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Netflix viewers have hailed this latest ITV release as an “utterly absorbing” watch.

ITV viewers can’t get enough of this forgotten “brilliant” drama from a Peaky Blinders legend.

Peaky Blinders might be over but fans are still discovering some of its stars’ best work years before they even stepped foot into Tommy Shelby’s (played by Cillian Murphy) chaotic world.

One series that’s just started to grab fans’ attention is three-part ITV drama Leaving which originally made its debut 13 years ago.

Leading the cast is none other than actress Helen McCrory who portrayed Polly Gray, the dangerous matriarch of the Shelby family in Peaky Blinders’ first five seasons.

She isn’t the only recognisable face though in Leaving as McCrory is joined by Masters of the Air star Callum Turner who married singer Dua Lipa earlier this year.

Leaving revolves around 45-year-old wife Julie Ranmore (Helen McCrory) whose job as a hotel events manager keeps her from thinking too much about her loveless marriage. But things quickly change when she is introduced to unemployed 21-year-old Aaron (Callum Turner) who is still living with his parents.

They start working at the same hotel and what starts off as a flirtationship quickly escalates into a full-blown affair with the couple having to deal with the consequences.

Taking to IMdB to sing the show’s praises, someone simply described it as a “little gem”.

A fellow viewer said it was “utterly absorbing”, adding: “Brilliantly acted, often tense and heartbreaking, this is an outstanding drama…the late Helen McCrory gives an unforgettable performance.”

Another labelled it as “maddening all the right ways” and others hailing it as perfect for a “little binge on a rainy afternoon”.

McCrory sadly died of breast cancer in 2021 at the age of 52, keeping her illness private and only telling those closest to her.

She died ahead of the sixth series of Peaky Blinders being filmed which was postponed during the coronavirus pandemic.

Her husband and Homeland star Damian Lewis said at the time she had a “heroic battle with cancer”, stating that she was a “beautiful and mighty woman”.

He added: “She died as she lived. Fearlessly. God we love her and we know how lucky we are to have had her in our lives.”

Leaving is available to watch on Netflix.

Kyle MacLachlan is living up to his reputation as the Internet’s Dad.

It’s an especially warm day in August, and the bespectacled actor, best known for his many projects with the late auteur David Lynch, is approaching with a coffee (black, naturally) in one hand and a massive cookie in the other. The snack, it turns out, is meant for us to share.

“Whatever it is, it’s very healthy,” he says when I ask what sort of confection he chose. “It’s cranberry, oatmeal and gluten-free. Who knows if there’s any sugar in there?”

At 67, MacLachlan isn’t necessarily a health nut. But he is highly amenable and willing to roll with my vegan cafe selection, which is conveniently located near our photo shoot location. “I come from Eastern Washington state — it’s a desert,” he says assuringly when I offer to move us to an indoor seat with air conditioning. Later, as we prepare to leave for the shoot, he clocks my car, a rare station wagon, and dubs it “spec-TAC-u-lar.”

That’s MacLachlan for you — all it takes is one word (he also drops an “Aces!” during our meeting) or enthusiastic gesture (very likely a swooping thumbs up) to channel the type of eccentric and upbeat characters he’s spent the last 40 years playing. Now, with the release of his thoughtful new memoir, “Fictional Selves,” MacLachlan gives us a much closer look at the man behind the chin-jutting grin, and, in doing so, introduces us to his doppelganger, “Other Kyle,” an image-conscious shadow figure constantly trailing behind, questioning his choices.

“There’s definitely another entity, an observer, the ego, the harder self,” MacLachlan says of how he would describe Other Kyle, whom ghostwriter Jon Sternfeld first identified after noticing the way MacLachlan tended to fall into conversation with himself while recounting his life. “[He’s] the kind of person that I’m not comfortable leading within the world. But he’s definitely in there commenting on the things that I do.”

Other Kyle first began to taunt MacLachlan after he saw himself on a gargantuan billboard for “Dune” in Times Square. (In his early 20s, MacLachlan was famously plucked from obscurity to lead David Lynch’s 1984 adaptation of Frank Herbert’s sci-fi epic.)

Well before his alter ego materialized, and well before Hollywood found him, MacLachlan was prone to anxiety and fears of never fitting in. Born in Yakima, Wash., MacLachlan grew up the oldest of three boys; his parents were solidly middle-class, with his father working as a lawyer, and then stockbroker. His mother was a homemaker known in the community for her civic involvement, particularly in local arts programs. In fact, it was MacLachlan’s mother who first encouraged him to try a “Teen Theater” program, drawing him in with the promise that there might also be girls in attendance.

But it took a minute for MacLachlan to genuinely embrace his calling. As a young adult, his father pushed him to study business, while his mother urged him to try PR or communications. His studies at the University of Washington weren’t going well, so he dropped out and worked at a manufacturing plant back in Yakima. It wasn’t until a girlfriend recommended a summer theater program in North Carolina that MacLachlan leaned back into his first real passion, eventually returned to school with a newfound focus, and was accepted into the University of Washington’s professional acting program.

Kyle MacLachlan at the glass and mirror shop LA Mirror Man on La Cienega Boulevard.

(Christopher Patey / For The Times)

Fast-forward 40 years, it’s impossible to imagine that MacLachlan would have anything else for Other Kyle to latch onto. For one, his acting resume is the stuff of thespian fantasy. Sure, “Dune” infamously flopped hard upon arrival, and all planned sequels were immediately canceled. But it wasn’t long before MacLachlan had teamed back up with his mentor, with whom he had developed an almost telepathic bond on “Dune,” to lead Lynch’s much more kindly received 1986 neo-noir arthouse entry, “Blue Velvet.” A few years later, the overwhelming success of the TV mystery series “Twin Peaks” propelled the actor to the upper stratosphere of celebrity.

“When we were working together creating Jeffrey in ‘Blue Velvet’ or [Coop in] ‘Twin Peaks,’ we would sit and talk or not talk, we melded together in some weird way, we were like one person,” MacLachlan says of his bond with Lynch, who died in early 2025 of cardiac arrest due to chronic obstructive pulmonary disease. “It was this very symbiotic kind of thing in front of the camera,” MacLachlan continues. “It was like this weird circular energy. … He’s the only director I share that with.”

And yet, breaking out of what MacLachlan refers to as “The Black Suit,” worn by his unceasingly chipper “Twin Peaks” character, Special Agent Dale Cooper, proved challenging. By the time “Twin Peaks” left the air in 1991, MacLachlan had grown ambivalent about the job that changed his life, partially because he felt Lynch didn’t fight hard enough to keep artistic control of the show’s second season, which saw the network upping its creative involvement and Lynch distancing himself until the final few episodes.

MacLachlan longed to diversify his output — to show that he was capable of being a mainstream Hollywood leading man, one who could interface with a variety of directors. In the book, he writes about jobs he comes so close to booking — roles in Robert Redford’s “A River Runs Through It” and Francis Ford Coppola’s “Dracula” — but losing out at the last minute.

Kyle MacLachlan explores his alter ego “Other Kyle” in his new memoir.

(Christopher Patey / For The Times)

He took these rejections hard at the time. Many decades later, however, he can see how he was the one holding himself back. “I felt like people were only seeing the black suit,” MacLachlan says. “Now, the truth is, they would probably have been more than happy to see me as somebody else, but I was not able to deliver. … I think there was a lot of insecurity,” he continues. “I was like, ‘Maybe it’s not the suit. Maybe it’s me.’”

As the 1990s played out, MacLachlan fought an on-again, off-again existential crisis regarding the type of actor he was really meant to be. His friend and former “Doors” co-star Val Kilmer urged him to accept a lead role in a BBC adaptation of Kafka’s “The Trial,” which didn’t move the cultural needle in the States, but did put him in the same room as enormously pedigreed actors like Anthony Hopkins and Alfred Molina. He snagged a role in a Paul Verhoeven film about topless dancers — a career risk he hoped would pay off but ultimately felt like “walking into a buzz saw,” as he writes in the book.

Despite the cult reappraisal of “Showgirls,” and the lasting popularity of “Sex and the City,” Other Kyle had a few things to say about both of these roles, but the Kyle sitting across from me has a much more measured approach, particularly to “Showgirls.”

“I think it’s fun that it’s still around,” MacLachlan says. “I’ll still argue with anyone that [says] it’s a good movie. It’s not a good movie, but it’s definitely an appreciated movie, and that is kind of where I leave it.”

In the early 2000s, his wife, Full Picture founder and chief executive Desiree Gruber, pushed him to accept a role in HBO’s “Sex and the City,” playing an Upper East Side doctor with erectile issues.

Portraying Trey MacDougal was a mixed bag for MacLachlan. On one hand, he was thrilled to be part of such a cultural juggernaut, and he delighted in the emphasis the show placed on female friendship and sexual agency.

“I want to keep being challenged,” says Kyle MacLachlan, looking ahead to the next chapter of his 40-year career.

(Christopher Patey / For The Times)

At the same time, he had mixed feelings about playing an old-money mama’s boy with a Freudian Madonna-whore complex. Not to mention the sheer ridiculousness of the things the writers would have him do: One scene had him bent over a bathroom sink, masturbating to a pornographic magazine. A passage of “Fictional Selves” also recalls the cringe-inducing moment when Trey gives his wife, Charlotte (Kristin Davis), a cardboard cutout of a baby in an effort to make light of their struggle to conceive.

In the book, MacLachlan recalls being utterly dumbfounded at having been asked to do something so oblivious at best and cruel at worst. Eventually, however, he writes that he realized the writers just needed a way to foist him off the show. (His and Davis’ characters get divorced soon after the cardboard baby incident.)

“Every time I got a script, I’d be like, ‘Oh boy, OK, what’s going to happen here?’” MacLachlan says. “And then it would be, like, whatever they’ve come up with, ‘how can I shape it? What is it that [Trey’s] wrestling with? What are the issues here? Then, you know, realizing that in some cases it was just going to be a sight gag. Like, the Juggs magazine is going to be a sight gag. And as I said in the book, in my mind, I would sort of float away. I would be like, ‘That’s not really me. I don’t know who that is down there doing that.’”

As MacLachlan moved into middle age, he gradually grew more comfortable with the clean-cut oddball characters he’d so often be asked to play: a refined but possibly murderous dentist on “Desperate Housewives,” an idiosyncratic boat obsessive on “How I Met Your Mother,” an over-the-top civic leader on “Portlandia,” and, once again, Special Agent Dale Cooper (plus his doppelgängers) on “Twin Peaks: The Return.”

The 2017 “Twin Peaks” reboot would be the last big project MacLachlan would work on with Lynch, but MacLachlan would frequently visit the director in their shared Hollywood Hills neighborhood. “It’s many things,” MacLachlan says when I ask what he misses most about his friend and mentor. “The voice on the phone — ‘HEY, KALE! Come on up for coffee!’” he continues in a pitch-perfect Lynch imitation. (“Kale” became Lynch’s nickname for MacLachlan, referencing “Dune” producer Dino De Laurentiis’ Italian pronunciation.)

“Towards the end, I would go to visit him, and I would sometimes take my phone and record things. I still have these stories loaded in my iPhone — about ‘Dune,’ or a story about a moment in ‘Blue Velvet,’ or a story about when he met John Huston, or when he got a kiss from Elizabeth Taylor. … I have these little gems, and I savor those.”

Lately, Other Kyle has been replaced by Online Kyle, a goofy, lighthearted version of MacLachlan who primarily lives on TikTok and Instagram — thus the wholesome, Gen Z title of “Internet’s Dad.” And when he’s not playing a father to Ella Purnell on Prime Video’s hit “Fallout,” or interviewing a younger generation of entertainers on his podcast, “What Are We Even Doing,” MacLachlan is also someone’s real dad. One of the most endearing moments in our afternoon happens when his teenage son, Callum, calls looking for something around the house. “Oh, it’s in the fridge in the gym. In a foil. And there’s chicken in the fridge. Love you too,” MacLachlan tells his son.

There’s certainly no doubt that this Kyle doesn’t get in his head — or in his own way — the way earlier versions did. He’s still eager to test his limits as an actor, but he’s comfortable with the thought that there is no plan. “I want to keep working with interesting people,” he says with his trademark buoyancy. “I want to keep doing fun things. I want to keep being challenged. … I don’t really know where I’m going, but something will excite me, and I’d be like, ‘OK, what the hell?’ And I jump in.”

Brodsky is an L.A. culture and music writer. Her biography of Stevie Nicks “Lessons & Lace” is out now.

The Damned United tells an unbelievable true story that’s perfect for Ted Lasso fans.

Netflix’s The Damned United stars legends from the worlds of Harry Potter, The Good Omens and Adolescence.

After dropping on Netflix at the weekend, sports drama The Damned United has soared into the streamer’s Top 10 most-watched list and continues to rise in the charts.

Originally released in 2009 and based on a novel by David Peace three years prior, The Damned United tells the turbulent tale of Brian Clough and his disastrous run as the manager of Leeds United in 1974. Only lasting 44 days in the job, Clough was quickly able to alienate the players and the board, leading to the collapse of his professional football career.

As Netflix subscribers continue to discover the classic sports film, here’s everything there is to know about The Damned United cast.

The Damned United cast in full

Brian Clough – Michael Sheen

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Arrogant and fiercely outspoken Brian Clough wasn’t quiet when it came to criticising Leeds United’s former manager Don Revie.

So it took Clough by surprise when he was asked by the team’s board to take over managing the reigning champions.

Actor Michael Sheen has starred in an abundance of hit shows and films throughout his career including The Queen, Good Omens, Masters of Sex, The Twilight Saga and Frost/Nixon.

Peter Taylor – Timothy Spall

Peter Taylor is Clough’s loyal assistant manager and best friend who helps ground the fiery manager when needed.

He is portrayed by actor Timothy Spall who is best remembered for his work in Mr Turner, The King’s Speech and in the Harry Potter franchise as the villainous Peter Pettigrew.

Billy Bremner – Stephen Graham

Billy Bremner is the hard-working captain of Leeds United who is Clough’s main antagonist, leading the resistance that brings about the manager’s infamously short 44-day run at the club.

Bremner is brought to life in The Damned United by Emmy Award-winning actor Stephen Graham, renowned for his work in Netflix’s Adolescence, This is England, A Thousand Blows and Boardwalk Empire.

John O’Hare – Martin Compston

John O’Hare is the team’s striker, known for his aggressive team spirit while playing under Clough.

He is portrayed by none other than Martin Compston, famed for starring as DI Steve Arnott in the unforgettable Line of Duty.

Before becoming a household name in the BBC crime drama, Compston was a professional footballer in Scotland and made a couple of appearances playing for Greenock Morton.

Don Revie – Colm Meaney

Don Revie is the legendary, formidable Leeds United manager who leaves to manage the England national team. It is his exit from the team that leads his rival Clough to begin his chaotic short stint at Leeds.

Don is played by actor Colm Meaney who stars in Remarkably Bright Creatures, In the Land of Saints and Sinners and Star Trek: Deep Space Nine.

Sam Longson – Jim Broadbent

Prior to Clough joining Leeds United, he was the manager of Derby County with Sam Longson acting as its chairman.

Actor Jim Broadbent is recognised for starring in the Harry Potter and Bridget Jones franchises, as well as Game of Thrones and Only Fools and Horses.

The Damned United is available to watch on Netflix.

NEWBERRY SPRINGS, Calif.  — Four decades ago, the cult hit “Bagdad Cafe” was filmed at a ramshackle diner in the Mojave Desert.

The tale of two women in the lonely landscape — a hardworking, rifle-wielding cafe owner and a stranded German tourist with a suitcase full of lederhosen — captivated viewers, particularly in Europe and Japan.

Busloads of international tourists rolled up to the actual Bagdad Cafe on a cracked, sunbaked stretch of Route 66.

Real-life proprietor Andrea Pruett, a sweet but steely Southerner who kept her own gun behind the counter, greeted them in French and German, then fed them buffalo burgers and omelets.

A memorial announcement for owner Andrea Pruett is seen at the Bagdad Cafe on Route 66 in the Mojave Desert.

As Pruett aged, her grip on reality loosened. But she refused to leave.

Now, the Bagdad Cafe is in limbo. Though T-shirts and tchotchkes are still for sale, the kitchen is closed. And Pruett’s family is figuring out what comes next.

Buses full of Europeans still come. So, too, do the roadtrippers celebrating Route 66, which turns 100 this year.

“We don’t get any locals, and we don’t cook any food right now,” said Mark Bradley, the cafe’s gruff but genial manager. “But we’re definitely on the map to see … it’s magic that takes place here.”

The cafe is a cacophony of color in an expanse of desert brown. Flags from all over — France, Brazil, Japan, New Zealand, Canada — hang from low ceilings. The walls are covered floor to ceiling by visitors’ passport photos and dollar bills with Sharpie signatures. “We’ve been here three times!” an Italian visitor raved in a guest book.

Pruett is still there, too. An urn holding her ashes sits by the front door.

A drone image shows the remote Bagdad Cafe on Route 66 in Newberry Springs.

In 1995, eight years after the movie’s European premiere, Pruett and her husband, Harold, stopped for burgers at what was then called the Sidewinder Cafe in Newberry Springs, 20 miles east of Barstow. They had just bought 640 acres for an ostrich ranch, which ultimately didn’t work out, though they kept some of the birds as pets.

The owner told them the A-frame, wood-shingled diner was for sale. “My husband looked at me and I said, ‘Don’t even think about it,’ ” Pruett told The Times in 2003.

But their son, actor Harold P. Pruett II — who was 26 and starring that year in a campy erotic horror flick called “Embrace of the Vampire” — declared the cafe “cool,” and that was that.

The Pruetts promptly rechristened it Bagdad Cafe, following German filmmaker Percy Adlon’s lead.

The exterior of the Bagdad Cafe.

Nearby Bagdad was a railroad town named in the 1880s by Southern Pacific Railroad officials after the Middle Eastern metropolis — without the H — because of the desert terrain.

Bagdad became a stop for steam-powered trains whose engines needed more water every eight miles or so in the desert climate, said Scott Piotrowski, past president of the California Historic Route 66 Assn.

The bustling little town was also a hub for gold, silver and copper mining camps.

Mining eventually faded, but cars on Route 66 overheated easily and often limped into town for water. A restaurant named, naturally, Bagdad Cafe, owned by a woman named Alice Lawrence, was the only place for miles with a dance floor and jukebox.

When Interstate 40 opened in 1972 about 10 miles north — taking most traffic and tourists away from Route 66 — it was the death knell for Bagdad, where all that remains today is a single scruffy cedar tree.

Thierry Farion, left, from France, and Aziz Khechine, right, from Tunisia, look at memorabilia inside the Bagdad Cafe.

At Pruett’s Bagdad Cafe, she embraced the movie. The two female characters, initially wary of each other, are both on a hiatus from their husbands, and the German tourist eventually draws big crowds by performing magic tricks.

“When people came in, it was like a director saying, ‘Action!’ ” said Pruett’s grandson, Greg Landers, 47, of Glassell Park. “She would just go right into welcoming people and telling them to sit down, answering their questions.”

A petite bottle-blonde who spoke with the laid-back drawl of her native Arkansas, Pruett showed off memorabilia signed by the “Bagdad Cafe” director. She got a yellow thermos like the one in the film, which, miraculously, never seems to run out of java, even when the coffee pot is busted.

A guest book displays messages at the Bagdad Cafe.

She kept the jukebox on the movie’s Academy Award-nominated theme song, “Calling You,” recorded by R&B singer Jevetta Steele and covered by Celine Dion, Barbra Streisand, George Michael and others.

The lyrics immortalized the Bagdad:

A desert road from Vegas to nowhere
Some place better than where you’ve been
A coffee machine that needs some fixing
In a little café just around the bend

Pruett’s place drew desert eccentrics, including a gravelly-voiced man dubbed General Bob who sniped at customers who doubted his claims that he designed the Pentagon, built the Golden Gate Bridge, was a brain surgeon and was 109. (“Actually, he’s 83 years old, and if he wants to be older, I let him,” Pruett told NPR in 2003.)

Monaco’s Prince Albert II stopped in once. So did actress Renée Zellweger, who told Jay Leno on “The Tonight Show” that there was a “little old guy, he’s been sitting there for, I think, maybe 45 years on the same barstool. We had chicken fried steak together.”

When Huell Howser popped in unannounced for a 2001 episode of his California road trip show, General Bob, perched at the bar with a fedora atop his long silver hair, proclaimed he was 98 years old and “a real general, not a f—up.”

Marian Box, left, works the counter and talks to visitor Jaelene Kleckner.

For all the joy, desert life brought plenty of hardship.

One night in the 1990s, not long after Pruett bought the place, she was closing out the cash register when a man walked in, slammed a wooden 2-by-4 on the counter and ordered her to put all the money in a bag.

“She actually had a shotgun under the counter, and she pulled it out and said, ‘Stop,’ and cocked it,” said Landers, her grandson.

The man threw his hands up and said his family was in the car. They had been traveling and ran out of money. Pruett ushered them inside, fed them and sent them away with some cash — after making them wash their own dishes.

Pruett, who gave birth to Landers’ father, Corky, at 15, had a tough and impoverished youth. But she was “kind almost to a fault,” said Landers, a contractor who lived with her for a spell in his 20s and worked in the cafe. People who just about everyone else had given up on — she’d give them a place to stay and work to do.

In February 2002, the younger of Pruett’s two sons, Harold the actor, died of an accidental drug overdose. Her husband died two months later.

Pruett’s love for her customers kept her going, said Bradley, who has been around the cafe for 26 years as a frequent visitor and employee.

“She would have them crying as they left, but happy crying,” he said. “She could do that to people by giving them a hug and in just the few minutes that they were here. She had a magic to her.”

In 2016, Sarah Jane Woodall — a former nude model who posts popular desert travelogues on YouTube under the moniker Wonderhussy — stopped for breakfast and shot a video.

The cafe was quiet and grimy. She loved it.

“It was just, like, a lovable hot mess,” said Woodall, an Army kid who lived for a time in Germany, where people were obsessed with the movie.

The COVID-19 pandemic lockdowns devastated the Bagdad Cafe — and Pruett, who turned 80 in the summer of 2020.

The Europeans disappeared. Vandals busted the windows. Pruett let go of her waiters. Her kitchen closed and never reopened.

A sign for a former motel next to the Bagdad Cafe on Route 66 in Newberry Springs.

In 2021, her house burned down. She slept in the cafe, her thin frame curled up in a red vinyl booth.

That summer, Léa De Carmo, an aspiring actress, was driving back to Los Angeles from Las Vegas with a friend and, after a night of partying, craved a cup of coffee. They pulled into the Bagdad Cafe, where — as in the movie — the coffee pot was broken.

De Carmo, a native of Paris who had never seen the film, was stunned when she opened the door and “saw French flags and soccer team stuff everywhere.”

“It seems like all the French are led there for one reason or another,” said De Carmo, 29, who talked to Pruett that day for over two hours.

“She had essentially lost everything — her business, her house — but she just had this incredible energy and warmth and humor,” De Carmo said. “There was also this very deep loneliness.”

For the next four years, De Carmo drove from L.A. to Newberry Springs dozens of times, filming Pruett for a just-finished documentary called “The Keeper of Bagdad Cafe,” about her final years in the crumbling diner.

In the film, friends help Pruett move into an RV in the parking lot. As a woman gently washes her white hair with bottled water behind the cafe counter, Pruett says she can’t remember where she’s from.

“One thing she never forgot was the cafe,” De Carmo said. “She always knew where she was and that it was the place she wanted to be.”

Landers said his father, who died in 2022, asked her to move in with him in L.A., but she didn’t want to leave the Bagdad.

“It was just hard,” said Landers, who added that she might have fared better, physically, at least, in a dementia care facility. But she repeatedly said, “No, this is my place. This is where I want to be.”

Pruett’s friends in the desert stepped up. Bradley took care of her and the cafe, opening it each day for tourists to come in and take photos.

In 2023, Tropical Storm Hilary pummeled the diner’s old roof. Water poured in.

Woodall returned at the cafe’s request, filming the stained, decaying ceiling and the water-catching buckets and coffee pots on the floor. The YouTuber’s fans raised more than $25,000 — enough for a new roof.

In the video, Pruett stood by, smiling, quiet, a little confused.

For the next three years, she stayed at the Bagdad, even as her memory continued to fade. She died this January at 85.

On a Friday morning this summer, with the outside temperature already 115 degrees, Matt Parker stood behind the worn green Formica counter, setting a smart TV to the movie and preparing to make Nescafé instant coffee — a favorite of Europeans.

On a good day, they get three tour buses, he said.

Parker, 53, moved from L.A. County to Newberry Springs — where he used to camp with his dad and ride dirt bikes as a kid — a few years ago and fell in love with the cafe.

“You can’t recreate this,” he said. “We’re just caretakers of it. It’s a museum and church, in a sense, with all this stuff. Mrs. Pruett really focused on protecting it, protecting these people’s stuff — their mark.”

Andrea Pruett’s urn near the entrance of the Bagdad Cafe, which she ran for three decades.She died in January.

Landers said that, while the family figures out what to do with the cafe, he asked Bradley to keep it open like his grandma did.

Though her urn remains in the place she loved most, Landers hopes, someday, to bury her ashes in the Hollywood Forever Cemetery next to her youngest son.

Since her death, he can’t help but think of a scene from the movie. The German woman — forced to leave after her tourist visa expires — is gone and the bustling restaurant quiet again. A customer walks in and asks where the magic shows went.

A snoozing employee sits up and says: “The magic? It’s gone.”

In the end, the German returns to the Bagdad Cafe. And so do the crowds.

AN 80s rock icon, who was once in a love triangle with Hollywood A-listers Brad Pitt and Christina Applegate, looked unrecognisable as he strolled through an airport.

This famous singer, now 58, passed by fellow travellers unnoticed – but can you guess who it is?

The rock star in question is none other than Sebastian Bach, known for the heavy metal band, Skid Row.

The group shot to fame almost four decades ago with hits like Youth Gone Wild and 18 and Life.

With his trademark long locks tied back in a ponytail, Sebastian strutted through LAX Airport with his haul of luggage in tow.

The rocker is currently on tour with Skid Row and fellow heavy metal band Twisted Sister, and was jetting into Los Angeles after playing in Oklahoma.

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Sebastian was dressed down for his flight and was wearing a black t-shirt and matching jogging bottoms.

The singer went unnoticed in the airport as he got ready to head home, before his next gig in Washington at the end of the month.

During his heyday, the rock legend was famously caught up in a love triangle with two of Hollywood’s now-elite stars.

The twice- married singer, who is currently wed to wife Suzanne Le, got in the middle of Brad Pitt and Christina Applegate‘s romance.

Known for his heartthrob status, back in 1989 Sebastian, who was 21 at the time, caught the eye of a 17-year-old Christina – who was dating rising star Brad Pitt, who was 25.

Things kicked off when the young couple attended the MTV Video Music Awards together that year.

However, despite having hunky Brad on her arm, Married With Children star Christina found her head had turned in the direction of Sebastian – and she ditched her date for the rocker.

Speaking in her memoir earlier this year, the actress told fans exactly what happened.

“I had spent all night staring at Bach, who was then a long-haired hunk fronting the band Skid Row,” she penned in her book, You With The Sad Eyes.

“I hate to put it like this, but Brad back then was still making his way as an actor, and he wasn’t yet THE Brad Pitt, the man of so many people’s dreams.”

Continuing, Christina wrote: “And it gets worse: Brad was left to sullenly drive my mom … home.

“Apparently, at a gas station on the way, Brad almost got into a fight with a bunch of gang members, and, not surprisingly, was subsequently very mad at me.”

The Dead To Me star also revealed that Brad didn’t speak to her after the incident for many years. – but added that they are “friends again” now.

“Eventually, we agreed that I’d been a kid, and though he deserved much better, it was time to forgive the child who dumped him for the lead singer of Skid Row,” Christina said.

“Of course, Brad is now THE Brad Pitt, and Sebastian Bach … well, he still has long hair, I guess.”

Sebastian also reflected on him stealing Christina, now 54, from Brad, now 63, and told Billboard earlier this year: “I was a single guy on tour, in a band, and I met a lot of girls and Iapologisee if I hurt her…If I hurt anybod,”.

“When you’re young you get thrown into the whirlwind of rock ‘n’ roll, meeting a lot of people and you’d better hold on tight.

“It’s like being on a roller coaster.

“It was a long time ago. If I hurt anybody, I apologise for it.”

Coronation Street actress Sally Dynevor has been a Weatherfield icon for more than 40 years

Coronation Street legend Sally Dynevor is not the only actress in her family, and Netflix fans are sure to recognise her eldest daughter.

In 1986, Sally, 63, burst onto screens as Sally Seddon on the long-running ITV soap. She was first seen waiting for a bus when Kevin Webster (played by Michael Le Vell) drove past in his van and accidentally splashed her with water.

Initially, Sally was only supposed to appear on Corrie for a short stint, but she soon became the mechanic’s girlfriend and grew into the funny busybody fans know and love today.

Sally and Kevin welcomed two daughters into the world, but their romance didn’t stand the test of time, and Sally eventually found love with Joe Metcalfe (Joe Duttine).

Away from the ITV soap, life is much simpler for the actress, as she has been married to her screenwriter husband, Tim Dynevor, since 1995.

Happy couple Sally and Tim share three children: daughters Phoebe, 31, and Hattie, 22, and son Sam, 29. Both of the girls have followed in their footsteps and are enjoying careers in television.

Hattie stars on the BBC drama Waterloo Road, playing Libby Guthrie, the daughter of history teacher Neil (Neil Fitzmaurice), and has so far appeared in series 13 – 17.

She also appeared in the recently released gripping Netflix series Legends as Arabella, which also stars Steve Coogan and Tom Burke.

Who is Phoebe Dynevor?

Phoebe launched an acting career on the BBC drama Waterloo Road, playing Siobhan Mailey between 2009 and 2020.

She went on to land the role on the Netflix series Bridgerton, playing Daphne, the wife of Simon Basset, the Duke of Hastings, played by Regé-Jean Page, between 2020 and 2022.

She has since starred in a long list of popular television shows, including The Musketeers, Dickensian, Snatch, and Ten Percent. Away from the small screen, Pheobe has starred in the movies The Colour Room, Inheritance, and Thrash.

Phoebe recently married actor and producer Cameron Fuller at a chateau located in Provence, France. Her husband is the son of producer Brad Fuller, who specialises in horror films, including The Purge franchise and A Nightmare on Elm Street.

On-screen, Cameron, 32, has appeared in shows such as The Last Ship, Insecure, Into the Dark, and The Goldbergs.

He has also worked as a producer on numerous films, including The Astronaut, Dead Sea, and The Girl in the Woods.

Taking to Instagram on Thursday (September 17), the new Mrs. Fuller shared two photographs from the big day, including a black-and-white picture of her and her new husband kissing under a floral-adorned wooden arch. “Married my best friend,” she sweetly captioned the post.

Proud mum Sally was quick to respond, as she gushed in the comments section of her daughter’s post: “Best weekend of our life. Beautiful Phoebe and Cameron. Love you both so much.” Sister Hattie also shared: “The best weekend ever.”

Coronation Street airs weekdays on ITV and ITVX

Stephen McGann has opened-up about his character, Dr. Turner, being played by a new actor for the drama’s prequel

Call the Midwife legend Stephen McGann has claimed he “cannot see” the resemblance as a new actor steps into the role of Dr. Turner.

The 12th season of the much-loved BBC period drama, based on the memoirs of Jennifer Worth, concluded earlier this year with a heartbreaking finale. The death of Sister Monica Joan (Judy Parfitt) left viewers devastated, while the future of Nonnatus House remained uncertain due to advances in the NHS.

Before the show returns with season 16, a prequel titled Sisters in Arms is set to air this festive season. The three-part mini-series will be set during the London Blitz and follow familiar characters in the early stages of their careers, including Dr. Patrick Turner.

The adored GP first arrived in Poplar during the debut episode of Call the Midwife, which aired in 2012, and has since remained a favourite among fans. The character will appear in the prequel, with This Town actor Ben Rose portraying a young Patrick Turner.

Speaking about Sisters in Arms, Stephen, 63, has offered a playful glimpse into his marriage with the show’s creator, Heidi Thomas, who thinks Ben Rose is the spitting image of her husband. “I think he’s the image of Steve,” Heidi told Radio Times. “Steve can’t see any resemblance, so the audience are going to have to draw their own conclusions.”

Stephen was quick to chime in: “Do you know what happened? I’m in my house, and when the final casting was confirmed, my good lady wife and my son were conferring, going, ‘Oh, he looks like Dad, doesn’t he? Doesn’t he look like Dad?'”

Heidi laughed: “He does, he does, but you can’t see it, can you, love?” Stephen then confirmed: “I can’t see it at all.”

Stephen and Heidi first crossed paths in 1988 and exchanged vows two years later, when they were both 27. They spent their honeymoon in Tuscany before settling down in a quaint cottage in rural Essex, before moving to Cambridge. The couple share one son, Dominic. As per Stephen’s memoir, A History of My Family in Seven Maladies, he first encountered Heidi when he auditioned for her new play at the Liverpool Playhouse.

What is Sisters in Arms about?

Call the Midwife will turn back the clock to World War II as bombs rain down in Poplar, East London, at a time when the National Health Service was non-existent. Set in 1939, it will see three familiar nuns in the early stages of their careers.

According to the BBC’s synopsis: “In September 1939, Sister Monica Joan is in her prime, Sister Julienne and Sister Evangelina are young and zealous, and Nonnatus House is the beating heart of Poplar.

“Together with Sister Alice, and local GP Dr Kit, the nuns dedicate their lives to mothers, babies and those in need. But there is no gas and air, no penicillin, no cure for TB, and no welfare state. Then war is declared – and life gets even harder.”

It adds: “While bombs rain from the sky, women give birth underground, families are shattered, children run wild, and whole streets are reduced to rubble. But courage, compassion and resilience triumph as the community unites in its efforts to survive.”

Created, written, and executive produced by Heidi Thomas, Sisters in Arms welcomes a new cast, including Coronation Street’s Hayley Cropper star Julie Hesmondhalgh as Sister Alice.

Theatre star Helena Wilson is taking on the role of a young Sister Julienne, though the original actress, Jenny Agutter, will be narrating the miniseries. Ami Metcalf, who played Lynette in the first Christmas special, is returning as Betty Buckle, the first wife of Fred Buckle, now played by Ciaran Bowling. Ben Rose also takes on the role of Dr. Turner.

The BBC has confirmed that Sisters in Arms will air on BBC One and iPlayer this Christmas, though the exact days and times are yet to be confirmed.

Call the Midwife is available to stream on BBC iPlayer

EastEnders fans think they know what brings Stacey Slater back to Walford amid reports actress Lacey Turner is filming a few episodes for the BBC soap during her Strictly stint

Stacey Slater is returning to EastEnders, according to new reports – and it’s very soon.

Lacey Turner is said to be reprising her role on the BBC soap, while she’s starring on Strictly Come Dancing. According to the reports, Stacey could be back in time for Christmas and the big New Year’s Day 2027 episode.

While nothing has been confirmed, it’s thought Lacey will be filming for a handful of episodes, reprising her role around October and November time. Given filming is often around six to eight weeks ahead of transmission, this could mean Stacey is back for December and New Year.

This detail has left many fans convinced they have figured out what brings Stacey back. Some think the episodes are tied into the return of her brother Sean Slater, while others wondered if this means Stacey could be the pregnant woman in Max Branning’s bed, yet to be identified.

A fan posted on social media: “Stacey only seems to be back for a few episodes which must link in with Sean returning. Lacey couldn’t have come back to film anything without it being noticed.”

Another fan said: “Great that Stacey is coming back. I did wonder at the start if it may be her in Max’s bed, but they didn’t part on good terms when she left for Brazil because of Max and Zoe.

“To be cosying up to Max again seems a bit strange. It might be to do with the Vic as she helped Kat.” A third fan said: “I think the best outcome would be if she was the pregnant woman.

“I know it’s probably Priya but that feels to obvious. I don’t really want Max to have another kid, but I’d rather he have one with Stacey than Priya.”

One fan theorised: “Streets are saying stacey is the pregnant woman in max’s bed nyd 2027.” Another said: “Stacey back around new years? How do i make sure she’s not the pregnant woman in max’s bed?”

A further post read: “Stacey is returning for a guest stint but they’ll probably have her involved with Max.” A final comment said: “Will she be the pregnant woman in his bed or will he cheat on Linda with her? Lbr it’s going to be one or the other.”

On Stacey’s apparent comeback, the source told The Sun: “Lacey has created one of the soap’s most iconic character’s in Stacey Slater. She is loved by the fans.

“So the fact that she’s agreed to return, even if it’s only for a handful of episodes, will come as a huge boost for the loyal viewers. Lacey returning for a few episodes to turn the tide. This is not a permanent return.”

They added: “It’s going to take more than Lacey returning for a few episodes to turn the tide.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Comedian Nick Mohammed, who appeared on Celebrity Traitors towards the end of last year, will act as host in the new stage production based on the hit game show

Nick Mohammed will take on the role of the host in the new stage show The Traitors – Acts Of Betrayal at the Gillian Lynne Theatre, London.

The comedian and Ted Lasso actor, 45, was a contestant on The Celebrity Traitors where he reached the final but lost to fellow comedian Alan Carr. The Traitors host Claudia Winkleman formally swore Mohammed in during a video filmed at Ardross Castle in the Scottish Highlands, where the BBC show is filmed.

In the video, former Strictly Come Dancing host Claudia says: “Nick Mohammed, you stand before me. You have been chosen to take this game to the West End. Eight shows a week, no retakes, no edits, no mercy.”

She then pronounces him a Traitors host and hands him a cloak At the end of the clip, she jokingly says: “I’m out of a job.”

Written by John Finnemore and directed by Robert Hastie, The Traitors – Acts Of Betrayal is a cycle of five new plays, each playing out an entire game of The Traitors, traitors chosen, players banished and murdered, a winner crowned, in one evening.

Nick Mohammed said: “At first, I didn’t want to believe that a series of fictional plays based on The Traitors could ever contain as many brilliant twists and turns as the real thing – or be quite as compelling.

“But John Finnemore has crafted an absolute masterpiece: a cycle of five plays that are each as funny as they are moving, and of course, deeply, deeply unpredictable!

“And under the direction of the brilliant Robert Hastie, I couldn’t be more delighted to be joining such an original and wildly ambitious show.

“To take on Claudia’s role, as it were, is not just a privilege but a real challenge as an actor – I simply don’t have enough hair! But I will do my utmost not to disappoint.

“Either way, this time round, I promise not to let down the whole nation right at the very end. Now let the game begin…”

The production also does something television cannot: it answers the question of who would have won if different players had been chosen as the Traitors.

From Monday to Friday the story begins identically but takes five different paths. Characters banished or murdered early in one version emerge victorious in another.

On Saturdays the audience decides who will wear the cloak, and their choice determines which of the five plays unfolds that day. The stage production begins previews from May 11 2027, with opening night on June 8 2027.

Tickets are on sale now at thetraitorsonstage.com.

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Stella Parton has released a public plea as the family continues to mourn her sister Dolly Parton’s death last month at the age of 80.

Late last week in an Instagram statement, Stella Parton thanked fans for the “genuine” support, urging them to use her sister’s life as an “example for tolerance and respect towards others.”

At the same time, she asked them to “show more compassion and wisdom.”

The 77-year-old singer-songwriter says the family has been subjected to “pressure” and “insensitivity” from strangers following the death of Dolly, who died on Aug. 25 after a private battle with cancer.

“There is a tremendous amount of [artificial intelligence] and endless garbage being posted everyday and it’s been challenging to absorb and or ignore,” Stella wrote in her Sept. 4 statement. “As time passes, those who are in the business of exploiting the loss and tragedies of others on a daily basis will move on to the next stampede of endless misinformation.”

While it is not clear what AI content Stella was referring to, AI-generated images of Dolly surged online following her death.

On Aug. 27, President Trump uploaded a fake image on Truth Social of the two walking around the White House . Another online user created an AI song that has amassed over 1.5 million views since its upload on Aug. 25. The song was falsely credited to pop singer Miley Cyrus, Dolly’s goddaughter..

“She loved her fans and the public in general. That is the reason she chose not to express her opinions on a lot of things like politics, religion and individuals in the public eye,” Stella wrote in the Instagram post. “She knew as well as anyone what a negative vortex that could turn into which is nothing but a huge waste of positive energy.”

Last year, Dolly critiqued AI content when clearing rumors surrounding her health, which swirled online after sister Freida Parton asked the public for prayers in a Facebook post on Oct. 7, 2025, in which she stated that the singer “hasn’t been feeling her best lately.”

“Did you see that AI picture of Reba and me? Oh lordy, I mean, they had Reba at my death bed and we both looked like we need to be buried,” Dolly said on Instagram on Oct. 8, 2025.

Toward the end of her Instagram statement, Stella said her plea is less about the “fake AI garbage” or “snarky tweets,” and more about encouraging the community to look within: “How will you feel about yourself? It’s not about what other individuals you will never meet think of you!”

Stella Parton is best known for her 1975 hit “I Want to Hold You in My Dreams Tonight” and a country and gospel discography that spans 21 studio albums. Also known for her acting in “The Dukes of Hazzard” and “The Best Little Whorehouse in Texas,” Stella made the distinction between her and her older sister clear at the end of her statement: “I’ve always embraced my own personality and will continue to be myself and express my opinions as I deem appropriate regardless of what anyone thinks of me.”

“Dolly loved the world and everyone in it,” Stella wrote on Aug. 27 on Instagram in her first statement after her sister’s death. “I would criticize and complain about it and she would laugh and say; ‘shoot Tedda, we’ve got more important things to do than worry about their silly a—.’ She was right, and she proved it every day.”

While her trophy cabinet is overflowing with gold medals and world title belts, perhaps her greatest legacy is leaving women’s boxing in a vastly better place than she found it – that Serrano trilogy lifting women’s boxing to new heights.

Taylor broke through the barriers with a grace which belied the obstacles she faced yet her quiet determination and humble nature will serve as an example of what can be achieved by belief, hard work and a refusal to accept her lot as young girls can now walk the path she laid.

Fierce inside the ring yet unassuming outside of it – even factoring in an impulse-buy speedboat, since sold – superlatives such as trailblazer, icon and Ireland’s greatest sportsperson are not hyperbolic, for Taylor’s status as a legend is in no way cliched.

She has indicated she will remain in the sport, but for now, there is time to savour an extraordinary career, with her place among boxing’s greats set in stone.

Irish boxing is going to be a lesser place.

“I’m retired now so I can eat what I want, but I’m just going to enjoy a nice celebration and look back on a dream ending to a dream career.

“My story is the story of everyone in this room: we all have our ups and downs. I think people resonate with your vulnerabilities and your successes – saw me cope with the heartbreak of Rio, the Chantelle Cameron loss and personal difficulties.

“My story is the story of everyone in this room.”