Harry Potter

The East Sussex walk has been ranked among the world’s most beautiful hiking trails according to a new eye-tracking study – but be warned, it’s a strenuous 12-mile route that’ll take up to seven hours to complete

New research has revealed one of the world’s most breathtaking hikes can be found right here on our doorstep in the UK, rewarding walkers with unrivalled coastal views.

An eye-tracking study has identified the most stunning hiking trails across the globe, with running shoe retailer SportsShoes.com employing cutting-edge technology to monitor the eye movements of participants as they were shown some of the most iconic routes from around the world.

The findings assigned each location an ‘eye-catching’ score, establishing which trails were the most visually striking. As a result, the UK’s very own Seven Sisters Cliff Walk, nestled along the English coastline in East Sussex, made it into the top rankings.

It will come as little surprise to those who live nearby or have tackled the trail that it would be regarded as a top 10 hike, with its tranquil sands and azure waters framed by the most stunningly white cliff tops imaginable.

The Seven Sisters are so magnificent they have featured in some of Britain’s most beloved blockbuster films, including Atonement and Harry Potter. The iconic cliffs form a demanding route that can take anywhere between four to seven hours to complete, yet tourists appear to agree it is worth every single step.

The hike

Most walkers opt to begin the challenging trek in Seaford and finish in Eastbourne, allowing them to soak up the celebrated views of the Seven Sisters as they reach the summit. Across the 12-mile route, hikers can expect to conquer seven hills, some considerably steeper than others.

The ideal vantage point for capturing all seven cliffs in a single shot is at Hope Gap, though for the finest views from the clifftop, you’ll want to hold on until you reach the iconic Belle Tout and Beachy Head lighthouses.

Fortunately for walkers, there’s a charming little pit stop along the way where you can take a breather and enjoy a range of food and drinks at the Bearling Gap Cafe. Here you’ll also find a handy centre complete with toilet facilities, so you needn’t worry about being caught short during the journey.

Having tackled the walk themselves, one visitor wrote on Tripadvisor : “The cliffs are breathtaking from a distance, and the view from the edge, facing the open sea, is unforgettable. Heading down to the pebble beach gives you a completely different, striking perspective.”

According to the full findings, topping the list as the ultimate hike boasting the most jaw-dropping scenery is France’s Calanques de Marseille. Tucked within the Calanques National Park, nestled between Marseille and Cassis, the route is truly spectacular, featuring a stunning backdrop of white limestone cliffs plunging into turquoise coves, with a variety of trails to suit different timeframes and fitness levels.

The Top 10 list includes:

1. Calanques de Marseille, Marseille, France
2. Plitvice Lakes Trail, Plitvice Lakes National Park, Croatia
3. Lauterbrunnen Valley, Bernese Oberland, Switzerland
4. Inca Trail to Machu Picchu, Cusco, Peru
5. Bastei Rock Formation, Saxon Switzerland National Park, Germany
6. The Narrows, Zion National Park, USA
7. Étretat Cliff Walk, Étretat, France
8. The Loop, Kalbarri, Australia
9. Seven Sisters Cliffs Walk, East Sussex, England
10. Causeway Coast Way, County Antrim, Northern Ireland

The BBC has produced a number of critically acclaimed and beloved films and TV shows over the years – but one gritty crime drama may have slipped under the radar for many fans

A “gritty” BBC crime drama has left viewers “heartbroken” but it may well have gone completely unnoticed by some film fans.

The BBC has built a stellar reputation among TV and film enthusiasts thanks to its numerous top-tier productions which continue to be praised long after they first aired. There’s something to suit all tastes, from entertaining and fun sitcoms, steamy storylines and beloved period dramas, to powerful, unflinching crime thrillers, and much more.

Lots of BBC-backed films remain critically celebrated and adored to this day, from 2019’s musical crime drama hit Blue Story, and the thought-provoking Looted, to the 1989 Gary Oldman-led cult crime classic The Firm, and countless others.

The BBC’s television catalogue is equally respected, with the likes of hugely popular police drama Line of Duty, bleak favourite Happy Valley and the tense anthology drama The Missing frequently listed as among the best the broadcaster has produced.

But a 90-minute crime film may have escaped many viewers’ attention – and if you’re partial to hard-edged legal dramas, it’s worth checking out.

It’s the 2014 made-for-television film, Common. It was written by Jimmy McGovern and directed by David Blair. The film stars Nico Mirallegro, Michelle Fairley and Harry Potter alum Michael Gambon.

The storyline follows 17 year old Johnjo O’Shea, portrayed by Mirallegro, who is asked to give his older brother’s friends a lift in his brother’s car to take them to a pizza takeaway.

Unbeknownst to Johnjo, one of his passengers has an ulterior motive for heading to the takeaway – he intends to confront a rival who’ll be there.

A row erupts between one of Johnjo’s passengers and an onlooker, Tommy Ward. Tommy is eventually stabbed and fatally wounded by the passenger.

Johnjo ends up in court charged as an accessory to murder, under the doctrine of common purpose; a component of the UK’s contentious Joint Enterprise legal doctrine which permits multiple people to be prosecuted and found guilty of the same offence – regardless of the different roles they may have played in a crime.

Writer Jimmy McGovern drew inspiration from the actual case of 16 year old Jordan Cunliffe, who received a sentence under this law for a minimum period of 12 years for the murder of Garry Newlove, who was beaten to death in August 2007 after challenging a group of youths outside his home.

Cunliffe was understood to have played no active role in the assault on Newlove.

The film traces the legal proceedings that follow, alongside the consequences and tensions that arise between the various families affected.

On Rotten Tomatoes, viewers have shared their opinions on the somewhat overlooked drama. One fan said: “Actor and storyline driven, this gritty British drama brings a new area of crime and punishment to light.

“Jodhi May stands out, but with many regular British drama faces, this is a tale that leaves no mother without an emotional pull.”

Another viewer wrote: “I thought this was a simple movie, but powerful all the same.”

A third added: “Very well made and acted, but so heartbreaking I never want to see it again.”

Critics were equally impressed, with The Guardian describing it as “a brutal and devastating drama” that’s “bleak, powerful” and “thick with political intent”, though it noted this “occasionally robs it of its quality”.

Common is streaming now on BBC iPlayer.

CARRY On actor Leslie Phillips’ family is set for a High Court ding-dong over his will, The Sun can reveal.

The late star‘s estate is suing his wife, Zara, at the High Court, after she refused to move out of their £4.4million marital home.

The long-running spat is said to have strained the relationship between Zara, 68, and Harry Potter actor Leslie’s children, who say they are entitled to the proceeds of the Edwardian mansion’s sale.

Leslie, who died in November 2022 at age 98 after an eight-decade showbiz career, left his family a huge £5.3million fortune and dictated exactly how his belongings should be shared.

He gave his OBE and CBE medals to his grandchildren and a Buddha statue to his third wife, Zara Phillips.

But the actor, known for his “Ding Dong,” “Well, Hello” and “I Say” trademark lines, also stipulated his posh West London house should be sold exactly two years and nine months after his death.

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But Zara has repeatedly insisted Leslie, whom she wed in 2013, had promised she could stay there for the rest of her life.

She even claims his will was changed without her knowledge to force the sale of the property and hand more cash to his kids.

At the four-storey Edwardian house, filled with pictures of Leslie, Zara previously told The Sun: “This is my marital home.

“I want to live here for the rest of my life, not to move out.

“Leslie always promised me I could stay here.

The will, seen by The Sun, says the £4.4million house is to be sold two years and nine months after his death, with the proceeds going into a trust.

It means the deadline for the sale passed in August 2025, but Turkish social worker Zara has not moved and is determined to stay put.

The sale trust would have been split between Phillips’ four children from his first marriage, Caroline, Claudia, Andrew, and Roger, as well as Zara.

Phillips’ two sons and two daughters were each left £50,000 in the will, while his 15 grandchildren were each awarded £5,000.

Zara was left £155,000, along with ten of Phillips’ belongings, each worth as much as £1,500, and more than 25 per cent of the shares in the trust fund.

The house spat will now be decided at London’s High Court, though Zara insists she has not been told about the case.

A case filed this week names the Estate of Leslie Samuel Phillips CBE as the claimant, and Zara Phillips as the defendant.

It is listed as a Part Eight claim, meaning the parties do not agree on the facts, and is said to be a case about “provision for family/dependants”.

Speaking outside her home yesterday, Zara told The Sun: “I am very surprised. I had no idea about any of this.

“Leslie’s children have not been in touch with me at all.

“If they want me to come to court, I will do.

“I will come to court and fight it if I must.

“I am planning to stay put. I have no plans to move out – this is my home.

“I will have to speak to my lawyers.”

Zara met Leslie in 1995, but the couple were friends for 18 years before they married.

Leslie was walking near his home when he saw Zara, then a 39-year-old widow, who insisted she did not know the star was world-famous.

At the time, Leslie was married to his second wife, Bond actress Angela Scoular, who took her own life after her cancer returned in 2011.

The executor of Leslie Phillips’ estate, solicitor Martin Terrell, said he could not comment on an ongoing case.

The Fortune sees a woman mysteriously inherit £2 million and a country estate from a stranger.

The Fortune has landed on Channel 5, with audiences eager to discover everything about the drama.

Following the unexpected inheritance of a substantial fortune from a stranger, mother and wife Amanda (portrayed by Eleanor Tomlinson) finds herself in conflict with the deceased man’s relatives.

She simultaneously starts uncovering the truth regarding her own family’s sinister history, which may shed light on why she’s been selected as the beneficiary of the enigmatic man’s estate.

Where was The Fortune on Channel 5 filmed?

Filming for Channel 5’s The Fortune occurred during autumn 2025 across Hartlepool, Northumberland, Newcastle and North Yorkshire.

The bulk of shooting took place in Hartlepool, with the historic Headland district serving as a crucial location.

Another significant filming venue was Hartlepool Marina, where the exterior alongside local establishments and eateries were utilised to depict Amanda’s everyday existence.

The programme’s principal production headquarters was also situated in Hartlepool at The Northern Studios on Lynn Street.

Certain scenes were additionally captured in Newcastle, with the drama produced by Newcastle-based Lonesome Pine Productions.

The cast and crew travelled to Great Ayton, North Yorkshire, where the mid-Victorian country residence Cleveland Lodge served as the Worrall family estate in the Channel 5 series.

The Grade II listed building was constructed between 1848 and 1851 and sits within approximately 35 acres of private parkland, featuring paddocks and a tennis court. Meanwhile, the more rural and coastal scenes were shot in and around the Northumberland region.

All Creatures Great and Small star Callum Woodhouse, who plays vengeful son Anthony Worrall in the series, hails originally from Stockton in the North East.

The Hartlepool Mail reported Woodhouse describing the experience of filming The Fortune as something of “a homecoming”.

He said: “Obviously, staying with my parents and filming in places I grew up visiting was a huge draw, but also being able to do something set in the modern day was really exciting.

“We were filming just over the road from where my mum works, so we’d meet up for lunch sometimes.”

The Fortune is available to watch on Channel 5.

Anna Maxwell Martin takes on an intimidating new role that’s miles away from Motherland in this gripping Apple TV drama

The new Cold War thriller features some very recognisable names.

Apple TV’s highly anticipated For All Mankind spin-off Star City is finally here and has received rave reviews across the board.

Taking viewers back to the 1970s in this alternate version of history in which the Soviet Union won the space-race, the series picks up with the Russian politicians, engineers, cosmonauts, and KGB agents overseeing more missions to the Moon.

While the USSR is still basking in the victory of becoming the first nation to put a man on the Moon in 1969, tensions are running high as the threat of the US still looms large during the Cold War.

The series begins today (Friday, 29th May) with six more episodes coming each Friday until a riveting finale on 10th July.

But who is in the cast of Star City? From a major sitcom star to actors from some of the most acclaimed dramas of the past few years, let’s take a closer look at where you’ve seen them before.

Star City’s main cast

Rhys Ifans – Chief Designer

Welsh film and TV icon Rhys Ifans portrays the secretive figure at the head of the Star City program, known only as the chief designer.

You’ll have seen him recently as Otto Hightower in House of the Dragon, HBO’s popular Game of Thrones spin-off, as well as portraying Xenophilius Lovegood in the Harry Potter franchise and as Curt Connors/The Lizard in The Amazing Spider-Man, a role he reprised in Spider-Man: No Way Home.

His performance as comedy legend Peter Cook in Channel 4’s Not Only But Always won him a BAFTA TV award, and he is also well-known for his role as Spike in Notting Hill opposite Hugh Grant.

Anna Maxwell Martin – Lyudmilla Raskova

Anna Maxwell Martin plays the head of Star City’s KGB surveillance department, Lyudmilla Raskova, in a performance the Guardian has described as “terrifying”.

Martin has appeared in a huge range of popular British dramas, including Line of Duty, Ludwig, and ITV’s Until I Kill You, which won her an International Emmy Award.

She has also won BAFTA TV Awards for her roles in Bleak House and Poppy Shakespeare and is well-known among comedy fans for playing Julia Johnstone in the hit BBC sitcom Motherland.

Agnes O’Casey – Irina Morozova

Irina Morozova, a recent KGB recruit at Star City, is portrayed by English and Irish actress Agnes O’Casey.

O’Casey has landed supporting roles in major dramas in the 2020s, including Dangerous Liaisons, Wolf Hall: The Mirror and the Light, and Netflix’s Black Doves.

On the big screen she has appeared in Small Things Like These with Cillian Murphy and in The Miracle Club, Dame Maggie Smith’s final film.

Alice Englert – Anastasia Belikova

Anastasia Belikova is an untested female cosmonaut in the Soviet space program and portrayed by Australian actress Alice Englert.

Previously best known for her film roles, she has appeared in Ginger & Rosa with Elle Fanning, Beautiful Creatures with Alden Ehrenreich, and Netflix’s The Power of the Dog with Benedict Cumberbatch, which was directed by her mother Jane Campion.

Englert also appeared with O’Casey in Dangerous Liaisons, as well as BBC’s The Serpent and Jonathan Strange & Mr Norrell, and made her directorial debut with the 2023 film Bad Behaviour starring Jennifer Connelly.

Solly McLeod – Sasha Polivanov

Sasha Polivanov is described as “a reckless cosmonaut who has yet to live up to his potential” and is portrayed by Solly McLeod.

McLeod is a British actor known for playing the title role in ITV’s adaptation of Tom Jones, and has also played Ser Joffrey Lonmouth in two episode of House of the Dragon with Star City co-star Ifans.

He is also set to appear in the major upcoming films Practical Magic 2 and Anxious People, adapted from the bestselling novel by Fredrik Backman.

Adam Nagaitis – Valya Mironov

In contrast to Sasha, Valya is a respected cosmonaut in the Star City program brought to life by British actor Adam Nagaitis. Nagaitis previously portrayed a Russian firefighter in HBO’s acclaimed miniseries Chernobyl.

He has also appeared in the film The Last Duel with Matt Damon and Adam Driver, as well as TV series The Responder, The Agency and A Thousand Blows.

Ruby Ashbourne Serkis – Tanya Mironova

Ruby Ashbourne Serkis is the actress daughter of The Lord of the Rings star Andy Serkis and will be portraying Tanya, the wife of one of Star City’s cosmonauts.

She has previously appeared in TV series Shardlake and I, Jack Wright, as well as two recent Cillian Murphy films; Netflix’s Steve and the Peaky Blinders movie, The Immortal Man.

Josef Davies – Sergei Nikulov

Josef Davies portrays Sergei Nikulov, a young engineering prodigy working at Soviet Ground Control. Davies is best known as Sören in Young Wallander and he has also appeared in Andor, Grace, and Agatha Christie’s Seven Dials, as well as the hit WWI film 1917.

Supporting cast and guest stars

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Star City also features an extensive cast of supporting stars. They include:

• David Dencik (The Assassin) as Maxim Tarasov
• Eliot Salt (Rivals) as Vika Yegorova
• Ellie Piercy as Galina
• Robin Berry as Rem Balabanov
• Chris Leaney as Viktor
• Eadie Johnson as Zoya Morozova
• Aurelijus Pocius as Zhenya

There are also some major names and rising stars making guest appearances throughout the first season. They include:

• Niamh Algar (The Iris Affair) as Yana Akhmatova
• Jenny Walser (Heartstopper) as Leonova
• Sam Strike (Outer Range) as Pavel Fetisov
• Ian Drysdale as Doctor Borovsky
• Sam Wilkinson as Alexei Leonov
• Neringa Bulotaité as Natalia Ivanovna
• Sean Gilder as Vladimir Belikov
• Jamie de Courcey as Stanislav Kalinsky
• Fadily Camara as Celine
• Michael James as Galytzin
• Šarūnas Datenis as Arkady
• Priya Kansara (Bridgerton) as Lakshmi, a gifted scientist

Star City continues Fridays on Apple TV.

Gracie Cochrane won’t be enrolling in Hogwarts this fall.

HBO announced that Cochrane will depart the upcoming “Harry Potter” series ahead of Season 2. Cochrane played Ron Weasley’s (Alastair Stout) younger sister, Ginny, in “Harry Potter and the Philosopher’s Stone.” Cochrane and her family attributed the “challenging decision” to “unforeseen circumstances.”

“Her time as part of the ‘Harry Potter’ world has been truly wonderful, and she is deeply grateful to [casting director] Lucy Bevan and the entire production team for creating such an unforgettable experience,” the Cochrane family said in a statement. “Gracie is very excited about the opportunities her future holds.”

HBO said they “wish Gracie and her family the best.”

“We support Gracie Cochrane and her family’s decision not to return for the next season of HBO’s ‘Harry Potter’ series, and we are grateful for her work on season one of the show,” HBO wrote in a statement.

Tristan Harland, Gabriel Harland, Ruari Spooner, Gracie Cochrane and Alastair Stout.

(HBO)

The HBO series was greenlit for a second season in early May, months ahead of its Christmas Day premiere later this year. If the sophomore season follows J.K. Rowling’s second book, “Harry Potter and the Chamber of Secrets” (the first season is adapted from the first novel), Ginny will begin her first year at Hogwarts in Season 2.

Cochrane was cast following a massive undertaking by HBO to find young actors for the show. HBO reviewed more than 32,000 auditions before selecting Dominic McLaughlin to play the boy who lived. The cast was filled out with West End performers, like Arabella Stanton (Hermione Granger), first-time actors like Amos Kitson (Dudley Dursley) and longtime stars including John Lithgow, who will play Albus Dumbledore.

HBO Chairman Casey Bloys explained that they expected a lot of “interest” in the cast because of the cultural prominence of the “Harry Potter” franchise.

“Interest can tip over into more unpleasant and aggressive behavior,” Bloys told Deadline, alluding to racist backlash over the casting of Paapa Essiedu as Professor Snape. “We talked to them about what to expect … but any kind of security that’s needed is an unfortunate aspect of doing IP shows. We just try to be mindful and monitor it.”

In March, HBO released its first trailer for the show, which included a peek at the redheaded Weasley family saying goodbye to Ron at Platform 9¾ before he boarded the Hogwarts Express. The trailer also teased Harry’s acceptance letter from Hogwarts and his wand and Nimbus broom.

A pivotal moment early in “Harry Potter and the Sorcerer’s Stone” arrives when Harry’s suburban house is swarmed and flooded with letters of acceptance for the Hogwarts School of Witchcraft and Wizardry. Harry’s aunt and uncle have been preventing such dispatches from reaching the young wizard-to-be, but the boarding school’s messenger owls are having none of it.

Letters flood in from the fireplace, windows and nearly seem to cause the house to burst. And while watching the film recently at Inglewood’s Cosm, home to an all-encompassing high-definition spherical screen, I half expected a letter to fall upon my lap. Cosm specializes in sports, but has released three collaborations with Warner Bros. for what it deems “experiential film.” A framed screen displaying the original 2001 work from director Chris Columbus is untouched, but surrounding it are newly added digital animations designed to envelop guests.

And in this early “Sorcerer’s Stone” scene, letters were a-flying any which way I looked. Up, down, left and right — mail missives were rocketing toward the center screen. As the world closed in on Daniel Radcliffe’s Potter and family, it did so, too, at Cosm. I’ve seen Cosm’s take on “The Matrix” and “Willy Wonka and the Chocolate Factory,” so I knew a letter wouldn’t come zapping my way, but one could be forgiven for protecting their cocktail — themed, of course — from being knocked over.

The famed “sorting hat” scene at Cosm’s interpretation of “Harry Potter and the Sorcerer’s Stone.”

(Cosm)

Such is the power of Cosm’s curved screen, which brings a sense of dimension, and even at times movement, to the film. Think of Cosm, perhaps, as a mini version of Las Vegas’ Sphere, but smaller doesn’t mean any less sweeping. No, “Harry Potter and the Sorcerer’s Stone” in Cosm’s hands is often quite grand, as the first glimpse of Hogwarts Castle inspired cheers from the opening night audience, its cliffside towers, a romanticized spin on medieval architecture, towering above us in such a way that we will crane our necks. Only in Universal’s theme parks does the palace seem more real and welcoming.

“Harry Potter and the Sorcerer’s Stone” arrives at Cosm during what is a big year for the franchise. It’s the 25th anniversary, of course, of the first film in the series, and later this year on Christmas Day a new television series based on author J.K. Rowling’s popular book series is set to premiere on HBO Max. This summer, Harry Potter: A Hogwarts Express Adventure will open at the Southern California Railway Museum for guests to experience the Wizarding World rite of passage aboard a real moving train in the Inland Empire.

All of this activity is happening as Rowling has become the center of heated debate for her controversial views on trans women. None of it, however, has seemed to curtail fan interest in the series. The 2023 video game “Hogwarts Legacy” became a massive hit despite calls for a boycott, and Universal Studios last year opened in Florida a brand new theme park land based upon the franchise at its Epic Universe park, with its centerpiece ride, Harry Potter and the Battle at the Ministry, often commanding some of the longest waits at the park.

At the film’s early May premiere at Cosm, Rowling was mentioned little, and wasn’t among the massive list of names being thanked by studio and Cosm execs. “Harry Potter” in 2026 is perhaps best viewed as a franchise that has outgrown its creator to take on a life of its own, and Cosm’s approach is that of a love letter to its many fans, recognizing that this is a magical, enchanting world that generations have long wished to find themselves immersed in.

A climatic scene in “Harry Potter and the Sorcerer’s Stone” is outfitted with additional effects at Cosm.

(Cosm)

To that end, I’d rank “Harry Potter and the Sorcerer’s Stone” as the most successful of Cosm’s three cinematic interpretations. Certainly the subject matter plays a role, and while Cosm has been successful in matching the high-energy of “The Matrix” or the trippiness of “Willy Wonka,” here Cosm and its partners — experiential firm Little Cinema and effects house MakeMake — can simply luxuriate in atmosphere. The train to Hogwarts, for instance, is especially well done, seemingly stretched to infinity. The famed “sorting hat” scene, too, as Cosm’s wizards contrast the internal anxiety of being assigned a role with the external one of doing so in front of an audience, bringing to exaggerated life the cavernous Hogwarts assembly hall.

Cosm works best when it’s able to use its venue to create the illusion of no longer being a spectator, when the space itself starts to feel like a living theater. Feel this, for instance, when Harry and pals traverse the moving staircase. The frame of the screen may move, creating a slight sense of disorientation as the stairs themselves shift. The portraits on the wall, whose characters occasionally come alive, start to envelop us. Cosm used some restraint here, keeping us guessing as to which framed pictures may seek to speak or nod our way.

If there’s any qualm in Cosm’s work it’s that at times there could be a tinge more self-control in order to let the film do its work. Stepping into the hidden magic nook of London’s Diagon Alley is a showcase moment in Columbus’ film, and at times it is in Cosm’s interpretation as well. Out on the street, the shops circle around us, further conveying the cramped nature of the neighborhood. It feels, more than ever, like a real-life space. Inside an intimate pub, however, filling out the scene with empty tables could distract from the hurried, nervous nature of the filmmaker’s original intent.

But we live in an immersive age. Art, increasingly, is maximized to encompass us, and Cosm understands this moment well. Once again, the venue has made the argument that cinema can feel like communal, live entertainment.

Miriam Margolyes opened up about the health problems she lives with and issued a warning to others on how one of them could be prevented

Miriam Margolyes has shared an update on a health problem she has lived with for more than 40 years. The 84-year-old revealed she suffers from a long-term shoulder injury that means she is unable to put on a bra by herself.

Reflecting on being filmed in her bra for her latest documentary Miriam Margolyes Made Me Me, she said on The Romesh Ranganathan Show: “I did have that new bra on and it did me the world of good.

I need several people to put it on for me and I’m on my own at the moment.

“The problem is, I’ve got a bad shoulder, I’ve had it for a long time actually because I didn’t know how to fall and I had to fall in a play for six months about 40 years and the rotator cuff doesn’t quite cuff or rotate, whatever it should do.

“So, I can’t put my hands behind my back. I can manage with an apron because it’s lower down, but with a bra it’s a little bit [more difficult] and you have to sort of arrange your t**s into it.

“And I need help basically, so my lodgers do bra duty, but I haven’t got them with me today so I had to do it myself,” the actress shared.

In the same podcast, the Harry Potter star opened up about what she considers the “worst bit” of being in her eighties.

Asked for advice by Romesh’s mother, she said: “The worst bit about being 80 is my weak pelvic floor. I p**s myself all the time and everywhere I go I always take spare knickers because you never know.

“And that’s honestly the truth and I don’t like it and I don’t say it to be funny, I say it because it’s true and it’s a bl***y nuisance,” Miriam added.

“But if I done pelvic floor exercises maybe I wouldn’t be so p***y. So do your pelvic floor exercises,” she warned.

On a more positive note, the actress said the “best thing” about turning 80 is the confidence she now feels when meeting new people.

“The best thing about being 80 and I’m going to be 85 [soon], is not being afraid to meet people, not being afraid to go into a room and just be.

“Sometimes, that’s because people know who I am and they’re sort of starstruck because they think I’m a star, but it gives me confidence.

“I feel more empowered to be and go into a room and talk to people,” she added.

Miriam has faced a number of other health challenges over the years, including undergoing an aortic valve replacement in 2023. She also lives with Spinal stenosis, which has affected her mobility.

She previously told Closer Magazine: “I can’t walk very well, and I’m registered disabled. I use all kinds of assistance. I’ve got two sticks and a walker and they’re such a bore, but I’ve just got a mobility scooter, which is a lot of fun.”

He’s been in work since leaving drama school a decade ago but Callum Woodhouse has had enough of ‘posh’ – and is ready to play a villain

He’s known for his roles as witty and warm-hearted Leslie Durrell in The Durrells and happy-go-lucky Tristan Farnham in All Creatures Great and Small.

But actor Callum Woodhouse is now delighted to have landed a “wildly different” role in new psychological drama The Fortune, in which he can “show a bit of versatility” as a baddie for the first time.

Callum, 32, told the Mirror: “The Durrells and All Creatures are two shows I am incredibly proud of and two characters I am incredibly proud of – but there is not much villainy, and in both I am playing posh characters.”

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Having grown-up in Stockton-on-Tees, Co Durham, he relished the chance to use his own voice to play dark and brooding Anthony Worrall. “In The Fortune, I’m speaking in my own northern accent for the first time, and I am essentially playing a villain,” he explained, adding that playing Tristan had become “a little routine” after doing it for so long.

“I’ve done seven years as Tristan and you find the character again immediately. Whereas coming up with Anthony, a nasty character from the north, I almost had to re-learn how to act in my own accent. Getting to flex those nasty muscles for acting, which I haven’t really done since drama school – it was a lot of fun playing someone so wildly different.”

Callum, whose dad was boss of an oil firm and mother a nurse, went to Stockton Sixth Form before completing a three-year drama course at the London Academy of Music and Dramatic Art. He landed the role in ITV’s The Durrells, in which Keeley Hawes played his mother, before he graduated in 2015. “It was a lovely feeling to be leaving knowing this amazing job was there,” he said afterwards. Believing acting to be a hard world to break into, his parents had encouraged him to keep his options open. “It was a bit of a losing battle, though,” he once admitted. “I’ve really honestly never had a Plan B. They have always wanted me to have as many ‘strings to my bow’ just in case it didn’t work out – but it was all or nothing, so thank God it’s worked out so far.”

The Fortune, expected to start on 5 next month, boasts a wealth of top talent including Poldark’s Eleanor Tomlinson and Harry Potter’s Matthew Lewis – who has also appeared in All Creatures Great and Small. They play a couple, Amanda and Jimmy, whose world is blown apart when she inherits a fortune from a man she’s neither met nor heard of before. The gripping series, due to air this summer, explores the notion of a person’s past not being what they think it is.

New Tricks favourite Denis Lawson plays Martin Worrall, the head of a family which is bound in past secrets – and Callum is his son, Anthony, often to be seen clutching a rifle (not unlike Leslie Durrell). Amanda’s life starts to disintegrate as she becomes embroiled in the world of the Worrall Family.

Other cast include The Thick of It’s Rebecca Front as Martin’s wife Fiona, Wild at Heart’s Stephen Hopkinson as farm worker Boots Maddison and Upstart Crow’s Paula Wilcox as Amanda’s mother Linda.

After playing Leslie Durrell for four series, it ended up being a role Callum found “quite upsetting” because, in real life, Lesie never achieved the success of his siblings. “It’s quite upsetting, because I grew really attached to Leslie, and I wanted him to succeed, and I wanted him to have good things happen to him.”

But he didn’t have the same problem as cheerful vet Tristan. “He always ended up managing to turn a negative into a positive – he was just so perpetually upbeat and happy. It was a very uplifting experience to play Tristan.”

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STEPPING through the floo network into the Ministry Of Magic, I feel like I’ve been transported straight on to the Harry Potter film set.

The attention to detail is next-level, even down to the sheer size of the building I’m standing in.

Surrounded by green subway tiles, ginormous gold ornate statues of magical creatures and hanging banners featuring some of Azkaban’s Most Wanted, the magic really has come alive.

So much so that, as a huge Potter fan, I find myself choking back tears.

Feeling Epic

My friends and I are at Epic Universe, which opened in Orlando last year.

After exploring 1920s Paris, Fantastic-Beasts-style, we head to Nintendo World to ride on Mario Kart: Bowser’s Challenge, where VR really does make me feel like I’ve been dropped into the game.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

TEMPTED?

Tiny ‘Bali of Europe’ town with stunning beaches, €3 cocktails and £20 flights

Later, in the How To Train Your Dragon zone, Hiccup’s Wing Gliders is a super-fun coaster I want to ride again and again.

However, nothing quite hits the adrenalin high of Stardust Racers – a mega coaster in the park’s centre that reaches speeds of 62mph and heights of up to 133 feet, with spins and turns aplenty.

All this excitement leaves us needing a tipple, and the best place to take in the view of the park at night with a glass of pale rosé, £13, in hand, is Bar Helios at the top of the Helios Grand Hotel.

We’re staying a five-minute shuttle ride away at Terra Luna Resort, which also opened last year.

Designed in the colours of the solar system, my room features a spaceship-style window looking out on to Epic Universe.

Double rooms at Terra Luna start from £119 per night (Universalorlando.com).

Walt a ride

Orlando is, of course, also home to Walt Disney World, where each park brings its own adventure.

At Disney’s Animal Kingdom Theme Park, its new Zootopia: Better Zoogether! 4D film inside the Tree Of Life theatre entertains, and at EPCOT, I adore the thrills of “omnicoaster” Guardians Of The Galaxy: Cosmic Rewind, before sipping champers, £16, in the recreation of Paris and tucking into fish and chips, £10.75, in the park’s nod to England.

No trip would be complete without visiting Magic Kingdom, home to the Cinderella Castle, and we’re soon flying around on motorbike rollercoaster Tron Lightcycle.

The new night-time parade, Disney Starlight: Dream The Night Away, makes the already dazzling performance even more breathtaking, too (Disneyworld.co.uk).

Meanwhile, stepping into our villa at Villatel Orlando Resort brings back MTV Cribs vibes.

Located on International Drive, these sleek, modern, self-catering pads can sleep up to 26, and all have private pools – many even have cinema rooms.

There’s a large resort swimming pool, too, with water slides and a lazy river, which I sit beside, sipping frozen margaritas, £12.60, as I dive into a good book.

Stays at Villatel Orlando Resort cost from £48 per person per night (Villatel.com/villatel-orlando-resort).

That’s mall, folks!

One evening, we visit nearby entertainment complex Activate Orlando at Pointe Orlando, where teams face physical and mental challenges using interactive technology.

My favourite is one which involves dipping and dodging a network of lasers.

Hour-long sessions cost £22 per person (Playactivate.com/pointe-orlando).

It proves great fun and leaves us ravenous.

Luckily, Palm Tree Club Orlando close by offers a party atmosphere alongside delicious Lavender Hugo Spritzes, £12, rigatoni smothered in a vodka sauce, £14.80, and sides of charred broccolini, £9.60, which are a fitting reward for our energetic endeavours (@Palmtreecluborlando).

Orlando’s huge shopping malls are almost as famous as the theme parks, and as Fabulous’ Fashion Editor, it would be remiss of me not to visit one.

I pick The Mall At Millenia, home to designer boutiques and US faves Pottery Barn, Macy’s and Bloomingdale’s (Mallatmillenia.com).

Yet I still end up buying a pair of boots from H&M for £35!

The real souvenir of my trip, however, is the magic feeling this city gave me, theme parks and all.