guide

Hardcover fiction

1. The Correspondent by Virginia Evans (Crown: $28) A lifelong letter writer reckons with a painful past.

2. Kin by Tayari Jones (Knopf: $32) The bond between two lifelong friends in the South is tested as they take different paths in life.

3. Vigil by George Saunders (Random House: $28) A spirit guide must shepherd the soul of a dying, unrepentant oil tycoon into the afterlife as he confronts his legacy of corporate greed all while supernatural visitors demand a reckoning.

4. Heart the Lover by Lily King (Grove Press: $28) A woman reflects on a youthful love triangle and its consequences.

5. Lost Lambs by Madeline Cash (Farrar, Straus & Giroux: $28) A family comes undone in a small coastal town.

6. Once and Again by Rebecca Serle (Atria Books: $27) A family of women have an astonishing gift: The ability to redo one moment in their lives.

7. Judge Stone by James Patterson and Viola Davis (Little, Brown & Co.: $32) The bestselling author and Oscar-winning actor team up for a small-town legal thriller.

8. Lady Tremaine by Rachel Hochhauser (St. Martin’s Press: $29) A reimagining of the myth of the evil stepmother at the heart of “Cinderella.”

9. Sisters in Yellow by Mieko Kawakami (Knopf: $30) The tumultuous bonds of sisterhood are explored in the gritty Tokyo of the 1990s.

10. Brawler by Lauren Groff (Riverhead Books: $29) A collection of short stories tackling the relentless battle between humanity’s dark and light angels.

…

Hardcover nonfiction

1. The Best Dog in the World by Alice Hoffman (editor) Fourteen authors celebrate the life-changing bond with their canine companions in a collection of essays. (Scribner: $22)

2. Strangers by Belle Burden (The Dial Press: $30) A woman explores her marriage, its end and the man she thought she knew.

3. A World Appears by Michael Pollan (Penguin Press: $32) An exploration of consciousness and a meditation on the essence of our humanity.

4. You with the Sad Eyes by Christina Applegate (Little, Brown & Co.: $32) The actor opens up about her tumultuous childhood, her five-decade-long career and the MS diagnosis that upended it all.

5. Young Man in a Hurry by Gavin Newsom (Penguin Press: $30) The California governor tells his origin story.

6. Good Writing by Neal Allen and Anne Lamott (Avery: $27) Two writers show you how to turn a worthy sentence into a memorable one.

7. One Day, Everyone Will Have Always Been Against This by Omar El Akkad (Knopf: $28) Reckoning with what it means to live in a West that betrays its values.

8. Mobilize by Shyam Sankar, Madeline Hart (Bombardier Books: $30) A Palantir executive’s call to strengthen America’s industrial base.

9. Kids, Wait Till You Hear This! by Liza Minnelli (Grand Central Publishing: $36) The entertainment legend shares her story.

10. Stay Alive by Ian Buruma (Penguin Press: $35) An account of life in Berlin from 1939 to 1945 under a murderous regime.

…

Paperback fiction

1. Project Hail Mary by Andy Weir (Ballantine: $22)

2. Theo of Golden by Allen Levi (Atria Books: $20)

3. Heated Rivalry by Rachel Reid (Carina Press: $19)

4. Dungeon Crawler Carl by Matt Dinniman (Ace: $20)

5. The Lion Women of Tehran by Marjan Kamali (Gallery Books: $19)

6. The Antidote by Karen Russell (Vintage: $19)

7. Hamnet by Maggie O’Farrell (Vintage: $19)

8. I Who Have Never Known Men by Jacqueline Harpman (Transit Books: $17)

9. Stone Yard Devotional by Charlotte Wood (Riverhead Books: $19)

10. The God of the Woods by Liz Moore (Riverhead Books: $19)

…

Paperback nonfiction

1. The Demon of Unrest by Erik Larson (Crown: $22)

2. Raising Hare by Chloe Dalton (Vintage: $21)

3. The Art Thief by Michael Finkel (Vintage: $18)

4. All About Love by bell hooks (William Morrow Paperbacks: $17)

5. The Beginning Comes After the End by Rebecca Solnit (Haymarket Books: $17)

6. Miracles and Wonder by Elaine Pagels (Vintage: $20)

7. On Tyranny by Timothy Snyder (Crown: $14)

8. The Wager by David Grann (Vintage: $21)

9. The Backyard Bird Chronicles by Amy Tan (Knopf: $36)

10. I’m Glad My Mom Died by Jennette McCurdy (Simon & Schuster: $20)

The line at Holbox during the midweek lunch hour has become a cultural sensation, a queue of locals and visitors trailing past the automatic doors and around the parking lot like devotees angling for the latest iPhone series or limited-release sneakers. Believe the lauds, including ours when we named Holbox as The Times’ 2023 Restaurant of the Year. Gilberto Cetina’s command of mariscos is unmatched in Southern California – his ceviches, aguachiles and tostadas revolutionary in their freshness and jigsaw-intricate flavors. The smoked kanpachi taco alone — clinched with queso Chihuahua and finished with salsa cruda, avocado and drizzles of peanut salsa macha — is one of the most sophisticated things to eat in Los Angeles.

Holbox could be considered for the top ranking on its own strength. But in a year when disasters tore at our city, honoring the power of community feels more urgent than ever. Cetina’s seafood counter doesn’t thrive in a vacuum. Holbox resides inside the Mercado La Paloma in South L.A. The mercado is the economic-development arm of the Esperanza Community Housing Corp., a nonprofit organization founded in 1989 that counts affordable housing and equitable healthcare among its core missions. When the mercado was in the incubation stage, Esperanza’s executive director Nancy Ibrahim interviewed would-be restaurateurs about their challenges and hopes in starting a business. Among the candidates was Cetina’s father, Gilberto Sr., who proposed a stall serving his family’s regionally specific dishes from the Yucatán. Their venture, Chichén Itzá, was among the eight startups when the mercado opened in a former garment factory nearly 25 years ago, in February 2001.

Step into the 35,000-square-foot market today, and the smell of corn warms the senses. Fátima Juárez chose masa as her medium when she began working with Cetina at Holbox in 2017. Komal, the venue she opened last year with her husband, Conrado Rivera, is the only molino in L.A. grinding and nixtamalizing heirloom corn varieties daily. Among her deceptively spare menu of mostly quesadillas and tacos, start with the extraordinary quesadilla de flor de calabaza, a creased blue corn tortilla, bound by melted quesillo, arrayed with squash blossoms radiating like sunbeams.

Wander farther, past the communal sea of tiled tables between Holbox and Komal, to find jewels that first-timers or even regular visitors might overlook.

Taqueria Vista Hermosa, run by Raul Morales and his family, is the other remaining original tenant. Order an al pastor taco, or Morales’ specialty of Michoacan-style fish empapelado smothered in vegetables and wrapped in banana leaf. The lush, orange-scented cochinita pibil is the obvious choice next door at still-flourishing Chichén Itzá, but don’t overlook crackling kibi and the brunchy huevos motuleños over ham and black bean puree. The weekends-only tacos de barbacoa de chivo are our favorites at the stand called Oaxacalifornia, though we swing through any time for the piloncillo-sweetened café de olla and a scoop of smoked milk ice cream from its sibling juice and snack bar in the market’s center. Looking for the comfort of noodles? Try the pad see ew at Thai Corner Food Express in the far back.

The everyday and the exquisite; the fast and the formal (just try to score a reservation for Holbox’s twice-a-week tasting menu); a food hall and sanctuary for us all. Mercado La Paloma embodies the Los Angeles we love.

The TikTok Killer is currently streaming on Netflix and tells the shocking case of the murder of Esther Estepa, 42, and how the social media platform helped piece the tragedy together

Netflix’s chilling true crime documentary The TikTok Killer tells the horrifying story of 42-year-old Esther Estepa, whose final days were pieced together through TikTok videos, messages, and digital clues. It’s the kind of nightmare ripped straight from a thriller film – but Netflix ’s chilling true-crime documentary The TikTok Killer tells a story that is horrifyingly real.

The two-part series explores the murder of 42-year-old Esther Estepa – and the suspect at the centre of it, convicted killer-turned-TikTok influencer José Jurado Montilla. What unfolds is a disturbing case of deception, digital footprints and a man who appeared to be hiding in plain sight.

At the heart of the story is Esther – a free spirit with a love of travel. Raised in Seville, she left her hometown in 2013 to “spread her wings,” living a nomadic lifestyle across Spain while remaining incredibly close to her family – especially her mother, Josefa “Pepa” Pérez. They spoke every single day.

READ MORE: ‘I intervened in a London mugging and was praised in parliament but one thing must change’READ MORE: The Mean Girl Murders: Inside the terrifying murder of schoolgirl Skylar Neese by her friends

By 2022, Esther was trying to rebuild her life after leaving an allegedly abusive relationship. For a time, she stayed in women’s shelters across Spain, determined to start again. In August 2023, Esther met Montilla.

According to his account, the pair met at a hostel in Alicante and bonded over their shared nomadic lifestyle. They travelled together along Spain’s east coast, hiking for days and eventually reaching Gandía, near Valencia, around August 20.

He claimed their hiking journey ended when Esther became unwell, suffering from a swollen leg and severe headache, and that he accompanied her to a health centre before she left to meet friends. He insisted that was the last time he saw her.

Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.

On August 23, 2023, Esther’s mother received a string of bizarre WhatsApp messages. The texts claimed Esther was broke, living on the streets in Argentina and planning a new life in Buenos Aires. But Pepa immediately sensed something was wrong.

“She didn’t have any friends there,” she says in the documentary. “It made me doubt that it was her writing it.” When she tried to call, Esther’s phone went straight to voicemail.

Even more chillingly, Esther had left behind her beloved dogs – something her family insist she would never have done voluntarily. Suspicious and frightened, Pepa demanded a voice note; otherwise, she would go to the police. None came.

After that, contact stopped completely. On August 26, Esther was officially reported missing. Then came the phone call that would change everything. Out of the blue, Montilla contacted Esther’s family, claiming he last saw her on August 21 when she left to meet friends for a job in Castellón.

But instead of stepping back, he did something deeply unsettling. He kept calling. Asking about the investigation. And, most bizarrely of all, he began retracing their journey – posting videos about it on TikTok.

To Esther’s family, alarm bells rang. What ultimately began to shift the case was something distinctly modern. Investigators began analysing Esther’s digital footprint, alongside Montilla’s own online activity. TikTok videos, messages and geolocation data allowed police to reconstruct her final movements in remarkable detail.

Crucially, his own posts placed him with Esther – effectively documenting key moments himself. Director Héctor Muniente describes becoming transfixed by the footage, noting Montilla’s ability to switch emotions instantly – from warm and engaging to cold and detached.

“It feels like watching psychopathy unfold in real time,” he suggests. For months, the case appeared to go cold. Then came a grim breakthrough.

Partial human remains – including a skull – were first discovered in a remote area near Gandía, close to Bairén Castle and a canal junction in February 2024. At the time, their identity was unknown.

It wasn’t until June 21, 2024, when further remains were found in the same location, that the full horror became clear. DNA testing later confirmed they belonged to Esther Estepa. Medical experts concluded she had died from blunt force trauma to the head.

As suspicion grew, a far darker picture of Montilla emerged. The man who had presented himself as a reflective travel influencer had, in fact, spent decades behind bars for a string of brutal killings in the 1980s in the Málaga region.

Between 1985 and 1987, he carried out four murders. For these crimes, he was sentenced to 123 years in prison. However, he was released in December 2013 after serving 28 years, following a European Court of Human Rights ruling on Spain’s “Parot Doctrine,” which changed how sentencing reductions were applied.

By the time Esther’s remains were identified, Montilla was already in custody. He had been arrested in connection with the murder of a 21-year-old student in Málaga, who was found shot in the back and neck on a family farm. DNA found on the victim’s backpack ultimately linked back to his family tree.

Prosecutors now allege that evidence recovered from his phone connects him to Esther’s assault and murder, including chilling photos and videos of a woman’s body hidden inside a sleeping bag in a remote field.

Despite this, he denies any involvement. Investigators also relied heavily on digital evidence throughout the case – not just Esther’s data, but Montilla’s own social media activity, which helped place him with her.

As of March 2026, José Jurado Montilla remains behind bars in Spain, awaiting trial for the murders of Esther Estepa and a 21-year-old man in Málaga — allegations he continues to deny.

It is a case study in manipulation — and a chilling warning about trusting online personas. A man who appeared calm, reflective and charismatic on screen, while allegedly committing acts of extreme violence, and someone who built a false, carefully curated online identity.

Perhaps the most unsettling aspect of The TikTok Killer is how ordinary everything appeared on the surface. He wasn’t hiding. He was posting videos. Gaining followers. Telling stories. All the while, investigators allege, concealing a far darker reality.

For Esther’s loved ones, this is more than a documentary. It’s a fight for answers. They became investigators themselves – analysing footage, tracking movements and refusing to let her story disappear.

But questions remain. What really happened in those final hours? And could there be more victims? Because while José Jurado Montilla documented his journey online, Esther Estepa was unknowingly living out her final days.

And for her family, the truth that followed was more devastating than they could ever have imagined.

The TikTok killer is available to stream on Netflix now.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Culture – Shelby murals and Sabbath shrines

The runaway success of the TV crime drama Peaky Blinders has been credited with boosting tourism to Birmingham and the West Midlands since it first aired in 2013, even though much of the series was actually shot farther north, in Merseyside, Yorkshire and Manchester. The release this week of the Peaky Blinders movie The Immortal Man (much of which was filmed in and around Birmingham this time) will undoubtedly generate a new wave of interest, particularly in the Black Country Living Museum in nearby Dudley, whose authentic recreations of streets, houses and industrial workshops appear in key scenes in the TV show and the film – most notably as the location for Charlie Strong’s yard (pictured below).

At the Digbeth Loc. Studios, where much of the new movie was shot, fans can also see Peaky Blinders murals created by artist Mr Murals. A walking tour of the city with a guide dressed as “Edward Shelby” (from £20pp, viator.com) is well worth a couple of hours, while historic mugshots, artefacts and the original cells in which members of the real-life Peaky Blinders gang were once held are now on show at West Midlands Police Museum.

The city has also become something of a pilgrimage site for heavy metal fans, especially since the final Black Sabbath concert at Villa Park last summer and Ozzy Osbourne’s passing just over two weeks later. There are Ozzy and Sabbath landmarks all around the city, including another of Mr Murals’ artworks on Navigation Street, near New Street station, which all four members of the band visited and signed ahead of the concert. A couple of minutes’ walk away is The Crown pub (now sadly closed) where Sabbath played their first gig and heavy metal was born out of Brum’s industrial clank. Sabbath also feature on murals outside Scruffy Murphy’s rock pub and beside Birmingham coach station in Digbeth – and no pilgrimage would be complete without a visit to Black Sabbath Bridge on Broad Street, where Ozzy’s widow, Sharon, and children Aimee, Kelly and Jack laid flowers during his funeral procession.

Birmingham’s metal connection doesn’t end there – the Jewellery Quarter is a pilgrimage site of a different type, mainly for couples looking for wedding bands. It’s said to house Europe’s largest concentration of jewellers and produce 40% of the UK’s jewellery; the FA Cup was even produced there. The quarter also boasts quirky attractions such as the Pen Museum (Birmingham once produced 75% of the world’s pen nibs) and the UK’s last coffin furniture factory, The Coffin Works, now a museum, whose long history includes decorative coffin fittings for the funerals of Diana, Princess of Wales, and the queen mother, among many others.

Where to eat – from fried chicken to fine dining

In the city centre, John Bright Street is a great place to start – brunch at kitsch indie cafe-bar Cherry Reds is a good shout, while cider and speciality sourdough pizza spot The Stable remains underrated. Save some room for grungy, rock-themed fried chicken joint Bonehead, on the adjacent Lower Severn Street – a hangout for the Osbournes, Slipknot, Jason Momoa and Mogwai in recent times. In the Jewellery Quarter, the Saint Paul’s Market food hall has seven indie kitchens, including Persian, Indian, Thai and more.

Birmingham is also a city of fine dining – in 2019, Opheem became the first Indian restaurant outside London to be awarded a Michelin star; it now has two. Meanwhile, the Jewellery Quarter’s inherently alternative, goth-black restaurant (housed within a former factory, of course) The Wilderness has just won its first Michelin star, taking the city’s total to five. Chef-owner Alex Claridge cooks modern British fare using seasonal ingredients, such as rhubarb and rocket, that probably shouldn’t sit on the same plate, but pair surprisingly well. His menus are designed to surprise and provoke the senses – as is the heavy rock playlist.

Where to drink – from a pint of mild to craft beers

It feels like every family in Birmingham once had someone working at one of its famous breweries, Mitchells & Butlers or Ansells. It’s therefore no surprise that pub culture remains very much alive in a city that birthed one of the region’s classic pints: M&B mild. Traditional pubs serving similar ales from around Birmingham and the West Midlands pepper the city – try Black Country Ales’ pubs The Craven Arms, The Jewellers Arms and The Wellington for starters. And don’t forget to order a cheese and onion cob to go with your pint for the full West Midlands experience.

The modern craft beer revolution is also very much alive in the city, with Attic Brew Co.’s Intuition most definitely the most poured craft pint in Brum (cans are also stocked on CrossCountry trains). Sample their wares at their central taproom, The Barrel Store.

Nightlife – from Irish boozers to experimental music

Much of Birmingham’s best nightlife can be found in Digbeth, the city’s original Irish quarter (where the Peaky Blinders also once roamed). Pubs such as Nortons, The Old Crown, Cleary’s and The Anchor offer some of the best Guinness, trad music sessions and craic this side of the Irish Sea. Digbeth is also the city’s creative quarter, and home to experimental concert promoter Capsule, which brings equal parts peculiar and brilliant musicians to Brum, who might otherwise skip the region completely. Keep an eye out for Capsule’s Supersonic festival, an award-winning event running since 2003 and scheduled for 25-26 April this year, that takes over venues in Digbeth. One such is Centrala, an experimental arts centre and exhibition space that supports central and eastern European migrant communities.

After hours, dance to northern soul at The Night Owl, or head to venues such as Dead Wax, Suki10c, Lab11 and Mama Roux’s for parties ranging in genre from house to jungle.

Stirchley – the hispter hotspot for cocktails and breweries

A 10-minute train ride south of New Street station is Stirchley, a neighbourhood of award-winning indies that continues to thrive. Take Couch, for example, just named the UK’s number one at the 2026 Top 50 Cocktail Bars awards, and South African-British fusion restaurant Riverine Rabbit, which was recently awarded a Bib Gourmand by Michelin.

Stirchley is also known locally as the beer hub of the city, with three major brewers (Attic, Birmingham Brewing Company and GlassHouse) within a half-mile radius; all three have taprooms. In keeping with Birmingham’s liking for a pint or few, the Stirchley Beer Mile takes in those three plus two award-winning bottle shops and at least 10 pubs and bars on an easy walk between Stirchley and Cotteridge. Don’t miss Bonehead’s dive bar Deadbeat, a similarly grungy rock bar that sells Pabst Blue Ribbon on tap and often hosts NYC-style pizza slice pop-ups.

Where to stay – Georgian hotels and modern townhouses

Boutique hotel Saint Pauls House in the Jewellery Quarter (doubles from £99) sits on the city’s last remaining Georgian square and offers comfortable rooms, waterfall showers and plush beds. Or stay around the corner at the modern Frederick Street Townhouse (doubles from £99), which is connected to the popular Button Factory pub.