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When CBS announced that it planned to outsource the hallowed “Late Show” slot occupied by Stephen Colbert and David Letterman before him to “Comics Unleashed,” the syndicated, low-budget talk show with stand-ups riffing on their routines, many saw politics at play.

But the show’s host and producer, comic-turned-mogul Byron Allen, saw the math. Once a cultural touchstone, late-night television has seen its prominence erode greatly over the years with viewers and advertising dollars shifting away from broadcast TV to streaming.

“I said, ‘Look guys, you’re spending a small fortune on late night,’” recalled Allen, who estimated that the programming was costing the network more than $200 million. He offered it a solution.

His company, the Los Angeles-based Allen Media Group, would pay $15 million for the airtime to run “Comics Unleashed,” which previously aired after “The Late Show,” while keeping most of the advertising time on the program to sell. It was the same time-buy model that propelled his fledgling media empire and made him wealthy many times over.

“Comics Unleashed” drew 1.1 million viewers in its debut in the new time slot last month, down substantially from the 2.7 million Colbert’s show averaged in its final season. Critics chimed in, with one outlet even calling it a “ratings disaster.”

But Allen, typically, was not fazed, saying his show bested the competition in key markets and was more comparable with the same time period last May before Colbert’s post-cancellation victory lap.

“CBS has won big-time because they have zero production costs and now they are saving $55 million a year,” he said in an interview.

A relentlessly driven, shrewd dealmaker and entrepreneur, Allen is used to defying skeptics and seeing opportunity in assets overlooked by others. He was one of the first entertainers to recognize that there was more money to be made in owning your content, rather than just performing it.

Over the last three decades, he has built a multibillion-dollar business, Allen Media Group, which now has 2,000 employees across various media properties.

In addition to creating a trove of accessible, family-friendly programs, he’s taken a number of big, bold swings, buying up distressed assets that now span broadcast, cable, streaming and film distribution.

At times, he appears like a minnow trying to swallow a whale. Although many deals have landed, others, such as his bids for ABC, BET, Paramount Global and Tegna, have not.

“He’s had misses, but that doesn’t stop him from going to bat,” said Lloyd Greif, president and chief executive of Greif & Co., a Los Angeles-based investment bank.

After a major restructuring that began two years ago during which the company laid off staffers and sold off properties, Allen is back with a slew of ambitious acquisitions. In addition to owning CBS’ late-night block, he also took over the 12:35 a.m. slot with his comic game show, “Funny You Should Ask.” He declined to reveal how much he paid for that airtime.

Allen recently snapped up controlling interest in the digital media company BuzzFeed (including HuffPost) for $120 million and bought a 10.7% stake in cable channel Starz for $25 million.

Although Allen’s programming has been dismissed as low-budget, apolitical comedy, and his finances have been questioned by some, he remains undaunted by doubters.

“I like to say I’m a 65-year-old overnight success.” And he remains focused on his mission, even proclaiming he is “building the world’s biggest media company.”

An entrepreneurial streak

Allen was born in Detroit, where his grandparents owned a roller rink where he worked as a floor guard. Being surrounded by a family of factory workers and the legacy of 20th century American industry set the stage for his entrepreneurship. “I didn’t play sports; I played office,” he said.

At age 7, after his parents’ divorce, Allen moved to Los Angeles with his mother, Carolyn Folks. It was the summer of 1968 and they planned a two-week vacation. But Detroit was in flames following the assassination of the Rev. Martin Luther King Jr., and they stayed.

Folks put herself through UCLA and eventually worked her way up at NBC from an intern to a publicist, a move Allen credits with changing the trajectory of their lives. His mother couldn’t afford child care, so Allen often accompanied her at the studio, where he soaked up tapings of “Sanford and Son” and “The Tonight Show.” After Johnny Carson finished filming and the studio was empty, Allen would sit at his desk, mimicking the legendary late-night host.

At 14, he convinced his mother to let him do stand-up at the Comedy Store on Sunset Boulevard.

“There were literally four people and 200 chairs. And I said, ‘I have to figure out how to make these chairs laugh.’”

A writer for Jimmie “J.J.” Walker, who was starring on the groundbreaking Norman Lear hit comedy “Good Times,” caught his act. He hired Allen to write jokes for Walker along with a pair of yet-to-be discovered comics: Jay Leno and David Letterman. Allen earned $25 a joke.

“Most people in my business wait for other people to give you an opportunity,” said Howie Mandel, the actor and comic who met Allen when they were starting out at the Comedy Store during this period. “Byron and his mom constantly made their own opportunities.”

In 1979, when Allen was 18, he became the youngest comic to appear on “The Tonight Show.” Like a shot out of a cannon, the performance catapulted his career.

While various offers poured in, Allen chose the NBC prime-time series “Real People” as a host and correspondent. It was an embryonic version of reality TV. Allen traveled around the country showcasing quirky, heartwarming stories. The hit show brought Allen to every pocket of America. It also made him a star, delivering him to the country’s living rooms each week.

He continued to tour, doing stand-up and serving as the opening act for such musicians as Lionel Richie and Dolly Parton, and starred in TV movies.

Allen became a hero to young, Black entertainers who were just starting out. Among them was Eddie Murphy, who has called Allen “one of my first inspirations.”

“He just loves comedians,” said Whitney Cummings, co-creator and executive producer of the hit CBS sitcom “2 Broke Girls.” She recalled crucial career and financial advice Allen gave her after she first appeared as a young comic on “Comics Unleashed.” “It gave me like a true north. It changed my life.”

As Allen’s success swelled, he said, he realized the industry was what he calls “business show, not show business.”

“You need to know the business side and learn the business side and then you can do as many shows as you want. And I knew that I didn’t want to work for anybody,” he said.

While on “Real People,” he sat in on sales meetings and went to the National Assn. of Television Programming Executives, where he introduced himself to Al Masini, the syndication trailblazer who produced “Entertainment Tonight” and “Star Search.”

“I understand you’re the best. I’m here to learn from you,” Allen said.

In 1989 he began hosting the syndicated “The Byron Allen Show.” Two years later, he created BYCA Television Distribution to take over his talk show’s distribution and syndicate other shows.

But Allen and his new company were soon facing legal and financial issues. A group of former employees and an investor sued, claiming they had not been paid. The dispute forced the company into Chapter 7 bankruptcy.

Allen pressed on. He had absorbed another key lesson.

Learning from Richard Pryor

When he was still hanging out at the Comedy Store, he watched Richard Pryor trying out new material.

“He would bomb night after night for almost three months,” Allen said. “I’ll never forget, he told me, ‘Byron, you’re only as good as you dare to be bad.’ I learned, OK, take risks. It’s about growing and taking chances.”

In 1993, Allen launched CF Entertainment on his dining room table in Los Angeles. The production company, later Entertainment Studios, became the foundation of his media empire. He focused on producing low-cost, syndicated programming, including interview series and court shows. Allen produced and often served as host.

His first show, “Entertainers With Byron Allen,” packaged the five-minute celebrity interviews during hotel press junkets, a conveyor belt of actors promoting their latest projects set up by the studios into an hourlong talk show.

Allen bartered the show for free to TV stations in exchange for a split of the revenues from selling commercials to advertisers. Success was not immediate. He said he received countless rejections at first.

“My house went in and out of foreclosure probably 14 times,” he said. At one point, he said, his telephone service was turned off, forcing him use a pay phone for calls.

But the format established the template for what became Allen’s highly successful business. Forbes has estimated his net worth in the billions. Allen declined to discuss his personal or business finances.

The mogul now owns multiple homes, including a $91.3-million mansion in Aspen, Colo., that was recently featured in the Wall Street Journal.

“A lot of people didn’t take him seriously and saw him as a comedian,” said Joan Robbins, Allen’s first employee, who has stayed on for 32 years as president of talent relations. “I don’t think anybody realized the extraordinary business sense he had.”

As Allen’s media ambitions have expanded beyond comedy and syndicated talk shows, so has his company. It produces, distributes and sells advertising for 74 television programs (“Mathis Court With Judge Mathis” and “Career Day” among them) as well as owns 13 broadcast stations affiliated with the major networks in 11 markets and several dot-TV cable and digital networks including Cars.TV, Automotive.TV and Comedy.TV.

In 2016, he acquired the Black entertainment platform TheGrio and later purchased the assets of the Black News Channel out of bankruptcy for a reported $11 million, merging its TV assets and carriage deals into TheGrio’s network.

A year earlier, Allen made waves by filing the first of several multibillion-dollar racial discrimination lawsuits to tackle what he called the “trade deficit between Black America and white corporate America.” His case against Comcast for not carrying Allen-owned stations and networks reached the Supreme Court before being settled.

“I feel good about starting that conversation … because we were going in circles and we were definitely suffering from economic genocide,” he said.

In 2018, Allen’s company bought the Weather Channel and the streaming service Local Now for $300 million. His firm also announced it had raised $500 million in credit facilities organized by Deutsche Bank Securities, Jefferies Financial Group, Brightwood Capital Advisors and Comerica Bank to finance production and other acquisitions.

What unites these disparate assets? “We’re directed at where the viewers are,” he said. “That’s where we’ll be.”

But in his tireless push to expand his sprawling company, Allen has made several failed bids for high-profile assets.

In 2023, he offered Disney a reported $10 billion for ABC and some of its cable networks, and the following year bid $30 billion for Paramount Global. He also made plays for Tegna and BET.

None of his offers succeeded, prompting skepticism about his ability to finance such deals. Allen Media Group is wholly owned by the entrepreneur.

Allen dismissed such concerns. “I raised the money to buy the Weather Channel in one day,” he said. “There’s trillions of dollars looking for really good executives and really good deals. I have no problem raising capital.”

The Times viewed multiple letters from private equity firms and banks. Several indicated that Allen had financial backing on the deal to buy BET, and another showed he had $4 billion in funds to back the purchase of Paramount assets.

Over the years, former employees have criticized some of Allen’s employment practices. In 2012 he faced a class-action suit from performers and staffers on “Comics Unleashed” who alleged they were not paid residuals or reimbursed for travel and other expenses. The suit was settled in 2023.

Allen called the suits “frivolous,” saying, “I couldn’t be in business if I actually conducted myself that way.”

Last year, Allen came under fire after announcing sweeping cuts at about two dozen local affiliates that included laying off meteorologists, part of a reorganization to centralize forecasts at the Weather Channel in Atlanta. The move sparked viewer outrage and the plans were reversed.

The controversy came as Allen’s company was retrenching. He sold off about a third of the TV station portfolio for $171 million.

Allen said this was a case of “rightsizing,” paying down debt and investing more in digital. “I sold 10 of my ABC, NBC, CBS and Fox affiliates to Gray [Media] at a great price for us and a great price for them.”

Allen confirmed he is negotiating with lenders over substantial debt payments coming due in the next year, but said he is “highly confident they will get refinanced or extended.”

Shortly after he bought a stake in Starz, Allen announced his intentions to own the cable channel. Starz responded by adopting a poison pill.

“Good luck,” he said. “I still plan to take over Starz, and I will eventually get control of Starz.”

The 2026 World Cup, the largest ever, will be played in three countries and 16 stadiums, organized by geography, not national borders.

Seven of the 11 U.S. venues — all but Kansas City, Philadelphia, Santa Clara and Miami — plus Vancouver normally have artificial-turf fields.

So for the World Cup, which FIFA mandates must be played on grass, those surfaces underwent multi-million-dollar transformations, with state-of-the-art fields — each with its own root system and irrigation methods — rolled out across the plastic turf.

Additionally, stadiums that have corporate names not affiliated with FIFA sponsors — SoFi Stadium, Mercedes-Benz Stadium, etc. — will use generic names such as Los Angeles Stadium and Atlanta Stadium during the tournament.

The BBC star was absent from her usual space on the green sofa as JB Gill and Angelica Bell fronted the programme.

Things looked slightly different during the latest episode of The One Show as people were quick to notice Alex Jones’ absence.

The Welsh star usually fronts the programme alongside a plethora of rotating presenters, including Roman Kemp, Vernon Kay and Clara Amfo.

However, on Wednesday night (June 10), BBC fans saw Angellica Bell and JB Gill opening the programme as they explained where the 49-year-old was.

Angellica said: “If you’re wondering where Alex is tonight, she’s at the Royal Academy Summer Exhibition before it opens to the public next Tuesday.

“Last night, we revealed the successful artists, both amateur and professional, who were selected to have their work displayed in the world-famous gallery. Tonight, we’ve been invited to a special launch party to celebrate.”

The camera then cut to a clip of Alex inside Burlington House, where the event is taking place, as she walked through one of the rooms holding the artwork.

She said: “It’s one of my favourite nights of the year. Oh my goodness, there is so much to see here. Now, we’ve been following some of the artists all week who are hoping to get their work on the wall.

“Tonight, after 22 years of submitting, Vincent will finally see his on one of these walls, it’s going to be quite an emotional moment, I think.

“Also, you should see the guest list! There are celebrities everywhere here, and I might just get one for a chat later, who knows.”

The BBC star later spoke with Vincent who was overcome with emotion when he saw his artwork on the wall after two decades trying to achieve his goal.

Elsewhere on the show, Nikki Fox informed viewers that they won’t be seeing her on-screen for a while as Watchdog was taking a hiatus.

She told viewers: “We’re having a little break now. Going to have a little lie down and a bacon roll!

“But we are going to be back very soon with plenty more investigations from me, Matt and our new team members! We’ve got Nick Stapleton, who you saw tonight and Amanda Haque.”

As she wrapped up, Angellica told fans the Watchdog segment would return again in September.

The One Show is available to watch weeknights on BBC One from 7pm

Republican Steve Hilton, a former Fox News commentator, clinched one of the top spots in California’s gubernatorial primary on Tuesday, earning him the right to challenge veteran Democratic politician Xavier Becerra in the November election to determine the state’s next governor.

The contest offers voters two starkly different politicians. Hilton was endorsed by President Trump and has wooed his MAGA supporters, blaming Democratic policies for California’s homelessness crisis, high cost of living and other entrenched ills. Becerra campaigned as a battle-tested warrior against the Republican president and a champion of affordable healthcare. He could make history as the state’s first elected Latino governor.

Hilton’s victory was declared by the Associated Press on Tuesday, days after Becerra secured one of the top spots and a week after the June 2 election. Under California’s primary system, the two candidates who receive the most votes in the primary advance to the November general election, regardless of their party affiliation. According to the latest vote count, which is ongoing, Becerra has a slight edge over Hilton.

Democrat Tom Steyer finished in third place. The hedge fund founder and environmental activist spent $216 million of his own money on his campaign, and now joins the legion of other high-profile, self-funding candidates rejected by California voters.

Becerra heads into the Nov. 3 election with a distinct advantage — Democratic voters in California outnumber Republicans by an almost 2-to-1 margin, a telltale reason why no GOP candidate has won a statewide race since 2006.

The contrast between Becerra and Hilton, both on policy and political personas, couldn’t be more pronounced.

A British immigrant and former political advisor to U.K. Prime Minister David Cameron, Hilton, 56, embraces traditional conservative ideals that have echoed across the country since the days of President Reagan — cutting taxes, weeding out government fraud and waste and promising to unbridle entrepreneurs and homebuilders from stifling state regulation.

But he’s also ventured into MAGA territory, declining to acknowledge that Trump lost the 2020 presidential election and promising to extradite California doctors who provide abortion pills to other states for prosecution.

Becerra, 68, came up in Los Angeles politics in the 1980s and has long supported policies to expand protections and resources for immigrants with or without legal status. Married to Harvard-educated OB-GYN Carolina Reyes, Becerra has also staunchly opposed abortion restrictions throughout his career.

In Congress and other positions, Becerra earned a reputation as a cerebral, analytical politician who would fully commit to his positions after taking time to mull them through.

A straight-laced family man with a Catholic upbringing, Becerra was more reserved during the debates — a quiet confidence that drew some voters to support him. He also faced criticism from his rivals for failing to offer detailed housing and healthcare policies.

Hilton, who cuts an unmistakable image with his bald crown and clipped English accent, proved himself as a polished communicator during the debates, skills honed by his years as a Fox News analyst.

Television hosts must translate complex issues into easily digestible sound bites, said Republican strategist Matt Klink. “Most voters want a CliffsNotes version of the issues,” Klink said.

Republican strategist Kevin Spillane credits Hilton’s TV show, “The Next Revolution,” which ran for six years, with boosting his profile, calling Fox News the most important media vehicle within the conservative and Republican framework.

Hilton “understands how politics and how communications work,” Spillane said.

He often appeared relaxed during the gubernatorial debates, at points even complimenting or joking with his rivals as they parried on stage.

At a CBS debate earlier this year, Becerra referred to President Trump, who endorsed Hilton, as the Republican candidate’s “daddy.” Hilton responded with a quip that quickly deflated the attack.

“It would be rather amazing,” said Hilton, at the possibility of being Trump’s son. “My daddy was the goalie for the Hungarian national ice hockey team.”

In an interview last week, before the election, Hilton said he enjoyed the debates. “In a weird way, I was sad when we had the last one,” he said. “I’m looking forward to debating whoever it is.”

As a former political advisor to Britain’s Conservative Party, Hilton helped usher in a green, socially liberal strain of conservatism.

He also infuriated colleagues in the coalition government, the British press reported, proposing a stream of unconventional ideas: scrapping maternity leave, abolishing job centers, even buying cloud-bursting technology so Britain would have more sunshine. In 2012, he moved full time to the Bay Area.

Hilton, who founded a nonprofit on California policies, was known for his frequent visits in the last couple of years to the state Capitol for discussions with legislators.

Rival Republican candidate Riverside County Sheriff Chad Bianco, who was trailing Steyer in fourth place in the latest vote count, ultimately didn’t seek to appeal to those beyond his rural, MAGA base, Klink said.

By contrast, Hilton presented himself as the “more cosmopolitan” candidate who “can talk to the hedge fund manager or the small-business owner or the Sacramento lobbyist,” said Klink said.

“Hilton was more energized at the end, when it mattered,” said Spillane, contrasting the two Republicans.

Past Republican candidates, including businessman John Cox in 2018 and former eBay CEO Meg Whitman in 2010, have self-financed their campaigns with their vast fortunes.

By contrast, Hilton spent just a few million dollars on media advertising, he said in an interview last week.

He said he ignored advice from consultants who told him to do a launch announcement and then unleash a wave of ads in the last month of the campaign.

“I just said, ‘I want to do it the old-fashioned way,’ and that’s what we’ve been doing,” said Hilton in the interview before the election. “We’ve been to nearly every single county…. stepped it up with our town halls.”

Nina Royal, 83, who lives in Los Angeles and is a community advocate for her Tujunga neighborhood, voted for Hilton, saying that he understands California’s problems.

“He’s a realist,” said Royal. “He has a clear view of what needs to be done.”

Times staff writer Jenny Jarvie contributed to this report.

MEGAN Thee Stallion nearly blew the roof off Radio City Music Hall after gracing the 2026 Tony Awards stage in barely-there lingerie during the ceremony’s wild opening number.

The rapper bent over in a Moulin Rouge-inspired look and showed off her signature twerking skills before dropping an F-bomb during the live awards show that was televised on CBS and Paramount+ on Sunday night. 

Megan, 31, made a surprise appearance during host Pink’s massive Broadway-themed opener on Sunday night, instantly becoming one of the most talked-about moments of the 79th Annual Tony Awards.

The music superstar strutted onto the stage in a sparkling black corset bodysuit complete with fishnet tights, dramatic garters, sequined detailing and towering heels.

She channeled full Parisian cabaret energy inspired by her recent run in Moulin Rouge! The Musical on Broadway.

The Grammy winner joined Pink during a remixed performance of Lady Marmalade, the signature Moulin Rouge anthem, as dancers swarmed the stage in feathered costumes and red velvet-inspired looks.

At several points during the performance, Megan dropped into twerk breaks – which resulted in roaring applause from the crowd.

At another point, the camera cut to stunned audience members cheering and laughing as the Houston-born rapper was bleeped after dropping an F-bomb.

The over-the-top opening number featured more than 170 Broadway performers and included tributes to Moulin Rouge!, Chicago, Rent, A Chorus Line and several of the night’s biggest nominated productions.

Pink, who is hosting the Tonys for the first time ever, kicked things off flying over the audience in a Peter Pan costume and harness before launching into a theatrical mashup packed with celebrity cameos.

Mormon Wives breakout Whitney Leavitt also popped up during the opening dressed in her Roxie Hart costume from Chicago, while Lea Michele belted out surprise vocals during the sprawling musical performance.

Fans immediately flooded social media praising the campy energy of the opener – and Megan quickly emerged as the breakout star of the night.

“One thing Megan Thee Stallion is gonna do is commit to the performance,” one fan wrote on X alongside fire emoji’s.

Another viewer posted: “Megan twerking at the Tony Awards was NOT on my bingo card but she ate.”

A third fan joked: “Broadway just became the Hot Girl Theater.”

Others praised Pink for embracing the over-the-top antics of the Tonys opener, with one viewer calling it “the most fun opening number in years.”

Megan’s appearance comes just weeks after wrapping her history-making stint in Moulin Rouge! The Musical, where she became the first female-identifying performer ever to play the role of Zidler in any production of the show worldwide.

The 2026 Tony Awards aired live on CBS and Paramount+ from New York City’s Radio City Music Hall.

BROADWAY’S biggest night turned into a full-blown fashion parade as Hollywood heavyweights, theater legends and music royalty stormed the 2026 Tony Awards red carpet in jaw-dropping style.

From Rose Byrne serving her signature sleek sophistication to Sarah Paulson embracing bolder glam, Sunday night’s carpet outside New York City’s iconic Radio City Music Hall was packed with headline-making looks.

The 79th Annual Tony Awards, hosted for the first time by pop superstar Pink, celebrated the best of Broadway while also doubling as one of the year’s flashiest celebrity fashion events.

Pink arrived ready to command the stage in a dramatic black gown featuring oversized petal-inspired ruffles and a blue floral hairpiece.

The host brought along husband Carey Hart and their children for her major Tony debut.

Meanwhile, Rose Byrne, who is nominated this year for her Broadway debut in Fallen Angels, stunned in a monochromatic coordinated look alongside longtime partner Bobby Cannavale.

The Bridesmaids star’s polished ensemble leaned classic Old Hollywood while still keeping things modern and sharp.

Sarah Paulson also turned heads with a colorful fashion-forward ensemble that instantly became one the favorites from fans. 

But one of the biggest buzz moments came courtesy of Aubrey Plaza, who officially debuted her pregnancy on the red carpet while attending with her partner, Christopher Abbott. 

The White Lotus alum showed off her baby bump in a black-and-white striped gown while Chris kept things classic in a velvet black suit.

Elsewhere on the carpet, stars including Julia Louis-Dreyfus, Queen Latifah, Leslie Odom Jr., Adrien Brody, Maya Rudolph and Bernadette Peters all brought Broadway-worthy glamour to the arrivals line.

Rachel Zegler also made a dramatic entrance ahead of her upcoming Broadway run in Evita, rocking a daring plunging brown gown that quickly lit up social media.

Julianne Hough floated onto the carpet in a draped white gown that hugged her frame before cascading into a Grecian-inspired silhouette.

The DWTS host completed the ethereal look with sleek black heels and a sharp bob.

Maya Rudolph embraced glamour in a flowing dark ensemble with dramatic tailoring following her record-breaking run as Mary Todd Lincoln in the critically acclaimed Oh, Mary! 

Drew Barrymore brought classic movie-star energy to Broadway’s biggest night, dazzling in a whimsical gown complete with soft waves and sparkling jewels. 

Cole Escola, who is never one to play it safe, once again stole the show in hot pink balloon-style jumpsuit that felt ripped straight from an avant-garde stage production.

Secret Lives of Mormon Wives star Whitney Leavitt, who was also part of the night’s Chicago anniversary tribute lineup, sparkled in a shimmering silver look with sheer detailing. 

Live with Kelly and Mark hosts, Kelly Ripa and Mark Consuelos, stepped out for a date night as they were both dressed to the nines to support this years’ Tony nominees.

Broadway darling Lea Michele looked stunning in a multi-colored dress with a white top and sequin-black skirt.

This year’s ceremony honored the best productions from the 2025-26 Broadway season, with musicals The Lost Boys and Schmigadoon! leading the pack with 12 nominations each. 

The revival of Ragtime also emerged as a major contender, while Death of a Salesman dominated the play categories with nine nominations.

Big acting nominees this year included Rose Byrne for Fallen Angels, Daniel Radcliffe for Every Brilliant Thing, Carrie Coon for Bug and Christopher Abbott for Death of a Salesman.

The awards ceremony aired live on CBS and streamed on Paramount+, with Pink opening the show in an elaborate musical performance featuring more than 170 Broadway performers.

Love Island’s Maura Higgins is reportedly in talks to host the new Blind Date reboot on Disney+

Maura Higgins could be poised to transition from seeking romance on television to assisting other singletons in finding “the one”.

The former Love Island contestant is said to be in advanced discussions to become the face of the reboot of Blind Date with streaming behemoth Disney+ reportedly preparing to commence filming later this year.

Maura, 35, initially rose to prominence on Love Island in 2019 before establishing an impressive television career on both sides of the Atlantic.

Since departing the villa, she has featured on programmes including Love Island USA, The Traitors US, Dancing On Ice and I’m A Celebrity… Get Me Out Of Here!.

Now sources suggest producers are convinced she represents the ideal candidate to follow in the footsteps of legendary presenter Cilla Black.

A TV insider told The Sun: “Discussions are at an advanced stage, with the show’s producers convinced Maura’s the perfect choice for the job.”, reports the Daily Star.

“Not only did she shoot to fame on a TV dating contest, she is now an internationally famous face which is what a global service like Disney need for one of their shows.

“Maura also has an unquestionable glamour combined with cheeky charm which has echoes of Blind Date’s most famous host.” Daily Mirror has reached out to Disney and Maura’s representative for a comment.

The original Blind Date became one of Britain’s most successful television programmes after launching in 1985, with Cilla Black at the helm. At its height, the show drew audiences of up to 17 million viewers before ultimately being axed by ITV in 2003.

A subsequent Channel 5 revival presented by Cilla’s dear friend Paul O’Grady aired between 2017 and 2019 but struggled to capture the original’s sparkle.

Reports of a fresh comeback initially surfaced last year, with executives said to be determined to secure a female presenter who could deliver a contemporary twist while maintaining its sentimental appeal.

It is understood the iconic wall dividing contestants from their prospective dates will be retained, though other aspects of the format may be modernised for today’s audience.

The development would represent another significant career achievement for Maura, whose public profile has continued to rise since her reality television debut.

The Irish star has established herself as one of the most prominent figures to emerge from Love Island and remains a consistent presence on television, red carpets and high-profile entertainment occasions.

Disney+ is anticipated to premiere the reboot at some point next year, with an official confirmation still to be announced.

Loose Women has been hit with a sudden schedule change

Loose Women is set for a schedule shake-up.

Kaye Adams confirmed that the ITV hit show will be missing from the regular 12.30pm timeslot on Friday, June 5.

During Thursday’s (June 4) episode the TV presenter returned to our TV screens alongside fellow panellists Jane Moore, Oti Mabuse and EastEnders star Natalie Cassidy as they shared their opinions on the day’s trending topics.

Speaking at the end of the episode, Kaye revealed that the show won’t air tomorrow, however, she was quick to assure fans that they’ll be back in business on Monday (June 8) as normal.

She explained: “That’s it for today. No Loose Women tomorrow as ITV heads to the races but we will be back on Monday at 12:30. We will see you then.”

Loose Women will instead be replaced with the races. Viewers will see Francesca Cumani and Ed Chamberlin present live coverage of The Oaks from Epsom, plus the support races.

There will also be analysis from Jason Weaver and Adele Mulrennan, reports by Matt Chapman, Rishi Persad, Oli Bell and Mick Fitzgerald, and commentary from Richard Hoiles.

It comes after ITV’s shake-up that came into force at the start of 2026 when Loose Women was cut to a 30-week seasonal schedule.

Speaking about the cuts, Coleen Nolan previously told the Mirror: “The crew have become family. I’ve watched them grow. Some of our runners from back in the day are producers, married with kids. I’ve shared my life with them. They’re in limbo, not knowing what they’re going to do.”

She continued: “Loose Women isn’t ending, which I’m so thankful for, but it’s changing. It’s going to be very different in the respect of the size of the crew, but it’s still running. Which it should be – there isn’t another show that celebrates and supports all women of every size, age, whatever.

“But it’s heartbreaking to see some of my colleagues not knowing what they’re going to do. Many of them have young families and mortgages.”

Nadia Sawalha previously spoke out on the YouTube channel she shares with her husband Mark Adderley, saying: “Do you know what, at the moment, all of us on screen are in work and are proud of what we do.”

“But behind the scenes there are people that are really suffering, and what you don’t realise is when you attack the show you attack them, because you never see all the army of people behind the scenes and how hard they work.

“So to all my friends and colleagues behind the scenes who have just got a huge shock out of the blue, I’m so sorry. Mark knows how upset I’ve been at home about it. I just can’t bear it. So just be f****** kind to people. What people don’t realise at Loose Women is that we’re self-employed. Every contract is a new contract. I could be let go tomorrow.”

Loose Women airs weekdays from 12:30pm on ITV1 and ITVX.

Comedian and “Saturday Night Live” standout Marcello Hernández will host this year’s ESPY Awards, ESPN announced Wednesday.

The event, honoring excellence in sports performance, will be broadcast live on ABC and the ESPN app from the David H. Koch Theater at Lincoln Center on July 15, making it the first ESPYs in New York City since 1999. For the last 25 years, the awards ceremony was held in Los Angeles.

“I started doing comedy 10 years ago, in Cleveland, Ohio, and I would take the train 12 hours to New York to sell comedy tickets on the street in Greenwich Village in exchange for stage time,” Hernández said in a statement. “It is an honor, and frankly feels crazy to be hosting the ESPYs this year in New York. I’m sure the energy is going to be great.”

Hernández recently headlined the biggest Spanish-language comedy show ever at the Hollywood Bowl as part of the Netflix Is a Joke Festival in May, and wrapped up his fourth season of “SNL” soon after. His first stand-up special, “American Boy,” premiered on Netflix in January.

He’s also a sports enthusiast, having grown up playing soccer and competing at the collegiate level during his time at John Carroll University in Ohio.

“Marcello is one of the most electric, young comedians today. His genuine enthusiasm for sports and his ties to New York City make him a natural fit to host this year’s ESPYs,” Craig Lazarus, ESPN vice president and executive producer of the ESPYs, said in a statement.

Hernández succeeds last year’s emcee, comedian Shane Gillis, as well as past hosts that include Jimmy Kimmel, John Cena, LeBron James and Peyton Manning.

In January, Puck reported that the change in venue is an effort to capitalize on the popularity of Fanatics Fest, the massive sports festival taking place in New York’s Javits Center from July 16-19, which also coincides with the World Cup final on July 19 at MetLife Stadium in New Jersey.

“This return to the heart of Manhattan brings the celebration of sports back to its roots for an unforgettable night at an iconic cultural landmark,” an ESPN spokesperson said in a statement.

Daniel Patterson, the chef behind San Francisco’s Coi, who once helmed Alta Adams alongside chef Keith Corbin, has opened a new tasting restaurant in Hollywood, alongside his wife and former music journalist and producer Sarah Lewitinn. Jacaranda challenges stereotypes of stuffy or restrained fine dining restaurants with a Gen X playlist, casual service and lively conversations among guests. This approach, as Patterson told reporter Stephanie Breijo, better reflects the ethos of Los Angeles, where your next great meal is just as likely to come from a street vendor as it is from a 10-course dinner. The restaurant holds only one seating per night, to allow diners the opportunity to linger as you would at a friend’s dinner party, as well as a multi-course lunch on Sunday.

Mexican President Claudia Sheinbaum has announced that her country will host the Iranian national football team during the upcoming FIFA World Cup, due to tensions with the United States.

On Monday, Sheinbaum said that FIFA, the global football governing body, had approached Mexico about hosting Iran, after the US said it did not wish to do so.

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“We have no reason to deny them the possibility of staying in Mexico,” Sheinbaum said during her daily media conference.

Previously, Iran had been scheduled to play all three of its group matches in the US.

But the administration of US President Donald Trump has previously said it is not “appropriate” for Iranian team members to be in the country, “for their own life and safety”.

It has yet to grant the Iranian team the necessary visas to travel to the US, despite Trump’s assertion that players and staff would be “welcome”.

Since February 28, the US and Israel have been at war with Iran, and peace negotiations are tense but ongoing.

The head of Iran’s football federation, Mehdi Taj, confirmed on Sunday that the team planned to move its training base from Tucson, Arizona, to the Mexican border city of Tijuana.

Taj explained that team leaders got approval for the move after meeting with FIFA officials in Istanbul, as well as holding an online conference with FIFA’s Secretary General, Mattias Grafstrom.

Switching the team’s base to Mexico, Taj said, would help avoid visa complications, with the team able to travel directly to Mexico aboard Iran Air flights.

But the US-Israeli war against Iran has cast a pall over the World Cup, making the Iranian team’s participation uncertain.

Roughly 3,468 people have been killed in Iran since February’s war began, and more than 26,500 have been injured. Further fatalities have been reported across the region.

The war has also thrown the global economy into turmoil, driving up the costs of fuel and agricultural fertiliser, among other goods.

Iran’s football team has long been a top squad in its region: It currently ranks near the top of the Asian Football Confederation. Its participation in the 2026 tournament marks its fourth straight World Cup qualification.

Trump, however, has sent mixed messages about Iran’s presence at the World Cup, suggesting at times that Iran should sit out the tournament. At other moments, he has expressed ambivalence.

In March, for instance, Politico asked Trump about Iran’s presence at the World Cup. Trump reportedly responded, “I really don’t care”, before calling Iran a “badly defeated country”.

The US, Mexico and Canada are co-hosting the games, with 78 matches in the US alone, including the final. Kick off is on June 11.

Iran is set to play its first two Group G matches in Los Angeles against New Zealand on June 15 and Belgium on June 21, before facing off against Egypt in Seattle on June 26.

The Trump administration’s hardline approach to immigration has raised additional concerns about whether the US will be a welcoming host for fans from around the world.

Already, Trump has moved to suspend visa processing for applicants from nearly 75 countries, including Iran, Brazil, Colombia, Ivory Coast and Senegal, which have teams at the World Cup.

Residents from some of those countries, however, are not required to receive visas to enter the US for short-term visits.

On Monday, Sheinbaum explained that she had been approached by the Iranian team and FIFA officials for help hosting players and staff.

“The United States doesn’t want the Iranian team to spend the night,” Sheinbaum said. “So they asked us, ‘Can we stay the night in Mexico?’ We said sure, no problem.’”

MILWAUKEE — Looking back, Alex Vesia can say that when was traded from the Miami Marlins to the Dodgers with fellow pitching prospect Kyle Hurt in 2021, he had “no idea” what it actually meant to trust the process.

Sure, it’s a cliche, and one most strongly associated with the Philadelphia 76ers’ rebuild in the NBA a decade ago. But it’s had staying power in the sports lexicon for a reason.

The mantra clicked for Vesia in his first season with the Dodgers.

“When I first heard of it, it was just like, OK, I know what a process is,” he said before the Dodgers’ 5-1 win against the Milwaukee Brewers on Sunday. “But then watching it over the course of the year — where fastballs need to be placed, where sliders need to go, just trusting the information. That when a guy swings a lot at sliders and misses them, trusting that when you throw yours, he will miss it.

“And then over the course of a few outings, when you see those results, it’s like, ‘OK, I can do this’ more and more and more.”

Vesia is now one of the veteran leaders in a Dodgers bullpen that set a franchise record Saturday with 36 consecutive scoreless innings, surpassing the mark of 33 set in 1998. The Dodgers extended the streak to 38 on Sunday.

“Last night was awesome,” Vesia said Sunday, a day after a dominant 11-3 win. “It was a really great game because it showed how versatile our bullpen can be, that we don’t need a set inning for the guy.”

Instead, manager Dave Roberts could play matchups — having left-handers Vesia and Tanner Scott face the more heavily left-handed heart of the order, and Hurt check in for the right-handers at the bottom and top — until the Dodgers’ offense made it a blowout.

On Sunday, the bullpen had only to cover two innings, thanks to a steady performance by Yoshinobu Yamamoto, who limited the Brewers to one run through seven innings. And the Dodgers relievers had a four-run cushion to work with, thanks to a fifth-inning rally that included a two-run triple from Kyle Tucker and a two-run homer from Andy Pages.

Right-hander Will Klein retired the top of the order in a clean eighth inning, and Scott set down the next three Brewers, putting the finishing touches on a series win in a rematch of last year’s National League Championship Series.

As Roberts reflected on the 7-2 road trip to Anaheim, San Diego and Milwaukee, he highlighted the bullpen’s impact: “There’s a lot of different guys that are the reason why they’ve been so successful recently.”

Entering the season, much of the chatter surrounding the bullpen centered on the addition of closer Edwin Díaz. But he’s been on the injured list (elbow surgery) since April 20, and the relief corps has been on a roll.

Without a closer, the Dodgers’ circle of trust in close games includes a good mix of veteran arms and budding talent, from Scott, Vesia and Blake Treinen to Hurt, Klein and Jack Dreyer (on the 15-day IL because of left shoulder discomfort).

“It’s a bunch of selfless guys who know that the job is to throw up a zero and give it to the next guy,” Klein said. “I think we’re all just trying to give our offense a chance to do what we know they can do. And I think that showed up last night, and it showed up a lot the last two weeks. They’ve been playing really well, and so I think we know if we just go out there, put up a zero, they’ll do it the next inning — and if they don’t, we try again.”

The bullpen’s scoreless streak stretches back through the eighth inning of a 6-2 loss to the San Francisco Giants on May 12. It covers a bullpen game, when the group filled in for Blake Snell after he was scratched from his start in Anaheim, and the series in San Diego, where the Dodgers relievers outperformed the Padres’ renowned bullpen.

“We’ve got to give credit to the starters and the hitters, and the guys playing great defense too,” Hurt said. “So, it’s not just us.”

Though good defense and some luck is involved in any scoreless streak this long — opponents entered Sunday with a .147 batting average on balls in play against Dodgers relievers since their shutout performance on May 13 — it’s no fluke either. The Dodgers bullpen still leads the majors in the Fielding Independent Pitching category (2.35) in that time.

So, what’s the secret stuff?

“The secret stuff is, there is no secret stuff,” Klein said. “Sometimes when you look for an answer, or you look for the magic to fix things, that’s when you overdo it and things start spiraling. But I think everyone knows that it’s one pitch at a time, and if you think about the result, you’re not as ingrained in the process.”

That was the moral in “Space Jam” too.

The ripple effects of that consistency have been clear.

“It frees up the offense a little bit,” Roberts said. “Regardless of who comes into a ballgame, I think they have the confidence now to go up and put up a zero. And it makes my life easier because you trust a lot more guys. And that’s what these guys have earned.”

NEW Strictly Come Dancing host Josh Widdecombe was forced to halt work at his listed mansion after he began renovations without planning permission.

The comedian has already splashed some of his windfall on renovating his new family home in Devon.

Josh and his producer wife Rose Hanson wasted no time in beginning work on the listed property, only for planning documents to reveal they had failed to get permission.

In a retrospective application, his agent said it was “regrettable” but confirmed work was immediately “paused” upon realising.

On the application form, Rose confirmed work on the building had begun but had not been finished.

Permission was eventually granted this week by council planners under delegated powers after no objections were received.

The application was in Rose’s name, who previously said on social media she was the boss when it comes to renovations.

She wrote: “He’s good at writing jokes, I’m good with interiors – we stick to our lanes.”

The work includes a range of internal alterations including reopening a historic doorway, adjusting partitions and repositioning architraves.

A supporting statement on behalf of the couple said: “At ground floor level it is proposed to re-open an historic doorway that was blocked with 20th century studwork.”

It added that minor adjustments would be made to the back of the building to incorporate a new door from the garden.

It said: “The enclosed works have no impact on the setting of the building in any way, with the only external change proposed the inclusion of a new door to the garden store.”

They added that internally, none of the proposed works have an adverse impact on the character of the house.

In approving the application, a planning official described the impacts of the proposals as largely “positive” or “neutral”.

The couple moved to the home in Devon after selling their £2.3m London townhouse.

They said at the time they wanted to bring up their two children with more space and be closer to Josh’s childhood home.

Previous pictures of the listed property reveal five ensuite bedrooms and a separate one-bed coach house in the grounds, as well as a huge living room, large kitchen and dining room.

The posh home also comes with two offices, a gym and a wine cellar.

Speaking on the Parenting Hell podcast, Josh had told fellow comic Rob Beckett: “Just to be clear, it isn’t in Crinkley Bottom – it isn’t the house we used to see on Saturday nights on the TV.”

Josh and Rose also owns a £1M holiday home in Cornwall, that they restored and now rent out to holidaymakers.

The Philadelphia Eagles will play in London as part of the NFL’s international games next season.

The NFL will stage a record nine regular-season games overseas during 2026, with three in the UK while Australia and France are hosts for the first time.

The London series begins on 4 October with the Washington Commanders hosting the Indianapolis Colts at Tottenham Hotspur Stadium.

The Jacksonville Jaguars will then host games on the following two Sundays against the Eagles at Tottenham then the Houston Texans at Wembley.

The first international game will take place during the first week of the season, with the Los Angeles Rams having a divisional match-up against the San Francisco 49ers at the iconic Melbourne Cricket Ground.

The 49ers will also face the Minnesota Vikings as the NFL returns to Mexico, while the Baltimore Ravens meet the Dallas Cowboys in the league’s first game in Rio de Janeiro.

There will be three games in continental Europe, with the New Orleans Saints facing the Pittsburgh Steelers as Paris hosts its first game at the Stade de France.

The Cincinnati Bengals then face the Atlanta Falcons at the home of Real Madrid while the New England Patriots, who reached last season’s Super Bowl, will take on the Detroit Lions in Munich.

Comedian Conan O’Brien will return to host the 99th Academy Awards set for March 14.

O’Brien, known for his self-deprecating humor, emceed the Oscars this year and in 2025.

“Conan has created remarkable energy around the Oscars,” President of Disney Television Group Craig Erwich said in a statement Tuesday announcing O’Brien’s return. “His singular comedic voice makes Hollywood’s biggest night one of the most entertaining celebrations of the year. We’re proud to welcome him back and look forward to what he and the producing team deliver next.”

Raj Kapoor and Katy Mullan are set to return as the show’s executive producers for the fourth consecutive year.

Major changes are in store for the entertainment industry’s biggest night.

Starting in 2029, the Oscars will move from Hollywood’s Dolby Theatre, its home for nearly a quarter century, to the L.A. Live in downtown Los Angeles. The ceremony will also stream on YouTube, ending a five-decade run on ABC, beginning that year.

Oscars viewership has been in flux as younger audiences prefer to view clips of the ceremony on social media, rather than on television.

ABC’s telecast of the 2026 ceremony averaged 17.9 million viewers, down 9% from the previous year, when it garnered 19.7 million viewers. Ratings for the Oscars reached an all-time low of 10.5 million viewers in 2021.

Academy of Motion Picture Arts and Sciences Chief Executive Bill Kramer and President Lynette Howell Taylor announced the news at its upfront presentation Tuesday.

Staying true to the spirit of the original show, audiences will see three contestants and their pros battle it out in three rounds of trick shots to reach the dramatic finale.

The BBC has announced the return of iconic snooker show Big Break.

The show originally ran from 1991 to 2002 and was hosted by Jim Davison with the late John Virgo as referee. But the new look show will see it moved from BBC1 to BBC2 and now co-hosted by Paddy McGuinness and Stephen Hendry. They will be joined in the studio by professional snooker players, from across the globe, straight off the competition circuit, in a bid to win their contestants the cash prize.

New co-host Paddy McGuinness said: “I am absolutely delighted to be a part of Big Break. It is one of those shows everyone knows and loves so to be hosting it alongside legend Stephen Hendry will be something special. Bring it on!”

READ MORE: Shaun Murphy offers to host Big Break as snooker stars call for return of iconic BBC showREAD MORE: Christine McGuinness ‘hurt and upset’ over backlash to romances and raunchy admissions

The show originally aired on Saturday nights but the new version will air on BBC2 in daytime. The hosts will be joined in the studio by professional snooker players straight off the competition circuit in a bid to win their contestants the cash prize.

Stephen Hendry, who will co-host and also show off some trick shots and skills on the show, said: “Big Break was a unique mix of trick shots and great entertainment and I can’t wait to be back at the table and bringing this incredible show to a whole new audience and who knows, we might inspire the next generation of snooker players to get into the sport.”

Fans of snooker have long been calling for the return of Big Break, although whether they will like the new format and hosts remains to be seen. Paddy McGuinness was also previously the host of a revamped Question of Sport quiz which failed to win over viewers.

Rob Unsworth, Head of BBC Daytime and Early Peak Commissioning said: “Snooker fans and pros alike have been calling for Big Break’s return, so we’re excited to confirm they’ll get their wish – and can even apply to take part.

“This revamp will showcase some of the game’s best known and up-and-coming faces, as well as tapping into the deep well of snooker fandom online and already on the BBC. The recent World Championships pulled in 120million viewing hours, so pairing upcoming live coverage with the new Big Break will mean audiences can come together with the whole family to enjoy more of what they want.”

Big Break will return in the form of 20 episodes lasting 30 minutes each. Further details on how and when to watch Big Break will be announced soon.

The BBC promised a “brand-new look and feel to Big Break” with the new series, saying audiences will now be “put on the table, behind the ball and into frame, getting up close and personal with the professionals”.

They also insisted they are staying true to the spirit of the original show, so audiences will see three contestants and their pros battle it out in three rounds of trick shots to reach the dramatic finale. Filming begins shortly.

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NBCUniversal has ordered a TV adaptation of the popular New York Times puzzle Wordle that will be hosted by Savannah Guthrie.

Jimmy Fallon, whose company is co-producing the show, and Guthrie announced the series pick-up Monday on NBC’s “Today.” “Wordle” will begin production later this year and debut on NBC in 2027.

Guthrie filmed the pilot episode for Wordle last fall in Manchester, England, where the series will be made as well. The project from Universal Television Alternative Studio, Fallon’s Electric Hot Dog and The New York Times, has been in development for two and a half years.

Guthrie said she learned the show was picked up in February and was set to shoot episodes in March. But producers delayed the start as Guthrie went on a hiatus for two months after the disappearance of her mother Nancy.

“They just stopped everything and said, ‘we will wait for you, of course,’” Guthrie said. “And Hollywood is a really tough business as you know, and I didn’t expect that.”

Guthrie returned to “Today” on April 6. Law enforcement officials believe Nancy Guthrie was taken against her will from her Catalina Foothills home on Jan. 31. The investigation into her abduction is ongoing.

Guthrie did not mention the situation with her mother’s abduction, but indicated her game show duties will be another step toward normalcy. “I’m just determined to put one foot in front of the other,” she told colleagues.

Wordle asks players to guess a five-letter word in six chances through a process of eliminating letters. An individual player’s performance in the game can be posted online without revealing the answer, as the colored tiles are shown without the letters.

Offered as part of a subscription to a bundle of puzzles on the New York Times web site and app, Wordle has been a major driver of digital revenue for the company. The New York Times said earlier this year that users solved the Wordle puzzle 4.4 billion times in 2025.

Wordle was created by Brooklyn, N.Y.-based software engineer Josh Wardle in 2021. After it became an immediate hit online, the New York Times purchased it for a price reported to be in the low-seven-figure range.

A popular British comedian is now favourite to present Strictly Come Dancing after wowing producers

A comedian is now favourite to present Strictly Come Dancing after wowing producers.

Josh Widdecombe has reportedly become frontrunner to host the BBC Latin and ballroom show in the coming series after hosts Tess Daly and Claudia Winkleman’s departure from the show.

It has been revealed that a number of celebrities are ‘auditioning’ for hosting duties, with names including Zoe Ball, Rylan Clark and Angela Scanlon all rumoured to in the running.

However, bosses look as though they’ve got a new preferred presenter after he wowed producers. If Josh was to get the job, he’d be the first male host since Sir Bruce Forsyth left the programme.

“Josh blew the producers away with his dead-pan, witty banter. He is family friendly, having helmed several shows now, and loves Strictly,” a source told The Sun, “The bosses believe he will be ideal to take the show into a new era.

“After years as a stand-up, he can handle a live audience and is razor-sharp. He’s not a household name, yet, and so to step into Brucie’s shoes would be a stellar move for his career.”

It comes after Alan Carr broke his silence on rumours he was a contender for the Strictly hosting duties.

“I didn’t turn it down, I was just clumped with everyone and had to say: ‘No, don’t put me in the mix.’ I love watching Strictly, but I don’t love it enough. People are always moaning there aren’t new, fresh faces on TV. Well, wouldn’t it be amazing to give it to a young person who absolutely adores Strictly and dancing?” he said to The Telegraph.

The Celebrity Traitors winner added: “If I rock up on it, they’ll go: ‘Oh, here he is again.’ Why waste it on me? I don’t really know the dances. I’d be like: ‘Oh here they go again, that dance with the legs.'”

In a joint statement last year, Tess and Claudia announced their decision to leave the show.

“We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time,” the pair wrote in a joint statement online.

“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show.”

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Rodney Barreto has received reassurances from Secretary of State Marco Rubio that ICE would steer clear of World Cup.

United States Immigration and Customs Enforcement (ICE) will ‌not be seen at World Cup matches this summer, according to the ⁠co-chair of the ⁠Miami host committee.

Rodney Barreto said on Thursday that he received reassurances from Secretary of State Marco Rubio that ICE would steer clear ⁠of the world football showcase.

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“ICE is not going to be at the stadium,” Barreto told US-based website, The Athletic. “This is not going to turn into some ‘round them up’ type of ⁠thing. That’s not the purpose of this.

“It’ll be a great experience for everybody. I think that we’re lucky that we do have a president who loves sports and has given us the resources to reimburse the cities for their police protection.”

Barreto added, “I spoke to Marco ‌and, first of all, he’s going to make sure that the passports get processed and people can get here and there is an orderly process so people won’t be held up. It’s going to be a major undertaking by the federal government to do that. We feel very comfortable that we’re going to be in good hands.”

The deployment of ICE for immigration-enforcement raids has increased since Donald Trump ⁠began his second stint as president last year, igniting ⁠a significant political debate in the US.

South Florida’s role as a World Cup host market also comes against the backdrop of scenes from the 2024 Copa America championship game, when fans stormed the gates at Hard ⁠Rock Stadium in Miami Gardens, causing a number of injuries and delaying the start of the Argentina-Colombia match.

“(The Miami ⁠World Cup organising committee) took the position that we ⁠didn’t want to be critical of the planners of that event,” Barreto told The Athletic. “It wasn’t our event. But now that time has passed, I would tell you that where the failure was, which was ‌that there were no perimeters.

“People without tickets should have been nowhere near the entrance ways of that stadium. It didn’t take much to overrun an entrance. But ‌listen, ‌you learn from all these events, and you learn to do it better and come up with different scenarios which mitigate this from happening in the future. So that’s where we’re at.”

The US, Canada and Mexico will co-host the World Cup between 11 June and 19 July.

Iran are scheduled to play two games in Los Angeles, against New Zealand on 15 June and Belgium on 21 June, and then Egypt in Seattle on 26 June.

US secretary of state Marco Rubio said last week that no-one with ties to the IRGC would be admitted to the country.

“We are going to the World Cup, for which we qualified, and our host is Fifa – not Mr Trump or America,” Taj said.

“If they accept hosting us, then they must also accept that they must not insult our military institutions in any way.

“Because if they do, then naturally it could create the same kind of situation that happened in Canada, where there was a possibility we might have to return.

“So there must be this kind of guarantee so that we can go with peace of mind.”

The US and Israel launched air strikes on Iran in February.

Iran was the only Fifa federation among the 211 member countries that did not have representation at the Fifa congress in Vancouver.

Fifa president Gianni Infantino said Iran will be going to the US and playing as scheduled – despite Iran’s request in March for its matches to be moved to Mexico.

Manchester City will host their FA Youth Cup final against Manchester United at their smaller Joie Stadium after turning down an offer to switch it to Old Trafford.

City were drawn at home for the game but are unable to use the main pitch, with Pep Guardiola’s first team still having three home Premier League games to play.

While there is an 11-day gap between their match against Crystal Palace and the last game of the campaign against Aston Villa, club officials argue playing the final in that space will rob them of essential time to complete construction work on the North Stand, which is planned to open for Villa’s visit.

The club also have a test event booked for Sunday, 10 May. They feel they are entitled not to agree to a switch as they are the confirmed home team.

United, who last won the trophy in 2022 – when more than 60,000 were at Old Trafford to watch a team including Kobbie Mainoo and Alejandro Garnacho beat Nottingham Forest – told City they were prepared to host the game.

City said no, so the game will be played at the 7,000-capacity ground, which is used by the club’s Premier League 2 and women’s teams.

The club have used the stadium to host Youth Cup finals previously but since 2000, every other host club has played the game at their main stadium.

Two years ago a crowd of 20,000 watched City beat Leeds United in the final at Etihad Stadium.

It is a repeat of the 1986 final, hosted over two legs at Old Trafford and Maine Road and won by City.

United sources feel it is a mistake and will cost the majority of the players involved an experience in what could turn out to be the biggest game of their lives.

City are yet to confirm a date for the game but it is likely to take place on Thursday, 14 May.

The Great British Bake Off host Alison Hammond appeared on ITV’s Lorraine on Monday

A Great British Bake Off star has opened up about Nigella Lawson’s chemistry with Paul Hollywood.

Nigella has taken over from Prue Leith as the latest judge, where she will join Paul, Alison Hammond and Noel Fielding in the tent for the upcoming season that’s set to air later this year.

Alison appeared on ITV’s Lorraine on Monday (May 4), where she spoke to Lorraine Kelly about the new series, which has begun filming.

Lorraine said: “There’s a new judge. How’s that all going? Have you met up?”

Alison replied: “She’s so lovely. Nigella is incredible. Obviously we’ve started, so I’ve been watching.”

She added: “I’m telling you, the chemistry between her and Paul is unbelievable,” before clarifying: “Not in that sort of way!”

A picture of Paul and Nigella was then shown on screen, with Alison saying: “Don’t they look good looking?”

Lorraine jokingly added: “Do you know what, that looks like a crime scene, doesn’t it?!”

Alison continued: “But honestly, they’re so good together! I’ll be honest with you, they don’t always agree – it’s so good,” with Lorraine concluding: “No, that’s fine, and that works.”

Prue Leith announced her exit from the hit competition back in January after nine years. The 85-year-old restaurateur and broadcaster first joined the series in 2017 when it moved from the BBC to Channel 4, and has been a beloved fixture on it ever since.

In a statement, she said: “Bake Off has been a fabulous part of my life for nine years. I have genuinely loved it and I’m sure I’ll miss working with my fellow judge Paul, Alison and Noel, and the teams at Love Productions and Channel 4.”

Speaking about stepping into Prue’s shoes, Nigella said: “I’m uncharacteristically rather lost for words right now. Of course it’s daunting to be following in the footsteps of Prue Leith and Mary Berry before her, great dames both, but I’m also bubbling with excitement.”

She added: “The Great British Bake Off is more than a television programme, it’s a National Treasure – and it’s a huge honour to be entrusted with it.

“I’m just thrilled to be joining the team and all the new bakers to come, I wish the marvellous Prue all the best, and am giddily grateful for the opportunity!”

The Great British Bake Off returns to Channel 4 later this year