happy

THE Nineties might have been ruled by boybands and girl-bands, but life at the top of pop could be tough.

And it was probably worse for the girls, as putting on extra pounds, dating the wrong guy or, heaven forbid, having a baby were hugely frowned upon by management teams.

New BBC documentary Girlbands Forever, the follow-up to last year’s three-parter about boybands, delves into an era where record companies had less regard for duty of care, days off or mental health.

It features members of Atomic Kitten, Eternal, Sugababes, Mis-teeq and Little Mix, providing insight into what it was like being in an all-female group in the Nineties and early Noughties.

The dream was to replicate the success of the Spice Girls, the all-conquering icons who sparked the girlband explosion.

And record labels invested millions in a bid to find the next big thing.

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But as the Spice Girls’ rivals All Saints found out, the pressure became unbearable.

So much so that when founding member Melanie Blatt informed managers that she and bandmate Nicole Appleton were pregnant, both were told to abort their babies.

The reason? They had just cracked America with No1 hit Never Ever and momentum could be lost.

Melanie, 50, explains: “I hadn’t been with my partner for very long, it was definitely a bit of a surprise It wasn’t people congratulating us. It was more like this look of dread and worry and the realisation that things are going to change.

“We flew to LA and at [airport] LAX our manager, he was behind us, was telling us to abort our babies.”

She added that her bosses told them they were “going to ruin everything” and “it was the end of the band”.

Melanie ended up having her baby with her partner, Stuart Zender, the bassist for band Jamiroquai.

‘Vomiting in toilets’

But Nicole, who fell pregnant with then boyfriend Robbie Williams, did not, which Melanie admits caused issues with their relationship.

She explains: “Nic and I had been best friends since we were 11. We took pregnancy tests in a hotel in Canada and spent that whole night discussing bringing our kids up together. It was one of the best nights ever.

“And it’s not really my place to talk about it, but unfortunately . . . it was a very uncomfortable situation because I kept mine, she didn’t. That was a really tricky part of my and our existence.”

All Saints, which consisted of Melanie, sisters Nicole and Natalie and main songwriter Shaznay Lewis, were always deemed a “cool version” of the Spice Girls and were far more rock ‘n’ roll.

Whereas Victoria Beckham, Emma Bunton and Mel B found love with a footballer, an R&B singer and a dancer respectively, the All Saints girls dated rock stars, with Nicole marrying and having a son with Liam Gallagher.

Melanie says: “We were turning up to kids’ TV shows on a Saturday morning without having one wink of sleep. We looked fine, just a bit of vomiting in the toilets prior to CD:UK.”

After two albums, All Saints split in 2001, a disparity in earnings between Shaznay and the rest of the band being a major factor.

By the end of their existence as a group, Melanie says they “hated each other”.

She adds: “We’d fallen out, it was hell, it was ‘separate’ everything.

“It was just ridiculous but literally one of the proudest moments of being in that band was calling it quits because we didn’t stay for the money. We wanted to be done, we didn’t want to be with each other any more and we made that decision.

“We were in control. We were supposed to go on tour and we gave the money back and I’m so proud of that. That’s one of the only decisions we were all happy to make together, telling each other to f*** off.”

• Girlbands Forever begins on Saturday at 9.20pm on BBC Two.

Little Mix

AS girlbands moved into the 2010s, life did not get any easier, with social media now to contend with.

With Little Mix, Perrie Edwards, 32, bore the brunt of the online abuse due to her relationship with One Direction heart-throb Zayn Malik.

She explains: “Social media was dark, especially back in the day.

“Me and the girls used to get a lot of stick. Things we would wear or how we would look, people would pick us apart.

“You’re hurting enough as it is, never mind everybody having an opinion on it. Everyone wants to know your business and everyone feels like they have ownership in that.

“You can’t escape it. So you may as well sing about it.”

Life in girlbands was relentless, so Little Mix lasting ten years was a monumental achievement.

But Perrie, below, admits she almost quit when she was at her lowest ebb ahead of a gig in Las Vegas.

She says: “I didn’t want to go, I was so exhausted. I tried getting out of the trip and when I got there, I started experiencing panic attacks.

“I didn’t know what was happening at the time, I’d never experienced a panic attack.

“I ended up in a hospital. I didn’t want to let the girls down. They had to do it without me and I hated it and I really resented myself for it.”

She adds: “When you’re in a group dynamic, even though you’re going through stuff individually, you can’t just be selfish so I kind of put a brave face on a lot of time.

“I didn’t want to let the team down.”

Eternal

ETERNAL had a No1 smash hit with I Wanna Be The Only One in 1997, but their looks soon became a concern.

Founding member Kelle Bryan, 50, reveals: “People were always voicing concerns about my weight and about our weight as a band. Stylists would come along and say, ‘This doesn’t fit you, this doesn’t fit you’.

“We’re talking about an era where being a size zero was popular, so they sent us away to this place in the countryside where they were able to control what we ate.”

Atomic Kitten

WHILE on the 1999 Smash Hits Tour, Atomic Kitten’s Kerry Katona fell for Westlife singer Brian McFadden, but was ordered not to date him by management.

Kerry, 45, says: “They all went absolutely f*ing apes**t. I remember [Westlife manager] Louis Walsh saying, ‘I don’t like you, you’re trouble’.

Bandmate and best pal Natasha Hamilton, 43, adds: “It was definitely bad for the brand. Not from my point of view but from the label and management. They said girls can’t be seen with one of the boys in the biggest boyband in the UK because fan jealousy is a thing.”

Mis-Teeq

BEING an all-black group who rose up from the “underground scene” in 1999, Mis-Teeq felt they were discriminated against and given fewer opportunities.

Su-Elise Nash, 44, says: “We weren’t invited to the same premieres. Some magazines wouldn’t consider us for the cover because they didn’t think three black girls would sell.

“Our struggle to get there was definitely not as easy as it would have been if we had one white member or we’d all-white.”

Sugababes

WHEN Sugababes founding member Mutya Buena gave birth to her first child aged 19 – while the band were working on their fourth album – there was no let-up.

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Mutya, now 40, quit the group that same year in 2005 and was later diagnosed with post-natal depression.

Record label exec Darcus Beese says: “I remember standing in my kitchen trying to talk her down. I had no concept of post-natal depression. I would ask questions now like, ‘How’s your mental health?’.”

There was probably no Dodgers fan more grateful to see the Blue Crew lose badly in the opening game of the World Series than Conrado Contreras. See, the 75-year-old was happy to enjoy any Fall Classic at all.

A year ago tomorrow , the Zacatecas native suffered a heart attack and mild stroke in the moments after seeing his Dodgers win Game 2 of the World Series against the New York Yankees. He spent three days in a medically induced coma at St. Francis Medical Center in Lynwood and regained consciousness to news from jubilant nurses that the Dodgers had won the championship.

The lifelong baseball fan had no idea what they were talking about. His passion for the sport was lost along with his memory.

When family members put on highlights from the 2024 championship during his rehabilitation at a clinic in Gardena throughout the end of the year, the former carpenter would shrug and change the channel. When someone told him that legendary Dodgers pitcher Fernando Valenzuela had died, Contreras swore that he had just seen his fellow Mexican pitch at the stadium.

It wasn’t until the 2025 baseball season came along that Contreras’ mind began to truly rebound. He watched games from his longtime home in the unincorporated Florence-Graham neighborhood and learned to love the Dodgers anew. But he didn’t cheer like before. Contreras followed doctor’s orders to stay calm when the Dodgers were losing instead of cursing like the past and quietly applaud when the team was winning when he would’ve previously roared.

He’s the father-in-law of my sister Alejandrina. And I wanted to hang out with Don Conrado for Game 1 of this year’s World Series to experience fandom in all its mortality.

Wearing a flat-brimmed fedora and a blue Dodgers 2024 World Series champion, I caught Contreras just as he was entering my sister’s Norwalk home holding on to his walker with the help of Alejandrina’s husband, Conrad. His father talks slower than he used to and can’t drive anymore, but Contreras is once again the same man his family knows: witty, observant and baseball-crazy.

A schoolyard pitcher in his hometown of Monte Escobedo, Contreras fell in with the Dodgers almost as soon as he migrated to the United States in 1970 to join a brother in Highland Park. He used to attend games every week “when $10 got two people into the stadium and you could also eat a hot dog,” Contreras told me in Spanish before Game 1 began.

His stories from those years were immaculate. Don Sutton throwing a shutout. The Cincinnati Reds always “ready to play to the death.” Pittsburgh Pirates slugger Willie Stargell hitting a home run out of Dodger Stadium in 1973 “and all of us just staring above our heads in awe.”

Contreras was such a fan that he took his pregnant wife Mary to watch Valenzuela pitch on the day in 1983 that Conrad was due because they were giving out “I (Heart) Fernando” T-shirts, an anecdote that left their son flabbergasted.

“What happened to the shirt?” Conrad asked his mom in Spanish.

“I threw it away,” replied the 61-year-old Mary.

“They’d cost a lot of money now!” he groaned.

“They were cheap! The color really faded fast.”

Los Angeles Dodgers two-way player Shohei Ohtani hits a two-run home run during the seventh inning of Game 1 of the World Series between the Los Angeles Dodgers and the Toronto Blue Jays at Roger Centre on Friday in Toronto, Ontario, Canada. The Blue Jays won, 11-4.

(Robert Gauthier/Los Angeles Times)

The family continued to attend games through Conrad’s teenage years but stopped “when even the birds couldn’t afford to attend,” Mary said. Conrad, 42, thinks the last time he went to a game with his dad was “at least” 20 years ago. But they regularly watched games on television. It was he who administered the CPR a year ago that saved his dad’s life.

“He was walking around the house angry all that game,” Conrad said.

“No, well, Roberto was making me mad,” Conrado replied, his nickname for Dodgers manager Dave Roberts. “But I can’t get mad anymore.”

I asked how he thought this year’s series would go. He mentioned Shohei Ohtani, whom he kept calling el japonés in a respectful tone because, well, his memory can be fuzzy.

“He strikes out too much, but when he hits it, he hits it. If he plays like that, they win the series. But if Toronto hits, forget it.”

One more question before game time, the one too many liberal Latino Dodgers fans are belly-aching over right now: is it ethical to root for the team considering they haven’t been too vocal in opposing Donald Trump’s deportation campaign and owner Mark Walter has investments in companies that are profiting from it?

“Sports shouldn’t get into politics, but all sports owners are with Trompas,” he said, using a nickname I’ve heard more than a few rancho libertarians use for Trump. He shrugged.

“So what’s one to do? They kept la migra out of the stadium,” referring to an unsuccessful June attempt by federal agents to enter the stadium parking lot. “If the team had allowed that, then there’d be a huge problem.”

Mary wasn’t as sympathetic. “Latinos shouldn’t let the Dodgers off so easy. But when Latinos surrender, they surrender.”

It was game time.

Conrad slipped into a gray Dodgers away jersey to match his black team cap. My sister, an Angels follower for some reason, wore a Kiké Hernández T-shirt “because he stands with immigrants.”

“The only good thing about the Dodgers is that they aren’t winning with a gringo,” said Mary, who actually doesn’t care much about baseball because she finds it boring. “It’s someone [Ohtani] who doesn’t want to speak English who’s winning it for them.”

Her husband smiled.

“Let’s see if Mary gets into baseball.”

“That’ll be the real miracle,” she snapped back.

Contreras rubbed his hands in glee as the Dodgers went up 2-0 in the top of the third and merely frowned when the Blue Jays tied it in the bottom of the fourth while we were enjoying takeout from Taco Nazo. “His anger comes in waves, it’s a trip,” Conrad said. “He’s calmer but se enoja.”

“Who?” Conrado deadpanned.

When Dodger starting pitcher Blake Snell left the game with the bases loaded and no one out in the bottom of the sixth, Contreras shook his head in disgust but kept his voice calm.

“This is what gets me mad. They should’ve taken him out long ago, but Roberto didn’t. This is what I was afraid of. When Toronto get on, they get on. They won’t stop until they destroy.”

Sure enough, the Blue Jays erupted for nine runs that inning, including a two-run blast by catcher Alejandro Kirk, who had sparked the Jays’ initial rally a few innings earlier.

Earlier in the game, Alejandrina had told Conrado that Kirk was a Tijuana native. The pride in shared roots, albeit generations apart, took a little bit of sting off his home run, which made the score a humiliating 11-2.

“Thank goodness he’s Mexican,” Conrado told his son, patting his knee. “That’s what’s left for us” to be happy about the game.

An inning later, Contreras began to feel woozy. His sugar level was elevated. Mary took off his jacket to fix his insulin device. My sister’s corgi, Penny, jumped onto the couch and lay on his lap.

“They do know when someone someone’s ill, right?” he said to no one before scratching Penny’s tummy and cooing, “You know I’m ill, right? I’m ill!”

When the “massacre” finally ended, Contreras remained philosophical.

“It’s incredible that I’m able to see this. But I’m still malo. My feet hurt, my memory isn’t what it used to be, my sense of balance isn’t there. But there’s the Dodgers. But they need to win.”

Conrad went to the bedroom to grab his father’s walker.

“Do you want a Toronto shirt now?” he joked.

His dad stared silently. “No, that would give me another heart attack.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Rebecca Ellis, with an assist from David Zahniser, Noah Goldberg and Matt Hamilton, giving you the latest on city and county government.

There is no shortage of budget-busting costs facing Los Angeles County, Supervisor Lindsey Horvath recently told guests at this week’s Los Angeles Current Affairs Forum luncheon.

There’s the costly fire recovery effort. And the deep cuts from the federal government. And a continuing homeless crisis.

As Horvath wrapped up her remarks, Emma Schafer, the host of the clubby luncheon, asked about yet another expenditure: What was up with that $2-million settlement to the county’s chief executive officer Fesia Davenport?

“We were faced with two bad options,” Horvath told the crowd dining on skewered shrimp.

Horvath said she disagreed with Davenport’s demand for $2 million, but also believed “that we have to focus on a functional county government and saving taxpayer money.”

Three months ago, all five supervisors quietly voted behind closed doors to pay Davenport $2 million, after she sought damages due to professional fallout from Measure G, the voter-approved ballot measure that will eventually eliminate her job.

Measure G, which voters passed in November, reshaped the government, in part, turning the county’s chief executive into an elected position — not one selected by the board. The elected county executive, who would manage the county government and oversee its budget, will be in place by 2028. Davenport, a longtime county employee, had been in her post since 2021.

Davenport, as part of her financial demand, said Measure G caused her “reputational harm, embarrassment, and physical, emotional and mental distress.”

Critics contend unpleasant job changes happen all the time — and without the employee securing a multimillion dollar payout.

“Los Angeles County residents should be outraged,” said Morgan Miller, who worked on the Measure G campaign and called the board’s decision a “blatant misuse of public money.”

Horvath, who crafted Measure G, promised during the campaign it would not cost taxpayers additional money. More recently, she voiced dissatisfaction with Davenport’s settlement, saying the agreement should have had additional language to avoid “future risk.”

Horvath said in a statement she considered having the settlement agreement include language to have Davenport and the county part ways — to avoid the risk of litigating additional claims down the road.

Supervisor Janice Hahn, who pushed for Measure G alongside Horvath, said she voted for the settlement based on the advice of county lawyers.

“In the years I worked to expand the board and create an elected county executive, I never disparaged our current CEO in any way,” she said in a statement. “I always envisioned the CEO team working alongside the new elected county executive.”

Davenport has been on medical leave since earlier this month and did not return a request for comment. She has told the staff she plans to return at the start of next year.

It’s not unusual for county department heads to get large payouts. But they usually get them when they’re on their way out.

Bobby Cagle, the former Department of Children and Family Services head who resigned in 2021, received $175,301. Former county counsel Rodrigo Castro-Silva got $213,199. Adolfo Gonzales, the former probation head, took in $172,521. Mary Wickham, the former county counsel, received $449,577.

The county said those severance payments, all of which were obtained through a records request by The Times, were outlined in the department heads’ contracts and therefore did not need to be voted on by the board.

Sachi Hamai, Davenport’s predecessor, also received $1.5 million after saying she faced “unrelenting and brutal” harassment from former Sheriff Alex Villanueva.

Davenport’s settlement was voted on, but not made public, until an inquiry from LAist, which first reported on the settlement.

David Loy, legal director for the First Amendment Coalition, says the county is required under the Brown Act to immediately report out a vote taken on a settlement if the deal is finalized and all parties have approved it. But if it’s not, he says, they don’t need to publicly report it — they just need to provide information when asked.

“You don’t have to proactively report it out in that meeting. You still have to disclose it on request,” said Loy. “ I don’t think that’s a good thing — don’t get me wrong. I’m telling you what the Brown Act says.”

State of play

— DEMANDING DOCUMENTS: Two U.S. senators intensified their investigation into the Palisades fire this week, asking the city for an enormous trove of records on Fire Department staffing, reservoir repairs and other issues. In their letter to Council President Marqueece Harris-Dawson, Sens. Rick Scott (R-Fla.) and Ron Johnson (R-Wis.) showed much less interest in the Eaton fire, which devastated Altadena but did not burn in the city of Los Angeles. An aide to County Supervisor Kathryn Barger, who represents Altadena, said neither she nor other county offices had received such a document request.

— BUMPY BEGINNING: The campaign of City Council candidate Jose Ugarte is off to a rocky start. Ugarte, who is backed by his boss, Councilmember Curren Price, recently agreed to pay a $17,500 fine from the Ethics Commission for failing to mention his outside consulting work on his financial disclosure forms, But on Wednesday, two ethics commissioners blocked the deal, saying they think his fine should be bigger. (Ugarte has called the violation “an unintentional clerical error.”) Stay tuned!

— A NEW CHIEF: Mayor Karen Bass announced Friday that she has selected Jaime Moore, a 30-year LAFD veteran, to serve as the city’s newest fire chief. He comes to the department as it grapples with the continuing fallout over the city’s response to Palisades fire.

— LAWSUIT EN ROUTE: Meanwhile, the head of the city’s firefighter union has accused Bass of retaliating against him after he publicly voiced alarm over department staffing during the January fires. Freddy Escobar, president of United Firefighters of Los Angeles City Local 112, said he’s preparing a lawsuit against the city. Escobar was suspended from his union position earlier this year, after an audit found that more than 70% of the transactions he made on his union credit card had no supporting documentation.

— HE’S BACK! (KINDA): Former Mayor Eric Garcetti returned to City Hall for the first time since leaving office in 2022, appearing alongside Councilmember Nithya Raman in the council chamber for a celebration of Diwali, the Hindu Festival of Lights. Garcetti, a former U.S. ambassador to India, described Diwali as a “reawakening,” saying it may be “the longest continuous human holiday on earth.”

— GENERATIONS OF GALPIN: The San Fernando Valley auto dealership known as Galpin Motors has had a long history with the Los Angeles Board of Police Commissioners, the civilian oversight panel at the LAPD. On Wednesday, the council approved the nomination of Galpin vice president Jeffrey Skobin, to serve on the commission — making him the third executive with the dealership to serve over the past 40 years.

— AIRPORT OVERHAUL: Los Angeles World Airports is temporarily closing Terminal 5 at Los Angeles International Airport, carrying out a “complete demolition” and renovation of the space in the run-up to the 2028 Olympic and Paralympic Games. During construction, JetBlue will be operating out of Terminal 1, Spirit shifts to Terminal 2 and American Airlines lands in Terminal 4, the airport agency said.

— OUT THE DOOR: Two of the five citizen commissioners who oversee the Department of Water and Power have submitted their resignations. DWP Commissioner George McGraw, appointed by Bass two years ago, told The Times he’d been laying the groundwork for a departure for six months. McGraw said he found he could no longer balance the needs of the commission, where he sometimes put in 30 to 40 hours per week, with the other parts of his life. “I needed extra capacity,” he said.

— NO MORE MIA: DWP Commissioner Mia Lehrer was a little more blunt, telling Bass in her Sept. 29 resignation letter that her stint on the board was negatively affecting her work at Studio-MLA, her L.A.-based design studio. Lehrer said the firm has been disqualified from city projects based on “misinterpretations” of her role on the commission.

“As a result, I am experiencing unanticipated limitations on my professional opportunities that were neither expected nor justified under existing ethical frameworks,” she wrote. “These constraints not only affect my own business endeavors but also carry significant consequences for the forty-five professional and their families who rely on the continued success of our work.”

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to Cotner Avenue near the 405 Freeway in Councilmember Katy Yaroslavsky’s Westside district.
• On the docket next week: The board votes Tuesday on an $828-million payout to victims who say they were sexually abused in county facilities as children. The vote comes months after agreeing to the largest sex abuse settlement in U.S. history.

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

John Carpenter has this one recurring nightmare.

“I’m in a huge, massive town I don’t really know,” he says, “and I’m looking for the movie district. And inevitably all the theaters are closed down. They’re all closed down. That’s what the dream is.”

I’m visiting Carpenter at his longtime production house in Hollywood on one of L.A.’s unjustly sunny October afternoons. A vintage “Halloween” pinball machine and a life-size Nosferatu hover near his easy chair. I tell him I don’t think Freud would have too much trouble interpreting that particular dream.

“No, I know,” he says, laughing. “I don’t have too much trouble with that either.”

Nonetheless, it truly haunts him — “and it has haunted me over the years for many dreams in a row,” he continues. “I’m either with family or a group, and I go off to do something and I get completely lost. [Freud] wouldn’t have too much trouble figuring that out either. I mean, none of this is very mysterious.”

Carpenter is a gruff but approachable 77 these days, his career as a film director receding in the rearview. The last feature he made was 2010’s “The Ward.” His unofficial retirement was partly chosen, partly imposed by a capricious industry. The great movie poster artist Drew Struzan died two days before I visited — Carpenter says he never met Struzan but loved his work, especially his striking painting for the director’s icy 1982 creature movie “The Thing” — and I note how that whole enterprise of selling a movie with a piece of handmade art is a lost one.

“The whole movie business that I knew, that I grew up with, is gone,” he replies. “All gone.”

John Carpenter with John Mulaney, appearing as a part of “Everybody’s in L.A.” at the Sunset Gower Studios in May 2024.

(Adam Rose / Netflix)

It hasn’t, thankfully, made him want to escape from L.A. He still lives here with his wife, Sandy King, who runs the graphic novel imprint Storm King Comics, which Carpenter contributes to. He gamely appeared on John Mulaney’s “Everybody’s in L.A.” series on Netflix and, earlier this year, the Los Angeles Film Critics Assn. gave him a Career Achievement Award — a belated lovefest for a veteran who was sidelined after “The Thing” flopped, cast out into indie darkness and was never personally nominated for an Oscar.

The thing that does keep Carpenter busy these days (other than watching Warriors basketball and playing videogames) is the thing that might have an even bigger cultural footprint than his movies: his music. With his adult son Cody and godson, Daniel Davies, Carpenter is once again performing live concerts of his film scores and instrumental albums in a run at downtown’s Belasco this weekend and next.

The synthy, hypnotic scores that became his signature in films like “Halloween” and “Escape from New York” not only outnumber his output as a director — he’s scored movies for several other filmmakers and recently made a handshake deal in public to score Bong Joon Ho’s next feature — but their influence and popularity are much more evident in 2025 than the style of his image-making.

From “Stranger Things” to “F1,” Carpenter’s minimalist palette of retro electronica combined with the groove-based, trancelike ethos of his music (which now includes four “Lost Themes” records) is the coin of the realm so many modern artists are chasing.

Very few composers today are trying to sound like John Williams; many of them want to sound like John Carpenter. The Kentucky-raised skeptic with the long white hair doesn’t believe me when I express this.

“Well, see, I must be stupid,” he says, “because I don’t get it.”

“The true evil in the world comes from people,” says Carpenter. “I know that nature’s pretty rough, but not like men.

(Jason Armond / Los Angeles Times)

Carpenter is quick to put himself down. He always says that he scored his own films because he was the only composer he could afford, and that he only used synths because they were cheap and he couldn’t properly write music for an orchestra. When I tell him that Daniel Wyman, the instrumentalist who helped program and execute the “Halloween” score in 1978, praised Carpenter’s innate knowledge of the “circle of fifths” and secondary dominants — bedrocks of Western musical theory that allowed Carpenter’s scores to keep the tension cooking — he huffs.

“I have no idea what he’s talking about,” Carpenter says, halfway between self-deprecation and something more rascally. “It all comes, probably, from the years I spent in our front room with my father and listening to classical music. I’m sure I’m just digging this s— out.”

Whether by osmosis or genetics or possibly black magic, Carpenter clearly absorbed his powers from his father, Dr. Howard Carpenter, a classically trained violinist and composer. Classical music filled the childhood home in Bowling Green and for young John it was all about “Bach, Bach and Bach. He’s my favorite. I just can’t get enough of Johann there.”

It makes sense. Bach’s music has a circular spell quality and the pipe organ, resounding with reverb in gargantuan cathedrals, was the original synthesizer.

“He’s the Rock of Ages of music,” says Carpenter, who particularly loves the fugue nicknamed “St. Anne” and the Toccata and Fugue in D Minor. “Everybody would go back to Mozart or Beethoven. They are astonishing — Beethoven is especially astonishing — but they’re not my style. I don’t feel it like I do with Bach. I immediately got him.”

Carpenter was also a film score freak since Day 1. He cites the early electronic music in 1956’s “Forbidden Planet” and claims Bernard Herrmann and Dimitri Tiomkin as his two all-time favorites. Just listen, he says, to the way Tiomkin’s music transitions from the westerny fanfare under the Winchester Pictures logo to the swirling, menacing orchestral storm that accompanies “The Thing From Another World” title card in that 1951 sci-fi picture that Carpenter remixed as “The Thing.”

“The music is so weird, I cannot follow it,” he says. “But I love it.”

Yet Carpenter feels more personally indebted to rock ‘n’ roll: the Beatles, the Stones, the Doors. He wanted to be a rock star ever since he grew his hair long and bought a guitar in high school. He sang and performed R&B and psychedelic rock for sororities on the Western Kentucky campus as well as on a tour of the U.S. Army bases in Germany. He formed the rock trio Coupe de Villes with his buddies at USC and they made an album and played wrap parties.

He also kept soaking up contemporary influences, listening to Warren Zevon’s “Werewolves of London” while location scouting for “Halloween.” Peter Fonda later introduced Carpenter to Zevon and he wanted the director to adapt the song into a film that never happened (starring Fonda as the werewolf, but “this time he gets the girl,” Carpenter recalls). In the ’80s he blasted Metallica with his two boys and he still loves Devo.

It’s incredibly rare for a film director to score their own films, rarer still for one to spend decades on stage as a performing musician. The requisite personalities would seem diametrical.

“My dad was a performing musician, so it was just part of the family,” Carpenter says. However, until 2016, when Carpenter first toured with his music, he was consumed with stage fright. “I had an incident when I was in a play in high school,” he says. “I went up and I forgot my lines. Shame descended upon me and I had a tough time. I was scared all the time.”

The director credits his touring drummer, Scott Seiver, for helping him beat it.

“Your adrenaline carries you to another planet when that thing starts,” he sighs with pleasure. “You hear a wall of screaming people. It’s a big time.”

He pushes back against the idea that directors “hide behind the camera.”

“The pressure, that’s the biggest thing,” Carpenter says. “You put yourself under pressure from the studio, you’re carrying all this money, crew, you want to be on time.”

He remembers seeing some haggard making-of footage of himself in post-production on “Ghost of Mars” in 2001 and thinking: Oh my God, this guy is in trouble. “I had to stop,” he says. “I can’t do this to myself anymore. I can’t take this kind of stress — it’ll kill you, as it has so many other directors. The music came along and it’s from God. It’s a blessing.”

John Carpenter is grateful but he doesn’t believe in God. He believes that, when we die, “we just disperse — our energy disperses, and we return to what we were. We’re all stardust up there and the darkness created us, in a sense. So that’s what we have to make peace with. I point up to the infinite, the space between stars. But things stop when you die. Your heart stops, brain — everything stops. You get cold. Your energy dissipates and it just… ends. The End.”

This is not exactly a peaceful thought for him.

“I mean, I don’t want to die,” he adds. “I’m not looking forward to that. But what can you do? I can’t control it. But that’s what I believe and I’m alone in it. I can’t put that on anybody else. Everybody has their own beliefs, their own gods, their own afterlife.”

He describes himself as a “long-term optimist but a short-term pessimist.”

“I have hope,” he says, “put it that way.” Yet he looks around and sees a lot of evil.

“The true evil in the world comes from people,” says Carpenter, who has long used cinematic allegories to skewer capitalist pigs and bloodthirsty governments. “I know that nature’s pretty rough, but not like men. You see pictures of lions taking down their prey and you see the face of the prey and you say: ‘Oh, man.’ Humans do things like that and enjoy it. Or they do things like that for power or pleasure. Humans are evil but they’re capable of massive good — and they’re capable of the greatest art form we have: music.”

The greatest?

“You don’t have to talk about it. You just sit and listen to it. It’s not my favorite,” he clarifies, alluding to his first love, cinema — “but it’s the one that transcends centuries.”

Music has always been kinder to him than the movie business. That business recently reared its ugly head when A24 tossed his completed score for “Death of a Unicorn.” (At least he owns the rights and will be putting it out sometime soon.) In addition to the high he gets from playing live, he is currently working on a heavy metal concept album complete with dialogue. It’s called “Cathedral” and he’ll be playing some of it at the Belasco.

It’s essentially a movie in music form, based on a dream Carpenter had. Though not one he finds scary. What scares Carpenter, it seems, is not being in control.

That happened to him in the movie world, it’s happening more and more as what he calls the “frailties of age” mount and it happens in that nightmare about getting lost in a big city and not finding any theaters.

“But I can’t do anything about it,” he says. “What can I do? See, the only thing I can do is what I can control: music. And watching basketball.”

Andrea Owen, who has been TUI cabin crew since 2003, has shared her top tips for flying with children to boost your chances of as little going wrong as possible

A flight attendant has shared her top tip for boosting the chance that a flight with kids goes well.

Andrea Owen, who has been TUI cabin crew since 2003, has lifted the lid on some of the best tips for travelling with children that she’s learned in her 22 years of flying.

From short-haul to long-haul flights, Andrea has flown at least 3,000 times and sees hundreds of families take to the skies every week to some of TUI’s popular destinations, such as Majorca, the Canaries, Mexico, and Jamaica.

Andrea says: “After all these years of flying I have looked after thousands of families, I can tell you that the secret to stress-free family travel is preparation. I always tell parents to expect the unexpected, pack more snacks than you think you’ll need, and don’t be afraid to ask crew for help. A lot of us are parents too, and we genuinely want every family to have a great start to their holiday.”

READ MORE: ‘Heartbreak’ as another UK travel agent suddenly shuts with impact to bookingsREAD MORE: European hotspots are 22C right now with £15 flights – perfect for escaping rainy UK

Andrea’s number one tip to having a successful flight is to choose the right boarding time. When, exactly, is a personal decision.

“This one really depends on your child’s personality, and you know them best. Some families find that boarding as soon as possible gives them that extra breathing space to get settled, stow the bags, and get the kids comfortable in their seats without feeling rushed. But I’ve also seen plenty of parents who swear by boarding last, especially if their little ones can’t sit still for long,” she said.

Below are Andrea’s other top tips:

Relieve ear pressure

“This is one of the most common concerns parents ask me about, and it’s really easy to solve. For babies and toddlers, feeding during take-off and landing is brilliant, whether that’s breastfeeding, a bottle, or even just a dummy – the sucking motion helps equalize ear pressure. For older children, give them chewy sweets or lollipops about 30 minutes before landing as that’s when the pressure really starts to build. I’ve seen many tears avoided with this simple trick.”

Always pack a variety of activities

“I recommend packing a small bag stuffed with variety – different toys, activities, and snacks. What works brilliantly is either letting them pack their own bag so they’re excited or pack some surprise toys they haven’t seen before. Keep everything small and compact with plenty of pencils, crayons, and paper. A surprise sticker book with a little bag of sweets is absolute gold. The games I see working best are Snap, Dobble, and colouring. And here’s a lovely tip – encourage your children to draw pictures for the cabin crew. We absolutely love receiving them and always have a stash of stickers at the ready for every flight.”

Help them to feel prepared

“Preparation is everything when it comes to keeping children calm. Before you leave for the airport, talk through exactly what’s going to happen. Checking in, going through security, boarding the plane, and what take-off and landing will feel like. Let them know about the noises they might hear and explain that their ears might feel different. This is particularly useful if your child is neurodiverse. The key is to make it sound like an exciting adventure rather than something to worry about.”

Bring your home comforts

“Packing home comforts like a small pillow, blanket or cuddly toys can help children of all ages feel more relaxed. If you’re travelling at times when your child would normally be having a nap or going to bed, I really encourage parents to try and stick to that routine as much as possible. Let them sleep if they want to, you’ll arrive at your destination feeling so much fresher and ready to enjoy your holiday. It’s also worth thinking about time zones if you’re flying long haul. Maybe start adjusting their sleep schedule a day or two before you travel. A well-rested child makes for a much happier holiday start!”

Dress in layers

“The temperature on board can vary throughout the flight. That’s why I always recommend dressing your child in layers so you can add or remove clothing to keep them comfortable. It’s always handy to pack a spare pair of clothes in your hand luggage just in case of a spill or accident. I’ve seen many parents caught out without a change of clothes, and it makes the rest of the flight uncomfortable for the both of you.”

Snack trays

“Those little snack trays with multiple compartments come in really handy. Kids absolutely love them and there’s something about having lots of different treats in separate sections that keeps them entertained for ages. You can fill each compartment with different snacks: fruit, crackers, cheese cubes, raisins, a couple of sweets. It turns snack time into something fun and interactive, and it means you’re not constantly rummaging through bags. We also have healthy snack boxes for kids available onboard which they love, so there will always be something they can eat. “

Don’t be afraid to ask cabin crew for help

“Don’t ever feel worried about asking us for help, that’s what we’re here for. Over my 22 years of flying, I’ve seen everything. We’ve warmed countless bottles, fetched extra sick bags, provided colouring sheets, and even entertained little ones while parents take a breather. Many of us are parents ourselves, so we completely understand how overwhelming it can feel. Whether you need extra wipes, help with the overhead locker, or just some reassurance, we’re here to make your journey smoother.”

“We know flying can feel overwhelming for families, whether it’s your first flight with kids or you have an anxious flyer in the family, there are lots of simple and easy tips you can put into place to make it seem that little bit less daunting.”

Former Coronation Street star Sarah Lancashire ‘knew when to stop’ doing Happy Valley despite its major success, according to the show’s creator Sally Wainwright

Sarah Lancashire ‘knew when to stop’ doing Happy Valley despite its major success. The actress, 60, starred as Catherine Cawood in Sally Wainwright’s hit drama over the course of three series that were filmed over a decade, and even helped write its final episode, which pulled in almost 10 million viewers.

Despite the show’s incredible popularity, creator Sally, 62, insisted that a short run had always been agreed upon. She told The Sunday Times: “Sarah’s good at knowing when to stop and when to say no. There were a couple of things in the script that she wanted to question, and it was a good process.”

However, fans of the programme need not be disappointed as seasoned television writer Sally explained that she and Sarah, who won a BAFTA for her portrayal of policewoman Catherine, are already working on a new project together, insisting that they are ‘still friends’ and the character is ‘still there’ in their minds.

READ MORE: BAFTA TV Awards viewers fume as BBC drama Happy Valley snubbed for Best Drama SeriesREAD MORE: Sarah Lancashire’s life after Happy Valley – stepping back from acting to acclaim

As well as Happy Valley, Sally is also the creator of several other hit series such as Last Tango in Halifax and Gentleman Jack. She started out writing episodes of radio soap The Archers before going on to work on Coronation Street, which turned Sarah into a household name when she was cast as barmaid Raquel Wolstenhume, in the late 1990s.

Following the advice of late TV writer Kay Mellor, she went on to create At Home With The Braithwaites, which starred Amanda Redman as a woman who had won the lottery but tried to keep it all a secret from her dysfunctional family. Reflecting on those early days of her career writing episodes of the long-running ITV soap, Sally admitted that she worked with some ‘fabulously clever’ people at the time.

She said: “The Coronation Street storyline meetings were amazing. There were some fabulously clever story-makers. Dialogue comes easily, characters come easily, but story is relentlessly hard. I have to just really bash it out. With Happy Valley, I do pride myself on the last episode being just as good as the first episode.”

The scriptwriter previously admitted that she got ‘bored’ of writing for the soaps because of how all the stories had become so similar, and acknowledged that viewing habits have changed dramatically in recent years as streaming services have become the norm.

“I think one of the reasons I got bored of the soaps (is that) all the stories got a bit samey,” she admitted. Referencing the amount of choice TV viewers now have, Sally added: “There is so much content, it is increasingly easy for people to turn over.”

She explained: “You’ve got to be captivating your audience moment by moment… its seems increasingly important.” Discussing her time on Corrie, Sally revealed that she did not initially have the ‘confidence’ to contribute to storylines at Coronation Street.

Sally said she was ‘in awe’ of everyone who worked in the writer’s room when she joined, which had two women within its 15-writer team at the time. Wainwright recalled that it was a time when writers would go to the pub at lunch which she said would mean the afternoon could be a ‘bloodbath’

She added: “It wasn’t a nasty atmosphere, it was very lively and often fun.” Wainwright revealed that writing is how she can ‘make sense of the wppr;d’. In a discussion with broadcaster Adrian Chiles, she reflected on how she began writing as a child with her sister creating strip cartoons and plays.

“It’s just a childhood habit that has continued,” Sally explained. “I make sense of the world by writing about it. I also love the idea of writing dialogue, creating characters, I love the idea of making people say things, I love the actors and love the whole process of drama.”

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BROOKLYN Beckham has dealt his family another snub after failing to wish a family member a Happy Birthday.

The 26-year-old is no longer on speaking terms with his family after an epic fallout with his parents and his brothers.

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Now, it appears that the rift has gotten deeper after he failed to mark his cousin’s birthday like the rest of his family.

He failed to mark Finlay James’ birthday online but mum Victoria and his brothers, Romeo and Cruz, were all quick to mark the occasion.

Brooklyn’s mum Victoria was the first of the clan to mark her nephew’s birthday as she shared a throwback of Finlay as an eight-year-old.

Alongside the image, the fashion mogul said: “Happy birthday. We love you!!!”

23-year-old Romeo also continued the trend by sharing a classic photo of Finlay as he added the simple caption: “Happy Birthday broskie.”

Furthermore, Cruz shared his own tribute with a snap of him and Finlay in matching suits as he wrote: “Happy Birthday.”

Brooklyn failed to interact with any posts nor mention Finlay’s birthday as the family feud continues to rumble on.

Finlay is connecting the family as the son of Louise, Victoria’s sister.

The lad has famously enjoyed a close bond with the entire Beckham clan making Brooklyn’s latest snub even more telling.

It is the latest birthday snub dealt by Brooklyn in recent weeks after he also failed to acknowledge Romeo’s big day or join in the celebrations.

All of the Beckham family were seen posting sweet messages to Romeo on his big day.

However, his big brother Brooklyn chose to snub his sibling, as their family feud rages on.  

The birthday snub follows months of social media swipes after Brooklyn failed to turn up for his dad’s 50th birthday party.

Brooklyn and his wife Nicola, 30, remain estranged from the famous family, with unfollows and Instagram blocks fuelling rumours of an all-out war.

FAMILY FEUD

Things escalated when Brooklyn and Nicola renewed their vows last month, despite only getting married three years previous.

Brooklyn did not invite any of his family.

In the photos shared by the couple on Instagram, they are surrounded by Nicola’s family and friends.

The ceremony was even officiated by Nicola’s father, Nelson Peltz, 83.

A source told The Sun of David and Victoria’s reaction to the vow renewal after they found out about the ceremony on a US site.

They told us: “This was the final kick in the teeth for David and Victoria.

“Seeing Nelson [Nicola’s father] having such a pivotal role at the ceremony was heartbreaking for David especially.”

The Beckham Family Feud

• April 2022: Brooklyn marries Nicola Peltz.
• Wedding Dress Controversy: Rumours begin circulating that there’s tension between Nicola and Victoria Beckham after Nicola chooses not to wear a Victoria Beckham-designed wedding gown. Nicola later clarifies in August 2022 (and again in March 2023) that Victoria’s atelier couldn’t make the dress in time, but reports in May 2025 suggest Victoria actually changed her mind about making the dress.
• Post-Wedding (2022 onwards): Minimal interaction between Nicola and Victoria on social media, and noticeable absence of Nicola at key Beckham family events.
• Alleged Wedding “Hijack”: In May 2025, a source claimed Victoria “ruined” part of the wedding by allegedly hijacking a dance with Marc Anthony, which was meant for Brooklyn and Nicola. Nicola reportedly ran from the room crying.
• March 2025: A resurfaced TikTok of Romeo and Cruz mimicking a “baby voice” (which fans associate with Nicola) sparks speculation of sibling shade.
• April 2025: Brooklyn and Nicola are reportedly absent from Victoria Beckham’s 51st birthday celebrations in Miami and her Paris Fashion Week show.
• May 2025: David Beckham’s 50th Birthday Snub: Brooklyn and Nicola are notably absent from David Beckham’s 50th birthday celebrations in London, despite being invited. Reports suggest their absence was due to Brooklyn not wanting to be in the same room as Kim Turnbull, the girlfriend of Romeo who had previously been reported to have been dating Brooklyn, who David allegedly opted to have at the party over Nicola.
• Rumours emerge of a falling out between Brooklyn and his younger brother Romeo, reportedly due to Romeo’s new girlfriend, DJ Kim Turnbull, who allegedly had a past connection with Brooklyn.
• Reports surface that the Beckham parents are “hurt and disappointed” that Brooklyn is “playing no part in family life.” Sources claim that tensions between Brooklyn and Nicola and his parents are “definitely not beyond repair.”
• June 2025: Brooklyn and Nicola reportedly enlist a “crisis team” similar to Prince Harry and Meghan Markle for “reputation management” due to the growing media scrutiny.
• Cruz Beckham posts cryptic lyrics on Instagram that some interpret as a swipe at Brooklyn.
• July 2025: Reports indicate David and Victoria are “desperate” to reconcile with Brooklyn. Brooklyn publicly wishes his sister Harper a happy 14th birthday on Instagram, tagging Nicola, which is seen as a potential “olive branch” and a rare public message to his family amid the rumored rift.
• Brooklyn UNFOLLOWS his brothers Romeo and Cruz just 24 hours after his birthday message to Harper. Nicola quickly follows suit and also ditches the Beckham bros from her Instagram following. Romeo and Cruz are now also no longer following Brooklyn.

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Well, it is starting to appear that we are on the way to another in a series of mediocre football seasons at my alma mater UCLA.

I am now officially in the “I don’t care about UCLA Football anymore” camp. I graduated from UCLA in 1975 and while every once in a while UCLA will have a somewhat successful season, the best they seem to be able to do is be invited to a second-tier bowl game. The College Football Playoff? Forget about it.

Coach DeShaun Foster is very clearly in way over his head. I predict he will be gone after this season.

Bruce Dunklin
Thousand Oaks

It has to be painfully obvious that the DeShaun Foster experiment at head coach is a dismal failure. The loss to UNLV was not just embarrassing but shameful. It was once said that Foster was Karl Dorrell 2.0, but that is unfair. Dorrell had a 10-win season and beat USC. Coach “We’re Close” Foster is in way over his head. His team is undisciplined and unprepared. This clueless performance will lead to a completely empty Rose Bowl and eventual desertion of NIL sponsors. What is the athletic department going to do when we lose to New Mexico and go 0-12 for the year?

Thomas Auyong
Diamond Bar

DeShaun Foster has to be the worst head coach in UCLA history. If a team is a reflection of their coach, then this is the worst UCLA team every. Does the team have a weight program? They are getting pushed around out there and it’s only going to get uglier. We are going to lose 100-0 to Ohio State.

Ed Villanueva
Chino Hills

UCLA fell for the third consecutive game to open the season, with their drubbing at the hands of New Mexico. Maybe it’s time for AD Martin Jarmond to consider dropping the football program to a lower division, or just dropping football completely (the latter might help balance the athletic budget). Either way, coach DeShaun Foster and the Bruins are in for a long season.

Chris Sorce
Fountain Valley

My 98-year-old father and I are 25-year UCLA football season-ticket holders. We love our Bruin football, but let’s face facts. When our AD, Martin Jarmond, hired coach DeShaun Foster, he looked at us with a straight face and told us that they had interviewed upward of 40 candidates for the head coaching position and that Foster was the best of the group. A man with no offensive, defensive or head-coaching experience.

It sadly is now painfully obvious that Jarmond and Foster should be replaced with more experienced and qualified candidates.

Christopher Armen
Woodland Hills

Coleraine were one of three Irish Premiership clubs to miss out on progression to the next stage of the funding process, along with Crusaders and Portadown.

League of Ireland side Derry City also missed out, while Institute and Limavady United were the other clubs from the north west of Northern Ireland not included in the list announced by Lyons on Thursday morning.

“Geographically, for me, the north west has been shafted again,” Higgins said.

“You might say it is sour grapes because of my connection to Coleranie Football Club and Derry City, but I’ll not talk about either – I’ll talk about Institute.

“If there’s one club that needed support it was them. For me, it’s an absolute disgrace.”

Higgins was referring to the loss of Institute’s home ground in Drumahoe, in 2017 after flash flooding left the stadium unusable with Japanese Knotweed.

Institute now play their home matches at Derry City’s Brandywell Stadium and Drumahoe is now being demolished.

Higgins said Stute had been “dealt the worst hand out of everybody” and felt the process was unfair.

“In 2017 they lost their ground through no fault of their own. It’s a brilliant football club run by brilliant people, and they’ve been absolutely trampled on from what I can see.

“They had a disaster eight years ago and they’ve been given no backing at all. That surprises me in one sense, but when you look geographically where they are based, it doesn’t surprise me at all.”

Speaking at the announcement of funding in Belfast on Thursday morning, before Higgins gave his reaction, Lyons said the location of clubs had not come under consideration.

“This hasn’t been done in terms of geography, it has been done in terms of need and other criteria that we set out,” Lyons said.

“Yes, you can look at the two big ones in Belfast but there are many others throughout Northern Ireland.”

Mark Volman, the singer who co-founded the buoyant 1960s hitmakers the Turtles and was half of the humorous harmony duo Flo & Eddie, has died. He was 78.

Representatives for Volman confirmed the death to Rolling Stone, citing a “brief, unexpected illness.” In 2020, Volman was diagnosed with Lewy Body Dementia, but continued touring and only announced his diagnosis in 2023.

When promoting his memoir “Happy Forever: My Musical Adventures with the Turtles, Frank Zappa, T. Rex, Flo & Eddie, and More” in 2023, Volman went public with his 2020 diagnosis of Lewy body dementia, a disease that results in a decline in cognitive ability, affecting reasoning, memory and movement.

In a People magazine story, Volman accepted his fate: “I got hit by the knowledge that this was going to create a whole new part of my life. And I said, ‘OK, whatever’s going to happen will happen, but I’ll go as far as I can.’”

Volman’s partner in both the Turtles and Flo & Eddie was Howard Kaylan, a high-school friend who turned into a lifelong creative partner. Sharing a taste for sweet melodies, cultural fads and unrepentant silliness, Volman and Kaylan adeptly navigated the cultural changes of the 1960s, steering the Turtles from surf-rock survivors to psychedelic freaks over the course of a decade.

The group’s sweet spot arrived in the second half of the 1960s, when they polished their Southern Californian folk-rock with studio savvy, creating hits — “Happy Together,” “She’d Rather Be With Me,” “Elenore” and “You Showed Me” — that appealed to mainstream listeners — they were the favorite band of Richard Nixon’s daughter Tricia, even playing the White House in 1970 — while winking at hipper audiences.

As they drifted away from the middle of the road, the Turtles could occasionally give the sense that they were too smart for the room; one of their best albums, 1968’s “The Turtles Present the Battle of the Bands,” was constructed as a concept album where the group adopted a different guise and musical style for each track.

The Turtles in 1967, clockwise from top left: Al Nichol, Jim Tucker, Mark Volman, Howard Kaylan, Johnny Barbara and Jim Pon.

(Central Press / Hulton Archive / Getty Images)

Volman and Kaylan capitalized on this quirk when they rechristened themselves as Flo & Eddie, a moniker they devised after a bitter legal battle with their former record label left them without the right to perform either as the Turtles or using their own names. During this period, Frank Zappa invited Flo & Eddie to join his Mothers of Invention, giving the duo a boost that led to an enduring career.

Flo & Eddie specialized in providing harmonic support to high profile acts: they toured with Alice Cooper, sang on T. Rex’s landmark glam album “Electric Warrior” and were recruited to sing on Bruce Springsteen’s “Hungry Heart” when the Boss was looking for Beach Boys-like harmonies. On their own, Volman and Kaylan also honed their comedic shtick as recording artists, later taking their act to radio and, once they reacquired the rights to the Turtles moniker, on the road, playing the oldies circuit into the 2010s.

Unlike many other oldies acts, Volman and Kaylan possessed sharp business skills, acquired after their messy fallout with their record label, White Whale. Once they regained their master tapes, they licensed their catalog to reissue labels and kept a vigilant eye on how their recordings were disseminated in the marketplace.

On realizing that the Turtles’ “You Showed Me” provided a pivotal sample on De La Soul‘s 1989 debut album, “3 Feet High and Rising,” the duo sued the rap pioneers for $2.5 million in exemplary and punitive damages. The matter was settled out of court in favor of Volman and Kaylan; while the terms were not publicly disclosed, they reportedly were awarded $1.7 million in damages. The lawsuit and its fallout effectively ended the golden age of sampling in hip-hop.

Mark Volman during the 10th anniversary of the Happy Together tour at Thousand Oaks Civic Arts Plaza in 2019.

(Scott Dudelson / Getty Images)

Born in Los Angeles on April 19, 1947, Volman grew up in a musical household in the neighborhood of Westchester. Even when he was young, relatives were struck by his exuberant personality. His aunt Ann Becker recalled in “Happy Forever”: “I can remember my mother shaking her head and saying, ‘That boy is so smart — he shouldn’t be so silly.’”

By the time he enrolled at Westchester High — his classmates included comedian Phil Hartman and Manson Family member Lynette “Squeaky” Fromme — Volman had gravitated toward irreverence.

Meeting New York transplant Kaylan in choir, Volman soon became part of the Crossfires, playing saxophone alongside his new friend in the surf-rock combo. The Crossfires had two singles to their name before they signed to the fledgling White Whale Records in 1965. Already in the process of abandoning surf for folk-rock — Volman and Kaylan swapped their saxes for lead vocals — the group’s members accepted their new label’s suggestion to rename themselves; they rejected the stylized spelling of the Tyrtles in favor of the Turtles.

Taking a cue from the Byrds’ hit version of Bob Dylan’s “Mr. Tambourine Man,” the Turtles released a revved-up cover of Dylan’s “It Ain’t Me Babe” that squarely hit the zeitgeist, climbing into the Billboard Top 10 in summer 1965. Volman later remembered, “I graduated from high school in February 1965 and was on tour in June with a Top 10 record and on the Dick Clark Show.”

A couple of spirited sequels, “Let Me Be” and “You Baby,” kept the band in the Top 40 into 1966 but the Turtles’ hot streak quickly cooled, as a series of singles — including “Outside Chance,” written by White Whale staffer Warren Zevon — barely scraped the charts. “Happy Together,” a song rejected by a number of pop groups, revived the group’s fortunes, thanks in part to a sterling arrangement masterminded by new bassist Chip Douglas.

“Happy Together” topped the charts and would become one of the standards of its era, appearing often in commercials and films. In 1967, it propelled the Turtles back to the upper reaches of the charts, a place they’d stay through 1969, as they accumulated such hits as “She’d Rather Be With Me” and “Elenore.”

By far the biggest act on the small-scale White Whale, the Turtles were subjected to pressure by the label to record more commercial material, yet Volman and Kaylan kept pushing the band to make hip music. When the label suggested firing the rest of the Turtles, the singers arranged for the remaining three members to share songwriting credits on “The Turtles Present the Battle of the Bands,” the first album they released after the success of “Happy Together.” On their final album, “Turtle Soup,” the Turtles hired Ray Davies as their producer; it was his first production outside his main band, the Kinks.

Tensions between the Turtles and White Whale escalated in 1970, leading the group to disband. In turn, the label exercised a clause in the band‘s recording contract that prevented the members from performing either “individually or collectively,” effectively barring Volman and Kaylan from continuing to work either as a group or as themselves. The pair decided to call themselves the Phlorescent Leech & Eddie, a name that would swiftly be shortened to Flo & Eddie; Volman was the former, Kaylan the latter.

Zappa brought the duo into his Mothers of Invention ensemble not long after the implosion of the Turtles. They stayed with him through an eventful year that included a concert in Montreux, Switzerland, that ended with the venue engulfed in fire; Deep Purple memorialized the event in “Smoke on the Water.”

Alice Cooper, second from left, with Mark Volman (drinking beverage) and bandmates in Copenhagen, Denmark, 1972.

(Jorgen Angel / Redferns / Getty Images)

Beginning with 1972’s “The Phlorescent Leech & Eddie,” Flo & Eddie released a series of increasingly facetious albums throughout the 1970s, but they had greater success singing harmonies for T. Rex and Cooper. “Hungry Heart,” Springsteen’s first Top 10 hit, served as a curtain call for this period of Flo & Eddie’s career. Soon, the duo put their days as recording artists to rest. While they still would contribute original music to animated television shows, including specials focusing on “Strawberry Shortcake” and “The Care Bears” series, the duo stopped writing and recording new Flo & Eddie music.

The move coincided with the duo finally winning back the rights to their names. Volman and Kalyan began this process in 1974, when they acquired the Turtles’ master recordings when White Whale assets were up for auction.

A decade later, they were able to tour as The Turtles … featuring Flo & Eddie, a billing they’d retain into the 2010s, until Kaylan retired from the road in 2018. With Ron Dante filling in for Kaylan, Volman continued performing as the Turtles as part of their regular Happy Together package tours.

Although Flo & Eddie embraced their status on the oldies circuit, they hadn’t faded entirely from modern music. When De La Soul sampled “You Showed Me” for their track “Transmitting Live From Mars” in 1989, the trio failed to clear the rights prior to release, so Volman and Kaylan sued the group, winning a large settlement that established a precedent for sample clearance in hip-hop.

The duo launched another major lawsuit in 2013 when they filed suit against Sirius XM for failing to pay sound recording royalties in California, New York and Florida. A California judge ruled in the duo’s favor in 2014, while a Florida judge ruled for Sirius XM in 2015. Although a settlement was reached in 2016, Sirius XM would win subsequent legal appeals in Florida and California.

Volman went back to school in 1992, pursuing a bachelor’s degree at Loyola Marymount University in Los Angeles. After earning a master’s degree in screenwriting in 1999 at Loyola Marymount, Volman soon moved into teaching, eventually becoming an associate professor at the Mike Curb College of Entertainment & Music Business at Belmont University in Nashville, Tenn.

Volman is survived by his daughters, Sarina Marie and Hallie Rae, both from his marriage to Patricia Lee.

Cruise ships have plenty of entertainment for passengers but there’s one clever ‘blue mind effect’ that can be key to whether they feel calm while they’re on the ship

Cruise holidays offer up plenty of opportunities for rest and relaxation whether that’s sitting poolside on the top deck, unwinding in the spa or tucking into some delicious food. Then of course there are all of the thrilling destinations to be explored whether you’re sailing along the Mediterranean coast or going in search of winter sun in the Caribbean.

Most people tend to feel happier or more relaxed on a holiday, but according to industry insiders, cruise ships use a clever tactic to try and maximise that feeling of joy for passengers.

It all comes down to the ‘blue mind effect’. This theory suggests that if you’re close to water or immersed in water, it can encourage a meditative and relaxed state of mind, and therefore play a key role in your wellbeing. Of course cruise ships are surrounded by water, and according to experts, cruise lines use this to their advantage.

READ MORE: Disney’s new ship sailing in 2025 will have epic themed bars and new water rideREAD MORE: World’s ‘most beautiful cruise port’ is tucked away in city that’s UNESCO site

The insiders at Iglu Cruise explained: “Taking this into consideration, cruise ships are designed with as many positions to view the sea as possible. There are floor-to-ceiling windows in public areas offering uninterrupted views of the ocean, open decks to view the horizon and private balconies allowing passengers to have their own private “blue mind” sanctuary, and there’s nothing quite like falling asleep to the sound of the sea.”

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The ‘blue mind effect’ isn’t the only way a cruise can offer up useful ways to boost your mental wellbeing. Another perk of being at sea is that in the middle of the ocean, you’re unlikely to get good signal. While most lines do offer up Wi-Fi packages for those who want to stay connected, if you’re after a digital detox then a cruise can be the ideal opportunity to take one.

READ MORE: ‘I watched Disney’s new ship float out and it was more nail-biting than expected’

In fact, according to Iglu Cruise, “it’s been found that a “digital detox” can reduce stress and anxiety, improve focus, improve sleep, decrease FOMO (fear of missing out) and deepen relationship”. Their experts added: “This newfound freedom whilst onboard, encourages disconnection from devices and instead, engaging with the surroundings, embracing the present moment and enjoying precious time with loved ones. It’s also the perfect justification for not feeling obliged to respond to people right away.”

Of course while it’s lovely to have some R&R, some holidaymakers also like a bit of adventure on their holidays, so the fact that you can visit multiple destinations on one holiday can appeal. Then there’s the upping of the ante when it comes to onboard entertainment from rollercoasters at sea to West End-worthy shows, and epic waterparks. With an increasing demand for entertainment at sea, new ships are bigger than ever before – and experts predict that they could soon be the size of small cities.

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A HOMEOWNER has left people stunned after sharing a video of their disastrous attempt to get a garden shed in their new garden.

After moving in to their new house, they enlisted the help of two friends to try and get the shed over a gate frame and into the back garden.

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The three men decided on a daring attempt to lift the shed – holding it above their heads.

However, in scenes that were predicted by those watching the TikTok video in horror, the shed ended up going a bit too high.

And as it did so, it fell heavily over the fence and into next door’s garden, much to the horror of the men carrying it.

The trio realised in seconds what had happened, and tried to look through the fence to inspect the damage next door.

“Moving day carnage,” Rea captioned the video on her TikTok page.

The gate frame also took part of the brunt of the shed disaster, as a panel was seen slipping down as the structure crashed to the ground.

Commenting on the video, a woman called Leonie wrote: “My partner is the one who got out the car to help, I thought I recognised them!”

“That was never ending well,” another added in the comments section.

“The only 3 people that didn’t see that happening,” a third laughed.

“Great start with the neighbours,” someone else sighed.

“The 2 at the front is at fault, him at the back was doing it properly!” another insisted.

“What the hell? This was hard to watch,” someone else said.

While others imagined what the conversation would be between the homeowners and their new neighbours.

“Can you imagine saying my shed fell in your garden?” one gasped.

“Excuse me Mister, can we have our shed back please?” another joked.

“Knocks on door, ‘hey Mr. I accidentally threw my shed in your yard. Can I go back there and get it?'” a third laughed.

But there were some people in the comments section who wondered what would have happened if there was someone on the other side of the fence.

“Omg what would have happened if a child or elderly person was other side of the fence?” one wrote.

“I would dread to think!”

“Imagine it fell on the neighbours plants or the poor old neighbour sitting in their back garden,” another added.

“Or a baby!”

“What if there was a toddler running around other side?” someone else commented.

ALEXNDER ISAK has broken his silence following his blockbuster move to Liverpool.

The Sweden international completed a deadline-day move to the Reds from Newcastle United to become the most expensive player in Premier League history.

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Liverpool have shelled out a Premier League record £130MILLION to sign the 25-year-old.

Former Real Sociedad ace Isak went on strike in order to force through his move to Anfield and has yet to play this season.

And he’s champing at the bit to get started for the Reds following his successful self-imposed exile.

When asked what drew him to Anfield, he told the Kop club’s official website: “It’s a mixture of what the club is building.

“But what they’re building on top of what the club already is.

“The history of the club,” Isak told Liverpoolfc.com, when asked why Anfield is the place for him.

“Me getting the chance to be a part of this, I want to create history. I want to win trophies.

“That’s ultimately the biggest motivation for me and I feel like this is the perfect place for me to grow even further and to take my game to the next level and help the team as well.

“I feel like this is the next step for me in my career. I’m super-happy that I’ve been given this chance and I’m very motivated to do something well with it.”

Kop chief Arne Slot has handed Isak the historic No.9 shirt, which has previously been worn by club legends Ian Rush, Robbie Fowler and Fernando Torres.

THIS IS A DEVELOPING STORY..

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Rybakina, speaking at the Australian Open in January, said she never made “any complaints” about Vukov, adding: “I don’t agree with a lot of things the WTA do in the sense of my relationship with Stefano.”

Vukov challenged the WTA’s decision to issue the suspension and it was lifted after a hearing in front of an independent tribunal.

Following the appeal, the WTA told BBC Sport it is “fully committed to providing a safe and respectful environment for all athletes and other participants”.

The governing body added: “While case details remain confidential, we can confirm that Mr Vukov is eligible to receive credentials at WTA events. We will not be commenting further.”

With Vukov back in her corner, Rybakina reached the US Open fourth round for the first time in her career after impressively beating Britain’s Emma Raducanu on Friday.

Rybakina says she is feeling happier and healthier after overcoming insomnia, the sleep disorder which has troubled her in the past two years.

The issue led to her immune system breaking down and she decided to take an extended break from the WTA Tour at the end of last season.

After withdrawing before her 2024 US Open second-round match because of illness, Rybakina did not play again until November.

“Now it’s much better and I have no issues, so I’m pretty happy,” she added.

“I think we are managing and getting closer to where I want to be, physically also doing, I think, a pretty good job. Of course, it’s not much time between tournaments, but overall I’m happy with how the work is going right now.

“Things in the box definitely helps a lot, and I think it’s important when the whole team can support you.”

There are happy hours that function as post-work gatherings, fueled by discounted pitchers of beer, buckets of chicken wings, sliders and the sort of commiserating that can only happen between colleagues. If the beer is cold and the chicken wings properly sluiced in hot sauce and ranch dressing, this happy hour can be the happiest of hours.

But it wasn’t until I was seated at the bar of Josiah Citrin’s Citrin in Santa Monica that I understood a happy hour’s full potential. Here, happy hour is known as Glass Off, a 90-minute stretch of food and drink specials at the bar. Instead of a truncated list of fried foods intended to coat your stomach while you sip on discounted wine, you’ll find tasting-size portions of some of Citrin and fellow chef-partner Ken Takayama’s signature dishes.

Those spot prawns with young turnip and green tomato finished with a nori sabayon that normally cost $52 an order? You can enjoy a smaller portion at the bar for $22. The $49 risotto studded with Dungeness crab, artichoke and peas with aged Parmesan and Meyer lemon? During Glass Off, you can taste a portion of it for $24.

At the following restaurants, happy hour is designed to give diners a glimpse at a kitchen or bar’s full potential, at a more accessible price point. It’s not simply about ordering as many discounted drinks as possible during a limited window. That’s the sort of thinking that prompted the state of Massachusetts to ban happy hours in 1984. It’s prohibited in six other states, and allowed but highly regulated in a handful of others.

In the great state of California, happy hours abound. Just make sure you indulge responsibly.

Here’s a list of my current favorite happy hours. Save me a seat at the bar, will you?

This is a story about a movie that saved a sport. OK, that’s a stretch, but only a little one.

Scottie Scheffler is the No. 1 golfer in the world. Has been for a couple of years. He has won two Masters titles, one PGA Championship and the recent British Open, as well as an Olympic gold medal. He is so good that somebody ought to check his golf balls for tiny magnets that hook up to the cups on the greens. So far this year, by slapping a little white dimpled ball around in the grass, he has won $19.2 million. He has yet to turn 30, but his overall income, just from golf tournaments, is around $90 million.

This guy is so good that his caddie, Ted Scott, is estimated, at the normal 10% of winnings, to have pocketed about $5 million. For carrying a bag.

So, what’s the problem?

Scheffler is so good that he might also be sparking a trend called remote remorse. You really want to watch, but once he gets ahead by a couple of shots, there is nothing left. No drama, no possible twist and turn, no chance of any excitement. Other players in those tense, title-on-the-line final holes, dunk a shot into the water or bury one so deep in the sand that their only choice of club is a shovel.

Not Scheffler. He is a 6-foot-3 human robot whose veins circulate ice water. When the going gets tough, Scheffler yawns.

Scottie Scheffler, right, and wife Meredith Scudder attend the premiere of Netflix’s “Happy Gilmore 2” on July 21 in New York.

(Evan Agostini / Evan Agostini/invision/ap)

So, you see this and you know what is coming next — final putt, arms raised in satisfaction, a hug for his multi-millionaire caddie, the mandatory TV interview with the apparently mandatory British-accent female sportscaster, who will always start with, “How does this feel?”

You, and millions more, click the button on your remote for something more interesting, like HGTV or the Gardening Channel. When Scheffler gets ahead in the final round like that — which is almost always — it is game over. He can squeeze the drama out of a golf tournament like Bill Belichick could out of an NFL postgame interview.

Certainly, you say, Tiger Woods used to win lots of tournaments by lots of big margins and that never seemed boring.

That’s because it wasn’t. Tiger was animated, angry, annoyed, analytical, fed up with some part of his game, charged up over another part, mad at a reporter, upset with his agent. Tiger could win by eight, occasionally did, and it was still must-see TV. When Tiger was at his best, nobody could beat him and the public loved him and just wanted more. Scheffler is currently at his best and the public certainly is terribly impressed and, sadly, kind of meh. Tiger was a pound-on-the-table-and-shout-at-the-TV kind of player. Scheffler is a nod and a shrug.

But there is hope. Hollywood has intervened, as only Hollywood can.

Twenty-nine years ago, an up-and-coming comic named Adam Sandler made a movie inspired by one of his New England friends, who was a great hockey player and could also hit a golf ball a long distance with a hockey stick. Sandler called the movie “Happy Gilmore” and found a wide audience that loved it for its irreverence about a game that flaunts hushed reverence.

Among the highlights was an on-course fistfight between Happy Gilmore (Sandler) and aging TV game show host Bob Barker. Barker won by KO.

The movie was hilariously overdone slapstick. It was a gut-laugh-a-minute. It was so stupid and wacky that it was wonderful.

Now, Sandler has made “Happy Gilmore 2,” and it is again a must-see for all the reasons that the original was. Plus the cameo appearances. Especially one by Scheffler.

In the movie, Scheffler is good, funny, fun. He doesn’t have a lot of lines, but he has perfect timing. He punches a guy out on the green and the cops come and haul him away. “Oh, no. Not again,” he says.

Remember, earlier this year, when Louisville cops hauled him away and put him in an orange jail suit, when he was accused of making a wrong turn while driving into the golf course at the PGA Championship, a tournament that he would eventually win? Well, Sandler and his writers made hay out of that, but more significantly, Scheffler played to it perfectly.

After the movie punch-out, Scheffler is pictured in a jail cell, in an orange jail suit, as a guard asks, since he has been in that cell for three days, if he wants to get out. Scheffler replies, “Ah, what’s for dinner?” When he is told chicken fingers, he says, “I think I’ll stay another night.”

Now, of course, none of that is knee-slapping stuff, but it is Scheffler, and the self-effacing comedy is a perfect image-enhancer, even if it is only in a stupid movie. It is so much better for golf fans to see Scheffler as a roll-with-the-punches fun guy, than an emotionless, ball-striking robot. Neither is totally accurate, but in this media world of image-is-everything, “Happy Gilmore 2” has done wonderful things for this wonderful golfer. Even moreso, for his sport

He will be all over your TV screens for the three-week FedEx playoffs. It starts Aug. 7 with a tournament in Memphis, followed by the next week in Baltimore and the grand finale Aug. 21 in East Lake, Ga., near Atlanta. For the playoffs, the PGA will distribute $100 million in prize money and the winner will receive $10 million.

Scheffler, a likely winner, would then certainly be invited to appear on TV, especially the late-night shows such as Stephen Colbert and Jimmy Fallon. This would present another great image-building opportunity. He could show up in an orange jump suit.

Every recreational golfer of my generation has at least two things in common: We grew up revering Tiger Woods, and we know “Happy Gilmore,” the 1996 Adam Sandler golf comedy, like the back of our hands. Which millennial, while lining up a putt on the green, hasn’t told himself at some point to just “tap it in — give it a little tappy, a tap tap taparoo”? Who among us, before hitting a challenging tee shot, hasn’t at some point first closed his eyes and attempted to escape to his very own “happy place”? And above all, which of us hasn’t spent hours upon hours at the local driving range trying to master the craft that is protagonist Happy Gilmore’s signature running golf swing?

For all of us picking up the game once described by sports journalist John Feinstein as “a good walk spoiled,” Sandler’s character was a never-ending font of laughs and inspiration. Like so many others of my generation, then, I was very excited to watch “Happy Gilmore 2,” just released on Netflix on July 25. The sequel, 29 years in the making, didn’t have a script as instantly quotable as the original, nor was it as memorable. (Which film sequel, besides “The Godfather Part II” or “The Empire Strikes Back,” ever has been?) But “Happy Gilmore 2” still surpassed expectations: It was at times a bit silly, but it was still rollicking fun, replete with nostalgic flashbacks and a bevy of pro golfer cameos.

But it’s also more than that. It would be a mistake to dismiss the two movies as purely frivolous fare — good just for a few laughs. Rather, Sandler, long known for leading a private, low-key lifestyle that eschews the Hollywood limelight, has a specific message for Happy’s myriad fans: Family always comes first.

In the original film, Happy, a hockey fanatic whose weak skating skills inhibited his pro hockey aspirations, reluctantly takes up golf for one reason: to earn enough money to save his beloved grandmother’s home from a bank foreclosure and return her there from a hostile nursing home. Throughout the film, Happy emphasizes this as his sole motivation for biting his lips and suffering through what he calls “golf sissy crap.” Happy doesn’t particularly care about the game of golf. He’s just doing it for Grandma.

In the sequel, Happy, now considerably older and a father of five, has retired from golf and developed a bad drinking habit. A single father, he is struggling to make ends meet and provide for his daughter Vienna. Early in the film, Vienna’s dance instructor recommends that Happy enroll her in an advanced four-year ballet school in Paris, which would cost $75,000 annually. Happy senses that Vienna’s dream to dance ballet is similar to his old dream of playing hockey. With the encouragement of John Daly (one of many real-life pro golfers cast as themselves), he dusts off his old golf clubs and gives it a go again. Spoiler alert, without giving away too many of the specifics: The film has a happy ending for Happy’s family.

Clearly, this is not just about golf and laughs.

Sandler, a onetime registered and politically active Republican, is conveying to his audience a traditional conservative message: A life well lived is not a solipsistic one that exalts the self, but an altruistic one that places the interests of others above all else. These “others” are usually those closest to us — family members, older and younger generations alike, to whom we have obligations. You might notice that in both films, Happy plays golf only for others — not for himself.

Happy, who once fought to save the house his grandfather built, now finds himself trying to do right by the next generation. It is these relationships — with those who came before us and those who come after us — that give our lives meaning and purpose. And in “Happy Gilmore 2,” Sandler drives home that message in the most personal way possible: He casts his real-life wife and his two daughters — one as the aspiring ballerina.

The foul-mouthed, trash-talking rebel of golf, Happy Gilmore, is onto something important. Perhaps more of Sandler’s Hollywood colleagues ought to listen. They might learn something.

Josh Hammer’s latest book is “Israel and Civilization: The Fate of the Jewish Nation and the Destiny of the West.” This article was produced in collaboration with Creators Syndicate. @josh_hammer

US president voices frustration over the continuing war in Ukraine, says Vladimir Putin is ‘killing a lot of people’.

United States President Donald Trump says he is not happy with his Russian counterpart, Vladimir Putin, over the continuation of the war in Ukraine and suggests he is considering additional sanctions against Moscow.

“We get a lot of b******t thrown at us by Putin,” Trump said during a meeting with his cabinet at the White House on Tuesday. “He’s very nice all the time, but it turns out to be meaningless.”

Putin is “killing a lot of people” and a lot of them are his soldiers and Ukraine’s forces, Trump added.

When asked about his interest in a bill proposed by the Senate for further sanctions on Russia, Trump said: “I’m looking at it very strongly.”

But he refused to preview his plans further when asked whether he will act on his frustration with Putin.

“I wouldn’t be telling you. Don’t we want to have a little surprise?” Trump told reporters. He then pivoted to discussing the lengthy planning for last month’s US strikes against Iran’s nuclear facilities.

Trump made the comments as French President Emmanuel Macron said in an address to the British Parliament that Europe will “never abandon Ukraine”.

Macron stressed that the United Kingdom and France will work with a “coalition of the willing” to support Ukraine.

“We will fight till the very last minute in order to get the ceasefire, in order to start the negotiations to build this robust and sustainable peace, because this is our security and our principles together which are at stake in Ukraine,” Macron said.

Earlier on Tuesday, Trump said his administration will send more weapons to Ukraine, adding that the new shipments would be primarily comprised of “defensive weapons”.

According to US media reports, Washington had paused the transfer of certain missiles and munitions to Ukraine due to its dwindling weapons stockpiles. The Pentagon said it was conducting a “capability review” of US weapons.

As a candidate, Trump promised to swiftly end the war in Ukraine. But so far, his diplomatic efforts – including several phone calls with Putin – have failed to stem the violence.

Ukrainian and Russian officials met for direct talks in Turkiye in May and agreed to a prisoner swap, but the two sides have not been able to reach a temporary truce, let alone a lasting ceasefire.

On Tuesday, Kremlin spokesman Dmitry Peskov said Moscow is waiting for Ukraine to propose possible dates for further negotiations. “As soon as dates are agreed – and we hope that it will be done – we will make an announcement,” he said.

Russia has been stepping up its long-range attacks on Ukrainian cities in recent weeks and has been slowly grinding its way forward along several parts of the Ukrainian front line in recent months.

On Monday, it announced that it had captured the Ukrainian village of Dachne in the Dnipropetrovsk region.

Channel 4 has added a gripping three-part drama to its roster of shows, which first aired on the BBC in 2018 and was created by the creator of Happy Valley

Happy Valley fans have been urged to watch ‘brilliant’ three-part drama that has recently been added to Channel 4’s line-up of Programmes.

Channel 4 has recently added a captivating three-part drama to its line-up of programmes. The series, titled Come Home, is the brainchild of Danny Brocklehurst, known for his work on Fool Me Once and Brassic.

Described as a “touching and intriguing” drama, it explores the aftermath when a mother abruptly leaves her family. Originally broadcasted on the BBC in 2018, the series is produced by the creators of Happy Valley.

Set and filmed in Northern Ireland, the plot revolves around Greg, a father of three, who is left stunned when his wife of 19 years decides to abandon her family.

The official synopsis reads: “Greg and Marie have been married for nineteen years, when, seemingly out of the blue, Marie walks out on him and her three children – the last taboo of parenting.

“This touching and intriguing drama will take audiences on a roller-coaster of ever-changing emotions and allegiances. Multiple time-frames, viewpoints and flashbacks tell Greg and Marie’s story and force viewers to confront their own truths. How can two people that loved each other become so opposed?

“Can a child learn to forgive their mother for leaving them? And why would Marie make such a shocking and significant decision to change their lives and divide their loyalties forever?”

In an interview with the BBC, creator Danny gave viewers a taste of what they could expect from the show, stating: “The first episode is told from the perspective of Greg (Christopher Eccleston) and the kids, nine months after Marie (Paula Malcomson) has walked out. They are trying to find a way to cope, but a new woman in Greg’s life brings problems rising to the surface.”

“The second instalment of the series spotlights Marie, while the third episode delves into themes of fierce protection and divided loyalties,” he added.

Christopher Eccleston, known for his roles in Doctor Who and True Detective, stars as Greg, with Paula Malcomson of Ray Donovan and Mayor of Kingstown fame portraying Marie.

The couple’s three offspring are portrayed by Anthony Boyle, seen in Shardlake and Say Nothing, as Liam; Lola Petticrew, known from Say Nothing and Bloodlands, as Laura; and Darcey McNeeley of Derry Girls as Molly.

The show has been met with acclaim upon its debut, with viewers describing it as “brilliant” and “gripping”. Social media users have praised the series, with one stating: “#ComeHome was brilliant.

“Christopher Eccleston is an amazing actor; whole cast were brilliant. Intriguing stuff,” and another commenting: “What brilliant short series, great acting & storyline.”

Come Home is available to stream on Channel 4.