haunted

The deeper he wades into the conversation, the deeper Al Michaels is transported back in time, 35 years doing nothing to dull the memory of that warm Sunday afternoon in Anaheim, where the Angels and Boston Red Sox staged one of the most thrilling and head-spinning 75 minutes of October baseball ever.

“To this day, man, I can still feel everything,” Michaels, now 76, said in a recent phone interview. “That freaking game … I mean, the drama from the top of the ninth inning through the bottom of the 11th was just insane.”

One strike away from delivering the Angels to their first World Series, closer Donnie Moore gave up a crowd-silencing, two-run homer to Dave Henderson in Game 5 of the 1986 American League Championship Series, a dagger that capped a stunning, four-run ninth inning and gave the Red Sox a one-run lead.

Dave Henderson watches the flight of his ninth-inning homer that put Boston ahead of the Angels, 6-5 in Anaheim, Oct. 12, 1986.

(Jim Gerberich / Associated Press)

The Angels rallied to tie it in the bottom of the ninth and had the bases loaded with one out, needing only a sacrifice fly or well-placed grounder to restore the full-throated roar to an Anaheim Stadium crowd of 64,223. Two of their top hitters, Doug DeCinces and Bobby Grich, failed to bring home the winning run.

Boston left fielder Jim Rice made a game-saving catch of a Gary Pettis drive at the wall to end the 10th inning, and Henderson’s bases-loaded sacrifice fly in the 11th gave the Red Sox a 7-6 comeback victory.

The shellshocked Angels barely put up a fight in Games 6 and 7 losses in Fenway Park. Three-and-a-half decades later, however, it’s Game 5 that still eats at the left-hander who got the final out in the top of the 11th inning but had been bypassed for another southpaw for a key at-bat in the ninth.

“You can’t get any closer,” former Angels pitcher Chuck Finley said. “You almost feel like you can touch it. When you have something in your hands, it’s almost like you were pick-pocketed.”

Tuesday, Oct. 12, marks the 35th anniversary of the most devastating loss in Angels history, 3 hours and 54 minutes of twists and turns that played out like a Shakespearean tragedy.

This is a look back at Game 5 through the eyes of a 23-year-old rookie reliever on that team and a Hall-of-Fame broadcaster who ranks the game just behind the “Miracle on Ice,” the U.S. hockey team’s upset of the Soviet Union in the 1980 Winter Olympics, on his list of greatest sporting events he’s called.

PROLOGUE

The 1986 Angels, managed by 60-year-old Gene Mauch, were an eclectic mix of crusty veterans, eager youngsters and a sprinkling of players in their prime.

The lineup included designated hitter Reggie Jackson (40), catcher Bob Boone (38), second baseman Grich (37), third baseman DeCinces (35), outfielders George Hendrick (36) and Brian Downing (35) and infielder Rick Burleson (35).

The kids were first baseman Wally Joyner (24) and shortstop Dick Schofield (23).

Don Sutton (41) was the dean of a rotation that included 25-year-old right-handers Mike Witt and Kirk McCaskill. Terry Forster (34) was the elder in the bullpen. Finley was called up from Class-A Quad Cities in late May and saw a blend of personalities and temperaments that was borderline toxic.

Chuck Finley of the Angels pitches during a game circa 1988 in Anaheim, California.

(Rick Stewart/Getty Images)

“It was almost like a Desperate Housewives for Men the whole year,” said Finley, who lives in Newport Beach and does charity work for the team. “That clubhouse was a mess. Guys were just fighting all the time. There was so much pressure on Gene just to keep that team together.”

Finley recalled the team bus ride in which Moore, angered after being told Mauch had called a workout for an off day, hurled a piece of fruit at the skipper, only to have it splatter on the windshield of the bus. Players could be prickly with the media. And each other.

“It was a mixed bag of nuts,” Finley said. “It was like going to a bar and they give you that bowl. Some are a little sweet, some are a little sour, some are a little salty, but you just keep putting your hands in there and eating it, you know?”

The clubhouse tension, however, did not affect their performance. The Angels went 23-25 in April and May but caught fire in June, going 69-45 over the final four months to finish at 92-70. They sealed the division title with a 21-5 run from Aug. 24 through Sept. 22.

Joyner (.290, 22 homers, 100 RBIs), DeCinces (.256, 26, 96) and Downing (.267, 20, 95) paced the offense. Witt (18-10, 2.84 ERA, 208 strikeouts), McCaskill (17-10, 3.36, 202) and Sutton (15-11, 3.74) led the rotation.

Angels relief pitcher Donnie Moore.

(Charles Bernhardt / Allsport)

Moore fought through shoulder and rib-cage injuries to go 4-5 with a 2.97 ERA and 21 saves in 49 games, and Doug Corbett (4-2, 3.66 ERA in 46 games), Forster (4-1, 3.15 in 41 games) and left-hander Gary Lucas (4-1, 3.15 in 27 games) were reliable in relief.

“Man, once that national anthem was played, it was just true professionalism,” said Finley, who went 3-1 with a 3.30 ERA in 25 games after his summer call-up. “Those guys knew how to win.”

PENNANT FEVER

The Angels closed the season at Texas and flew to Boston to start the ALCS. Two sloppy, half-well-pitched games yielded two lopsided scores. Witt threw a complete game in an 8-1 Game 1 victory, and Red Sox left-hander Bruce Hurst threw one in Boston’s 9-2 Game 2 win.

The series shifted to Anaheim, where the Angels scored three seventh-inning runs in a 5-3 Game 3 victory and rallied in Game 4 for three ninth-inning runs off Roger Clemens, with DeCinces (homer) and Pettis (RBI double) providing the big blows, in a 4-3, 11-inning win.

The Angels were up 3-1 in the series.

A sense of anticipation filled Anaheim Stadium the next day when the teams met at high noon under sunny, 80-degree skies. The Angels started Witt, their best pitcher. Hurst started for the Red Sox on three days’ rest.

But across the 57 Freeway in a St. Joseph’s Hospital bed sat Joyner, the Angels’ rookie-of-the-year candidate who had a staph infection in his right shin and would watch the game on a 19-inch TV. (That was a fairly big size in those days, kids.)

Grich moved from second base to first, and Burleson started at second. The Red Sox took a 2-0 lead when Rich Gedman, their left-handed-hitting catcher, lined a two-run homer just inside the right-field foul pole in the second inning. Boone’s solo shot to left made it 2-1 in the third.

Grich followed DeCinces’ two-out double in the sixth with a drive to deep center, where Henderson, who had replaced injured starter Tony Armas in the fifth, nearly made a leaping catch on the warning track.

But Henderson’s momentum sent him smashing into the fence, and his left arm hit the top of the wall. The ball squirted out of his glove and over the fence for a two-run homer and a 3-2 Angels lead, which Anaheim increased to 5-2 in the seventh on Rob Wilfong’s pinch-hit RBI double and Downing’s sacrifice fly off reliever Bob Stanley.

Witt, meanwhile, was cruising. He took a six-hitter into the ninth with three of the hits — the second-inning homer, a fifth-inning double and seventh-inning single — coming off the bat of Gedman, who was due up fifth in the inning. With that in mind, Mauch had Lucas warming up alongside Moore as the inning began. Lucas had struck out Gedman twice during the season and again the night before.

An interview platform was constructed in the Angels clubhouse. Clear plastic wrapping was draped over each locker to protect against the anticipated fusillade of champagne. Officers on horseback gathered in the bullpen. California Highway Patrol officers manned the dugouts.

In a 1987 story about the game, former Times staff writer Mike Penner wrote that Jackson walked over to congratulate Mauch, who was on the verge of finally shedding his reputation as the best manager to never win a pennant. But Mauch kept staring ahead from the third-base dugout, watching Witt warm up for the ninth.

“It isn’t over yet,” Mauch said quietly.

“It had merely begun,” Penner wrote.

HEARTBREAK HILL

Bill Buckner opened the ninth with a ground-ball single to center, just beyond the reach of a diving Schofield. Dave Stapleton came on to pinch-run. Rice struck out looking.

Up stepped Don Baylor, the former Angels designated hitter who led the team to its first two playoff appearances in 1979 and 1982. Witt thought he struck out Baylor with a 2-and-2 curve on the inside corner, but umpire Rocky Roe called it a ball.

Witt’s full-count offering was another breaking ball, this one down and away, a pitch Witt later said he “would throw him 100 out of 100 times, and I guarantee you he wouldn’t hit a home run.” Baylor yanked it over the left-field fence for a two-run homer to cut the lead to 5-4.

Dwight Evans popped out to third for the second out. Pitching coach Marcel Lachemann went to the mound and raised his left arm to summon Lucas. The crowd groaned. So did a few Angels players.

“When they took Witt out, it was like, ‘Wow,’ ” Finley said. “He was dominating that game. I know Gedman had decent numbers against him, but I thought Witt was on a roll and he’d figure out a way to get through this.”

Lucas had not hit a batter in four seasons. His first pitch rode up and in and hit Gedman on the right hand.

Out came Lachemann again to summon Moore to face Henderson, who hit .196 with one homer and three RBIs in 36 games for Boston after an August trade from Seattle.

Henderson fouled off a pair of 2-and-2 pitches, a split-fingered pitch and fastball. Moore, whose shoulder was so sore he took a cortisone injection after the game, threw another splitter on the outer half, but this one tumbled instead of breaking sharply toward the dirt.

Henderson reached out and swatted a high fly to left. Four steps out of the box, he leaped high into the air. Finley, from the right-field bullpen, had a perfect view of the ball’s flight. He knew from the sound of the bat, the arc of the ball and the atmospheric conditions, this was not good.

“I watched it come off the bat and went, ‘Oh, sh–,’ because it was a day game and the ball flies,” Finley said. “Then I saw [Henderson] jump and went, ‘Uh-oh.’ We’re one strike away from going to the World Series and boom, that ball goes flying out, and that stadium went silent.”

Michaels called Henderson’s homer “unbelievable” and “astonishing” on the broadcast. Henderson floated around the bases and was greeted by jubilant teammates in the dugout.

Dave Henderson, left, and Rich Gedman of the Red Sox cheer after Henderson’s ninth-inning homer gave Boston a one-run lead in Game 5 of the 1986 ALCS against the Angels.

(Reed Saxon / Associated Press)

“Anaheim Stadium was a strike away from turning into Fantasyland,” Michaels said on the air, “and now the Red Sox lead 6-5!”

Moore got Ed Romero to fly to right to end the inning. A stoic Mauch stood in the dugout, arms folded across his chest, a blank look on his face.

“He looked frozen in time,” Michaels said.

PUSH BACK

The Angels clawed back in the bottom of the ninth. Boone singled and was replaced by pinch-runner Ruppert Jones and was bunted to second by Pettis.

Red Sox manager John McNamara summoned left-hander Joe Sambito to face Wilfong, who singled sharply to right. Jones beat a one-hop throw from the strong-armed Evans with a head-first slide to the back of the plate to tie the score 6-6 and re-spark pandemonium in the stadium.

Angels baserunner Rupert Jones slides safely into home plate under the eyes of Boston Red Sox catcher Rich Gedman in the ninth inning.

(Lennox McLendon / Associated Press)

Wilfong should have advanced on the throw home but froze at first. Right-hander Steve Crawford replaced Sambito and gave up a single to right to Schofield, moving Wilfong to third. Had Wilfong taken second on the play at the plate, he likely would have scored on Schofield’s hit.

Downing was intentionally walked to load the bases to set up a force play at home. That brought DeCinces to the plate. Crawford, who was making his first appearance of the series, was so nervous he couldn’t produce any saliva to spit.

“If there was a toilet on the mound,” Crawford said after the game, “I would have used it.”

Instead, the Angels flushed an opportunity down the drain. DeCinces swung at a first-pitch fastball and flied to shallow right, Wilfong holding at third. Grich hit a soft liner that Crawford snagged to end the inning.

“I got no place to sleep tonight,” Mauch quipped after the game. “I bet my house that DeCinces would get that run in from third.”

Moore escaped a first-and-third, one-out jam in the 10th by getting Rice to ground into a double play. Crawford walked Jerry Narron with two outs in the bottom of the 10th, and the switch-hitting Pettis, with Narron running on a full-count pitch, drove a pitch to deep left.

Pettis had hit a similar ball over Rice’s head during the big ninth-inning rally the previous night, so Rice took a few steps back for this Pettis at-bat. That allowed him to make a leaping, two-hand catch near the top of the wall to rob Pettis of a game-winning double.

“He had to look in his glove to make sure he caught it,” Michaels said. “Narron was running with the 3-2 pitch, and he scores easily if Rice doesn’t catch it.”

Michaels recalled the stadium becoming “eerily quiet” as the 11th inning started.

“I remember saying on the air that the crowd is wrung out,” Michaels said. “They had been screaming for 45 minutes and were just wrung out.”

Moore hit Baylor with a pitch to open the 11th. Evans singled to center. Gedman, the unsung hero of the game, popped up a sacrifice-bunt attempt that fell in front of DeCinces for a single to load the bases with no outs.

Henderson’s sacrifice fly to center scored Baylor to give Boston a 7-6 lead. Downing made a leaping catch of Romero’s drive before slamming face-first into the wall for the second out, saving a run, maybe two. Finley replaced Moore and got Wade Boggs to ground out to second to end the inning.

Red Sox closer Calvin Schiraldi struck out Wilfong and Schofield to open the bottom of the 11th, and Downing lofted a fly ball into foul territory near first.

“Popped up … here comes Stapleton,” Michaels said on the broadcast. “Next plane to Boston!”

POSTSCRIPT

The Angels’ team flight to Boston was funereal. “It was mute,” Finley said. “Everybody was staring out the windows going, ‘What happened?’ ”

Angels pitching coach Marcel Lachemann, right, consoles relief pitcher Donnie Moore in the locker room at Fenway Park on Oct. 15, 1986. The Angels lost to the Boston Red Sox in the final game of the ALCS.

(Bob Child / Associated Press)

Run-scoring doubles by Jackson and DeCinces in the first inning of Game 6 provided some hope, which was dashed when Boston scored twice in the bottom of the first and five runs in the third in an eventual 10-4 win.

The Red Sox steamrolled the Angels 8-1 in Game 7 to reach the World Series, where they suffered their own one-strike-away collapse against the New York Mets, when Mookie Wilson’s 10th-inning grounder in Game 6 famously rolled through Buckner’s legs to allow the winning run to score. The Mets won Game 7 two nights later.

The career of Moore, who had a history of alcohol abuse and domestic violence, spiraled in the wake of Game 5. He struggled in two more injury-marred seasons with the Angels and was released by the Royals in 1989.

In July 1989, Moore had an argument with his wife, Tonya, and shot her three times with a .45 pistol in their Anaheim Hills home. While the couple’s 17-year-old daughter drove Tonya to the hospital — she survived — Moore, with two younger sons in the house, put the gun to his head and committed suicide. He was 35.

“He was a great guy, he just had some demons he couldn’t tame,” Finley said of Moore. “It’s sad the way it ended up and the way Donnie’s life ended.”

Orange County Coroner personnel remove the body of former Angels pitcher Donnie Moore from his home in Anaheim on July 18, 1989. Moore shot his wife several times, critically wounding her before turning the gun on himself.

(Alan Greth / Associated Press)

Finley can’t help but wonder if he could have ended Game 5 in the top of the ninth had he been summoned instead of fellow lefty Lucas.

“I think about it all the time,” Finley said. “I don’t know if I would have gotten Gedman out, but I’d like to have had the chance to try. Gary was kind of thumbing it. He was a finesse guy, and I was throwing pretty hard back then. But Gene wanted to go with veterans, so he made what he thought was the book move.”

Finley went on to have a stellar 17-year career, going 200-173 with a 3.85 ERA in 524 games and making five All-Star teams. But he left the Angels to sign with Cleveland in 2000, hoping for a chance to win a championship, two years before the Angels won their only World Series title in 2002.

Finley made seven playoff appearances for the Indians and St. Louis Cardinals in 2001-02 but never reached the World Series.

The closest he would come, it turned out, was with the Angels in 1986.

“I was 23, up from A-ball and one strike away from the World Series — you think it would happen every year,” Finley said. “Then you have a 17-year drought, you’re retired and you don’t have a ring … man, you get that close, it makes you appreciate how hard it is to win one.”

The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

KATIE Price was left screaming in terror as she took a trip to a haunted house in Belgium for a ghosthunting experience this week.

The mum-of-five documented her spooky trip by filming the whole thing, with fans watching as she spoke to ‘ghosts’.

Katie drove from her home in the UK to Brussels with pal and cameraman Ben Algar as she headed to the European city to undergo more surgical procedures on her boobs and filler in her lips.

However, the she and Ben, who was behind the wheel due to Katie’s recent driving ban, decided to reside at a “haunted” Airbnb cabin during the trip.

Filming herself as they arrived for a new YouTube vlog, a terrified Katie is seen checking the cabin for ghosts.

Staring over at a lightbulb, she says: “If there’s any ghosts in here and you want us to go, that light I’m pointing at now, turn it off if you don’t want us to stay.”

SUPER STACE

Joe Swash brands himself a ‘proud husband’ in gushing message to Stacey Solomon

KITCHEN NIGHTMARE

Matt Tebbutt slams BBC over MasterChef: The Professionals axe

As nothing happened, she said: “Well, at least it didn’t turn off.”

But just seconds later, the light seemingly flickered off, with Katie then screaming.

“What is going on?” said the worried star.

With her hands on her face, she said: “Noo. What are we doing?”

Whilst Katie was convinced the light was proof that ghosts were present, fans in the comment section of the video had other theories.

“I think its a motion sensor bulb lol,” laughed one.

Another agreed: “Katie is a sensor light, when you step forward it came on then went off when ye stepped back”.

Katie’s trip abroad with Ben comes after we revealed him as the “second man” in her life, alongside husband Lee Andrews.

Sources credit Ben as a ‘stable influence’ in the ex-glamour model’s life, in what has been another whirlwind few months for the star, following her driving suspension and surprise Dubai wedding to Lee Andrews in late January.

“The second man in Katie’s life is Ben, who has been by her side for years,” a source tells The Sun. “But he’s really stepped up recently amid her latest drama.

“He is probably the only stable man she’s ever had in her life outside of her family.

“They’re incredibly close friends and Ben has always quietly guided Katie, not only in her career but in her private life

“The whole family love him- he’s a really great friend to Katie and the entire Price gang. They all think he’s a legend.”

SHE went from a little known model to posing for Fendi almost overnight when she started dating Brooklyn Beckham.

Stunning Hana Cross, now 28, dated the nepo baby for just eight months but almost seven years on the Beckham family name still haunts her – and as insiders tell us she’s gained a reputation for being difficult to work with, the famous connection is doing more and more of the heavy lifting.

An industry source explained: “Hana can be hard work behind the scenes, especially when things don’t go her way, and that’s started to follow her.

“Brands are becoming more hesitant, not because of one specific issue, but because of a general unpredictability around how things might be received with her.

“Brands have mentioned how difficult she is to work with. She’s a stunning girl with so much potential but there’s a sense some partnerships have cooled as companies weigh up whether the attention she brings is the right kind.

“There’s a growing feeling in the industry that a lot of the attention around her still ties back to her past with Brooklyn, whether she likes it or not.”

We’re told she recently hired a new press team to help restore her reputation and shed the family name once and for all.

It became apparent just how far off that dream was earlier this year as she found herself dragged into the Beckham family drama surrounding Brooklyn falling out with his parents.

Our source continued: “The recent Beckham drama has definitely rattled her more than she’s letting on, she’s trying to stay composed but it’s clearly unsettled things behind the scenes

“She’s more cautious than ever now, particularly when it comes to anything linked to that circle

“She’s brought in a new PR team in an attempt to reset the narrative and give herself a fresh angle. There’s a sense that without her Brooklyn ties, there’s not much cutting through in terms of her own identity.”

The Leeds-born model started dating the eldest of the Beckham brood, 27, back in 2018, but it was a tumultuous time, overshadowed by a series of very public rows.

Hana was thrown into the spotlight – compared to Brooklyn she’s had a very modest upbringing, living in Huddersfield and then Chipping Campden, where she attended the local state school. 

From Leeds to LA

Born Hana Mahmood, her mum Sarah was working in a shop when she married Khalid Mahmood in November 1994. 

When she was 18 she was scouted while out shopping with her mum in Cotswolds. She had been planning to go to university to study business with equine studies, but her career took off pretty quickly.

Hana has worked for everyone from high street brands Topshop and New Look to designers Valentino and Missoni.

She was 21 when she first met Brooklyn, who was 19 at the time. It’s thought that Brooklyn’s cousin Libby Adams introduced them and they soon became inseparable.

The couple appeared to have their struggles at the time and they were pictured seemingly having a heated discussion outside a Los Angeles restaurant.

And not long after, another confrontation at the Agent Provocateur party, at Annabel’s members club in London in September 2019, left Hanna running to the bathroom in tears.

A fellow partygoer at the time told The Sun Online: “They were chatting together and it was very tense. By the end of it I could hear Brooklyn say, ‘it is what it is.’

“He walked off and she went back to her friends looking dejected, but she held it together while her pals comforted her”.

Brooklyn’s parents Victoria and David were said to be “seriously frustrated” by the negative attention the rows were creating and warned him to spend more time with the family.

Looking back at that time in a rare interview Hana admitted that dating the budding chef and being part of the famous family sparked her “anxiety” .

She told Hello! Magazine: “My time with the family caused me a lot of anxiety, in all honesty.

“There were a lot of warning signs and things that happened during the relationship that, in hindsight, should have made me think and maybe end the relationship or walk away a lot sooner than it did”.

In recent months Brooklyn’s current relationship – his marriage to Nicola Peltz – has come under scrutiny due to his very public family feud.

The famous family’s spat exploded when he launched a nuclear attack on his famous parents – blasting his Spice Girls star mother, 51, in a damning message posted on social media.

Hana admitted: “It’s hard not to be mentally drawn back into that part of my life, especially with all this feud stuff coming out. 

“It’s hard because I don’t look back on that as a fond time, on reflection.”

The couple finally called it quits in the summer of 2019, which was said to be a huge relief to Brooklyn’s parents. Little did they know Nicola Peltz was just around the corner. 

Hana had a brief foray into music and released a track that seemed to hint at Brooklyn. 

She sang: “I wish that someone told me you had a habit for dishonesty – though you break my heart, I want to stay.”

She went on to date Jude Law‘s son Rafferty, Jack Whitehall and Scott Disick. She’s now living in LA and was last linked to aristocrat Peregrine Pearson, following his split from Sophie Turner. 

Our insider added: “It’s a bit of a catch 22 situation because she knows that without Brooklyn she wouldn’t be where she is now and it’s still the thing people are most interested about with her.

“But she’s determined to push forward and prove she can stand on her own.”