guest

A few weeks after the anniversary of her mother’s death, Ronni Minnis received an email invitation to Sweet Antelope, a storytelling-themed supper club. The evening’s theme was grief, a subject that felt especially poignant to Minnis as she continued to mourn her mother. After a meditation in an attic, she sat down to an elaborate candlelit dinner and shared stories of her grief with strangers. “It was extraordinary,” she says.

The experience left Minnis eager to return. Tonight, she’s back, this time with her husband, Michael Minnis, whose birthday she’s celebrating in an unusual way. She surprised him by bringing him to the supper club. “Surprise! You’re spending your birthday with strangers,” she jokes at the dinner table, where pink dahlias cut from the home garden fill the table.

A card of intention burns in the fire at the Sweet Antelope supper club hosted by Kristina Robbins.

A guest reads a dinner placard.

Tonight’s theme is “goodbye,” setting the stage for conversations that veer into the provocative and sentimental, moving beyond pleasantries and small talk.

Kristina Robbins created Sweet Antelope in 2023, hosting the storytelling-based supper club in her West Adams home. Each month, she invites mostly strangers to share personal stories over four-course meals prepared with ingredients from her garden and local farms. “All the herbs from last night were from my garden. All the flowers were from my garden,” she says.

Robbins has always loved throwing parties. When her children moved out, she began wondering where to direct her energy. Sweet Antelope became an outlet for her passion for hosting and an expression of her belief that people need deeper connections with one another through storytelling. The name originated from a nickname her husband gave her — an adorable little creature, yet one that still wields its horns.

Guests huddle by a fire in the backyard at the Sweet Antelope Supper Club.

“We’ve really forgotten that, as human beings, we are wired to ground ourselves through our connection to other people,” she says.

For Robbins, the dinners offer something beyond good food and conversation. At a time when she sees people becoming increasingly reluctant to talk to strangers, Sweet Antelope creates space for vulnerability that she believes many people’s lives lack.

“This was the most perfect expression of what I feel is missing from a lot of people’s lives, and I felt uniquely able to offer it,” she adds.

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1. Guido Lois prepares dinner during the Sweet Antelope supper club. 2. Short ribs. 3. Seasonal soup.

Guests arrive beneath bougainvillea vines bursting with vivid pink blooms and are ushered through Robbins’ historic Craftsman-style home, built in 1908 and owned by her family since 2014. In the kitchen, chefs prepare an elaborate four-course meal. Outside, guests sip blackberry tequila spritzes and explore the garden before joining a ritual tied to the evening’s theme: Each receives a wooden totem and tosses it into the fire pit as a symbolic goodbye to something in their life.

Eleanor Bigelow and Tom Paper traveled from San Francisco to attend the supper club. They had met Kristina 30 years earlier through an improv troupe in San Francisco. “She was super talented and the kind of person who you remember after 30 years,” says Bigelow.

Cards of intention are available for guests as they arrive.

As performers who had toured a show at the Edinburgh Fringe Festival, they were intrigued when they heard about an event that married a culinary experience with storytelling. “We decided to come here because we both are really into organic food and the idea of learning to be better storytellers,” says Bigelow.

Tonight’s featured storyteller is Madeline Walter, who co-runs the popular storytelling show “Essays” with her brother, Evan Walters. Robbins reached out to the siblings and invited Madeline to read at tonight’s supper club.

“It felt very similar to ‘Essays’ in that she is interested in building a community and an exciting live event that is just not what you see every day,” says Walter.

Before introducing the storyteller, Robbins explains that after she announces the theme, every guest will have a chance to tell their own story at dinner. The dinner, she says, is a chance to “connect with people over something other than what we do for a living and where our kids go to school.”

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1. Guests listen to Madeline Walters read an essay. (Lauren Justice/For The Times) 2. Madeline Walters shares a story at Sweet Antelope.

Madeline takes the stage and begins reading her essay about imagining her “Manhattan-feral” husband’s life in the event of her untimely death. She mainly envisions that her husband would not “know where we keep the majority of things in our home.” It elicits laughter from the dinner party guests. “I need to announce that I’m leaving to open myself up and remind myself that time is limited, and I can operate with a little more freedom,” she concludes.

After the reading, guests make their way to one of three candlelit tables inside the Craftsman home. Each person has an assigned seat and a number indicating when it’s their turn to share a story. A placard on the table offers prompts to start the conversation: “Tell us about a goodbye you’ll never forget.”

For Robbins, the moments that follow reveal something special about the gatherings. When strangers sit together and move beyond small talk, she says, unexpected connections can emerge. “We share experiences that become launching pads for conversation,” she says. “Some people go funny, some people go deep.”

No matter where guests sit, they’ll have a memorable conversation, Robbins explains. “At the end of the night, people will come up to me, and they’ll be like, ‘How did you know to seat me at that table?’ ” she says. “Everyone is convinced that they had the best table.”

Meanwhile, in the kitchen, chefs put the finishing touches on a melon, cucumber and tomato salad as guests prepare to share their own stories. What began as a small culinary operation has grown into a team of chefs who bring their own influences to the menu. “I hire on vibes — if they’re fun, have a great attitude and have a nurturing, calm presence, and are talented at what they do,” says Robbins.

Guests Nicole Montez, from left, Kerry Nicole and Terry Solomon have a good laugh.

Like the evening’s theme, the menu tells a story. From the melon salad to curried tomato soup and black garlic short rib (which one guest exclaims is “insane!”), each dish reflects a deliberate choice. “We are at the end of the melon season, so I definitely knew I wanted to do a melon dish before they disappeared,” says Robbins.

Her intimate dinners have garnered fans in the culinary world. Daphne Brogdon, who once co-owned the beloved Los Angeles restaurant Tar Pit and helped run operations at the legendary Campanile, is a longtime friend and one of tonight’s guests. “I think what she’s doing is even more important than ever,” says Brogdon, who believes that supper clubs can be an antidote to loneliness. “There’s a premium for being in real life.”

At the dinner tables, conversation flows freely, veering from cathartic discussions of women’s boundaries and dispatches from the psychic realm to memories of departed loved ones and a bizarre encounter with a disgraced rock star that elicits giggles and bewilderment. Fleetwood Mac plays softly in the background. Wine flows.

As the meal winds down, guest Katelyn Hindin says she doesn’t believe in goodbyes. “I think goodbyes are treated with reverence that they shouldn’t be,” she says before revealing a bittersweet story about a lost family member.

The supper club is hosted in a stunning L.A. Craftsman home built in 1908.

One of the dinner party guests, Mark Chervinsky, shares a story about receiving an organ transplant, which inspired him to start a nonprofit, Mark Here 4 Life, that advocates for organ donation after he connected with the mother of his donor.

Shortly afterward, Robbins floats through the room to invite guests into the garden for salted caramel pots de crème and lemon balm tea, “grown and dried here,” she adds.

Under the stars, guests swap numbers while sipping from toasty mugs. “The event was more profound than I ever expected, and a really wonderful way to get to know people very quickly,” says Jessica Hernández as she prepares to say her own reluctant goodbye.

Sweet Antelope’s next Storytelling Supper Club is Dec. 5, 5-9:30 p.m. Tickets are $185.

A Place In The Sun returned to screens with Ben Hillman back at the helm, but the search for Jacqueline’s dream home on the Greek island of Lefkada took an unexpected turn

A Place In The Sun took an uncomfortable twist when a prospective buyer chose to abandon the viewing after being presented with a particular property.

The popular Channel 4 programme returned on Tuesday (November 3) with Ben Hillman once again presenting. Searching for her ideal residence on the Greek island of Lefkada was Jacqueline, from Shropshire.

She was accompanied by sister-in-law Linda for the hunt and had a maximum budget of £302k for her perfect overseas home: a 2-3 bedroom property with a luxurious pool and scenic views. The hunt didn’t begin particularly well, but when it came to property number four, matters took an unforeseen direction.

The fourth property – which featured three bedrooms and two bathrooms – was merely 60 seconds from a beach. Yet immediately, Jacqueline highlighted how it was “a bit close to the road”. Ben agreed: “It’s a busy road, but think how quickly you could be to different places.”, reports the Express.

Linda then said: “It’s very pretty to look at. It’s an attractive-looking house.” However, Jacqueline added: “That traffic is quite noisy.” Ben asked: “Alright, then hit me with it. What do you want to do? Do you want to move on or investigate further?”.

But for Jacqueline she had witnessed sufficient and replied: “No, I think I’ll give this one a miss. The garden is small but it’s the noise of the traffic, I couldn’t get used to that. Definitely not.”

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Ben added: “It’s too much for you,” in which Jacqueline agreed: “Yeah.” In a voice-over, Ben admitted: “I am a bit disappointed that this beachside house isn’t right for my house hunters.”

Fans at home also reacted to the fourth property, with some slamming Ben for showing them a property so close to a busy road. On X, one person wrote: “What’s the point of showing them a house right next to such a busy junction. Very few people would settle for that noise.”

Someone else quipped: “Speak up Ben we can’t hear you for the traffic.” A third chimed in: “The noise from the road would drive me crazy.”

Another also said: “Instant nope, that is a super busy and loud road about 2ft from your house, there’s also barely any outside space and would you want to be outside with that road noise? Nah no ta.”

A Place In The Sun airs Monday to Friday at 6pm on Channel 4.

It’s the first week of November, and that means it’s officially the holiday season, which is my favorite time to visit our local theme parks. Disneyland is first out of the gate, unveiling its full slate of holiday programming on Nov. 13. Universal Studios Hollywood and Knott’s Berry Farm will follow the weekend of Nov. 20.

For many, it’s also a season of gift giving, which can be one of the most daunting parts of this time of year. Thankfully, our theme parks are here to help — enter any of them and it’s difficult to walk more than a few feet without passing a souvenir shop, stand or stall.

To celebrate the start of the holiday season — and to coincide with the launch of The Times’ extensive gift guide — I’ve decided to dedicate this newsletter to some of my favorite items currently available at our theme parks. A word of warning, however. I’m a bit of a dork for monorails, and I like silly things, so this list does possess a slight personal bias. But like our paper’s guides to stocking stuffers or unique, made-in-L.A. items, consider it primarily a source of inspiration.

Or a reminder, perhaps, to schedule a visit to one of our theme parks this holiday season and bring home a little gift for yourself.

Disneyland

My favorite new item available at Disneyland is essentially a flip book, albeit one styled as a vintage ‘50s-style TV with brown casing that can house multiple oversize flip books. Turn it on, and it springs into action, playing scenes from either “Steamboat Willie,” “The Sorcerer’s Apprentice” or “Flowers and Trees,” all classic pieces of Disney animation. The images unfold, of course, where the screen would be, and the set also plays music from the animated works. This Disney Animation Television (pictured above) is $99, and you can find it at Disney California Adventure’s Off the Page. It is a park exclusive.

I warned I was a monorail fiend, and new this year at the Disneyland Hotel is a collection from midcentury artist Scott “Scooter” Burroughs. I know many a Disneyland fan is a mug collector, so I’m highlighting this Burroughs-designed Disneyland Hotel item, which has the hotel’s vintage logo on one side, and Mickey and Minnie carrying luggage in front of one of the hotel’s towers and monorail on the other. The teal Disneyland Hotel coffee mug (pictured above), complete with an ornate Disney “D” handle, is $24.99 and available in the hotel’s gift shop.

I’m also showcasing the $24.99 monorail salt & pepper shakers (pictured above), which despite having been available for multiple years, remains my favorite gift at the resort. Yes, they’re in the style of Walt Disney World’s current monorails. but I love the mini track holder and smile every time I use them. Available throughout the resort, including Disney Home in Downtown Disney.

A new Fantasyland sweatshirt has arrived at Disneyland.

(Todd Martens / Los Angeles Times)

The Disneyland Resort has in recent years upped its fashion game. Too often I’d spy a shirt or sweatshirt I liked, and turn it around only to find the understated design on the front was paired with a garish creation on the back. Thankfully, the park seems to be moving away from that style, and this year debuted a gorgeous, restrained yet artful Fantasyland sweatshirt featuring a flying pirate galleon from “Peter Pan.” It’s $69.99 and available at multiple shops, including the Disneyland Hotel or the Emporium on Main Street, U.S.A. I love its minimal use of colors, pairing a creamy white with a royal blue.

For the last Disney item, I’m going to pivot slightly to include a selection from Walt Disney World. As I write this newsletter I’m listening to the newly released “Epcot” vinyl (pictured above), a two-LP set that spans the history of the Florida park. As someone who visited the park yearly as a child, it’s a nostalgic joy, featuring music from “Journey into Imagination,” “Universe of Energy,” “The Land” and more, but the primary keepers for me are some of the Future World instrumentals. This is available online from the Disney Music Emporium for $32.99.

Universal Studios

I can’t resist when Universal Studios Hollywood releases items that center the park’s tram tour. So I immediately wanted this King Kong plush (pictured above) that features the giant gorilla cradling a mini tram vehicle. This, in my mind, is a nod to the attraction when it featured a large animatronic of Kong that would create the illusion of rocking the ride vehicles, so in addition to being cuddly, it has a sort of vintage coolness. This park exclusive item is $30, and can be found in the Universal Studio Store near the entrance.

I don’t think the kitchen cupboard of any Universal Studios Hollywood fan is complete without a few pieces of the park’s retro glassware (pictured above). I have the one styled after the late great E.T. Adventure ride, which opened here in 1991 but sadly left the park in 2003. The ‘80s-style graphic cups have mini ride summaries. Each one is $10, and the park also has glassware styled after the “Back to the Future” ride (RIP) and the Kong section of the tram tour. The items can be found in the Universal Studio Store.

There’s a whole lot of Yoshi’s in this colorful shirt at Universal Studios Hollywood.

(Todd Martens / Los Angeles Times)

Universal Studios Hollywood is also the go-to shop for fans of the “Harry Potter” franchise and Nintendo. I’m a bigger fan of the latter, so I’m going to focus on a couple of my favorite Nintendo items. I’ve long been eyeing this Yoshi camp shirt, but I’m not yet persuaded I can pull it off; one of these days I’m sure I’ll be break down and buy the $75 item. I love its mix of green and pinks, and dig the soft, playful vibe. Plus, everyone adores Yoshi.

Universal Studios Hollywood’s mini-”Jaws” puzzle is an ideal stocking stuffer.

(Todd Martens / Los Angeles Times)

The park also has a fair amount of Nintendo toys, including Mario, Bowser and Yoshi, but I’m a big fan of the dancing Piranha Plant, which spins and rotates when exposed to noise. It’s $37 and a little goofy, but I can’t have plants in my apartment because my cat instantly destroys them, so I’m always on the prowl for toys that double as greenery.

The Universal Studio Store has small sections dedicated to a number of the films featured in the park, and I was smitten with this mini “Jaws” puzzle, which would make an excellent stocking stuffer for fans of the Steven Spielberg classic. It’s $15, comes in an easy-to-store capsule, and features bright, cartoonish poster art.

Knott’s Berry Farm

I love all things boysenberry and at any time throughout the year you can find numerous boysenberry items around my apartment. Lately, I’ve been using the park’s boysenberry cream hand soap, which sells for $16.99. Look for it at numerous shops at the theme park, including the main store just outside the park or the hotel gift shop. It does have a powerful berry fragrance, but I don’t mind as it allows me to pretend I’m spending the night at the park. If you can’t make it to the park, Knott’s sells a $12.99 boysenberry bath bomb online.

The boysenberry, a Knott’s creation, is a delight, a sort of midpoint between a blackberry and a raspberry, although sweeter than both. That’s why I never don’t have a jar of boysenberry jam (pictured above) on hand. They’re $12.99 and available pretty much everywhere at the park but also online. The boysenberry jam is a hearty jelly, its taste reminding me of fall, as it’s not a thin, easily-spreadable jam.

Knott’s stages its annual boysenberry fest each spring, and it’s always a good time to sample dozens of boysenberry-infused foods. Typically, I prefer a more subtle touch, which is why I’ve become a big fan of the park’s boysenberry pancake mix, which sells for $7.99 and is available throughout the park and online. Each bundle is good for a number of meals, although I tend to use more than the recommended dose for thicker, larger pancakes. It’s not a heavy boysenberry flavor, so if you want to go overboard you can pair them with boysenberry syrup, which sells for $12.99 per bottle.

While I focused on boysenberry items in this list, it would be derelict of me not to mention that Knott’s Berry Farm is a prime source for all things “Peanuts.” The boysenberry, however, is such a SoCal original that I’ve been known to visit the park for the sole purpose of snaring a boysenberry pie, which I should mention is a perfect Thanksgiving dessert.

This week in SoCal theme parks

Layoffs last week hit Disney’s experiences division, which oversees its theme parks.

(AaronP / Bauer-Griffin / GC Images)

• Layoffs hit Walt Disney Imagineering. Last week The Times revealed that just under 200 people would be cut from Disney’s experiences division, which includes Disney’s theme parks, cruise line and Aulani resort and spa in Hawaii. Many of those involved, sources say, were with Walt Disney Imagineering. None of the currently announced projects for the Disneyland Resort are believed to be affected.
• Another coaster is coming to Magic Mountain. Six Flags’ Valencia park is soon going to be home to ArieForce One, which previously resided at the now-shuttered Fun Spot America near Atlanta. Six Flags purchased the coaster earlier this year, but at the time did not announce where it would be relocated. Magic Mountain hopes to open ArieForce One in 2028, according to a park spokesperson. The news was first reported by Brady MacDonald of the OC Register.
• Express access comes to Fast & Furious: Hollywood Drift. Getting on Universal’s fancy new coaster will now be a little easier, at least for those who are willing to pay to skip the line. Universal Studios Hollywood is now selling a paid line-skipping pass for $19.95 per person. This will give you an entry time to return to the attraction.
• Happy holidays! The Disneyland Resort is giving us a beer stand. Set to open in the coming days at Disney California Adventure is Bountiful Valley Brews, a new beer stall that will also sell a pepperoni pizza egg roll. In addition to local ales, Bountiful Valley will also sell a margarita and a Southern whiskey peach tea. The kiosk will be located near the entrance to Avengers Campus.
• A new immersive experience is coming to Anaheim. TeamLab, the Japan-born, tech-heavy immersive art collective, is plotting its first permanent U.S. exhibition in Anaheim. The group, stylized as teamLab, is moving into a 110,000-square-foot space at OCVibe, the 100-acre mixed-use entertainment district currently in development near the Honda Center. The teamLab spot is not estimated to open until 2030, but a press release specifies this will be a new exhibition and not a re-creation of one of the collective’s popular international exhibits.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

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At a new luxury yacht club, boats will be outfitted with slatted decks, hulls and portholes, but they won’t be bobbing in a marina. Instead, they will be anchored to the dusty desert floor — in Joshua Tree.

Lucky Find Hospitality, a boutique hotel development and management firm, says the company is less than a year away from breaking ground on Compass Yacht Club, a nautical themed hotel where guests will stay in yachts designed to serve as hotel rooms. These rooms — specifically, 30 two-level luxury yachts and 28 boat houses — will be arranged in a circle around a central clubhouse that will feature a restaurant, bar and swimming pool, all just a five-minute drive from the entrance to the national park.

A rendering of one of the 58 boats that guests could book during their stay.

(Compass Yacht Club)

“You fall asleep in a yacht, wake up in the desert with a view of the mountains, and you’re a few minutes from one of the most beautiful national parks in the country,” said Nick Ovanessoff, managing director of the firm. “It sounds a little crazy, and that’s exactly why we love it.”

The improbable nautical-themed resort has been a long, hard labor of love, said Lucky Find Hospitality’s CEO, Rigel Bitterman. Born in Idyllwild and raised on a sailboat in San Diego, Bitterman grew up camping and rock climbing in Joshua Tree National Park. After helping to launch close to 40 boutique hotel projects around the globe, his company purchased a 23-acre parcel across the highway from Auto Camp in 2023. The team has been working ever since to clear the many geotechnical, biological and cultural hurdles that make developing anything in the high desert so challenging.

“It’s wild how long it takes to get things done out there,” Bitterman said.

A rendering of the interior of a room.

(Compass Yacht Club)

The property was already zoned for commercial use when Lucky Find Hospitality purchased it, but a section of the parcel is in a FEMA flood zone, which meant that the company had to work through the federal government as well as local municipalities to obtain permits and entitlements. Lucky Find has also prioritized environmentally friendly development processes, spending extra time to ensure that the Compass Yacht Club will use minimal water and be constructed of sustainable materials. To cause minimal impact on the environment, the yachts will be built off-site and placed on the desert floor by a massive crane.

Yet another challenge came from the local community, which has historically been hostile to new development. Bitterman has tried to play nice, hosting ongoing quarterly town hall meetings to keep locals abreast of the project and receive feedback from them, but the meetings are inevitably confrontational.

“I’m tarred and feathered every time,” he said.

One community member described the project as “gentrification at its finest” at a town hall last December. Another suggested that Lucky Find Hospitality replace the hotel’s yacht theme with something more appropriate for the desert: spaceships.

It seemed to be a popular idea.

“The whole room started chanting ‘Spaceships, spaceships,’” Bitterman said.

Each luxury yacht will be constructed of sustainable materials.

(Compass Yacht Club)

Despite the expected — and unexpected — challenges, Bitterman is confident the project will move forward. Approval on the final conditional use permit should be coming by the end of the year, which will allow portions of the property to open to the general public in addition to hotel guests. If all goes according to an already elongated schedule, the team will break ground in 2027 and Compass Yacht Club will open by the end of 2030. In the meantime, Lucky Find Hospitality together with its design partner Rad Labs, has a modular yacht hotel room design ready to go.

Over the past 10 years Lucky Find Hospitality has helped launch hotels where guests sleep in yurts, treehouses, glamping tents and Airstreams and. But Bitterman said Compass Yacht Club has been the company’s wildest, hardest and most dear to his heart projects yet.

“It’s partly my origin story, growing up on a boat and always being fascinated by boat design,” he said. “Everything we do is small and unique, but I’ve never been able to bring something to market quite like this.”

Tiffany Pollard has entered the Big Brother house as a special guest

TV star Tiffany Pollard has re-entered the Big Brother house and things have already become explosive.

Just last night (October 28), the Big Brother house welcomed a familiar face and it wasn’t long before things erupted into chaos. During a Halloween party, Tiffany arrived as a special guest, with her welcome coming as a huge surprise to the housemates.

Her arrival comes after celebrity guests Jedward caused drama and Gemma Collins also had her say. But last night, tensions reached boiling point when an exclusive row broke out.

Despite a warm reception, Tiffany said: “This f***** house is absurd. I’m literally honoured to be seated at this table.” However, things turn sour when Tiffany offended Philip who confronted the special guest.

He said: “I’m very upset with what you said Tiffany, to be honest with you.” But with Tiffany’s presence causing rising tensions in tonight’s episode (October 29), here’s everything you need to know about Tiffany Pollard.

How old is Tiffany Pollard and where is she from?

Tiffany Pollard is 44 years old and is an American TV personality from New York.

Tiffany Pollard net worth

According to Celebrity Net Worth, it is estimated that Tiffany’s net worth could sit at around $500 thousand , which equates to around £375,587.

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Tiffany Pollard’s rise to fame and Big Brother stint

Tiffany Pollard is known to UK residents from her stint on Celebrity Big Brother. But she rose to fame before that. In 2006 the star appeared on Flavor of Love, a reality dating show where she became known as ‘New York’.

She made her mark as her unforgettable one liners and bold personality caught the attention of viewers, making it to the final in seasons one and two.

Tiffany also secured her own solo dating show I Love New York. She then expanded her television footprint with New York Goes to Hollywood in 2008 and New York Goes to Work the following year in 2009.

In 2016, Tiffany entered the Celebrity Big Brother house, not shying away from sharing her opinions as she became considered one of the most iconic runs in reality television history.

One iconic moment is the “David’s dead” misunderstanding when housemate Angie Bowie was informed off camera that her ex husband and music legend David Bowie had died.

Confiding in Tiffany, she instantly panicked thinking Angie had meant fellow housemate David Gest as she burst into tears and ran to tell the rest of the housemates. She was eventually told it was the “wrong David”.

Her explosive love-hate relationship with Gemma Collins has also provided endless entertainment. Known as the Queen of reality TV, Tiffany also competed on House of Villains which brings together the most iconic and infamous ‘TV villains’ who aim to out smart one another to be titled America’s Ultimate Supervillain.

Big Brother continues tonight at 9pm on ITV2 and ITVX

“Night Watch” has an easy hook, starting with its setting. The immersive monster show is staged inside an ominous white van.

Yes, a real van. It’s creepy, and pulls equal inspiration from immersive theater, video games, escape rooms and environmental design. At a little over 30 minutes or so, it’s refreshingly approachable, a bite-sized slice of interactive, participatory theater that lingered with me long after I saw it. And not just because there were moments that startled me. “Night Watch,” like any good monster story, has metaphors on its mind.

“Night Watch” is the creation of Sara Biel and KJ Knies, a husband-and-wife creative team with day jobs working for a themed entertainment design firm. On their own, however, they go by Bee’s Knees. There’s buzz around “Night Watch.” Its initial October dates sold out nearly instantly, but the couple is extending the run at least into mid-November. Additional tickets will go on sale Wednesday at 9 p.m., and those interested are advised to join the waitlist.

The couple’s experience in theme park design is evident in “Night Watch,” as its small cargo van is ripe for exploration, with TVs, monitors, filing cabinets and more outfitted with vintage tech and lore-building corporate paraphernalia. Before the show properly began, I started frantically combing through folders and flipping through notebooks.

KJ Knies and Sara Biel are the creators of “Night Watch,” an immersive horror story set in a van.

(Bee’s Knees)

Yet I soon learned my goal here was not so much to find clues, like in a typical escape room, but to build a personality profile. Participants are assigned the role of an overnight security guard to monitor a mysterious tech firm. You’re unaware, at least at the start, of what kind of business the company is in, but “Night Watch” wants you to get to know the person who held the job before you. The van is outfitted with posters of national parks, hinting at someone who was longing for a life with more freedom and travel than a working-class career provides.

“Night Watch,” off the bat, wants us to grapple with how personal dreams can clash — or become lost — with the corporate world. It feels personal, and that’s no accident, says Biel, as the show was informed by the couple’s own talks about their future.

Throughout “Night Watch,” attendees are tasked with examining security footage.

(Bee’s Knees)

“I moved to L.A. to become a writer. KJ moved to L.A. to become a filmmaker,” Biel says. “Now we’re on this different corporate path. Is this the path that we should be on or should we have listened to our gut and went a more artistic direction? I feel like all of our friends are going through this. You move to this city to do one thing, and you fall into a different path. That’s not bad. I’m of the opinion that you follow the doors that open as you go, but that’s what we were grappling with and what we wanted to bring into this show.”

With monsters, of course.

I completed “Night Watch” solo, but the show can accommodate up to four people (tickets for two start at $90). You’ll interact with an actor who plays your co-worker during the production, primarily via a two-way radio. At times, you’ll monitor the action outside of the van. Other moments have you digging into the digital files of the previous security guard, who is said to have mysteriously left his job. But mostly you’ll just talk with your unseen co-worker, who might push you into philosophical discussions about your hopes for a better life. This creates an inherent tension in “Night Watch.” You might know on one level that this is a monster story, and yet like me, find yourself opening up about personal details, trying to manifest a better day for yourself.

Details inside the van.

(Bee’s Knees)

With “Night Watch’s” emphasis on security footage and old computer logs, Knies says he was influenced by full-motion video games, citing the work of Sam Barlow and his voyeuristic crime game “Her Story.” It isn’t hard to see the show as a thinly veiled statement about our current tech-obsessed era, with each day bringing with it seemingly fresh announcements about some new site, social media add-on, gadget or AI tool that promises to improve our lives (but rarely, if ever, does). There’s a moment when you start to wonder if the business you’re providing security for is actually one of the “good guys.”

The project’s story, says Knies, began with a simple sketch from Biel: “The first idea that Sara pitched me was a monster sucking souls and pooping gold.” It spiraled from there, and the last half of “Night Watch” comes quick as we unravel its multiple mysteries. And that’s where the frights, heightened by the intimacy of the van, come in.

“We really wanted to play with having a confined space that we could manipulate to our advantage,” Biel says. “We wanted to play with the effects of moving the van and shaking the van and closing off your viewpoint.”

The confined venue — a dimly lit storage van — helps participants narrow in on the mission.

(Bee’s Knees)

The van has other benefits, too, especially in L.A. where it’s hard to find a unique venue for a limited-run show. “The cheapest and easiest places you can get are white walls with tile floor, but then you’re going to spend so much money decking that out to make it feel like a lived-in space,” Knies says.

“Night Watch” is currently staged outside of Hatch Escapes, home to some of the city’s finest escape rooms, in Arlington Heights. Biel says the two are talking to Hatch about hosting the show there long-term, but there is one hitch. The van is a rental, and at some point it will need to be returned.

“Don’t tell Enterprise that we painted on their walls,” Knies says.

This week in SoCal theme parks

An audio-animatronic Indiana Jones figure hangs above guests on Disneyland’s Indiana Jones Adventure.

(Myung J. Chun / Los Angeles Times)

• Indiana Jones is adventuring again. Disneyland’s popular Indiana Jones Adventure reopened after a six-week refurbishment on Friday with a number of changes. Most of them will be invisible to guests, but Disneyland engineers worked behind-the-scenes to make the attraction more reliable and found ways to increase its capacity. They also added some spiders. Read all the details here from my walk-through of the attraction last week.
• A bookstore for us immersive, theme park geeks. Coming next year to Los Angeles, near the corner of Melrose and Fairfax avenues, is Genres Book Society, boasting a design led by former Walt Disney Imagineer Ann Morrow Johnson. Genres is part bookshop, part speakeasy and part immersive venue. There’s a dragon, a secret bar and a tree with glowing books. Read more about this bookshop dreamed up by Clare Grant and Karissa Marston here.
• Nikki, meet Nikki. One of my highlights of this year’s Halloween Horror Nights at Universal Studios Hollywood was interacting with a scare actor playing the role of Nikki from the film “Obsession.” The other week, the actor who initiated the role in the movie, Inde Navarrette, visited the horror event and had her own dalliance with one of the park’s Nikki performers.
• Still need Halloween plans? The doors of downtown’s Clifton’s, a venue some say inspired Walt Disney (although this isn’t really confirmed by any official sources), will be open for an immersive theater dinner show. Expect roving actors, multiple storylines to follow and an otherworldly wedding that may or may not involve monsters. The current operators of the historic space have big plans for programming similar such events throughout the holiday season. “The Dark Wedding” runs Friday through Sunday, and tickets start at $65.

A farewell to Halloween season (but mostly just to Cars Land’s zombie car)

A mostly deceased “zombie car” struggles to come to life at Cars Land in Disney California Adventure.

(Todd Martens / Los Angeles Times)

The first Oogie Boogie Bash at Disney California Adventure was held this year on Aug. 18, which means Halloween season is coming to a close after a 2½-month celebration. Our local theme parks will be wrapping up Halloween festivities this weekend, and it was a good one. Universal Studios Hollywood shined with a “Sinners”-inspired maze, but the star of the event was its dedication to Ozzy Osbourne. And Knott’s Berry Farm was wise to partner with the Magic Castle.

But in terms of pure decor, the Disneyland Resort has everyone beat, and I wanted to take a moment to salute my favorite Halloween adornment. I was initially nervous, as when the resort debuted its Halloween look in August the zombie automobile in Cars Land was missing. I make a beeline to it each season because it’s such a demented tale that I want to make sure it hasn’t left the park. This mostly dead skeleton car sits outside Radiator Springs Curios, owned by the character of Lizzie. Lizzie is a widow, lovesick at the loss of her husband Stanley.

The shop was under refurbishment earlier in the season, hence the reason for the zombie car’s late arrival, but I was relieved when it finally materialized a couple weeks ago, its body trying to emerge from the ground from under a tree. It’s a morbid story. Lizzie, see, has created a “ghoul-ant” (coolant, get it?) in the hopes of bringing dead cars back to life. She wants to use it on Stanley, but not until its perfected. It’s not. This mostly lifeless car struggles every few seconds to get its engine going. Occasionally, it musters enough strength to get the radio powered on. But it’s mostly just trapped in a near-dead state.

This zombie car is nothing more than the result of a failed experiment, and the implication is there will be more, as Lizzie will not stop until she’s reunited with Stanley. It’s more than a little sick, but also a statement about the way a lost love can forever haunt us. In that sense, it’s perfect, and I adore it. See you, hopefully, next year, zombie car.

The best thing I ate at the parks this week

The short rib lasagna from the Hearthstone Lounge.

(Todd Martens / Los Angeles Times)

With the heat briefly lifting a little bit ago, it was time to revisit my favorite dish at the Disneyland Resort. It’s heavy, hence the reason I was eager to tackle it when things cooled down. I’ve ordered the short rib lasagna from the Grand Californian’s Hearthstone Lounge three or four times over the past year, and I’m now convinced it’s among the best items on the menu at any restaurant at the resort, including the high-end fine dining establishment Napa Rose. It’s that good. And yes, it’s pricey at $42, but it’s a large portion and could easily be split. In fact, I wish I had done the latter, but I was at the park solo and had to immediately end my night after feasting on this decadent dish because I was simply too full to continue exploring. The tender short rib easily peels apart with a fork, and it’s plentiful. A trio of cheeses, and a heavily creamy Bechamel sauce, coupled with a buttery Mascarpone, make this the perfect winter dish. I’ll be at Disneyland on Thanksgiving, and am half thinking of making this my holiday meal rather than turkey.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Morning crowds at Disneyland just after park opening, known as “rope drop.”

(Myung J. Chun / Los Angeles Times)

Late breaking theme park news arrived Tuesday morning courtesy of trade group the Themed Entertainment Assn., which released its 2025 global attendance report. The news for the theme park sector is … mixed? Here in SoCal, attendance at Disneyland Park and Disney California Adventure increased ever-so-slightly, at 0.4% each. Disneyland drew 17.4 million in 2025, making it once again the second most-visited park in the world, behind only Walt Disney World’s Magic Kingdom. Just over 10 million visitors took in California Adventure.

Universal Studios Hollywood fared less great, suffering an attendance dip of 8%. The report attributes the downtown to our devastating wildfires early in the year, as well as a decline in international tourism to the region. It’s worth noting that the park in 2023 opened Super Nintendo World, and it’s newness may have worn off a bit for local visits last year. Overall, the park drew 8 million guests.

Also suffering declines in attendance were Knott’s Berry Farm and Six Flags’ Magic Mountain, each dipping about 4%. Knott’s drew 4.3 million attendees while the Valencia park brought in 3.2 million visitors.

—

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Another celebrity guest will enter the Big Brother house this week

Big Brother fans are calling for a huge twist that could spark carnage in the famous house.

ITV has finally confirmed that American reality star Tiffany Pollard will be entering the show this week, 10 years after her iconic appearance on Celebrity Big Brother. She is the latest famous face to join this year’s civilian series as part of Big Brother string of twists.

Viewers already saw Jedward and Gemma Collins step back into the social experiment, with Jedward causing quite the stir during their stint and fans are expecting Tiffany, 44, to also be at the centre of drama.

However, viewers are calling for another shake-up that could make Tiffany’s time on the show even more entertaining. Fans have gathered online to beg show bosses to bring fellow American housemate Johanne back into the house at the same time as Tiffany. Viewers seem to think the duo would bring even more “drama” to the season.

Taking to social media, one fan begged: “Please can we get Johanne back in there,” another agreed: “Send Johanne back in pleaseeeeeee.”

A third shared the same opinion: “Put Johanne back in that house for a day or two.” Even 2025 housemate Cameron Kinch joined the discussion, commenting: “I wish Joanne was still there, her and Tiffany would be phenomenal!”

Someone else replied: “absolutely! Why BB hasn’t thought this up I do not know. Perhaps they don’t want to cause too much of drama!”

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Yet another viewer chimed in: “Tiffany coming in now is such a waste. Imagine the carnage if she went in while Johanne and Pauline were still there #BBUK.” And a final person added: “TIFFANY POLLARD IN THE HOUSE WITHOUT JOHANNE IS DAYLIGHT ROBBERY!!!! #BBUK.”

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Johanne was evicted from the house after weeks of clashing with her housemates. Although she wasn’t hugely popular among her co-stars, the ITV star had garnered support from viewers at home. It’s unclear how long Tiffany will be staying in the house but past guests have spent just a few nights on the show.

The winner of Big Brother 2026 will be announced in the live final set to air on Thursday, November 5 followed by a Big Brother: The Reunion on Friday, November 6.

Big Brother continues tonight at 9pm on ITV2 and ITVX

Theme parks attractions are never really finished, especially those intended to be built to last. And so it is with Disneyland’s Indiana Jones Adventure, which officially reopens Friday after a six-week refurbishment. The ride is looking as fresh as it has in years. There were minor changes — more large spiders and other creepy critters were added to one foreboding tunnel — but also some substantial ones designed to increase the attraction’s capacity and reliability.

While some ride refurbishment closures result in very noticeable changes to the guest — for instance, the recent addition of a face-shifting buccaneer on Pirates of the Caribbean, or the temple-shattering projections that were added to Indiana Jones Adventure back in 2023 — other updates are less visible yet enhance the experience, such as helping to eliminate downtime.

That is the case for Indiana Jones Adventure. Behind-the-scenes engineering modifications over the last year have boosted not only the attraction’s reliability, but allowed its capacity to increase by about 125 people per hour. Ultimately, that allows for about 1,000 more guests per day, says Nicholas DiBernardo, an area manager for Attractions Engineering Services and eight-year veteran of the resort.

A yearly rehab of the ride is required, says DiBernardo, in part because it is one of the resort’s most complex, with many moving show elements. To ensure that it continues to meet the theatrical and safety standards required, it may appear to Disneyland regulars that Indiana Jones Adventure receives tune-ups with more regularity than other rides at the resort.

Nicholas DiBernardo surveys the guest load-in area of Indiana Jones Adventure. DiBernardo, an area manager for Attractions Engineering Services, helped oversee the recent refurb.

(Myung J. Chun / Los Angeles Times)

When asked whether that’s the reality, DiBernardo answers: “Yes and no.”

“Every attraction is different,” he says. “Indiana Jones typically has a refurbishment every year just because of the size of the attraction and the amount of work that goes into keeping this attraction up. It all depends on the needs for improving show quality or maintenance reliability.”

An audio-animatronic figure of Indiana Jones, which was disassembled and rebuilt during the recent refurbishment of the attraction.

(Myung J. Chun / Los Angeles Times)

Two key changes were made to the attraction in 2026. The most recent — and the reason for the ride’s downtime this fall — was something of a wishlist item, and that was changing the machinations that drive its first major show scene, the doors that lead guests face-to-face with Mara, the deity within the Temple of the Forbidden Eye that drives the ride’s action. Prior to the refurbishment, the doors were controlled by hydraulic actuators. Now they’re fully electric. In simple terms, DiBernardo says the doors are now easier to maintain, there’s no longer a risk of a hydraulic spill, and they should properly open and close with significantly more dependability.

That may not sound like a sexy ride enhancement, but it’s one that DiBernardo says will ensure Indiana Jones Adventure runs more efficiently. “In the past, when the old actuators would fail, the doors would have to remain open, ruining the guest’s show experience,” he explains. Not just that, but it slowed down the ride, as fewer cars could be dispatched so riders weren’t seeing the vehicle in front of them.

Nicholas DiBernardo gives a tour of Disneyland’s Indiana Jones Adventure, which just completed a six-week tune-up.

(Myung J. Chun / Los Angeles Times)

Elsewhere, DiBernardo says capacity was able to be increased by improving the loading and unloading process, again a change that will be invisible to guests. Essentially, the vehicles park more accurately.

DiBernardo, who works Disneyland’s third shift from 2 a.m. to 11 a.m., says this adjustment, a mix of hardware and software changes, was made over the course of the past year. The problem, oversimplified: Vehicles did not always park in their precise loading and unloading position. Because a theme park attraction needs to operate with extreme exactness to ensure guest safety, DiBernardo says that before this fix, operators would have to send vehicles through the temple sans guests to reset them.

“That was a major win for us,” says the lifelong San Pedro resident. The parking issue was completed in May, and it’s changed the ride’s capacity.

Skulls on Indiana Jones Adventure. The area received a cleaning and a lighting refresh.

(Myung J. Chun / Los Angeles Times)

Of course, a huge cause of downtime for a Disneyland attraction is often largely out of the park’s control. It’s us, the guests, who are the problem.

“Our No. 1 downtime driver is guest items,” DiBernardo says. “Guests will be on the attraction, and they’ll have a large water bottle or a backpack. All the vehicles have a pouch for them to store everything, but if they don’t do that, there’s many twists and turns throughout the ride, and those articles can fly out. We’ll have to stop the ride. Not only are we working on ways we can improve maintenance reliability, we’re also working with our operations to help notify guests to store their items.”

Nicholas DiBernardo, who helped lead the recent refurbishment of Indiana Jones Adventure, walks toward Mara, the deity within the Temple of the Forbidden Eye.

(Myung J. Chun / Los Angeles Times)

To that end, each Indiana Jones Adventure vehicle has been outfitted with new, bigger pouches that should make it easier for riders to dump in their items. All of that should ensure more guests throughout the day can enjoy the attraction, and right now they’ll want to, as all the figures have been dusted, blacklight paint has been reapplied, and the Indiana Jones audio-animatronics have been disassembled and rebuilt.

Walking through the attraction on Thursday, DiBernardo pointed out how all the figures are currently moving with full mobility. The first time we see Indy he’s attempting to force shut a door, one that moves with the figure in front of vibrant animations. Later, he’s hanging over a guest in one of the ride’s grandest illusions, one designed to trick guests into believing the vehicle is reversing (it doesn’t move backward, but rather the walls shift) as a crater of a ball closes in on us.

Walking the track, I noticed many a detail I hadn’t seen on my hundreds of rides on the attraction over the decades. As Indy hovers above us, for instance, his legs and hips subtly shift. Elsewhere in the ride, when a vehicle dips down a hill, it’s actually going down steps. The latter are painted on the track, but DiBernardo notes that over time the cars eventually strip away the paint. I had never seen the stairs. Of course, it’s easy to be distracted by the skull in front of us hovering over a pit of lava, where many of the lights have now been refreshed.

Flames amid a decaying skull on Disneyland’s Indiana Jones Adventure.

(Myung J. Chun / Los Angeles Times)

Indiana Jones Adventure has changed over the years. Some opening day effects are long gone, such as the illusion created by actual shifting doors at the start of the attraction, or visions of tumbling rubble near its beginning. But Indiana Jones Adventure remains one of the park’s most detailed attractions, one in which I’m still discovering artistic minutiae more than 30 years after it opened in 1995. And as the recent refurbishment proves, it’s an attraction that remains an ever-evolving work of art.

“The sky is the limit on what we can also add to this attraction,” DiBernardo teases. But for now, it looks good as new.

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

Christmas has come early for me because two of my favourite artists, Aitch and Tom Grennan, have teamed up for a telly collab.

I can exclusively reveal that the good pals secretly recorded scenes together for next year’s series of The Voice.

New judge Aitch, who has been shooting the 2027 show in Salford in recent weeks, invited Tom down to ITV studios to film the Battle stages of the popular competition.

And Tom’s guest role went down so well with producers, they are now eyeing him up as a full-time coach in the future.

My source said: “They have been friends for years, so it was a no-brainer for Aitch to give Tom a call and invite him to be a guest judge.

“While he has never appeared on reality TV, Tom has worked his way up from the bottom, so knows how contestants are feeling.

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“Sometimes, guests are quite wooden, but Tom really impressed bosses with his time on the show. They are now talking about him possibly becoming a regular coach.”

Earlier this month, fans watched as will.i.am brought Cheryl out of her self-imposed retirement to help him pick his final three.

Meanwhile, in pre-recorded scenes which aired last weekend, fellow coach Kelly Rowland drafted in Delta Goodrem.

In 2023, Aitch revealed on Instagram that he had recorded a “banger” with Tom, although the song is yet to be released.

But, back in February, Aitch gave fans a taste of the track, called Home, after streaming it live on social media.

A source added: “Tom and Aitch actually have a couple of songs together.

“But they are still working out when best to release one.”

Tom was due to return last night with the release of his comeback single, Wrapped In Gold, from his upcoming fifth album, which is due out next year.

I’ll keep my fingers crossed that one of their collaborations ends up on there.

The Repair Shop expert Kirsten Ramsey was on hand to help restore a prized Pride of Birmingham Award, which was accidentally smashed

A mum was left feeling terribly guilty after accidentally breaking her son’s most prized possession while doing the housework.

During Wednesday’s (October 21) episode of The Repair Shop: Beyond the Barn, BBC viewers saw ceramics expert Kirsten Ramsey tasked with fixing an award statuette belonging to Mikey Akers from Coventry. In a cutaway scene, viewers saw Mikey alongside his mum Louisa share more about the incredible story behind the award.

In 2018, Mikey was 16 years old when he won a Pride of Birmingham Award for his tireless campaigning to raise awareness about verbal dyspraxia, after being diagnosed with the rare neurological speech disorder when he was two.

Mikey struggled to learn to speak and, throughout his childhood, needed intensive speech therapy to find his voice.

When he was 13, he wrote a poem called I Am The Boy about his struggles and set up campaign organisation, Mikey’s Wish, to raise awareness and support other young people with the condition.

Louisa explained: “It affects the messages from the brain to the mouth, and they struggle to move the muscles and the nerves in order to form the sounds needed for speech.”

Speaking about his diagnosis, Mikey added: “Growing up with verbal dyspraxia was quite lonely. People outside of my family struggled to understand what I was saying. It was quite common that people thought I weren’t as intelligent because of my speech. It was very frustrating.”

Mike was ecstatic with the Pride of Birmingham award and called it his “proudest achievement”; however, the angel-like trophy was damaged when Louisa knocked it off a shelf while doing housework, shattering it. “When it shattered, I was mortified. I felt so guilty”, Louisa told the camera.

Back at the Repair Shop, Kirsten was determined to make the award look brand-new again and said, “You don’t get this unless you’ve done something quite extraordinary.”

The expert explained that it would be tricky to recreate the award’s shiny surface because of all the broken pieces that would need to be reattached.

As Mikey and Louisa visited the barn to collect the award from Kirsten, Louisa said she “just wanted to see it back in one piece again.”

Miraculously, Kirsten had managed to make the award statuette look brand new, leaving Mikey elated. “Oh wow, Thank you”, he told Kirsten while Louisa joked: “The guilt has gone”, as the mother and son giggled.

“I am proud of him”, Louisa added as Mikey confirmed: “It brings me back to when I first got it, it’s a nice feeling.”

Kirsten commented: “You’re clearly an inspiration to many, many people, which really spurred me on to try and do the best job that I possibly could, and It’s ready to go back to whatever safe spot you’ve got for it. “

The Repair Shop Beyond the Barn is available to stream on BBC iPlayer

Accidents on roller coasters are rare. But that is precisely why when they happen, they are so disarming and affecting. Places such as theme and amusement parks are where we go to momentarily escape the stressors of daily life, often with friends or loved ones.

Last week, Hassan Jihad Ibn Kariem, 42, of Atlanta, was ejected from a roller coaster at Six Flags Over Georgia and struck other riders as he fell, the Cobb County Police Department said in a statement. It’s tragic and heartbreaking, and the type of event that can make all fans of these spaces begin to question their safety, and whether theme parks can be a third space where we can go for a respite.

It’s been a particularly rough year for Six Flags, a company still in transition after merging with Cedar Fair just a couple of years ago. Last month, Six Flags Magic Mountain closed its X2 coaster permanently after a history of injuries. While it’s important to note that there is no connection or similarities between the two incidents, their combination creates an overall public perception that the brand is compromised. The industry will be closely watching how Six Flags responds in the weeks and months that it may take to complete an investigation.

In the days since the Georgia accident, I have been asked repeatedly, by friends and even members of the media, if I have been scared on a roller coaster or would hesitate to get on one.

They’re not easy questions to answer. For one, roller coasters are safe, and yes, I have been scared on them, but they are designed to frighten, to thrill and provide airtime in our seats that makes us wonder just how secure they are. To be sure, this is not a flaw. This is their intent.

I was also reminded of a 2003 accident at the Disneyland Resort, when a guest died after a derailment on Big Thunder Mountain. The ride was shuttered for about six months before it was reopened, and when it did so it was immediately met with long lines and cheers. Such is the pull and trust of Disneyland, but the company at the time was relatively transparent about the cause of the accident — two bolts on the locomotive’s left guide wheel assembly fell off — and measures taken to retrain workers.

It took officials from the state of California three months to investigate the incident, and Disney detailed to the media the changes it made to park maintenance procedures. Big Thunder has operated without any headline-generating incidents since.

We don’t yet know what happened in Georgia, and it may be some time before we do, but I only hope Six Flags is similarly direct, especially if this accident was the result of mechanical or human error. There’s too often little reporting on roller-coaster incidents, in part because rules and regulations can vary by state, and also because most infractions are deemed relatively minor and quickly handled in-house by the various parks. Journalists, including myself, should do better when it comes to requesting public records and educating ourselves on coaster engineering.

And when the unthinkable happens, such as what occurred last week, the public should be made aware of exactly what caused it. We’re owed that. To be sure, this is less about assigning blame for an accident, and more about ensuring measures are taken to guarantee it doesn’t happen again. Park operators would be wise to realize the issue just won’t be forgotten or disappear.

Of course, nothing is 100% fail-proof. Daily life is full of risk-taking endeavors such as getting behind the wheel of a car, and riding a roller coaster is strictly optional. But theme and amusement parks — despite the warnings that accompany most any attraction — enter an unspoken contract with their guests. And that is that here, you are safe. I don’t know when or if Six Flags will regain the trust of those who may be rightfully coaster-timid at the moment. But I know that the way they respond can determine whether they’ll lose it for good.

This week in SoCal theme parks

The dinosaurs on the Disneyland Railroad.

(Todd Martens / Los Angeles Times)

• A dinosaur spotlight. The other week, I noted a recent ride around the park on the Disneyland Railroad was looking particularly spiffy, thanks to a refurbishment of the Grand Canyon diorama and dinosaur-heavy Primeval World section of the attraction. No changes to the dinos, but the lighting overall felt more lively and theatrical. Later Walt Disney Imagineering posted a behind-the-scenes look at the updates on Instagram, noting there had been a full lighting overhaul. A switch to an LED-based system gave the team greater control and flexibility in the tone of the lighting.
• A Magic Mountain coaster reopens. Six Flags closed a number of rides around the country, including Goliath at its Valencia park, after a man fell to his death from a roller coaster at one of its parks in Georgia. After a two-day shutdown and review last week, Goliath reopened by the end of the week.
• A can’t–miss Disneyland double feature. We’ve highlighted the current Walt Disney Studies film program at Santa Ana’s Frida Cinema before, but this Sunday will have a showing that’s particularly notable to park fans. The movie theater will be screening “Disneyland Handcrafted” and “Disney Worldbuilders,” two films that I’ve praised. The screening, hosted by author/historian Jeff Kurtti, will feature a discussion with former Imagineer-turned-historian Tom Morris as well as Roland Betancourt, who wrote the fascinating “Disneyland and the Rise of Automation: How Technology Created the Happiest Place on Earth.” Tickets are $16 for the 5:30 p.m. event on Sunday.
• Get ready for candy cane season. Disneyland has unveiled the dates in which guests can attempt to snag one if its handmade, oversize 18-inch candy canes. They are available select dates at Candy Palace in Disneyland and Trolley Treats in Disney California Adventure beginning Nov. 27. Prepare to rope drop the park if you want one, as guests will need to head straight to the candy shop to score a wristband to purchase one. I bought one back in 2018 or so, and used it primarily as a holiday decoration. Since then, they’ve become a coveted item thanks to social media hype, and I’ve struck out in attempts to snag another one. @FoodatDisneyland has all the dates.
• Attention, Haunted Mansion fans. Disneyland Magic Key holders can starting this week pick up one of four lenticular cards celebrating 25 years of Haunted Mansion holiday. They’re free, and released on Mondays at Disneyana in Disneyland, Kingswell Shop in Disney California Adventure and WonderGround Gallery in Downtown Disney. Limit one per guest, and the cards come with a display frame. More information is available on the Disneyland Magic Key site.
• Meow Wolf noodles! The opening of Meow Wolf’s L.A. locale is now just a couple months away, and the Santa Fe, N.M.-based art collective is in the midst of a promotion with Tsujita Artisan Noodles. The latter, with local locations in the downtown Arts District as well as in Sawtelle, is currently serving up what it’s calling the Meow Wolf Anti-Gravity Noodles. The noodles on the latter appear in a frozen, midair state, and Meow Wolf fans may also want to go for the branded chopsticks.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

The Ghost of Halloween Future (Samantha Aotaki) in “A Halloween Carol.”

(Lawrence Meyers)

On a lighter note, it’s spooky season, and that means the L.A. immersive scene is at its best. I’ve long maintained that there is a big overlap between the the theme park community and those who appreciate interactive, immersive entertainment, and that is why I would heartily recommend “A Halloween Carol,” which has a few more dates open before its run concludes next week.

The show, as the name implies, is a twist on the Charles Dickens classic, only here we are visited by the ghosts of Halloween past, present and future. It’s an insightful look at how, from a young age, we are asked to don metaphorical masks of sorts. The show asks us to grapple with what aspects of our personality we are hiding, or putting forth, and does so via intimate, one-on-one conversations, many of which take on a philosophical bent.

If you come ready to play, you may find yourself being disarmed to the point of vulnerability. I wouldn’t call it scary — some may even find some moments near the end a bit sexy — but it does ask us to thoughtfully confront how honest and performative we are being to get through the day.

A hike among redwoods is fine if you go in for that sort of thing.

But to gaze upon those towering trees from a slow train with a stiff drink in your hand — that’s something else entirely.

And with the latest added offerings from Mendocino County’s historic Skunk Train, slow-rolling drink-sipping is possible on short excursions from the railway’s stations in both Fort Bragg along Highway 1 and Willits along U.S. 101.

Known as the Noyo, this car is a new cocktail car that’s part of the Skunk Train, rolling from Willits, Calif.

(Christopher Reynolds / Los Angeles Times)

The first part of this expansion happened last year when the Mendocino Railway, better known as the Skunk Train, unveiled the Redwood, a fancy railcar offering cocktails as part of a seven-mile round trip from Fort Bragg. The Willits end of this expansion followed in September, when the railroad introduced another reconditioned traincar, this one known as the Noyo. Formerly a U.S. Army railcar, it’s now been reborn as a rolling cocktail lounge for up to 22 guests, featuring leather chairs, plush couches, a carpeted floor and ‘50s overtones.

On the journey I joined recently, passengers mingled in a spacious, adults-only railcar with vintage jazz on the sound system and servers outfitted in spiffy white jackets. For about $200 each, Willits-based passengers get a 16-mile round trip, charcuterie snacks and two cocktails (or mocktails).

Most popular cocktail so far: the Redwood Martini, made with dry gin, dry vermouth and orange bitters, served with a sprig of redwood.

The journey takes about two hours, passing through an 812-foot-long tunnel (a.k.a. Tunnel No. 2), then pausing to turn around in a clearing known as Crowley.

Passengers relax in the Skunk Train’s “presidential class” railcar, the Noyo, from Willits.

(Mendocino Railway)

Crowley, once a logging camp, can’t be reached by road, but train passengers can wander among picnic tables, fire pits, cornhole games and a massive, gnarled old redwood known as the Wolf Tree. (In September, when the performers of the Flynn Creek Circus were in town, the troupe hauled a big tent out to the clearing and staged two weeks of live performances there.)

Through October and November, the Skunk Train offers “presidential class” cocktail-car trips four to five days per week from Fort Bragg, two to three days per week from Willits. In December, trips from Willits are also offered on most weekdays and service from Fort Bragg drops to two days per week. (Willits-based service shuts down in January and February before resuming in March.)

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1. Passengers in the Skunk Train’s “presidential class” railcar, the Noyo, from Willits get two cocktails (or mocktails) with the price of admission for a two-hour round-trip journey. 2. Besides cocktails or mocktails, service aboard the Skunk Train’s “presidential class” cars from Willits and Fort Bragg includes charcuterie plates. (Mendocino Railway)

These cocktail cars are the latest additions in a decade of Skunk Train team improvisations in the wake of long history and, more recently, trouble on the tracks.

The Fort Bragg Railroad started up in 1885 to haul redwood and fir logs to the coast for shipping south to San Francisco. By 1911 there was steam-driven passenger service between Fort Bragg and Willits, and by 1925, locals had nicknamed it the “skunk train” because of the odor that billowed from the railcars’ recently introduced gasoline-burning engines and oil-burning stoves.

That moniker might have faded, but in May 1959, National Geographic magazine devoted a spread to the train under the headline “The Friendly Train Called Skunk.” In its 40 miles, that article noted, the train climbed more than 1,600 feet, crossed 34 bridges and trestles and rounded some 381 turns, occasionally pausing to deliver groceries to rural neighbors.

A passenger soaks up atmosphere on the two-hour, round-trip Skunk Train journey from Willits in Mendocino County.

(Christopher Reynolds / Los Angeles Times)

Alas, the timber industry faded, a mail delivery contract was lost and railroad ownership changed hands. On the way, the Skunk Train began to depend mostly on tourists. Then in 2013, the railroad’s Tunnel No. 1 collapsed, blocking the tracks about four miles east of Fort Bragg. Repairs followed, but the same tunnel collapsed again in 2015. There were no injuries in either accident, but it remains impossible for any railcar to make the full 40-mile journey between Fort Bragg and Willits.

“We are committed to reopening the tunnel,” Mendocino Railway president and CEO Robert J. Pinoli has said. But the reopening won’t be quick. Besides the challenge of rebuilding the tunnel, the railroad has been tangled for several years in legal disputes with the city of Fort Bragg and the California Coastal Commission. For now, every trip on the Skunk Train, including traditional railcars and increasingly popular pedal-assisted railbikes, is an out-and-back journey designed to avoid the blocked tunnel.

From Fort Bragg, most train and railbike trips go 3.5 miles east and 3.5 miles back again. From Willits, most trips go eight miles west and turn around, including the fall Pumpkin Express and Christmas Train. The great exception is “Railbikes on the Noyo,” a 25-mile journey that begins near Fort Bragg with a hike to the east end of Tunnel No. 1. From there, guests pedal an eastbound railbike for 12.5 miles through the forest, including a dozen wooden trestle bridges and recurring views of the Noyo River. After a picnic lunch, guests double back to where they started. That adventure usually takes about six hours and starts at $564 (combined) for two people sharing a two-seat railbike.

The new cocktail car excursion, meanwhile, requires less time, less money and less perspiration.

A view of the Skunk Train’s Noyo railcar.

(Mendocino Railway)

After our train reversed direction at its midway stop in Crowley, I could have stayed in my comfortable cocktail-car seat. But I had been tipped to check out the back end of the train. That’s the open observation car (no ceiling) in the back of the train. Skunk Train employees say it was first built for the U.S. Marines to transport Sherman tanks. It works just fine carrying us gawking civilians.

“Ahhh,” said 2-year-old Elle Davis, looking up to the sky and standing by her mother, Kaitlyn Davis of Willits. The observation car is open to all aboard — that is, the Noyo Car passengers and to those Skunk Train passengers who pay standard fares ($81.47 per adult) for less luxe railcars (open to all ages).

As you stand there with the wind in your face and the rails rattling below, the evergreen boughs whoosh past. Depending on the hour and humidity, the sky might be dimming or masked by fog. These days you don’t get that skunky scent of years gone by, but a ride is still a full sensory experience. And even if you have an adult beverage in your hand, you might find yourself with the same sense of rejuvenation that engineer Johnny Galliani described to National Geographic back in 1959.

“Young or old, they’re all kids when they ride with us,” Galliani said. “Nothing like a ride on this train to take the years off your back and make you young again.”

Passengers board the Skunk Train on an excursion from Willits to a forest clearing (once a lumber camp) called Crowley.

(Christopher Reynolds / Los Angeles Times)

Steve Tatham always wanted to work in theme parks. And growing up in Anaheim, some sort of career associated with Disneyland seemed readily attainable.

“Disneyland was the local business,” Tatham says. “It’s where everyone ended up when they were students and working part-time, and I was no exception.”

While in college, he got a job as a Jungle Cruise skipper, and since then, he has never looked back. Over the course of his career, Tatham has spent nearly 30 years with the Walt Disney Co., many of them in theme park design with Imagineering. More recently, Tatham worked at Universal Creative for more than a decade and was the executive creative director of Epic Universe, the company’s impressive new Florida park.

Today, Tatham is turning his focus toward the next generation of theme park designers, having recently been tapped by USC to lead the Bachelor of Fine Arts in Themed Entertainment program, which is offered out of the cinema school. The four-year program is designed to prep students for a myriad of fields — modern theme park design firms work not only on new attractions but readily contribute to museums, zoos, immersive marketing events and more.

And yet theme park designer can feel like an elusive dream job, one based on connections, mentoring or even just luck. Part of that myth was shaped by the initial Disney Imagineers, many of whom were simply making up the job as they went along. As a longtime admirer of Tatham’s work, I recently chatted with the newly crowned academic leader on how one should prep for a career in the field, hoping to demystify it just a little bit.

Steve Tatham, photographed in Florida’s Epic Universe, is leading USC’s undergraduate program in theme park design.

(Steve Tatham)

You don’t need to major in themed entertainment to work in theme parks

There aren’t too many universities that offer a theme park design degree. (Along with USC, Purdue offers a themed entertainment design major and the Savannah College of Art and Design has one of the best-known and longest-running programs in the country.)

But Tatham notes that when he began his career in the industry, it generally wasn’t a field accounted for by universities. And many theme park designers I meet as a reporter, whether relatively new to the industry or veterans, created their own paths into the biz.

Tatham’s own background still provides a solid template for those students looking to enter themed entertainment design, as not everyone will have the means or the ability to attend a program such as USC’s. “I wrote my own major,” he says of his time as an undergrad at UC Berkeley, where he targeted theme parks as his career goal. He majored in film design but took courses that combined theater, architecture, environmental psychology and film studies. After graduating, Tatham went to UCLA for a masters in architecture.

Architecture was a career path pushed to Tatham by longtime scenic designer Henry May, who was his advisor at Berkeley. It was an early recognition that theme park design is an offshoot of urban design, requiring principles necessary in both stagecraft and real-world planning.

Think beyond theme parks

People are hungry for themed experiences. Global theme park attendance topped 246 million in 2024, a 2.5% increase, according to the Themed Entertainment Assn., which also charted a nearly 15% growth in attendance at the world’s top 20 museums, which are often a fertile industry for theme park designers. And that says nothing of the domestic trend of smaller, more locally-focused entertainment centers (think Netflix House or Meow Wolf).

It’s why Tatham tells his USC students to think beyond a Disney or Universal creation.

“If you look in the world out there, there’s marketing firms doing pop-up retail and pop-up dining, and they are doing immersive design in museum spaces,” Tatham says. “In addition to theme parks, there are opportunities within marketing and within architecture. Students who get this interdisciplinary training, which involves coding, architecture, design, exhibition work, landscape architecture and lighting, it’s a growing field.”

Steve Tatham once served as a tour guide on Universal Studios Hollywood’s behind-the-scenes tram tour.

(Genaro Molina / Los Angeles Times)

The best lessons come from observing guests

Long before Tatham was designing Epic Universe, he was working as a tour guide at Universal Studios Hollywood. As a film buff, he enjoyed the early-career job, but says one lesson from those days continues to stick with him.

“I would go on and on, because I love movie history, and I would be like, ‘Right here is where Jimmy Stewart worked, and Edith Head designed costumes,’” Tatham says. “They would politely listen, but then when ducks walked across, they would get excited and take pictures. People love things that are alive and immediate and happening now. People respond to what is immediate.”

The best theme park design is in conversation with guests. I think of Epic’s “How to Train Your Dragon”-inspired land and the bounty of movement found in the space via animatronic dragons (if you promise dragons, guests better see dragons!), or Disneyland’s New Orleans Square, where the curved, winding paths encourage constant discovery.

AI won’t replace great original ideas

Tatham is careful when speaking on the subject of artificial intelligence. He doesn’t want to dismiss its potential to be used as a development tool. And yet Tatham is direct when it comes to AI and creativity.

“I think there are a lot of challenges with AI. I think there are a lot of things that are scary,” he says. “But I think, ultimately, if it’s used as a tool, it can be useful to artists.”

But there are limits.

“AI is never going to come up with a great idea,” he says. “It’s just going to recombine and reconfigure and spit back to you ideas that others have had. So I think this is an opportunity for original thought to stand out even more than it has in the past.”

Jennifer Bascom of Disneyland, gives a telegram to Disneyland guest Keith Kocienski of Fullerton while playing a live-action role-playing game in Frontierland called Legends of Frontierland back in 2014.

(Christina House / For The Times)

But the integration of smartphones remains a challenge

While Disney recently shuttered its Play Disney Parks mobile app, the park is experimenting with connectivity between the video game “Fortnite” and its attraction Millennium Falcon: Smugglers Run. Tatham cautions that any time a theme park invites someone to use a smartphone during their day at the park, designers are then pulling them away from the curated experience.

“The problem is when you’re in Universal or Disneyland, you’re now competing with all the opportunities that people have to explore their own entertainment,” Tatham says. “Are they going to be on Instagram or playing Solitaire online? So now you’re competing with that.”

And yet Tatham thinks there are lessons to be learned from the interactive world, as long as designers focus on real-world play. Tatham, after all, worked on what was once of my favorite Disneyland projects, the great but short-lived Legends of Frontierland. Some of those who contributed to it brought it to Knott’s Berry Farm, where it has been fine-tuned into the terrific Ghost Town Alive! The latter is a rarity in the theme park space.

Yes, it’s possible to make a decent salary

So how much can one expect to make? This isn’t an easy question to answer, as there’s only so many slots at Walt Disney Imagineering and Universal Creative, and the theme park design industry encompasses so much more.

There are independent themed entertainment firms to marketing outposts to studios to museums to architecture companies to theaters and more. And salaries can vary greatly between the public or private sector, as well as entry level versus senior positions. Even recruiting sites have a broad range, from around $50,000 to above $200,000.

The good news, says Tatham, is there is a high ceiling. Additionally, that there is a breadth of industries to work in should help any potential graduates. “There are many different job descriptions with different salaries in the themed entertainment field,” Tatham says.

And yet he knows it’s a concern of parents.

“I want students and parents to know that it is possible to make a solid steady income in the arts and that they shouldn’t focus on a backup plan but rather on putting together a killer portfolio because there is work for those who have honed their skills,” he says. “I would tell them that they should be prepared to live in Orlando, Fla., or Glendale, Calif., and be open to international assignments. Top directors can make in excess of $250,000 a year, but they should be prepared for starting salaries similar to architecture, graphic design or similar creative fields.”

A Disneyland cast member playing the role of Alice in Wonderland interacts with guests.

(Christina House / Los Angeles Times)

Remember why theme parks still matter

Anytime I have an opportunity to chat with someone with Tatham’s experience I want to hear their take on one question in particular, and that’s why they love theme parks and why they believe the spaces resonate with so many people. As someone charged with creating passion among the next generation of theme park designers, I was especially interested in Tatham’s response.

“If you go to a theme park, there is something for every demographic,” he says. “There are things for kids. There are things for grandparents. There are things for everyone in between. People can enjoy those times together, which was the original intent of Walt Disney. He was looking for a place while in Griffith Park where he could go do things with his daughters. He created it because it did not exist.”

For Tatham, it’s about the memories.

“If you ask people about their experience in theme parks, they will remember in great detail which parks they went to and who they were with,” he continues. “Ask them about going to the movies, they might say, ‘Sure, I went with my family, but can’t tell you what movies and who I was with.’ But they will remember those moments with theme parks. It’s a great bonding experience. That’s the reason they exist and the reason I love to create them.”

This week in SoCal theme parks

Plans are underway to refurbish the Griffith Park merry-go-round.

(Christina House / Los Angeles Times)

• The Griffith Park carousel will spin again. Assessments are underway to see what it will cost to once again get the Griffith Park merry-go-round spinning. Theme park fans best know it as the site that is said to have inspired Walt Disney to dream up what would become the Disneyland Resort, and it has been shuttered since 2022. Curiously, there’s also a Disney connection with the carousel today, as some of those who work at Walt Disney Imagineering are volunteering their time and efforts to restore this treasure in Griffith Park. Read my story here.
• Six Flags Magic Mountain shuts down second coaster. Six Flags is closing several rides across the U.S. and Canada — including the Goliath roller coaster at Six Flags Magic Mountain in Valencia — after a man fell to his death from a roller coaster at one of its parks in Georgia. Park officials said Tuesday that the closures were out of an abundance of caution and were temporary. Times writers Hailey Branson-Potts and Fedor Zarkhin have more on this story.
• Merry Minions. Universal Studios Hollywood has unveiled its slate of holiday of programming, and returning this year are its popular “Grinchmas” offerings, including the 65-foot winding, drooping, Dr. Seuss-inspired Christmas tree. There will be meet-and-greets, including a reading of “How the Grinch Stole Christmas,” as well as holiday carolers and ornament decorating. New this year will be holiday festivities in the park’s kid-focused Minion Land, complete with Minions in holiday attire. Super Nintendo World, Wizarding World of Harry Potter and other areas will also be dressed for the season, beginning Nov. 21 and lasting through Jan. 3.
• A heads-up for ‘Cars’ fans. It’s the 20th anniversary of the “Cars” franchise, and those with a special affinity for the series will want to find their way to Disneyland’s Pixar Place Hotel and park themselves on the hotel’s second floor art gallery. That’s where the hotel is hosting an exhibit honoring the film with drawings, paintings, sculptures and behind-the-scenes footage that document how Radiator Springs Racers was brought to life. And before you go, read my story on how Route 66 inspired the film and Cars Land.
• Step into the world of ‘Dune.’ Tickets are now on sale for an immersive “Dune” exhibition in downtown L.A. that promises spectacle, as well as a bit of mystery. Step around, and potentially inside, awe-inspiring vehicles from the film, or come face-to-face with the Bene Gesserit, a group of priestesses who possess, among other things, the ability to bend the will of others. “Dune: The Experience” opens Nov. 20 and and is currently set to run through Dec. 20, although an extension is likely. Standard tickets start at $42 but there are various ticket packages available.

Ride Report

The dinosaurs on the Disneyland Railroad.

(Todd Martens / Los Angeles Times)

It’s always a good idea to hop on a Disneyland attraction that has been recently refurbished. It’s generally a chance to see the ride in tip-top shape. And so I was eager to get on the Disneyland Railroad on a recent trip to the park, as the dinos in the Primeval World world section of the attraction had recently been hidden behind illustrated tarps. Good news, as the dinosaurs are looking as sharp as they ever have. No real changes were made to the figures, but they’re all moving as they should, be it munching on grass, rattling out of an egg or getting ready for battle.

The theatrical lighting overall feels a little brighter, and the few digital effects — a volcano erupting in the background, for instance — are all in working order and bring an added sense of dimension to the diorama scenes. Be sure to add it to your day. The Disneyland Railroad is also a fine reminder to slow down during your Disneyland visit.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

What is “Eggs in Space”?

(Todd Martens / Los Angeles Times)

A cinematic mystery is brewing, one that seemingly has connections to the local immersive entertainment community. What, for instance, is “Eggs in Space”? A recent sci-fi event at indie nonprofit movie theater and store Vidiots ended with the beginnings of a puzzle.

The screening appeared to be interrupted by a film that was taking control of the projectors. The film? “Eggs in Space.” As an abstract image of an egg appeared on screen, performers began walking toward the front of the theater in a transfixed, cult-like fashion.

There is, of course, no record of a film titled “Eggs in Space,” although there is a website dedicated to its disappearance. So dig in. A new alternate reality game just dropped. I have a hunch you’ll want to know where it leads.

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The A Place in the Sun presenter shared the sad news that the guest had died, months before the episode first aired.

A Place in the Sun presenter Jasmine Harman shared the tragic news that a guest on the show had died, just months before the episode aired.

The Channel 4 property programme returned with a repeat episode on Tuesday, 13 October, that had originally aired around the same time last year. It saw the presenter take couple Jackie and Delroy around Marbella in Spain, where they were looking for their dream holiday home.

Jackie and Delroy were hoping to buy their first home together, having met two years earlier on a dating site. They wanted to move to Spain permanently to start a whole new life together.

Reflecting on their relationship at the start of the episode, Jackie said: “We met and I think we knew fairly soon that there was something special.” Delroy meanwhile quipped: “Who else would you be with, I’m Prince Charming!” They had a budget of £600,000, telling Jasmine what they wanted to find somewhere with three bedrooms, sea views and their own pool.

At the end of their search, Jackie and Delroy revealed to Jasmine that they’d decided to make an offer on one of the properties they’d seen. “That’s fantastic news,” the presenter celebrated. The property was on the market for under £691,000, though Jackie and Delroy wanted to negotiate a lower price.

They explained: “The house is very tired, it needs a lot of updating. There’s no en-suite in the main bedroom, lots of flooring throughout the house to change, we have a kitchen to change, so we figure, about £605,000.”

Jasmine replied: “That’s over £85,000 off the asking price, which, as cash buyers, for a property of that level, you may stand a chance of getting something for £605,000.”

The presenter rung the vendor’s agent, putting forward the offer, while Delroy told her: “There’s only so much where I will go, with my developer head on, I know what needs to be done, so no way is my heart going to overrule my head.” However, unfortunately their first offer wasn’t accepted, with Delroy and Jackie going up to £625,000 and leaving that price on the table.

After filming, it was revealed that their second offer had been accepted, but Jasmine shared the heartbreaking news with viewers that Delroy had sadly died, just months before the episode originally aired.

After filming with the couple had ended, she said: “A couple of hours later, the agent called me back to say the vendor had decided to accept Jackie and Del’s offer of £625,000. However, sadly Delroy became ill shortly after returning to the UK. And they had to put the move to Spain on hold. Tragically, he passed away in April 2025. We send our deepest sympathies to Jackie and all their family.”

“What a sad ending,” one viewer wrote, as the repeat episode aired on Tuesday, 13 October. Another said: “Not expecting a heartbreaker today on #APlaceInTheSun.” “Well that was an unexpected and sad ending,” another echoed. Someone else commented: “RIP Delroy.”

Viewers also paid tribute on a post Jasmine had shared after Delroy’s death. She’d written on Instagram last year: “Tonight’s episode of A Place in the Sun was in remembrance of a very special person. I was so incredibly sad to hear the tragic news about Del’s passing. My heart goes out to Jacqui and all of Del’s loved ones. Jacqui you are so strong and he would be so proud of you.

“It’s another reminder; we never know what is around the corner. Live life to the full and cherish moments with your loved ones. RIP Del Delroy Alphonso Burke 17/10/1965 – 09/04/2025.”

Having watched the repeat episode, several viewers flooded to the comments. One wrote: “This was the saddest ending ever RIP big fella x.” Another said: “So sorry to hear that Del passed and that you didn’t get to live your lives in the sun. RIP Del.”

Someone else commented: “Just watched this, very sorry to hear this, he looked so well in the show.” Yet another said: “Just watched the episode (a year later) and wasn’t sure I heard it correctly at the end but unfortunately i did! RIP Del!”

A Place in the Sun is available to watch on Channel 4.