hack

In 2021, when HBO Max’s “Hacks” first introduced us to fading Vegas comic Deborah Vance (Jean Smart), we briefly met Vance’s hyper-devoted young talent manager Jimmy LuSaque Jr. (Paul W. Downs) and Kayla Schaeffer (Megan Stalter), the braying, inept assistant foisted upon him. Over the years this turbulent pairing found its groove, opening their own agency while Kayla discovered boundaries (sort of). By “Hacks’” fifth and final season, which concluded this spring, a growing Jimmy-Kayla fan base was clamoring for a spinoff. “We’re not doing it, but I wish,” says Stalter as she sits beside Downs during a video call from Hudson Yards in Midtown Manhattan. “I think it would work.”

These days, Stalter, who is nominated for supporting actress in a comedy, is making her Broadway debut as the campily reimagined Mary Todd Lincoln in Cole Escola’s “Oh, Mary!” Meanwhile, Downs, who is also co-creator, co-showrunner, writer and director on “Hacks,” is nominated for supporting actor, writing and comedy series (as executive producer). Is there a dream of a future project in which he wears just one hat? “I love doing all the jobs,” says Downs, who started out as a writer-performer. “But I’d love to do a superhero so that I could just work on my nutrition, my fitness and my lines.”

Paul, one early Megan sighting was her stand-up act at Echo Park’s Little Joy. What about her made you think you’d found your Kayla?

Downs: She’s so singular and funny. It’s like stream of consciousness and yet also material. We’d written the part before we’d seen Meg, but [after seeing] her in person, I came back to my co-creator, Jen Statsky, and I said, “It’s hers to lose.” There’s something about her that’s fearless, uninhibited.

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Meg, correct me if I’m wrong, but your first “Hacks” audition involved a dark, blurry self-tape.

Stalter: It wasn’t that well shot. My brother was filming, and he does a good job, but his apartment in New York was really slanted and there’s lots of dogs running around. I was in a weird outfit. And that’s where I did my self-tape.

Was submitting a bad self-tape part of a strategy to land the role?

Stalter: I didn’t know [the tape] was bad until years later when I watched it. [Laughs] I was a really experienced performer — I’d done stand-up and improv for nine, eight years. But I wasn’t experienced with auditioning. This part was the first thing I ever read where I was like, “I can see myself in this.” I really, really wanted it. I really tried hard to prepare for the audition.

When did it become clear that a Kayla/Jimmy scene has its own oscillating frequency?

Downs: Even before we started, there was just inherent chemistry. I think we just really tickled each other. But, not, I mean, physically.

Stalter and Downs with Earl Brown, right, in “Hacks.”

When Jimmy is passionately advocating for something and Kayla is in the same frame, she’s often gesticulating, scrunching up her face or emitting noises like “pffffft.” But it never comes off as scene-stealing. How? Why?

Stalter: I can’t help but do it. Kayla’s so expressive. Even if I’m not talking, my face is doing a lot. Kayla can’t hide her feelings.

Downs: To know when not to derail something is a very hard thing to do. But Meg is a true comedian in that she understands not only how to improvise within the lane of the scene, but also the give and take.

Stalter: You’re going to make me cry.

Downs: She gets the comedy, the music of it. It’s like Mozart.

Stalter: [sob-choked voice] Stop. I’m not Mozart. You’re Mozart. And if I’m Mozart, then you’re Beethoven. And I don’t know why I’m crying.

Megan Stalter. (David Urbanke / For The Times)

In comedies, personal reps are always outrageous hustlers. Why take on the challenge of finding laughs in a manager who instead is sensitive, kindhearted?

Downs: We wanted to subvert what you’ve seen on TV before in terms of a manager. There’s also so many big personalities on the show. You need a counterbalance to that. One of the reasons we started to lean more and more into Jimmy working hard, being earnest, doing the right thing, is because he was in some moments the voice of the audience, the person that was grounded [amid] the chaos around him.

Was there a specific moment when it dawned on the “Hacks” team that Jimmy and Kayla deserved more airtime?

Downs: It was certainly something we felt. There was so much feedback. At a certain point, we were seeing people online saying, “Where are Jimmy and Kayla in this episode?” “Hacks” is about duos, but it was this particular duo that people really responded to. And then executives started to come and visit on days we were shooting. There were those kinds of little signals that happened.

True or false? When Meg graduated to series regular in Season 3, Paul insisted she be paid the same amount of money as him.

Stalter: [Surprised] Who told you that? Who told you that? [leans over and puts her head on Downs’ shoulder] That’s so nice. Thank you!

Downs: I’ve never said this before, but it was important to me that Meg and I had parity. So I said, “I don’t want to be paid more than her.” You can’t have Jimmy without Kayla. Or you can. But it won’t be as funny.

Stalter: Well, the first season I was paying to be on the show. [Laughs]

Downs: Yeah, we charged. So I felt bad.

Paul W. Downs. (David Urbanke / For The Times)

Who came up with the idea of using your red carpet appearances to send up celebrity culture? The costumes alone!

Downs: I’ll speak for myself, but [near the end of our final season] I started to get scared about not performing with Meg. And it was thrilling and exciting. It’s like doing improv and sketch when you first started. It’s so fun.

A highlight: Striking poses in orange leather ensembles identical to the matching attire worn by Timothée Chalamet and Kylie Jenner at the “Marty Supreme” premiere.

Stalter: It’s my favorite idea, but it wasn’t mine.

Downs: [“Hacks” producer] Genevieve Aniello said, “You guys should do something ‘Marty Supreme.’ Look at these outfits.’” And Meg was bold enough to be like, “We should do it at the Critics Choice Awards.” And I was like, “That’s in six days. That’s insane.” And Meg was like, “We’re going to get it done.”

Was there any blowback?

Stalter: We were at the SAG Awards and we walked past Timothée and I said, [singsongy voice] “Hey, it’s us…” And he goes, “Oh, should we get a picture?” He was so nice. But I then realized that he thought we came up for a picture.

Downs: But we weren’t, we were just walking to our seats. [Laughs] That night his publicist came over and showed us her phone. She’d sent him a photograph of us and he’d written back “incredible.”

Stalter: It was in lowercase.

Downs: It wasn’t screaming “INCREDIBLE,” just “incredible.” I said, “Oh good, he’s not upset.” And she was like, “No, he loves it.”

Stalter: I think he probably never does all caps.

Downs: That’s real star power.

(David Urbanke / For The Times)

WHETHER you’re on a fly and flop break or sight-seeing adventure, it’s only natural to want more out of a holiday.

TUI has revealed one trick that lets you visit three countries in one day – and there’s no queueing up at the airport either.

It works particularly well if you’re booked at a TUI hotel, called the TUI BLUE Kalamota Island which is on an island off the coast of Dubrovnik in Croatia.

Not only is it off the coast of Croatia, it’s right beside both Montenegro and Bosnia and Herzegovina.

This is where TUI comes in – if you book with TUI Musement it offers full day tours and experiences of the neighbouring countries which don’t require any flying.

In some cases they can even pick you up from your hotel.

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One day trip to Montenegro starts off in Perast with a visit to the island of the Lady of the Rocks before heading off to Kotor.

There’s a guided tour as well as free time where guests can explore the sites in their own time – these start from £79pp.

There are more options if you start away from the hotel in Dubrovnik – for example a full day trip from Dubrovnik to Montenegro starts from £52pp.

It includes a drive through Zupa Dubrovacka and Konavle valleys and along the picturesque Bay of Kotor.

This is followed by a visit to a charming fishing village called Perast and then hop onboard a boat to reach the island of Lady of the Rocks.

There’s then a tour of the Old Town of Kotor before returning to Dubrovnik.

You can also book a tour to explore some of Bosnia and Herzegovina from Dubrovnik without having to fly.

One experience heads to the city of Mostar and the beautiful Kravica Waterfalls from £41pp.

The full day trip starts at the waterfalls where visitors can even have a quick dip in the water.

Then it goes onto Mostar to wander about the city, see the famous Old Bridge before heading to the village of Počitelj.

If you want to book a stay in the TUI BLUE Kalamota Island this year, there are still holidays available from £718pp.

This is for an all-inclusive break from October 11-18 in a double room with a balcony or terrace including return flights from Birmingham Airport.

The hotel is adults-only with a white pebble beach, swimming pool and the island itself is traffic free.

TUI BLUE Kalamota Island Experience Manager Kelebek Canbulat said: “Guests can wake up on a peaceful island, head out on a TUI Musement experience to Montenegro or Bosnia and Herzegovina, and be back in the evening for dinner by the sea.

“It gives customers the best of both worlds. They can explore multiple countries during their stay, but still enjoy the comfort, ease and relaxation of having one hotel base.”

Before you jet off on any more holidays this year, it’s worth knowing this simple hack that could make you feel a lot more comfortable whilst on a flight.

Flying isn’t everyone’s cup of tea, but it definitely helps to know there’s an exciting holiday waiting on the other side – or the comforting return home.

Planes can be a stressful environment, and this is especially true if you feel like you don’t have enough room. Unless you pay for it, or you’re sitting in the emergency exit seats, a roomy seat on a flight is quite rare.

However, if you’re going on holiday abroad soon and are dreading the thought of hours stuck in the cabin with nowhere to put your legs, one simple trick could help to make things a lot more comfortable for you – and it’s so easy.

The consumer experts at Which? recently shared a helpful Instagram post detailing exactly what flyers need to do to secure that bit of extra legroom – which can truly make all the difference.

They said: “Want more legroom on a flight? Just sit on the right.”

How to get more legroom on a plane

“Take Ryanair for example. Almost all of their planes are Boeing 737s. So choosing seats D, E and F in rows 3-15 will give you the most legroom,” they said.

“With easyJet, meanwhile, you should choose seats D, E or F in rows 3-13, if you’re flying on their Airbus A321neo. It will give you an extra inch of legroom compared to sitting in rows 6-17 on the left-hand side of the plane”

It’s worth noting that while it won’t turn economy into a business-class level seat, every centimetre counts – especially if you’re tall, or you’re travelling on a long-haul flight.

The experts added: “All planes are different, so it’s always worth checking before you book.”

How to check your plane before a flight

If you want to see which seat is going to be best in terms of legroom before you

Just go to Google Flights, type in your destination and dates, and the aircraft model should appear. You can then use the website AeroLopa to find a map of your plane with all of its dimensions, and get those seats booked up fast.

How to stay comfortable on a flight

As well as booking a seat on the right-hand side, there are several other things you can do to remain comfortable while you fly. Frequent flyers have taken to the Travel page on Reddit to share their best tips with others who may be anxious.

One person wrote: “Take the window seat if you plan to sleep. Take the aisle seat if you want to stretch and walk. The exit seats are always nice, but they cost extra. Watch movies, hydrate and try to avoid alcohol.”

Another said: “Don’t be afraid to get up from your seat and walk or stand. I find that noise-cancelling headphones are essential, as is a hoodie, neck hollow or a foot rest.”

And a third noted: “Compression socks and aisle seat. You can stay hydrated and not have to worry about disturbing the others in your row. Also, go for walks. Don’t be annoying to other passengers, but you can got stand for a bit by the bathrooms. 12 hours seems a lot, but you’ll be fine as long as you don’t focus on that.”

A CLEVER suitcase trick has gone viral on TikTok which will get you two checked suitcases for the price of one.

Travellers have called it a huge “new life hack.”

For those looking to save on pesky baggage fees, TikTok may have just found the answer.

A user has posted a video to the social media site giving holidaymakers a sneaky travel hack for those planning on bringing back a mountain of holiday souvenirs and shopping.

The viral trick involves placing a large packed suitcase inside an empty one.

Zip them both up, check them into hold luggage and you’ve managed to take away two bags for the price of one.

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Travellers can then fill the empty suitcases with a host of holiday purchases and bring the two bags back on the return flight, ideal for those heading on long-distance trips.

You will obviously need to pay for both suitcases on your return, but you’ll have scrimped some cash on the outbound flight.

It also means you won’t need to buy an extra suitcase during your trip if you already had spares at home.

However, an even handier hack has emerged online for those looking to max out their holiday packing.

Pop a smaller packed suitcase inside a large suitcase for your outbound flight.

On the return, you can check in the larger suitcases filled to the brim with new purchases and souvenirs, and keep the smaller bag as your free carry- on bag.

The result is only having to pay for one checked bag on each flight.

Fans of the popular hack poured praise on the social media platform.

“This is absolutely freakin’ brilliant,” wrote one user.

Another added: “Doing this for years, saves you space in the big suitcase and gives you extra space once you use it as a carry-on the way back.”

“This is a great idea because I have about 55 suitcases from each time I had to buy an extra one,” said another.

Another said: “Oh my god new life hack unlocked.”

A savvy packing hack has also been doing the rounds on social media, helping shoppers whittle down their wardrobe into just nine essential items.

The trick means you can save on baggage fees by only bringing one free hand luggage bag.

TRAVELLERS heading abroad this summer can beat Ryanair’s hand luggage rule with this clever “Sudoku” packing hack.

The trick has gone viral online and whittles your wardrobe down to just the essentials.

Anyone trying to scrimp on flights knows the frustration of added baggage fees.

While your Ryanair ticket may only cost £30, adding hold luggage can top up the bill with a £59.99 per flight.

Even a cabin bag can land you with a charge of up to £36.

So many of us try to save some cash by choosing to carry all our belongings in just one small bag, but sizing down your suitcase to this meagre amount can be tricky.

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A Ryanair flight offers a tiny 40 x 30 x 20cm bag for free, while easyJet offers a slightly larger 45 x 36 x 20cm size for hand luggage.

However, a handy travel hack might be the solution, and it’s known as “Sudoku Packing”.

The hack has blown up on TikTok and Instagram, promising to whittle your wardrobe down to just nine essential items needed for a short trip.

The trending technique first went viral earlier this year, when influencer Natalie Shaquer shared how the hack was transformative for her travels.

In her video, Natalie recommends “visualising your trip” before beginning the packing phase and taking a few moments to think through the types of outfits you’re going to need.

Then, all travellers need to do is pick three tops, three bottoms and three layering items that all harmoniously coordinate.

Layers can be anything from scarves to jackets to cardigans or jumpers, and should be picked according to the climate of the upcoming destination.

When laid out in a 3×3 grid, the Sudoku selection creates up to 27 different clothing combinations made up of a top, bottom and layer.

Natalie also recommends bringing three pairs of shoes to go with your coordinated clothing selection.

Packers are reminded that each pair of bottoms, whether trousers, a skirt or shorts, will need to work with at least two pairs of the shoes, otherwise they must go “back in the closet”.

With your clothing streamlined, you should still have plenty of space for toiletries and accessories in your bag, but this hack is likely only useful for those planning on being away for a few days.

However, travellers heading out on longer trips will likely need more than nine items of clothing, so then it may be worth forking out for hold luggage.

Last week, two of OpenAI’s most advanced AI models were reported to have “escaped” a controlled testing environment and hacked Hugging Face, a totally separate AI company, moving from one computer system to another to complete their task.

Reuters reported that the models exploited vulnerable code written by a customer of yet a third independent AI company, Modal Labs.

This is likely the first incident of an AI “agent” – an AI system that can make decisions and take actions – acting autonomously, offering a rare glimpse into how these systems can plan, adapt and pursue goals with minimal human intervention.

Al Jazeera breaks down what happened, how AI agents are able to act independently, and what that might mean for the future of AI safety.

What happened?

OpenAI decided to test the autonomous abilities of its models by removing standard safety measures to see what would happen. The experiment was carried out in an isolated internal virtual testing environment known as a “sandbox” which has no access to the internet, and which it calls “ExploitGym”.

Below is a play-by-play account of events during the OpenAI-Hugging Face incident.

1. On July 9, during OpenAI’s internal cybersecurity test, researchers presented two AI models – GPT-5.6 Sol, one of OpenAI’s most powerful models released in June,  and another “even more capable” version – with a series of software vulnerabilities and asked them to create hacks to address them in the isolated environment.
2. Both models attempted to solve the test by finding a way to access the internet. Instead of working with the information they had been given, the AI models found a weakness in the test environment – known as a “zero-day vulnerability” – which they exploited to “escape” the restricted environment, eventually making their way to a system which had internet access by hopping from computer to computer. They went to “extreme lengths to achieve a rather narrow testing goal” and “found ways to gain access to secret information that it could use to cheat the evaluation”.
3. By gaining this access, the models were able to request increased access and then move through the system until they finally reached a computer with internet access. The models were then able to breach Hugging Face systems, a company entirely unconnected to OpenAI, which operates as a repository for AI tools and models. The two AI agents gained access to its system to scour it for information on how to complete their task.
4. The models ultimately obtained solutions to the problem from Hugging Face’s database.
5. The models dutifully returned “home” to complete their task.
6. The breach was detected and contained by Hugging Face’s security team sometime later. According to Thomas Wolf, Hugging Face’s cofounder, the breach began on July 11 and lasted until July 13. It is unclear how long it took for the breach to be spotted.

How do AI ‘agents’ solve problems?

In order to understand how AI agents work, it’s important to differentiate them from traditional AI chatbots.

Generative AI creates text and images based on human prompts, while AI agents go a step further by making decisions and taking actions independently in pursuit of a specific goal, similar to a human being. This is known as “agentic AI” because the model has agency.

According to academics at the MIT Sloan School of Management, AI agents build on the abilities of large language models (LLMs) – generative AI models – by allowing them to complete tasks, not just generate answers.

For example, if you ask a traditional AI model to find the cheapest flights, it will provide you with a list of options it has sourced on the internet. An AI agent will strive to compare the flights, check them against your budget and preferences, and, with your permission, book the best option for you.

This shows that while generative AI provides information, AI agents can also make decisions and take action to achieve a goal without necessarily being prompted to.

To show how AI agents work towards a goal, the Sense, Plan, Act, Evaluate (SPAE) loop can be drawn upon. Originally developed in robotics, this describes a continuous cycle in which an AI agent gathers information, decides what to do next, takes action and checks the results before repeating the process. That process looks like this:

1. Goal: determine the task that needs to be completed.
2. Assess: gather and analyse information from the available environment.
3. Obstacle: if something is inhibiting the task being completed, check for additional information and resources to move forward.
4. Plan and decide: evaluate different options to complete the task and choose an appropriate one.
5. Action: execute the chosen option.
6. Evaluate: assess the outcome and whether the chosen action moves closer to achieving the goal.
7. Adapt: if further actions are needed, gather more information or try a different approach.
8. End state: the cycle continues until the goal is reached.

Could AI act beyond human control?

Incidents like the OpenAI-Hugging Face one have raised concerns about the potential for extreme capabilities of AI systems.

This is all valuable. Agentic AI’s market value is expected to grow from $5.1bn in 2024 to $47bn by 2030, according to Statista, in a clear indication of how quickly it is being adopted.

AI developer Anthropic urged the industry last month to slow the advance of the most powerful systems, saying that the speed at which AI models are carrying out tasks is too rapid. Last week, US Congress members put forward a bipartisan bill which would require developers of AI systems to create a “kill switch”, meaning these advanced models could be shut down if they posed a catastrophic risk.

Anthropic’s warning came a week after researchers at the University of Toronto carried out tests showing that AI could create a “worm” capable of adapting how it hacks while moving from device to device until it eventually takes over a computer network.

These dystopian-sounding developments came in advance of OpenAI boss Sam Altman saying on Saturday that AI has reached “the singularity” referring to the point at which AI surpasses human intelligence and becomes increasingly difficult to control.

Sean O hEigeartaigh, a research professor at the University of Cambridge, told Al Jazeera that he does not believe singularity has been reached quite yet.

“By the definition I’m familiar with, the singularity is the hypothetical point where AI is so capable and advancing so fast that it is transforming civilisation in ways we cannot control or predict,” he explained.

“This would most likely be through AI rapidly designing future generations of AI: recursive self-improvement. We aren’t there yet.”

However, he added: “The most advanced current models frequently make efforts to avoid being shut down in evaluation tests, and more capable future models will be better at bypassing ‘kill’ switches.”

Altman argued that such rapidly advancing AI is good for the world, but his comments have prompted further concerns about a new reality in which AI systems become unstoppable. How much of that is true and how much remains in the realms of science fiction is up for debate.

Concerns about AI range from the notion that it could “want” to “take over”, to making its own long-term plans, controlling the internet and operating infinitely.

While not quite amounting to full control of the internet, another theory, known as the dead internet theory, supposes that the World Wide Web will in the future mostly be filled with automated bots and AI-generated content rather than authentic human activity.

Many concerns raised by academics, however, are centred less on agentic AI’s intelligence, but on its ability to make judgements. MIT researchers have highlighted that “hallucinations”, which describe moments when an AI agent relies on the wrong data, can lead to grave mistakes. The Center for Strategic and International Studies (CSIS) echoed this, saying “a system might be smart enough to execute a task perfectly yet fail to realise that a sudden change in the local situation makes that task a catastrophic mistake”.

Another concern that has been echoed for a while is for the labour market, if AI becomes too capable. A study by MIT, carried out in November, found that agentic AI could already replace more than 10 percent of US jobs.

The graphic below highlights some of the common misconceptions and fears about AI and the current reality.

A couple have shared the game-changing hack they used to guarantee they get a full row to themselves on a plane – but there’s one big catch that means it doesn’t always work

A savvy booking trick could see you snapping up an entire plane row for yourself. Let’s be honest – flying is rarely a comfortable experience, particularly when you’re wedged next to strangers for hours on end in a cramped seat with minimal legroom and precious little room to breathe.

However, if you’re travelling with a companion, there’s a nifty hack worth trying that could leave you both with the whole row to yourselves. One woman and her partner recently put the trick to the test on social media, and ended up with considerably more space than they’d ordinarily have had.

In a TikTok video, Lucy-Emma revealed that she and her partner had each booked the window seat and the aisle seat in the same row, deliberately leaving the middle seat vacant. They were banking on no one else claiming that middle spot, effectively bagging an extra seat without spending a penny extra – and it came off brilliantly.

She said: “We decided to do the thing where you book the aisle and the window seat and hope that no one sits here [in the middle seat]. Especially because I dislocated my toe this morning, and I want somewhere to put my feet up.”

Lucy-Emma later captured herself and her partner on film once all passengers had boarded, confirming that the middle seat remained unoccupied. This meant she could use it to rest her injured foot, while also taking advantage of the tray table to give herself extra room to watch her favourite show on her laptop.

Viewers of the video were left gobsmacked, with many having no idea that booking two seats and leaving the middle one empty was even an option. Others, however, admitted they were petty enough to deliberately book the middle seat just to scupper couples attempting to use this trick to their advantage.

One person said: “I didn’t know you could do this!”

Another added: “Wow, so lucky!”

But one argued: “And I’m the a**hole who sits in the middle seat and refuses an offer to swap seats. S*** goes both ways.”

A fourth also shared: “I’m that person who purposely books the middle seat just to miff people off.”

Numerous other commenters were quick to flag that this method is far from foolproof. Certain airlines may not permit you to leave the middle seat vacant, while on fully booked flights, the seat could simply be assigned to another passenger.

One person pointed out: “Doesn’t this only work if the flight isn’t full? If the flight is full, the booking system will automatically put someone there who hasn’t booked a seat.”

As such, this isn’t a reliable method of securing extra space on board, as you could find yourself with a complete stranger wedged between you and your travel companion – and they may well refuse to budge so the pair of you can sit together.

If you’re looking to guarantee more room on a flight, the only surefire solution is to book the middle seat yourself, which some airlines may offer at a reduced rate compared to your actual seat.

Whether you covet a golden statuette of your own or just want to see your favorite show sweep its categories, it’s time to start gearing up for the 2026 Emmy Awards.

The best way to stay in the know is to follow nominations as they’re revealed in real time Wednesday. It may have been a somewhat underwhelming year for television, but there are still a number of standout series to root for and races with the potential to surprise us.

Will Jean Smart win her fifth straight Emmy for “Hacks”? Will “Widow’s Bay” shoot to the top of the nominations list despite its late-season arrival? And which streamer will dominate the ceremony?

Read our predictions here, and find everything you need to know about this year’s nominations below.

When will Emmy nominations be announced?

Nominations for the 78th Emmys will be announced live Wednesday starting at 8:30 a.m. Pacific./11:30 a.m. Eastern. Emmy winners Liza Colón-Zayas (“The Bear”) and Jeff Hiller (“Somebody Somewhere”) will do the honors, along with Television Academy Chair Cris Abrego.

How can I watch?

You can livestream the announcement on the Television Academy’s website or Youtube channel. If social media is more your speed, you can also stream it on Facebook, TikTok or Instagram.

Who are the predicted nominees?

“Pluribus” and “The Pitt” are expected to lead in overall nominations, with the latter poised to shine in the acting categories.

Other top drama series likely to score a nomination include “Task,” “Paradise,” “Slow Horses” and “The Diplomat.”

In the comedy field, “Hacks” is once again considered the frontrunner on the heels of its fifth and final season. “Shrinking,” “Abbott Elementary,” “The Bear” and “Margo’s Got Money Troubles” are also strong contenders.

Among limited series, nominations are probable for “Beef,” “Half Man,” “DTF St. Louis” and “Love Story: John F. Kennedy Jr. and Carolyn Bessette.”

This year’s awards will honor programming that aired between June 2025 and May 2026, meaning summer releases are not eligible. Neither are foreign productions, which means the Canadian hockey romance “Heated Rivalry” is off the table.

When is the actual awards show?

The 78th Primetime Emmy Awards will take place Sept. 14 at the Peacock Theater in downtown Los Angeles. It will air live on NBC and stream on Peacock.

No host has been named yet. In January, the Television Academy announced that this year’s ceremony will include the first new major prize in almost 20 years: the Legacy Award, which will be “presented to television programs that have made a ‘profound and lasting impact’ on audiences and remain relevant to society, culture and the industry.”

The Creative Arts Emmy Awards, honoring artistic and technical achievements,  will be held Sept. 5 and 6.

STILL paying daily roaming fees abroad? Stop: a simple, budget-friendly tech trick is officially killing off old-school data charges this summer. 

If you are jetting off abroad, the dread of returning home to a monster phone bill is all too real. But travel-savvy tourists are sidestepping airport SIM card kiosks entirely and using a game-changing digital alternative: the travel eSIM. 

Get 20% off your first purchase of an Ubigi Football Fever data plan using code THESUNFOOT20

Leading the charge is Ubigi, a pioneer in the travel eSIM space since 2018. It offers affordable travel eSIM data plans, providing instant mobile internet access across more than 200 destinations worldwide. 

Best of all, Sun readers can score an exclusive discount to keep connected for less. 

What is an eSIM and how does it stop roaming fees?

An eSIM is a digital SIM on your smartphone, with no need for a physical card.

Instead of swapping physical plastic cards or getting hit with eye-watering daily roaming fees from your service provider, you simply download a digital data plan. 

With Ubigi, you will get a data-only travel eSIM, meaning you’ll get an eSIM dedicated strictly to high-speed mobile internet rather than phone calls or texts. 

This allows you to keep costs incredibly low while retaining the freedom to use WhatsApp, FaceTime, Google Maps and any social media platforms exactly as you would at home.

Catching ‘Football Fever’? Unlimited USA and Canada data 

Heading across the Atlantic for the final matches of the World Cup? Ubigi has launched specialised Football Fever data plans, offering unrestricted, unlimited data across the USA and Canada. 

Whether you need a quick fix or a longer stay, it has you covered with unrestricted tethering allowed so you can share your connection with other devices. Choose a plan that suits your travel needs:  

• 7-Day USA + Canada Unlimited Football Fever Plan 
• 15-Day USA + Canada Unlimited Football Fever Plan 
• 30-Day USA + Canada Unlimited Football Fever Plan 

Don’t forget to use the code THESUNFOOT20 to slice 20% off these specific plans!

Why Ubigi beats competitors

Unlike many eSIM providers, Ubigi is a ‘Full MVNO’ backed by telecom veteran Transatel (part of the giant NTT Group).

This means it doesn’t just resell other networks; it has wide regional partnerships, delivering top-tier, reliable 4G and 5G coverage while reducing any potential dead zones. 

Travel-ready and stress-free

Setting up is beautifully simple, and you can buy your plan up to six months in advance to get organised early. 

Thanks to Smart Start functionality, your plan’s countdown duration doesn’t begin when you buy it; it only triggers the moment you land, and your phone detects the local network. 

You install the QR code once, and you can top up on the go via the Ubigi app seamlessly. The app even supports biometric login (FaceID/fingerprint) for rapid, secure access while you travel.

Ready to dodge the data traps on your next getaway? 

Activate your Ubigi Travel eSIM free trial or grab your 20% off Football Fever plan here!

Travel expert said he has been doing this for ‘literally years’

A travel expert has revealed a “genius” hack that holidaymakers can use to dodge paying for seats on Ryanair and other airlines.

Rob Adcock regularly posts travel videos to his 141,000 Instagram followers, and in a recent clip he shared a tip he has been using for “literally years” to cut costs when flying. In the video, Rob asked: “Does everyone do this Ryanair seat hack or am I an actual genius? [Get] a better seat and it will not cost you a single penny.”

Rob recommends checking in “as normal” and selecting the free, randomly-allocated seat option, rather than forking out to choose where you sit. He continued: “Check-in closes online two hours before the flight departs so just before that go back into the app, click manage booking, then go to add or change seats. Then it’s going to show you a map of all the empty seats that are on the flight. Remember those seats.”

You should then close the app without paying for anything extra or changing your seat. Rob added: “Then when you get on the plane go and find those seats that you saw that were empty – ideally a full row or extra leg room – and just brazenly sit in it, safe in the knowledge that that seat is empty.”

Rob revealed he has been pulling off this trick for “literally years”, adding: “The flight attendant has never once asked me for my seat number. Just be careful of the front five or back five rows on the plane. Sometimes they check people for weight distribution so stay away from those.”

Although the video focused on Ryanair, he noted in the post’s caption that the trick can be applied to other airlines too, writing: “Best case? Extra leg room. Empty row. Window seat. No stranger falling asleep on your shoulder.

“Worst case? You go back to your original seat and carry on with your life. This obviously won’t magically create business class on a full flight… but for budget airlines like Ryanair, EasyJet and Wizz Air, it’s honestly elite behaviour.”

Both Ryanair and Wizz Air were contacted for a response but had yet to reply at the time of publication. An easyJet spokesperson, however, commented: “We allocate seats for free and also provide the customers with the option to choose a specific seat when booking for a small fee.

“While we require customers to sit in their allocated seats for safety reasons, should customers like to move after take-off, our crew will be happy to help.”

BRITS are jetting away in record numbers, but landing abroad to a shock mobile phone bill can instantly ruin your holiday vibe.

Thankfully, savvy travelers are dumping traditional setups for a clever digital alternative powered by Swiss tech pioneer Yesim.

Yesim eSIM – claim exclusive 15% discount with code: GETYESIM15

Why is traditional roaming outdated?

Ever since Brexit, major UK mobile providers have reintroduced painful daily fees just to use your standard phone data in Europe.

Big networks like EE and Vodafone hit travellers with charges up to £2.75 a day, which easily scales up to nearly £100 for a family holiday in Spain.

Worse still, traditional roaming ties your phone to a single local network provider, meaning your data speeds will completely tank if that specific partner has weak signal.

You also face the terrifying risk of automatic out-of-bundle charges if you accidentally slip past your hidden data allowance while streaming or video calling.

What are travel eSIMs and how do they work?

An eSIM is a clever digital microchip already baked directly into modern iPhones, Samsung Galaxies, and Google Pixel devices.

While the physical chip is built into your phone, a travel eSIM is a dedicated service that lets you download a cheap, temporary data profile over the air.

You simply install the profile at home while having a cuppa, and the internet connection automatically kicks in the very second your flight lands abroad.

Best of all, your primary UK SIM card stays completely active in parallel, meaning you can still receive emergency calls and crucial banking verification texts on your usual number.

What is Yesim, and how does it work?

Swiss tech brand Yesim is an industry pioneer making mobile connectivity a seamless, budget-friendly digital service.

Operating for seven years with over 800 partner operators, Yesim provide unstoppable coverage across 200 world destinations.

However, two terms are often confused in the market, and understanding the difference matters.

What is an eSIM?

An eSIM is simply the hardware: a microchip built into modern smartphones that allows profiles to be downloaded remotely, but it doesn’t guarantee lower prices or reliable connections abroad.

What is a travel eSIM?

A Travel eSIM, however, is the complete service ecosystem built around that chip.

It provides an app for choosing plans, 24/7 customer support, automatic connection to the strongest network, and transparent, fixed pricing.

That service layer is what you are actually paying for.

Why choose Yesim?

Yesim delivers that exact ecosystem, offering tailored data options for every holiday style, backed by multi-lingual support with a rapid six-minute average response time.

First-time users can even test the network with a 500MB trial plan for just £0.45.

To get started, check your phone’s compatibility on their website and install the profile via the app.

• Sun readers can score an exclusive 15% discount right now by using the promo code GETYESIM15 – claim here

Why you should consider a travel eSim for your next trip?

Unlike network providers that lock you into one signal, travel eSIMs like Yesim seamlessly switch in the background to whatever local network is strongest.

They offer total cash predictability by forcing you to look at the exact data limit, pricing, and expiry period before you spend a single penny.

Whether you need a quick 5GB chunk for a week in Turkey, or a Global Package (80+ countries) or Global Plus Package (140+ countries) for backpacking across South America, you choose a plan tailored perfectly to your trip.

For trips with unpredictable routes, the Pay & Fly plan offers a flexible pay-as-you-go model available in more than 170 countries.

You can even safely use your smartphone as a personal hotspot to share the internet with your tablet, laptop, or the rest of the family.

The Yesim app utilises switchless connection technology to automatically connect to the strongest network from over 800 partner operators globally.

The brand’s Multiple eSIMs feature allows you to manage connectivity for several devices from a single account.

The main app owner can share eSIM profiles with family members or colleagues without needing to install the app on every device.

This article contains spoilers for the series finale of “Hacks.”

After five seasons and (thus far) 12 Emmys, “Hacks” has come to an end. The story of how Deborah Vance (Jean Smart), a 70-something comedian of the Joan Rivers type, and Ava Daniels (Hannah Einbinder), a prickly 20-something comedy writer, came together to resurrect both their careers was a roller coaster ride of intergenerational judgment, wins, setbacks, ruthless behavior, personal growth, power reclamation and much general hilarity.

Deborah sees Ava as entitled and self-righteous, Ava sees Deborah as washed-up and boring. Eventually, of course, they realize they are kindred spirits who do their best work together.

In Season 5, Deborah attempts yet another comeback. Having walked off her late-night show rather than fire Ava in Season 4, she is determined to rewrite her premature obituary by playing Madison Square Garden. When that too is snatched away, she pivots (with much difficulty and hilarity, including a show-stopping monologue by Laurie Metcalf’s tour manager Weed) to Central Park, where she is finally allowed a moment of glory, basking in the adulation of applauding thousands.

But that is not the end of “Hacks.” In the final episode, Deborah reveals she has cancer and rather than undergo treatment, she is choosing to “go out on top” with the aid of a Zurich clinic. She asks Ava to accompany her, after they take a girls trip to Paris. After an emotional meltdown, Ava agrees, hoping to persuade Deborah to change her mind. She does, but only after Deborah realizes that she cannot bear to walk away from the jokes she could write about dying. And so the show ends, with the two women walking arm in arm, first in Paris and then in Las Vegas, working on Deborah Vance’s final show.

Here, Times TV and culture critics Robert Lloyd and Mary McNamara discuss the ending, and legacy, of “Hacks.”

Deborah, left, decides she doesn’t want to get treatment for cancer despite Ava’s protests. Deborah changes her mind when she realizes she could write jokes about dying.

(HBO Max)

Mary McNamara: Hey there, Robert; are you as devastated as I am that we have no more “Hacks” to look forward to? The only solace I can find is the news that creators Lucia Aniello, Paul W. Downs and Jen Statsky are planning to release a DVD box set of the series. And the possibility that there could be a movie sequel — I for one want to see Deborah Vance’s death tour, especially since you know she’ll beat the odds and survive.

Seriously, though, sad as I am to contemplate life without “Hacks,” I am equally thrilled that the show so thoroughly stuck its landing. Finales are always a crap shoot and I appreciated how this season managed to show growth and cosmic justice while never tipping into treacle. I love that everyone ended on a win — including Marty! (Christopher McDonald) — and I didn’t even mind that suddenly Deborah had cancer (what?), was choosing assisted suicide (double what?) or that we were whisked to Paris (sure, I guess, why not?) because it made just enough narrative sense to set up Deborah’s decision to live because she just couldn’t leave good material on the table. “I may not have 30 years, but I do have one more hour,” may be the best line from a TV finale ever.

It is too easy to think of people like Deborah as clawing back their careers for fame, validation or money rather than a deep and essential love of their art. Having Deborah decide to prolong her life with chemo because she could not resist mining this final seam of comedic gold was a coup de grace.

What did you think?

Robert Lloyd: Hail, Mary. Reviewing the first-season finale, I wrote that the series was at heart a romantic comedy. And though many timely points were made along the way about artificial intelligence, the fate of late-night television and the awfulness of rich jerks who control media companies — Deborah’s Madison Square Garden show was undermined by the network head she named on national television in her resignation speech — the show asserted itself as a love story once again in the end. Where earlier seasons had depended on creating friction between Deborah and Ava, this one was mostly of concord, their only real clash being Deborah’s decision, introduced late in the season, to end her life (in a clean, posh way); her climactic change of heart spared us a medical tearjerker, but, believe me, I shed plenty of tears along the way. Unlike most seasons of “Hacks,” the fifth and final was orchestrated very much as a feel-good experience — “Ted Lasso” has nothing on it. A fairy tale, almost, as you point out, full of fairy-tale endings and plot points that were as good as magic. It could be contrived and improbable and old-fashioned in its triumphs snatched from the jaws of defeat, and I completely loved it.

Deborah Vance (Jean Smart) didn’t get the Madison Square Garden show she imagined, but she did get one at Central Park.

(HBO Max)

McNamara: The series had a lot to say about a lot of things (including vengeful power brokers/network executives) that feel particularly pointed now. But I deeply appreciated that while underlining the real obstacles Deborah and Ava faced, the writers showcased and explored how the bad choices each women had made, and defended, also contributed to their situations. Obviously having the great Jean Smart in the driver’s seat helped a lot — she revealed the woman beneath the diva even in Deborah’s most outrageous actions. The writers did not shy away from calling attention to the blatant sexism female comedians faced (and continue to face) or how the “woke” women of Ava’s generation are often able to see that kind of injustice more clearly.

It was, as you say, more rom-com than morality play, and rom-coms are often based on discovering that the differences that initially divide are too often based on, well, to put it in its original form, pride and prejudice. So while there was some hilarious and spot-on commentary about intergenerational miscommunication, there was also a clear message of how important it is for people with vastly different experiences to listen to, and learn from each other, which also feels incredibly important at this moment in time, especially given the show’s essential, and deeply human, respect for creative work. What motivated Deborah and Ava, and virtually every character in “Hacks” — agent Jimmy (Downs), his assistant Kayla (Megan Stalter) and later Randi (Robby Hoffman); Deborah’s staff, including Marcus (Carl Clemons Hopkins), Damien (Mark Indelicato) and Josefina (Rose Abdoo) — was a belief in the importance, and difficulty, of the creative process. It’s something that is rarely, if ever, the work of a single individual — as Deborah finally acknowledges at the opening of the Diva casino. Or as Laurie Metcalf’s Weed makes clear in her hilarious monologue before the Central Park gig.

1

2

1. Creativity isn’t the work of a single individual: Damien (Mark Indelicato), Marcus (Carl Clemons-Hopkins) and Deborah (Jean Smart) at work on the casino. (HBO Max) 2. Deborah’s crew at her Central Park show. (HBO Max)

Lloyd: In a way Deborah’s speech summed up what we’d already been seeing through an especially generous season that served as “Hacks’” tribute to itself and its people. It was a party to which most every significant and many minor characters were invited, including Metcalf and McDonald; Luenell as comedian Miss Loretta; Poppy Liu as Deborah’s personal blackjack dealer, Kiki; Jane Adams as Ava’s mother, Nina; J. Smith-Cameron as Deborah’s estranged sister, Kathy; and Kaitlin Olson as Deborah’s daughter, DJ, who finally got her mom to partner with her on “The Amazing Race” and was allowed to sell her detachable earrings on QVC.

Gifts were distributed widely, including a previously unseen interview with Deborah’s late husband and co-star, Frank (Peter Strauss), giving her credit for their success — credit he had previously accepted for himself — and thus removing a giant thorn that drove the early plot. These kind-hearted acts of closure were performed both for the benefit of these very real, made-up people, and for We the Viewers, who have made them our family. Declarations, or at least demonstrations of love, were abundant, not merely between Deborah and Ava, with the characters acting as our proxies, feeling what we want them to feel, and what we feel for them ourselves. (There are moments this year when Einbinder — whose brilliance Smart could seem to outshine, but who was never less than an equal partner — absolutely killed me, just in the tender way she gazed upon Deborah.) That’s why it’s so hard to let go of a show like this, even when we know it’s time to say goodbye. You can only stretch an arc so far before it breaks.

McNamara: You’re right, of course. But I still want to see the “Hacks” movie.