hail

The series first aired a decade ago and gained a loyal fan following.

A “gritty” crime drama that fans have hailed as “underrated” is free to binge on ITVX.

StartUp is an American TV series that first aired back in 2016, with an A-list cast including Adam Brody, Martin Freeman, Edi Gathegi, Otmara Marrero, Ron Perlman and Mira Sorvino.

The series ran for three seasons before coming to an end in 2018, but all three are available to watch on the free streaming service.

The crime drama follows the emergence of a new tech idea that sparks controversy, GenCoin, a digital currency.

When three unlikely people come together for the new business, but find themselves plunged into the dark underworld of organised crime, they must avoid a crooked FBI agent working to take them down.

The synopsis on ITVX teases: “Martin Freeman and Adam Brody shine in this gritty drama. A banker, hacker and gang lord unite in a plan to launder millions, as a crooked agent goes to extremes to take them down.”

Fans have been left begging for a fourth season for a decade, as one wrote: “This series is just something unlike any other other show… I’ve never felt so immersed into a show before. Went through all 3 seasons in about 2 days, it was that good.”

Someone else said: “Couldn’t turn it off, Binge watched the series in a few days,” while another called it an “excellent hidden gem”.

Yet another fan wrote that they were “yearning for more”, adding: “This is a cracker of a series. So full of twists and turns. Great characters, script, direction and cinematography. I can’t believe that it ended. OMG. This was one of the more bingeworthy series I have seen. Relentless drama. I loved the characters and their interrelationships. Powerful stuff.”

One devoted viewer said it was “a crazy underrated show that’s totally binge-worthy,” while someone else said: “This got me hooked from the first episode.”

Another called it “a true diamond in the rough,” while someone else wrote: “This is probably the most underrated TV show I’ve ever seen in my life.”

One fan echoed: “This masterpiece deserves at least a 9. It is so well done and leaves you held in aesthetic arrest. The build up to the various climaxes induces full on catharsis.”

Fans were left gutted when the show came to an end, with no plans for season four, as Spanish film director Luis Prieto, who worked on four episodes of the original season, told Express.co.uk : “This, I really don’t know. It was a Crackle show and from the story, it was working very well.

“I think people were aware it was connecting with the audience but I’m not sure what happened.

“Sometimes things just stop and sometimes it’s for the best. I’m sure Ben Ketai would be extremely excited to continue the adventure.”

Meanwhile, Olly Blackburn, another director who worked on the programme, said he “never guessed” the show would be as big as it was, saying: “If you make something big that connects with people, the audience will find it eventually, and all around the world too.”

StartUp is available to watch on ITVX

Unruly salt-and-pepper hair in a long quaff, round glasses and broad smile give James Ortiz the look of a whimsical inventor, the kind that hides away in his workshop crafting extraordinary artifacts.

That description is essentially true; as a puppet designer and puppeteer, his job entails figuring out how to materialize figments of the imagination.

“I love playing characters that are so unbelievable that they have to exist in a different way,” says Ortiz on a video call from New York. “I love over-the-top characters and creatures.”

For more than 15 years, Ortiz has created puppets for theater projects in New York City, including those for “Into the Woods” on Broadway. His skill set has now made its way to the big screen with the box-office hit “Project Hail Mary,” an adaptation of Andy Weir’s 2021 sci-fi novel.

The space dramedy follows scientist Ryland Grace (played in the film by Ryan Gosling) who, against his will, is alone on a mission to save Earth with no return plan.

Ortiz, 42, plays Rocky, an arachnoid alien made of stone-like material, who befriends Grace. As the main puppeteer on set, Ortiz was in charge of moving its face or central carapace — and he also voices him.

Rocky and Grace don’t speak the same language. But when Grace figures out how to use his computer to translate Rocky’s sounds into English, the voice we hear coming from his jerry-rigged laptops is Ortiz’s.

Ryan Gosling in the movie “Project Hail Mary.”

(Jonathan Olley / Amazon MGM Studios)

“We had anywhere between three to six puppeteers on set with me. I would always be on the body, and they would always do the other limbs or legs,” Ortiz explains. “I needed to lead the thoughts and the dialogue and the feelings that Rocky was having.”

Thanks to both Gosling’s tongue-in-cheek charisma — as well as the curious and utterly sincere personality that Ortiz imbues into Rocky through his voice performance and intuitive puppeteering (with plenty of improvisation) — the movie becomes a disarming interstellar, interspecies bromance.

“I was always playing Rocky like the universe’s little brother,” Ortiz adds. “There was a little bit of a childlike thing that was being put in there.”

Over the years, Ortiz had developed a relationship with casting director Jeanne McCarthy, who often invited him to audition for acting jobs. Ortiz is a trained actor and has occasionally appeared on camera as himself, sans puppets. But every time McCarthy would reach out, he had a theater commitment. The timing finally worked when McCarthy mentioned she had an opportunity for Ortiz as a puppeteer in “Project Hail Mary.”

“I wasn’t familiar with the book, but then when I mentioned it to two of my friends, they knew everything about it,” Ortiz says. He soon met with directors Chris Miller and Phil Lord and had an immediate connection. “They are so delightfully immature that I felt like they were my cousins,” he says. “They are such artistic geniuses, but so silly and playful.”

For a chemistry read with Gosling, with the film’s producers also present, Ortiz opted for using a version of Rocky he had made himself, which looked like Thing from “The Addams Family” built off a fancy glove, instead of the larger puppet the production had available. That his hand version of Rocky could climb onto Gosling, and interact with the actor more directly, allowed for an amusing rapport to develop instantly between them.

Puppetry, Ortiz says, is intricately technical. When bringing a puppet to life, he’s concerned with the placement of the rods used to move the characters’ body parts, and in this case, he’d have to pay attention to where the camera is and where he and his fellow puppeteers have to hide. Amid all those preoccupations for his physical performance, Ortiz also had to deliver his lines and be present in the moment, reacting to Gosling with spontaneity.

Puppeteer James Ortiz plays Rocky, the adorable alien in “Project Hail Mary.”

(Jonathan Olley / Amazon MGM Studios)

“I promised Ryan that between action and cut, all of [the technical elements] were going melt away,” Ortiz recalls. “I said, ‘I’m just going to be an improvising partner with you. I’m never going to let you think that Rocky isn’t real, because I want this relationship to feel as playful and as dynamic as possible.’”

The more intricate Rocky puppet that appears on screen was later designed by Neal Scanlan, a legendary special effects artist, at the Creature Shop in London. Ortiz admits it was an adjustment to work with a puppet he didn’t design himself. Fortunately, Scanlan’s openness to involve him in the fabrication process made for a fulfilling experience.

“I had ultimately a lot of input, never on how Rocky looked, but a lot on how he was operated and what materials he was made out of,” Ortiz says. “I was able to pick what types of fiberglass we were using to cast him out of, because I knew, given the amount of improvisation that we would be doing on set, [that] I needed a puppet that could do anything.”

It’s not common for a puppeteer to voice the character they are manipulating. “It doesn’t usually happen because moviemaking is a business and you have to have names and sell it,” Ortiz says. Yet, as the post-production process advanced, and Lord and Miller started testing the film with audiences, Ortiz’s lines from set became the preferred Rocky voice.

Knowing that Rocky’s voice would come from Grace’s unsophisticated computer setup, Ortiz gathered inspirations, at times subconsciously, from a variety of robotic sources. These included Tik-Tok, a robot in 1985’s “Return to Oz,” one of his favorite movies.

“I have always valued my lifelessness,” Ortiz says in a hilariously monotone voice, quoting Tik-Tok. And there’s also a bit of the robot bartender from the futuristic world of “The Fifth Element” — “you want some more?” he says, making an impression.

Ortiz believes puppetry found him by accident. The youngest of three children, he grew up in Richardson, Texas, a suburb of Dallas, with a mother of Italian descent and a Puerto Rican-born father who met in 1970s New York.

“Interestingly enough, when I was growing up, there was a touring marionette theater of Richardson that was one of the first places that excited me towards puppets,” Ortiz recalls.

An introverted child, Ortiz grew up enjoying painting and handcrafts, as well as having an interest in engineering and how things are built. “My father was always in the garage building something,” he recalls. “We’re not talking like building a spaceship but building little simple machines.”

On multiple fronts, his dad has served as a source of inspiration. “My father was born in Puerto Rico and moved when he was about 4 or 5 to Brooklyn in the early 1950s,” Ortiz explains. “He was his mother’s translator. She didn’t speak any English at all. I have such admiration for him, because he was learning English in real time in school and helping his mother get through the day. It’s a powerful part of my narrative and something I’m really proud of.”

For Ortiz, this part of his heritage, his father and grandmother struggling to communicate with the world around them in a new city, connects with “Project Hail Mary.” He adds: “What I love is that there’s a little bit of that in Rocky, because so much of this story is about someone struggling to be understood and then ultimately being understood.”

Ryan Gosling stars as biologist-turned-schoolteacher-turned-astronaut Ryland Grace and Sandra Huller as mission leader Eva Stratt in “Project Hail Mary.”

(Jonathan Olley / Amazon MGM Studios)

In middle school, Ortiz enrolled in theater classes. Soon after, making marionettes entered the picture. “I discovered puppetry around the same time, because it’s sort of the center of that Venn diagram of crafts, fine arts, engineering and acting,” he says. For undergrad he attended Purchase College in New York to study acting in a classical program. After graduating, however, the phone wasn’t ringing with professional opportunities.

Ortiz’s first job out of school was working on Venezuelan-born theater director and filmmaker Moisés Kaufman’s 2010 production of Xavier Montsalvatge’s Spanish-language opera, “El gato con botas.” It was his self-taught talent with puppets that landed him the gig.

“I’m grateful that I’ve been able to have a pretty long career. I’ve been doing everything. There was one year on Broadway [when] I was doing all the special effects makeup; [another] I was doing set design.”

Puppetry, it turned out, moved from a supplementary expertise to Ortiz’s prime artistic strength. “I’ve worn so many different hats and what was interesting is that puppetry kept being the thing that invited all of me to work, as opposed to just a part of me,” he adds.

Since those early days, Ortiz has designed puppets for “The Woodsman,” which he also wrote, directed and starred in; “Disney’s Hercules” (for productions at Public Theater in New York and in Hamburg, Germany), and more recently for Lileana Blain-Cruz’s production of “El Niño” at the Metropolitan Opera.

Now that “Project Hail Mary” has launched the possibility of a fruitful Hollywood career, Ortiz’s only aim is to continue letting his abilities lead the way without inflexible expectations.

“I’m not a very calculated career person. I’m running towards bliss and then seeing what happens,” he says, smiling and running his hands through his imposing hair.

The iconic Dorset beach featured in one of the most emotional scenes in Ryan Gosling’s new film, and fans are now visiting the picturesque Jurassic Coast location for spring walks

One of the most iconic coastal spots was recently featured in Ryan Gosling’s latest film, Project Hail Mary, and the good news is it’s located right here in the UK for those who want to visit.

There’s always a thrill when you recognise a familiar location in a film or TV programme, whether it’s a documentary or the backdrop for a fictional tale. While the UK serves as a popular setting for numerous blockbuster films and television series, one of this year’s biggest cinema releases actually filmed one of its most memorable scenes in the UK – and it’s accessible to visit right now as a stunning walking destination.

That’s precisely what one London-based couple decided to do, bringing their dog, Presto, along to the Jurassic Coast near Lulworth in Dorset to see the Project Hail Mary filming location after recently watching the film at the cinema.

“Cried at the cinema at this beach so we went in real life,” they captioned their video, before sharing footage from their day trip adventure.

Without giving away any spoilers, the beach serves as a significant location for one of the film’s characters, with several of the more poignant scenes captured here, making it particularly meaningful for fans to experience. That said, the breathtaking views alone make the journey worthwhile.

Durdle Door stands as one of Dorset’s most photographed and iconic landmarks. Situated on the Lulworth Estate in south Dorset, it forms part of the stunning Jurassic Coast.

The coastline holds such exceptional geological significance on the world stage that UNESCO designated it as England’s first natural World Heritage Site in 2001, placing it alongside iconic natural treasures such as America’s Grand Canyon and Australia’s Great Barrier Reef.

The stunning natural limestone arch was created when powerful waves eroded the rock and carved a hole through its centre. The name Durdle comes from the old English word ‘thirl’, meaning to pierce, bore or drill.

The film also features the neighbouring Man O’ War Beach, which visitors can normally reach via a footpath. However, the pair revealed that during their late March visit, storm damage had swept away the steps leading down to this beach, rendering it currently inaccessible.

Still, they weren’t bothered, as they were able to take in the spectacular views from the clifftops overlooking the beach.

How do you get to the Jurassic Coast? If you’re travelling by car, you can park at the sizeable car park reached through Durdle Door Holiday Park. From there, it’s a 15-minute walk down a steep path to the steps above the beach.

For those without a car, the iconic landmark is also reachable by bus, with a brief journey from Wool in Dorset taking you straight to the beaches.

The London pair weren’t alone in their admiration for the landmark, as numerous others quickly flooded the comment section to share their own visits.

“Went back in 2022 and loved it, need to go back again now that I saw it in the film,” one person wrote. Someone else added: “I wish I hadn’t seen that this was in the movie before we saw it but it was special seeing it with my boys who I took there in 2022.”

The Ryan Gosling-led “Project Hail Mary” rocketed to the top of the box office this weekend, marking a big win for Amazon MGM Studios.

The film — which stars Gosling as a science teacher who embarks on a space mission to save humanity — hauled in $80.5 million in the U.S. and Canada, making it the biggest domestic debut of the year so far. Globally, “Project Hail Mary” brought in $140.9 million.

The movie is an adaptation of a novel by Andy Weir, author of “The Martian” — another successful book-to-screen adventure. The big opening weekend for “Project Hail Mary” is a boost for Amazon MGM Studios, which had heavily promoted the film as an example of the big blockbusters it could produce.

“We believe deeply in the Hail Mary, and it’s clear audiences do as well,” Kevin Wilson, head of domestic theatrical distribution for Amazon MGM Studios, said in a statement. “What we’re seeing in theaters —the energy, the exit scores, the word of mouth — is everything we believed this film would deliver.”

Walt Disney Co. and Pixar’s “Hoppers” came in second at the box office this weekend with a domestic total of $18 million. The original animated film has now garnered $120.4 million in the U.S. and Canada since it debuted in theaters earlier this month.

Indian action film “Dhurandhar The Revenge” came in third with $10 million, followed by Disney-owned Searchlight Pictures’ horror film “Ready or Not 2: Here I Come” and Universal Pictures’ romance “Reminders of Him” rounding out the top five.