When the 53rd Telluride Film Festival kicks off Friday high in Colorado’s San Juan Mountains, its lineup will span family rupture and sumo wrestling, AIDS and rock stardom, with films touching on astronomy, Rupert Murdoch and extraterrestrial biker gangs — a typically wide-ranging mix for a festival that likes to keep audiences guessing.
For festival director Julie Huntsinger, the films share less a theme than a feeling. “Tenderness is something that I see in a lot of the movies,” she says. “This is a very heartbreaking, tender year.”
Telluride’s intimacy is part of its peculiar power. Smaller and scruffier than the annual film events of Venice, Toronto or New York, the four-day festival has no competition or juried prizes and keeps its lineup secret until the last minute. Celebrities trade red-carpet formality for jeans and flannel, while audiences crisscross town between screenings in a high school auditorium, a Masonic lodge, the county courthouse and half a dozen other spaces pressed into service for the week.
For a festival that can feel this homespun, its awards-season footprint is remarkably large. Last year, five of the 10 eventual best picture Oscar nominees screened there: “Hamnet,” “Bugonia,” “Sentimental Value,” “The Secret Agent” and “Frankenstein.”
This year there are fewer obvious awards heavyweights in the mix, at a time when prestige and independent films have become harder to finance, distribute and sell to audiences. Then again, Telluride has never depended entirely on known quantities; films such as “Slumdog Millionaire” and “Moonlight” arrived with relatively modest expectations and left as major contenders.
“It’s such a quintessential Telluride lineup,” Huntsinger says of this year’s eclectic program. “They kind of always feel that way because they’re so handmade.”
Among the more than 40 films in Telluride’s main program are new works from major directors such as Martin McDonagh, Werner Herzog, Mike Leigh, Danny Boyle and Paweł Pawlikowski. This year’s Silver Medallion tributes — the festival’s signature career honorees — will go to filmmaker Andrew Haigh and actors Sandra Hüller and John Malkovich, who will make his first trip to Telluride.
John Malkovich and Sam Rockwell in Martin McDonagh’s “Wild Horse Nine”
(Diego Araya Corvalan / Searchlight Pictures)
Haigh, whose films include “All of Us Strangers,” “Lean on Pete” and “45 Years,” returns with “A Long Winter,” adapted from a Colm Tóibín novella and relocated from the Pyrenees to the American Rockies in the 1950s. Ebon Moss-Bachrach, Caitríona Balfe, Kit Connor and Fred Hechinger star as members of a struggling family that begins to unravel after the mother disappears.
Huntsinger calls Haigh deeply humanist. “I don’t know how Andrew is so skilled at getting these performances but that is truly his gift,” she says.
Malkovich comes to Telluride with the dark comedy “Wild Horse Nine,” the latest from McDonagh, writer-director of “The Banshees of Inisherin” and “In Bruges.” Malkovich and Sam Rockwell play veteran CIA operatives who, after helping destabilize Salvador Allende’s government in 1973 Chile, head to Easter Island on a more personal assignment.
“It’s my favorite thing that McDonagh has ever done,” Huntsinger says. “He’s quite incisive. It is a timely film. And Malkovich is extraordinary.”
Hüller returns after a breakout 2023 Telluride, where she brought both “Anatomy of a Fall” and “The Zone of Interest.” She has another two films in the lineup this year: Markus Schleinzer’s “Rose,” in which she plays a woman passing as a male soldier during Europe’s Thirty Years’ War, and Pawlikowski’s “Fatherland” as Erika Mann on a journey back to postwar Germany with her father, the author and Hitler critic Thomas Mann.
Huntsinger seems as taken with Hüller herself as with her artistry — “so much intelligence and compassion for human beings,” she says.
Sandra Hüller and Hanns Zischler in the movie “Fatherland.”
(Agata Grzybowska / Mubi)
Elsewhere, Ira Sachs’ “The Man I Love,” starring Rami Malek, Tom Sturridge and this year’s guest director Rebecca Hall, looks back at New York’s queer creative community during the AIDS crisis. In Simon Stone’s “Elsinore,” Andrew Scott plays “Chariots of Fire” star Ian Charleson, who took on the role of Hamlet at the National Theatre while dying of AIDS. Scott’s performance is already generating early awards-season attention.
Huntsinger hopes audiences won’t overlook Arthur Harari’s “The Unknown,” an uncanny body-swapping drama starring Léa Seydoux that uses its genre premise to explore questions of identity and selfhood. “It is really dense and obtuse but I think it is rewarding and I hope people take up the challenge,” she says.
Telluride has long emphasized nonfiction and this year is no exception. Among the higher-profile entries are “Pete Townshend: Behind Blue Eyes,” a portrait of the Who guitarist and songwriter, and Nanette Burstein’s “Carl Sagan: We Are Made of Star Stuff,” about the astronomer and science communicator. The slate also includes Bryan Fogel’s endurance-sports documentary “The Row”; Pegah Ahangarani’s Iran-focused “Rehearsals for a Revolution”; and Mark Cousins’ 16-hour “The Story of Documentary Film.”
“Everest: The Other Side,” from filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi, follows mountaineers Hilaree Nelson and Jim Morrison as they prepare to climb Everest’s north face and attempt an unprecedented ski descent. Chin and Vasarhelyi won an Oscar for 2018’s “Free Solo,” their nerve-shredding chronicle of Alex Honnold’s ropeless ascent up El Capitan.
Huntsinger calls the new film “an even more complex, emotional, deep and profound examination of what we call the call of the wild.” After seeing it, she says, she ran into Chin and blurted out, “I’m so glad you’re alive.”
The looming subject of artificial intelligence will also get its own moment in Telluride. A conversation called “The Humanity Dilemma” will examine what the festival calls the “species-level event” of AI’s rise and whether an AI-dominated future is inevitable. “I’m very worried about AI,” Huntsinger says.
For all the films Telluride has announced, the one that might generate the most chatter is still under wraps.
While Telluride routinely reserves “TBA” slots for popular repeat screenings, it has occasionally used them to spring an unannounced title on audiences — as it did last year with “Frankenstein.” This year it has set aside a prime Sunday night slot for just such a surprise: a world premiere involving, Huntsinger says, some “very known names.”
“Do not miss it,” she teases. “You just won’t see this one coming and your jaw will be on the ground for the entire length of the film.” Beyond that, Huntsinger falls back on the festival’s unofficial motto: “Underpromise, overdeliver.”
Inevitably, there will be guessing. One possibility is “The Social Reckoning,” a follow-up to “The Social Network” directed by its Oscar-winning screenwriter Aaron Sorkin. This one’s about Facebook whistleblower Frances Haugen and Wall Street Journal reporter Jeff Horwitz and stars Jeremy Strong, Mikey Madison and Jeremy Allen White. It’s due from Sony on Oct. 9. The film was still undergoing reshoots in mid-July.
Huntsinger volunteers one thing: The mystery film is not Alejandro González Iñárritu’s “Digger,” a gonzo satire starring Tom Cruise, Hüller, Riz Ahmed, John Goodman and Jesse Plemons. She says Iñárritu — whose last film, “Bardo,” had a rocky reception on the 2022 festival circuit — was adamant that the decision wasn’t about avoiding festivals.
“As I understand it, there’s a big twist that he would like audiences to discover as close together as possible,” she says of “Digger,” which premieres in London Sept. 22 before opening Oct. 2.
Two of last year’s biggest Oscar contenders, “Sinners” and “One Battle After Another,” also skipped fall festival launches, raising questions about how essential such festivals — Telluride among them — remain to an awards campaign.
Huntsinger understands why a studio might hesitate to expose a film to scrutiny months before release. “The stain can happen if something gets savaged very far ahead of a release,” she says. “There’s a lot at stake.”
But she isn’t convinced the model is broken. She still believes the smaller, more challenging films Telluride tends to champion have “genuine shots” in the Oscar race.
“Getting selected is the prize,” Huntsinger says.
After all the strategizing and prognosticating, what no one can predict is which films will actually connect once audiences arrive.
“I don’t know what people are going to fall in love with,” Huntsinger says. “People have become like cats rather than dogs. You just never know what they’re going to go for.”
Welcome back to the Times of Troy newsletter, where I am thrilled to announce that the start of the USC football season is here. And a week before the rest of college football, no less!
We’ve reminded you enough by now that this is a make-or-break season for USC and for its head coach, Lincoln Riley. With a new defensive coordinator who’s in the College Football Hall of Fame, a new, state-of-the-art football facility and the nation’s top recruiting class in tow, USC has given Riley everything he needs to succeed.
So what if … he actually does?
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Last week, we walked you through the worst-case scenario for USC’s 2026 slate. So this week, let’s put on our cardinal-and-gold colored glasses and consider what this season might look like if everything actually goes right. Because there’s certainly a world in which USC earns a place in the College Football Playoff. Maybe even wins a game or two (or three?).
That picture-perfect scenario, however, hinges in my mind on how fast USC’s stellar freshman class rounds into form.
Imagine for a minute a Trojans defense with Luke Wafle, the nation’s top prospect in 2026, screaming off the edge a la the Bosa Bros at Ohio State. Or what about “Boobie” Feaster, the Trojans’ 17-year-old stud wideout, taking a tunnel screen to the house through the teeth of Oregon’s defense?
USC hasn’t had this much talent on the roster since I started covering the team in 2019. And while it’s fair to be hesitant about relying on so many freshmen, what if, when push comes to shove, they’re just the best players on the team?
It’s not hard to envision that being the case at wide receiver, at tight end and even along the defensive line. Freshmen could even be starting, at some point, on the offensive line, at linebacker and in the defensive backfield. (OK, this might not sound like a best-case yet, but bear with me here …)
USC has the first three weeks of its season to let the freshmen figure it out, followed by a trip across the country to Rutgers, and with no redshirts to worry about, I’d venture to say we’ll see the full breadth of freshmen Trojan talent over those four games. If USC can emerge from that stretch with the confidence of its young players soaring, then it should have a shot when Oregon comes to town.
If there’s one game that could decide the direction of USC’s season, it’s this one. It’s a critical moment for quarterback Jayden Maiava, who had his worst game of the year a season ago in Eugene. Any world in which USC makes a playoff run must include a major leap from Maiava. This is his time to prove that he’s taken that last step in his game, the one that could truly separate him as a first-round NFL draft pick. He has the talent, and in this case, he’ll have to show every bit of it.
Meanwhile, USC’s defense could cast some doubt on the potential of the Ducks’ own quarterback with a promising performance here. Dante Moore has yet to face a ranked team in a true road environment as Oregon’s starter. And the Coliseum is going to be rocking that night. I could see him slipping up on the road.
If Maiava can play to his potential and the defense can rise to the occasion, USC can beat Oregon for the first time in a decade. And if it does, a world of possibilities open up for USC.
With the confidence of its fabulous freshmen soaring, USC rolls through Washington at home. A trip to Penn State, during what’s sure to be a White Out game, marks the second moment in which the Trojans’ young stars could be seriously tested. But who’s to say that the Nittany Lions, under Matt Campbell, have anywhere close to the talent the Trojans will bring to State College. And without its usual pass rush, I could see Maiava picking Penn State apart.
Wins over Maryland and on the road at Wisconsin are locks in this scenario, as is a stomping of crosstown rival UCLA and new coach Bob Chesney.
So what about Ohio State and Indiana, our last two national title winners? The more winnable of those two, in my opinion, is the Halloween home game with Ohio State, considering the questions on the Buckeyes’ defense. But Ohio State is still the deeper, more talented team, and by that point in the season, injuries will have surely affected USC’s roster.
As for Indiana, well, not only have the Hoosiers not lost at home under Curt Cignetti, but they’ve allowed just 10 points per game over Cignetti’s 15 home games as coach. USC has to slip up somewhere in the schedule, and my bet would be Bloomington.
Ten wins would surely secure USC its first-ever Playoff spot, delivering the statement that Riley so desperately needed in his fifth season. And if by this point, its fleet of freshmen just happen to be peaking, then there’s no telling how far this team could go from there.
Thanos down
Jahkeem Stewart (4) reacts against the Michigan State Spartans last season.
(Luke Hales / Getty Images)
In a brutal twist of fate for USC, just ahead of its Week 0 opener, defensive tackle Jahkeem Stewart is now likely to miss the nonconference slate with a foot injury.
It’s terrible news for the sophomore standout and for USC, which needs all the talent it can get along the defensive line. Stewart’s participation throughout camp had been a bit inconsistent already, presumably in an effort to keep him fresh for the season.
The fact that he’s likely to miss the first three games isn’t so much the main concern here. It’s that foot injuries are notoriously tricky. We don’t have much information on whether this was a aggravation or an entirely new problem, but a source downplayed the current injury’s severity. Still, it’s not a great sign for a player that was expected, at least by me, to be all-conference caliber this season.
Does Riley have any interest in adding old Trojans to the roster?
A court ruling bafflingly cleared the way last week for players who have already signed with NFL teams to gain some added college eligibility. And while no one has been added to the mix yet, USC’s coach said this week he wasn’t against adding under the right circumstances.
“Addition doesn’t always mean necessarily making you better, right?” Riley said. “And we feel very strongly about the group that we’ve put together, we feel very strongly about the kind of culture and attitude and vibe of this team right now, and so first and foremost, we’re going to protect that.”
Other than at linebacker, where USC would have to add someone new from the transfer portal midseason, or because of injuries, I don’t see a scenario in which it would really make sense. Anthony Lucas or Lake McRee just don’t move the needle at this point.
Class of ‘26 power rankings: Week 0
USC signed the top-ranked class last recruiting cycle, so as they finally hit the field, the Times of Troy will keep tabs on their progress by doing what we do best: Ranking their performance! In this case, we’ll rank them based on the freshmen we most expect to make a difference when USC kicks off against San José State.
Trent Mosley at USC spring football practice.
(Robert Gauthier / Los Angeles Times)
1. Luke Wafle, DE … the No. 1 overall prospect in 2026 should get plenty of run coming off the edge in these first few games. I wouldn’t be surprised if, over that stretch, he makes it impossible to keep him on the bench.
2. Trent Mosley, WR. Seemingly locked into a starting job since the spring, Mosley is 20 years old and much further along than most freshmen when it comes to football IQ. He could lead the team in targets if all breaks right.
3. Mark Bowman, TE. Bowman was in and out of practice through camp, which might be the only thing keeping him from the No. 1 spot on this list. Don’t be surprised if the breakout doesn’t come right away as he gets into the swing of things.
4. Kayden Dixon-Wyatt, WR. A standout of camp with Tanook Hines sidelined, Dixon-Wyatt should be thrust into a big role right away. He’s a big play waiting to happen, and of all the freshmen position players, he’s the one I’d expect to wow us first.
5. Elbert “Rock” Hill, CB. Another standout of camp, Hill is behind two surefire starters in Jontez Williams and Chasen Johnson. But from what we’ve seen and heard, the freshman cornerback is way ahead of schedule.
6. Boobie Feaster, WR. Feaster is so young — just turned 17 — but his talent is undeniable. He has the potential to be the No. 1 guy on this list by season’s end.
7. Tomuhini “Tom Tom” Topui, DT. Stewart’s injury could open the door for more young guys on the interior, including Topui, who really impressed me in the scrimmage and has been receiving rave reviews from teammates.
8. Talanoa Ili, LB. In a linebacker room with shallow depth, don’t be surprised if Ili emerges early. I like what I’ve seen.
9. Madden Riordan, S. One of the bigger surprises in the class, Riordan added critical weight and now should play a part in the defensive back rotation. Being 20 already helps.
10. Breck Kolojay, OG. Kolojay was a major standout of spring, then cooled in camp while dealing with injuries. He’s likely a next-man-up option on the offensive interior.
11. Tron Baker, WR. Baker has a lot of other freshman wideouts ahead of him on this list, but we’ve heard his name a lot listed among young players who impressed.
12. Deshonne Redeaux, RB/KR. I really like Redeaux’s smooth, effortless running style, and while he’s down the depth chart at running back, he could right away be the kick returner.
Poll results
We asked, “What is the fewest number of wins you’d accept from Riley and USC without calling for a change?” After 1,507 votes, the results:
Nine wins, 35.6% 10 wins/playoff appearance, 27.9% Eight wins, 24.6% Seven wins, 8.8% Six wins, 3.1%
Olympic sports spotlight
Jane Alukonis was named the Big Ten women’s soccer coach of the year in 2024, but the Trojans trudged their way to a 7-7-3 finish in 2025 and have a lot to prove as their 2026 season begins.
Lucky for Alukonis, she brings in the No. 1-ranked recruiting class in the nation according to Prep Soccer, a class highlighted by forward Jordan Hill, the No. 3 overall prospect, and defender Rhiannon Mahon, the No. 5 overall prospect.
But the Trojans were still picked in the preseason to finish seventh in the Big Ten. And with losses to Duke and Brigham Young already, USC is already facing an uphill climb to start the season.
What I’m Watching This Week
Anne Hathaway as Andy Sachs in “The Devil Wears Prada 2.”
(Macall Polay / 20th Century Studios)
No one told me before I watched “TheDevil Wears Prada 2” on a plane last weekend that it was a journalism movie! But even aside from commiserating about the state of journalism through the screen with Anne Hathaway, I enjoyed this second go-round.
So what if it was a blatant cash grab? Put Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci in a room, and I’d probably watch whatever they come up. Tucci, in particular, was a standout for me in this sequel.
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
WHAT’S better than a hotel stay? One that comes with a free meal of course.
During the summerholidays, Premier Inn is offering free kids meals throughout the day in over 370 locations across the country.
Premier Inn has launched its new Kids Eat Free deal on breakfast, lunch and dinnerCredit: Mike Egerton/PA WireUp to two children under 15 can eat for free with every paying adultCredit: Premier Inn
Premier Inn’s new Kids Eat Free deal is in place from now until September 1 at hundreds of its hotels – and you can check which ones here.
With the offer, up to two children aged 15 or under can eat for free with every paying adult.
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So in the morning when an adult orders a Full Breakfast with all the trimmings from £10.99, kids can fuel up too.
Premier Inn offers unlimited cooked breakfast and continental with unlimited soft and hot drinks.
In the afternoon or evening, up to two kids can choose from the children’s menu and have one free main meal per each paying adult.
On the children’s menu are dishes like 10-veg tomato pasta, spaghetti bolognese, pizzas, burgers, fish bites and poppin’ chicken.
Adults can opt for one main dish or a Meal Deal from £27.99 – it’s a two‑course dinner with a selected drink in the evening.
Adults can choose from dishes like fish and chips, curry, steak, salmon, pizza and a variety of burgers – which Sun Travel gave their verdict on.
There are lighter options too like the house Caesar salad, sweet and sour kings prawns and nourish bowls.
Premier Inn has also reduced the VAT on children’s meals saving 20 per cent on any additional kids’ meals not included in the free deal.
Premier Inn’s new Kids Eat Free deal ends on September 1Credit: Premier Inn
Here are the Ts&Cs for the Kids Eat Free Deal…
Kids Eat Free Breakfast: Up to 2 children (aged 15 and under) can enjoy a free breakfast for every adult purchasing a Full Premier Inn Breakfast.
Kids Eat Free Lunch/Dinner: Up to 2 children (aged 15 and under) can have one free main from the kids’ menu (small or large, if available) per adult.
The adult must order a main course from the core evening menu and a drink priced at £1.99 or more. For guests who have purchased a meal deal, this will count as a ‘main’.
Drinks will be charged at full price. This offer is only valid until September 1, 2026 inclusive across selected Premier Inn Thyme restaurants.
For more details of which locations are included please visit the website.
The thrilling final season of The Bear has finally arrived, but one key player is tragically missing from the last night of service
The Bear finale includes heartbreaking tribute to late star(Image: FX)
The series paid tribute to one of his most iconic films.
**Warning – this article contains major spoilers for The Bear Season 5.**
The Bear’s last ever episode pays tribute to a major star who tragically was unable to return to film the final season.
FX’s popular comedy-drama, which streams on Disney+ worldwide, follows the talented yet chaotic team of a gourmet restaurant in Chicago, led by head chef Carmy Berzatto (played by Jeremy Allen White).
Season 4 of the hit series introduced business consultant Albert Schnur, who advised grill cook Ebraheim (Edwin Lee Gibson) with his plans to franchise the restaurant’s profitable sandwich window.
Albert was portrayed by actor and director Rob Reiner, who is best known for helming a string of major films in the 1980s and 90s, including Stand By Me, This Is Spinal Tap, Misery, When Harry Met Sally…, and A Few Good Men.
Reiner, 78, was tragically killed last December with his wife Michele, 70. Their son, Nick, was charged with two-counts of first-degree murder and is awaiting a preliminary hearing after pleading not guilty.
He does not appear physically in the final season of The Bear, but eagle-eyed viewers will have spotted a touching reference to both the character and one of Reiner’s most beloved films.
After Ebraheim gets the go-ahead from Carmy to franchise The Beef, he rings up Albert to let him know his plans.
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Disney+ has brought back its popular deal that lets new and returning customers join its Standard with Ads plan for £1.99 per month for four months.
This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price.
Promising to send him over some documents, he asks if there is anything else he needs. Ebraheim pauses, smiles and replies: “As you wish.”
Movie buffs will immediately recognise the quote from one of Reiner’s most iconic films, The Princess Bride. In the classic fantasy adventure, farm boy Westley (Cary Elwes) often says this to Buttercup (Robin Wright), when he really means “I love you”.
The quote has stood the test of time as an admission of love and now stands as the perfect send-off to the cherished filmmaker who played such a memorable role in the series.
Viewers who noticed the tribute have taken to social media after it left them emotional, with one fan admitting: “ugh broke my f****** heart. you know rob would’ve played the f*** out of actually coaching ebra.”
“Damn near cried through every episode of the bear final season but then they F****** THREW IN ‘AS YOU WISH’,” another exclaimed with a tearful emoji.
Another emotional post read: “EBRA’S, ‘AS YOU WISH’. YOU GUYS CAN’T DO THIS TO ME [crying emoji] I LITERALLY JUST WATCHED PRINCESS BRIDE A FEW NIGHTS AGO. RIP ROB REINER”
Someone else said: “Finally watching S4 of the Bear (S5 coming out made me finally do so) and oh my god I am so depressed knowing Rob Reiner is no longer with us.”
The Bear Season 5 is available to stream on Disney+.
Now in its 40th iteration, Grand Performances will celebrate this milestone with dazzling performances all summer long at the California Plaza in downtown L.A.
The free concert series kicks off with a performance by the Latin hip-hop funk band Ozomatli on June 13. Tropicalia group Healing Gems and the Afro-Latin fusion band Jungle Fire will also make special appearances, all while DJ Liza Richardson keeps the groove going.
“For 40 years, Grand Performances has been a gathering place where Los Angeles comes alive through music, culture, and shared experience,” said Rafael González, president and CEO of Grand Performances, in a press release. “This year, we honor that legacy by continuing to open our stage, free and for everyone, so that every Angeleno can find themselves in the experience and feel part of something larger.”
On June 27, the Chicano troupe Culture Clash will return to the Grand Performances stage with comedic sketches colored by political and social satire. The trio — which includes Richard Montoya, Ric Salinas and Herbert Sigüenza — formed in 1984 in the San Francisco Mission District. Through its avant-garde live skits, the group has weighed in on topics like race, immigration and politics, including the 2016 election race between Hillary Clinton and Donald Trump.
Also joining the comedy show are retro cumbia-quebradita musician É Arenas (bassist of Chicano Batman) and the cumbia-fusion, luchador-masked cumbia group La Nueva Ola de Cumbia, as well as DJ Dali. (Editor’s note: De Los is co-presenting the Grand Performances on June 27.)
This summer will also pay tribute to a host of musical legends.
There will be an intergenerational dance party on July 18 with DJ Spinna on the booth, in honor of 76-year-old R&B-pop artist Stevie Wonder — who performed a memorable summer concert in 2013 alongside Ozomatli and La Santa Cecilia.
On Aug. 1, a 12-piece jazz ensemble will gather in tribute to the late Roy Ayers, the pioneering jazz-funk vibraphonist and godfather of neo soul.
Chicano trailblazer Ritchie Valens, best known for classic rock tracks “La Bamba,” “Donna” — will also get his due on Aug. 22, with a stacked program that features live music, narration and archival visuals honoring the late Pacoima legend. There will be performances by Nick Waterhouse, Shannon Shaw (of Shannon & the Clams), Joey Quiñones (Thee Sinseers), Bryan Ponce (The Altons), Denise Carlos & Hector Flores (Las Cafeteras), Angie Monroy (The McCharmlys), Irene Diaz and Jose Varela (Cutty Flam).
The season will wrap up on Aug. 29 with Mexico City cumbia punks Son Rompe Pera, joined by the all-femme percussion ensemble Bloco Obini and violinist Quetzal Guerrero, also known as QVLN (Q-Violin).
Grand Performances has hosted free outdoor performances annually since 1987. The organization’s focus is on giving a platform to both global and local performers, including previous headliners iLe, Adrian Quesada and Ana Tijoux. The full 2026 lineup can be found here.
