons are being stopped in L.A. because they look Latino and maybe without the ability to call anybody, might just be locked up, well, that’s a test.”

In a more than hourlong discussion with Maron on the wildly popular “WTF With Marc Maron” podcast, the former Democratic president said current events could jolt Americans.

“It’d be great if we weren’t tested this way, but you know what? We probably need to be shaken out of our complacency,” he said.

Obama also criticized some Democrats’ messaging as he touched on significant issues facing Californians and discussed the state of the nation’s democracy, core convictions and the weakening of institutional norms.

After Los Angeles-based Maron joked, “We’ve annoyed the average American into fascism,” Obama responded, “You can’t just be a scold all the time.

“You can’t constantly lecture people without acknowledging that you’ve got some blind spots too, and that life’s messy,” Obama said in the interview, which recently took place in the former president’s Washington, D.C., office.

Faulting language used by some liberals as “holier than thou,” Obama argued that Democrats could remain true to their principles while respecting those with whom they disagreed.

“Saying, ‘Right, I’ve got some core convictions [and] beliefs that I’m not going to compromise. But I’m also not going to assert that I am so righteous and so pure and so insightful that there’s not the possibility that maybe I’m wrong on this, or that other people, if they don’t say things exactly the way I say them or see things exactly the way I do, that somehow they’re bad people,’” he said.

Obama’s remarks come as the Democratic Party faces a reckoning after losing the presidential election in 2024, in part because of declining support from the party’s base, notably minority voters.

Maron, a comedian and actor, launched his “WTF With Marc Maron” podcast and radio show in 2009. Interviews with guests such as actor Robin Williams, comedian Louis C.K., filmmaker Kevin Smith and “Saturday Night Live” creator Lorne Michaels often took place at his Highland Park home.

Obama’s 2015 interview in Maron’s garage became the podcast’s most popular episode at the time — downloaded nearly 740,000 times in the first 24 hours after it was posted.

On Monday, the former president criticized institutions for capitulating to President Trump’s demands. His words come as USC leaders are debating whether to agree to a White House proposal to receive favorable access to federal funding if they align with Trump’s agenda.

“If you’re a university president, say, well, you know what? This will hurt if we lose some grant money in the federal government, but that’s what endowments are for,” Obama said. “Let’s see if we can ride this out, because what we’re not going to do is compromise our basic academic independence.”

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‘I don’t want this all on camera,’ gubernatorial candidate Katie Porter says in testy interview

Former Rep. Katie Porter, the 2026 gubernatorial candidate who has a narrow edge in the polls, raised eyebrows Tuesday when footage emerged of her apparently ending a television interview after becoming irritated by a reporter’s questions.

The footage shows CBS Sacramento reporter Julie Watts asking Porter, a Democrat, what she would say to the nearly 6.1 million Californians who voted for President Trump in 2024, and the UC Irvine law professor responding that she didn’t need their support if she competed against a Republican in the November 2026 run-off election to replace termed-out Gov. Gavin Newsom.

After Porter highlighted her experience winning a closely divided Orange County congressional district, she grew palpably irritated by Watts’ follow-up questions about her dismissiveness about needing support from voters who supported Trump.

“I feel like this is unnecessarily argumentative. What is your question?” Porter said.

Watts responded that she had asked every other candidate similar questions in relation to Proposition 50, the redistricting ballot measure that Newsom and other California Democrats put on the ballot in a special election in November.

Porter said she would seek every vote she could win, but then grew testy over follow-up questions.

“I don’t want to keep doing this. I’m going to call it,” Porter said, saying she objected to multiple follow-up questions. “I want to have a pleasant, positive conversation. … And if every question you’re going to make up a follow-up question, then we’re never going to get there.”

She later said, “I don’t want this all on camera.”

Porter, a protege of Mass. Sen. Elizabeth Warren, won election to Congress in 2018 and gained attention for grilling executives and her use of a white board to explain complex policies. The 51-year-old unsuccessfully ran for U.S. Senate in 2024 and returned to teaching law at UC Irvine.

On Tuesday night, Porter’s campaign said that the interview continued for an additional 20 minutes after the heated exchange but did not offer further comment.

The former congresswoman’s Democratic rivals in the 2026 gubernatorial race seized on her comments, and Democratic strategists not associated with any candidate in the race also cringed.

“When you’re governor, you’re governor of everyone, not just the people in your party. It’s a bad look to say you don’t want or need votes from certain Californians, even those you really disagree with,” said Elizabeth Ashford, who served as a strategist for Govs. Jerry Brown and Arnold Schwarzenegger as well as former Vice President Kamala Harris when she was the attorney general of California.

“But, also, even good candidates have bad nights,” Ashford added. “This was a miss for Katie, but not every interview is going to go great.”

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I was the last person to interview Ricky Hatton – I was gutted when our chat ended

DARREN BARKER is gutted his heartbreaking interview with Ricky Hatton was the British boxing legend’s last.

The 43-year-old former middleweight champion of the world sat down with the 46-year-old at his Manchester gym on Tuesday September 9 for a wonderful 90 minute podcast.

Ricky Hatton and Darren Barker having their last conversation on camera.

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Darren Barker says he was “gutted” to be Ricky Hatton’s last interviewCredit: YouTube/Dazn
Ricky Hatton speaking into a microphone, sitting by a boxing ring.

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Barker hailed Hatton as “a great man” and said he didn’t want their chat to endCredit: YouTube/Dazn
Ricky Hatton, a former world welterweight boxing champion, in a blue suit against a dark background.

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The boxing legend was found dead at his home last monthCredit: PA

The two-weight world champ Hitman had to wrap-up the interview to collect his daughters from school. 

And, tragically, on the morning of Sunday 14 the national treasure was found dead at his home, leaving Barker and the rest of British sport sobbing.

The hour-and-half chat is available online and lets Hatton brilliantly reflect on his small-hall rise, legendary Kostya Tszyu world title win, iconic Las Vegas takeovers and his post-boxing demons.

It is a travesty it will be his final media appearance but a perfect reminder of the honest, open, funny and brilliant boy-next-door Hatton was and will be remembered as.

Barker told us: “I remember leaving him after that interview and I was gutted because I enjoyed his company that much.

”I said this at the top of the pod, he was perfectly Ricky Hatton.

“He was so funny, so warm towards me and the crew that were there, he was just bang on, he was perfect.

“And it was so nice to hear all of those stories directly from him.

Ricky Hatton’s biggest boxing wins

Ricky Hatton tasted defeat just three times in an illustrious 46 fight career that saw him earn an estimated £37million in prize money. Here are some of his most memorable victories:

Tommy Peacock by TKO – In his 11th fight as a professional Ricky won his first title – the vacant Central Area light-welterweight belt – at Oldham Sports Centre

Jon Thaxton on points – Ricky picked up national honours when he defeated Thaxton for the vacant British light-welterweight strap at Wembley Conference Centre in 2000

Kostya Tsyzu retired – In front of a rapturous home crowd inside Manchester’s MEN Arena, Ricky became a world champion for the first time. He won the IBF and The Ring light-welterweight titles against the former undisputed champ Tsyzu

Luis Collazo unanimous decision – Just three fights later Ricky added to his title collection, claiming the WBA light-welterweight title stateside by beating tough Collazo over 12 rounds

Paulie Malignaggi TKO – Ricky’s final boxing victory came against loud-mouthed American-Italian fighter Malignaggi in Las Vegas. The Hitman let his fists do the talking and stopped his foe in the 11th round. He earned a cool $2.5million for his night’s work.

Six months later Ricky would taste defeat for a second time, the first being against Floyd Mayweather in 2007, against Phillippino superstar Manny Pacquiao. He suffered a brutal second round knockout and was taken to hospital for a precautionary brain scan

“He was just a person that everyone wanted to be around; a great man, a boxing man, a family man, the people’s man and I was gutted that the interview was over.

“I was just gutted. I really am gutted.”

Barker – without any hint or suggestion of the tragedy that was around the corner – asked Hatton outright how he wanted to be remembered.

And his answer was a magnificent reminder of how the Manchester City and Oasis lover cherished his working-class reputation over every belt and pound he ever earned.

Last Ricky Hatton interview filmed just four days before death is released as boxing icon ‘tells story for final time’

He said: “He was just that man-next-door, that relationship that he had with his fans.

“When I asked him how he wanted to be remembered, he mentioned the likes of Frank Bruno and Nigel Benn.

“And his name is in that mix and he was so proud to be alongside those great names.”

Darren Barker hosts Pro Project Promotions’ charity boxing event on October 18, that offers ten retired footballers another night in the limelight .

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YouTube, Disney and Meta settled. Inside Trump’s $90-million payday

YouTube became the latest media and tech company to settle one of President Trump’s lawsuits.

On Monday, YouTube became the latest media and tech company to settle one of President Trump’s lawsuits.

The Google-owned streamer agreed to pay $24.5 million to settle a lawsuit Trump filed after his account was banned following the Jan. 6, 2021, riots at the U.S. Capitol. That brings Trump’s haul from media and tech companies to more than $90 million in the last year.

Some of these suits deal with conflicts the president has experienced with news networks such as ABC and CBS. Others confront the fallout from the attack on the U.S. Capitol.

Some of the settlement money will pay for renovations to a presidential library Trump is building on 2.6 acres of waterfront property in Miami. Other funds will go to the nonprofit Trust for the National Mall, with the intention of building a Mar-a-Lago-style ballroom, which is expected to cost $200 million overall.

Here’s a rundown of the payouts:

YouTube: $24.5 million

After the Jan. 6 attack on the U.S. Capitol, YouTube suspended the president’s account on the platform because of Trump’s alleged role in the insurrection. At the time, the company had cited “concerns about the ongoing potential for violence” and violation of its “policies for inciting violence.”

Trump’s lawsuit, filed in 2021 at the U.S. District Court in Northern California, argued the account’s suspension was “censorship.” Before the case was settled, YouTube had already lifted its suspension on Trump in March 2023, in light of the then-upcoming presidential race.

In court documents filed Monday, Alphabet, the parent company of YouTube and Google, did not admit any wrongdoing in the matter. The company did not agree to make any policy or product changes in the deal.

Of the $24.5 million, $22 million is going to Trump, who will contribute the money to the Trust for the National Mall, which is “dedicated to restoring, preserving, and elevating the National Mall” as well as supporting the construction of the White House State Ballroom, according to the filing.

Alphabet will also have to pay an additional $2.5 million to other plaintiffs in the case, including the American Conservative Union and writer Naomi Wolf.

Social media platforms Facebook (now Meta) and Twitter (now X) had suspended Trump’s accounts over Jan. 6, 2021. At the time, Twitter put out a statement, saying that recent tweets from his “account and the context around them — specifically how they are being received and interpreted on and off Twitter” had to be suspended to avoid “the risk of further incitement of violence.”

Mark Zuckerberg of Meta also posted a statement on Facebook after banning Trump’s Meta accounts. He wrote, “We believe the risks of allowing the President to continue to use our service during this period are simply too great.”

In July of that year, Trump sued the companies for “censorship.”

By January 2023, Meta had reinstated Trump’s Facebook and Instagram accounts, as had X in 2022.

Shortly before Trump was going to take office for his second term, in January 2025, Meta decided to pay the incoming president $25 million to settle the lawsuit. Elon Musk, who had purchased Twitter and renamed it “X” in the interim, agreed to pay $10 million to settle its Trump case.

Paramount Global: $16 million

Paramount Global agreed to pay $16 million to resolve Trump’s legal salvo against “60 Minutes” over the editing of an interview with his 2024 opponent, then-Vice President Kamala Harris.

Trump claimed “60 Minutes” edited an interview with Harris to make her look better and bolster her chances in the election. CBS denied the claims, saying the edits were standard and the case was viewed as frivolous by 1st Amendment experts.

Trump wrote on Truth Social that CBS “did everything possible to illegally elect Kamala, including completely and corruptly changing major answers to Interview questions, but it just didn’t work for them.”

Last May, CBS offered $16 million to settle the civil suit filed in Texas. The lump sum included the president’s legal fees and an agreement that “60 Minutes” will release transcripts of interviews with future presidential candidates.

Less than a month after the settlement, the FCC approved Skydance Media’s acquisition of Paramount, which owns CBS.

Disney: $16 million

Earlier this year, ABC news anchor George Stephanopoulos appeared on the network’s “This Week” news program and asserted that Trump was found liable for raping writer E. Jean Carroll. In May 2023, a jury in New York declined to find Trump liable for rape, but did find him liable for sexual abuse of Carroll.

Trump responded to the on-air comments with a defamation lawsuit filed in federal court in Florida. The lawsuit was settled by ABC News, owned by Disney, last December. Disney agreed to pay $15 million toward Trump’s presidential library and $1 million of Trump’s legal fees.

The settlement also included an editor’s note, posted on the ABC News website, expressing regret for Stephanopoulos’ comments.

Times staff writer Stephen Battaglio contributed to this report.

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