influence

The race for access to Central Asia’s natural resources is intensifying.

United States President Donald Trump has set his sights on the C5 nations, comprised of Kazakhstan, Uzbekistan, Kyrgyzstan, Turkmenistan and Tajikistan.

He hosted a summit with their leaders at the White House, as Washington aims to get access to the mineral-rich region and reduce its reliance on China for imports of critical minerals.

But the leaders of the C5 face a delicate balancing act to make deals with the US without annoying Moscow or Beijing.

The meeting in Washington came just a month after Russia’s Vladimir Putin attended a summit with the C5.

And earlier in the year, the Chinese president also met C5 leaders, hoping to maintain China’s role in the region.

So, can Washington succeed in a region long dominated by Russia, and where China is making inroads?

Presenter: Nick Clark

Guests:

Zhumabek Sarabekov – Acting Director at the Institute of World Economics and Politics in Kazakhstan

William Courtney – Senior Fellow at the RAND Corporation

Dakota Irvin – a Senior Analyst at PRISM Strategic Intelligence

NEW YORK — With the Pentagon’s press room largely cleared of mainstream reporters, conservative activist and presidential ally Laura Loomer says she has been granted a credential to work there.

Loomer has an influential social media presence and the ear of President Trump, frequently campaigning for the firings of government officials she deems insufficiently loyal to his administration. Some targets have been in the field of national security, including Dan Driscoll, secretary of the Army.

Pentagon officials did not immediately return a message seeking comment on Tuesday. The Washington Post first reported the news of her attaining credentials.

Virtually all Pentagon reporters for legacy media outlets walked out last month rather than agree to a new policy they say would restrict their ability to report news not given approval for release by Defense Secretary Pete Hegseth. Several right-wing outlets have taken their place, although the banned journalists are continuing to work on stories related to the Pentagon.

“I’m excited to announce that after a year of breaking the most impactful stories that pertain to our national security and rooting out deceptive and disloyal bad actors” from the Defense Department, she was ready to join the press corps, Loomer said on X, formerly Twitter. She did not immediately return a message seeking comment.

Earlier this year, she criticized Driscoll for publicly honoring a Medal of Honor recipient who had previously spoken at a Democratic National Convention. Separately, Driscoll rescinded the appointment of a former Biden administration official to teach at West Point after Loomer attacked him for it.

Although Trump later downplayed Loomer’s influence, the president last spring fired a handful of National Security Council officials after she had presented him with evidence of their supposed disloyalty.

Still, she’s been a polarizing force among some in the administration, wary of her influence, which has included riding on Air Force One with Trump. Although granted space in the Pentagon press room, Loomer has not received reporting credentials at the White House. Loomer has also been criticized for entertaining conspiracy theories and making anti-immigrant and anti-Muslim posts.

“There is no denying that my investigative reporting has had a massive impact on the landscape of personnel decisions within the Executive Branch, our intelligence agencies and the Pentagon,” Loomer wrote on X. “I look forward to covering the Pentagon and breaking more stories that impact our country and our national security.”

In her social media post, she also reached out to people to alert her to news through “the Loomered Tip Line, the most influential Tip Line in all of DC.”

Phil Stewart, a national security reporter for Reuters, noted on a social media post Tuesday that Hegseth’s new media policy would make reporters subject to having their access revoked for seeking out information from Defense Department personnel that had not been authorized for release.

However, Loomer’s appeal for tips did not explicitly target people who work at the Defense Department.

Bauder writes for the Associated Press.

Oct. 21 (UPI) — A new survey finds the number of U.S. adults with a positive view of religion is on the rise.

A Pew Research Center Poll, conducted earlier this year with results released Monday, showed a jump of 13% for those in the United States who answered “yes” to whether religion was gaining influence in American life.

Last year, Pew recorded its lowest level for religion in more than 20 years, with only 18% of U.S. adults expressing a positive view of religion in the survey, conducted in February 2024. That percentage jumped to 31% in February of 2025, the highest response in 15 years.

“Americans’ views about religion in public life are shifting,” Pew Research wrote Monday in a post on X. “From February 2024 to February 2025, there was a sharp rise in the share of U.S. adults who say religion is gaining influence in American life.”

While still a minority, the rise in positive views on religion is significant, according to Pew, which noted gains of at least 10 points among Democrats and Republicans, as well as adults of every age.

In addition to asking whether religion was gaining influence in American life, the survey combined a number of questions to determine whether U.S. adults have a positive or negative view of religion.

According to Pew, 59% of U.S. adults expressed a positive view, while 20% expressed a negative view of religion’s influence. The other 21% said religion “doesn’t make a difference.”

Of those who said religion is gaining influence, 58% of those surveyed said they feel significant conflict when it comes to their religious beliefs and American culture.

The findings were compiled from a nationally representative Pew Research Center survey of 9,544 U.S. adults.

NEW YORK — Two ABC affiliate owners spoke out against late night talk show host Jimmy Kimmel ahead of ABC’s decision to suspend the presenter over comments he made about the killing of conservative activist Charlie Kirk. Their comments highlight the influence that local TV station owners have on national broadcasters such as Disney-owned ABC.

Here are key facts about the two companies.

Nexstar Media Group, based in Irving, Texas, operates 28 ABC affiliates. It said it would pull Kimmel’s show starting Wednesday. Kimmel’s comments about Kirk’s death were “offensive and insensitive at a critical time in our national political discourse,” said Andrew Alford, president of Nexstar’s broadcasting division.

The company owns or partners with more than 200 stations in 116 U.S. markets, and owns broadcast networks the CW and NewsNation, as well as the political website the Hill and nearly a third of the Food Network.

It hopes to get even bigger. Last month, it announced a $6.2-billion deal to buy TEGNA Inc., which owns 64 other TV stations.

The deal would require the Federal Communications Commission to change rules limiting the number of stations a single company can own. The FCC’s chair, Brendan Carr, has expressed openness to changing the rule.

Sinclair Broadcast Group

Sinclair Broadcast Group, based in Hunt Valley, Md., operates 38 local ABC affiliates. On Wednesday the company, which has a reputation for a conservative viewpoint in its broadcasts, called on Kimmel to apologize to Kirk’s family and make a “meaningful personal donation” to the activist’s political organization, Turning Point USA. Sinclair said its ABC stations will air a tribute to Kirk on Friday in Kimmel’s time slot.

Sinclair owns, operates or provides services to 178 TV stations in 81 markets affiliated with all major broadcast networks and owns Tennis Channel.

Controversies

Sinclair made headlines in 2018 when a video that stitched together dozens of news anchors for Sinclair-owned local stations reading identical statements decrying “the troubling trend of irresponsible, one-sided news stories plaguing the country” went viral. Sinclair didn’t disclose that it ordered the anchors to read the statement.

Nexstar operates similarly.

Danilo Yanich, professor of public policy at the University of Delaware, said the company is the “biggest duplicator” of news content today His research showed Nexstar stations duplicated broadcasts more than other affiliate owners.

Affiliate influence

Lauren Herold, an editor of the forthcoming book “Local TV,” said the web of companies involved in getting Americans their television shows is “relatively unknown” to most viewers, though their influence has been made known for decades.

Often, Herold said, that’s been when local affiliates have balked at airing something they viewed as controversial, such as the episode of the 1990s comedy “Ellen” in which Ellen DeGeneres’ character came out as gay.

“It’s not a complete oddity,” Herold said. “I think what’s more alarming about this particular incident to me is the top-down nature of it.”

Whereas past flare-ups between affiliates and their parent networks have often involved individual local TV executives, Herold pointed to the powerful voices at play in Kimmel’s suspension: Disney CEO Bob Iger, the FCC’s chair Carr, as well as Sinclair and Nexstar.

“The FCC kind of pinpointing particular programs to cancel is concerning to people who advocate for television to be a forum for free discussion and debate,” Herold said.

Jasmine Bloemhof, a media strategist who has worked with local stations, including ones owned by Sinclair and Nexstar, said consolidation has given such companies “enormous influence.” Controversies like the latest involving Kimmel, she said, “reveal the tension between Hollywood-driven programming and the values of everyday Americans.”

“Networks may push one agenda, but affiliates owned by companies like Sinclair and Nexstar understand they serve conservative-leaning communities across the country,” Bloemhof said. “And that friction is bound to surface.”

Anderson and Sedensky write for the Associated Press.

It all started with a purchase of land in the 1960s. Then, from that small slice of Utah and the founding of the Sundance Institute in 1981 and, later, its expansion into the Sundance Film Festival, Robert Redford developed a vision that would reshape on-screen storytelling as we know it. Sundance opened doors for multiple generations of filmmakers who might not otherwise have gained entry to the movie business.

Redford, who died Tuesday at age 89, was already a hugely successful actor, producer and director, having just won an Oscar for his directorial debut “Ordinary People,” when he founded the Sundance Institute as a support system for independent filmmakers. His Utah property, named after his role in “Butch Cassidy and the Sundance Kid,” would become a haven for creativity in an idyllic setting.

Evincing a rugged, hands-on attitude marked by curiosity and enthusiasm about the work, Redford embodied a philosophy for Sundance that was clear from its earliest days.

“When I started the Institute, the major studios dominated the game, which I was a part of,” Redford said to The Times via email in 2021. “I wanted to focus on the word ‘independence’ and those sidelined by the majors — supporting those sidelined by the dominant voices. To give them a voice. The intent was not to cancel or go against the studios. It wasn’t about going against the mainstream. It was about providing another avenue and more opportunity.”

The first of the Sundance Lab programs, which continue today, also launched in 1981, bringing emerging filmmakers together in the mountains to develop projects with the support of more established advisers.

The Institute would take over a small film festival in Utah, the U.S. Film Festival, for its 1985 edition and eventually rename it the Sundance Film Festival, a showcase that would go on to introduce directors such as Quentin Tarantino, Paul Thomas Anderson, Nia DaCosta, Taika Waititi, Gregg Araki, Damien Chazelle and countless others while refashioning independent filmmaking into a viable career path.

Before directing “Black Panther” and “Sinners,” Ryan Coogler went through the Sundance Lab at the beginning of his career and saw his debut feature “Fruitvale Station” premiere at Sundance in 2013 where it won both the grand jury and audience awards.

“Mr. Redford was a shining example of how to leverage success into community building, discovery, and empowerment,” Coogler said in a statement to The Times on Tuesday. “I’ll be forever grateful for what he did when he empowered and supported Michelle Satter in developing the Sundance Labs. In these trying times it hurts to lose an elder like Mr. Redford — someone who through their words, their actions and their commitment left their industry in a better place than they found it.”

Chloé Zhao’s debut feature “Songs My Brothers Taught Me” premiered at the festival in 2015 after she took the project through the labs. With her later effort “Nomadland,” Zhao would go on to become the second woman — and still the only woman of color — to win the Academy Award for directing.

“Sundance changed my life,” Zhao said in a statement on Tuesday. “I didn’t know anyone in the industry or how to get my first film made. Being accepted into the Sundance Labs was like entering a lush and nurturing garden holding my tiny fragile seedling and watching it take root and grow. It was there I found my voice, became a part of a community I still treasure deeply today.”

Satter, Sundance Institute‘s founding senior director of artist programs, was involved since the organization’s earliest days. Even from relatively humble origins, Satter could already feel there was something powerful and unique happening under Redford’s guidance.

“He made us all feel like we were part of the conversation, part of building Sundance, right from the beginning,” Satter said of Redford in a 2021 interview. “He was really interested in others’ point of view, all perspectives. At the same time, he had a real clarity of vision and what he wanted this to be.”

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For many years Redford was indeed the face of the film festival, making frequent appearances and regularly speaking at the opening press conference. Starting in 2019 he reduced his public role at the festival, in tandem with the moment he stepped back from acting.

The festival has gone through many different eras over the years, with festival directors handing off leadership from Geoffrey Gilmore to John Cooper to Tabitha Jackson and current fest director Eugene Hernandez.

The festival has also weathered changes in the industry, as streaming platforms have upended distribution models. Steven Soderbergh’s 1989 drama “sex, lies and videotape” is often cited as a key title in the industry’s discovery of the Utah event as a must-attend spot on their calendars, a place where buyers could acquire movies for distribution and scout new talent.

“Before Sundance, there wasn’t really a marketplace for new voices and independent film in the way that we know it today,” said Kent Sanderson, chief executive of Bleecker Street, which has premiered multiple films at the festival over the years. “The way Sundance supports filmmakers by giving their early works a real platform is key to the health of our business.”

Over time, Sundance became a place not only to acquire films but also to launch them, with distributors bringing films to put in front of the high number of media and industry attendees. Investors come to scope out films and filmmakers look to raise money.

“It all started with Redford having this vision of wanting to create an environment where alternative approaches to filmmaking could be supported and thrive,” said Joe Pichirallo, an arts professor at NYU’s Tisch School of the Arts and one of the original executives at Searchlight Pictures. “And he succeeded and it’s continuing. Even though the business is going through various changes, Sundance’s significance as a mecca for independent film is still pretty high.”

At the 2006 festival, “Little Miss Sunshine,” directed by Jonathan Dayton and Valerie Faris, sold to Searchlight for what was then a record-setting $10.5 million. In 2021, Apple TV+ purchased Siân Heder’s “CODA” for a record-breaking $25 million. The film would go on to be the first to have premiered at Sundance to win the Oscar for best picture.

Yet the festival, the labs and the institute have remained a constant through it all, continuing to incubate fresh talent to launch to the industry.

“Redford put together basically a factory of how to do independent films,” said Tom Bernard, co-president and co-founder of Sony Pictures Classics. Over the years the company has distributed many titles that premiered at Sundance, including “Call Me by Your Name” and “Whiplash.”

“He adapted as the landscape changed,” Bernard added of the longevity of Sundance’s influence. “And as you watched the evolution to where it is today, it’s an amazing journey and an amazing feat that he did for the world of independent film. It wouldn’t be the same without him.”

Through it all, Redford balanced his roles between his own career making and starring in movies and leading Sundance. Filmmaker Allison Anders, whose 1992 film “Gas Food Lodging” was among the earliest breakout titles from the Sundance Film Festival, remembered Redford on Instagram.

“You could easily have just been the best looking guy to walk into any room and stopped there and lived off of that your whole life,” Anders wrote. “You wanted to help writers and filmmakers like me who were shut out to create characters not seen before, and you did. You could have just been handsome. But you nurtured us.”

The upcoming 2026 Sundance Film Festival in January will be the last one in its longtime home of Park City, Utah. The festival had previously announced that a tribute to Redford and his vision of the festival would be a part of that final bow, which will now carry an added emotional resonance.

Starting in 2027, the Sundance Film Festival will unspool in in Boulder, Colo. Regardless of where the event takes place, the legacy of what Robert Redford first conceived will remain.

As Redford himself said in 2021 about the founding of the Institute, “I believed in the concept and because it was just that, a concept, I expected and hoped that it would evolve over time. And happily, it has.”

Samantha Masunaga contributed to this report.

At a time when its leadership is in question and its mission challenged, the Library of Congress has named a new U.S. poet laureate, the much-honored author and translator Arthur Sze.

The library announced Monday that the 74-year-old Sze had been appointed to a one-year term, starting this fall. The author of 12 poetry collections and recipient last year of a lifetime achievement award from the library, he succeeds Ada Limón, who had served for three years. Previous laureates also include Joy Harjo, Louise Glück and Billy Collins.

Speaking during a recent Zoom interview with the Associated Press, Sze acknowledged some misgivings when Rob Casper, who heads the library’s poetry and literature center, called him in June about becoming the next laureate.

He wondered about the level of responsibilities and worried about the upheaval since President Trump fired Librarian of Congress Carla Hayden in May. After thinking about it overnight, he called Casper back and happily accepted.

“I think it was the opportunity to give something back to poetry, to something that I’ve spent my life doing,” he explained, speaking from his home in Santa Fe, N.M. “So many people have helped me along the way. Poetry has just helped me grow so much, in every way.”

Sze’s new job begins during a tumultuous year for the library, a 200-year-old, nonpartisan institution that holds a massive archive of books published in the United States. Trump abruptly fired Hayden after conservative activists accused her of imposing a “woke” agenda, criticism that Trump has expressed often as he seeks sweeping changes at the Kennedy Center, the Smithsonian museums and other cultural institutions.

Hayden’s ouster was sharply criticized by congressional Democrats, leaders in the library and scholarly community and such former laureates as Limón and Harjo.

Although the White House announced that it had named Deputy Atty. Gen. Todd Blanche as the acting librarian, daily operations are being run by a longtime official at the library, Robert Randolph Newlen. Events such as the annual National Book Festival have continued without interruption or revision.

Laureates are forbidden to take political positions, although the tradition was breached in 2003 when Collins publicly stated his objections to President George W. Bush’s push for war against Iraq.

Newlen is identified in Monday’s announcement as acting librarian, a position he was in line for according to the institution’s guidelines. He praised Sze, whose influences range from ancient Chinese poets to Wallace Stevens, for his “distinctly American” portraits of the Southwest landscapes and for his “great formal innovation.”

“Like Emily Dickinson and Walt Whitman, Sze forges something new from a range of traditions and influences — and the result is a poetry that moves freely throughout time and space,” his statement reads in part.

Sze’s official title is poet laureate consultant in poetry, a 1985 renaming of a position established in 1937 as consultant in poetry to the Library of Congress. The mission is loosely defined as a kind of literary ambassador, to “raise the national consciousness to a greater appreciation of the reading and writing of poetry.”

Sze wants to focus on a passion going back more than a half-century to his undergraduate years at UC Berkeley — translation.

He remembers reading some English-language editions of Chinese poetry, finding the work “antiquated and dated” and deciding to translate some of it himself, writing out the Chinese characters and engaging with them “on a much deeper level” than he had expected. Besides his own poetry, he has published “The Silk Dragon: Translations From the Chinese.”

“I personally learned my own craft of writing poetry through translating poetry,” he says. “I often think that people think of poetry as intimidating, or difficult, which isn’t necessarily true. And I think one way to deepen the appreciation of poetry is to approach it through translation.”

Sze is a New York City native and son of Chinese immigrants who in such collections as “Sight Lines” and “Compass Rose” explores themes of cultural and environmental diversity and what he calls “coexisting.”

In a given poem, he might shift from rocks above a pond to people begging in a subway, from a firing squad in China to Thomas Jefferson’s plantation in Virginia. His many prizes include the National Book Award for “Sight Lines.”

He loves poetry from around the world but feels at home writing in English, if only for the “richness of the vocabulary” and the wonders of its origins.

“I was just looking at the word ‘ketchup,’ which started from southern China, went to Malaysia, was taken to England, where it became a tomato-based sauce, and then, of course, to America,” he says. “And I was just thinking days ago, that’s a word we use every day without recognizing its ancestry, how it’s crossed borders, how it’s entered into the English language and enriched it.”

Italie writes for the Associated Press.

The announcement of Archbishop Damianos’ resignation from St. Catherine’s Monastery in Sinai, after decades of leadership, has brought to light more than an internal monastic dispute. It has exposed a larger power struggle at the intersection of ecclesiastical diplomacy and international politics. The controversy surrounding the monastery, one of the most historic centers of Orthodoxy in the Middle East, has turned into a stage where rival patriarchates, foreign influence, and states assert their presence.

For many observers, Damianos’ departure was not simply the end of an era but the culmination of months of escalating tension between the Monastery, the Patriarchate of Jerusalem, and wider Orthodox dynamics influenced by Moscow.

Jerusalem’s contested claims

At the heart of the dispute lies the claim of the Patriarchate of Jerusalem over Sinai. In its official response, Jerusalem characterized Damianos’ statements as “anti-ecclesiastical” and questioned even the authorship of his lengthy announcement, suggesting manipulation by third parties. Ecclesiastical circles interpret this as a deliberate strategy of delegitimization, portraying the elderly Archbishop as incapable of independent action in order to undermine his authority.

Beyond rhetoric, Jerusalem has consistently sought to present Sinai as canonically dependent on its patriarchal throne, despite the historic sigillion of Patriarch Gabriel IV in 1782, which sealed the monastery’s autonomy. For Damianos and his supporters, such attempts constitute ecclesiastical encroachment and a direct violation of centuries-old canonical order.

Moscow’s shadow over Sinai

Damianos’ final announcement did not spare Moscow either. He accused the Russian Church of fueling division within Orthodoxy and exploiting internal fissures of the Sinai brotherhood. According to his account, networks and organizations aligned with Russian influence attempted to capitalize on the crisis, promoting narratives foreign to Orthodox theology and tradition.

For ecclesiastical diplomacy analysts, this dimension is crucial. It situates the Sinai crisis within the broader confrontation between Constantinople and Moscow over primacy in the Orthodox world, extending the arena of contestation from Ukraine to the deserts of Sinai. The monastery thus becomes more than a spiritual center; it is a geopolitical outpost in the struggle for influence.

Athens and Cairo as indispensable actors

The role of Greece has emerged as pivotal. Damianos repeatedly underlined that without the active involvement of Athens, the monastery would have faced existential threats. The recent law 5224/2025, combined with constitutional guarantees, was presented as a shield of protection for the monastery’s legal and institutional identity.

At the same time, Egypt remains a decisive interlocutor. The court decision of Ismailia in May 2025 that challenged elements of the monastery’s status placed the issue squarely within the Egyptian legal framework. Damianos himself acknowledged that any durable solution requires a tripartite understanding between Athens, Cairo, and the monastery’s leadership.

This triangular dynamic underscores that the future of Sinai cannot be separated from Greek–Egyptian relations, a strategic partnership already central in the Eastern Mediterranean. The monastery, therefore, becomes both a symbol and a test of bilateral trust.

Ecclesiastical diplomacy at a crossroads

The broader Orthodox world has also been drawn into the crisis. Several patriarchates expressed support for Sinai, including Constantinople, Bulgaria, Cyprus, and Serbia, while Jerusalem remained isolated in its claims. The silence of Moscow, combined with its indirect involvement, reinforced perceptions that Sinai has become a flashpoint in the Orthodox fragmentation that Russia has often been accused of exacerbating.

For Constantinople, Sinai’s autonomy is not negotiable. For Jerusalem, asserting control is both a matter of prestige and regional influence. For Moscow, exploiting divisions serves its wider strategy. And for Athens, safeguarding the monastery is part of its cultural diplomacy and historical responsibility toward the Eastern Christian heritage.

A power game with lasting implications

The resignation of Damianos closes a personal chapter but opens a much larger one. The crisis of Sinai illustrates how monastic autonomy, canonical tradition, and national diplomacy intersect. What appears as an ecclesiastical quarrel is, in fact, a power game of influence that involves patriarchates, states, and international alignments.

The outcome of the succession process, and whether a unified brotherhood can emerge, will determine not only the monastery’s internal cohesion but also the credibility of Greek–Egyptian partnership and the balance within Orthodoxy.

For analysts of ecclesiastical diplomacy, Sinai has become a microcosm of the wider struggle shaping the Orthodox world: the tension between autonomy and control, between local tradition and geopolitical leverage. The desert of Sinai, where Moses once received the Law, is today a battlefield of influence where spiritual heritage collides with political ambition.

SACRAMENTO — A Riverside County lawmaker accused of driving drunk after a car crash, but cleared by a blood test, took the first step Monday toward suing the Sacramento Police Department, saying officers had tarnished her reputation.

After Sen. Sabrina Cervantes (D-Riverside) was broadsided by an SUV near the Capitol in May, Sacramento police interviewed the 37-year-old lawmaker for hours at a Kaiser Permanente hospital before citing her on suspicion of driving under the influence. Prosecutors declined to file charges after the toxicology results of a blood test revealed no “measurable amount of alcohol or drugs.”

In an 11-page filing Monday, Cervantes alleged that officers had retaliated against her over a bill that would sharply curtail how police can store data gathered by automated license plate readers, a proposal opposed by more than a dozen law enforcement agencies.

The filing also alleges that the police treated Cervantes, who is gay and Latina, differently than the white woman driver who ran a stop sign and broadsided her car.

“This is not only about what happened to me — it’s about accountability,” Cervantes said in a prepared statement. “No Californian should be falsely arrested, defamed, or retaliated against because of who they are or what they stand for.”

Cervantes, a first-year state senator, has said since the crash that she did nothing wrong. She represents the 31st Senate District, which covers portions of Riverside and San Bernardino counties, and chairs the Senate elections committee.

Cervantes’ lawyer, James Quadra, said the Sacramento police had tried to “destroy the reputation of an exemplary member of the state Senate,” and that the department’s “egregious misconduct” includes false arrest, intentional infliction of emotional distress and defamation.

A representative for the Sacramento Police Department declined to comment, citing pending litigation.

After news broke of the crash, the Sacramento Police Department told reporters that they had “observed objective signs of intoxication” after speaking to Cervantes at the hospital. She said in her filing that the police had asked her to conduct a test gauging her eyes’ reaction to stimulus, a “less accurate and subjective test” than the blood test she requested.

The toxicology screen had “completely exonerated” Cervantes, the filing said, but the police department had already “released false information to the press claiming that Senator Cervantes had driven while under the influence of drugs.”

The filing alleges that one police officer turned off his body camera for about five minutes while answering a call on his cell phone. The filing also said that the department failed to produce body camera footage from a sergeant who also came to the hospital.

A recently fired California Legislature staff member filed a lawsuit this week against Assembly Speaker Robert Rivas claiming that the lawmaker and his brother, Rick, retaliated against her for reporting sexual harassment and alleged ethics violations.

Former press secretary Cynthia Moreno alleged in the lawsuit, filed Tuesday in Sacramento County Superior Court, that the speaker targeted her after she filed a sexual harassment complaint against a colleague in May 2024 and stripped her of “significant job responsibilities.”

Early this year, Moreno filed another complaint to the Workplace Conduct Unit, which investigates allegations of inappropriate conduct by legislative employees, alleging Rick Rivas, a nonprofit organization and a political action committee had “funneled money” to exert influence on the speaker, according to the lawsuit.

In response, Moreno alleges in the lawsuit, Rick Rivas used his influence to deny her a tenure-based pay raise and terminate her employment.

Rick Rivas is the American Beverage Assn.’s vice president for California and has acted as a political advisor to his brother. Rick Rivas did not immediately respond to an email seeking comment.

Elizabeth Ashford, a spokesperson for Robert Rivas, said the speaker’s brother had no role in Moreno’s employment and the lawmaker “recused himself from all matters related to Moreno’s termination,” which was handled by the Workplace Conduct Unit.

“The vast conspiracy theories included in this filing are absolutely false,” Ashford said in a statement, adding that “any court will see this for what it is: an attempt by a former employee to force a payout.”

The Assembly Rules Committee terminated Moreno in August after an investigation substantiated allegations of sexual harassment that had been lodged against her, according to Chief Administrative Officer Lia Lopez. Moreno has denied those allegations.

Moreno is seeking damages for lost wages and benefits, lost business opportunities and harm to her professional reputation. She’s also seeking a public apology for the “made-up sexual-harassment allegations launched against [her] for reporting Robert Rivas’ and Rick Rivas’ illegal and unethical actions,” the lawsuit states.

“Real Housewives of Potomac” star Karen Huger’s time in prison is over, earlier than expected.

The reality TV star was released Tuesday from the Montgomery County Detention Center in Maryland, a spokesperson for the Montgomery Department of Corrections and Rehabilitation confirmed to The Times. Huger left six months into a yearlong prison sentence. She was sentenced in February to two years in prison with one year suspended after she was convicted in 2024 of driving under the influence in Potomac.

Representatives for Huger, 62, did not immediately respond The Times’ request for comment on Tuesday.

Huger waved to bystanders from her SUV as she exited the facility shortly after her release, according to video shared by Fox 5 DC reporter Stephanie Ramirez.

Maryland police arrested Huger in March 2024, citing her for driving under the influence after she crossed a median and hit street signs, crashing her Maserati. She was booked on suspicion of driving under the influence and other traffic violations and was later released from police custody.

Shortly after her arrest, Huger attributed the accident to grief and her mother’s 2017 death. “Grief comes and goes in waves, and with Mother’s Day approaching, it has felt more like a tsunami,” she told TMZ at the time.

A Maryland jury convicted Huger in December of driving under the influence and negligent driving charges. The jury also found the Bravo-lebrity guilty of failure to control speed to avoid a collision and failure to notify authorities of an address change. She was cleared on a reckless driving charge.

Huger’s attorney A. Scott Bolden told People in a December statement that they were “disappointed” by the jury’s verdict but “of course respect their decision and appreciate their time hearing our case.”

Amid her legal woes, Huger was absent from the “Real Housewives of Potomac” Season 9 reunion. In a prerecorded message played during the special, Huger said she entered a private recovery program to address her “taking antidepressants and drinking.”

“This is very frightening, but I accept full responsibility for everything with my car accident,” Huger tearfully told producers. “I don’t care about me right now. I care about my children; I care about my family. They’re so hurt.”