iceland

THE most beautiful buildings in the entire world have been named and one surprising estate from the UK has made the list.

However, if you want to visit the pretty British attraction book to go as soon as possible is set to close for a multi-million pound revamp.

The Barbican in London has taken second place to India‘s grand Taj Mahal as Time Out’s 26 ‘most beautiful buildings’ to see in 2026.

The free-to-visit landmark attracts over a million visitors each year and is set to undergo a huge upgrade to save it falling into disrepair.

At the estimated cost of £231million, The Barbican will upgrade its indoor rainforest in its Conservatory which is home to 1,500 species of plant.

Also included in the plans is to protect Barbican’s brutalist foyers and lakeside terrace.

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Outside in the courtyard, the pond will be revamped to stop water leaking onto the Metropolitan Line below – there will be new fountains and seating outside too.

The visitor destination is already free to visit, and this will continue once the revamp is complete.

The refurbishment project is set to start in 2028 when it will close until 2029.

The Barbican was pipped to the post by the Taj Mahal, a picture-perfect landmark in India built in the 1600s – it’s not hard to see why it got top spot.

Coming in third place was the Hallgrímskirkja in Iceland which is a church standing at 244 feet.

Not only is it a place of worship, but it has an observation tower where visitors can get incredible city views.

In Europe, other honourable mentions go to the Sagrada Familia in Spain which is very near completion after 140 years.

The outside of Gaudi’s basilica was completed in February, but there is some work still to do before it’s officially finished.

The Twist in Norway came in twelfth position and is a spectacular art gallery that is also used as a bridge.

It’s part of the Kistefos Sculpture Park and sits across the Ranselva River.

Another UK building did make the list coming in at number 21 – and it’s the Maggie’s Centre at St James’s Hospital in London.

The publication described it as having “mushroom-shaped forms grow from the floors to form the tiered roofs, and the stems are deep enough to contain loos and lifts.

“The space is decorated with mostly natural materials – think cork-topped tables, resin floors and cascading potted plants.”

Some more classic monuments and structures on the list include The Pyramids of Giza in Egypt, the Pantheon in Italy and Ad-Dayr in Petra, Jordan.

Colombia‘s impressive Santuario de Las Lajas comes in at number 19.

The enormous basilica sits on a bridge over the Guáitara River – it has been a pilgrimage destination since the eighteenth century and now gets up to 900,000 visitors each year.

Here’s the full list of Time Out’s ‘world’s 26 most beautiful buildings to see in 2026’…

1. Taj Mahal, India
2. The Barbican Estate, UK
3. Hallgrímskirkja, Iceland
4. Sagrada Familia, Spain
5. Museum SAN, South Korea
6. The Pyramids of Giza, Egypt
7. Fallingwater, USA
8. Ad-Dayr (The Monastery), Petra, Jordan
9. Fondation Louis Vuitton, France
10. Trinity College Library, Ireland
11. Great Mosque of Djenné, Mali
12. The Twist, Norway
13. Nasir Ol Molk Mosque, Iran
14. Jatiya Sangsad Bhaban, Bangladesh
15. Pantheon, Italy
16. Palmenhaus at Schönbrunn Palace, Austria
17. Bát Tràng Ceramic Community House, Vietnam
18. Museum at Eldridge Street, USA
19. Santuario de Las Lajas, Colombia
20. Museum of Old and New Art (MONA), Australia
21. Maggie’s Centre (St James’s Hospital), UK
22. Baháʼí Temple of South America, Chile
23. Futuna Chapel, New Zealand
24. National Holocaust Monument, Canada
25. Komera Leadership Centre, Rwanda
26. Enryaku-ji, Japan

Glaciers aren’t stationary. Immense and imposing, formed through the downward trajectory of water from mountains as it collects and freezes, they have always moved. Now, however, they’re leaving. The demise of glaciers is a fact inherent in all the bad news about the effects of climate change on what once seemed permanent. But for Icelanders, whose connection to glaciers is ancient and mythic, our human epoch has become an extended hospice for the landscape of their lives.

Somehow, though, Sara Dosa’s documentary on this matter, “Time and Water,” avoids playing like a funeral in waiting. Built around Icelandic writer Andri Snær Magnason’s voiced lamentations on a vanishing frozen world, along with archival footage of his family, it’s no simple howl of grief, even when it takes us to a publicly held memorial in 2019 for Iceland’s Ok glacier, the first such “death” diagnosis in the country’s history. Rather, Dosa’s film is a meditation on change — both the kind that we accept with a heavy heart and something more general. “Time and Water” is a curiously vibrant elegy, teeming with appreciation for the intimate majesty that is all life, generational and geologic.

Dosa has finessed this emotional-meets-elemental space before in her Academy Award-nominated 2022 documentary “Fire of Love,” about married volcanologists Katia and Maurice Krafft. That was a wonderfully eccentric romance forged in molten lava. Here, she’s in a collaboration of sorts with her subjects, both human and elemental. Magnason’s opening narration over spectacular footage of glaciers — up close and from far away — gently informs us that we’re watching a time capsule, one where the bonds of family and environment are intertwined.

We learn how Iceland’s glaciers, essentially rivers of varying pace, begat their unique ecosystems, but also how they provided the breathtaking terrain upon which Magnason’s grandparents Hulda and Árni fell in love. (Grandma Hulda was the first woman to fly in Iceland, itself a very cool fact.) The onset of dementia in Árni spurs his grandson to consider what’s lost when the markers of memory depart. “Time and Water” touches on the epic verse called rimurs, passed down via chanted song by Icelandic women, their descriptive, sorrowful tales like dispatches from previous ages.

“Tone poem” is an overused term in cinema, but the humbling “Time and Water,” graced with a playful, atmospheric Dan Deacon score, earns that distinction. Naturally, it helps that you can never tire of all the air-crisped glacier imagery, captured digitally and in 16mm. Folded into the cozy slide-show vibe of Magnason’s home videos and the carefully chosen archival footage, the movie plays like a scrapbook portrait in which home just happens to boast the grandest of backyards.

How much longer will Icelanders enjoy it? The glaciers are predicted to be gone within 200 years. That’s an eternity or a drip, depending on whose survival we’re talking about. Still, “Time and Water” collapses the notion that we are somehow separate from these ancient, essential formations: an encouraging hello to the future from inside a sobering goodbye.

Spain, Netherlands, Ireland, Iceland and Slovenia all withdrew in protest against Israel’s participation in the midst of its war on Gaza.

As the Eurovision Song Contest took to the stage for the Saturday night final in Vienna, thousands protested outside against Israel’s inclusion, and five countries boycotted the event over the genocidal war on Gaza.

Protesters marched through the Austrian capital to highlight what critics described as a double standard. The European Broadcasting Union (EBU) organisers refused to exclude Israel, despite banning Russia following its invasion of Ukraine four years ago.

Eurovision, which attracted 166 million viewers last year, is seeing the largest boycott in its 70-year history.

Spain, the Netherlands, Ireland, Iceland and Slovenia all withdrew because of Israel’s inclusion, with some of their national broadcasters refusing to air the show.

Spain’s Prime Minister Pedro Sanchez, who has emerged as one of Israel’s strongest critics in Europe, said on Friday that the decision puts Spain on “the right side of history”.

Last month, more than 1,000 artists called on fans to boycott Eurovision in an open letter against Israel’s participation. Among the artists were outspoken critics of Israel, Macklemore and Paloma Faith. Macklemore has released songs protesting against Israel’s war in Gaza.

Double standards

On Monday, Amnesty International Secretary-General Agnes Callamard denounced the EBU for allowing Israel to participate.

“The failure of the European Broadcasting Union to suspend Israel from Eurovision, as it did with Russia, is an act of cowardice and an illustration of blatant double standards when it comes to Israel,” she said.

Reporting from Vienna, Al Jazeera’s Charlie Angela said 2,000 demonstrators gathered in the city earlier on Saturday to protest against Israel’s participation.

Angela reported that protesters accused the competition of normalising Israel’s actions in Gaza, adding that Eurovision was “bending over backwards” to justify including Israel while excluding Russia.

Russia has faced a widespread cultural boycott following the Ukraine invasion. It is banned from international football tournaments, and FIFA and UEFA have excluded Russian domestic teams from all competitions, including the Champions League.

The winner of Eurovision will be selected by both a professional jury and TV viewers voting for their favourite act.

Austria won the competition last year, with Israel second.

The Israeli government was later accused of unfairly influencing voting. New rules have since been introduced.