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This Morning presenter Alison Hammond caused quite a stir online after she met Prince Harry for the countdown of the Invictus Games

Things took an awkward turn during the latest instalment of This Morning as Alison Hammond called Prince Harry, “babes”.

The ITV show was back with another jam-packed show on Friday (July 10), as presenters Dermot O’Leary and Angela Scanlon took the reins in the studio. Meanwhile, Alison was in Birmingham for the countdown to the Invictus Games.

Founded by Prince Harry, the Invictus Games is a global sporting competition that began in 2014 for military personnel and veterans who have been wounded, injured, or become ill during their service. The name Invictus, which means “unconquered” in Latin, reflects the resilience, determination, and strength of participants.

Trying her best to interview the founder, presenter Alison was thrown into a race. But she did manage to steal a hug from him wheh he spotted her and she referred to him as “babes” leaving viewers very unimpressed with one labelling it “a car crash”.

Taking to X, formerly known as Twitter, in their droves, fans of the ITV show shared their thoughts. One viewer said: “I’m just waiting for her to call him ‘Babes’. She didn’t disappoint.”

Another fumed: “Alison, what on God’s Earth are you doing? Absolutely embarrassing behaviour! Are you 6 years old?!” A third viewer chimed in and wrote: “What a car crash and a bloody noise.”

A fourth added: “Hammond….just an embarrassment.” While another agreed, saying: “This is embarrassing.”

However, some viewers loved Alison’s approach, with one writing: “Howling at Alison. You go girl.” Another added: “Harry always has some spare time for Alison.”

Prince Harry’s appearance on This Morning came as rival daytime show Morning Live announced on Friday that it is now taking a break for the summer.

At the beginning of the live BBC broadcast, host Gethin Jones revealed that Morning Live would be taking a break and wouldn’t return for some time throughout the summer months.

It’s not yet known when Morning Live will be back on air, but from next week, the slot will be filled by fresh episodes of Animal Park, which will air straight after BBC Breakfast from 9.30am until 10.15am.

The documentary programme is also scheduled to air from the following Monday (July 20) as well.

Kate Humble and Ben Fogle will mark 25 years of Animal Park next week, looking back at unforgettable animal tales and their lasting bond.

This Morning airs weekdays from 10am on ITV1.

They came for the soccer.

We gave them Americana.

Their tickets entitled them to World Cup games.

We threw in an education in United States history, geography, and the economics of the $20 baseball cap.

They expected an athletic tournament.

We staged a county fair, featuring nine exhibits stretched across 3,000 miles, with people and surroundings as varied as our twangs.

Visitors to the Boston venue will remember the success of the Soccer Train, a commuter rail and site of opposing pep rallies on the 50-minute trip to Foxboro Stadium.

Imagine that, longtime Bostonians said. A culture clash where nobody gets hurt.

Visitors to the Dallas venue will remember our failures: the blight around the aging Cotton Bowl, the empty seats inside, the construction-hampered traffic flow that turned game days into nightmares.

For nearly a month, in nine locations, the world has applauded our wonders, cringed at our bruises, and, in some places, even felt our embrace.

So how did we do?

Sometimes, we shined. Other times, we stumbled.

Sometimes we yelled too much, pushed too much. When the rest of the world was rushing joyfully out of a subway or dancing through an alley, often we put up our dukes and played the frightened bullies.

But we also smiled a lot, and listened a lot, and sometimes accepted that which we did not understand.

Like those hourlong postgame fan celebrations that forced stadium police to work overtime. We eventually realized something could not be so bad if it made so many people so happy.

We hollered and hugged, we were impatient and helpful. In other words, we were ourselves.

Sometimes we thrilled. But other times, we disappointed.

Visitors to the New York venue will remember what Dublin sales representative Gerry Taylor remembers.

Nothing.

Taylor learned on the first weekend that despite slick World Cup advertisements, New York was not New York.

Just as Boston was not Boston, but Foxboro. And Detroit was not Detroit, but Pontiac. And Los Angeles was Pasadena.

And New York was actually a smelly, industrial area in northern New Jersey.

Taylor left his Manhattan room early one Saturday morning, four hours before the opener between Italy and Ireland.

He wrapped himself in an Irish flag and planned on a making a pregame stop in a pub next door to Giants Stadium.

“Do this all the time in Dublin,” he said. “Pop a few Guinness at the pub, talk to other fans, get ready for the game.”

But upon arriving in East Rutherford, N.J., he realized the only thing he could drink next door to the stadium was toxic waste.

There wasn’t a pub in sight. Or a store. Or a house. Or even a street that wasn’t an expressway.

He spent the next three hours sitting with two friends on a curb, cursing his introduction to sports in America.

“Are all stadiums like this, away from cities, in the middle of nothing?” he asked. “Seems to me it must be hard to have good sports in places like this, isn’t it? We are let down.”

The only thing we can assure him, and others as disillusioned as Taylor, is it wasn’t because we didn’t try.

Rating the 1994 World Cup venues, best and worst of show:

Chicago

BEST: We knew this would be a great spot from the moment we first bit into something called “the Belly Buster,” sold at a hot dog stand near Soldier Field.

Ingredients: Polish beef dog, relish, ketchup, mustard, onions and jalapeno peppers. It lived up to its billing. Trust us.

And so did everything else.

Soldier Field is the perfect location for an international event, being just a short cab ride from one of America’s great downtowns.

Michigan Avenue has been buzzing for a month, what with German tourists in Bermuda shorts buying black patent leather shoes to accompany their white socks. At night, horse-drawn carriages fought with taxis for street space in some of the best action since Ben Hur.

WORST: The only people who didn’t enjoy themselves here were the Greeks, both the national soccer players and the large Chicago-area community that gathered to watch them one Sunday morning against Bulgaria.

Greece lost that game, 4-0. In the process, the teams drove Greek fans so crazy they started seeing things.

At one point during the game, a Greek tossed a smoke bomb on the field, later claiming it was tradition to do so after his team scored.

His team is back in Athens, and it still hasn’t scored.

IMPRESSIONS: The World Cup’s kind of town, Chicago is. Not only were the streets brimming with international flavor, the shuttle system to Soldier Field was so efficient that cabbies complained about not getting enough chances to rip people off.

Now that’s a venue.

YOU HAD TO BE HERE: During a bachelor party held on the 36th floor of a prominent local hotel, somebody poured beer down the elevator shaft. By morning, the ale had dripped to ground floor and short-circuited the electrical system.

Many hotel guests–some checking out with reams of World Cup-related luggage–were forced to carry everything down 20 flights of stairs.

Once at the bottom, they had to tip valet-parking drivers for walking 10 steps to pick up their cars.

Boston

BEST: We marveled not at a city’s effect upon a World Cup, but vice versa.

“What has happened to a town divided along ethnic lines has been remarkable,” said E.J. Kahn of the Boston Host Committee.

By order of Mayor Tom Menino, the historic City Hall area was turned over to foreigners of every imaginable color and tongue.

Old-timers who never thought they would see an African soccer team playing at the home of the New England Patriots also never thought they would see people dancing on their cobblestone streets in tribal costumes.

Police were particularly worried the night after Argentina had defeated Greece in a first-round game. While the Greeks partied in front of City Hall, the Argentines celebrated eight blocks away in Copley Square.

The fiestas drew closer and closer until five Argentine fans wearing blue-and-white uniform shorts stood directly behind a dozen Greeks dancing in a circle.

Just as security guards prepared to move in, the circle slowly opened, and the Greeks motioned for the Argentines to join them. The Argentines did.

The hardened city sighed.

WORST: Many fans apparently didn’t realize that the game would be played about 45 minutes south of Boston in the desolate suburb of Foxboro.

And nobody knew that once they arrived at the stadium, in a forested area where parking availability seemed unlimited, parking spaces would cost $20 each.

Visitors got even with the World Cup Organizing Committee, though, by leaving their hotels in Boston and staying closer to the stadium in places such as Providence, R.I.

Our smallest state as a World Cup host? Not quite what organizers had in mind.

IMPRESSIONS: The Northeast may have tried harder than any other area, and it showed.

The normally reserved Bostonians, ranked 28th out of 36 U.S. city residents in a recent survey rating kindness to strangers, discovered warmth and tolerance.

When dozens of Irish tourists were swindled out of tickets, Bostonians found them more. When foreigners didn’t understand those distinct accents, Bostonians spoke more slowly.

YOU HAD TO BE HERE: For an hour after Argentina’s victory over Greece, more than a hundred Argentine fans remained at Foxboro Stadium, dancing and singing.

Police politely asked them to leave their seats, but the group only moved as far as the lower concourse. Thirty minutes later, police finally escorted them down the concourse and out the front gates, where they continued to party.

Was the game that exciting? Well, yes and no. With this stadium being 20 miles from the nearest decent-sized city, they had nowhere else to go.

Dallas

BEST: From the World Cup volunteers to city cab drivers, we appreciated the people. Amid bleak surroundings and uncomfortable temperatures, they provided the venue with some badly needed touches of humanity.

One hero was Laura Addington, a schoolteacher from Louisiana. She served as an interpreter for everyone. Well, at least everyone who spoke English, French, Spanish, Italian, German or Arabic.

Other stars were the African taxi drivers. They knew the roads, and they knew soccer, which is the only reason we were able to find Maradona during rush hour.

WORST: Some nights were almost cool enough to hold a sporting event. Yet most of the games were held in the blazing afternoon or early evening sun to accommodate European television.

Those brave enough to attend games suffered through stifling heat. Don’t buy those happy expressions you saw on ESPN. It was torture.

IMPRESSIONS: Dallas is a Cowboy town. And not the Germans, Argentines or any of the soccer fanatics who came through here changed that.

With poor attendance and a distinct lack of any electricity other than that generated by the Cowboys’ new set of uniforms, this proves there are about a thousand better places in this country to hold an international event.

Not that Dallas is a bad place–it’s merely the wrong place.

We have learned that events such as the World Cup require diversity of thought and appreciation of differences. Dallas is just too danged American for any of that.

What Dallas’ failure here portends for the 1996 Olympics in another southern town called Atlanta, well, that’s for another story.

YOU HAD TO BE HERE: By some estimates, the World Cup games here were outdrawn even by the demolition of the Cotton Exchange building downtown one Saturday morning. But at least at the soccer games, nobody was treated for smoke inhalation.

New York-New Jersey

BEST: With the melting pot of New York City nearby, this was the only truly international venue.

The stadium rocked with the sounds, colors and even smells of those countries competing.

Except for its location in New Jersey, Giants Stadium was also the perfect World Cup facility, with a beautiful field and gleaming facilities that had foreigners gawking.

WORST: The only Cup fever to hit New York City involved the Stanley Cup.

Maybe it was because of the Rangers. Or Knicks. Or Gay Games. It certainly wasn’t the Yankees, whose attendance was routinely tripled by the World Cup games.

Maybe it was because every day in New York City feels like an international festival. Or maybe it was because New York City simply didn’t have the time.

Whatever, the city that doesn’t sleep also didn’t care. It was interesting to drive to the stadium listening to New York City sports-talk radio hosts rip soccer, then arrive to discover mile-long lines at the front gates.

New Jersey license plates, all of them.

IMPRESSIONS: Organizers could save tourists and taxi fare by dropping all pretenses that the game is being played in New York City.

The success of this venue proves it is time to start celebrating the ethnic charms and splendid facilities of northern New Jersey . . . and leave New York to worry about the Mets.

YOU HAD TO BE HERE: The location for the World Cup host committee in this country’s largest city? New Brunswick, N.J., 90 minutes from Manhattan.

The location of these New Jersey-played games as listed on commemorative postal stamps? New York.

Detroit

BEST: Do not underestimate the accomplishment of organizers who ran the Detroit venue by avoiding all traces of Detroit.

Games were staged an hour’s drive north in the suburb of Pontiac, a bedroom community dominated by large front lawns and strip malls. If Detroit street gangs possess missiles that can fly that far, we didn’t see them.

The venue MVP (Most Valuable Professor) was Trey Rogers, the god of sod. The assistant prof of turf-grass science at Michigan State actually made grass grow inside the Silverdome.

After three years of experiments, at a cost of $2.4 million, the indoor stuff held up admirably and was hailed by all but the most serious allergy sufferers.

WORST: Much like East Rutherford and Foxboro, there was no there there. The venue lacked big-city energy and a pulse.

The streets emptied at 10 p.m. After night games, if you hadn’t paid someone to hold a spot in line at Herschel’s Deli, the happening spot was a Taco Bell drive-through.

Of course, after a game in the non-air-conditioned Silverdome, all anybody wanted to do was lie down in a nice comfortable meat locker.

IMPRESSIONS: Smiling faces, helpful people, but mostly sweat. Three-alarm, two-shirt sweat.

YOU HAD TO BE HERE: After the June 24 game between Brazil and Sweden, a thunderstorm passed directly over the media tent as hundreds of journalists were filing their stories. The thunder was deafening and the tent shook as if it were going to break.

Lightning threatened to knock out the power. The lights flickered, World Cup officials implored reporters to save their files or risk losing them.

This scene was repeated at media and hospitality tents in most of the venues. But aside from the Mexican team, nothing in the tournament has collapsed.

Washington

BEST: We never thought we’d say this, but we liked the subways.

The blue line, which stopped three blocks from RFK stadium, was a shoulder-to-shoulder mass of international passion.

The Dutch fans made their mark by pounding on the ceilings. The Swiss, by chanting through the underground terminals.

The Mexicans demonstrated their presence with songs, singing loud even though they could barely breathe while crushed in overloaded cars during the final 10 minutes of the trip.

It was all underground, but it was true democracy, rare even for our nation’s capital.

WORST: Everything was wonderful until you actually walked inside RFK.

The stadium is falling apart. The Mexican fans literally caused it to rock with their constant bouncing during Mexico’s emotional tie with Italy.

The stadium security officials were surly and overbearing. Maybe it was those horrible purple berets that made them so mad.

The stadium media-tent volunteers, mostly of college age, were the worst. This would be of no interest to the public, except many worldwide impressions of this country are created by foreign journalists.

And those foreign journalists were treated horribly. Little attempt was made to understand or deal with them.

Tickets were refused with no explanation given. Attempts to talk with media coordinators were denied. Questions about the facility were greeted with shrugs.

Translators working player interviews refused to even offer translated quotes until they had been typed and apparently approved by supervisors, which often took two or three hours.

When one Middle Eastern journalist complained about discrimination, one college girl working as a volunteer laughed in his face and replied, “I don’t think so.”

IMPRESSIONS: Sports organizers beware. Any further events staged here should not involve any local volunteers or officials from this World Cup.

This is a wonderful city, and as our capital, it should be the one of the first places promoters go for big events. But now we wonder if haughty attitudes and low-rent facilities haven’t kept the big games away.

YOU HAD TO BE HERE: A local activist hung a “Save Bosnia” sign in the stands during the opening game here between Mexico and Norway. It was taken down by local officials. He sued for the right to display it. He won.

Not that the guy wanted to rub it in, but visible the next game were two “Save Bosnia” signs.

San Fransisco-Palo Alto

BEST: We love Los Gatos. This mountain town of 28,000 near San Jose has adopted–and been adopted by–the Brazilians.

After Brazil’s games at Stanford Stadium in Palo Alto, Los Gatos became Little Rio, complete with samba music, incessant drumbeats and conga lines through Town Plaza Park.

“This is very exciting,” local resident Judy VanKampen said. “It is totally different than what you normally see in Los Gatos, which is people walking down the street with dogs and strollers.”

Even though crowds were lively, they were orderly. Some of the women might have strained the city’s public decency codes with their skimpy bikinis, but city officials, to their credit, looked the other way.

Sure they did.

WORST: The whining of Palo Alto politicians because World Cup organizers identified the venue as San Francisco.

But unless we are missing something, nobody has written a song called, “I Left My Heart in Palo Alto.”

IMPRESSIONS: Of all the venues, Stanford University was the worst in creating obstacles for World Cup organizers.

University officials were in position to drive a hard bargain because FIFA, soccer’s organizing body, wanted a presence in San Francisco but did not want to use Candlestick Park because of its smaller size.

Thus, Stanford Stadium is by far the least modern of the venues. Even though some improvements were made, World Cup organizers did not get all of their demands met.

Yet those academics learned that the World Cup is just the type of event that educational institutions should be encouraging.

The excellent soccer is the least of its legacies. Teams from four continents played here, and the visitors who followed those teams to Palo Alto left something of themselves behind.

Unfortunately for the merchants, it was not money. They were disappointed in their take.

But the visitors contributed something more valuable, their cultures. Los Gatos, one feels, will never be the same.

YOU HAD TO BE HERE: A Brazilian woman walked into an ice cream store in Los Gatos one hot day and ordered a beer.

Los Angeles-Pasadena

BEST: My, but the old lady still can sing. Our Rose Bowl looked wonderful with its face lift and colorful frills.

When the air is clear and the heat isn’t oppressive, there is no better view in this World Cup than that of the San Gabriel mountains looming behind the Rose Bowl scoreboard.

Well, OK, the view of that scoreboard after the United States played Columbia was pretty nice too.

WORST: That World Cup chief Alan Rothenberg would allow his hometown facility to rip off hungry and thirsty soccer fans–many of them his neighbors–with inflated prices is inexcusable. Two dollars and fifty cents for a Sno-cone? Fish and chips for $7.50?

IMPRESSIONS: The scene reminds us of the 1984 Olympics, causing emotions we never thought we would feel again. Traffic flowing smoothly, the city clean and pressed, citizens talking about something fun.

Surveys say that many people here couldn’t care less about the event, but the ones who do have made it memorable.

YOU HAD TO BE HERE: With so many men ignoring the “Women” signs on the portable toilets outside the Rose Bowl, officials placed “Out of Order” signs on several working potties and secretly passed around the word that women should use those.

Orlando

BEST: Quick, somebody get this town an NFL team. There was no better stadium-area atmosphere than here, where fans congregated less than a mile from the Florida Citrus Bowl at a trendy shopping and dining area called Church Street Station.

One night the Dutch fans were having so much fun, they started stealing baseball caps from policemen. Another night, the Mexicans were having so much fun they lay down on the railroad tracks upon hearing an oncoming train.

OK, so maybe we don’t all have the same kinds of fun.

Expensive restaurants became rollicking pubs. Thousands of foreigners became wailing, wandering messes.

Did we mention that the Irish were also in town?

WORST: This was soccer in a sauna. Every team that played under the unforgiving midday sun recorded a triumph of spirit.

For fans, merely getting to the games was a similar triumph. Ten dollars to ride a parking lot shuttle? Fifteen dollars to park at a local school, with the money being handed to a member of the PTA?

This was central Florida hucksterism at its worst. But then, they learned from the experts down the street, those guys wearing the ears.

IMPRESSIONS: With the Dutch and Belgians in town, this was supposed to be the site of hooliganism. Police from around the state were summoned for 12-hour shifts. But nothing happened. The most serious crime involved people refusing to leave bars at closing time.

Already our vacation capital, Orlando proved that it deserves to become a sports capital as well. It knows how to turn a game into an event without anybody getting hurt.

After existing for so long in the shadow of fantasyland, it acts as if it loves this real stuff.

YOU HAD TO BE HERE: In the downtown area on July 4, fans from everywhere joined to sing “Happy Birthday.”

To whom? To the United States, of course. Considering how we came of age in yet another international sporting scene this summer, it was a happy birthday indeed.

Times staff writers Elliott Almond, Julie Cart, Lisa Dillman, Chris Dufresne, Helene Elliott, Randy Harvey, Mike Penner and Times Sports Editor Bill Dwyre contributed to this story.

England host India in a women’s Test at the iconic Lord’s Cricket Ground – the first of such a kind at the venue.

Lord’s will finally host a women’s Test, 142 years since staging its first such men’s match, when England face India in a four-day game at the “Home of Cricket” starting on Friday.

“It just boggles my mind that it is just the first (women’s) Test match here at Lord’s,” said India coach Amol Muzumdar.

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“It is a great occasion, and we are looking forward to it.”

The match takes place just more than 50 years since the first women’s match of any kind at the renowned London venue, with England beating Australia by eight wickets in a one-day international on August 4, 1976.

England’s captain at Lord’s that day was the late Rachael Heyhoe Flint, a pioneering figure in a women’s game where players were still wearing skirts rather than white or coloured trousers, as they do now.

Heyhoe Flint, who died in 2017, now has a gate named after her at Lord’s.

But in 1976, Marylebone Cricket Club (MCC), the owners of Lord’s, were still decades away from admitting women as members, with the thought of females walking directly through the Long Room of the pavilion before taking the field a distant dream.

England’s No 5 that day, Megan Lear, compared the experience to the moon landing, telling The Guardian: “On that day in 1976, to walk on to the hallowed turf at Lord’s, it was like one small step for us women cricketers, but one giant leap towards the future of women’s cricket.”

It is a sign of how things have changed from those amateur days that a Test between two professional sides will also be England’s second fixture at Lord’s in less than a week, following Sunday’s defeat by Australia in the women’s T20 World Cup final – a match that attracted a capacity crowd.

Nine of England’s World Cup squad are included for the Test, including captain Nat Sciver-Brunt, who is “hoping to play” despite a nagging calf injury.

‘History in the making’

“We’ve always known this has been on the calendar,” said England coach Charlotte Edwards.

“A lot of our players have been doing Test match prep throughout the T20s, so we’re really looking forward to it,” added Edwards, England’s captain when they won the 2009 Women’s T20 World Cup final at Lord’s.

“It’s a historic Test match for us as a group and for the Indian team, and we can’t wait to play in front of a lot of people again over the next four days.”

Teenage England spinner Tilly Corteen-Colman is well aware of the importance of the occasion.

“I remember speaking to Lottie (Edwards) about when she used to play here and they weren’t allowed in the Long Room,” said the 18-year-old.

“The first women’s Test at Lord’s is history in the making, so to be involved would be incredible. It would mean the absolute world.”

As well as a breakthrough, the game will also mark England batter Tammy Beaumont’s farewell to international cricket.

Beaumont has made 260 appearances for England since her debut 17 years ago, and she was the first English woman to score a double century in a Test – 208 against Australia at Trent Bridge in 2023.

“When I fell in love with playing cricket as a young girl, I barely knew that playing cricket for England was an option,” said Beaumont.

The 35-year-old, who will continue to play domestic cricket, added: “Our first ever women’s Test at Lord’s feels like the perfect occasion to sign off on a career that I could never have dreamt would be as special as it has been.”

Abigail Velez took to social media to issue her apology for her ‘thoughtless comment’

An ABC News reporter has apologised after sparking backlash with an on-air comment about Bosnia-Herzegovina ahead of the country’s World Cup clash with the United States.

Abigail Velez, who works for ABC7 Los Angeles, was reporting from a USA viewing party in Long Beach, California, when she made the remarks while discussing America’s next opponent in the tournament.

Following the US team’s 3-2 defeat to Turkey, Velez told viewers: “The next round, Team USA will play Bosnia next Wednesday and one thing about Bosnia, I could not point out where it is on a map.”

She then added: “I don’t know the first thing about Bosnia and I don’t want to know because Team USA, we’re back, we’re better than ever.”

The comments quickly spread on social media, where Bosnian football fans and other viewers criticised the report as disrespectful.

One account, Bosnian Football, shared the clip on X and wrote: “My goodness, the stereotypes write themselves…”

Another viewer said: “Some competitive talk is always fun, but that’s not the way to do it.”

A third added: “The weirdest thing about Americans is that they feel it’s like a flex to say ‘I don’t even know where they are on a map.'”

Velez later issued an apology on X, formerly Twitter, admitting she had gone too far while trying to inject humour into her World Cup coverage.

She wrote: “In a poor effort to have a little fun with World Cup competition, I took it too far and made a thoughtless comment on air that was insensitive and inappropriate. I apologise to the people of Bosnia and the Bosnian Football team.”

She added: “The World Cup is supposed to be about uniting communities around the world, and my comment didn’t reflect that spirit. Wishing all the teams the very best as they continue their World Cup journey.”

Despite her apology, not everyone was convinced. One person replied: “This is not a pure apology. This is just a pr stunt to protect one’s reputation from being scrutinized.” Another pointed out that the current president of ABC News, Almin Karamehmedovic, is actually from Bosnia and Herzegovina.

Not everyone was offended though. One user shared, “There is absolutely no reason to say sorry for that. The Bosnians don’t even know where Pigeon Forge and Rochester are on the map. Do you see them saying sorry?”

The apology came ahead of the USA’s knockout match against Bosnia-Herzegovina, which is due to take place at San Francisco Bay Area Stadium on Wednesday.

The United States finished top of Group D after winning two of their three matches, while Bosnia-Herzegovina progressed from Group B as one of the best third-placed sides.

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When CBS announced that it planned to outsource the hallowed “Late Show” slot occupied by Stephen Colbert and David Letterman before him to “Comics Unleashed,” the syndicated, low-budget talk show with stand-ups riffing on their routines, many saw politics at play.

But the show’s host and producer, comic-turned-mogul Byron Allen, saw the math. Once a cultural touchstone, late-night television has seen its prominence erode greatly over the years with viewers and advertising dollars shifting away from broadcast TV to streaming.

“I said, ‘Look guys, you’re spending a small fortune on late night,’” recalled Allen, who estimated that the programming was costing the network more than $200 million. He offered it a solution.

His company, the Los Angeles-based Allen Media Group, would pay $15 million for the airtime to run “Comics Unleashed,” which previously aired after “The Late Show,” while keeping most of the advertising time on the program to sell. It was the same time-buy model that propelled his fledgling media empire and made him wealthy many times over.

“Comics Unleashed” drew 1.1 million viewers in its debut in the new time slot last month, down substantially from the 2.7 million Colbert’s show averaged in its final season. Critics chimed in, with one outlet even calling it a “ratings disaster.”

But Allen, typically, was not fazed, saying his show bested the competition in key markets and was more comparable with the same time period last May before Colbert’s post-cancellation victory lap.

“CBS has won big-time because they have zero production costs and now they are saving $55 million a year,” he said in an interview.

A relentlessly driven, shrewd dealmaker and entrepreneur, Allen is used to defying skeptics and seeing opportunity in assets overlooked by others. He was one of the first entertainers to recognize that there was more money to be made in owning your content, rather than just performing it.

Over the last three decades, he has built a multibillion-dollar business, Allen Media Group, which now has 2,000 employees across various media properties.

In addition to creating a trove of accessible, family-friendly programs, he’s taken a number of big, bold swings, buying up distressed assets that now span broadcast, cable, streaming and film distribution.

At times, he appears like a minnow trying to swallow a whale. Although many deals have landed, others, such as his bids for ABC, BET, Paramount Global and Tegna, have not.

“He’s had misses, but that doesn’t stop him from going to bat,” said Lloyd Greif, president and chief executive of Greif & Co., a Los Angeles-based investment bank.

After a major restructuring that began two years ago during which the company laid off staffers and sold off properties, Allen is back with a slew of ambitious acquisitions. In addition to owning CBS’ late-night block, he also took over the 12:35 a.m. slot with his comic game show, “Funny You Should Ask.” He declined to reveal how much he paid for that airtime.

Allen recently snapped up controlling interest in the digital media company BuzzFeed (including HuffPost) for $120 million and bought a 10.7% stake in cable channel Starz for $25 million.

Although Allen’s programming has been dismissed as low-budget, apolitical comedy, and his finances have been questioned by some, he remains undaunted by doubters.

“I like to say I’m a 65-year-old overnight success.” And he remains focused on his mission, even proclaiming he is “building the world’s biggest media company.”

An entrepreneurial streak

Allen was born in Detroit, where his grandparents owned a roller rink where he worked as a floor guard. Being surrounded by a family of factory workers and the legacy of 20th century American industry set the stage for his entrepreneurship. “I didn’t play sports; I played office,” he said.

At age 7, after his parents’ divorce, Allen moved to Los Angeles with his mother, Carolyn Folks. It was the summer of 1968 and they planned a two-week vacation. But Detroit was in flames following the assassination of the Rev. Martin Luther King Jr., and they stayed.

Folks put herself through UCLA and eventually worked her way up at NBC from an intern to a publicist, a move Allen credits with changing the trajectory of their lives. His mother couldn’t afford child care, so Allen often accompanied her at the studio, where he soaked up tapings of “Sanford and Son” and “The Tonight Show.” After Johnny Carson finished filming and the studio was empty, Allen would sit at his desk, mimicking the legendary late-night host.

At 14, he convinced his mother to let him do stand-up at the Comedy Store on Sunset Boulevard.

“There were literally four people and 200 chairs. And I said, ‘I have to figure out how to make these chairs laugh.’”

A writer for Jimmie “J.J.” Walker, who was starring on the groundbreaking Norman Lear hit comedy “Good Times,” caught his act. He hired Allen to write jokes for Walker along with a pair of yet-to-be discovered comics: Jay Leno and David Letterman. Allen earned $25 a joke.

“Most people in my business wait for other people to give you an opportunity,” said Howie Mandel, the actor and comic who met Allen when they were starting out at the Comedy Store during this period. “Byron and his mom constantly made their own opportunities.”

In 1979, when Allen was 18, he became the youngest comic to appear on “The Tonight Show.” Like a shot out of a cannon, the performance catapulted his career.

While various offers poured in, Allen chose the NBC prime-time series “Real People” as a host and correspondent. It was an embryonic version of reality TV. Allen traveled around the country showcasing quirky, heartwarming stories. The hit show brought Allen to every pocket of America. It also made him a star, delivering him to the country’s living rooms each week.

He continued to tour, doing stand-up and serving as the opening act for such musicians as Lionel Richie and Dolly Parton, and starred in TV movies.

Allen became a hero to young, Black entertainers who were just starting out. Among them was Eddie Murphy, who has called Allen “one of my first inspirations.”

“He just loves comedians,” said Whitney Cummings, co-creator and executive producer of the hit CBS sitcom “2 Broke Girls.” She recalled crucial career and financial advice Allen gave her after she first appeared as a young comic on “Comics Unleashed.” “It gave me like a true north. It changed my life.”

As Allen’s success swelled, he said, he realized the industry was what he calls “business show, not show business.”

“You need to know the business side and learn the business side and then you can do as many shows as you want. And I knew that I didn’t want to work for anybody,” he said.

While on “Real People,” he sat in on sales meetings and went to the National Assn. of Television Programming Executives, where he introduced himself to Al Masini, the syndication trailblazer who produced “Entertainment Tonight” and “Star Search.”

“I understand you’re the best. I’m here to learn from you,” Allen said.

In 1989 he began hosting the syndicated “The Byron Allen Show.” Two years later, he created BYCA Television Distribution to take over his talk show’s distribution and syndicate other shows.

But Allen and his new company were soon facing legal and financial issues. A group of former employees and an investor sued, claiming they had not been paid. The dispute forced the company into Chapter 7 bankruptcy.

Allen pressed on. He had absorbed another key lesson.

Learning from Richard Pryor

When he was still hanging out at the Comedy Store, he watched Richard Pryor trying out new material.

“He would bomb night after night for almost three months,” Allen said. “I’ll never forget, he told me, ‘Byron, you’re only as good as you dare to be bad.’ I learned, OK, take risks. It’s about growing and taking chances.”

In 1993, Allen launched CF Entertainment on his dining room table in Los Angeles. The production company, later Entertainment Studios, became the foundation of his media empire. He focused on producing low-cost, syndicated programming, including interview series and court shows. Allen produced and often served as host.

His first show, “Entertainers With Byron Allen,” packaged the five-minute celebrity interviews during hotel press junkets, a conveyor belt of actors promoting their latest projects set up by the studios into an hourlong talk show.

Allen bartered the show for free to TV stations in exchange for a split of the revenues from selling commercials to advertisers. Success was not immediate. He said he received countless rejections at first.

“My house went in and out of foreclosure probably 14 times,” he said. At one point, he said, his telephone service was turned off, forcing him use a pay phone for calls.

But the format established the template for what became Allen’s highly successful business. Forbes has estimated his net worth in the billions. Allen declined to discuss his personal or business finances.

The mogul now owns multiple homes, including a $91.3-million mansion in Aspen, Colo., that was recently featured in the Wall Street Journal.

“A lot of people didn’t take him seriously and saw him as a comedian,” said Joan Robbins, Allen’s first employee, who has stayed on for 32 years as president of talent relations. “I don’t think anybody realized the extraordinary business sense he had.”

As Allen’s media ambitions have expanded beyond comedy and syndicated talk shows, so has his company. It produces, distributes and sells advertising for 74 television programs (“Mathis Court With Judge Mathis” and “Career Day” among them) as well as owns 13 broadcast stations affiliated with the major networks in 11 markets and several dot-TV cable and digital networks including Cars.TV, Automotive.TV and Comedy.TV.

In 2016, he acquired the Black entertainment platform TheGrio and later purchased the assets of the Black News Channel out of bankruptcy for a reported $11 million, merging its TV assets and carriage deals into TheGrio’s network.

A year earlier, Allen made waves by filing the first of several multibillion-dollar racial discrimination lawsuits to tackle what he called the “trade deficit between Black America and white corporate America.” His case against Comcast for not carrying Allen-owned stations and networks reached the Supreme Court before being settled.

“I feel good about starting that conversation … because we were going in circles and we were definitely suffering from economic genocide,” he said.

In 2018, Allen’s company bought the Weather Channel and the streaming service Local Now for $300 million. His firm also announced it had raised $500 million in credit facilities organized by Deutsche Bank Securities, Jefferies Financial Group, Brightwood Capital Advisors and Comerica Bank to finance production and other acquisitions.

What unites these disparate assets? “We’re directed at where the viewers are,” he said. “That’s where we’ll be.”

But in his tireless push to expand his sprawling company, Allen has made several failed bids for high-profile assets.

In 2023, he offered Disney a reported $10 billion for ABC and some of its cable networks, and the following year bid $30 billion for Paramount Global. He also made plays for Tegna and BET.

None of his offers succeeded, prompting skepticism about his ability to finance such deals. Allen Media Group is wholly owned by the entrepreneur.

Allen dismissed such concerns. “I raised the money to buy the Weather Channel in one day,” he said. “There’s trillions of dollars looking for really good executives and really good deals. I have no problem raising capital.”

The Times viewed multiple letters from private equity firms and banks. Several indicated that Allen had financial backing on the deal to buy BET, and another showed he had $4 billion in funds to back the purchase of Paramount assets.

Over the years, former employees have criticized some of Allen’s employment practices. In 2012 he faced a class-action suit from performers and staffers on “Comics Unleashed” who alleged they were not paid residuals or reimbursed for travel and other expenses. The suit was settled in 2023.

Allen called the suits “frivolous,” saying, “I couldn’t be in business if I actually conducted myself that way.”

Last year, Allen came under fire after announcing sweeping cuts at about two dozen local affiliates that included laying off meteorologists, part of a reorganization to centralize forecasts at the Weather Channel in Atlanta. The move sparked viewer outrage and the plans were reversed.

The controversy came as Allen’s company was retrenching. He sold off about a third of the TV station portfolio for $171 million.

Allen said this was a case of “rightsizing,” paying down debt and investing more in digital. “I sold 10 of my ABC, NBC, CBS and Fox affiliates to Gray [Media] at a great price for us and a great price for them.”

Allen confirmed he is negotiating with lenders over substantial debt payments coming due in the next year, but said he is “highly confident they will get refinanced or extended.”

Shortly after he bought a stake in Starz, Allen announced his intentions to own the cable channel. Starz responded by adopting a poison pill.

“Good luck,” he said. “I still plan to take over Starz, and I will eventually get control of Starz.”

The 2026 World Cup, the largest ever, will be played in three countries and 16 stadiums, organized by geography, not national borders.

Seven of the 11 U.S. venues — all but Kansas City, Philadelphia, Santa Clara and Miami — plus Vancouver normally have artificial-turf fields.

So for the World Cup, which FIFA mandates must be played on grass, those surfaces underwent multi-million-dollar transformations, with state-of-the-art fields — each with its own root system and irrigation methods — rolled out across the plastic turf.

Additionally, stadiums that have corporate names not affiliated with FIFA sponsors — SoFi Stadium, Mercedes-Benz Stadium, etc. — will use generic names such as Los Angeles Stadium and Atlanta Stadium during the tournament.

The BBC star was absent from her usual space on the green sofa as JB Gill and Angelica Bell fronted the programme.

Things looked slightly different during the latest episode of The One Show as people were quick to notice Alex Jones’ absence.

The Welsh star usually fronts the programme alongside a plethora of rotating presenters, including Roman Kemp, Vernon Kay and Clara Amfo.

However, on Wednesday night (June 10), BBC fans saw Angellica Bell and JB Gill opening the programme as they explained where the 49-year-old was.

Angellica said: “If you’re wondering where Alex is tonight, she’s at the Royal Academy Summer Exhibition before it opens to the public next Tuesday.

“Last night, we revealed the successful artists, both amateur and professional, who were selected to have their work displayed in the world-famous gallery. Tonight, we’ve been invited to a special launch party to celebrate.”

The camera then cut to a clip of Alex inside Burlington House, where the event is taking place, as she walked through one of the rooms holding the artwork.

She said: “It’s one of my favourite nights of the year. Oh my goodness, there is so much to see here. Now, we’ve been following some of the artists all week who are hoping to get their work on the wall.

“Tonight, after 22 years of submitting, Vincent will finally see his on one of these walls, it’s going to be quite an emotional moment, I think.

“Also, you should see the guest list! There are celebrities everywhere here, and I might just get one for a chat later, who knows.”

The BBC star later spoke with Vincent who was overcome with emotion when he saw his artwork on the wall after two decades trying to achieve his goal.

Elsewhere on the show, Nikki Fox informed viewers that they won’t be seeing her on-screen for a while as Watchdog was taking a hiatus.

She told viewers: “We’re having a little break now. Going to have a little lie down and a bacon roll!

“But we are going to be back very soon with plenty more investigations from me, Matt and our new team members! We’ve got Nick Stapleton, who you saw tonight and Amanda Haque.”

As she wrapped up, Angellica told fans the Watchdog segment would return again in September.

The One Show is available to watch weeknights on BBC One from 7pm

Republican Steve Hilton, a former Fox News commentator, clinched one of the top spots in California’s gubernatorial primary on Tuesday, earning him the right to challenge veteran Democratic politician Xavier Becerra in the November election to determine the state’s next governor.

The contest offers voters two starkly different politicians. Hilton was endorsed by President Trump and has wooed his MAGA supporters, blaming Democratic policies for California’s homelessness crisis, high cost of living and other entrenched ills. Becerra campaigned as a battle-tested warrior against the Republican president and a champion of affordable healthcare. He could make history as the state’s first elected Latino governor.

Hilton’s victory was declared by the Associated Press on Tuesday, days after Becerra secured one of the top spots and a week after the June 2 election. Under California’s primary system, the two candidates who receive the most votes in the primary advance to the November general election, regardless of their party affiliation. According to the latest vote count, which is ongoing, Becerra has a slight edge over Hilton.

Democrat Tom Steyer finished in third place. The hedge fund founder and environmental activist spent $216 million of his own money on his campaign, and now joins the legion of other high-profile, self-funding candidates rejected by California voters.

Becerra heads into the Nov. 3 election with a distinct advantage — Democratic voters in California outnumber Republicans by an almost 2-to-1 margin, a telltale reason why no GOP candidate has won a statewide race since 2006.

The contrast between Becerra and Hilton, both on policy and political personas, couldn’t be more pronounced.

A British immigrant and former political advisor to U.K. Prime Minister David Cameron, Hilton, 56, embraces traditional conservative ideals that have echoed across the country since the days of President Reagan — cutting taxes, weeding out government fraud and waste and promising to unbridle entrepreneurs and homebuilders from stifling state regulation.

But he’s also ventured into MAGA territory, declining to acknowledge that Trump lost the 2020 presidential election and promising to extradite California doctors who provide abortion pills to other states for prosecution.

Becerra, 68, came up in Los Angeles politics in the 1980s and has long supported policies to expand protections and resources for immigrants with or without legal status. Married to Harvard-educated OB-GYN Carolina Reyes, Becerra has also staunchly opposed abortion restrictions throughout his career.

In Congress and other positions, Becerra earned a reputation as a cerebral, analytical politician who would fully commit to his positions after taking time to mull them through.

A straight-laced family man with a Catholic upbringing, Becerra was more reserved during the debates — a quiet confidence that drew some voters to support him. He also faced criticism from his rivals for failing to offer detailed housing and healthcare policies.

Hilton, who cuts an unmistakable image with his bald crown and clipped English accent, proved himself as a polished communicator during the debates, skills honed by his years as a Fox News analyst.

Television hosts must translate complex issues into easily digestible sound bites, said Republican strategist Matt Klink. “Most voters want a CliffsNotes version of the issues,” Klink said.

Republican strategist Kevin Spillane credits Hilton’s TV show, “The Next Revolution,” which ran for six years, with boosting his profile, calling Fox News the most important media vehicle within the conservative and Republican framework.

Hilton “understands how politics and how communications work,” Spillane said.

He often appeared relaxed during the gubernatorial debates, at points even complimenting or joking with his rivals as they parried on stage.

At a CBS debate earlier this year, Becerra referred to President Trump, who endorsed Hilton, as the Republican candidate’s “daddy.” Hilton responded with a quip that quickly deflated the attack.

“It would be rather amazing,” said Hilton, at the possibility of being Trump’s son. “My daddy was the goalie for the Hungarian national ice hockey team.”

In an interview last week, before the election, Hilton said he enjoyed the debates. “In a weird way, I was sad when we had the last one,” he said. “I’m looking forward to debating whoever it is.”

As a former political advisor to Britain’s Conservative Party, Hilton helped usher in a green, socially liberal strain of conservatism.

He also infuriated colleagues in the coalition government, the British press reported, proposing a stream of unconventional ideas: scrapping maternity leave, abolishing job centers, even buying cloud-bursting technology so Britain would have more sunshine. In 2012, he moved full time to the Bay Area.

Hilton, who founded a nonprofit on California policies, was known for his frequent visits in the last couple of years to the state Capitol for discussions with legislators.

Rival Republican candidate Riverside County Sheriff Chad Bianco, who was trailing Steyer in fourth place in the latest vote count, ultimately didn’t seek to appeal to those beyond his rural, MAGA base, Klink said.

By contrast, Hilton presented himself as the “more cosmopolitan” candidate who “can talk to the hedge fund manager or the small-business owner or the Sacramento lobbyist,” said Klink said.

“Hilton was more energized at the end, when it mattered,” said Spillane, contrasting the two Republicans.

Past Republican candidates, including businessman John Cox in 2018 and former eBay CEO Meg Whitman in 2010, have self-financed their campaigns with their vast fortunes.

By contrast, Hilton spent just a few million dollars on media advertising, he said in an interview last week.

He said he ignored advice from consultants who told him to do a launch announcement and then unleash a wave of ads in the last month of the campaign.

“I just said, ‘I want to do it the old-fashioned way,’ and that’s what we’ve been doing,” said Hilton in the interview before the election. “We’ve been to nearly every single county…. stepped it up with our town halls.”

Nina Royal, 83, who lives in Los Angeles and is a community advocate for her Tujunga neighborhood, voted for Hilton, saying that he understands California’s problems.

“He’s a realist,” said Royal. “He has a clear view of what needs to be done.”

Times staff writer Jenny Jarvie contributed to this report.

MEGAN Thee Stallion nearly blew the roof off Radio City Music Hall after gracing the 2026 Tony Awards stage in barely-there lingerie during the ceremony’s wild opening number.

The rapper bent over in a Moulin Rouge-inspired look and showed off her signature twerking skills before dropping an F-bomb during the live awards show that was televised on CBS and Paramount+ on Sunday night. 

Megan, 31, made a surprise appearance during host Pink’s massive Broadway-themed opener on Sunday night, instantly becoming one of the most talked-about moments of the 79th Annual Tony Awards.

The music superstar strutted onto the stage in a sparkling black corset bodysuit complete with fishnet tights, dramatic garters, sequined detailing and towering heels.

She channeled full Parisian cabaret energy inspired by her recent run in Moulin Rouge! The Musical on Broadway.

The Grammy winner joined Pink during a remixed performance of Lady Marmalade, the signature Moulin Rouge anthem, as dancers swarmed the stage in feathered costumes and red velvet-inspired looks.

At several points during the performance, Megan dropped into twerk breaks – which resulted in roaring applause from the crowd.

At another point, the camera cut to stunned audience members cheering and laughing as the Houston-born rapper was bleeped after dropping an F-bomb.

The over-the-top opening number featured more than 170 Broadway performers and included tributes to Moulin Rouge!, Chicago, Rent, A Chorus Line and several of the night’s biggest nominated productions.

Pink, who is hosting the Tonys for the first time ever, kicked things off flying over the audience in a Peter Pan costume and harness before launching into a theatrical mashup packed with celebrity cameos.

Mormon Wives breakout Whitney Leavitt also popped up during the opening dressed in her Roxie Hart costume from Chicago, while Lea Michele belted out surprise vocals during the sprawling musical performance.

Fans immediately flooded social media praising the campy energy of the opener – and Megan quickly emerged as the breakout star of the night.

“One thing Megan Thee Stallion is gonna do is commit to the performance,” one fan wrote on X alongside fire emoji’s.

Another viewer posted: “Megan twerking at the Tony Awards was NOT on my bingo card but she ate.”

A third fan joked: “Broadway just became the Hot Girl Theater.”

Others praised Pink for embracing the over-the-top antics of the Tonys opener, with one viewer calling it “the most fun opening number in years.”

Megan’s appearance comes just weeks after wrapping her history-making stint in Moulin Rouge! The Musical, where she became the first female-identifying performer ever to play the role of Zidler in any production of the show worldwide.

The 2026 Tony Awards aired live on CBS and Paramount+ from New York City’s Radio City Music Hall.

BROADWAY’S biggest night turned into a full-blown fashion parade as Hollywood heavyweights, theater legends and music royalty stormed the 2026 Tony Awards red carpet in jaw-dropping style.

From Rose Byrne serving her signature sleek sophistication to Sarah Paulson embracing bolder glam, Sunday night’s carpet outside New York City’s iconic Radio City Music Hall was packed with headline-making looks.

The 79th Annual Tony Awards, hosted for the first time by pop superstar Pink, celebrated the best of Broadway while also doubling as one of the year’s flashiest celebrity fashion events.

Pink arrived ready to command the stage in a dramatic black gown featuring oversized petal-inspired ruffles and a blue floral hairpiece.

The host brought along husband Carey Hart and their children for her major Tony debut.

Meanwhile, Rose Byrne, who is nominated this year for her Broadway debut in Fallen Angels, stunned in a monochromatic coordinated look alongside longtime partner Bobby Cannavale.

The Bridesmaids star’s polished ensemble leaned classic Old Hollywood while still keeping things modern and sharp.

Sarah Paulson also turned heads with a colorful fashion-forward ensemble that instantly became one the favorites from fans. 

But one of the biggest buzz moments came courtesy of Aubrey Plaza, who officially debuted her pregnancy on the red carpet while attending with her partner, Christopher Abbott. 

The White Lotus alum showed off her baby bump in a black-and-white striped gown while Chris kept things classic in a velvet black suit.

Elsewhere on the carpet, stars including Julia Louis-Dreyfus, Queen Latifah, Leslie Odom Jr., Adrien Brody, Maya Rudolph and Bernadette Peters all brought Broadway-worthy glamour to the arrivals line.

Rachel Zegler also made a dramatic entrance ahead of her upcoming Broadway run in Evita, rocking a daring plunging brown gown that quickly lit up social media.

Julianne Hough floated onto the carpet in a draped white gown that hugged her frame before cascading into a Grecian-inspired silhouette.

The DWTS host completed the ethereal look with sleek black heels and a sharp bob.

Maya Rudolph embraced glamour in a flowing dark ensemble with dramatic tailoring following her record-breaking run as Mary Todd Lincoln in the critically acclaimed Oh, Mary! 

Drew Barrymore brought classic movie-star energy to Broadway’s biggest night, dazzling in a whimsical gown complete with soft waves and sparkling jewels. 

Cole Escola, who is never one to play it safe, once again stole the show in hot pink balloon-style jumpsuit that felt ripped straight from an avant-garde stage production.

Secret Lives of Mormon Wives star Whitney Leavitt, who was also part of the night’s Chicago anniversary tribute lineup, sparkled in a shimmering silver look with sheer detailing. 

Live with Kelly and Mark hosts, Kelly Ripa and Mark Consuelos, stepped out for a date night as they were both dressed to the nines to support this years’ Tony nominees.

Broadway darling Lea Michele looked stunning in a multi-colored dress with a white top and sequin-black skirt.

This year’s ceremony honored the best productions from the 2025-26 Broadway season, with musicals The Lost Boys and Schmigadoon! leading the pack with 12 nominations each. 

The revival of Ragtime also emerged as a major contender, while Death of a Salesman dominated the play categories with nine nominations.

Big acting nominees this year included Rose Byrne for Fallen Angels, Daniel Radcliffe for Every Brilliant Thing, Carrie Coon for Bug and Christopher Abbott for Death of a Salesman.

The awards ceremony aired live on CBS and streamed on Paramount+, with Pink opening the show in an elaborate musical performance featuring more than 170 Broadway performers.

Love Island’s Maura Higgins is reportedly in talks to host the new Blind Date reboot on Disney+

Maura Higgins could be poised to transition from seeking romance on television to assisting other singletons in finding “the one”.

The former Love Island contestant is said to be in advanced discussions to become the face of the reboot of Blind Date with streaming behemoth Disney+ reportedly preparing to commence filming later this year.

Maura, 35, initially rose to prominence on Love Island in 2019 before establishing an impressive television career on both sides of the Atlantic.

Since departing the villa, she has featured on programmes including Love Island USA, The Traitors US, Dancing On Ice and I’m A Celebrity… Get Me Out Of Here!.

Now sources suggest producers are convinced she represents the ideal candidate to follow in the footsteps of legendary presenter Cilla Black.

A TV insider told The Sun: “Discussions are at an advanced stage, with the show’s producers convinced Maura’s the perfect choice for the job.”, reports the Daily Star.

“Not only did she shoot to fame on a TV dating contest, she is now an internationally famous face which is what a global service like Disney need for one of their shows.

“Maura also has an unquestionable glamour combined with cheeky charm which has echoes of Blind Date’s most famous host.” Daily Mirror has reached out to Disney and Maura’s representative for a comment.

The original Blind Date became one of Britain’s most successful television programmes after launching in 1985, with Cilla Black at the helm. At its height, the show drew audiences of up to 17 million viewers before ultimately being axed by ITV in 2003.

A subsequent Channel 5 revival presented by Cilla’s dear friend Paul O’Grady aired between 2017 and 2019 but struggled to capture the original’s sparkle.

Reports of a fresh comeback initially surfaced last year, with executives said to be determined to secure a female presenter who could deliver a contemporary twist while maintaining its sentimental appeal.

It is understood the iconic wall dividing contestants from their prospective dates will be retained, though other aspects of the format may be modernised for today’s audience.

The development would represent another significant career achievement for Maura, whose public profile has continued to rise since her reality television debut.

The Irish star has established herself as one of the most prominent figures to emerge from Love Island and remains a consistent presence on television, red carpets and high-profile entertainment occasions.

Disney+ is anticipated to premiere the reboot at some point next year, with an official confirmation still to be announced.

Loose Women has been hit with a sudden schedule change

Loose Women is set for a schedule shake-up.

Kaye Adams confirmed that the ITV hit show will be missing from the regular 12.30pm timeslot on Friday, June 5.

During Thursday’s (June 4) episode the TV presenter returned to our TV screens alongside fellow panellists Jane Moore, Oti Mabuse and EastEnders star Natalie Cassidy as they shared their opinions on the day’s trending topics.

Speaking at the end of the episode, Kaye revealed that the show won’t air tomorrow, however, she was quick to assure fans that they’ll be back in business on Monday (June 8) as normal.

She explained: “That’s it for today. No Loose Women tomorrow as ITV heads to the races but we will be back on Monday at 12:30. We will see you then.”

Loose Women will instead be replaced with the races. Viewers will see Francesca Cumani and Ed Chamberlin present live coverage of The Oaks from Epsom, plus the support races.

There will also be analysis from Jason Weaver and Adele Mulrennan, reports by Matt Chapman, Rishi Persad, Oli Bell and Mick Fitzgerald, and commentary from Richard Hoiles.

It comes after ITV’s shake-up that came into force at the start of 2026 when Loose Women was cut to a 30-week seasonal schedule.

Speaking about the cuts, Coleen Nolan previously told the Mirror: “The crew have become family. I’ve watched them grow. Some of our runners from back in the day are producers, married with kids. I’ve shared my life with them. They’re in limbo, not knowing what they’re going to do.”

She continued: “Loose Women isn’t ending, which I’m so thankful for, but it’s changing. It’s going to be very different in the respect of the size of the crew, but it’s still running. Which it should be – there isn’t another show that celebrates and supports all women of every size, age, whatever.

“But it’s heartbreaking to see some of my colleagues not knowing what they’re going to do. Many of them have young families and mortgages.”

Nadia Sawalha previously spoke out on the YouTube channel she shares with her husband Mark Adderley, saying: “Do you know what, at the moment, all of us on screen are in work and are proud of what we do.”

“But behind the scenes there are people that are really suffering, and what you don’t realise is when you attack the show you attack them, because you never see all the army of people behind the scenes and how hard they work.

“So to all my friends and colleagues behind the scenes who have just got a huge shock out of the blue, I’m so sorry. Mark knows how upset I’ve been at home about it. I just can’t bear it. So just be f****** kind to people. What people don’t realise at Loose Women is that we’re self-employed. Every contract is a new contract. I could be let go tomorrow.”

Loose Women airs weekdays from 12:30pm on ITV1 and ITVX.

Comedian and “Saturday Night Live” standout Marcello Hernández will host this year’s ESPY Awards, ESPN announced Wednesday.

The event, honoring excellence in sports performance, will be broadcast live on ABC and the ESPN app from the David H. Koch Theater at Lincoln Center on July 15, making it the first ESPYs in New York City since 1999. For the last 25 years, the awards ceremony was held in Los Angeles.

“I started doing comedy 10 years ago, in Cleveland, Ohio, and I would take the train 12 hours to New York to sell comedy tickets on the street in Greenwich Village in exchange for stage time,” Hernández said in a statement. “It is an honor, and frankly feels crazy to be hosting the ESPYs this year in New York. I’m sure the energy is going to be great.”

Hernández recently headlined the biggest Spanish-language comedy show ever at the Hollywood Bowl as part of the Netflix Is a Joke Festival in May, and wrapped up his fourth season of “SNL” soon after. His first stand-up special, “American Boy,” premiered on Netflix in January.

He’s also a sports enthusiast, having grown up playing soccer and competing at the collegiate level during his time at John Carroll University in Ohio.

“Marcello is one of the most electric, young comedians today. His genuine enthusiasm for sports and his ties to New York City make him a natural fit to host this year’s ESPYs,” Craig Lazarus, ESPN vice president and executive producer of the ESPYs, said in a statement.

Hernández succeeds last year’s emcee, comedian Shane Gillis, as well as past hosts that include Jimmy Kimmel, John Cena, LeBron James and Peyton Manning.

In January, Puck reported that the change in venue is an effort to capitalize on the popularity of Fanatics Fest, the massive sports festival taking place in New York’s Javits Center from July 16-19, which also coincides with the World Cup final on July 19 at MetLife Stadium in New Jersey.

“This return to the heart of Manhattan brings the celebration of sports back to its roots for an unforgettable night at an iconic cultural landmark,” an ESPN spokesperson said in a statement.

Daniel Patterson, the chef behind San Francisco’s Coi, who once helmed Alta Adams alongside chef Keith Corbin, has opened a new tasting restaurant in Hollywood, alongside his wife and former music journalist and producer Sarah Lewitinn. Jacaranda challenges stereotypes of stuffy or restrained fine dining restaurants with a Gen X playlist, casual service and lively conversations among guests. This approach, as Patterson told reporter Stephanie Breijo, better reflects the ethos of Los Angeles, where your next great meal is just as likely to come from a street vendor as it is from a 10-course dinner. The restaurant holds only one seating per night, to allow diners the opportunity to linger as you would at a friend’s dinner party, as well as a multi-course lunch on Sunday.

Mexican President Claudia Sheinbaum has announced that her country will host the Iranian national football team during the upcoming FIFA World Cup, due to tensions with the United States.

On Monday, Sheinbaum said that FIFA, the global football governing body, had approached Mexico about hosting Iran, after the US said it did not wish to do so.

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“We have no reason to deny them the possibility of staying in Mexico,” Sheinbaum said during her daily media conference.

Previously, Iran had been scheduled to play all three of its group matches in the US.

But the administration of US President Donald Trump has previously said it is not “appropriate” for Iranian team members to be in the country, “for their own life and safety”.

It has yet to grant the Iranian team the necessary visas to travel to the US, despite Trump’s assertion that players and staff would be “welcome”.

Since February 28, the US and Israel have been at war with Iran, and peace negotiations are tense but ongoing.

The head of Iran’s football federation, Mehdi Taj, confirmed on Sunday that the team planned to move its training base from Tucson, Arizona, to the Mexican border city of Tijuana.

Taj explained that team leaders got approval for the move after meeting with FIFA officials in Istanbul, as well as holding an online conference with FIFA’s Secretary General, Mattias Grafstrom.

Switching the team’s base to Mexico, Taj said, would help avoid visa complications, with the team able to travel directly to Mexico aboard Iran Air flights.

But the US-Israeli war against Iran has cast a pall over the World Cup, making the Iranian team’s participation uncertain.

Roughly 3,468 people have been killed in Iran since February’s war began, and more than 26,500 have been injured. Further fatalities have been reported across the region.

The war has also thrown the global economy into turmoil, driving up the costs of fuel and agricultural fertiliser, among other goods.

Iran’s football team has long been a top squad in its region: It currently ranks near the top of the Asian Football Confederation. Its participation in the 2026 tournament marks its fourth straight World Cup qualification.

Trump, however, has sent mixed messages about Iran’s presence at the World Cup, suggesting at times that Iran should sit out the tournament. At other moments, he has expressed ambivalence.

In March, for instance, Politico asked Trump about Iran’s presence at the World Cup. Trump reportedly responded, “I really don’t care”, before calling Iran a “badly defeated country”.

The US, Mexico and Canada are co-hosting the games, with 78 matches in the US alone, including the final. Kick off is on June 11.

Iran is set to play its first two Group G matches in Los Angeles against New Zealand on June 15 and Belgium on June 21, before facing off against Egypt in Seattle on June 26.

The Trump administration’s hardline approach to immigration has raised additional concerns about whether the US will be a welcoming host for fans from around the world.

Already, Trump has moved to suspend visa processing for applicants from nearly 75 countries, including Iran, Brazil, Colombia, Ivory Coast and Senegal, which have teams at the World Cup.

Residents from some of those countries, however, are not required to receive visas to enter the US for short-term visits.

On Monday, Sheinbaum explained that she had been approached by the Iranian team and FIFA officials for help hosting players and staff.

“The United States doesn’t want the Iranian team to spend the night,” Sheinbaum said. “So they asked us, ‘Can we stay the night in Mexico?’ We said sure, no problem.’”

MILWAUKEE — Looking back, Alex Vesia can say that when was traded from the Miami Marlins to the Dodgers with fellow pitching prospect Kyle Hurt in 2021, he had “no idea” what it actually meant to trust the process.

Sure, it’s a cliche, and one most strongly associated with the Philadelphia 76ers’ rebuild in the NBA a decade ago. But it’s had staying power in the sports lexicon for a reason.

The mantra clicked for Vesia in his first season with the Dodgers.

“When I first heard of it, it was just like, OK, I know what a process is,” he said before the Dodgers’ 5-1 win against the Milwaukee Brewers on Sunday. “But then watching it over the course of the year — where fastballs need to be placed, where sliders need to go, just trusting the information. That when a guy swings a lot at sliders and misses them, trusting that when you throw yours, he will miss it.

“And then over the course of a few outings, when you see those results, it’s like, ‘OK, I can do this’ more and more and more.”

Vesia is now one of the veteran leaders in a Dodgers bullpen that set a franchise record Saturday with 36 consecutive scoreless innings, surpassing the mark of 33 set in 1998. The Dodgers extended the streak to 38 on Sunday.

“Last night was awesome,” Vesia said Sunday, a day after a dominant 11-3 win. “It was a really great game because it showed how versatile our bullpen can be, that we don’t need a set inning for the guy.”

Instead, manager Dave Roberts could play matchups — having left-handers Vesia and Tanner Scott face the more heavily left-handed heart of the order, and Hurt check in for the right-handers at the bottom and top — until the Dodgers’ offense made it a blowout.

On Sunday, the bullpen had only to cover two innings, thanks to a steady performance by Yoshinobu Yamamoto, who limited the Brewers to one run through seven innings. And the Dodgers relievers had a four-run cushion to work with, thanks to a fifth-inning rally that included a two-run triple from Kyle Tucker and a two-run homer from Andy Pages.

Right-hander Will Klein retired the top of the order in a clean eighth inning, and Scott set down the next three Brewers, putting the finishing touches on a series win in a rematch of last year’s National League Championship Series.

As Roberts reflected on the 7-2 road trip to Anaheim, San Diego and Milwaukee, he highlighted the bullpen’s impact: “There’s a lot of different guys that are the reason why they’ve been so successful recently.”

Entering the season, much of the chatter surrounding the bullpen centered on the addition of closer Edwin Díaz. But he’s been on the injured list (elbow surgery) since April 20, and the relief corps has been on a roll.

Without a closer, the Dodgers’ circle of trust in close games includes a good mix of veteran arms and budding talent, from Scott, Vesia and Blake Treinen to Hurt, Klein and Jack Dreyer (on the 15-day IL because of left shoulder discomfort).

“It’s a bunch of selfless guys who know that the job is to throw up a zero and give it to the next guy,” Klein said. “I think we’re all just trying to give our offense a chance to do what we know they can do. And I think that showed up last night, and it showed up a lot the last two weeks. They’ve been playing really well, and so I think we know if we just go out there, put up a zero, they’ll do it the next inning — and if they don’t, we try again.”

The bullpen’s scoreless streak stretches back through the eighth inning of a 6-2 loss to the San Francisco Giants on May 12. It covers a bullpen game, when the group filled in for Blake Snell after he was scratched from his start in Anaheim, and the series in San Diego, where the Dodgers relievers outperformed the Padres’ renowned bullpen.

“We’ve got to give credit to the starters and the hitters, and the guys playing great defense too,” Hurt said. “So, it’s not just us.”

Though good defense and some luck is involved in any scoreless streak this long — opponents entered Sunday with a .147 batting average on balls in play against Dodgers relievers since their shutout performance on May 13 — it’s no fluke either. The Dodgers bullpen still leads the majors in the Fielding Independent Pitching category (2.35) in that time.

So, what’s the secret stuff?

“The secret stuff is, there is no secret stuff,” Klein said. “Sometimes when you look for an answer, or you look for the magic to fix things, that’s when you overdo it and things start spiraling. But I think everyone knows that it’s one pitch at a time, and if you think about the result, you’re not as ingrained in the process.”

That was the moral in “Space Jam” too.

The ripple effects of that consistency have been clear.

“It frees up the offense a little bit,” Roberts said. “Regardless of who comes into a ballgame, I think they have the confidence now to go up and put up a zero. And it makes my life easier because you trust a lot more guys. And that’s what these guys have earned.”

NEW Strictly Come Dancing host Josh Widdecombe was forced to halt work at his listed mansion after he began renovations without planning permission.

The comedian has already splashed some of his windfall on renovating his new family home in Devon.

Josh and his producer wife Rose Hanson wasted no time in beginning work on the listed property, only for planning documents to reveal they had failed to get permission.

In a retrospective application, his agent said it was “regrettable” but confirmed work was immediately “paused” upon realising.

On the application form, Rose confirmed work on the building had begun but had not been finished.

Permission was eventually granted this week by council planners under delegated powers after no objections were received.

The application was in Rose’s name, who previously said on social media she was the boss when it comes to renovations.

She wrote: “He’s good at writing jokes, I’m good with interiors – we stick to our lanes.”

The work includes a range of internal alterations including reopening a historic doorway, adjusting partitions and repositioning architraves.

A supporting statement on behalf of the couple said: “At ground floor level it is proposed to re-open an historic doorway that was blocked with 20th century studwork.”

It added that minor adjustments would be made to the back of the building to incorporate a new door from the garden.

It said: “The enclosed works have no impact on the setting of the building in any way, with the only external change proposed the inclusion of a new door to the garden store.”

They added that internally, none of the proposed works have an adverse impact on the character of the house.

In approving the application, a planning official described the impacts of the proposals as largely “positive” or “neutral”.

The couple moved to the home in Devon after selling their £2.3m London townhouse.

They said at the time they wanted to bring up their two children with more space and be closer to Josh’s childhood home.

Previous pictures of the listed property reveal five ensuite bedrooms and a separate one-bed coach house in the grounds, as well as a huge living room, large kitchen and dining room.

The posh home also comes with two offices, a gym and a wine cellar.

Speaking on the Parenting Hell podcast, Josh had told fellow comic Rob Beckett: “Just to be clear, it isn’t in Crinkley Bottom – it isn’t the house we used to see on Saturday nights on the TV.”

Josh and Rose also owns a £1M holiday home in Cornwall, that they restored and now rent out to holidaymakers.

The Philadelphia Eagles will play in London as part of the NFL’s international games next season.

The NFL will stage a record nine regular-season games overseas during 2026, with three in the UK while Australia and France are hosts for the first time.

The London series begins on 4 October with the Washington Commanders hosting the Indianapolis Colts at Tottenham Hotspur Stadium.

The Jacksonville Jaguars will then host games on the following two Sundays against the Eagles at Tottenham then the Houston Texans at Wembley.

The first international game will take place during the first week of the season, with the Los Angeles Rams having a divisional match-up against the San Francisco 49ers at the iconic Melbourne Cricket Ground.

The 49ers will also face the Minnesota Vikings as the NFL returns to Mexico, while the Baltimore Ravens meet the Dallas Cowboys in the league’s first game in Rio de Janeiro.

There will be three games in continental Europe, with the New Orleans Saints facing the Pittsburgh Steelers as Paris hosts its first game at the Stade de France.

The Cincinnati Bengals then face the Atlanta Falcons at the home of Real Madrid while the New England Patriots, who reached last season’s Super Bowl, will take on the Detroit Lions in Munich.

Comedian Conan O’Brien will return to host the 99th Academy Awards set for March 14.

O’Brien, known for his self-deprecating humor, emceed the Oscars this year and in 2025.

“Conan has created remarkable energy around the Oscars,” President of Disney Television Group Craig Erwich said in a statement Tuesday announcing O’Brien’s return. “His singular comedic voice makes Hollywood’s biggest night one of the most entertaining celebrations of the year. We’re proud to welcome him back and look forward to what he and the producing team deliver next.”

Raj Kapoor and Katy Mullan are set to return as the show’s executive producers for the fourth consecutive year.

Major changes are in store for the entertainment industry’s biggest night.

Starting in 2029, the Oscars will move from Hollywood’s Dolby Theatre, its home for nearly a quarter century, to the L.A. Live in downtown Los Angeles. The ceremony will also stream on YouTube, ending a five-decade run on ABC, beginning that year.

Oscars viewership has been in flux as younger audiences prefer to view clips of the ceremony on social media, rather than on television.

ABC’s telecast of the 2026 ceremony averaged 17.9 million viewers, down 9% from the previous year, when it garnered 19.7 million viewers. Ratings for the Oscars reached an all-time low of 10.5 million viewers in 2021.

Academy of Motion Picture Arts and Sciences Chief Executive Bill Kramer and President Lynette Howell Taylor announced the news at its upfront presentation Tuesday.

Staying true to the spirit of the original show, audiences will see three contestants and their pros battle it out in three rounds of trick shots to reach the dramatic finale.

The BBC has announced the return of iconic snooker show Big Break.

The show originally ran from 1991 to 2002 and was hosted by Jim Davison with the late John Virgo as referee. But the new look show will see it moved from BBC1 to BBC2 and now co-hosted by Paddy McGuinness and Stephen Hendry. They will be joined in the studio by professional snooker players, from across the globe, straight off the competition circuit, in a bid to win their contestants the cash prize.

New co-host Paddy McGuinness said: “I am absolutely delighted to be a part of Big Break. It is one of those shows everyone knows and loves so to be hosting it alongside legend Stephen Hendry will be something special. Bring it on!”

READ MORE: Shaun Murphy offers to host Big Break as snooker stars call for return of iconic BBC showREAD MORE: Christine McGuinness ‘hurt and upset’ over backlash to romances and raunchy admissions

The show originally aired on Saturday nights but the new version will air on BBC2 in daytime. The hosts will be joined in the studio by professional snooker players straight off the competition circuit in a bid to win their contestants the cash prize.

Stephen Hendry, who will co-host and also show off some trick shots and skills on the show, said: “Big Break was a unique mix of trick shots and great entertainment and I can’t wait to be back at the table and bringing this incredible show to a whole new audience and who knows, we might inspire the next generation of snooker players to get into the sport.”

Fans of snooker have long been calling for the return of Big Break, although whether they will like the new format and hosts remains to be seen. Paddy McGuinness was also previously the host of a revamped Question of Sport quiz which failed to win over viewers.

Rob Unsworth, Head of BBC Daytime and Early Peak Commissioning said: “Snooker fans and pros alike have been calling for Big Break’s return, so we’re excited to confirm they’ll get their wish – and can even apply to take part.

“This revamp will showcase some of the game’s best known and up-and-coming faces, as well as tapping into the deep well of snooker fandom online and already on the BBC. The recent World Championships pulled in 120million viewing hours, so pairing upcoming live coverage with the new Big Break will mean audiences can come together with the whole family to enjoy more of what they want.”

Big Break will return in the form of 20 episodes lasting 30 minutes each. Further details on how and when to watch Big Break will be announced soon.

The BBC promised a “brand-new look and feel to Big Break” with the new series, saying audiences will now be “put on the table, behind the ball and into frame, getting up close and personal with the professionals”.

They also insisted they are staying true to the spirit of the original show, so audiences will see three contestants and their pros battle it out in three rounds of trick shots to reach the dramatic finale. Filming begins shortly.

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NBCUniversal has ordered a TV adaptation of the popular New York Times puzzle Wordle that will be hosted by Savannah Guthrie.

Jimmy Fallon, whose company is co-producing the show, and Guthrie announced the series pick-up Monday on NBC’s “Today.” “Wordle” will begin production later this year and debut on NBC in 2027.

Guthrie filmed the pilot episode for Wordle last fall in Manchester, England, where the series will be made as well. The project from Universal Television Alternative Studio, Fallon’s Electric Hot Dog and The New York Times, has been in development for two and a half years.

Guthrie said she learned the show was picked up in February and was set to shoot episodes in March. But producers delayed the start as Guthrie went on a hiatus for two months after the disappearance of her mother Nancy.

“They just stopped everything and said, ‘we will wait for you, of course,’” Guthrie said. “And Hollywood is a really tough business as you know, and I didn’t expect that.”

Guthrie returned to “Today” on April 6. Law enforcement officials believe Nancy Guthrie was taken against her will from her Catalina Foothills home on Jan. 31. The investigation into her abduction is ongoing.

Guthrie did not mention the situation with her mother’s abduction, but indicated her game show duties will be another step toward normalcy. “I’m just determined to put one foot in front of the other,” she told colleagues.

Wordle asks players to guess a five-letter word in six chances through a process of eliminating letters. An individual player’s performance in the game can be posted online without revealing the answer, as the colored tiles are shown without the letters.

Offered as part of a subscription to a bundle of puzzles on the New York Times web site and app, Wordle has been a major driver of digital revenue for the company. The New York Times said earlier this year that users solved the Wordle puzzle 4.4 billion times in 2025.

Wordle was created by Brooklyn, N.Y.-based software engineer Josh Wardle in 2021. After it became an immediate hit online, the New York Times purchased it for a price reported to be in the low-seven-figure range.

A popular British comedian is now favourite to present Strictly Come Dancing after wowing producers

A comedian is now favourite to present Strictly Come Dancing after wowing producers.

Josh Widdecombe has reportedly become frontrunner to host the BBC Latin and ballroom show in the coming series after hosts Tess Daly and Claudia Winkleman’s departure from the show.

It has been revealed that a number of celebrities are ‘auditioning’ for hosting duties, with names including Zoe Ball, Rylan Clark and Angela Scanlon all rumoured to in the running.

However, bosses look as though they’ve got a new preferred presenter after he wowed producers. If Josh was to get the job, he’d be the first male host since Sir Bruce Forsyth left the programme.

“Josh blew the producers away with his dead-pan, witty banter. He is family friendly, having helmed several shows now, and loves Strictly,” a source told The Sun, “The bosses believe he will be ideal to take the show into a new era.

“After years as a stand-up, he can handle a live audience and is razor-sharp. He’s not a household name, yet, and so to step into Brucie’s shoes would be a stellar move for his career.”

It comes after Alan Carr broke his silence on rumours he was a contender for the Strictly hosting duties.

“I didn’t turn it down, I was just clumped with everyone and had to say: ‘No, don’t put me in the mix.’ I love watching Strictly, but I don’t love it enough. People are always moaning there aren’t new, fresh faces on TV. Well, wouldn’t it be amazing to give it to a young person who absolutely adores Strictly and dancing?” he said to The Telegraph.

The Celebrity Traitors winner added: “If I rock up on it, they’ll go: ‘Oh, here he is again.’ Why waste it on me? I don’t really know the dances. I’d be like: ‘Oh here they go again, that dance with the legs.'”

In a joint statement last year, Tess and Claudia announced their decision to leave the show.

“We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time,” the pair wrote in a joint statement online.

“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show.”

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