interview

History is once again unfolding at the Milan-Cortina Winter Games as Team USA members break records and score dominant triumphs.

But as the Games move into their second week, a different and more provocative history is starting to repeat itself, casting a politically charged shadow over the event.

Champion skier Mikaela Shiffrin, snowboarder Chloe Kim, and freestyle skiers Hunter Hess and Chris Lillas are among the top athletes who have been vocal about their uneasiness in representing their home country during a period of deep political crisis revolving several volatile issues, including the violent federal crackdown in Minnesota by Immigration and Customs Enforcement agents and the Trump administration’s attacks nationwide on immigrants and the LGBTQ+ community.

“It brings up mixed emotions to represent the U.S. right now,” Hess said at a press conference last week. “Just because I’m wearing the flag doesn’t mean I represent everything that’s going on in the U.S.”

Trump blasted Hess’ comments in a Truth Social post, calling him “a real Loser,” adding, “He says he doesn’t represent his Country … If that’s the case, he shouldn’t have tried out for the Team, and it’s too bad he’s on it. Very hard to root for someone like this.”

Commenting on the athletes in an interview with CNN, Vice President JD Vance, who was attending the Games, said the athletes who are critical should expect “some pushback.”

Vance, who was booed when he was shown on a large screen during the opening ceremonies, added, “You’re there to play a sport, you’re there to represent the country and hopefully win a medal. Most Olympic athletes, whatever their politics, are doing a great job, certainly enjoy the support of the entire country, and I think recognize that the way to bring the country together is not to show up in a foreign country and attack the president of the United States, but it’s to play your sport and to represent the country well.”

Vice President JD Vance and his wife Usha at the Winter Olympics opening ceremony in Milan on Feb. 6. Vance said athletes should expect pushback if they criticize the country.

(Natacha Pisarenko/AP)

The outspokenness of the Winter Olympic athletes echoes a dramatic protest by Olympians Tommie Smith and John Carlos which electrified the 1968 Summer Games in Mexico City. The sprinters, who placed first and third respectively in the 200 meter race, spoke not with words but with black-gloved raised fists on the victory stand, producing one of the most iconic images in Olympic history.

As the national anthem played following their victories, Smith and Carlos expressed their anger about racial injustice in America by bowing their heads and raising their fists. The gesture provoked a seismic reaction internationally while infuriating Olympic officials who claimed Smith and Carlos used the world stage to humiliate their home country.

Smith and Carlos’ salute to Black Power is explored in HBO Max’s documentary “Fists of Freedom: The Story of the ’68 Summer Games.” The 1999 Peabody Award-winning film chronicles the fiery moment and its aftermath for Smith and Carlos, who earned both heroic praise and pointed condemnation.

George Roy, who produced and directed “Fists of Freedom,” said “there are similarities between what happened in 1968 and what’s going on now. The similarities are it’s the Olympics and the United States, and in both cases there are athletes saying they wish they could be a little prouder given the current state of things.”

U.S. athletes Tommie Smith, center, and John Carlos, right, hold their fists up in protest after winning medals at the 1968 Summer Olympic games.

(AP)

However, Roy, who has won multiple Emmys and is the founder of Jersey Line Films, added that there are marked differences.

“What Smith and Carlos did was so consequential because it affected them directly,” he said. “They were protesting along with millions in their community. Their point was that they were good enough to represent their country. But when they got back to the real world, they would have trouble getting into restaurants or finding an apartment.”

He added, “It was just more personal than what is happening now.”

In an interview included in the documentary, Smith said the gesture by him and Carlos was often misinterpreted.

“As soon as the national anthem was playing, my glove is going toward God,” said Smith. “The Black fist in the air was only in recognition of those who had gone. It was a prayer of solidarity. It was a cry for help by my fellow brothers and sisters in the country who had been shot, who had been bitten by dogs … It was a cry for freedom.”

He added, “I don’t like the idea of people looking at it as negative. It was nothing but a raised fist in the air and a bowed head to the American flag. Not symbolizing a hatred for it.”

Though he heard cheers, he also heard boos and jeers.

“Fists of Freedom” contains several interviews from sports and media figures who were present or covered the proceedings and had strong opinions about the gesture.

Bob Paul, who was the press secretary for the United States Olympic Committee in 1968, said, “[Smith and Carlos] were wrong. You are supposed to observe due order and decorum to the nth degree at every victory ceremony.”

Veteran TV sportscaster Brent Musburger, who at the time was a columnist with the Chicago American newspaper, wrote: “Airing one’s dirty laundry before the entire world during a fun and games tournament was no more than a juvenile gesture. Smith and Carlos looked like a couple of Black-skinned storm troopers.”

Incensed, Olympic committee head Avery Brundage ordered the sprinters to be expelled from the Games.

Despite the uproar, experts said the salute by Smith and Carlos was a defining moment for Black people, galvanizing the Civil Rights Movement. However, the two men encountered personal and professional difficulties when they returned home.

Both Smith and Carlos have participated in speaking engagements in recent years. They could not be reached for comment.

“We’re not Antichrists,” said Smith in “Fists of Freedom.” “We’re just human beings who saw a need to be recognized.”

Feb. 8 (Asia Today) — Leaders of a newly launched civic group advocating Korean unification said they plan to support private broadcasts to North Korea that emphasize what they call a “unification vision,” arguing that entertainment alone will not change attitudes in the North.

The Citizens’ Solidarity for One Korea, inaugurated Feb. 4, is promoting “Korea Link,” a global fundraising campaign to support broadcasting and related content distribution. Organizers said participants pledged about 80 million won (about $60,000) at the launch ceremony.

Co-representatives Seo In-taek and Kenneth Bae spoke with Asia Today about why they are pushing the initiative and how they plan to deliver content to North Korean residents.

Q: Why launch a private broadcasting push now?

Seo In-taek: “The government has halted broadcasts to North Korea, and the United States has also stopped funding Voice of America and Radio Free Asia. With balloon launches and maritime information activities also suspended, private broadcasts are effectively the only remaining way to deliver information to North Koreans.”

Kenneth Bae: “The immediate priority is to revitalize existing private broadcasts to North Korea. We need to strengthen what is already operating and broaden its reach.”

Q: What is ‘Korea Link’ and what is the core goal?

Seo: “‘Korea Link’ is not about simply sending outside information or South Korean dramas. The goal is to deliver a ‘unification vision’ – to present alternatives so North Korean residents can have choices.”

Bae: “The fund should first be used to support existing broadcasts, then to develop better content and expand the base so broadcasting becomes sustainable.”

Q: What format will the broadcasts take?

Bae: “I plan to appear on Far East Broadcasting to take part in broadcasts aimed at the North. We will start with shortwave radio, but we want to expand to medium-wave and internet-based broadcasting over time.”

Seo: “Shortwave is a start, but we should also look at practical ways to deliver content more widely, including digital storage methods.”

Q: How would you deliver content if internet access is restricted?

Seo: “There are several ways. Digital storage devices can be effective for information inflow, and we want to use such tools not only to deliver information but also to convey a unification vision. To do this consistently, we need a nationwide fundraising campaign.”

Q: How will raised funds be managed?

Seo: “If funds are secured, we plan to establish an operating committee to ensure the money is used transparently and effectively.”

Bae: “Funding should be tied to measurable improvements – stronger broadcasts, better content and broader distribution.”

Q: What kind of content do you want to send?

Seo: “Simply providing outside information is not enough. A unification vision is needed. South Korean dramas are mostly ‘chaebol stories.’ That kind of content alone will not change North Korea.”

Bae: “We need content that can stimulate interest in unification and keep that message consistent. If we keep producing and sending it, it can help widen support for unification.”

Q: Beyond broadcasting, what else do you plan to do?

Bae: “We will also advocate internationally for North Koreans’ right to know and right to access information.”

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260209010002891

WASHINGTON — Democratic Sen. Elissa Slotkin of Michigan is refusing to voluntarily comply with a Justice Department investigation into a video she organized urging U.S. military members to resist “illegal orders” — escalating a dispute that President Trump has publicly pushed.

In letters first obtained by the Associated Press, Slotkin’s lawyer informed U.S. Attorney for the District of Columbia Jeanine Pirro that the senator would not agree to a voluntary interview about the video. Slotkin’s legal team also requested that Pirro preserve all documents related to the matter for “anticipated litigation.”

Slotkin’s lawyer separately wrote to Atty. Gen. Pam Bondi, declining to sit for an FBI interview about the video and urging her to immediately terminate any inquiry.

The refusal marks a potential turning point in the standoff, shifting the burden onto the Justice Department to decide whether it will escalate an investigation into sitting members of Congress or retreat from an inquiry now being openly challenged.

“I did this to go on offense,” Slotkin said in an interview Wednesday. “And to put them in a position where they’re tap dancing. To put them in a position where they have to own their choices of using a U.S. attorney’s office to come after a senator.”

‘It’s not gonna stop unless I fight back’

Last November, Slotkin joined five other Democratic lawmakers — all of whom previously served in the military or at intelligence agencies — in posting a 90-second video urging U.S. service members to follow established military protocols and reject orders they believe to be unlawful.

The lawmakers said Trump’s Republican administration was “pitting our uniformed military and intelligence community professionals against American citizens” and called on troops to “stand up for our laws.”

The video sparked a firestorm in Republican circles and soon drew the attention of Trump, who accused the lawmakers of sedition and said their actions were “punishable by death.”

The Pentagon later announced it had opened an investigation into Arizona Sen. Mark Kelly, a former Navy pilot who appeared in the video. The FBI then contacted the lawmakers seeking interviews, signaling a broader Justice Department inquiry.

Slotkin said multiple legal advisers initially urged caution.

“Maybe if you keep quiet, this will all go away over Christmas,” Slotkin said she was told.

But in January, the matter flared again, with the lawmakers saying they were contacted by the U.S. attorney’s office for the District of Columbia.

Meanwhile, security threats mounted. Slotkin said her farm in Michigan received a bomb threat, her brother was assigned a police detail due to threats and her parents were swatted in the middle of the night.

Her father, who died in January after a long battle with cancer, “could barely walk and he’s dealing with the cops in his home,” she said.

Slotkin said a “switch went off” in her and she became angry: “And I said, ‘It’s not gonna stop unless I fight back.’”

Democratic senators draw a line

The requests from the FBI and the Justice Department have been voluntary. Slotkin said that her legal team had communicated with prosecutors but that officials “keep asking for a personal interview.”

Slotkin’s lawyer, Preet Bharara, in the letter to Pirro declined the interview request and asked that she “immediately terminate any open investigation and cease any further inquiry concerning the video.” In the other letter, Bharara urged Bondi to use her authority to direct Pirro to close the inquiry.

Bharara wrote that Slotkin’s constitutional rights had been infringed and said litigation is being considered.

“All options are most definitely on the table,” Slotkin said. Asked whether she would comply with a subpoena, she paused before responding: “I’d take a hard look at it.”

Bharara, who’s representing Slotkin in the case, is a former U.S. attorney in New York who was fired by Trump in 2017 during his first administration. He’s also representing Democratic Sen. Adam Schiff of California in a separate case involving the Justice Department.

Kelly has similarly pushed back, suing the Pentagon last month over attempts to punish him for the video. On Tuesday, a federal judge said that he knows of no U.S. Supreme Court precedent to justify the Pentagon’s censuring of Kelly as he weighed whether to intervene.

Slotkin said she’s in contact with the other lawmakers who appeared in the video, but she wouldn’t say what their plans were in the investigations.

A rising profile

Trump has frequently and consistently targeted his political opponents. In some cases, those attacks have had the unintended consequence of elevating their national standing.

In Kelly’s case, he raised more than $12.5 million in the final months of 2025 following the “illegal orders” video controversy, according to campaign finance filings.

Slotkin, like Kelly, has been mentioned among Democrats who could emerge as presidential contenders in 2028.

She previously represented one of the nation’s most competitive House districts before winning a Senate seat in Michigan in 2024, even as Trump carried the state.

Slotkin delivered the Democratic response to Trump’s address to Congress last year and has since urged her party to confront him more aggressively, saying Democrats had lost their “alpha energy” and calling on them to “go nuclear” against Trump’s redistricting push.

“If I’m encouraging other people to take risk, how can I not then accept risk myself?” Slotkin said. “I think you’ve got to show people that we’re not going to lay down and take it.”

Cappelletti writes for the Associated Press.

For Ty Dolla Sign, the perfect Sunday begins in the sky, traveling back to Los Angeles from wherever his career has last taken him. The singer, producer and multi-instrumentalist lives in constant motion — our interview had a few interruptions because he was getting ready to fly to Las Vegas, where he would be performing at a club later that night.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“I’m about to be at the airport in like 17 minutes,” he said, his signal cutting in and out. “Do you want me to hit you back?”

Born Tyrone Griffin Jr., Ty Dolla Sign is known for his gruff sandpaper vocals and memorable hooks. Last fall, he released his fourth studio album, “Tycoon,” with features from YG, ASAP Rocky, Chlöe, Lil Wayne and Leon Thomas and more. Then he kicked off 2026 by dropping a mash-up version of the record on the streaming platform Hotcue.fm.

Awards season has been just as active. Ty Dolla Sign is up for his seventh Grammy nomination, this time for melodic rap performance for his collaboration with JID. EZMNY (Easy Money), the record label that Ty Dolla Sign co-founded with A&R executive Shawn Barron in 2021, also earned 10 additional nominations through its roster, including six for Leon Thomas and four for Bizzy Crook.

“We’re the greatest squad,” the L.A. native said of his team. “We just want to keep being the greatest and doing the best we can to change music for the better and keep the standard high.”

The 2026 Grammy Awards will take place Sunday — the same day as his daughter’s 21st birthday, so naturally she’ll be joining him for the special occasion. He’ll also be doing a pre-show performance before the ceremony.

Just before his plane took off, Ty Dolla Sign shared what a perfect Sunday in L.A. would look like: hitting up his favorite smoothie bar, cooking up new music at his compound and enjoying a low-key Italian dinner.

This interview has been lightly edited and condensed for length and clarity.

5 a.m.: Wake up on a plane

A perfect Sunday for me would start with landing on a plane early in L.A. Since I’ll already be up, I can handle my calls super early, which is convenient.

11 a.m.: Hit the weights with my PT

Then I’d go straight home and my trainer would get to my place around 11 a.m. or noon. We’d work out after that in my home gym. I’ve been working with my trainer since before Ty Dolla Sign. We’ve been training together on and off for about 15 to 20 years. I’m the type of guy to where it’s like, yeah, having a six pack is cool and all that, but eating great food is also one of my loves. If a girl wants to deal with me, she’s going to have to know certain times, I’m going to be the super workout fitness guy and sometimes, I want to eat for three years and I might get a little chunky. If you love me, you love me. If you don’t, get away. [laughs]

2 p.m.: Grab a healthy smoothie from Body Energy Club

Afterward, I’d shower up and if I have to do any more calls or answer emails, I’d handle that. Then I’d go to this spot called Body Energy Club, which has these fire a— smoothie and acai bowls. They have the most natural ingredients. The Green Goodness is great. It has avocado, spinach, banana and some other sweet stuff. It doesn’t taste nasty at all, but it’s super healthy. Then there’s the Blueberry Crumble that I love, which kind of tastes like French Toast Crunch with blueberries in it. It’s fire but also healthy. Then last but not least, I like the Turmeric Mango. That’s the one I get when I need to heal up and I’ve been wildin’. [laughs]

3 p.m.: Hit up the studio

After that, I would head over to my compound and probably just do some music. I might throw on a football game while I’m working.

10 p.m.: A low-key Italian dinner

Depending on when I leave the studio, I’d either order in or go out for dinner. There’s a few restaurants that I love. If we’re talking Italian, I’d go to Giorgio Baldi in the Palisades. If it was getting late, I’d go to Nice Guy. They also have Italian food. I’m only going to places that give me the private room and don’t try to “rap guy” me, meaning they don’t try to charge me extra high because they know I’m an artist.

At Giorgio Baldi, I like the ravioli that has corn in it, which is what they’re famous for. They have so many good things, so I order a whole bunch of things and then I just taste a little bit of each thing and that’s how I like it cause that’s how I eat. Everywhere I go, I like to order steak, fish and chicken and veggies just like how I cook at home. I don’t have to eat everything, but it’s better if I bring a lot of people so we can all share. That’s like when I’m on my diet s— and trying to stay slim. If it wasn’t then my favorite food is a burger. As for Nice Guy, they have this chicken Parmesan but I’m a weirdo, I eat the chicken Parmesan without the Parmesan. I found one other person who’s like me and it’s YG because we’re both on some “No cheese.” It was funny to find out that he was the same way. After that, I would call it a night.