haunted

The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

KATIE Price was left screaming in terror as she took a trip to a haunted house in Belgium for a ghosthunting experience this week.

The mum-of-five documented her spooky trip by filming the whole thing, with fans watching as she spoke to ‘ghosts’.

Katie drove from her home in the UK to Brussels with pal and cameraman Ben Algar as she headed to the European city to undergo more surgical procedures on her boobs and filler in her lips.

However, the she and Ben, who was behind the wheel due to Katie’s recent driving ban, decided to reside at a “haunted” Airbnb cabin during the trip.

Filming herself as they arrived for a new YouTube vlog, a terrified Katie is seen checking the cabin for ghosts.

Staring over at a lightbulb, she says: “If there’s any ghosts in here and you want us to go, that light I’m pointing at now, turn it off if you don’t want us to stay.”

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As nothing happened, she said: “Well, at least it didn’t turn off.”

But just seconds later, the light seemingly flickered off, with Katie then screaming.

“What is going on?” said the worried star.

With her hands on her face, she said: “Noo. What are we doing?”

Whilst Katie was convinced the light was proof that ghosts were present, fans in the comment section of the video had other theories.

“I think its a motion sensor bulb lol,” laughed one.

Another agreed: “Katie is a sensor light, when you step forward it came on then went off when ye stepped back”.

Katie’s trip abroad with Ben comes after we revealed him as the “second man” in her life, alongside husband Lee Andrews.

Sources credit Ben as a ‘stable influence’ in the ex-glamour model’s life, in what has been another whirlwind few months for the star, following her driving suspension and surprise Dubai wedding to Lee Andrews in late January.

“The second man in Katie’s life is Ben, who has been by her side for years,” a source tells The Sun. “But he’s really stepped up recently amid her latest drama.

“He is probably the only stable man she’s ever had in her life outside of her family.

“They’re incredibly close friends and Ben has always quietly guided Katie, not only in her career but in her private life

“The whole family love him- he’s a really great friend to Katie and the entire Price gang. They all think he’s a legend.”

SHE went from a little known model to posing for Fendi almost overnight when she started dating Brooklyn Beckham.

Stunning Hana Cross, now 28, dated the nepo baby for just eight months but almost seven years on the Beckham family name still haunts her – and as insiders tell us she’s gained a reputation for being difficult to work with, the famous connection is doing more and more of the heavy lifting.

An industry source explained: “Hana can be hard work behind the scenes, especially when things don’t go her way, and that’s started to follow her.

“Brands are becoming more hesitant, not because of one specific issue, but because of a general unpredictability around how things might be received with her.

“Brands have mentioned how difficult she is to work with. She’s a stunning girl with so much potential but there’s a sense some partnerships have cooled as companies weigh up whether the attention she brings is the right kind.

“There’s a growing feeling in the industry that a lot of the attention around her still ties back to her past with Brooklyn, whether she likes it or not.”

We’re told she recently hired a new press team to help restore her reputation and shed the family name once and for all.

It became apparent just how far off that dream was earlier this year as she found herself dragged into the Beckham family drama surrounding Brooklyn falling out with his parents.

Our source continued: “The recent Beckham drama has definitely rattled her more than she’s letting on, she’s trying to stay composed but it’s clearly unsettled things behind the scenes

“She’s more cautious than ever now, particularly when it comes to anything linked to that circle

“She’s brought in a new PR team in an attempt to reset the narrative and give herself a fresh angle. There’s a sense that without her Brooklyn ties, there’s not much cutting through in terms of her own identity.”

The Leeds-born model started dating the eldest of the Beckham brood, 27, back in 2018, but it was a tumultuous time, overshadowed by a series of very public rows.

Hana was thrown into the spotlight – compared to Brooklyn she’s had a very modest upbringing, living in Huddersfield and then Chipping Campden, where she attended the local state school. 

From Leeds to LA

Born Hana Mahmood, her mum Sarah was working in a shop when she married Khalid Mahmood in November 1994. 

When she was 18 she was scouted while out shopping with her mum in Cotswolds. She had been planning to go to university to study business with equine studies, but her career took off pretty quickly.

Hana has worked for everyone from high street brands Topshop and New Look to designers Valentino and Missoni.

She was 21 when she first met Brooklyn, who was 19 at the time. It’s thought that Brooklyn’s cousin Libby Adams introduced them and they soon became inseparable.

The couple appeared to have their struggles at the time and they were pictured seemingly having a heated discussion outside a Los Angeles restaurant.

And not long after, another confrontation at the Agent Provocateur party, at Annabel’s members club in London in September 2019, left Hanna running to the bathroom in tears.

A fellow partygoer at the time told The Sun Online: “They were chatting together and it was very tense. By the end of it I could hear Brooklyn say, ‘it is what it is.’

“He walked off and she went back to her friends looking dejected, but she held it together while her pals comforted her”.

Brooklyn’s parents Victoria and David were said to be “seriously frustrated” by the negative attention the rows were creating and warned him to spend more time with the family.

Looking back at that time in a rare interview Hana admitted that dating the budding chef and being part of the famous family sparked her “anxiety” .

She told Hello! Magazine: “My time with the family caused me a lot of anxiety, in all honesty.

“There were a lot of warning signs and things that happened during the relationship that, in hindsight, should have made me think and maybe end the relationship or walk away a lot sooner than it did”.

In recent months Brooklyn’s current relationship – his marriage to Nicola Peltz – has come under scrutiny due to his very public family feud.

The famous family’s spat exploded when he launched a nuclear attack on his famous parents – blasting his Spice Girls star mother, 51, in a damning message posted on social media.

Hana admitted: “It’s hard not to be mentally drawn back into that part of my life, especially with all this feud stuff coming out. 

“It’s hard because I don’t look back on that as a fond time, on reflection.”

The couple finally called it quits in the summer of 2019, which was said to be a huge relief to Brooklyn’s parents. Little did they know Nicola Peltz was just around the corner. 

Hana had a brief foray into music and released a track that seemed to hint at Brooklyn. 

She sang: “I wish that someone told me you had a habit for dishonesty – though you break my heart, I want to stay.”

She went on to date Jude Law‘s son Rafferty, Jack Whitehall and Scott Disick. She’s now living in LA and was last linked to aristocrat Peregrine Pearson, following his split from Sophie Turner. 

Our insider added: “It’s a bit of a catch 22 situation because she knows that without Brooklyn she wouldn’t be where she is now and it’s still the thing people are most interested about with her.

“But she’s determined to push forward and prove she can stand on her own.”