highlights

South Korea names top 100 R&D achievements, highlights K9 engine

A K9 self-propelled howitzer is displayed during an Armed Forces Day media event in Gyeryong, South Korea, Sept. 29. File Photo by Yonhap News Agency

Dec. 22 (Asia Today) — South Korea’s science ministry said Monday it has selected its 2025 “Top 100 National R&D Achievements,” highlighting projects including a domestically produced 1,000-horsepower engine for the K9 self-propelled howitzer and a high-performance vanadium flow battery stack.

The Ministry of Science and ICT said the program marks its 20th year. Launched in 2006, the cross-government selection aims to raise public awareness of national research and development and recognize scientists and engineers.

The ministry said 970 candidate projects recommended by government bodies were reviewed by a selection committee of 105 experts from industry, academia and research institutes, followed by public verification. The final 100 were chosen across six categories: machinery and materials, life and marine, energy and environment, information and electronics, basic science and infrastructure and convergence.

Among the selections, STX Engine was cited for developing and commercializing a 1,000-horsepower engine for the K9, localizing a system and core components previously dependent on overseas imports. The ministry said the achievement helped address export approval hurdles and supported market expansion, including K9 exports to Egypt equipped with domestically produced engines.

In life sciences, IM Biologics was selected for work on treatments for autoimmune diseases including rheumatoid arthritis. The ministry said the company transferred related technology to U.S.-based Navigator Medicine and China’s Huadong Pharmaceutical in deals totaling 1.7 trillion won ($1.3 billion).

In energy and environment, H2 was cited for developing low-cost, high-power-density stack technology for vanadium flow batteries, a key component used in energy storage tied to solar and wind generation. The ministry said the technology contributed to South Korea’s first export of the stack technology to Germany.

Other selections included the Electronics and Telecommunications Research Institute’s demonstration of 6G wireless transmission technology and the Institute for Basic Science research group’s real-time observation of molecular ion formation and structural transitions, the ministry said.

The ministry said selected projects will receive certificates and plaques in the name of Deputy Prime Minister and Science and ICT Minister Bae Kyung-hoon. The ministry said projects and institutions may receive evaluation advantages under relevant rules and researchers may be recommended for national R&D awards.

Starting next year, the ministry said it will launch follow-up support aimed at boosting technology maturity and commercialization. Each selected project will be eligible for about 1.3 billion won (about $1.0 million) in support over three years, the ministry said.

Park In-gyu, head of the Science and Technology Innovation Headquarters, said the projects reflect sustained challenges and innovation by universities, research institutes and companies and pledged expanded support in coordination with other ministries.

– Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

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Highlights from our Women in Film issue

No, our Women in Film issue doesn’t exclusively feature women — Noah Baumbach and Brendan Fraser feature in our Dec. 16 edition as well — but it does shine a particular spotlight on their extraordinary contribution to the year in film.

As performers and production designers, writers, directors and more, the women included here helped fashion deeply felt stories of parenthood, friendship, grief and betrayal, and that’s just for starters. Read on for more highlights from this week’s Envelope.

The Envelope Actresses Roundtable

The Envelope December 16, 2025 Women in Film Issue

(Jason Armond / Los Angeles Times)

This year’s Oscar Actresses Roundtable was full of laughter, sparked by everything from Gwyneth Paltrow’s impression of mother Blythe Danner to Sydney Sweeney’s tales from inside the ring on “Christy.” But when it comes to self-determination, this year’s participants — who also included Emily Blunt, Elle Fanning, Jennifer Lopez and Tessa Thompson — are dead serious.

As performers, producers and businesswomen, the sextet told moderator Lorraine Ali, the boxes that Hollywood and the broader culture seek to put them in need not apply. And realizing that is its own liberation. As Lopez put it, “I don’t ever feel like there’s somebody who can say to me, ‘No, you can’t.’”

‘Hamnet’s’ last-minute miracle

The Envelope digital cover featuring Jessie Buckley and Paul Mescal

(Evelyn Freja / For The Times))

Since the moment I first saw “Hamnet,” I’ve been raving to everyone I know about its climactic sequence, set inside the Globe Theatre during a performance of Shakespeare’s “Hamlet.” (Well, if you can call it “raving” when you preface your recommendation with the sentence, “I sobbed through the last 45 minutes.”) As it turns out, though, the process of making the film’s final act was as miraculous as the finished product.

“There were only four days left of shooting on ‘Hamnet’ when Chloé Zhao realized she didn’t have an ending,” Emily Zemler begins this week’s digital cover story, which features Zhao, actors Jessie Buckley, Paul Mescal and Joe Alwyn and production designer Fiona Crombie. What they created from that point, combining kismet, creative inspiration and grueling preparation, will buoy your belief in the power of art. “It was like a tsunami,” Buckley tells Zemler. “I’ll never forget it.”

A Is for Animal Wrangler

Claire Foy in H IS FOR HAWK Courtesy of Roadside Attractions

When I first read Helen Macdonald’s transporting “H Is for Hawk,” which combines memoir, nature writing and literary criticism, I can’t say I closed the book wondering when we’d get a film adaptation. Little did I know that director Philippa Lowthorpe, star Claire Foy and a pair of married bird handlers would provide such a thorough answer to my skepticism.

As Lisa Rosen writes in her story on the marriage of art and goshawk in “H Is For Hawk,” that meant shaping the production around the notoriously wary birds of prey, including its lead performance. “It wasn’t like having another actor who had another agenda or actions or a perspective that they wanted to get across in the scene,” Foy told Rosen of her extensive screen time alone with the five goshawks who stood in for Helen’s. “I was along for the ride with these animals.”

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