Radio personality, jazz singer and former BET host Angela Stribling died on Sunday of cancer.
Stribling “passed away peacefully at home … after a courageous two-year battle with brain cancer,” her husband, Ken Washington, posted to her Instagram account. “Her sister Darlene and I were by her side.”
A native of Buffalo, N.Y., Stribling attended the Fashion Institute of Technology in New York City and took a position with American Airlines at the Baltimore/Washington International Airport after college. She spent four years as host of BET entertainment news program “Screen Scene” and helped launch BET Jazz, hosting “Jazz Central,” “Jazz Discovery” and “Jazz Scene” for the network, according to a posting about her death by WHUR 96.3 Howard University Radio.
She worked as a reporter for “Evening Magazine” and co-host of “On Time” on Baltimore television and as a news intern at WTTG-TV and at WOL-AM in Washington, D.C., before joining WHUR-FM. That’s where she became the first woman to host “The Original Quiet Storm,” a program of “soulful slow jams and romantic melodies” that recently celebrated 50 years of being on air.
“Pillow Talk,” WHUR’s long-running late-night program hosted by Stribling, centered on relationships, conversation and music.
“Angela Stribling was a remarkable talent, but what made her truly special was the person she was,” WHUR general manager Sean Plater said in the station’s tribute. “Her voice was beautiful, her presence was calming, and her spirit was genuine. She had a way of making people feel welcome and valued, and that gift extended far beyond the radio. Angela was part of the WHUR family, and her loss is deeply felt by all of us. We will remember her not only for the incredible career she built, but for the love, kindness and light she shared with so many people.”
Stribling was also a classically trained jazz vocalist, who performed at New York City venues including the Rainbow Room, the Supper Club and the Soul Cafe. She traveled the world and shared the stage with legendary artists, including Stevie Wonder and Chaka Khan.
“Her sultry voice made her a staple on radio in the D.C. area and on Sirius. She did countless voiceover work, she sang and had parts in movies. I remember her calling me when she got a role in the Eddie Murphy movie ‘Distinguished Gentlemen,’ ” former BET colleague Ed Gordon wrote on Facebook. “She was a sweet soul.”
Anthony Joshua and Tyson Fury will contest their long-awaited all-British heavyweight fight at Cardiff’s Principality Stadium on 11 December.
The bout, more than a decade in the making, will be broadcast globally on Netflix.
BBC Sport understands the main event could take place in the early hours of Saturday morning in the UK, with organisers considering a late start to cater for audiences in the United States.
Joshua and Fury will come face-to-face at a news conference in London on Wednesday, 30 September, as the build-up begins to one of the most anticipated fights in British boxing history.
“I am inspiring a generation,” Joshua, 36, posted on Instagram. Fury is yet to comment on the announcement.
The event is being promoted as a collaboration between Saudi boxing powerbroker Turki Alalshikh’s The Ring and UFC chief Dana White.
“Two of the best heavyweights of this generation, finally in the ring together,” Alalshikh said.
“This will be one of the biggest fights in boxing history. I am very happy to make this fight happen for the fans.”
The former two-time world champions had already signed contracts for the bout earlier this year, but the date and venue had yet to be confirmed.
London’s Wembley Stadium and New York’s Madison Square Garden were the frontrunners to stage the fight, but both presented issues before Cardiff recently emerged as an alternative.
The Principality Stadium has hosted late-night boxing before, including Joe Calzaghe’s fight with Mikkel Kessler in November 2007, which began at 01:00 GMT.
Welsh Rugby Union and Cardiff Council officials welcomed the fight, saying it would reinforce the city’s reputation for staging major events and could bring a significant economic boost, although some operational details still need to be finalised.
Joshua had been pushing for the fight to take place in the UK and has got his wish.
“Forever indebted to the UK public for their support of Anthony Joshua. We couldn’t have got this over the line without you,” his promoter Eddie Hearn said.
It is notable that White, who fronts Zuffa Boxing, is involved in the promotion.
“For more than a decade, boxing fans have been clamouring for the heavyweight showdown between Tyson Fury and Anthony Joshua. Together, they bring 66 wins, 52 knockouts and multiple heavyweight world titles into the ring,” White said.
“On December 11, two of the biggest heavyweights of this generation finally collide – and the winner will take a significant place in heavyweight history.”
There was no official statement from Hearn or Fury’s promoter Frank Warren in the official news release sent by Netflix. Hearn had previously said he did not want White to be involved in promoting the fight.
EXCLUSIVE: Strictly Come Dancing legends Vincent Simone and Brendan Cole have had their say on the divisive new presenting trio of Josh Widdicombe, Emma Willis and Johannes Radebe.
Strictly Come Dancing’s Josh, Emma and Johannes hosted for the first time on Saturday(Image: CREDIT LINE:BBC/Guy Levy)
Strictly legend Vincent Simone has branded one new host of the hit dance show ‘lost and nervous’ after their debut showing on Saturday. He didn’t hold back as he laid bare his thoughts – but he did hold special praise for another, admitting they pleasantly surprised him.
All eyes were on the new trio of presenters on Saturday night prime time as Emma Willis, Josh Widdicombe and Johannes Radebe took centre stage after the exit of Claudia Winkleman and Tess Daly. But Josh felt the wrath of Vincent, who labelled him a “lost lamb” before saying he hopes it’s just first show nerves.
Speaking exclusively to the Mirror, Vincent went on: “Emma, professional as always. But I’m sure she was probably as nervous as everybody else. There’s a huge amount of pressure on their shoulders to hold a show together which is essentially new but old.”
And he admitted Johannes’ style shocked him. “Johannes surprised me in a good way,” he said. “I thought he was going to be all flamboyant, running around, talking about himself.
“I don’t know the guy, I’ve met him a couple of times but I thought he seemed really professional and seemed like he was doing a really good job as a host. I heard he was just going to be roaming around, talking to the couples and what have you.
“He would have been as nervous as hell. They all would have been. Given that, I think he did a good job.”
The opinion was matched by Brendan Cole, who also had his say on the new hosts, admitting he would have hoped for a Bruce Forsyth vibe to take the hot seat. He said: “I wanted the old-school class of the likes of Brucey [Bruce Forsyth].
“There aren’t many around that good that you could choose from, but it’s a big world out there. I’m sure they could be found. I want somebody old school. I want somebody triple threat – actor, singer, dancer. Somebody who, when they’re at the helm like Brucey was, absolutely knows showbiz like the back of their hand.”
But despite his disappointment, he held out praise for Johannes too. “I liked Johannes, actually. He did really well for the first show. I didn’t know what his role was going to be, and I think he held himself very, very well.”
Fans also had their say shortly after the launch show on Saturday and were divided in their opinions. Taking to X, formerly known as Twitter, one fan said: “I know it’s only the first few minutes, but I just cannot gel to there being three hosts #strictly.”
Another defended the line-up, adding: “3 presenters was an interesting choice by producers but Emma, Johannes and Josh really do work together. Natural already.” And it was also backed by no-nonsense judge, Craig Revel-Horwood who branded the new trio “fabulous”.
Vincent and Brendan were talking to the Mirror on behalf ofSky Vegas.
BBC Breakfast host Sally Nugent was left baffled as her co-star disappeared live on air while presenting
BBC Breakfast host Sally Nugent was left baffled as her co-star disappeared live on air while presenting (Image: BBC)
BBC Breakfast suffered a live on-air blunder during Monday’s show.
The latest installment saw hosts Sally Nugent and Jon Kay on the red sofa, where they delivered the latest news, including the death of show regular and Normandy veteran Ken Hay, who survived capture just weeks after D-Day and spent years educating children about the war. He died aged 101.
As usual with BBC Breakfast, the hosts heard from weather presenter, Matt Taylor, who gave a forecast update to viewers at home.
However, on Monday’s broadcast, Matt’s feed suddenly cut out, as he disappeared live on air and it left a blank screen on air, reading: “Weather presenter editing playlist…”
Host, Sally, 55, said: “Oh, where’s he gone? Just in time. We kept a hold of him there” to which Jon, 56, added: “He’s gone, finished for shift!”
Poking fun at the technical blunder, Sally quipped: “Need another 50p in the metre!” while Jon added: “Let’s get the news, travel and weather where you are. Hopefully they’re there!”
It comes as veteran weather presenter, Carol Kirkwood, left the BBC show earlier this year after more than 25 years presenting. The BBC favourite announced her decision to step down earlier this year on the programme, revealing she wishes to dedicate more time to her husband Steve.
When Carol announced her departure at the time, she became emotional whilst discussing the difficult choice with Jon and Sally. At the time, she expressed: “It’s really hard for me to say this because I love my job.
“I love all of you guys, my weather colleagues, every department I’ve worked with, and of course, all the viewers I’ve been so engaged with for many years.
“But it’s great! I don’t want to be coming in on my zimmer frame, going, ‘I can’t reach the Northern Isles anymore!'”.
Discussing her future plans post-departure, Carol disclosed she’ll be dedicating more time to her husband Steve.
She continued: “We only got married a couple of years ago and we’re like ships that pass in the night, so I’m so looking forward to doing that.
“I’ve still got my books, I’ve got a few other bits and pieces. I want to travel as well.”
BBC Breakfast continues at 6am on BBC One and BBC iPlayer.
A river that is home to about 500 saltwater crocodiles has been given the OK to host Olympic and Paralympic rowing and canoeing events at the 2032 Brisbane Games.
The course on the Fitzroy River in Rockhampton, Queensland, has passed an independent technical assessment into its suitability.
The assessment did not consider the crocodiles but instead looked at “how the course would perform under a range of conditions, weather patterns, water levels and flood risk at both Games time and throughout the period leading into the Games”.
The report was commissioned by the Games Independent Infrastructure and Coordination Authority (GIICA), which noted, external that the Fitzroy River Flatwater Facility “is already a training and competition venue for flatwater sports, supporting school state championships, local regattas, and national team training camps”.
As a recognised rowing facility, contingency plans are in place at events for when crocodiles are spotted and Olympic officials have previously been assured of rower safety.
World Rowing and Paddle Worldwide, formerly International Canoe Federation, both endorsed the course.
“Based on the extensive analysis undertaken, we now know that the Fitzroy River is capable of providing fair competition conditions during the period of the Games, consistent with the requirements of Olympic and Paralympic Rowing,” World Rowing President Jean-Christophe Rolland said., external
Paddle Worldwide President Thomas Konietzko said: “The quality and depth of the technical work undertaken has significantly improved our understanding of the field of play and provides confidence to us and our athletes that the course can deliver fair competition for Canoe Sprint athletes.”
Brisbane 2032 President Andrew Liveris played down the issue of crocodiles last year.
“There are sharks in the ocean and we’re still surfing… it’s a can do, not a can’t do – please change the mindset here,” he said at the time.
Speaking on Thursday about the venue having now been given the go-ahead, he said: “The endorsement provides additional certainty as we move into the next phase of venue planning and Games delivery, ensuring all future design and operational work continues to focus solely on Rockhampton.”
Saltwater crocodiles – known locally as Salties – live in both freshwater and saltwater and can grow to be in excess of six metres long.
WASHINGTON, United States: The US military honor guard has been rehearsing and the new White House helipad is ready. But will Xi Jinping and Donald Trump achieve lift-off at their summit next week?
Warnings of an AI apocalypse hang heavy over the Chinese president’s first talks at the White House with his US counterpart, with both countries racing for supremacy in this technology.
Trump’s Iran war casts a long shadow too, as China seeks to avoid US sanctions against countries dealing with Tehran, despite reports that Beijing supplied Tehran with intelligence for a strike on US troops.
A trade war is of even greater concern and the world’s two largest economies are still seeking to mitigate the fallout from Trump’s global tariffs. The threat of war over Taiwan looms large as well.
Behind it all is desire to manage tensions between a superpower keen to keep its place at the top and a rapidly rising rival determined to make the 21st century a Chinese one.
“I’ll be discussing almost everything with him,” Trump told reporters aboard Air Force One on Sunday, ahead of their meeting on September 24.
‘Don’t expect much’
But the two leaders are more likely to simply extend a relative truce rather than produce any concrete results, like when Xi hosted Trump in Beijing four months ago, experts said.
“I don’t expect much to come out of this,” Jonathan Czin of the Brookings Institution told AFP.
“In many ways, this is going to be a recapitulation of Trump’s visit to Beijing back in May, where the focus was really on the ostensible rapport between the two leaders.”
With fears about AI making global headlines, agreement to cooperate on regulation or a slowdown is expected to be a major topic of discussion between Trump and Xi.
But any major deals are “politically out of reach for now,” said Wang Dong, a professor at Peking University, as Beijing and Washington both fear losing out in the race for AI dominance.
Tensions over Iran will also come up. US Treasury Secretary Scott Bessent is due to meet his Chinese counterpart He Lifeng this weekend for pre-summit talks including on Iran sanctions.
Trump has, however, played down reports that Chinese entities supplied Iran with satellite imagery for an attack on a US military base in Jordan, saying Xi had “behaved reasonably well” and that “we spy on them, too.”
On trade, there is “room for progress on tariffs, agricultural purchases and selected export controls,” Yue Su of The Economist Intelligence Unit told AFP.
‘Spectacle’
Yet Trump has, as so often before, appeared more interested in the optics of his meeting with a powerful foreign leader than with the substance.
“This is less a summit and more a spectacle. This is designed for deep public consumption,” said Kurt Campbell, former US Deputy Secretary of State and now Chairman of The Asia Group.
Trump pushed for a new granite helicopter landing pad on the White House South Lawn to be open in time for Xi’s visit, which will include a grand state dinner.
Troops in flashy uniforms have been rehearsing on the White House driveway this week ahead of the welcome ceremony.
Trump’s only disappointment is that his under-construction $400 million ballroom won’t be ready — though he has said that when finished it will “top” Beijing’s Great Hall of the People, where Xi hosted him in May.
During the Beijing trip Trump showered praise on Xi, only for the Chinese leader to warn about possible “conflict” over Taiwan.
Fears of a possible Chinese invasion of the self-governing island and global semiconductor hub — which Beijing claims as its territory — remain the most sensitive topic between Washington and Beijing, said Peking University’s Wang.
One possible concrete deliverable is an announcement of further summits.
Trump and Xi are expected to meet in November at the Asia-Pacific Economic Cooperation (APEC) forum in Shenzen, China. The Kremlin has suggested a three-way meeting with Russian President Vladimir Putin.
Trump is meanwhile expected to invite Xi to the G20 summit in December at his Doral resort in Miami.
After appearing last year on a contentious political panel discussion in Washington, D.C., Jessica Tarlov, co-host of the the popular Fox News show “The Five,” was approached by a transgender woman from Alabama.
Tarlov had said that Democratic candidates in tough races might have to concede that transgender collegiate swimmer Lia Thomas should not be competing against women assigned female at birth. But the matter never came up. Instead, the Alabama woman thanked Tarlov for making the case for Democrats against four conservatives on “The Five,” the most watched program in cable news and a favorite of family members who no longer speak to her.
On the Shelf
I Disagree: Winning Arguments Without Losing Friends
By Jessica Tarlov Random House: 272 pages, $30
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“If more people talked like you, I might get my family back,” the woman said. “I’m just happy my parents can hear someone like you.”
Tarlov describes the encounter in her new book “I Disagree: Winning Arguments Without Losing Friends,” out Sept. 15. The part how-to book and part personal memoir is aimed at helping readers navigate the harsh political divisiveness in the culture. Her role on “The Five” has made her an advocate of going into not-so-friendly territory to debate issues rather than staying in comfort zones where views are unchallenged.
“I’m trying to show that a Democratic voice like mine can exist there, without an apology,” she writes of her Fox News position. “And that a person with strong liberal beliefs can bring that same perspective to a host of outlets and places.”
During a recent conversation at Fox News headquarters in Manhattan, Tarlov said the kind words of the fan from Alabama align with what she’s heard from children and grandchildren of the network’s loyal viewers. They are grateful their Fox News-loving families are exposed to a voice from outside the conservative media ecosystem.
Fox News co-host Jessica Tarlov is the author of “I Disagree.”
(Penguin Random House)
Tarlov, 42, has been a sturdy liberal counterweight at “The Five,” which averages 3.5 million viewers daily, according to Nielsen. She comes to the panel’s table highly prepared with data-based talking points, forcing her often intractable co-hosts to engage and listen. She often does it while deflecting the mocking remarks of rambunctious colleagues Jesse Watters and Greg Gutfeld, who try to throw off her arguments.
“Interruptions are an indication that you’re winning,” said Tarlov, evoking the pithy chapter summaries in “I Disagree.”
Tarlov games out numerous scenarios with recommendations on how to deploy statistics and when to lighten up. She also explains the necessity of allowing the other side to blow off steam as she did when “The Five” co-hosts became emotional and overwrought over the shooting of right wing activist Charlie Kirk.
Tarlov believes the key to the success of “The Five” is the camaraderie the panel has off-camera. While the co-hosts will battle it out on set over President Trump’s policies or the excesses of the socialist wing of the Democratic Party, they are supportive of each other once the show is over (three of them are represented by the same CAA agent).
“We don’t talk politics outside of work,” Tarlov said.
Tarlov has been an accepted part of the Fox News family, recently signing a three-year contract despite Trump’s suggestion that “The Five” would be better off without her.
But it has taken time for Tarlov to gain credibility among like-minded pundits and thought leaders on the political left. Most are dismissive of the network as its most popular hosts are unwavering Trump loyalists. Tarlov also resists being in lockstep with every Democratic position and trend. (She voted for Andrew Cuomo over New York Mayor Zohran Mamdani, citing the former governor’s experience.)
“Even in the last year I’ve been at big liberal gatherings, very clearly hosts on other big podcasts or show were not interested in talking to me,” said Tarlov, who has had many conversations that start with the question “Why are you on that network?”
But with younger news consumers getting their news and information through social media platforms, Fox News clips of Tarlov scoring points for the Democrats are gaining attention. Tarlov said she has felt more welcome in left-leaning circles since the 2024 presidential campaign when the digital accounts of Joe Biden and then Kamala Harris put her commentary in heavy rotation. (Scott Galloway, the author and social critic, partnered with Tarlov on a podcast, “Raging Moderates,” after seeing her come up repeatedly in his feeds and then meeting her on the set of “Real Time With Bill Maher”).
Tarlov didn’t start out seeking a career as a TV personality, although her family background likely helped her understand media and communication. Her parents were attorneys who met while working on the Warner Bros. lot in New York, and raised their two daughters in the hip lower Manhattan neighborhood of Tribeca.
Her father, Mark Tarlov, was a onetime speechwriter for Supreme Court Justice Warren Burger who went on to produce two of John Waters’ films and direct projects of his own. Tarlov and her sister Molly, an actor who co-starred in the MTV sitcom “Awkward,” traveled the world with their father to shooting locations. (Tarlov pays tribute to her father, who died in 2021 of 9/11-related cancer, by wearing his nerd-chic Oliver Peoples eyeglass frames made of buffalo horn).
A graduate of Bryn Mawr College and the London School of Economics, Tarlov worked as a strategist on the London mayoral campaign of Boris Johnson. She talked Democratic pollster Doug Schoen into giving her a job. Schoen hired her and brought her to the attention of Fox News, which started using her as a guest on Sean Hannity’s program in 2016.
The ability to effectively volley with conservatives led Democratic Party leaders to approach Tarlov about running for Congress in the district representing Staten Island. (She has no desire to seek political office.)
Tarlov was named co-host on “The Five” in 2022. She and husband Brian McKenna, who works in finance, welcomed their first daughter in 2021, the other in 2024. She remains awed that the show’s viewers — most of whom don’t agree with her politics — have acknowledged her personal milestones with warm greetings and homemade gifts.
She is aware that she’s had a rarefied career. But in “I Disagree,” she goes beyond her impressive resume to reveal her insecurities — unusual in the ego driven TV news business — and tells readers how she’s tried to resolve them.
“I have a good amount of shyness to me,” she said. “I have a lot of imposter syndrome. I’m constantly in wonder that I ended up getting to do this and that hopefully, am the right person to do it.”
Long self-conscious about her raspy voice, which Trump once described as “grating and irritating,” she shares how a 2016 meeting with former Chief Executive Roger Ailes made her relax about it. He told her viewer criticisms were more aimed at her positions, at not how she sounded. “No matter what room the television is in, you want to make sure the person listening in the next room knows you’re on it,” he told her. “Don’t try to smooth your voice out. They may hate what you stand for and what you’re saying, but you want them to know it’s you on TV.”
Tarlov met with Ailes just months before he was ousted over sexual harassment allegations. While Tarlov was grateful for his advice, her book praises current Fox News Chief Executive Suzanne Scott for creating a workplace culture that is much more hospitable to women. Scott promoted Tarlov to co-host right before she was due to give birth to her first child.
“The knowledge that I’m supported allows me to take big swings and not be intimidated,” Tarlov writes. She knows that’s not the situation for all women; in her signature style, she presents the data and the narrative to back it up.
As the scorching heat of the summer reaches its peak and the calendar brings hope of cooler temperatures, it’s time to fluff the pillows and settle in to enjoy the comfort of the new television season.
But before we turn the page, the Emmy Awards will honor the shows of the past year that had audiences crying, laughing and glued to their screens — some returning this fall, while others bid adieu last year.
The 78th Emmy Awards, honoring the standouts from the 2025-26 television season, will celebrate the shows that gave viewers plenty of reasons to stay in. Whether it was the nail-biting anxiety over the chaos in HBO Max’s drama “The Pitt,” the most nominated show with 25, or laughing at the silly situations of Apple TV’s “Widow’s Bay,” which earned 19 nominations, television gave viewers different reasons to watch.
Some of the top contenders are already coming into the ceremony as winners after the first round of awards were handed out earlier this month. “Widow’s Bay” currently leads with eight Emmys, following by six for “DTF St. Louis,” and “The Pitt” won four. Notably, Rob Reiner received a posthumous Emmy for his guest appearance in Season 4 of “The Bear.”
Here’s everything you need to know about the 2026 Emmy Awards:
Where are the Emmys?
The 78th Primetime Emmy Awards will take place on Monday beginning at 5 p.m. PT at the Peacock Theater at L.A. Live in downtown Los Angeles.
Earlier this month, a pair of ceremonies, formerly called the Creative Arts Emmys, honored artistic and technical achievements as well as some performance categories. Those ceremonies will be televised Saturday on FXX at 8 p.m. and stream next day on Hulu.
How can I watch the shows?
The live telecast will be broadcast on NBC and streamed simultaneously on Peacock.
Who is hosting?
Mariska Hargitay at the blue carpet rollout at L.A. Live in downtown Los Angeles on Thursday.
(Christina House/Los Angeles Times)
Mariska Hargitay, known for playing Olivia Benson on NBC’s “Law & Order: Special Victims Unit,” will make her hosting debut at this year’s award show.
In an interview with The Times, the multihyphenate said she was excited to televise some “razzle-dazzle” and to become the first woman to host in 15 years.
“Am I scared? Of course I am; I’ve never done this,” she recently told The Times. “But at a certain point, you have to go: Why not me? Bring it on.”
When does the red carpet start, and how can I watch that?
The countdown to the award ceremony will begin at 2 p.m., with several opportunities to see your favorite stars arrive on the red carpet — which is actually blue this year in celebration of NBC’s 100th anniversary — at the Peacock Theater.
E! will get the party started with a programming block from 2 to 5 p.m. with “Live From E!: Countdown to the Emmys,” hosted by Erin Lim Rhodes with Lance Bass and Ciara Miller, and “Live From E!: The Emmys,” hosted by Justin Sylvester, Keltie Knight and Will Marfuggi.
People and Entertainment Weekly will be conducting interviews as guests arrive on their websites and social platforms throughout the day, while NBC will be livestreaming pre-show arrivals on the network’s official TikTok account from 4 to 5 p.m.
KTLA will air “Live From the Emmys,” hosted by Jessica Holmes and Melvin Robert with Megan Henderson reporting, from the blue carpet beginning at 3 p.m. And CNN will air “Red Carpet Live: TV’s Biggest Night” beginning at 2 p.m. It will be hosted by CNN’s Elizabeth Wagmeister and Variety co-president and co-editor in chief Ramin Setoodeh.
Zendaya (“Euphoria”) is looking to become a three-time winner for lead actress in a drama. She is nominated alongside Carrie Coon (“The Gilded Age”), Chase Infiniti (“The Testaments”), Keri Russell (“The Diplomat”) and Rhea Seehorn (“Pluribus”).
Noah Wyle (“The Pitt”) is again nominated for lead actor in a drama, along with Sterling K. Brown (“Paradise”), Gary Oldman (“Slow Horses”), Mark Ruffalo (“Task”) and Rufus Sewell (“The Diplomat”).
“Hacks” earned the most nominations in a single year for a comedy, with 24. It’s nominated for comedy series, as is “Margo’s Got Money Troubles,” “Nobody Wants This,” “Only Murders in the Building,” “Abbott Elementary,” “The Bear,” “Shrinking” and “Widow’s Bay.”
Jean Smart looks to win her fifth award for lead actress in a comedy series for “Hacks.” She is nominated alongside Quinta Brunson (“Abbott Elementary”), Ayo Edebiri (“The Bear”), Elle Fanning (“Margo’s Got Money Troubles”) and Lisa Kudrow (“The Comeback”).
Yahya Abdul-Mateen II (“Wonder Man”), Steve Carell (“Rooster”), Matthew Rhys (“Widow’s Bay”), Jason Segel (“Shrinking”) and Martin Short (“Only Murders in the Building”) are nominated for lead actor in a comedy.
It’s looking like a year where the winners will be easy to decipher, according to awards prognosticators, which includes The Times’ award columnist Glenn Whipp. If you’re an actor attached to either the medical drama “The Pitt” or the horror-comedy “Widow’s Bay,” consider yourself the front runner. Noah Wyle and Matthew Rhys are both the leading contenders in their respective categories.
Jean Smart is predicted to complete her sweep of lead actress in a comedy for the fifth and final season of “Hacks.” In the leading actress in a drama, it’s a tight race between Rhea Seehorn for “Pluribus” and Keri Russell for “The Diplomat.”
The second season of “The Pitt” currently stands as the favorite for drama series, while the comedy series category is a battle between new series “Widow’s Bay” and departing series “Hacks.”
Harrison Ford could win his first major acting award, for supporting actor in a comedy for “Shrinking,” unless another veteran actor takes the spotlight — Stephen Root of “Widow’s Bay.”
Supporting actress in a comedy also comes down to the top shows, likely to be between Kate O’Flynn (“Widow’s Bay”) and Hannah Einbinder (“Hacks”).
Who’s going to present?
A number of nominees will present the awards throughout the night. Past and recent Emmy winners, including Linda Cardellini, Sally Field, David Harbour, Zendaya and Alan Cumming will take the stage.
The Television Academy will celebrate the 30th anniversary of “Buffy the Vampire Slayer” and bring together David Boreanaz and Sarah Michelle Gellar as presenters. They will also honor the 50th anniversary of “Charlie’s Angels,” and reunite Cheryl Ladd, Kate Jackson and Jaclyn Smith.
Other presenters include Odessa A’zion, Macaulay Culkin, Jon Hamm, Marcello Hernández, Peter Krause, Dan Levy, Julianna Margulies, Annie Murphy, Niecy Nash-Betts, Keke Palmer, Amanda Peet, Amy Poehler, Florence Pugh and Rachel Sennott, with more to be announced.
Singer-songwriter Noah Kahan will cover Simon and Garfunkel’s “Bridge Over Troubled Water” during the in-memoriam segment of the show.
The Channel 4 series launched on Sunday, September 13, with six celebrities taking on a new challenge. They include Lucy Beaumont, Fatiha El-Ghorri, Richard Herring, Paul Merson, Layton Williams, and Denise Van Outen.
With little to no pottery experience, they braved the pottery studio, hoping to impress judges Keith Brymer Jones and Rich Miller to earn a place in the grand final and be crowned winner. But unlike the original format, the celebrity edition has no weekly elimination rounds.
Channel 4 had earlier teased: “Viewers can expect a few wonky edges, and some cracking clay creations as each celebrity grows in confidence and ability. But who will be holding their breath, waiting to see if their muddy masterpieces emerge from the kiln intact, who will reduce Keith to tears with their creative ceramics, and who will crack under the pressure as the competition gets more competitive over the weeks?”
After being announced as presenter, Liza previously shared: “I knew I’d enjoy Keith and Rich’s company and I did. People flourish around emotionally intelligent people, and the boy’s encouragement and kindness really promoted a growth in our newbie potters that was a pleasure to witness. I absolutely loved being there.”
Viewers have now declared their support for the former BBC Radio 2 presenter, who announced her radio show exit earlier this year, saying that after 36 years, it was “time to go”. Demanding to see more of her on their screens, one fan wrote: “Liza Tarbuck is such a natural presenter, yet television companies consistently use the same faces. Liza is a great addition to #potterythrowdown.”
Another said: “LOVING Liza Tarbuck on #PotteryThrowdown Always loved her on Radio2.. but she is PERFECT for this! What a signing @Channel4.” Someone else wrote: “Never watched Celeb Pottery Throw Down before… It’s brilliant, loving Denise, Layton, Lucy, Richard, and Liza Tarbuck presenting is brilliant… she always is, why doesn’t she get more TV time?”
“More Liza Tarbuck on the telly box please!” one viewer added, as another said: “I’d love to see more of Liza Tarbuck – she’s absolutely hilarious! Make her the permanent presenter for #potterythrowdown.”
Another wrote: “Liza + Pottery Throwdown is a dream come true! But seeing the skill level they’re all starting this, I feel this is going to be an emotional journey of a series.” Yet another echoed: “@PotteryThrow great to see Liza on the TV again, funny lady, love her.”
Meanwhile, Liza spoke about working with judges Keith and Rich in an interview with The Guardian ahead of the new series airing. “Keith is fabulous,” she said. “A really good laugh. But trust me, Rich is the one slyly holding it all together.
“They’re both open-hearted and emotionally intelligent, which is a lovely quality in men of a certain age. That makes it a safe space and brings people’s barriers down. Celebrities aside – what a horrible label – they’re just humans. Keith said to me early on: ‘Just watch the clay work as therapy,’ and it really did.”
After being announced as the presenter of the series, Liza was flooded with support from fans. One person said: “Yay, so excited to see Liza Tarbuck!!”
Another said, “Yay, Lisa Tarbuck,” while a third added, “So excited to see this … and Lisa Tarbuck.” Someone else wrote: “Never watched this before… Liza Tarbuck appears- I’M IN!”
The Great Celebrity Pottery Throw Down is available to watch on Channel 4.
Tim Lovejoy was left confused by Penn Jillette’s comments during the latest edition of the Channel 4 show
Sunday Brunch: Penn Jillette reveals he can’t understand accents
Sunday Brunch presenter Tim Lovejoy was left baffled by one guest.
The weekend show returned to screens on Sunday (September 13), with presenters Tim and Simon Rimmer at the helm. Joining them on the show were guests Beverley Knight, Lara Pulver, Jay Sean, Bloc Party, Van Tulleken, Jesse Tyler Ferguson and Penn Jillette.
As the usual format got underway, the Sunday Brunch studio made for engaging viewing but American magician Penn shared a rather surprising confession.
During the segment where the presenters ask their guests to “dump their grumps” by openly sharing their dislikes, Penn confessed that he was rather lost and only understood a fraction of what was being said.
While discussing the topic of Marmite, and whether they have the sticky spread in the US, Penn said: “I haven’t understood very much of anything that’s being said.”
Revealing that he has bad hearing, Penn also shared that he wasn’t a fan of the British accent. He said: “I don’t hear well and I don’t understand accents so, so far on the show I’ve understood about 30% of what is going on. So when I’m in England, which I am often, I spend most of my time understanding no one.”
He then added that he wrote what he believes he hears and believes that this should be one of his grumps he would dump. He added: “It’s just totally a garble nonsense, which I hear every time you speak.”
Emphasising his point, he then said: “I have no idea what you’re saying. I’m sitting here nodding and smiling in total ignorance.”
Confused by Penn’s admission, Tim branded his complaints as “weird”. He said: “I think that’s really weird because I think we’re speaking like…” Penn interjected: “No, you are! You are speaking wonderfully for people like you!”
It comes after Tim was missing from the show at the end of August. The surprise switch was likely to have been noticed by regular Sunday Brunch viewers, particularly given the long-standing on-screen partnership between Tim and Simon.
The pair have worked together for many years, first joining forces on Something for the Weekend before becoming the faces of Sunday Brunch when the Channel 4 programme launched in 2012.
Their presenting partnership has remained a familiar part of Sunday mornings for more than a decade, making Lovejoy’s absence from this week’s episode all the more striking.
Stepping in to replace him was presenter Yinka Bokinni, who is an experienced broadcaster in her own right. She has worked across both radio and television and has established herself as a familiar face through a range of TV appearances, as well as her work covering entertainment and culture.
There was no explanation given during the programme for Lovejoy’s absence. At the beginning of the show, Yinka simply told viewers that she would be stepping in as his replacement.
Sunday Brunch airs Sundays from 10am on Channel 4.
Captain Joe Root and Jordan Cox helped England fight back from an early scare as the hosts recovered from 2-2, to successfully chase down 130 and wrap up an eight-wicket win and a 3-0 series clean sweep against Pakistan at Edgbaston.
BERLIN: Buoyed by partisan home fans, host Germany upset Belgium 93-74 to reach the semifinals of the women’s FIBA World Cup on Thursday.
Leonie Fiebich scored 17 points and had 10 rebounds to lead Germany to a showdown with France on Saturday. Nyara Sabally also had a double-double with 16 points and 12 rebounds.
“I can’t quite believe it yet,” forward Frieda Bühner said. “We’re among the best four teams in the world. I can’t believe it. It’s crazy.”
The players screamed and whooped in celebration. Germany had never reached the semifinals before.
“Everyone stepped up today and we did it from the first second to the very last,” said Alexandra Wilke, who scored 10 points.
Germany lost their opening game by 30 points to Spain, but bounced back with impressive wins over Japan and Mali before routing South Korea in a playoff to reach the quarterfinals.
Egged on by fervent commentary from the announcer, fans cheered, jumped and waved Germany flags at the Berlin Arena to help the home team keep their momentum going.
“It’s always really cool to play in front of such a crowd,” Sabally said. “I couldn’t have wished for more, especially in Germany. It’s really cool to see that there’s so much hype and the whole venue is caught up in it. It’s really, really cool.”
It’s the sixth straight World Cup at which the host have made the final four since China failed to make the semifinals in 2002.
Belgium, the European champion, were one of three teams that advanced through group play without a loss.
Emma Meesseman led Belgium with 29 points and added eight rebounds, but her team were unable to regain the lead after Bühner made it 20-19 toward the end of the first quarter.
Germany did not qualify for the World Cup since the unified country’s only previous appearance as host in 1998. East Germany’s women’s basketball team finished fourth at the 1967 tournament.
France rout China
Marine Johannès and Janelle Salaün led France to the semifinals for the first time by beating China 90-61 earlier.
Both Johannès and Salaün scored 15 points while Gabby Williams contributed 14 as the Olympic finalists put themselves in contention for a first World Cup medal since the inaugural tournament in 1953, when France finished third in the final round.
“It means a lot,” Williams said of reaching the semifinals for the first time. “We want to be one of the greatest teams ever to put on the French jersey. Obviously, we have a big goal this tournament, but it’s great to check this off the list.”
Chants of “Allez les Bleues” rang around the Berlin Arena before Williams opened the scoring, and the French supporters made sure they were heard for the rest of the game as their team dominated on the court below. France have been fluid and free-scoring, beating their four opponents so far by a combined 156 points.
The team set a tournament record for 3-pointers in a single game by netting 22 in their final group game on Monday. The French players connected on 14 of 37 attempts Thursday, with Johannès and Salaün scoring three triples each.
“We are lucky because we are a group that have known each other for a couple of years now,” Salaün said of France’s team spirit. “We went through a lot of things, the Olympics, training camp(s), so we just know each other and we know what we want. We have a goal and we want to do everything to get to this goal.”
Salaün had an ice pack bound to her right knee. France coach Jean Aime Toupane told The Associated Press it was just a precaution.
Zhang’s impact limited
The French defense limited the impact of China’s 7-foot-3 Zhang Ziyu, who had the attention of two French players any time she received the ball. The 19-year-old sensation was held scoreless over her 7 minutes, 18 seconds of play in the first half, though she contributed in defense with three blocks before halftime.
There was nothing Zhang could do to stop Johannès from scoring successive 3-pointers in the third quarter, when she also got on the scoreboard. Zhang finished the game with seven points, eight rebounds and seven turnovers.
Han Xu, who had a double-double in each of her four games at the tournament, again led China with 21 points and nine rebounds.
US never in danger
The United States, the four-time defending champion, routed Hungary 108-56 in the first quarterfinal with Napheesa Collier scoring 19 points to stretch their winning run in the tournament to 34 games since a semifinal loss to Russia in the 2006 semifinals.
The US await the winner of Spain-Australia in the last quarterfinal later.
CASABLANCA, Morocco: Morocco and Spain are arguing over the right to host the 2030 World Cup final — with besieged FIFA boss Gianni Infantino hovering backstage.
FIFA has yet to officially announce which country will host the biggest match of the biggest event in soccer. And even though the 2026 edition just finished with Spain winning the title this summer, Moroccan and Spanish officials are staking their claim on the next final.
The tussle over the soccer match also comes with Spain still reeling from a massive border crossing by tens of thousands of migrants who pushed through the frontier from Morocco into the north African Spanish enclave in late July.
One big game for two proud countries
The head of Moroccan soccer boasted that his country had it locked up on Thursday.
“The city of Benslimane will host the World Cup final. Hate it or love it, and if anyone wants to talk on top of that, let them talk,” Moroccan federation president Fouzi Lakjaa told a political rally.
“The city is Benslimane, the Hassan II stadium is the stadium, and I hope that Morocco will be playing it,” he added.
This week, the head of the Spanish soccer federation, Rafael Louzán, insisted it was Spain that deserved the game, while acknowledging that it has not been guaranteed that honor.
“We all signed to accept the candidacy … it’s too bad that, regarding the final, it wasn’t made clear, totally clear, where it is to be played,” Louzán said. “Spain, as world champion both in men’s and women’s soccer, must host the final.”
European soccer officials believe that the sprawling, multi-nation 2030 event, which includes Portugal and even a handful of games in South America, should be considered a European event with the final on the continent.
In a request for comment by the Associated Press on Thursday, FIFA said its decision will be made “in due course.”
Infantino has found support in Morocco
The dispute over the final comes with Infantino under intense pressure after UEFA, the umbrella organization of European soccer federations, led a successful revolt to scuttle his plan to sell stakes in the World Cup.
By contrast, six Arab nation federations, including Morocco’s, have backed him since that fiasco.
The King Hassan II Stadium near Casablanca is being built in Benslimane, on the outskirts of Casablanca. It is planned to seat 115,000 spectators. Spain can offer the home stadiums of Real Madrid or Barcelona as potential sites for the final.
Infantino has recently made two trips to Morocco, meeting with King Mohammed VI during annual celebrations of his ascent to the throne in July and then holding a FIFA crisis meeting there in August.
World Cup final spat among other tensions
When confirmed three years ago, the joint candidacy between Spain, Portugal and Morocco looked like a perfect event to bridge Europe and Africa and strengthen bonds between the western Mediterranean neighbors.
But the dispute over the final comes with diplomatic tensions between Madrid and Rabat already frayed over who was responsible when tens of thousands of mostly Moroccans driven by posts on social media pushed into the small Spanish enclave of Ceuta that borders Morocco. Spain’s prime minister said 140 people died in the crossing.
Spain’s government has been under political pressure at home to get tough on Morocco, which it has said acted in good faith in the border crisis. Spanish police assessments couldn’t rule out complicity by Moroccan security forces but said that it was unlikely the Moroccan government had intentionally orchestrated it.
Fox Corp.’s $22-billion acquisition of San José-based Roku, operator of streaming services and seller of hardware devices, seemed like a straightforward deal when it was announced in June: A growing media company was looking to bolster its presence in the fast-growing streaming industry.
But, on Wednesday, the Trump administration weighed in.
Fox Corp. and Roku said that the companies received requests from the Justice Department on Tuesday for additional information in connection with its review of the merger.
While Fox and Roku downplayed the requests, saying that they had expected the outreach, the timing of the move raised eyebrows among some analysts, who said it could signal further scrutiny of the transaction by the Justice Department.
“The president has been outspoken on the fact that he will take retaliatory action against networks that say things that he doesn’t agree with, or they do things that he doesn’t agree with,” said Rob Enderle, principal analyst at advisory services firm Enderle Group.
The action follows President Trump’s surprise over Fox’s ouster of anchor Maria Bartiromo. She was pushed out after she had shared internal company texts with the White House, which sources told The Times may have been the breaking point.
Trump said on social media that he couldn’t believe that Bartiromo will no longer have her shows on Fox. “Her fans, of which there are many, will not be happy,” he wrote on Truth Social on Sept. 3.
Associate Atty. Gen. Stanley Woodward said the Justice Department could not comment on pending matters but said in a statement: “We can affirm that this DOJ under President Trump’s leadership will continue to prioritize affordability for all Americans across our economy.”
Fox announced in June its plans to acquire Roku for $22 billion, which would give the company access to Roku’s 100 million households that use its platform to connect to different streaming services. The deal would benefit Fox’s advertising business, as well as make it less reliant on traditional pay TV platforms.
Fox and Roku said they expect the merger to be done by the first half of 2027, subject to regulatory and shareholder approval, according to a Sept 9 filings with the U.S. Securities and Exchange Commission.
“FOX and Roku will continue to work cooperatively with the DOJ in its review of the Mergers,” Fox said in its filing.
Some legal experts said it is fairly standard for the Justice Department to make an additional request for information.
“It doesn’t mean that their review is going to be more extensive than usual,” said Ray Seilie, an entertainment attorney at law firm Kinsella Holley Iser Kump Steinsapir.
For example, the Justice Department made a second request for information when it reviewed Paramount Skydance’s deal to buy Warner Bros. Discovery, he said. The merging companies typically send information that helps the government figure out what the market impact will be of a merger, he added.
The Justice Department ultimately approved Paramount’s planned acquisition, despite opposition from some industry stakeholders. State attorneys general and the Writers Guild of America have sued Paramount over the deal, raising antitrust concerns. Others have pointed out close ties between Trump and Larry Ellison, a financial backer of the deal, who has also donated money to a group that supports Trump. Ellison’s son, David, is chief executive of Paramount Skydance.
Legal experts and analysts said they don’t think the combination of Fox and Roku raises antitrust issues because they are not dominant players in streaming and have businesses that complement each other.
But one wild card is Trump.
“You never know what Trump is going to seize on and decide he wants to do,” said Bryan Sullivan, a partner with law firm Early Sullivan Wright Gizer & McRae on whether Trump will take retaliatory action through the Justice Department in the Fox-Roku deal. “It’s chaos in the federal government and it could very well happen because of that reason, but it could also just be a blip and not a big deal.”
Times staff writer Stephen Battaglio contributed to this report.
It will mark the ninth Super Bowl in the Los Angeles area across three venues: the Coliseum (two), Rose Bowl (five) and SoFi (two). But in some ways, all those previous games were a drumroll leading up to this one — Super Bowl LXI, in a futuristic $5-billion stadium, absent the lingering restrictions of a pandemic.
“Super Bowl LVI was an amazing experience, but it was still on that tail end of COVID, and it was not everything that this Super Bowl LXI could be,” said Peter O’Reilly, NFL executive vice president of club business, international and league events.
“We didn’t do a Super Bowl Opening Night — it was virtual — and there were a lot of things we were still adjusting. … It was absolutely spectacular during the weekend and on game day, but I do think this Super Bowl gives us all the chance to do it full-on, in the way an L.A. Super Bowl can and should be.”
In the weeks leading up to the first Super Bowl at SoFi, there were misguided rumblings that the game might be moved to Dallas, because the NFL had secured that city as a backup. But those type of contingency plans are in place for every Super Bowl, and the game was not in serious peril of being moved. Still, there was a cloud of public doubt lingering over the event.
“Those rumors created a lot of havoc and uncertainty in our market,” said Kathy Schloessman, chief executive of the Los Angeles Super Bowl Host Committee for both games. “It was hard to get the excitement going because people didn’t know if the city was open or closed. I almost hate to say it because I don’t want to jinx anything, but this is our first normal Super Bowl planning.”
Super Bowls can take over a city. Look at the games played in New Orleans, Indianapolis or Houston. Seemingly every resident was aware the game was happening. But in some of the bigger cities — New York, Los Angeles, Miami — there aren’t reminders everywhere you turn.
Something that might offset that this season is ESPN is broadcasting the game for the first time, and has been hyping it ever since the most recent Super Bowl ended.
“It’s a year of the Super Bowl for them that ends in Los Angeles,” O’Reilly said. “That feels natural and poetic. I can’t say enough good things about the way they’ve embraced it.”
South side view of the field at SoFi Stadium.
(Sam Farmer / Los Angeles Times)
Disney is the parent company of ESPN, and likewise has embraced the game, which feels like a true confluence of the sports and entertainment industries.
“When I think about L.A. and brands coming together — Disney, SoFi Stadium, the Rams — I think it takes advantage of what the NFL had always hoped when bringing a Los Angeles team back,” Rams president Kevin Demoff said. “SoFi Stadium is that marriage of the NFL and entertainment.”
Whether they play in the game or not, the Rams are intimately connected to this Super Bowl, as they are the host team. That means they have a degree of financial responsibility to make good on the commitments made to the NFL when Los Angeles was awarded the game. They also are allotted more tickets to the game than the other franchises not hosting (or playing in) the event.
Although the Chargers were co-hosts for the first Super Bowl at SoFi, they opted not to host this one. According to a Chargers spokesman, they chose to cede the stage to Rams owner Stan Kroenke, whose vision they credit for the stadium and Hollywood Park development, but will make a “significant seven-figure financial commitment” to the host committee in the run-up to the game.
Part of Kroenke’s vision in moving the Rams and building the stadium and surrounding campus was to shift the center of gravity of the sporting world to Los Angeles. It’s worth noting that SoFi was a central location of the World Cup — the first U.S. goal was scored there — and will play host to swimming events in the 2028 Olympic Games.
“[SoFi] is now established as one of the world’s greatest sporting stages, which the Super Bowl helped put on the map the first time,” Demoff said. “But now it’s in the middle of this global run.”
It isn’t just the Super Bowl. SoFi will also play host to the NFL’s first-ever Thanksgiving Eve game — Rams versus Green Bay Packers — on Netflix.
“If you’re looking at the arc — not as a Super Bowl but how the NFL wanted to come back to Los Angeles — you have Disney, a longstanding, old-school entertainment partner,” Demoff said. “And then you have this element of streaming and new media and where the NFL is heading. It’s a really interesting juxtaposition.”
VENICE, Italy — When Skyler Gisondo turns up in “Primetime” as “Decoy Dan” Plum, an aspiring 23-year-old actor cast to play teenage bait for an unsuspecting pedophile, the camera can’t take its eyes off him.
The second trap set in director Lance Oppenheim’s lurid sweeps-ploitation drama about “To Catch a Predator” follows Gisondo’s face, most often in extreme close-up, as Dan processes what he’s gotten himself into, attempts to make small talk with the predator and finally flees off set, where he sits down, steadies himself and sheds a shaken tear. The suspect, meanwhile, is an afterthought, or more accurately a punchline: He only truly captures the camera’s attention when he drops trou, rips the top off a canister of whipped cream and sprays.
It’s an arresting formal choice, repeated from the opening sequence — that of the viral “You see how this looks, right?” moment from the trailer — to the climatic suicide of Rockwall County, Texas, Assistant Dist. Atty. Bill Conradt Jr., whose case is explored in the Esquire magazine article on which Ajon Singh’s screenplay is based. With rare exception, “Primetime” doesn’t have the guts to look its predators in the eye.
And perhaps it doesn’t need to. The film directs its most gleeful energies instead to taking “To Catch a Predator” host Chris Hansen (Robert Pattinson) down a peg. The former “Dateline NBC” correspondent, who turned a newsmagazine segment about men soliciting teens for sex online into a hidden-camera sensation in the mid-aughts, comes off here as a self-serious showboat who’s mistaken tabloid trash for accountability journalism. (As one audio technician complains, “Guy thinks he’s f— Mike Wallace.”) It’s not just that stentorian voice, either. Envy of “Dateline” co-anchor Stone Phillips provides as much motivation as ratings pressure from TV executive Jeff Zucker (playing himself), with Hansen micromanaging his crew, insulting his producer, Andie (Merritt Wever), and neglecting his wife and kids in the process.
At least in the film’s early going, this yearning for adulation is played for cringeworthy comedy, and effectively so; my hardest laugh came when Hansen screens the rough cut of a new episode for his young sons and brags to them about “To Catch a Predator” being moved to a better time slot. As the tone moves toward horror, though, the decision to make the host the story quickly stops paying dividends. Indeed, though the real-life broadcaster may not find all the ego-deflation very funny, even Hansen — who told my colleague Stephen Battaglio that he objects to the film using his name and likeness under the label “inspired by true events” — would have to admit that “Primetime” avoids the thorniest questions about the true-crime empire he built.
Robert Pattinson as Chris Hansen in “Primetime.”
(A24)
Compared with David Osit’s superb 2025 documentary “Predators,” a kaleidoscopic examination of the phenomenon from the perspective of Hansen, the decoys, the suspects, law enforcement, journalistic ethics and the filmmaker’s own experience as a survivor of child sexual abuse, “Primetime” seems remarkably incurious about “To Catch a Predator” and its consequences. It would probably be too much to ask a scripted feature to explore the challenge of achieving convictions against defendants ensnared on an episode of “Dateline,” or to delve into the legal niceties of surreptitious recording. But the suspects here are so anonymized — seen in profile or steep angles through a hidden camera lens, spied at a distance on a monitor in video village, heard as a disembodied voice on a phone or read via text in an instant message — that there’s not much to argue over anyway. The predators are reduced from people to “perverts,” of scarcely more interest to “Primetime” than to the bloodthirsty viewer Hansen meets on a plane.
When an entrapped rabbi attacks Hansen during a sting, screaming in his own tight close-up, “You don’t have the right to do this. Who do you think you are?” the film briefly, mercifully breaks this pattern, and generates an electric moment of moral uncertainty. But it doesn’t last. Instead, in its depiction of the Conradt case — ostensibly meant to underscore “To Catch a Predator’s” worst extremes — “Primetime” stumbles into some of the very same gutter sleaze tactics as the original series, transforming what was in reality a grim mid-afternoon standoff into a tense, pitch-dark operation punctuated by lightning strikes, power outages and night-vision cameras.
Such poetic license offers little new insight into a topic that has already been picked over for two decades, but it might be forgiven were Hansen as easily dramatized as he is made fun of. Alas. “Primetime” itself seems to know this — why else hire Gisondo to play Jimmy Olsen to Pattinson’s unlikable Man of Zeal — yet proceeds to construct its second half around Hansen’s unraveling: an extramarital affair, about to be exposed in the National Enquirer; ratings losses to ABC competitor “Lost”; desperation to reel in a “whale” and willingness to cut corners to do it. By the time the film again confronts the specter of something wicked under “To Catch a Predator’s” glossy surface, it comes in the form of Hansen’s own phantoms, introduced in a grueling flashback to India in the 1990s and carried through to the film’s conclusion. Why we’re to care about this apparent flash of horror, if not of conscience, remains unexplained. What about the faintly ludicrous figure of the foregoing 100-plus minutes was supposed to make me care about his moral compass?
In the final estimation, then, “Primetime” isn’t a Chris Hansen hit piece. In fact, it’s so in love with its flawed protagonist that it can’t see he’s the least compelling character in the movie, an ambitious, arrogant, grasping, unscrupulous man we’ve met countless times before. Which may explain the film’s final bit of poetic license. The last we last see of Hansen, muttering lines from his script as the police process the Conradt crime scene, suggests a man disturbed, perhaps even chastened, by what he has witnessed. But of course the real-life Hansen continues his sting operations to this day under the banner of “Takedown,” a series on his streaming service TruBlu, and both there and in “Predators” he appears utterly unshaken, unhaunted, unbowed. So for all the tension between the film and its subject to come through in the press of late, the gulf between them is not so wide as one might suspect.
Good vibes weren’t invented in Marin County. But reading “Morning in Marin,” David Perlis’ history of the place and its outsize cultural influence for much of the 20th century, you get the sense it served as America’s leading countercultural way station.
Book Review
Morning in Marin
By David Perlis Heyday Books: 384 pages, $35
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Hosts of spiritual-minded sorts called it home: Alan Watts popularized Zen Buddhism in the ’60s, alongside poets Gary Snyder and Kenneth Rexroth. Francis Ford Coppola decamped there to write his script for “The Godfather,” and it’s where his compatriot George Lucas conjured up the “Star Wars” universe. (The cuddly Ewoks in “Return of the Jedi” were named after the region’s Miwok tribe.) Jack Kerouac sought enlightenment there; his compatriot Neal Cassady was imprisoned there, in San Quentin. It was the Grateful Dead’s retreat, Robin Williams’ launchpad, and the solid ground upon which Philip K. Dick questioned reality.
Why all these people, in this place, at that time? Perlis, an artist, radio host and Marin native, doesn’t strive for sociological or demographic explanations. His strategy is to sinuously move from moment to moment, artist to artist, as if in one continuous tracking shot, pausing only for a moment to catch some of the interesting characters he spots along the way. Over there, film critic Pauline Kael; and there, poet and sitcom star Suzanne Somers; and look, there’s bar-band singer Hugh Cregg, who’ll eventually use the stage name Huey Lewis.
Author David Perlis
(Jordan Blackman)
Still, Perlis breaks the flow just enough to offer a few reasons why the region became America’s affluent bohemia. It is, of course, gobstoppingly gorgeous, with Mount Tamalpais, Stinson Beach, Point Reyes and Bolinas practically designed to be edenic retreats. (Fairfax, he writes, is “ribboned with waterfalls, tufted with moss.”) Its isolation made it a counterculture haven for those looking to avoid San Francisco’s bustle: Gay poet Elsa Gidlow made her home there in the 1940s, among the first of many misfit pioneers. Wreckage from the 1906 earthquake was used to build the first “arks,” houseboats in Sausalito, providing a quirky infrastructure. Add some slow-growth initiatives, and you get artsy scrimping arrivistes; add LSD, legal until 1966, and you have a party.
So by the late ’60s, Marin had become a haven for a particular type: creative, interested in Eastern spirituality and profoundly disinterested in social convention (not to mention conspicuously white). Perlis’ portrait of the county at the height of the decade suggests a region that had escaped — or at least refused to look at — the worst of America’s turmoil. “Despite atomic bombs, rampant racism, political violence, and the war in Vietnam and Marin, there is hope, a sincere, emphatic belief, in an imminent inner revolution,” he writes. “When Zen, acid, or whatever your trip is, opens enough minds that people can outgrow this absurd, unwinnable conflict with nature and themselves.”
Perlis writes that with a slight smirk — of course nobody outgrew the conflict. Sure, a lot of people made a mint on the dream of transcendence: The Grateful Dead became a premier touring act, Lucas taught the country the ways of the Force and Sausalito’s Record Plant became the studio of choice for Sly Stone, Fleetwood Mac and more. But in the process, Marin became a kind of parody of itself, satirized by the writer Cyra McFadden in her 1977 novel, “The Serial.” In a world of what Perlis calls “swimmable wealth,” enlightenment sure looked a lot like narcissism in caftans. “I have no idea how I manage to do it,” Dick muses about his productivity at one point, prompting Perlis to bluntly break into the narrative: “I do. Drugs.”
Perlis could have gone further than that. One of the peculiarities of the Marin cultural scene, at least in Perlis’ reckoning, is that it hardly seems like a scene at all. Otis Redding and Frank Herbert and Linda Ronstadt and Anne Lamott and Shel Silverstein and Van Morrison all had little in common and interacted even less; if Marin was an incubator, it’s one where every egg hatched a different, brand-new species. Communal activity seemed relegated to the checkout aisles where locals kibbitzed over “The Serial,” or druggy extravaganzas that would in time claim Dick and various Dead members and associates as victims.
The irony, as the region stumbled into the ’80s, is that between its wealth and carefully cultivated isolation, Marin came to exemplify the ethos of conformist America: every man for himself. The actor Peter Coyote resisted: “When a Buddhist is thinking about shooting out traffic lights, it’s time to leave,” he quips. Others dug in: Huey Lewis and the News climbed the charts with a song titled “Hip to Be Square,” though to his credit, he explains to Perlis that it was meant to be a song about the difficulty of reconciling affluence and bohemian values. The man knows where he lives.
Perlis’ book isn’t a dismissal of Marin’s cultural moment, or even really a critique of it: His story is more something to be wondered at, like fog rolling over Mount Tamalpais. And Perlis’ storytelling skills make it seem like good fun as he pingpongs from artist to artist, each somehow inventing a meaningful, or at least recognizable, cultural touchstone. Marin gave us New Age music and Pablo Cruise; it also gave us Jim Carroll’s indelible punk classic, “People Who Died.” But one of the things to wonder at amid the good vibes is whether a different, more coherent, more sober scene would have been more meaningful, more enduring.
A regular contributor to The Times, Athitakis is a writer in Arizona and the author of “The New Midwest.”
Social media star Amelia Dimoldenberg is making way for a new chapter, ending her beloved celebrity interview series “Chicken Shop Date” after more than a decade.
The British personality, who has disarmed A-list celebrities with her deadpan delivery and brought her distinct interview style to the Oscars red carpet, announced on Thursday that the final episodes of “Chicken Shop Date” are imminent and that new work is on the horizon. “I never thought I’d stop Chicken Shop Date, I thought maybe it would be a part of me forever, and in some way it always will,” Dimoldenberg, 32, said in her Instagram announcement, “but I feel like it’s now time to move on from this adventure and onto a new one.”
Dimoldenberg began “Chicken Shop Date” as a teenager. It first manifested as a column in a youth publication before the host eventually took it to YouTube in 2014. In the years since moving to the online platform, Dimoldenberg became a viral sensation, sitting down for chats and chicken with stars including Cher, Keke Palmer, Charli XCX, Jennifer Lawrence and Andrew Garfield. She has published and produced, via her production company Dimz Inc., more than 100 episodes, with the series’ final installments on the way.
In her Instagram caption, the host reflected on her celebrity subjects over the years.
“I’ve spent my entire twenties sitting across from the most incredible people, people I’d always dreamt of meeting,” she wrote. “All of them charmed me (some more than others) and I definitely charmed them.”
She also wrote that “Chicken Shop Date” has been her “very own romcom” and also reflected on the show’s journey which has made her a staple on the awards circuit. She returned to the Oscars earlier this year to oversee its red carpet coverage.
“The beauty of my interviews is that they look so off the cuff,” she told The Times ahead of the ceremony earlier this year. “I think that’s what people like about me: I’m not going to be doing an in-depth look at their career or ask a very sincere question, but I will have done all my research so that I can ask them something that’s related to their movie or themes of their work or their interests that maybe catches them off guard. I don’t have to take the style of other reporters; I can do it in my own way.”
In the comments section, fellow social media stars and interviewers “Hot Ones” host Sean Evans and Ziwe celebrated Dimoldenberg. “Legendary run Amelia, I’ll be first in line for whatever’s next,” Evans wrote. Dimoldenberg and Evans appeared on each other’s shows in a crossover event in 2023.
Love Island host Maya Jama’s mysterious role in the Gentlemen season two has been revealed.
Hayley Anderson Screen Time TV Reporter
11:28, 03 Sep 2026
Netflix releases The Gentlemen season 2 trailer
Love Island icon Maya Jama has made her debut in The Gentlemen season two on Netflix.
A number of new faces are being welcomed into the fold of Netflix’s epic crime drama The Gentlemen season two, including Downton Abbey star Hugh Bonneville.
But someone who subscribers may not have been expecting to see in the eight-part second outing is Love Island presenter Maya Jama as it marks her first major scripted TV debut.
The only other acting experience that the 32-year-old has had was in a breif cameo role for Katherine Ryan’s The Duchess on Netflix six years ago.
With The Gentlemen season two now ready to binge-watch, fans are eager to find out all there is to know about Maya Jama’s role.
When does Maya Jama appear in The Gentlemen season 2?
It isn’t long before Maya Jama pops up on our screens as she features in the first episode of The Gentlemen season two.
She is mostly seen speaking to Kaya Scodelario’s Susie Glass but shows up once again in episode four.
Maya Jama’s The Gentlemen season 2 role explained
Maya Jama portrays a character named Aisha in the second season of The Gentlemen on Netflix.
She plays the wife of one of Eddie Horniman’s (played by Theo James) criminal associates, Prince Amir bin Abdullah al-Hadidi, brought to life by actor Amra Mallassi, reports the Express.
Susie Glass (Kaya Scodelario) describes her as a “clever girl” and “aspirational”, saying: “Looks after herself and everyone who comes within her orbit. She moved out to the Middle East five years ago to work in hospitality. Now she’s snagged herself a seat at the royal table.”
Talking about her experience shooting The Gentlemen, Jama described creator Guy Ritchie as “very personable” to Variety.
She continued: “He’s really kind and nice. He doesn’t feel as intimidating as you’d think, being who he is. He’s very personable and he would be like, ‘Yeah, you’re doing well’, and reassure me, which was really nice.
“He’s just really involved and kind of a genius to watch, because everyone’s practising their lines and then he says something that’s way better than the original. You just feel like you’re in the presence of greatness.”
