Arsenal would move six points clear of second-placed Manchester City if they beat Fulham in their home game next week, though City, who were in FA Cup semi-final action this weekend, would have two games in hand.
That is because Manchester City were playing in the FA Cup semi-final earlier on Saturday against Southampton and are not back in league action until Monday, 4 May when they play Everton.
Having that buffer of points built up by the time of City’s next game at Everton on Monday 4 May would be a huge boost for Arteta’s side given they went into this weekend off the top for the first time since October.
According to Opta, Arsenal have a 72.44% chance of lifting the Premier League trophy at the end of the season compared to the 27.56% chance of Manchester City.
“You can’t question their fight. Arsenal have given absolutely everything on that pitch today,” former Crystal Palace and Brighton striker Glenn Murray said on BBC Radio 5 Live.
“Another huge three points for Arsenal to keep them top of the league.”
Arsenal are without a major trophy since the FA Cup triumph of 2020 which came in Arteta’s first season in charge.
And captain Martin Odegaard said that the effort the players put in is because every member of the team is doing what they can to get over the line.
“It was tough, very intense, very physical,” he told Sky Sports. “We did everything we could and we got the win, the most important thing was to bounce back with a win and get over the line with the three points.”
But for Odegaard, who played the full 90 minutes, and the rest of the squad attention quickly switches to the Champions League semi-final against Atletico Madrid on Wednesday.
“This schedule is crazy,” Odegaard added. “We just have to keep going. It is the end of the season, just leave everything out that we have inside, fight every single game and we just have to keep going.
“That’s where we want to be but it is going to go all the way to the end. We are ready for it and we will fight every single day.”
Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and today is a very special day, so it’s time for the annual Jackie Robinson newsletter.
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On April 15, 1947, Robinson made his major league debut at Brooklyn’s Ebbets Field in front of crowd of 26,623. He walked and scored a run in the Dodgers’ 5–3 victory. Thus began one of the most amazing careers in sports history. Robinson broke the color barrier and faced challenges few major leaguers ever had to endure.
Some players on his team didn’t want to play alongside him, starting a petition saying they would rather not be his teammate. Manager Leo Durocher’s response: “I don’t care if the guy is yellow or Black, or if he has stripes like a … zebra. I’m the manager of this team, and I say he plays. What’s more, I say he can make all of us rich. And if any of you can’t use the money, I will see that you are traded.”
Players on other teams called him every racial insult. Some opposing managers were worse. Fans, some of them little kids parroting what their parents were saying, called him vile names. And Robinson had, and could have, only one response: No response. Give in and lose his temper, then the racists would say “See, his kind aren’t strong enough to play in the majors.” It would be used as leverage to kick him out and keep the majors “pure.” For a good example of what Robinson endured, watch “42” starring the late, great Chadwick Boseman.
So, Robinson took it. But he not only had to take it, he also had to play at a high level to prove Black people could play in the majors. He ran the bases with abandon. He excelled as a fielder no matter where they put him. He led the Dodgers to victory after victory, including their first World Series title in 1955.
And let’s not forget his wife, Rachel, who will turn 104 in July. She was a source of strength for Jackie and underwent verbal abuse and threats herself. She is an amazing woman and deserves full credit for her role in all of this. I think it’s safe to say that Jackie wouldn’t have been the same without her.
Robinson was a standout player at whichever position the Dodgers played him. On the bases, he was a terror. He stole home 19 times in his career, tied with Bobby Bragan for the most since 1920.
Robinson was drafted into the Army in 1942. Stationed at Fort Riley, Kan., he was not allowed to play on the segregated camp baseball team. He was appointed morale officer for the Black troops at Fort Riley and later was re-assigned to Ford Hood, Texas. On July 6, 1944 he refused when a white bus driver told him to move to the back of the bus. The base provost marshal and military police supported the driver, and Robinson was subject to court-martial. He won the hearing and the Army decided to kick him out with an honorable discharge.
In 1945, Robinson joined the Kansas City Monarchs of the Negro American League, which is where Branch Rickey found him and signed him. The rest is history.
After he retired from baseball, Robinson became a leader in the Civil Rights movement. He was hired to serve as a vice president for Chock Full O’Nuts, the first Black man to be named a vice president of a major American company. In 1964, he co-founded Freedom National Bank of Harlem, created to financially help Black communities. In 1970, he founded the Jackie Robinson Construction Company, which built housing for low-income people.
In perhaps the most famous steal of home in history, Jackie Robinson steals home in Game 1 of the 1955 World Series. For the rest of his life, Yankees catcher Yogi Berra said Robinson was out.
(John Rooney / Associated Press)
But let’s go back to his baseball career.
Imagine trying to do your job every day with thousands of people surrounding you, hurling racist taunts. Imagine going on the road and not being able to stay in the same place as your co-workers, but being forced to room with someone across town. Imagine having a wife and child who have to go through the same thing. Imagine a policeman coming into your workplace and threatening to arrest you and shut down your business unless you left, because they don’t appreciate “your kind” in their city. Imagine getting death threats every day in the mail.
Most people would not be able to do what Robinson did. He set the example that players such as Larry Doby of Cleveland, who broke the color barrier in the American League, were able to follow.
It’s sad that sometimes I will hear fans of other teams complain that Robinson’s No. 42 is retired and listed alongside the numbers of the legends from their team, because “he didn’t play for their team.”
Even now, some people try to find flaws that Robinson had to cut him down. What they don’t realize is that pointing out whatever flaws he had doesn’t make him seem less impressive — but even more impressive. It shows he was an imperfect man who performed one of the most perfect human achievements of all time.
But words don’t adequately describe what Jackie Robinson did or what he went through. They can’t. It’s embarrassing to even try.
What’s a good way to celebrate Jackie Robinson Day? Find anyone you know under the age of 18 and make sure they know who Jackie Robinson was and what he did. Don’t let his memory be forgotten. Show them the movie “42.” Give them a book on Robinson. Or sit down and talk to them about him. It’s the best gift you can give them.
In his own words
Some of the best quotes from Jackie Robinson:
“Plenty of times I wanted to haul off when somebody insulted me for the color of my skin, but I had to hold to myself. I knew I was kind of an experiment. The whole thing was bigger than me.”
“A life is not important except in the impact it has on other lives.”
“I’m not concerned with your liking or disliking me. All I ask is that you respect me as a human being.”
“Life is not a spectator sport. If you’re going to spend your whole life in the grandstand just watching what goes on, in my opinion you’re wasting your life.”
“There’s not an American in this country free until every one of us is free.”
“During my life, I have had a few nightmares which happened to me while I was wide awake.”
“I’m grateful for all the breaks and honors and opportunities I’ve had, but I always believe I won’t have it made until the humblest Black kid in the most remote backwoods of America has it made.”
“Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.”
“Negroes aren’t seeking anything which is not good for the nation as well as ourselves. In order for America to be 100% strong — economically, defensively and morally — we cannot afford the waste of having second- and third-class citizens.”
“Blacks have had to learn to protect themselves by being cynical but not cynical enough to slam the door on potential opportunities. We go through life walking a tightrope to prevent too much disillusionment.”
“It kills me to lose. If I’m a troublemaker, and I don’t think that my temper makes me one, then it’s because I can’t stand losing. That’s the way I am about winning, all I ever wanted to do was finish first.”
Jackie Robinson joins a picket line in Cleveland in 1960 to protest discrimination against Black people at southern lunch counters.
(Associated Press)
“When I am playing baseball, I give it all that I have on the ball field. When the ballgame is over, I certainly don’t take it home. My little girl who is sitting out there wouldn’t know the difference between a third strike and a foul ball.”
“Pop flies, in a sense, are just a diversion for a second baseman. Grounders are his stock trade.”
“I guess you’d call me an independent, since I’ve never identified myself with one party or another in politics. I always decide my vote by taking as careful a look as I can at the actual candidates and issues themselves, no matter what the party label.”
“How you played in yesterday’s game is all that counts.”
“I think if we go back and check our record, the Negro has proven beyond a doubt that we have been more than patient in seeking our rights as American citizens.”
“Baseball is like a poker game. Nobody wants to quit when he’s losing; nobody wants you to quit when you’re ahead.”
“The most luxurious possession, the richest treasure anybody has, is his personal dignity.”
In the words of others
”A credit to baseball and to America.” —Branch Rickey, general manager of the Brooklyn Dodgers
“To do what he did has got to be the most tremendous thing I’ve ever seen in sports.” —Pee Wee Reese, teammate of Jackie Robinson
“The greatest moment in the history of baseball.” —MLB Commissioner Rob Manfred
“He gave the Black community a sense of hope, a sense of pride.” —John Lewis, civil rights leader
”I didn’t know baseball from pingpong. But the point was that he had broken in. I grew inches that day. I puffed out my chest. A Black person had made it against the most tremendous odds.” —Archbishop Desmond Tutu
“Jackie’s character was much more important than his batting average.” —Hank Aaron
”Jackie Robinson made his country and you and me and all of us a shade more free.” —Roger Kahn, author of “The Boys of Summer”
“There’s a direct line between Jackie Robinson and me.” —former President Barack Obama
“He knew he had to do well. He knew that the future of Blacks in baseball depended on it. The pressure was enormous, overwhelming, and unbearable at times. I don’t know how he held up. I know I never could have. He was the greatest competitor I have ever seen.” —Duke Snider, teammate
”There was never a man in the game who could put mind and muscle together quicker than Jackie Robinson.” —Rickey
“After the game, Jackie Robinson came into our clubhouse and shook my hand. He said, ‘You’re a helluva ballplayer and you’ve got a great future.’ I thought that was a classy gesture, one I wasn’t then capable of making. I was a bad loser. What meant even more was what Jackie told the press, ‘Mantle beat us. He was the difference between the two teams. They didn’t miss DiMaggio.’ I have to admit, I became a Jackie Robinson fan on the spot. And when I think of that World Series, his gesture is what comes to mind. Here was a player who had without doubt suffered more abuse and more taunts and more hatred than any player in the history of the game. And he had made a special effort to compliment and encourage a young white kid from Oklahoma.” —Mickey Mantle, on the 1952 World Series
”Jackie, we’ve got no army. There’s virtually nobody on our side. No owner, no umpires, very few newspapermen. And I’m afraid that many fans may be hostile. We’ll be in a tough position. We can win only if we can convince the world that I am doing this because you’re a great ballplayer, and a fine gentleman.” —Rickey
“Every time I look at my pocketbook, I see Jackie Robinson .” —Willie Mays
“Give me five players like Robinson and a pitcher and I’ll beat any nine-man team in baseball.” —former Dodgers manager Chuck Dressen
“He led America by example. He reminded our people of what was right and he reminded them of what was wrong. I think it can be safely said today that Jackie Robinson made the United States a better nation.” —American League president Gene Budig
”Jackie Robinson is the best I’ve seen. Robinson is the perfect blend of ballplayer. He has creativeness and imagination. Every move he makes from the minute he steps onto the field is designed to beat the other club. He’s constantly asking himself, at bat or on the bases, ‘what can I do to beat the other guy?’ That’s the kind of ballplayer that wins pennants.” —Fresco Thompson, assistant farm director for the Dodgers when Robinson played his first game
“If I were in Jackie Robinson’s shoes, I probably never would have made it.” —Hall of Fame pitcher Bob Gibson
”Today we must balance the tears of sorrow with the tears of joy. Mix the bitter with the sweet in death and life. Jackie as a figure in history was a rock in the water, creating concentric circles and ripples of new possibility. He was medicine. He was immunized by God from catching the diseases that he fought. The Lord’s arms of protection enabled him to go through dangers seen and unseen, and he had the capacity to wear glory with grace. Jackie’s body was a temple of God. An instrument of peace. We would watch him disappear into nothingness and stand back as spectators, and watch the suffering from afar. The mercy of God intercepted this process Tuesday and permitted him to steal away home, where referees are out of place, and only the supreme judge of the universe speaks.” —Jesse Jackson, delivering a eulogy for Robinson
Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
People are being urged to check theirs as soon as possible before peak season
13:20, 12 Apr 2026Updated 13:31, 12 Apr 2026
More than 1.2 million are due to expire in 2026 (stock image)(Image: Getty)
An alert has been issued by money specialists, as an important document is expected to expire for millions of people in the UK this year. It is raising concerns that large numbers of British travellers could be caught out just as the holiday season reaches its peak.
More than 1.2 million UK Global Health Insurance Cards (GHICs) are due to expire in 2026. Nearly 800,000 are expected to run out during the peak summer holiday months of July to September, according to new Freedom of Information data accessed by PayingTooMuch, a travel insurance comparison site.
The NHS says a GHIC lets you get necessary state healthcare in the European Economic Area (EEA) and in some other countries on the same basis as a resident of those countries. This may be free, or it may require a payment equivalent to that which a local resident would pay.
On the NHS website, it states: “A UK GHIC is free and lasts for up to five years. Apply for your new card through the NHS website. Avoid unofficial websites – they may charge you a fee to apply. The UK GHIC is not a replacement for travel insurance. We advise you to have private travel and medical insurance for the duration of your trip.”
The FOI sent to NHS Business Services Authority also highlights a significant rise in expiring cards this summer. The data shows that more than 290,000 GHICs are due to run out in August alone, coinciding with the busiest period for overseas travel.
In response, a money specialist warns that thousands of travellers could unknowingly head abroad with expired GHICs this summer. While this is a small detail often missed amid holiday planning, it’s one that could lead to serious consequences.
Hannah Mayfield (DipFA), founder of What Is Wealth, says the sheer volume of 2026 expiries could leave many people caught out. She said: “If you fall ill or face a medical emergency, discovering too late that your GHIC is no longer valid only adds stress at the worst possible moment.
“With such a high number of GHICs expiring this year, particularly during the busy summer holiday period, it’s vital that travellers check their card well in advance. It is an easy detail to overlook, but one that could leave you seriously exposed once you are already overseas.”
Mayfield warns that the risks do not stop at travelling with an expired card. The FOI data also shows how expensive medical treatment abroad can become, even when state support is accessible. The highest GHIC/EHIC claim last year exceeded £340,000, while the second highest topped £226,000.
“That is the part many travellers may not fully realise,” explains Mayfield. “While a GHIC can help to access basic state-provided healthcare, it is not designed to cover the full range of issues travellers commonly encounter – from private treatment costs if needed to flight cancellations, lost bags or emergency repatriation to bring you home.”
A GHIC is accepted in most EU countries, plus a few additional countries with reciprocal healthcare agreements. It can reduce your medical costs abroad if you need treatment, but it doesn’t make treatment completely free or cover everything.
You might still have to pay for your treatment upfront and buy prescriptions, which you can then claim back through your travel insurance. If you use your GHIC to pay medical fees abroad and make a medical claim through your travel insurance, some providers waive the policy excess on the medical claim, ultimately saving you money.
Mayfield reminds holidaymakers that travel insurance is an essential part of holiday planning, as a good policy provides protection in areas that the GHIC does not. When choosing a policy, she advises checking that cancellation cover matches the full cost of your holiday and ensuring it is tailored to your health needs, destination, and excursions. Comparing travel insurance is a good way to find cover that suits you and the type of trip you are taking, especially if you have with pre-existing health conditions.”
With so many GHICs expiring this year, experts recommend travellers check their card and travel insurance at the same time they book the trip. Renewing early is particularly important if your card expires within six months of your trip, as leaving it too late can lead to complications if treatment is needed overseas.
“You can apply for a free GHIC directly from the official UK government website. All family members should have one in their name. You’ll need your UK address and some basic personal details and usually it will arrive within 7-10 working days.
“Be wary of bogus sites asking you to pay for a GHIC as you don’t need to, they are free,” she adds. Mayfield urges travellers to “check their GHIC now, don’t wait until the airport to discover it has expired.”
FOR Dermot Kennedy’s third album, he wanted to explore both the beauty and burden of a successful music career.
The award-winning Irish singer might headline huge arenas but he has always had his feet firmly on the ground, valuing a normal life, privacy and simple things such as walking in his local woods — the theme of his new record.
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Dermot Kennedy says a lot of songs from his new album, The Weight of the Woods, carry a ‘vulnerability’ he has not previously shownCredit: SuppliedKennedy says it’s better for him to ‘sit back and let the music do the work’Credit: Supplied
He says: “I feel I’m at a sweet spot, because I can play The O2 in London but I can walk around all day and no one really knows who I am.
“Having a career in music is a blessing. It’s the most amazing thing, but at the same time, there are certain challenges that come with it. It tests relationships and tests your own resolve, it’s a pressure. And I wanted to write about that.”
The pull of nature as a place to reset became more powerful to the singer as he found success — both his previous collections, Without Fear (2019) and Sonder (2022), topped the album chart.
“With a career in music, you’re not anonymous, you’re constantly moving from city to city,” he explains.
“Being somewhere where you can only see trees in every direction has become more and more important to me, and more powerful. Where I live is quite remote, and that’s the way I want to be.”
This recurring woodland imagery reflects a sense of calm and nostalgia to Kennedy, and the cover of his new album, The Weight Of The Woods, features the singer in a woodland setting.
As we chat in his central London record label offices, he’s signing a huge pile of his new CDs.
“It’s a great album cover,” he says smiling. “Even signing these all morning, I’m not sick of looking at it yet.”
A standout on Kennedy’s new record is the track Sycamore, a gorgeous introspective ode to home and identity.
“The Irish landscape has always been important to me,” he says. “Where we took the picture for the album still resonates. It’s a big part of how I’m inspired.”
Working with producer Gabe Simon — who produced Noah Kahan’s 2022 breakthrough album, Stick Season — Kennedy made The Weight Of The Woods in Ireland, Nashville and Norway.
He says: “Sycamore is lush and smooth, which felt different for me. It was the first song we made when Gabe came over — there’s a sycamore tree right in front of my house that’s become a kind of talisman in my life. It felt like a lovely way to start.
“A lot of these songs carry a vulnerability I haven’t shown before, and that felt important, because you can’t pretend you’re 100 per cent all the time. It’s just not true.”
This shift shows a new confidence, one that allows him to do things his own way.
“Generally, I’m a quiet person, so on previous albums I wasn’t the loudest in the room whereas with this one, I have the confidence to shout for it and take my time.
“It’s taken this long to get to a point where I know what I want — what I need and what’s authentic.”
The Weight Of The Woods reflects a stage in his life where Kennedy feels more secure, more at home and more fully himself. Now married with a baby daughter, his perspective has shifted in ways he struggles to fully articulate.
“How has fatherhood changed me?” he ponders. “It’s hard to sum up, I can’t explain it in a couple of minutes.
“It just means the world to me and gives you a completely new perspective on life.
“It makes you realise there are more important things than chasing goals in music.
“The best thing I can do now is make music that moves me and try to live in a way that feels like the purest version of who I am. It becomes the centre of everything.
“Fatherhood has given me more confidence, but also a different kind of fragility, making me more emotionally open.
“A lot of these songs carry a vulnerability that I haven’t shown in my music before, and that’s important.”
Musically, Kennedy feels the album has a strong Irishness, though it was not a deliberate concept.
Honest is a track that feels especially personal, as it directly references where he is from in Ireland.
He says: The first lyric is about Kilteel [near Rathcoole, Co Dublin] which is an important part of where I’m from. It’s a more personal record so I needed to tell the story of where I’m from.”
He reflects on the pull of home: “Sometimes when you’re trying to have a career in music, people assume they need to move away and live somewhere else.
“But in Ireland we have one of the richest musical landscapes in the world, you know? So, it’s nice to be a part of that.
“And it’s the most Irish-sounding track. I played the bodhran [a traditional Irish frame drum] on it, the drum you hear at the beginning, and there’s also a tin whistle. It all came together very naturally so these songs feel dynamic to me and they’re really going to work live.”
Wasted is a favourite of Kennedy’s on the record. Inspired by US singer and producer Dijon, he says: “It felt like it had that excited, upbeat energy without being pop. It felt real in the room and exciting.”
Then there’s The Only Time I Prayed, which explores the singer’s relationship with faith.
“I’ve got songs like Glory, and lyrics about the devil, but I’d consider myself definitely agnostic. I believe in otherworldly things but I’m not a practising Catholic.
“Still, when things get difficult, people pray — regardless of faith. It comes from desperation, and I find that fascinating. Sometimes I even feel envious of people with a strong faith.”
The singer says it has taken time for him to discover what he truly wants, needs, and feels is authenticCredit: Supplied
Another highlight on the record is Funeral, a stunning track about letting go of the past to move forward.
“I just wanted that song to be about ditching any difficult stuff I’ve been through,” he says.
“Songwriters spend an awful lot of time wallowing in the past and I wanted it to feel triumphant — moving forward into something more positive.
“It felt good and the vocal carries an energy which is always a fun thing on a song.”
On this third album, Kennedy feels more confident, self-assured and clearer about what is authentic to him.
He says: “It’s less inhibition and less stress — not poring over every decision. So confidence showed up in quite a carefree, exciting way.”
It was important to Kennedy that the album was stripped back and imperfect to add to the studio atmosphere.
“Musically, if you listen closely, there are lots of imperfections, little noises other artists or producers might take out,” he says.
“You can hear someone talking, a chair creaking. It puts me back in that room, and I don’t want to lose that.”
That same approach mirrors a wider creative release: “I feel like I’ve let go massively, which is a good thing.”
That sense of letting go has also reshaped how he defines success.
“Any pressure that came with the second album was internal, applied by myself,” he says. “I don’t think being competitive puts me in the best place to be the best artist I can be. I’m pretty sure it doesn’t.
“Tracking streams or records isn’t success to me. With this record, it was just lovely to get back to a place where I really enjoyed making the music, the visual world around it, and playing the songs.
“Don’t get me wrong, I still want lots of people to hear it, but I feel like I’ve already succeeded with this project.
“If it reaches a ton of people, that’s fantastic, but I had a beautiful time making it, and that’s everything.
“When you chase numbers and all that stuff, it’s all quite surface level and not very fulfilling in the end.
“I don’t think trying too hard is the move. It’s important to work hard and promote things, but being overly try-hard isn’t appealing.
“It’s better to sit back and let the music do the work. By letting go — stepping back from social media and putting the music first — it feels more likely to set my career up the way I want it.”
Live performance remains central to Kennedy’s identity. He feels he has built his career the “old-fashioned way” by playing rooms and winning audiences over.
He says: “Nowadays, there’s so many ways that someone can forge a career. You can blow up on the internet or go viral. For me, it’s never really been like that.
“It’s been more about getting people into a room. I think I can play in such a way that they might want to come back and see it again next time.”
“For me, when I dreamed about having a career in music, all I thought about was playing in big, beautiful theatres. So playing live is an important part of what I do.”
Even as he now fills large venues, Kennedy is keen to preserve a sense of intimacy within those spaces.
He explains: “We’re going to do it differently. There are lots of ways you can use tech in a live show. You can run tracks for things like horns and production, but then the whole show ends up on track and can feel like elevated karaoke.
“You can come off stage feeling like you haven’t really achieved much. So, with this tour, we’ve got rid of the click track and any backing tracks. It’s about keeping it real and letting the performance have more freedom.
“We’re getting rid of any kind of bells and whistles, and it’s just fun. I could start a song at any tempo, I could be feeling a certain way that ends up being a faster version with more energy, or we could pull it right back.
“You go to a live show for the energy, and I think it’s far easier to tap into that special place if you don’t have that stuff.”
Kennedy is also more careful about looking after his voice when he tours
“I try not to do more than two nights in a row, because it compromises the rest of the tour. It means I can walk on stage excited, instead of just hoping I get through it.”
It’s part of a wider shift in how he approaches performance. “It’s a process as well, working with vocal coaches and stuff. I run a lot more now, because you need that lung capacity. I’m not sure about other people’s experience touring, but it feels like a sport sometimes.”
That mindset has also made him more aware of the level required to sustain a major live career — something he saw first-hand watching Taylor Swift live.
Kennedy on stage in the US earlier this monthCredit: Getty
“Well, I saw her at the venue I’m playing this summer, and it was inspiring.” he says. “I saw Travis, her fiancé, talking about her fitness regime and just how she’s operating at a kind of scary level.
“I find that really inspiring, because it makes you realise this is a very high level of what we do — you have to take it seriously. When someone is that on top of their game, it’s just incredibly motivating.”
“The show is, what, three hours long? It was wild to see. And honestly, it was just cool to be in Dublin and see people so excited by those songs.
“What really struck me was that it was just her songs. You realise this is someone who started out just writing songs, and now it’s millions of people all over the world.
“But it doesn’t feel like some manufactured pop machine. It just feels like someone who writes songs, and that’s what makes it so powerful.”
The album The Weight Of The Woods is out on April 3.
Dermot Kennedy’s The Weight Of The Woods is out on April 3Credit: supplied
