happen

‘Something Very Bad Is Going to Happen’ creator on horror and marriage

You might expect a screenwriter working in the horror genre to be relatively difficult to scare, but Haley Z. Boston, the creator and executive producer of Netflix’s harrowing new limited series “Something Very Bad Is Going to Happen,” insists that is not the case.

“I’m afraid of everything,” Boston, 31, said during a recent Zoom conversation. “I’m afraid of horror movies, but that’s why I love them so much, because they scare me. A lot of horror people are desensitized and looking for something to shake them. I am the opposite. I am easily afraid.”

The easily frightened — and the recently engaged — might be advised to approach Boston’s new series, which premiered Thursday, with caution. A haunting fusion of David Lynch surrealism and “Rosemary’s Baby” paranoia, “Something Very Bad Is Going to Happen” traces the peculiar and ominous events that unfold in the week leading up to the nuptials between wary Rachel (Camila Morrone) and trusting fiancé Nicky (Adam DiMarco), as overseen by Nicky’s mother Victoria (Jennifer Jason Leigh).

Faced with inexplicable truths about Nicky’s family and her own past, Rachel becomes convinced that saying “I do” has the potential to prove deadly, and she comes to fear what might take place when she walks down the aisle.

A woman wearing a white veil over her face.

Camila Morrone as Rachel Harkin in Netflix’s “Something Very Bad Is Going to Happen.”

(Netflix)

“I’d seen people in their wedding, in their vows, say, ‘I never once had a doubt,’” Boston said. “I’m like, ‘How could you not constantly question everything?’ It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”

Horror has long been a preoccupation for Boston. The Oregon native has a tattoo of the phrase “Carrie White burns in hell” to commemorate her favorite film, Brian DePalma’s landmark Stephen King adaptation, “Carrie.” She distinguished herself writing episodes of weird, atmospheric series including Netflix’s “Brand New Cherry Flavor,” a nightmarish exploration of witchcraft and filmmaking in 1990s L.A., and “Guillermo del Toro’s Cabinet of Curiosities,” also for Netflix.

Her installment in the Oscar-winning director’s anthology series, “The Outside,” was inspired by a comic titled “Some Other Animal’s Meat” and followed the unnerving transformation one woman undergoes after purchasing a beauty cream advertised on a late-night infomercial. “It’s all about being an outsider and feeling different, and I related to that,” Boston said.

Boston began writing at the age of 11, and after seeing Quentin Tarantino’s “Kill Bill” in her early teens, she became interested in filmmaking. “I was so taken by the way that the story is told, and I love a revenge story,” she said. “That’s when I started to think, ‘Is this something? Who wrote that? How does any of this work?’”

She had considered following her parents’ path and choosing a career in medicine, but during her first formal writing class at Northwestern University, she felt that she’d found her calling. “I was like, ‘No, this is it. This is what I want to do,’” Boston said.

A woman with long brown hair in a brown top and black skirt leans against a wall.

“I’m like, ‘How could you not constantly question everything?’” Haley Z. Boston says about marriage. “It felt very natural to me to explore that idea in a horror show where the doubt is the horror.”

(Christina House / Los Angeles Times)

After graduation, she moved to L.A., taking a job in the William Morris Endeavor mailroom and writing scripts on her own time. A high school slasher movie she’d penned in college landed her an agent. Soon after, her pilot for a “sapphic murder story” inspired by “Killing Eve” netted her 22 pitch meetings — the first was with director Sam Raimi, whose early-career “Evil Dead” movies are beloved cult classics. “I was 24, and I did the scariest thing at the time possible,” Boston said. “Sometimes I think if you don’t think too much about how terrifying it is, and you’re just thrown into it, that’s better.”

With “Something Very Bad Is Going to Happen,” Boston found herself thrown into the position of showrunner without ever having spent any real time on a set. Yet Morrone says Boston was the picture of confident professionalism throughout the shoot. “There’s just a grace to her,” Morrone said. “Even if she was overwhelmed, you would just never see it. These are her words and her world, and she inherently knows the character and the story so well that she could really navigate any questions thrown at her because it lives in her.”

The series is something profoundly personal for Boston. Growing up with parents whose marriage seemed idyllic had left her struggling once she began dating, and she channeled many of her own anxieties into the show. “They’ve been together for 37 years or something,” Boston said of her parents. “I felt all this pressure knowing that that exists. It always felt like a curse. You have this great example of what a marriage is, and I always found myself weighing every little romantic tryst against this 30-year marriage — which was unhelpful.”

She hit upon the premise for the series right around her 27th birthday, a time when more and more of her friends began to get married, and developed the idea while working on other projects. By the time Boston sat down to write the pilot episode, she knew the narrative and the characters so well that it took her just two weeks to finish.

Pitching the series, she met with “Stranger Things” creators Matt and Ross Duffer, who were so impressed by her vision that they signed on to executive produce “Something Very Bad Is Going to Happen” through their Upside Down Pictures banner.

“From reading one page of her script, it became very clear that this is someone who has a very unique voice,” Ross said. “It was unlike anything we’d ever read before. Immediately, we were like, ‘We have to be involved with this. We have to help bring her vision to life.’”

A woman and a man sit in a dark dining room surrounded by wine glasses and lighted candles.

Rachel (Camila Morrone) and Nicky (Adam DiMarco) experience peculiar and ominous events leading up to their wedding.

(Netflix)

Matt added, “Haley has such a specific sense of humor. It’s very dark, very dry, but it also feels incredibly real. Her characters talk very much in the same way that real people talk. I find that sadly rare in the scripts that you read.”

The series was filmed in Toronto in January 2025 with directors Weronika Tofilska (“Baby Reindeer”), Lisa Brühlmann (“Killing Eve”) and Axelle Carolyn (“American Horror Story”) behind the camera. Boston said she and her collaborators would often reference specific films — everything from “The Celebration” to “Uncut Gems” — as a shorthand for the tone they were hoping to strike in a given episode. “I really love a story that takes something normal and grounded and gives one twist on it that throws you into a different world and makes you see things in a different way,” Boston said.

With “Something Very Bad Is Going to Happen” poised to elevate Boston’s Hollywood profile, establishing her as one of the most exciting voices in horror, she’s already planning for her future, writing a film that she intends to direct. “I love the horror community, but it is still such a boy’s club, and I really want to infiltrate it,” Boston said.

“The genre has been so much about women, and in studying feminist theory in horror, especially back in the ’70s, the genre forced men to relate to women — you’re watching a woman survive, which is ultimately very powerful,” she added. “I find it interesting how many men are making horror movies about women. I talked about ‘Carrie.’ I love that movie, but it’s missing something. Same with ‘Rosemary’s Baby.’

“This show is such a great opportunity to begin my career in this genre — now, I want to continue my reign of terror.”

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Dodgers Dugout: These things are guaranteed to happen to the Dodgers this season

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. The long journey to the postseason begins today.

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As we embark on the 12th season of this newsletter, there are certain things, like death and taxes, that are guaranteed. Here they are.

—The Dodgers will charge way too much to park in their poorly designed, poorly lit parking lot.

Shohei Ohtani will have a game where he strikes out 10 and hits multiple home runs. No one will be able to explain how he does this until we learn he was actually sent here by the aliens from “Project Hail Mary.”

—Ohtani will go hitless for three-to-four games in a row and have a bad pitching outing during the same time, leading to some to say he is overpaid.

Will Smith will catch at least 130 games and be in the conversation for NL MVP.

—The Padres will be better than most are saying and their fans will approach the games with the Dodgers as if it is their World Series.

—The Rockies will be terrible again.

Teoscar Hernández will continue to struggle as a fielder, but people won’t care as much as his bat will be rejuvenated.

—A pitcher no one has heard of will be signed by the Dodgers off the waiver wire. He will appear in a game and pitch great, maybe even getting the win. The following week, he will be designated for assignment.

Mookie Betts will win the Gold Glove at short, and while he won’t reach his previous heights at the plate, he will hit better than last season.

Andy Pages will slump at some point and fans will demand that Ryan Ward, who is hitting .350 with about a million homers in the minors, get a chance. He won’t get a chance and Pages will recover.

—Fans will complain that Joe Davis takes too many games off and isn’t a true Dodger like Vin Scully was, even though Vin took just as many games off for national duties.

—The music at Dodger Stadium will continue to be so loud that even the aliens from “A Quiet Place” will complain. (Editor’s note: Two outer space aliens references in one newsletter. What is wrong with this guy?)

—The most worn former Dodger jersey worn by fans at the stadium will continue to be… Fernando Valenzuela‘s. And it will be for many years to come.

Max Muncy will look like the worst hitter in baseball for an extended period, then he will hit like Babe Ruth.

Dalton Rushing will be a decent backup for Smith and will hit well enough that he can spell Freddie Freeman at first base on occasion.

—Freeman will hit .300 again in what will be his last great season at the plate.

—The Dodgers will continue to “give away” games during the season in order to be ready for the postseason. For example, they will allow a reliever to take a beating in a game at the start of long road trip in order to preserve the rest of the bullpen. Some fans will be irate at this, thinking the Dodgers should try to win every game at all costs.

—The Cool-A-Coo will not return to Dodger Stadium and will continue to be missed.

—The Dodgers will continue to call the hot dog they sell a Dodger Dog, even though it tastes nothing like a Farmer John Dodger Dog.

—Only three pitchers will pitch more than 100 innings, but the quality of the staff from top to bottom will be more consistent throughout the season, allowing them to use fewer than 40 pitchers this season.

—Either Blake Treinen or Tanner Scott will continue to pitch poorly, but the Dodgers, again with their eye on the postseason and on how much money they are paying these guys, will continue to trot them out there in hopes they will rebound.

—Some fans will complain about the abhorrent price of going to a Dodger game. They will still go though, and the Dodgers will draw four million, giving them no reason to lower prices.

Justin Turner will sign a one-day contract with the team and then retire.

Edwin Díaz will save 30 games and give the bullpen some much-needed stability.

Kyle Tucker won’t hit as well as hoped, but will be a significant upgrade over Michael Conforto.

Hyeseong Kim will come up at some point, wow fans with his blazing speed, hit close to .300, and then be sent back down.

Dave Roberts will have a bad game or two where he makes a decision that seems nonsensical. Some will demand he be fired because “Anyone could manage this team.” Those people will be wrong.

—You will continue to need to subscribe to about a dozen streaming channels to watch all the Dodger games on TV. No one will.

Yoshinobu Yamamoto will lead the team in victories.

—Organist Dieter Ruehle will continue to find the perfect song for any situation.

Tyler Glasnow will look unbeatable one start, then get thrown off his next start by a hangnail and pitch like Dave Goltz.

—There will be thrilling victories, agonizing defeats and some boring games. But it will all be worth it as we look around and see all the different types of Dodger fans out there, reminding us that baseball unites us.

—The Dodgers will finish the season 98-64 and cruise to the NL West title. They will not have to play in the wild-card game.

—And that means they will be in the postseason where … anything can happen.

—So, don’t get so worried about the destination that you forget to enjoy the ride.

How many games will the Dodgers win?

We asked, How many games will the Dodgers win this season? After 10,566 responses:

They will win 96-100 games, 46.3%
They will win 101-110 games, 35.5%
They will win 91-95 games, 13.2%
They will set the record by winning more than 116 games, 2.3%
They will win 111-115 games, 1.6%
They will win 86-90 games, 0.9%
They will finish under .500, 0.2%
They will win 81-85 games, one vote

We asked, Will the Dodgers win the World Series this season? After 10,538 responses:

Yes, 79.1%
No, 20.9%

A walking path to Dodger Stadium?

Did you know there is a walking path to Dodger Stadium? There is a one-mile walking path from the Chinatown Metro station to Dodger Stadium. There’s one problem though, to quote Bill Shaikin‘s column on the path: “To go a very short distance safely with a feeling that you’re not going to die is very difficult.”

Read more about this here.

Up next

Thursday: Arizona (Zac Gallen) at Dodgers (Yoshinobu Yamamoto), 5:30 p.m., NBC, Peacock, AM 570, KTNQ 1020

Friday: Arizona (Ryne Nelson) at Dodgers (Emmet Sheehan), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Arizona (*-Eduardo Rodriguez) at Dodgers (Tyler Glasnow), 6:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

Dodgers sign right-hander Jake Cousins to one-year deal on eve of opening day

Shaikin: Dodger Walk: A great city needs a walking path to blue heaven. Do it, Frank McCourt

How Dodgers’ Shohei Ohtani can put himself in the 2026 NL Cy Young conversation

And finally

Our opening day tradition: Danny Kaye sings the Dodgers song. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

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Is the Sorry Man real in Something Very Bad Is Going To Happen?

The mysterious character is introduced early on in the Netflix series

*Warning: Contains major spoilers for Something Very Bad Is Going To Happen*

Netflix today released (March 26) all episodes of its highly-anticipated horror series Something Very Bad Is Going To Happen which explores the dark side of wedded bliss.

The eight-part show is created by Haley Z. Boston (Brand New Cherry Flavor) and executive produced by the Duffer Brothers (Stranger Things), and centres around a young couple, Rachel Harkin and Nicky Cunningham, in the week leading up to their wedding.

While the duo initially seem a match made in heaven, things start to unravel as Rachel (Camila Morrone) meets her soon-to-be-spouse’s family for the first time while they prepare for their big day at the sprawling, remote cabin owned by Nicky’s (Adam DiMarco) parents.

During her first encounter with Nicky’s siblings at the cabin, Rachel is told the story of the Sorry Man, a mysterious presence who allegedly roams the woods outside looking for women to murder.

Nicky’s sister Portia (Gus Birney) takes great pleasure in revealing that the Sorry Man believes his long-lost love is hiding inside another woman. She says that if he gets the scent of blood, he wastes no time in tracking down and ripping open the woman who is bleeding.

The tale originates from Nicky’s older brother Jules, who claimed to have seen the Sorry Man for himself when he was a child. The whole family are aware of the story, including Jules’ own son who lives in fear of the creature.

The Sorry Man and whether or not he will appear is one of the show’s enduring mysteries – especially after Rachel gets a nose bleed – until a major reveal explains what is really going on.

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As viewers know, Rachel is battling a curse that kills anyone in her family line who marries someone who is not their soulmate. That curse affected her own mother (portrayed by Victoria Pedretti) who shortly after wedding Rachel’s dad, collapsed while bleeding from her eyes.

As his new bride was pregnant, Rachel’s dad was forced to tear open his dead wife’s belly to save his unborn child all the while repeating “I’m sorry” as the tragic moment unfolds.

Viewers learn that Jules was actually present that day as the newlyweds had been staying at a cabin nearby to his family home. He had been hiding under the bed in their holiday cabin after leaving home and so witnessed Rachel’s mother die, and her father then tear her open, leaving him with the idea of the Sorry Man.

The moment of Rachel’s mother’s death was caught on a home video tape which is later shown to Rachel after the Sorry Man – a.k.a her actual dad – invades the Cunningham home and kidnaps Rachel in the dead of night to stop her from suffering the same fate as her mother after hearing about her impending wedding to Nicky.

Jules’ son sees Rachel being kidnapped and informs his dad, who tracks down where Rachel is being held. When he finds her, he recognises who he believes to be the Sorry Man, before Rachel informs him that is actually her dad.

Jules then realises what he witnessed that day as a child was the Harkin family curse unfolding, not a murder, and that he was actually present at Rachel’s birth.

Something Very Bad Is Going To Happen is now streaming on Netflix.

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WNBA, players reach a labor deal. Here’s what needs to happen next

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Storm forward Nneka Ogwumike talks with teammates during a huddle before a game in June 2025.

Seattle Storm forward Nneka Ogwumike (3), president of the WNBA players’ union, said for the first time, player salaries will be tied to a meaningful share of league revenue.

(Lindsey Wasson / Associated Press)

The league and players association have not made the terms public yet, but the salary cap will start at $7 million, up from $1.5 million in 2025, and the supermax will start at $1.4 million, up from $249,244 in 2025, a person with knowledge of negotiations not authorized to discuss them publicly told The Times. ESPN was the first to report the figures.

The total salary cap will jump by around 4.64 times the previous amount. The super maximum salary will be elevated by 5.61 times the previous amount. It means the top players will be eligible for larger raises than the league’s middle class.

The average salary will be $600,000, a bump from the previous average of $120,000, and the minimum salary will be more than $300,000, up from $66,079.

“For the first time, player salaries are tied to a truly meaningful share of league revenue, driving exponential growth in the salary cap, increasing average compensation beyond half a million dollars and raising the standard across facilities, staffing and support,” union president Nneka Ogwumike told reporters.

The main sticking point during negotiations was revenue sharing, and that number will be around 20% for the entirety of the multi-year deal. The league had previously offered 15.5%, a source told The Times, and players went down from their 40% ask to around 26% at the end of February, and then reached the agreement around 20% on Wednesday morning. The Athletic first reported the shift in revenue sharing figures.

Players had been negotiating for a percentage of overall revenue without factoring in expenses while the WNBA was seeking sharing tied to net revenue, mirroring the NBA’s structure that deducts expenses before sharing 50% of profits. The players secured a gross revenue deal, which gives them a cut of WNBA revenue without factoring in expenses, a person with knowledge of the deal not authorized to discuss it publicly told The Times.

“This deal is going to be transformational, and you’ll see all the details hopefully soon,” WNBPA vice president Breanna Stewart told reporters on Wednesday. “But it’s gonna build and help create a system where everybody is getting exactly what they deserve and more from on the court and off the court aspects.”

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