Hannah

London — It’s a scorching day and the city feels blanketed by the heat. Even the unusually strong air conditioning in a suite at the Raffles hotel is no match for the temperature. Octavia Spencer immediately peels off her jacket after entering the room and realizing there are no cameras present for our interview. Hannah Waddingham, her co-star in “Ride or Die,” kicks off her heels as they settle onto a plush sofa.

“You’ve seen that we look nice,” Spencer says. “So now we can do this.”

There’s a relaxed, familiar vibe between the actors. They didn’t know each other prior to filming the series, now streaming on Prime Video, but they did develop a real-life friendship during production in Prague last year. It was perhaps inevitable considering that “Ride or Die,” created by Tessa Coates, is about two best friends whose relationship is upended when one of them is revealed to be a professional assassin.

Spencer, 56, plays Debbie Claybourne, a lawyer whose career has been put on hold due to her British husband David’s political aspirations. The actor was approached by Skydance, now part of Paramount, as part of a development deal with the studio. She said yes almost immediately, and by happenstance both she and the producers imagined Waddingham, 51, in the role of Judith Burton, a skilled assassin who works for a shady organization run by the Director (Bill Nighy).

“It was always just the two of us for these roles,” says Spencer, who won an Oscar in 2012 for “The Help.” “We did a Zoom and I was sitting there thinking, ‘I hope she says yes.’”

In “Ride or Die,” Spencer plays Debbie, a lawyer and wife of a British politician, who is best friends with secret assassin Judith, played by Waddingham. (Dusan Martincek / Prime)

“It’s Octavia Spencer and I’m thinking, ‘Be cool, be cool,’” Waddingham chimes in. “Octavia and Tessa start telling me the plot and at the end I said, ‘Who the hell are you going to get to play Judith?’ Octavia’s face filled the whole screen and she said, ‘We want to make you Judith, dummy.’”

Each professes to be a fan of the other, but Spencer is particularly effusive. She admits to initially having to remind herself that Waddingham is, in fact, an actual person and not Rebecca Welton, her character on “Ted Lasso.” She turns to her co-star. “We know you’re a brilliant comedian, but you also showed us in ‘Game of Thrones’ this depth,” Spencer tells Waddingham, adding, “With her beauty and that statuesque presence she has, this role was literally written with a woman of her caliber in mind.”

Waddingham turns red. “I’m not good when she does this,” she admits.

“Well, it’s very true,” Spencer responds. “I think it was kismet. I knew it was meant to be when we were at the upfronts for Amazon and we were in the wings with Will Ferrell and Reese Witherspoon, just chatting it up. I’ve always had severe stage fright. They walked out and I got really quiet, centered myself, and then I felt these arms around me. She wrapped me up from behind, and it was like, ‘OK, I’m good.’ That’s what it has felt like this entire process.”

Waddingham’s memory of that day, her second time meeting Spencer after their first call, is slightly different. “Octavia is so established in Hollywood,” she says. “I’m still a newcomer in this town. So I was having the worst impostor syndrome that day. I was thinking, ‘I look like a competition winner.’”

Nerves settled by the time the production started in January 2025. Before joining forces in Prague, Waddingham flew to Ischgl, an Austrian ski town known for its party vibe, to shoot the show’s opening sequence. The James Bond-style scene introduces Judith as talented, serious and a bit of a loner. That perception is quickly upended when the character arrives at Debbie’s home in London for their book club meeting and the duo begin singing along to Salt-N-Pepa’s “Shoop.”

“Octavia is so established in Hollywood,” Waddingham says of meeting her co-star. “I’m still a newcomer in this town.”

(Bexx Francois / For The Times)

“That was our first scene together and we didn’t plan anything or talk about it,” Waddingham says. “But we had an unspoken, organic process.”

“We had a lot of trust,” Spencer adds. “I knew she was going to come in with 1000% and that I was going to too. Some of those things you figure out when you’re on the set and some of those things just happen in the moment.”

Showrunner Matt Miller points to the scene as evidence of the actors’ “instant chemistry.”

“It really feels like this is a friendship that has endured 25 years from the moment they get on screen,” Miller says, speaking with Coates over video call later. “From the second you see them dancing around, you’re like, ‘Oh yeah, these two are best friends.’”

Coates and Miller wanted to ensure that the characters’ history was baked into the scripts. They’ve been friends for decades, so there had to be a shorthand between them that was immediately apparent and they had to be on equal footing. The duo are forced on the run across Europe, dogged by their past, and successfully get themselves out of danger.

“These characters came from a great desire to see women like this on screen,” Coates says. “So many stories suggest aging is the worst thing that could possibly happen to you. But what if getting older seemed really cool and you got wiser and better at your job and gave less of a s— about things?”

Coates adds they wanted both characters to be competent and clever women who happen to be thrown into difficult circumstances.

“Women in their 50s are just as capable, just as beautiful, just as sexy,” Spencer says. “We’re just aging.”

Spencer and Waddingham, both executive producers on the series, never sought top billing over the other. Although the show is ostensibly an action comedy, they wanted to ground it in real emotions. Everything is tethered to this friendship.

“Women in their 50s are just as capable, just as beautiful, just as sexy,” Octavia Spencer says. “We’re just aging.”

(Bexx Francois / For The Times)

“There couldn’t be one more important than the other,” Waddingham says. “The thing they say about relationships is that when one is at 90 and the other is at 10, or one is at 80 and the other is at 20. That’s what this had to be straight away. If you have that pendulum back and forth, you can create magic.”

Although both characters find small romances throughout the story, men are sidelined for the far more important relationship: their own. And it’s not always an easy partnership between them.

“There is a love story at the center of this,” Spencer says. “It’s not a romantic love story, but it is a familial relationship. It’s contentious, and the relationship is fractious at points.”

Waddingham adds, “You have to be able to call each other out, and then get through that storm and let the water settle.”

Still, there is a lot of action in “Ride or Die.” Judith frequently kicks ass, often taking on groups of imposing men. It’s deeply satisfying to watch Waddingham, who did most of her own stunt work, take these men down.

“In theater, I never had an alternate,” she explains. “I’m not usually Method, but with this I thought my exhaustion from fighting and the stunt training would lend itself to Judith’s exhaustion and her frailty. It wasn’t particularly healthy, if I’m honest, but that fractured tiredness really helped play the role.”

She adds, “It’s a real art form. The first stunt work I did was on ‘The Fall Guy’ and learning to stop before you punch someone in the face is hard.”

“That’s why I was terrified for you,” Spencer interjects. “Because I did punch somebody in the face. The only other time that I actually had to do stunts was on ‘Snowpiercer.’ It was so exciting watching you, but then I was like, ‘Somebody could hit her for real.’”

Waddingham felt added pressure knowing Judith’s background. “She’s not just an assassin, she’s a notorious assassin of 30 years,” she says. “If you see her punching someone, like when we’re running out of the gala, that punch can’t be some girly thing. You have to believe she can do it perfectly and effortlessly.”

Waddingham did much of her own stunt work in “Ride or Die.” “It’s a real art form. The first stunt work I did was on ‘The Fall Guy’ and learning to stop before you punch someone in the face is hard.”

(Bexx Francois / For The Times)

Both actors approached the show with complete dedication. Waddingham and Spencer appear in almost every scene, which vacillate between action, comedy and drama. Debbie, named after Coates’ mother, feels betrayed by Judith and her husband, who is involved in shady dealings with an Albanian gang. “There were the rigors of it physically, but there was also the emotional rigor of it,” Waddingham says.

“It might have been the most challenging job that I’ve ever done,” Spencer agrees. “The most challenging, but also the most gratifying. I knew I would not be called upon to do any stunt sequences, but I did have physical stuff I needed to do. And then dealing with the emotional weight of Debbie discovering that two very important relationships are not at all what she thought they were was a lot.”

She pauses. “But you know what, why not?” she continues. “We don’t want to be in a comfortable place all the time. You want to know you completed something that was very difficult to do. I feel very proud now, looking back.”

“We couldn’t have left our hearts and our bodies and our brains on it any more than we did,” Waddingham agrees. “It is splattered with us. I’ve been very privileged to go from ‘Ted Lasso’ to this, because ‘Ted’ is a very hard act to follow in terms of that constant and emotional push and pull. This has that as well.”

While filming “Ride or Die,” Waddingham found out Apple TV had greenlit a fourth season of “Ted Lasso,” which premieres Aug. 5. She wasn’t expecting to be pulled back to her Emmy-winning role of Rebecca after the series ostensibly concluded in 2023. “I didn’t know anything about it,” she says. “No clue.”

“We found that out together,” Spencer says.

Waddingham had only two weeks off after wrapping “Ride or Die” before flying to Kansas to film the first episode of Season 4, which sees Rebecca attempting to lure Jason Sudeikis’ Ted back to London to coach Richmond’s women’s soccer team. The rest of the series then shot in England. The new episodes keep Rebecca as one of the emotional cores of the show.

“I haven’t really stopped since then,” Waddingham says. “When I’m older, I’m going to have a little sleep. But this is what you wait for in your life.”

For Spencer, “Ride or Die” has raised the bar on what type of project she wants to do as a producer and as an actor.

“It is hard to get things made,” Spencer says. “I don’t have time to do things just for a paycheck. It has to resonate with me because your time and health are your most valuable commodities, and time is something that you have no control over. As an artist, I want to be fulfilled and when you get a project like this now everything has to compare. I’ve learned to be very discerning.”

She gestures to Waddingham. “Don’t you want to be excited about things?” she asks.

“Yes,” Waddingham agrees. “And it just doesn’t happen very often. But this was remarkable from the beginning. To be able to spend a couple of days together right now and regroup, it’s almost like a therapy session. We’ve had distance to reflect on all the good and all the exhausting, and on what we have created together. I know that neither of us will ever forget this.”

Spencer nods. “It is a dream. I feel very fortunate that we get to look for projects like this for ourselves and have an active voice in procuring those things for ourselves and for other people. But you dream it, and then you get something like this, and it surpasses everything you ever thought you could want.”

June 19 (UPI) — Maine election officials announced the results of its ranked-choice primary runoffs Friday, confirming Democrat Hannah Pingree and Republican Bobby Charles as the candidates for the gubernatorial election in November.

Democrat Matt Dunlap, Maine’s state auditor and former secretary of state, advanced to the midterm elections, seeking the 2nd District seat held by Democrat Rep. Jared Golden. Republican and former Gov. Paul LePage will be his opponent.

The 2nd District congressional race has been targeted by the Republican Party as one it believes it could flip in November. President Donald Trump had a 10% edge in the district in the 2024 election.

Maine is one of two states in the United States to do ranked-choice voting for statewide elections. The other is Alaska. Ranked-choice voting is also used in municipalities across the country.

Gov. Janet Mills, a Democrat who has reached her term limit in the office, endorsed Pingree, the Democratic nominee, to succeed her. Former Vice President Kamala Harris won Maine by 7% in 2024.

Pingree is a former speaker of the House in Maine’s state legislature.

Pingree’s opponent, Charles, is a former naval intelligence officer and was the assistant secretary of state for the Bureau of International Narcotics and Law Enforcement Affairs under President George W. Bush. He also served in the White House under the Reagan administration from 1981 to 1983.

MADISON, Wis. — A federal judge on Tuesday declined to overturn a Wisconsin judge’s obstruction of justice conviction for helping a man evade immigration officers who showed up at a courtroom looking to detain him.

The case against Hannah Dugan, who resigned from the Milwaukee County Circuit Court following her conviction, was an early test of how the courts would respond to President Trump’s sweeping immigration crackdown.

Trump allies branded Dugan as an activist judge, while her supporters said she was unfairly targeted.

U.S. District Judge Lynn Adelman postponed Dugan’s sentencing June 3 to consider arguments about whether he should overturn her conviction. But in his ruling Tuesday, Adelman said Dugan’s conviction would stand. He did not immediately set a sentencing date.

“The court’s decision is wrong,” Dugan’s legal defense team said in a statement.

Questions about a similar case in Virginia

Dugan’s attorney had argued that her conviction in helping Eduardo Flores-Ruiz leave the courthouse was invalid and should be overturned. He said that was necessary because a federal appeals court in April overturned a key Virginia immigration case that the judge and prosecutors had cited in Dugan’s case.

In the Virginia case, an immigrant who was in the country illegally was detained by U.S. Immigration and Customs Enforcement agents and later escaped. He was recaptured and indicted on a charge of obstructing a pending immigration proceeding.

The federal appeals court found that the ICE action did not constitute a “pending proceeding,” as is required under the federal obstruction law.

Dugan’s attorneys argue that she should not have been charged because there was no “pending proceeding” against the immigrant in her courtroom being sought by ICE agents, only a warrant filed for his arrest. The filing of a warrant does not constitute a “proceeding” under the law, Dugan’s attorneys argued.

Prosecutors countered that the facts in the Virginia case are different and don’t apply to Dugan’s. They also argued that other cases support Dugan’s conviction.

Adelman said the attempted arrest of Flores-Ruiz did count as a “pending proceeding,” in part because it was a planned and targeted operation rather than an arrest resulting from a random encounter.

“Defendant argues that ICE was acting as a law enforcement agency here,” Adelman wrote. “But this ignores the fact that, unlike, say, the FBI, ICE can issue its own warrants and adjudicate and effectuate a removal, as it did with Flores-Ruiz, without the involvement of a court. This makes a difference.”

Dugan faces 5 years in prison, but will likely get probation

Dugan, 67, faces up to five years in prison after a jury convicted her Dec. 19, 2025, but she is unlikely to be sentenced to time behind bars. Federal sentencing guidelines generally call for probation for defendants like her, who have no criminal history and are convicted of a nonviolent crime.

Dugan resigned from her position as a Milwaukee County circuit judge two weeks after her conviction amid threats of impeachment from Republican state lawmakers. She had been a judge for nine years.

The Trump administration brought the case against Dugan as the president pressed ahead with his sweeping immigration crackdown. Trump’s administration and his allies branded Dugan as an activist judge, while Dugan’s attorneys said she was being unfairly targeted and argued, unsuccessfully, that she was immune from being charged because she was a judge.

Dugan’s case marked the first time that a state judge in Wisconsin went to trial on charges of obstructing immigration agents. She was acquitted of concealing an individual to prevent arrest, which is considered a misdemeanor.

Dugan helped an immigrant wanted by ICE agents

On April 18, 2025, immigration officers went to the Milwaukee County courthouse after learning Flores-Ruiz had reentered the country illegally and was scheduled to appear before Dugan for a hearing in a state battery case.

Dugan confronted agents outside her courtroom and directed them to the chief judge’s office because she told them their administrative warrant wasn’t sufficient grounds to arrest Flores-Ruiz.

After the agents left, she led Flores-Ruiz and his attorney out a private jury door. Agents spotted Flores-Ruiz in the corridor, followed him outside and arrested him after a foot chase. A week later, FBI agents arrested Dugan in the courthouse, leading her outside in handcuffs.

Flores-Ruiz was deported in November.

Bauer writes for The Associated Press.

Klugman first rose to prominence when she won the prestigious Orange Bowl junior championships in Florida as a 13-year-old. Past winners include world number seven Coco Gauff and 18-time major singles winner Chris Evert.

In 2025, she became the first Briton in almost 50 years to reach the French Open girls’ final, losing in straight sets to Lili Tagger.

She has also contested two Grand Slam girls’ doubles finals at Wimbledon in 2023 and the 2025 Australian Open.

She made her WTA Tour main-draw debut in Nottingham last year and made her first Wimbledon appearance a few weeks later, losing both singles matches.

Klugman’s serve was particularly impressive against Dart, with the teenager hitting six aces to zero double faults and winning 77% of first-serve points.

After a strong first set, Klugman found herself 4-2 down in the second, but reeled off four games in a row to secure victory.

The only Briton to make the second round in Nottingham, Klugman will face fourth seed Marie Bouzkova next.

Fellow Briton Alicia Dudeney, who also received a Wimbledon main-draw wildcard, lost 6-4 7-6 (7-2) to Ukraine’s Dayana Yastremska.

Wales international Hannah Cain is leaving Leicester City following the club’s relegation from the Women’s Super League (WSL).

The 27-year-old forward is one of three players, external who will leave the Midlands club when their contracts expire at the end of the month, but Leicester have confirmed Wales goalkeeper Olivia Clark will remain with the Foxes for 2026-27.

Cain joined Leicester from Everton in 2020 and helped the club gain promotion to the WSL in her first season.

“After six unforgettable years, I feel that now is the right time for me to say goodbye, ” Cain said on social media.

“This club has been so much more than just a place to play football. It’s been a place where I’ve grown, learned, created lifelong friendships, and made memories that I’ll cherish forever.”

Cain is currently with the Wales squad preparing to face Montenegro and Czech Republic in their final Women’s World Cup qualifying fixtures and is yet to indicate where she will play next season.

“While it was always going to be difficult to leave, I’m incredibly grateful for everything this club has given me,” she added.

“I’ll always look back on these years with pride and appreciation.”

Hampton’s career has been far from smooth sailing, with the ex-Birmingham City goalkeeper hitting headlines when she was dropped from the England squad in 2022 shortly after their first Euros triumph.

Reports said it was a result of her behaviour and she had to wait until March 2023 for a recall, when manager Sarina Wiegman said Hampton had “sorted out personal issues”.

Speaking about that time, Hampton said the stories were “hurtful” and she later revealed on the Fozcast podcast she had considered quitting football.

In November, Mary Earps – her former England team-mate and predecessor as number one – released an autobiography which heavily criticised Hampton.

Earps claimed she told Wiegman she was rewarding “bad behaviour” by recalling Hampton, who had previously been dropped for being “disruptive and unreliable”.

Hampton, who kept eight clean sheets in 19 WSL appearances this season, says goalkeepers need to support each other.

“I think goalkeepers hold a unique pressure that really only goalkeepers truly understand,” added Hampton.

“When I see other goalkeepers making worldie saves, it pushes me and drives me. The women’s game, and goalkeepers especially, are getting to those standards that we hold ourselves to so highly.

“We’re a group, a union. If we can’t rely on each other, then we can’t rely on anyone.”

Charlton Athletic goalkeeper Sophie Whitehouse, a former team-mate of Hampton’s at Birmingham, won the WSL 2 Golden Glove award on Monday.

Hampton says Whitehouse “deserves more credit” and believes she will play a star role in Saturday’s play-off match against Leicester City (12:30 BST).

“Seeing the growth of where she’s got to right now isn’t spoken about enough,” said Hampton.

“She was always pushing herself to reach high standards at the Blues. I’m sure she will make a lot more worldie saves to make sure Charlton get to the WSL and we’ll be competing with each other next season.”