Heated

A POPULAR lido is set to offer all day sessions this weekend – where kids will be able to swim for free.

The Grade II listed venue also offers a number of adult-friendly swim sessions and an adventure course.

The National Lido of Wales, in Pontypridd, is hosting all-day sessions from May 2 to 4, ahead of the pool’s official summer season on June 1.

Kids under 16 will be able to enjoy the lido for free all weekend, while adult entry is priced at just £4.

The pool currently offers weekday and weekend sessions from 6.30am until 8.45am for early-morning swimmers.

Family fun sessions are also hosted only on weekends and bank holidays until the start of June.

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For an additional £3, visitors can purchase tickets for the inflatable obstacle course, Aqua Peddlerz and Water Walker, which includes floating zorbs – inflatable plastic balls that allow people to run on the water.

The area also contains an outdoor play section – a dedicated playpark with slides, seesaws, climbing and balancing equipment.

The historic venue, also known as Lido Ponty, has been nestled within Ynysangharad War Memorial Park since 1927.

Following its closure in 1991, the pool spent the intervening 24 years in a state of disrepair until its official re-opening in 2015.

Now it features a renovated main pool, an activity pool and a splash pool, which are all heated to 28 degrees.

The site is also considered the “earliest and best preserved lido” in South Wales.

Adam Thomas has claimed David Haye lied to him while they were in I’m A Celebrity… Get Me Out Of Here! South Africa camp, leaving the actor at a complete loss for words

Adam Thomas has claimed David Haye lied during their time on I’m A Celeb. The Waterloo Road star was crowned the winner of I’m A Celebrity… South Africa last week during a tense live final.

Throughout the series, former boxer Haye came under fire for comments he made, including branding his girlfriend, Sian, an “ugly duckling”. He said: “She’s like tall, blue eyes. She’s lovely. She’s got the personality of a proper ugly bird.” He added that “ugly girls” need to have “a personality and banter,” to overlook “the fact that they’re not aesthetically amazing”.

Elsewhere, when Adam, who suffers from psoriatic arthritis, stated he didn’t feel physically able to take part in a trial, Haye branded him “useless,” adding he didn’t “give a s**t”. While the pre-recorded show was airing, Adam explained that he felt “broken” in the camp and considered leaving.

Adam has now spoken out on his podcast, claiming that David lied to him in an attempt to rile him up. Despite his struggles in the camp, Adam never spoke to anybody about his feelings. “I didn’t talk about it to anyone,” he told his brothers, Scott and Ryan on At Home With The Thomas Bros.

He went on to say: “It wasn’t until I was with David, and I came back from this trial, and he was goading me about fainting, that’s when I finally had the courage to go, ‘Listen, shut up now, enough is enough’.

“He got pulled to the Bush Telegraph, and then he came out and he sat me down and said, ‘They’re worried about your mental health. They’ve told me to stop now. Have you been crying about me in there?’

“So that was when I realised, I was like, ‘So, they know, they know what’s been going on’, and that upset me more. Because it’s the fact that I’ve never once talked about [David] or mentioned what [David’s] done to me in here to them.”

Adam later confronted the producers of the show to ask why they would disclose such information to David, who confirmed that there had been no conversation about Adam’s mental health. “I asked David when I got out and he said ‘Yeah, I just made it all up,'” Adam said.

He fumed: “I was like, ‘Wow, you really fu***ng manipulated the s*** out of me!'” Following the dramatic final, Ant and Dec broke their silence tonight, branding it “weird”.

In the preview to their podcast Hanging Out with Ant & Dec, the duo joked about the chaos from the event, with Ant joking, “If you didn’t see it, I bet you read about it!”

“It was quite the night!” said Dec, promising to explain the “ins and outs” of the event. Ant replied: “It was a weird night of TV,” adding that there were “walk-outs” Highlighting the main topics of the upcoming podcast episode, the pair promised to discuss Jimmy Bullard as Dec said: “The first question was to Jimmy about why did you call I’m a Celebrity, Get Me Out of Here.”

Ant added in response: “On the night I said I disagreed with him,” likely speaking about Jimmy Bullard, whom Ant publicly disagreed with when Jimmy asked him to confirm that Adam was aggressive on the show.

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THE WEATHER is warming up and what better way to enjoy it then heading to an upgraded lido?

The UK is home to over 150 outdoor swimming pools, so there are more than enough to choose from no matter where you are in the country.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

But there are a number of lidos that are reopening this year with major upgrades – or even new ones opening for the first time.

Here’s a rundown of the refreshed spots with new heated pools, cafes and splash parks.

Portishead Open Air Pool

Sitting not too far from the British Channel coast, Portishead Open Air Lido reopened this week following a major £1.3million makeover.

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The project included refurbishing the pool and the cafe, as well as upgrading the changing rooms.

The pool itself is 33metres long and there is a separate toddler pool as well.

Sea Lanes Canary Wharf

Last year, Canary Wharf in London announced plans for an Olympic-sized open-water lido with sauna pods and a clubhouse.

In total, the pool will have six lanes and stretch 50metres long, with a fixed depth of 1.3metres.

The new lido will float in the Eden Dock area of Canary Wharf.

The Sea Lanes lido is set to open this summer and will be open all year round.

Valentines Lido

Valentines Lido in Illford is set to open later this year.

The brand new £4million heated lido will have a huge pool, kids’ splash park and spa zone.

In addition to the 25metre-long, six-lane pool, there will be a gym too.

Other facilities planned for the site include a cafe, gym, dance and exercise studio, meeting room and a picnic area.

Unity Beach holiday park, Brean

Unity Beach holiday park in Brean will launch a £10.2million expansion this year with a new lido that will be surrounded by private cabanas and an outdoor dining area as well.

Open to non-guests as well, a new indoor splash pad will also replace the baby pool, for kids to play in.

The park is also planning to open a trampoline park, bandstand, boardwalk, landscaped gardens and a dog agility area.

Hilsea Lido

Hilsea Lido in Portsmouth is currently undergoing a £7.75million refurb, having been closed since 2022.

The lido is planning to reopen on May 2 and will feature an upgraded pool, new changing rooms, benches, tables and a fountain.

In total, the pool will be 67metres long and 2.6metres deep.

For those wanting a snack or drink while visiting, there will also be a food and drink pop up on site.

Saltdean Lido

Saltdean Lido in Brighton is planning to refresh its cafe and restaurant.

The upgraded restaurant and cafe will feature dishes made with local produce and will reopen as the Reading Room at Saltdean Lido on May 1.

If you are looking for a lido near you, two women who have been to every one in the country have shared their favourite pools for kid-free swims.

Plus, here are the six cleanest beaches in the UK where you can safely swim in the sea this summer.

The “Heartstopper” universe began as a small web comic that gained traction on Tumblr nearly a decade ago. It’s now a global phenomenon.

Alice Oseman’s fictional world, where LGBTQ+ teenagers freely explore love, friendship and identity, expanded first to graphic novels before being turned into a hugely popular Netflix series.

The rom-com, which debuted in 2021, is part of a growing portfolio of young adult book adaptations that have flooded streaming platforms in recent years. Hulu’s college drama “Tell Me Lies” and HBO Max’s hockey romance “Heated Rivalry” have become pop culture sensations, joining hits like Amazon Prime Video’s “The Summer I Turned Pretty” and the “To All the Boys” trilogy on Netflix.

“We really thought it was going to be quite a niche show that was seen by a specific group of people,” Oseman said of “Heartstopper.” “It kind of blasted up beyond our expectations.”

After three seasons on the streaming giant, the British coming-of-age series will conclude with a film later this year.

Corinna Brown and Kizzy Edgell starred in Alice Oseman’s queer romance “Heartstopper.”

(Teddy Cavendish / Netflix)

These adaptations often tell tales as old as time of young love and emotional turmoil, but it’s the diverse representation that draws audiences in, said Yalda T. Uhls, founder and chief executive of UCLA’s Center for Scholars & Storytellers.

Audiences gravitate toward authenticity, Uhls added. Young people increasingly want to see stories that reflect their lives, according to a survey administered by Uhls’ nonprofit last year.

“It has to resonate and feel authentic to the time,” Uhls said. “This generation really sees stereotypes pretty quickly … they’ll see inappropriate behavior quickly, and they will call it out.”

Viewers are hungry for diverse casting and storylines across Hollywood. Last year, audiences showed up to the theater at higher rates for movies that had people of color in the cast, according to the annual UCLA Hollywood Diversity Report, released in March.

Netflix’s focus on YA adaptations has paid off, driving more than 1.2 billion total views worldwide in 2025. Audiences are drawn to the platform’s fresh and inclusive interpretations of the genre, said Jinny Howe, Netflix’s head of scripted series for the U.S. and Canada.

“It is still harder to get marginalized stories sort of made and seen by people, but ‘Heartstopper’ is part of that journey,” said Oseman, who also serves as series creator and executive producer.

Lovie Simone plays track star Keisha Clark in “Forever,” a reimagining of Judy Blume’s 1975 novel.

(Elizabeth Morris / Netflix)

“Forever,” a reimagining of Judy Blume’s 1975 book that debuted on Netflix last year, follows two young Black protagonists who fall in love in Los Angeles. The audience had “such a fervent passion for that story, I think, because of the specificity of those perspectives,” Howe said. “Los Angeles was really seen through these eyes.” The show’s second season will reportedly start filming in May.

Prime Video has leaned heavily into the genre, platforming hits like “Maxton Hall,” “Red, White & Royal Blue” and “The Summer I Turned Pretty,” which wrapped up a three-season run last year and has a film in the works.

Young adult adaptations are at the core of the platform’s broader efforts to champion diversity in storytelling, said Peter Friedlander, Prime Video’s head of global TV.

“We’re always looking for shows that give a reflection or a window into other people’s stories,” said Friedlander, also former head of U.S. and Canadian scripted series at Netflix. “This business has been building for a long time, and it’s exciting to see what’s coming out of it.”

Representation in these shows, however, is still far from perfect, said Nicholas Rickards, a doctoral candidate at Brock University in Ontario, Canada, whose research focuses on YA adaptations. Many shows that center a woman of color often still feature white male love interests, he said.

“Studios aren’t totally prepared to tell that story yet,” he said.

Filling a YA void

Streaming platforms’ focus on YA adaptations came as cable TV, which previously dominated the genre, tapered off.

YA retellings had long captivated audiences, finding widespread success during the 2010s. Networks like the CW and Freeform reigned then, airing now-classic teen dramas like “Pretty Little Liars” and “The Vampire Diaries.” The “Twilight” and “Hunger Games” universes and John Green book adaptations also dominated the box office.

Then the entertainment landscape changed. Social media and streaming became preferred modes of content consumption for young audiences, paving the way for platforms like Netflix, Prime Video, Hulu, Disney+ and HBO Max. Diverse storylines, coupled with the global reach of streaming platforms, have reignited an explosion of YA adaptations, and it’s a race that isn’t slowing down.

Younger generations are often difficult to attract, and YA reimaginings are just one way platforms are trying to break into the teenage demographic, said Jennifer Hessler, an assistant professor of cinema and media studies at the University of Southern California.

Lola Tung’s Belly is in a love triangle with Gavin Casalegno’s Jeremiah and Christopher Briney’s Conrad in “The Summer I Turned Pretty.”

(Erika Doss / Prime Video)

Netflix’s initial breakout success in the genre came with the release of “To All the Boys I’ve Loved Before,” a movie trilogy adapted from books written by Jenny Han, who’s also behind “The Summer I Turned Pretty.” The movies became massive hits and continue to drive viewership, drawing more than 55 million views globally last year, nearly eight years after the first film’s release, according to Netflix.

Younger generations are the target demographic of YA series at Prime Video, but the shows attract audiences of all ages, Friedlander said. Identifying and helping cultivate fresh storylines driven by relatable characters are integral to that success.

“If you really make the best version of a story, it can ripple out among different fandoms,” Friedlander said. “I do think that’s the ability of what streaming platforms can achieve as well, because you can really introduce the narrative to wider audiences.”

Made for streaming

Netflix doesn’t have a formula for a breakout success, Howe said, but strong voices that feel universal must be at the show’s core.

Jeff Norton, whose work focuses on book-to-screen adaptations, said he looks for characters he can fall in love with when choosing books to pitch for development.

“That’s the most important thing — to find a main character or a set of characters that I think the audience will resonate with,” said Norton, who is an executive producer of Netflix’s “Geek Girl,” which was greenlit for a second season.

The structures of young adult novels “lend themselves really nicely” to short TV series, Howe said, because it allows fans “to have more time as they’re living inside of these worlds and these experiences — it’s just that much more enriching.”

Streaming platforms usually release shorter seasons, often with six to 10 episodes — about half the episode order of a typical cable TV series.

Balancing the expectations of a book’s existing fandom while trying to attract a new audience is a major component of Friedlander’s role, he said, adding that “the television medium will often demand that you do change some of the journey along the way so it fits the rhythm.”

Norton, the showrunner of Netflix’s “Finding Her Edge,” said much of that show’s plot diverges from Jennifer Iacopelli’s novel. However, he focused on maintaining the book’s tone and found “the readership is actually very forgiving if you keep the characters whole and intact, but give them more to do.”

Oseman’s shift from novelist to TV writer — and now screenwriter — came with a steep learning curve. The growing pains were worth it, she said, because her story reached audiences who might never have picked up her books. Visual media has been crucial in bridging that gap.

“I want young queer people to be able to see themselves in the stories that they’re consuming,” she said. “I really hope that the existence of ‘Heartstopper’ will encourage people who are commissioning TV and movies … to take a chance.”

VAN NUYS — It was a showdown between quake-weary homeowners and the insurance companies they are still battling six months later.

More than 300 people turned out for the confrontation Wednesday night, filling an auditorium at Birmingham High School in Van Nuys for a hearing presided over by state Sen. Art Torres (D-Los Angeles), chairman of the Senate insurance committee and the Democratic nominee for insurance commissioner in the November election.

Besides disgruntled victims of the Northridge quake, the speakers included representatives of State Farm, the state’s largest carrier with 20% of the homeowners market, and No. 3 Farmers Insurance Group.

Nettie Hoge, head of consumer services for the California Department of Insurance, also participated in the often heated town hall meeting that Torres conducted as an official hearing of the insurance committee.

Hoge told the crowd that state Insurance Commissioner John Garamendi had persuaded Woodland Hills-based 20th Century Insurance Co. to restore homeowners coverage to about 14 of its customers whose policies the company recently canceled.

20th Century received so many quake claims that the state insurance department granted the company special permission to get out of the homeowners coverage business. One of the conditions, however, was that the company offer its customers two more annual renewals. Some of its policyholders have complained recently that the company was seizing on technical excuses to refuse immediately to renew their policies.

Many people in the audience brandished signs such as “Boycott 20th Century” and “20th Century, What Did You Do With Our Premiums?”

Torres said 20th Century was invited to send a speaker to the meeting, but declined. However, when Torres asked if anyone from 20th Century was in the audience, two people raised their hands. Rick Dinon, a senior vice president, said the executives were there because they hoped to “correct some misinterpretations of the company’s actions, motives and finances.”

“It hurts,” Dinon said of the homemade signs criticizing the company. “We hope we have the respect of our customers and we most assuredly respect them.

“It hurts a lot to be placed in an adversarial relationship with our customers. It is disappointing we can’t continue to offer them the kind of protection we have in the past.”

When an earthquake hits, “much of the suffering is from the reprehensible conduct of the insurance industry adjusting the earthquake loss,” said George Kehrer, executive director of Community Assistance Recovery, or CARE, a Northridge-based consumer group he said represents more than 5,000 property owners.

“Adjusters swarm into the state like killer bees,” Kehrer said, drawing a standing ovation.

Torres told the group that many of the complaints he has received have come from people who fear their company will abandon them. But he noted that Garamendi is proposing a statewide insurance industry pool as well as supporting proposals for national disaster insurance.

“It’s hard to be patient,” he said. “People in northern California are still dealing with insurance companies from the Loma Prieta quake” in October, 1989.

Bill Gausewitz, of Farmer’s Insurance, said his company had resolved 27,241 quake-related claims, about 90% of those it had received. Of those, 7,877 were dismissed without payment and the others received compensation, he said.

Torres asked Gausewitz if Farmers had received complaints that it refused to pay the true cost of earthquake repairs.

“Not that I know of,” Gausewitz replied, drawing hoots and jeers from the audience.

Hoge said the insurance department has received complaints of low payments by virtually all insurance companies hit by Northridge quake claims.

Torres, whose committee is wrestling with many quake-caused problems, including a growing homeowners coverage crisis, said he arranged the meeting to give angry quake victims a chance to air their grievances.

Disillusioned policyholders have inundated his Los Angeles and Sacramento offices with complaints, he said, ranging from switching adjusters in the middle of the claims process to “low-ball” offers to settle to delays receiving payoff checks. Some accused their insurance carriers of breaking promises or lying to avoid paying claims.