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The former Top Gear presenter admits he was blindsided by what he now sees as one of the gravest dangers facing young people, confessing “I simply had no idea”

Jeremy Clarkson has confessed he was caught off guard by what he now considers one of the greatest threats to young people today, admitting, “I simply had no idea.” In his column for The Sun, the former Top Gear host revealed that while he previously worried about conventional teenage dangers, he overlooked the fact that the most damaging influences were already accessible through their mobile phones.

Looking back on his time as a father, Clarkson explained: “When my kids were teenagers, I worried about them taking drugs and going on motorbikes, and I simply had no idea that the real danger was lurking in their telephones.”

His remarks follow the Government’s plans to strengthen laws targeting the distribution of non-consensual intimate images online. Earlier this week, Sir Keir Starmer announced intentions to bolster legislation requiring tech firms to delete such content within 48 hours of being flagged.

However, Clarkson maintains that the rapid pace of online sharing renders that timeframe impractical. “This is laughable because if someone uploads a topless picture of you, all your friends will see it within 48 seconds,” he stated. “Forty-eight hours on the internet is about four million years,” reports the Express.

The Prime Minister has positioned the proposed reforms as a key element of a wider effort to tackle online abuse directed at women and girls. Through an amendment to the Crime and Policing Bill, social media companies that don’t meet the two-day deadline for removing content could be hit with substantial fines or potentially banned from operating in the UK.

Starmer, who previously held the role of director of public prosecutions, said his past work gave him insight into the “unimaginable, often lifelong pain and trauma violence against women and girls causes.” He added: “As Prime Minister, I will leave no stone unturned in the fight to protect women from violence and abuse.”

Characterising the internet as an emerging frontline, Starmer stated: “The online world is the front line of the 21st century battle against violence against women and girls. That’s why my government is taking urgent action: against chatbots and ‘nudification’ tools. Today we are going further, putting companies on notice so that any non-consensual image is taken down in under 48 hours. Violence against women and girls has no place in our society, and I will not rest until it is rooted out.”

Clarkson, 65, doesn’t question the gravity of the problem. In fact, he believes it goes even deeper than politicians realise. He highlighted the HBO drama Euphoria, featuring Zendaya and Sydney Sweeney, as a stark illustration of the challenges confronting today’s teenagers. “What Starmer needs to do is watch a TV show starring Zendaya and Sydney Sweeney. It’s called Euphoria and God knows what possessed me to tune in — teenage angst and a lot of male nudity is not my thing normally — but Lord, I’m glad I did,” Clarkson remarked. “I know it’s a drama but if only half of the issues are real, society has a serious problem.”

For Clarkson, the programme highlighted how online culture has amplified adolescent experiences. He outlined the troubling aspects he believes have become widespread: “The bullying. The d*ck pics. The revenge porn threats. And a very real sense that if you say or do something that is considered out of line by an ‘unseen woke police force,’ that’s you done.”

While he acknowledges that Starmer is correct to concentrate on social media’s effect on teenage girls, he doubts whether a 48-hour takedown requirement is adequate in reality. “Starmer is right to be thinking about the effect social media has on teenage girls. But suggesting that a platform must take down revenge nudes and deep fake pictures within two days demonstrates he does not understand the scale of the problem.”

LACMA’s David Geffen Galleries, the pinnacle of a two-decade campus transformation, will officially open April 19.

That Sunday, a ribbon-cutting ceremony will kick off two weeks of priority member access to the galleries, with general admission beginning May 4, the museum said Thursday. Online ticket reservations open Thursday to members.

The announcement comes nearly a decade after news broke of business magnate David Geffen’s record-high $150-million donation toward the construction of a new museum building to be designed by Pritzker Prize-winning architect Peter Zumthor. Since the beginning, the Brutalist design has been polarizing — Angelenos have cheered or jeered the concrete vision.

The $720-million Geffen Galleries, which museum members got a first look at over the summer, will serve as the new home for LACMA’s permanent collection. It will display 2,500 to 3,000 objects at a time from its collection of approximately 170,000 objects. Stretching across Wilshire Boulevard, the structure houses 110,000 square feet in 90 exhibition galleries that will be organized thematically rather than by medium or chronology.

“The idea is for you to make your own path — not to speak at you, but to let you wander like you would through a park or a place,” LACMA Director and Chief Executive Michael Govan said in an interview with The Times. “That change in attitude, and how the building is built, is really exciting.”

Of the $720 million, Govan said, the majority came from private donors, with $125 million funded by L.A. County. Aside from paying off interest and principal, additional funds from a $875-million fundraising campaign will go toward public art, collection moving costs, office renovations and general landscaping.

The inaugural installation will use global bodies of water as an “organizing framework, emphasizing the cultural exchange, migration and commerce prevalent throughout the history of art,” LACMA said in a statement. Standout entries include Georges de La Tour’s “The Magdalen with the Smoking Flame” (c.1640), Vincent van Gogh’s “Tarascon Stagecoach” (1888) and Henri Matisse’s “La Gerbe” (1953). Art installation is currently in progress.

Guests tour the Geffen Galleries for an early preview on June 26, 2025.

(Allen J. Schaben / Los Angeles Times)

The four buildings that the Geffen Galleries replaced were “all broken up into little, tiny pieces, and they were not well traveled,” Govan said. The new structure is meant to make LACMA’s eclectic permanent collection more accessible on one extra-long floor.

“It’s kind of a worldview,” the executive said. “It’s big enough that it can hold the world.”

While the new building does not boast more gallery space than its predecessors — a point of public contention — Govan said that was never the plan due to county size regulations. Instead, the complementary additions of the Broad Contemporary Art Museum in 2008 and the Lynda and Stewart Resnick Exhibition Pavilion in 2010 added 100,000 square feet of gallery space. In all, the campus transformation brought LACMA’s total exhibition space from 130,000 square feet in 2007 to 220,000 square feet at present. (The Pavilion for Japanese Art, which has been undergoing a retrofit and renovation, is 10,000 square feet. It remains closed and will reopen at some point after the David Geffen Galleries.)

A guest tours one of the 90 galleries within the new space during a preview opening on June 26, 2025.

(Allen J. Schaben / Los Angeles Times)

Along with complaints about the building’s size, the Geffen Galleries’ heavy use of concrete had been criticized as an impractical choice for hanging art. According to LACMA’s preparators, that’s not a problem given the right tools.

Among the building project’s donors were Tony Ressler, co-chair of the museum board of trustees, after whom the Geffen Galleries’ south wing will be named, the museum also announced Thursday. Willow Bay, a longtime board member, will join Ressler as board co-chair.

“LACMA is a global cultural force that brings millions of people together through the power of art, connecting communities across Los Angeles and around the world,” Bay said in a statement. “I am deeply grateful for Tony’s leadership and generosity, and honored to join him as co-chair at this transformative moment in LACMA’s history as we advance our mission of enhancing access to art and education.”

Bay and her husband, outgoing Disney CEO Bob Iger, in 2018 made a “historic capital contribution” to support the preservation of Chris Burden’s “Urban Light,” which has become an iconic L.A. landmark. (Disney earlier this week named parks chief Josh D’Amaro as Iger’s successor.)

LACMA previously announced that the north wing of the Geffen Galleries would be named in honor of the late former board co-chair Elaine Wynn, who contributed $50 million toward the construction project.

As LACMA looks to the future, Govan said the museum isn’t ruling out future expansion. But any additions would be off the Wilshire campus, in areas such as South L.A and the Valley.

The idea is, Govan continued, “Let’s change the model. Let’s just put the wings, you know, the rest of the museum, in other places and strategically located.”

The new David Geffen Galleries building is part of LACMA’s ambitious expansion plans.

(Allen J. Schaben / Los Angeles Times)

Expansion, he said, is important for an encyclopedic museum, responsible for chronicling art history across many genres, geographies and media.

“If you’re the Frick and you only collect things of a certain period, you don’t have to expand,” Govan said. “But if your job is to keep up with the practice of artists and the world being bigger and bigger in terms of what people recognize as art, then you have to keep expanding.”

For now, though, he’s content to create a “big, beautiful gathering place” for Los Angeles.

“I always refer to our plaza as the living room for Los Angeles,” Govan said. “So this idea of the public space was so important from the beginning, and you see how the campus integrates with this.”

Zumthor’s building design, which includes overhanging canopies, intentionally creates shade with outdoor events in mind, the executive explained. It’s all about diversity of experience.

“You can take your selfie at ‘Urban Light.’ You can go to the jazz concerts, go see dozens of masterpieces outdoors… you can go inside somewhere and really focus quietly on a single work of art,” Govan said. “I wanted the range of all those experiences in a package where you wanted to hang out for the day.”

The Queen of Pop has been visiting the seaside town and raved about its arts scene and favourite Italian restaurant to her 20million Instagram followers.

Madonna has stunned residents in a British seaside town after spending time discovering its attractions. The pop icon typically travels between major cities such as New York, Los Angeles and London.

Yet she broke from tradition this weekend by choosing to visit the coastal town of Margate in Kent. She mixed with residents at a free arts festival and spent time with acclaimed artist Tracey Emin.

Margate clearly made an impression on Madonna, as she gushed about the town to her 20 million Instagram followers.

Margate has experienced a revival in recent years due to its thriving arts and culture scene. Growing numbers of visitors have descended on the town to enjoy its sandy beach, vintage fairground and numerous restaurants.

The town has a population of just over 60,000 and sits roughly 80 miles from London. Frequently described as England’s trendiest seaside destination, Margate could see an even bigger surge following Madonna’s seal of approval, reports the Express.

The Hung Up singer praised friend Tracey Emin and her contributions to Margate. Madonna said: “I have known Tracey for over 25 years and I’ve always been a fan of her extremely personal and provocative work.

“But what she has created in this community by the sea is quite remarkable.”

She highlighted Tracey’s artist residency programme, which offers emerging artists from across the globe the opportunity to live and create in Margate for several months.

Madonna disclosed she has visited Margate “a few times now” and has been impressed by the “commitment and passion” displayed by local artists.

She added: “Not only that, but the whole town seems to be inhabited and energized by creativity. Writers and performance artists, photographers, and painters. This is my idea of heaven.”

The music icon described her personal connection to Margate: “Whenever I go there, I feel like I’ve entered a dream.

“On top of all of that, I get to eat at my favourite Italian restaurant which I’m not giving anyone the name of because then everyone’s going to go there and it only has one table! !”.

YOU’D have to be living under a rock to have not heard of Margate, often cited as one of the UK’s trendiest seaside towns.

But it became the coolest seaside town in the WORLD after singing legend Madonna recently visited – and raved about it.

It’s the second time the Vogue singer has been spotted in Margate, having visited back in October after being introduced by artist Tracy Emin, who lives in the town.

Having previously visited the Freedman Gallery and TKE Studios, she was spotted again this week at an Off Season event, a grassroots initiative.

Talking about Margate, she said: “This is my idea of heaven. Whenever I go there, I feel like I’ve entered a dream.”

She also cited the town as being “inhabited and energised by creativity”.

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As someone who used to live in the town, it comes as no surprise that Margate continues to attract world-famous stars.

The town was previously used as a filming location for the Sam Mendes film Empire of Light, which saw huge stars including Olivia Colman visit during filming.

Lily Allen filmed her Sky Atlantic series Dreamland in Margate, while Oscar winner Rami Malek was previously spotted with his former girlfriend actor Emma Corrin, set to star in the new Pride and Prejudice remake.

And Pedro Pascal was spotted visiting at an art gallery in recent months.

Margate was one of the original Victorian seaside resorts but, like many in the UK, lost favour in the 1960s and fell into disrepair.

However in the last decade it has seen a boom in popularity.

Even during my few years living there – having left London for the town during Covid – I saw how it has grown in popularity.

My three-bed flat cost £210,000, although you could easily find one bedroom ones for £120,000. Now the average house price is nearly £300,000, according to Rightmove.

Before I moved to the town, it was in short supply of hotels to stay in, mainly with run down seaside B&Bs or home rentals being the only option.

Since then, openings have included the trendy boutique Fort Road Hotel, as well as the latest Guesthouse hotel, after success in Bath and Brighton.

When it comes to the food scene, Michelin named Margate in its ‘10 best seaside towns for food lovers in the UK & Ireland‘ last year.

Mexican restaurant High Dive was praised by the Good Food Guide, while the Italian Sargasso was name one of the UK’s best restaurants by the Times.

Sadly, Madonna didn’t reveal where she ate, but wrote: “I get to eat at my favorite Italian restaurant which I’m not giving anyone the name of because then everyone’s going to go there and it only has one table.”

It is thought that it was Bottega Caruso, in the middle of town known for its huge slabs of tiramisu.

Even when it comes to bars, there is the often lauded Sete, a tiny Parisian-esque drinking spot, as well as Guesthouse’s rooftop bar which opens in summer, and is one of the few rooftop bars in Kent.

Of course you can’t best a good pub, and both George & Heart and Rose in June are some of the coolest in town.

It is even home to one of the world’s coolest neighbourhoods, with Cliftonville named the UK’s best by Time Out.

It’s here you’ll find the historic Walpole Lido, one of the UK’s largest that is also free to visit, as well as the nearby pop up Sea Scrub sauna.

But when it comes to seaside towns, it needs fish and chips – Peter’s Fish Factory is often praised as the UK’s best – as well as arcades, which can be found lining the seafront.

And with one of Kent‘s only sandy beaches, and being home to the famous retro Dreamland theme park? I’m ready to back it taking the mantle of world’s coolest.

In the mean time, here are some other seaside towns that are booming.

And we’ve rounded up our favourite seaside towns that are less than 90 minutes from London.