guitarist

OASIS have confirmed the replacement for guitarist Paul ‘Bonehead’ Arthurs after he left the band’s tour to have cancer treatment.

The Manchester rockers have brought in Mike Moore from frontman Liam Gallagher‘s solo band for gigs in Asia and Australia.

A source told the Mirror: “Mike Moore has been playing for Liam since 2017 and so he knows plenty of the Oasis tunes from the solo gigs.

“It’s not a full time slot in the band and everyone wants Bonehead well and back but it’s a huge privilege for Mike and he’s excited to get on the stage.”

Moore has a long list of credits to his name including contributions to records by Baxter Dury, Duffy, Trampolene, James Arthur and Peter Doherty.

At the beginning of the month, Bonehead told fans in a social media post that he had been responding well to treatment for prostate cancer after being diagnosed at the start of 2025.

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The musician, 60, said he was moving onto the second phase of his treatment and as a result needed to miss a leg of the reunion tour.

His statement read: “Early this year I was diagnosed with prostate cancer.

“The good news is I’m responding really well to treatment, which meant I could be part of this incredible tour.

“Now, I am having to take a planned break for the next phase of my care, so I’ll be missing the gigs in Seoul, Tokyo, Melbourne and Sydney.

“I’m really sad to be missing these shows but I’m feeling good and will be back ready to go in time for South America.

“Have an amazing time if you’re going this month and I’ll see you back onstage with the band in November.”

He is due to return to the stage on November 15 in Buenos Aires for the first of the final five concerts of the tour.

Oasis shared the statement on X and added: “Wishing you all the best with your treatment Bonehead – we’ll see you back on stage in South America.”

Noel Gallagher’s daughter also Anais wished him well, commenting on Instagram: “We love you so much bonehead!” while Liam’s daughter Molly Moorish wrote: “Sending love!”

Bonehead was in the band from 1991 to 1999 and played on some of their biggest hits.

The musician then rejoined when they reunited for their hugely lucrative Oasis Live ‘25 Tour.

Bonehead, who has two children with his wife Kate, previously told in 2022 how he had been diagnosed with tonsil cancer, although he was later given the all-clear.

Ace Frehley, who played lead guitar as a founding member of the face-painted, blood-spitting, fire-breathing hard-rock band Kiss, died Thursday in Morristown, N.J. He was 74.

His death was announced by his family, which said he’d recently suffered a fall. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth,” the family said in a statement.

In his alter ego as the Spaceman, Frehley played with the original incarnation of Kiss for less than a decade, from 1973 — when he formed the group in New York with Paul Stanley, Gene Simmons and Peter Criss — until 1982, when he quit not long after Criss left. Yet he was instrumental to the creation of the band’s stomping and glittery sound as heard in songs like “Detroit Rock City,” “Rock and Roll All Nite,” “Strutter” and “I Was Made for Lovin’ You.” In the late ’70s, those hits — along with Kiss’ over-the-top live show — made the group an inescapable pop-cultural presence seen in comic books and on lunch boxes; today the group is widely viewed as an early pioneer of rock ’n’ roll merchandising.

A member of the Rock & Roll Hall of Fame, Frehley rejoined Kiss in 1996 for a highly successful reunion, then left again in 2002 to return to the solo career he’d started in the early ’80s. In 2023, Kiss completed what Simmons and Stanley called a farewell tour with a hometown show at New York’s Madison Square Garden.

This obituary will be updated.

Fair play to Leeds, they have really surprised and impressed me so far. There is a good balance to their team because they carry a threat and can dig in too.

Apart from a heavy defeat at Arsenal, they have been competitive in every game so far and their good start would have been even better but for late goals against Fulham and Bournemouth.

Even so, they have got more points than I expected at this stage and Daniel Farke deserves a lot of credit.

I think there were question marks over whether he could manage at this level because of his Premier League record with Norwich but, as I’ve said before, he never really had the squad there to be able to compete.

Tottenham have had a difficult week, having to fight back to rescue draws against Wolves and Bodo/Glimt, and this is going to be another tricky game for them.

I can actually see it ending in another draw for Spurs. At least they played in the Arctic Circle on Tuesday night rather than Wednesday but a lunchtime kick-off on Saturday is still far from ideal, and this Champions League campaign is going to stretch their squad.

Sutton’s prediction: 1-1

Rod’s prediction: I asked in my Leeds WhatsApp group about how much can I say we will win by before I sound like a lunatic, and they were all like ‘6-0’ but that is not going to happen! I want to say 4-1 but it will be a lot closer than that too.

I do think we will win, though, because Spurs don’t look that coherent as a team yet. Also, Elland Road is a fortress and the home crowd will just about get us over the line. 2-1

Rod’s favourite Leeds players: Gary Speed was a real hero of mine. I am from a Welsh family so he was absolutely my favourite player when I was growing up. Gary McAllister and Gordon Strachan were fantastic too, and a certain Frenchman who was also part of our title-winning team that I can’t really talk about now.

Speed was the one, though, right up until Alan Smith came through – but then he ended up going to the wrong place as well!

AI’s prediction: 1-2

Brent Hinds, who sang and played guitar in the Grammy-winning metal band Mastodon until he left the group this year, died Wednesday night in a motorcycle crash in Atlanta. He was 51.

His death was reported by Atlanta’s WANF, which cited a police report that said Hinds was riding a Harley-Davidson motorcycle when he was struck by an SUV whose driver had failed to yield while making a turn. Hinds was pronounced dead at the scene, police said.

In an Instagram post, Hinds’ former bandmates said they were “in a state of unfathomable sadness and grief” and that they were “still trying to process the loss of this creative force with whom we’ve shared so many triumphs, milestones, and the creation of music that has touched the hearts of so many.”

Known for its complicated riffs and its high-concept storytelling, Mastodon built a large and devoted audience with intricately plotted albums about illness, suicide and “Moby-Dick.” The band’s music drew clear inspiration from Black Sabbath and Slayer and influenced subsequent metal acts like Baroness and Pallbearer.

Yet Bill Kelliher, Mastodon’s other guitarist, said, “We’re not really a metal band,” during an interview with The Times in 2017. “I feel we’re more like a really heavy, groovy rock band with some prog elements and some pretty deep emotional lyrics. They’re loosely based on tragedy and things that really shake up human beings in real life.”

Mastodon formed in 2000 and made two albums for the respected indie label Relapse Records — including 2004’s “Moby-Dick”-steeped “Leviathan,” which Hinds told the New York Times allegorized “the struggle between man and music” — before signing to the Warner Music imprint Reprise for 2006’s “Blood Mountain,” which earned a Grammy nomination for best metal performance.

The band — in which Hinds, bassist Troy Sanders and drummer Brann Dailor took turns as lead singer — made five more LPs for Reprise; “Sultan’s Curse,” from 2017’s “Emperor of Sand,” won a Grammy for best metal performance. Mastodon’s most recent album, “Hushed and Grim,” came out in 2021.

Hinds grew up in Birmingham, Ala., where he learned to play the banjo before turning to guitar. In a 2009 interview with the Guardian, he described his younger self as “a total hellion” and said he was “very dysfunctional at school.” He added that he would “take LSD and come to class still tripping. I was too creative, never doing my homework, just filling my notepad up with drawings of skulls.”

He met Sanders when the latter came to Birmingham to play with an earlier band; Hinds soon moved to Atlanta to make music with Sanders, then the two formed Mastodon with Kelliher and Dailor. In 2009, Mastodon played the Coachella festival and toured with Metallica; six years later, Hinds appeared as an extra in an episode of HBO’s “Game of Thrones.”

In March, Mastodon announced that Hinds had left the band in a statement that said they’d “mutually decided to part ways.” Yet Hinds later wrote on Instagram that his former bandmates, whom he called “horrible humans,” had fired him “for embarrassing them for being who I am.” He went on to accuse them of using Auto-Tune in the studio and said he had “never met three people that were so full of themselves.”

Information on Hinds’ survivors wasn’t immediately available.

It’s another dry, sweltering morning in Las Vegas, and the guitarist Zoltan Bathory has just left his Gothic castle. Bearded and dressed in black, with a bundle of dreadlocks piled high on his head, he’s now piloting a small boat across a man-made lake filled with tap water, on his way to breakfast at a nearby café.

The newly renovated replica castle is a recent project and perk of Bathory’s 20-year career as guitarist and founder of the multiplatinum heavy metal band Five Finger Death Punch. But last year, as the metal act began planning to celebrate those two decades of action, Bathory discovered that their longtime former label, Prospect Park, had quietly sold the masters to the first seven 5FDP albums.

The group, which retained 50% ownership in the masters but not “administrative rights,” was not informed before the sale.

“We were not privy to the deal. It was completely behind curtains. That’s the annoying part of this,” says Bathory. “I wish they had a conversation because we could have done a deal together, or maybe we would have bought it. We didn’t even get an option. We found out from somebody else. Well, wait a minute, what’s going on?”

With that anniversary coming up in 2025, 5FDP adjusted after finding inspiration in the example of pop superstar Taylor Swift, who responded to the sale of her catalog with a hugely successful series of “Taylor’s Version” rerecordings of entire albums. Swift re-created four of her records, each one topping the Billboard Top 200, before she finally bought back the rights to her catalog this year.

Five Finger Death Punch decided to follow that lead, and in January began rerecording the band’s most popular songs. The first batch of new recordings arrived under the title “20 Years of Five Finger Death Punch — Best of Volume 1,” released Friday, to be followed by “Best of Volume 2” later this year.

“When this happened, it came up immediately: ‘Well, this happened to Taylor and what did she do?’” Bathory says of the plan. “She battle-tested it. And she’s a big artist. ‘OK, that’s your move? Now this is our move.’”

It is just the latest chapter in a sometimes turbulent career for the musicians, as the band rose to become one of the most successful hard rock/metal bands of their generation, boasting 12 billion streams, surpassed only by Metallica and AC/DC. During its first decade, 5FDP released four platinum-selling albums in the U.S., beginning with its second release, 2009’s explosive “War Is the Answer.”

The unexpected sale of their masters — to the independent music publisher Spirit Music Group — was perhaps the final round in a frequently contentious relationship with Prospect Park founder Jeff Kwatinetz. In 2016, the label sued Five Finger Death Punch in Los Angeles Superior Court, alleging breach of contract over a coming greatest hits package and the recording of a new album.

That lawsuit got ugly, including an accusation in its initial filing that the band was “attempting to cash in before the anticipated downfall of their addicted bandmate,” a blunt reference to singer Ivan L. Moody’s period of self-destruction at the time. The band countersued. The cases were settled out of court the following year.

A request for comment sent to Kwatinetz through his attorney was not returned by press time, but he told Billboard last month that the band’s current management stopped cooperating, so “I sold my half.”

As he settles into the small lakeside café over a glass of organic matcha tea and avocado toast, Bathory expresses little real anger over the suits and the sale, and looks back cheerfully at the band’s long relationship with the label. The guitarist says he actually enjoyed their heated discussions, reflecting not only their conflicts of the moment, but a shared history as the band rose from clubs on the Sunset Strip to stadiums around the world.

“With our former label president, this is probably the funniest relationship. In the past, we were suing each other for various [issues],” Bathory says with a smile. “We get on the phone, and we’re talking about a lawsuit, and he’s like, ‘You guys lost this injunction.’ And I’m like, ‘Oh, f— you.’ ‘Oh, f— you!’ We had this back and forth, and then it’s ‘How’s the kids?’ And then we just talk about albums and music and whatnot for like an hour.

“And then, ‘OK, see you in court.’ ‘F— you,’” he adds with a laugh. “It’s a game of life. And I believe in the way of the samurai. The saddest day in the samurai’s life is when your worst opponent dies, because that’s the guy who kept you on your toes.”

Sessions for the new recordings unfolded quickly from 5FDP’s current lineup that also includes baseball bat-wielding singer Moody, longtime bassist Chris Kael, and two newer members, drummer Charlie Engen and lead guitarist Andy James.

The musicians recorded their parts separately, re-creating songs some of them had by now performed live nearly 1,000 times around the world. The resulting tracks are not exact replicas of the originals, but are faithful to their spirit while leaving room for the natural evolution that happens through years of touring.

The result on “Best of Volume 1” is a potent representation of the band’s history, opening with the snarling riffs of “Under and Over It.” The first volume includes 13 rerecordings and three live tracks. When played side-by-side with the originals, the new self-produced songs never sound like tired retreads but are powered by some contemporary fire in the band’s performances.

The first public glimpse in the project was a rerecording of “I Refuse,” a power ballad from 2018, this time as a duet with Maria Brink (of In This Moment), released as a single in May.

Once news of the project, and its inspiration, began to spread, Five Finger Death Punch began to hear from a new constituency: Swifties.

“What’s kind of crazy is that I see Taylor Swift’s fans on our social media and bulletin board going, ‘Yeah!’ That’s the most bizarre thing,” Bathory says of the new voices cheering the band forward. “We are so far away from each other in style. But it seems like it hit a chord. I guess people who don’t necessarily understand or are privy to the music business and how it works still feel like this is not right.”

While the band is also six songs into recording its next album of new material, Bathory says the new best-of recordings are expected to be fully embraced by the band’s famously intense following.

“Our fans are pretty hardcore,” Bathory says. “They’re very engaged, and they know exactly why we did this. So I think, just to support the band, they will switch [their allegiance to the newer versions] anyway. But these recordings are going to live next to each other.”

Founded in 2005, Five Finger Death Punch was the culmination of the rock star dreams of Bathory that began as teen in Hungary, first as a fan of British punk rock, before turning to metal after discovering Iron Maiden (with early singer Paul Di’Anno). He built his own electric guitar to look like one used by the L.A. heavy metal band W.A.S.P., with a skull-and-crossbones painted onto the surface.

Rock music wasn’t played on TV or the radio in the then-communist country, so Bathory and his friends traded cassette tapes of any punk and metal they got their hands on. “Somebody always somehow smuggled in a record, and we would all copy it,” he remembers. “It created this subculture where we didn’t just look at it as music. It was the sound of the rebellion.”

Bathory also dressed the part, drawing attention for his Def Leppard T-shirt with the Union Jack flag, studded leather jackets and belts, and long hair. Kids who adopted that look and spoke in the language of Western hard rock actually risked arrest, he says.

“I’ve been chased around by the cops so many times,” he recalls with a laugh.

By his early 20s, Bathory moved to New York City with his guitar, about $1,000 in his pocket, and no English-speaking skills. While living in low-budget squalor, he slowly taught himself English, first by translating a random copy of the Stephen King novella “Rita Hayworth and Shawshank Redemption.” He played with bands that got nowhere, and after six years relocated to Los Angeles, and things started to change.

For a year, he played bass in the L.A. hard rock band U.P.O., which enjoyed some chart success, then formed Five Finger Death Punch, with a name inspired by the 1972 kung fu film “Five Fingers of Death” and Quentin Tarantino’s two “Kill Bill” epics.

Zoltan Bathory, founder and guitarist of the heavy metal band Five Finger Death Punch, pilots a small boat on the man-made lake outside his Las Vegas house.

(Steve Appleford)

“I knew exactly what I wanted. There was a vision,” says Bathory.

That vision got clearer when he first saw singer Moody performing with the nu metal band Motograter. It was Bathory’s good fortune that Motograter would soon break up. He reached out to Moody in Denver.

“He was special — his performance, his voice. That star quality thing is a real thing,” notes Bathory of the growling, emotional singer. “You could tell he was a rock star, right? I’m like, OK, that’s the guy.”

In their first years as a band, the quintet played more than 200 shows annually. “We played every little stage that exists,” Bathory says.

Sitting beside the guitarist now in the café is Jackie Kajzer, also known as radio DJ Full Metal Jackie, who first spotted the band on MySpace. She soon caught an early set at the Whisky a Go Go and was immediately sold on their sound and potential. She was also a junior manager at the Firm, a leading management company at the time representing Korn, Limp Bizkit and Linkin Park.

Kajzer urged the company to sign the ominously-named Five Finger Death Punch, and after two showcase performances on the Strip, it did. The metal band was soon added to the side stage of the high-profile 2007 Family Values Tour, followed the next year by the traveling Mayhem Festival, leaving a powerful impression among new fans and fellow artists.

“When you find something that makes you feel something, it makes it worth fighting for,” says Kajzer, who has remained part of the band’s management team ever since, now at 10th Street Entertainment. “I had never felt it before. PS: I’ve never really felt that again, that same early feeling. You believe in it and you want to shake everyone else and make them get it as well.”

Five Finger Death Punch’s recording career began by uploading a few songs at a time — early versions of “Bleeding,” “Salvation,” and “The Way of The Fist” — to MySpace, then an essential platform for new acts, or what Bathory now remembers with a laugh as “the center of the universe.”

“It was extremely hard, but in the beginning we knew we had something because there was this instant interaction,” Bathory says of fan response. “We were all in bands before — many, many bands. We all recognized that, OK, there’s something different here. We didn’t have to convince people. It just started happening and it was growing really fast.”

Zoltan Bathory, stands beneath a Turkish lamp in his Las Vegas house.

(Steve Appleford)

“The ones that make it, they’re here for decade after decade,” he says of the larger metal scene, which enjoys a seemingly eternal audience. “The family [of fans] is extremely loyal and they’re there forever. Once you’re in, you’re in.”

The band’s first album, 2007’s “The Way of the Fist,” was largely recorded in Bathory’s apartment near the Sunset Strip. It reached halfway up the Billboard Top 200 album chart and eventually went gold, with 500,000 copies sold. While even greater success follower, there has also been the usual ups and downs in the life of a metal band, with group members coming and going, troubles with substance abuse, and arguments over creative choices.

After two decades together, the singer and the guitarist have survived.

“It’s still a tornado. It’s a band, a bunch of guys, so I don’t think it’s ever going to change. We built this freaking thing like it was a battleship,” says Bathory with a grin, sitting in the castle beneath an ornate Turkish lamp.

“It’s always going to be that we fight and argue, but at the end of the day, we always figure things out. We always climb the next mountain.”